Dawn Ranch’s Ignacio ‘Nacho’ Zuzulich

Ignacio “Nacho” Zuzulich is the co-executive chef at The Lodge at Dawn Ranch in Guerneville.

Born in Argentina, he has a culinary passion that stems from his family’s restaurant background. His impressive career spans prestigious kitchens including Lasai in Rio de Janeiro, Michel Bras in France, Mugaritz in Spain (where he advanced to head chef) and the three-Michelin starred Restaurant at Meadowood. This was the job that brought him to our area and exposed him to the special ingredients inherent to Northern California cuisine.

Having lived all over the world, Zuzulich has a cooking style that blends Argentine roots with global influences. At Dawn Ranch since its 2023 relaunch, he partners with co-executive chef Juliana Thorpe, who hails from Brazil and has followed a similar global cooking path as Zuzulich. The two emphasize creativity and innovation with local produce.

Amber Turpin: What’s your job?

Ignacio Zuzulich: I serve as a co-executive chef, although I prefer to simply call myself a cook. In my view, that’s the most genuine way to describe our daily craft and all the responsibilities it involves.

How did you get into that work?

Cooking runs in my family—from my grandmother and father to my uncles, and now me. We’ve owned restaurants in Córdoba, Argentina, for more than 30 years, so I grew up in that environment. After school, I’d jump in to help, washing lettuce, making flan or prepping milanesa. I practically lived in our restaurants, and there came a point when I realized I wanted to commit myself fully to what I love most—cooking.

Did you ever have an “aha” moment with a certain beverage? If so, tell us about it.

I believe these moments happen whenever you taste something completely unexpected or discover a new flavor that surprises you. As time goes by, they become even more meaningful when you share them with friends, a partner or anyone you’ve built a genuine connection with—often over a good glass of wine.

What is your favorite thing to drink at home?

I keep plenty of Argentine wines on hand. And if I had to choose just one, it would be the kind that instantly brings me back home, at least for a little while.

Where do you like to go out for a drink?

I absolutely love Maison in Healdsburg. They make you feel welcome from the moment you walk in, treat you like an old friend. And there’s always something new to learn about wine whenever I visit.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

If it happened to be a deserted island in Argentina, I’d go for a classic: fernet branca and coke, with plenty of ice.

Dawn Ranch, 16467 Ca-116, Guerneville, 707.869.0656. dawnranch.com.

‘Star Wars Burlesque & Variety Show’ strikes back

Taking place in a galaxy not so far away on Sunday, May 4, Jake Ward via his North Bay Cabaret will be bringing his entertaining and sexy burlesque show, “May the Fourth Be With You: A Star Wars Burlesque & Variety Show,” to Petaluma’s Mystic Theater.

The cleverly titled day of celebration has not only become a day where people across the world celebrate Star Wars; it’s also the only known celebratory day featuring a lisp. (Think it through.)

Ward has been presenting all sorts of fun and edgy shows throughout the North Bay since as far back as 2016, when he first debuted a Star Wars-themed burlesque show at the now defunct Annie O’s in Santa Rosa.

From there, the show moved over to Santa Rosa’s Whiskey Tip and then the School of Rock (also RIP to both) before hitting the stage at Petaluma’s Phoenix Theater in 2019. Covid forced a pause in 2020-2022. But since then, the show’s been delighting people at Petaluma’s Mystic Theater.

Each year, the Mystic concocts some cosmic-themed cocktails, and fans are encouraged to dress in costume; the more outrageous the better might just help one win the costume contest. After the main show, there’s an “intergalactic DJ Dance Party” as well as an interactive laser/lightsaber game that will see one do battle until festivities wrap up.

We spoke to Ward about what one might expect from what would appear to be a clash of cultures.

Bohemian: Are you the originator of the Star Wars-themed burlesque show? I know there’s a bunch of them all over, but just curious if you are the brainchild or if you were inspired by someone else.

Jake Ward: We definitely didn’t invent the idea of Star Wars burlesque, but we’ve made it our own. One thing that sets our show apart is how many performance disciplines we bring under one roof. It’s not just burlesque; it’s a full-on variety spectacle featuring circus artists, contortionists, jugglers, pole dancers, sketch comedy, spoken word poetry, live parody music and more. It’s got all the sparkle and sass of classic burlesque, but with a wild, unpredictable, high-energy twist.

We first hosted “May The Fourth” at a time when we were experimenting with all sorts of pop culture-themed variety shows, like “Sin Peaks” (our tribute to David Lynch) and “The Life Erotic” (inspired by Wes Anderson). But the reaction to “May the Fourth” was so overwhelmingly positive, it was clear this one needed to become an annual tradition, especially on the official Star Wars holiday.

I’ll try to ask this in a non-judgy way but, aside from Princess Leia in “Return of the Jedi,” the Star Wars franchise isn’t terribly sexy. I mean, if large, angry, patricidal men are your thing, who am I to judge?

In short, I personally have a difficult time thinking of the Star Wars universe in terms of sexiness or burlesque type terms. However, I’m also not well versed in the burlesque-verse. What is it about Star Wars that lends itself to this type of performance? Or, is it a case of it’s such a strange combo it has to be seen to be understood?

Totally fair question, and honestly, part of the magic is that unexpected mix. There’s something inherently fun (and funny) about blending a beloved sci-fi epic with the playful, cheeky world of burlesque. But Star Wars actually lends itself surprisingly well to this kind of reinterpretation. The franchise is full of iconic characters, costumes and dramatic moments, which gives our performers so much to work with creatively, whether it’s building elaborate cosplay-inspired looks or reimagining a character’s arc through dance or satire.

It’s one of those things where the concept might sound strange on paper, but once you’re in the audience, it just clicks. People laugh, they cheer, they sometimes tear up—it’s a whole ride.

Fair enough. Can you name some of the more popular performers returning this year and also name some new folks you’re excited to have on the bill?

Absolutely. We’ve got some beloved returning performers, including Jamie DeWolf, who delivers an emotionally powerful spoken word tribute to Carrie Fisher that’s always a showstopper; Qu’in de la Noche, who returns with a mesmerizing Jedi-themed burlesque routine, lightsaber and all; and Guy Vigor, a male burlesque performer who brings a show-stopping act as Darth Vader, accompanied by Stormtrooper backup dancers.

Those names definitely ring a bell from previous shows you’ve done. Have you brought any new acts, or “Padawan Learners,” into the mix this year?

Yes. We’re also excited to welcome some new talent this year who have never performed at a North Bay Cabaret show before. Julia Sweeney, a local Sonoma County-based contortionist, will be performing a mind-bending act as R2-D2. Velvet Thorn, another Sonoma County artist, will perform a transformative burlesque act morphing from Finn to Kylo Ren. Leah Marie, from the Bay Area, will be heating things up with a golden C3PO pole dance performance.

It’s really a beautiful mix of returning stars and fresh faces.

I love that this is an early show since May the Fourth is not yet celebrated as a federal holiday, and this year it’s on a Sunday. Doors are at 6pm, show is at 6:45pm and wraps up at 9pm. If people are sensing a disturbance in their force, making them now sure they want to go, what can you say to sway them over to the dark side?

Whether you’re a die-hard Star Wars fan or you’ve never seen a single movie, this show has something for everyone who loves bold, live and boundary-pushing entertainment. North Bay Cabaret has always been about creating a space for underground artists and offbeat creativity here in Sonoma County. So if you’re looking to support local art and try something totally different, this is your chance. Skip the streaming service for a night, and come experience something that’s truly one-of-a-kind, in person, right in your own backyard.

Tickets for ‘May the Fourth Be With You: A Star Wars Burlesque & Variety Show’ are available now at the Mystic Theater website, or one may save a ‘convenience’ fee by grabbing them in-person at the venue. There are several tiers of tickets, with a Gold Circle seated near the front of the stage, reserved seating on the floor and balcony seating for those who’d like to enjoy from afar. There’s also VIP table seating available starting at $200. So one may come on down, enjoy a wild night and maybe find the droid they’ve been looking for.

Your Letters, 4/30

Clown Takedown

One of the fun aspects of being my age is that I was fully coherent when Richard Nixon met his karmic retribution for being a pathetic public liar before, during and after Watergate. Like Donald Trump today, he had his team of enablers, though unlike today, there was a free press for him to contend with.

The same will happen to Trump. He will be taken down differently, but he will be taken down.

The rise of Trump, the consummate con artist, is a complete breakdown of American society. For those whose personal fortunes will be erased by the tariffs and whatever other stupid ideas the president comes up with, you have my sympathy but not my respect.

There are only so many bright, shining lies, small, medium and large, that we can bear.

Craig J. Corsini

San Rafael

Call of Cthulhu

“He thought of the ancient legends of Ultimate Chaos, at whose center sprawls the blind idiot god Azathoth, Lord of All Things, encircled by his flopping horde of mindless and amorphous dancers, and lulled by the thin monotonous piping of a demoniac flute held in nameless paws.”

That’s a quote from a short story that H. P. Lovecraft wrote years ago. Or maybe you thought I was talking about Donald Trump?

David Madgalene

Windsor

Shrinky Dinks

Guys, it’s not just because I’m old and my eyesight ain’t what it used to be, but reading (or trying) to read a scrunched-down and overpopulated “This Modern World” is extremely frustrating. When a black band at the top of an intro panel soaks up the white lettering like a sponge, and the clunky boldface type in the speech balloons from multiple characters smushes together, my (our?) eyes ask, “What did they say?”

Or in the words of my 31-year-old neighbor, whom I asked to translate, “God, this is so damn stupid.”

Bob Canning

Petaluma

Master of Ceremony: Cassandra* Hampl, aka Sweet Beat Petite

I emcee events. I’ve been doing it for years. And such is my professional pride, I often find myself looking down critically on other emcees. That gives context, and the measure of what I am about to say next.

When I first saw Sweet Beat Petite, hosting Hopmonk’s Valentine’s Day Burlesque and Cabaret, I was impressed. I was so impressed that I paid her a compliment I have never paid anyone before. I stepped onto the stage after the curtains and asked her to “please teach me.” I now believe, whatever our pride, some part of us is always waiting for a true master to appear. And I believe Sweet Beat Petite is the North Bay’s most skillful and charismatic master of ceremonies. She is in complete control of her full-body instrument.

That is the impression she makes in front of a packed crowd, posing under a thousand-watt spotlight. With flourishes of vaudeville humor and Broadway cheer—through a generous outro of the previous act, through a table-mounting burlesque performance that upstages it, into a full-throated morning song of positive affirmations as she stalls for the next act—Sweet Beat Petite accomplishes it all while wearing little more than a few hundred sequins.

The impression is not of an erotic dancer or a showperson, but that of a high level martial artist demonstrating combinations from the master’s manual.

In promotion of her next show, at the Sebastopol Center for the Arts (Performance Lab, 6pm May 4), I sat down with Cassandra* Hampl (aka Sweet Beat Petite) to get a grounded sense of the wider woman. By the way, the asterisk on her name is silent.

Cincinnatus Hibbard: Could you introduce yourself to our readers?

Cassandra* Hampl: I’m Cassandra*, aka Sweet Beat Petite … and I’m a human in a suit—female form, and grateful (laughs).

Professionally?

I am a professional performance artist and energy psychology practitioner.

I see many schools in your performance style—including vaudeville comedy. Could you break your style down?

There is the microphone arts section, and then there is the dance arts section—oh, and the beautiful costume-design section. I am a public speaker, storyteller, poet, MC, wedding officiant, guide, coach and oracle. Then I am a belly dancer, burlesque performer, nude art model, fire dancer and a martial artist.

Now we don’t have the column space to fully enlarge upon your theoretical work and psycho-spiritual practice—you are in fact a multiple author. Perhaps we can invite the reader to research “energy psychology” and refer to your five published works?

“Open to Source: Channeled Musings Vol. 1,” “One Breath at a Time: A Story for

Empath Children and Those of Us That Sometimes Feel Overwhelmed,” “M.U.S.E.: My

User Systems Explained,” “The D.I.Y. How to Be a Functional Human Manual” and my

oracle deck, “The Mystery Within: 47 Archetypes of the Divine Feminine.”

That’s quite a feast. Tell me, what unifies these works?

Energetic psychology … and the unified field theory (laughs).

(laughing) Now that we’ve typed you, say something unexpected about yourself.

I’m actually a deeply hermitted introvert (laughing).

Cassandra*, what’s your dream?

To create and to own a castle village retreat center where I can run “summer camps” for highly gifted people and amplify their extra-sensory abilities.

Learn more: Follow linktr.ee/sweetbeatpetite for links to Cassandra* Hampl’s many offerings. And see her May 4 at 6pm at Sebastopol Center for the Arts, 282 S. High St.

Warren Haynes Comes to LBC

To say Warren Haynes wears a lot of creative hats is truly an understatement.

Not only was he recruited to play guitar alongside co-founding member Dickey Betts when the Allman Brothers Band reformed in 1989, right up through the band’s 2014 farewell show. But Haynes found enough time to form jam-band Gov’t Mule as a side project in 1994—a group he continues to lead to this day.

In addition, Haynes hit the road as a part of Phil Lesh and Friends, The Dead and The Last Waltz Tour. And somehow, the North Carolina native has managed to carve out a solid solo career. After nearly a decade, Haynes pivoted from the group dynamic with last year’s Million Voices Whisper, his first solo effort since 2015’s Ashes & Dust.

Credit the pandemic and a chance for the 65-year-old musician to spend some time contemplating life for this addition to his catalog. Haynes will perform at Santa Rosa’s Luther Burbank Center for the Arts on May 4.

“I usually only do a solo record when I feel like I’ve written a fresh batch of songs that don’t sound like Gov’t Mule songs but seem to work together and have some sort of intertwining connection,” Haynes said in a recent interview. “I was just writing so much music starting with the Covid lockdown that carried forward. I have a lot of music that I was really excited about recording, so that’s what led to this record.”

He added, “I think the common thread seems to be, from a lyrical standpoint, looking at things from a different lens, from a new vantage point, and doing a lot of reflecting—looking at the future and trying to approach life from a new light in a positive way in letting a lot of the baggage from the past go.

“Musically, I was just kind of exploring some new directions. I think the lyrical approaches on this record are fresh for me as well. I just felt like in a lot of ways, it’s a new chapter, and I didn’t want to explore the same themes, subject matters and utilizations that I had explored in the past,” Haynes continued.

Helping realize Haynes’ vision for Million Voices Whisper are an array of guests, including former Allman Brothers Band bandmate guitarist Derek Trucks, keyboardist John Medeski and Dirty Dozen Brass Band drummer Terence Higgins, along with Last Waltz Anniversary tour mates Lukas Nelson and Jamey Johnson.

The album starts off strongly with opener “These Changes,” a soulful Haynes-Trucks co-write that channels Curtis Mayfield in sentiment and is quickly followed by the snappy Johnson co-write “Go Down Swinging,” a jam co-written by Johnson that gets its juice from crisp horn arrangements that would suit Van Morrison. Elsewhere, “This Life as We Know It” is chock full of inspiration and hope while shining the spotlight on the rock-solid vocal accompaniment of touring backup singer Saundra Williams.

A major highlight is “Real, Real Love,” an unfinished song penned by Gregg Allman that Haynes completed with the help of Trucks. The journey for his tune began with photocopied lyrics in Allman’s handwriting sent to Haynes by former Allman manager Bert Holman, who asked the guitarist if he remembered working on it with the late Rock and Roll Hall of Famer.

While Haynes recalled being shown the song by Allman, he didn’t remember seeing any music for it. After tweaking the lyrics, adding some of his own along with music, Haynes called Trucks to help finish it.

“I got very inspired, called Derek on the phone and told him I just finished this tune Gregg wrote a long time ago, and I thought we should record it together,” Haynes said. “I wound up spending three days at Derek’s place in Georgia, just the two of us writing for three days. And then he came into the studio for two days, and we got a lot of work done.

“It’s the only time I can remember trying to honor someone else’s songwriting and vocal style to this extent. The song was Gregg’s initial inspiration, and I wanted to finalize it in as much of a way that he would as possible,” he continued.

Being a creature of the road, Haynes promises fans his concerts will feature a wide swath of material from his considerable canon, solo material and otherwise.

“We do a lot of stuff from Million Voices Whisper,” he shared. “We do some songs from each of my solo records. We also do a handful of Gov’t Mule songs, a handful of Allman Brothers songs, a handful of choice covers. It’s different every night, but not to the extent that a Gov’t Mule show is different every night. We don’t have as large a repertoire to choose from, but we’re expanding that all the time. People that come out to multiple shows will get a different experience each time.”

This year is shaping up to be an interesting one for Haynes. Not only did he play a recent pair of dates at Madison Square Garden as part of The Brothers, consisting of friends and surviving members of The Allman Brothers Band’s final lineup, but 2025 is also the 30th anniversary of Gov’t Mule’s self-titled debut. That album will be re-released with archival unreleased material and unreleased live material featuring the late bassist Allen Woody, a member of the original trio.

Haynes will also perform a handful of shows with Gov’t Mule and the Tedeschi Trucks Band. A remixed and remastered version of his first solo record, 1993’s Tales of Ordinary Madness, will also be getting the reissue treatment.

But what Haynes might most be looking forward to is a live record he cut with his hometown Asheville Symphony Orchestra.

“I recorded it right before Covid, and we decided not to put it out during the pandemic because it’s kind of a once-in-a-lifetime retrospective, in the way that it’s all live versions of songs from my solo career, Gov’t Mule, The Allman Brothers, The Grateful Dead and all different things I’ve been associated with over the years,” he said.

“It took a lifetime to put it out, because we didn’t want it to get lost during the Covid madness,” Haynes noted. “It’s a really exciting record in the way that there is a lot of improvisation that gets incorporated with the symphony, which is not an easy thing to do.

“It’s something I worked at going back to the Garcia Symphonic Celebration (a show celebrating the music of the Grateful Dead),” he continued. “It was really important for me to figure out ways of doing that. And we incorporated all those different ways into this recording. I’m really excited for it to come out.”

Warren Haynes performs at 7:30pm, Sunday, May 4, Luther Burbank Center for the Arts, 50 Mark West Springs Rd., Santa Rosa. For tickets, visit bit.ly/haynes-25.

Common Enemy: What we share (and what to do)

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Don’t let the billionaires behind the curtain distract you while they steal your money and your freedom.

George W. Bush believed that replacing theocratic government in the Middle East with democracy would bring peace, justice and equality to that part of the world. With this rationale, he and his party justified the Iraq War, which went on for eight years, with the loss of 4,500 American lives and a cost of two trillion borrowed dollars.

I voted for Bush. I admired his love for democracy. If only Donald Trump could show that devotion, but sadly, it is not in his nature. The conservatives I know did not want or expect this outcome. They knew Trump was a narcissist, but he concealed his plans. He denied any knowledge of Project 2025, for example. But in the first six weeks of his administration, he followed that plan step by step.

Freely electing an autocrat was not a historic first. It happened 90 years ago in Germany when the disheartened German people became enamored with Adolf Hitler. But as chaotic as this Trump administration is, this is not Nazi Germany, and the onslaught of our democracy can be stopped. For that to happen, the root cause of people’s disillusionment must be appreciated, for it conditioned voters to accept the disinformation from and about Trump that flooded social media.

Sixty years ago, our presidents and congress people valued America’s founding principles, freedom, equality and democracy. Elected officials honored their oath to the Constitution, and they supported other liberal democracies that shared our values. Issues of religion were handled by religious leaders, who were satisfied with America’s guarantee of religious freedom. They did not have political agendas.

We must again elect representatives who are principled and stop mixing religion with politics. And reality TV personalities should not be running American government.

The Trump administration and the billionaire oligarchs are working at a lightning pace to take your money and make America another Russia.

We can still stop them.

Bob Topper is a retired engineer.

Pricey Truths: ‘Other Desert Cities’ staged in Napa

The plot of Jon Robin Baitz’s Other Desert Cities can be summed up in a single line from the play itself: “Telling the truth is a very expensive hobby.”

Ironically, that line is delivered by Silda, the character furthest from the truth and with the least to lose. The entire show is a nesting doll of truths sealed with spite, fear and, ultimately, love. Napa’s Lucky Penny Community Arts Center hosts a Dana Nelson-Isaacs-directed production through May 4.

Brooke Wyeth (Taylor Bartolucci) is a novelist who has overcome a mental breakdown by writing a memoir. She has told her parents, Polly (Cynthia Lagodzinski), a protégé of Nancy Reagan, and Lyman (Barry Martin), a retired actor and former ambassador under Ronald Reagan, that it’s a novel. Now, with a book deal in hand, she has come to her parents’ Palm Springs home for Christmas. Joining them is Brooke’s younger brother, Trip (Max Geide), a television producer, and Polly’s freshly rehabbed alcoholic sister, Silda Grauman (Titian Lish).

In the spirit of full disclosure, this script was one of the first shows I ever produced and holds a special place in my heart, so I was delighted to see that the set by Barry Martin, Gary Green and Kade Morrill was so detailed and beautiful. The small stage becomes a mid-century masterpiece, overlooking the desert.

A script like this takes a steady hand. It’s a challenging task to strike a balance between the depth required and the glib comedy that keeps the play moving. Geide’s Trip comes the closest. Written as the middle-ground character, he does a good job of keeping the energy up and the show moving. His funny lines land well, and his journey is the most believable.

The rest of the cast, however, does not maintain the pace or tension. The heartbeat of the family drama is the tension of things left unsaid, of memories unknown to the audience. Without that draw to pull the audience in, a great deal of the play is adrift, leaving the viewer waiting for something to happen.

Other Desert Cities is a family dramedy on a knife’s edge. One way too much or the other, and the show doesn’t work. Silda is correct; the truth is expensive, as it often requires taking a risk. Sure, a knife’s edge can be uncomfortable, but sitting on the handle looking at the blade will never cut anything.

‘Other Desert Cities’ runs through May 4 at the Lucky Penny Community Arts Center, 1758 Industrial Way, Napa. Thurs–Sat, 7:30pm; Sun, 2 pm. $24-$47. 707.266.6305. luckypennynapa.com.

Culture Crush, April 23

San Rafael

Ballet? Yes, Pliés

Hear ye, hear ye—entertainment awaits. And villagers so inclined may come and feast their senses upon modern ballet dancers, Renaissance-era choral music and more. In other words, RammDance’s modern ballet studio is joining forces with a live chorus from Areté Singers to celebrate the 25th anniversary of the West Coast Arts Foundation. One may come out to watch and maybe even join in as RammDance puts on a show to celebrate the West Coast Arts Foundation’s quarter-century anniversary in appropriate style, pomp and circumstance.

RammDance Company’s performance will take place at 2pm on April 26 at the West Coast Arts Foundation performance studio in San Rafael, located at 1554 Fourth St. To learn more, visit rammdance.org.

Petaluma

Join the Circus

Time to run away to the circus—Petaluma’s new Cider Circus, to be exact. One may pack a bag and brush up on their acrobatics, because everyone and their grandmother is running away for a day at Cider Circus to celebrate cider, beer and other beverages from more than two dozen natural Northern California producers. And they may join in on the music, games and food to match the beverages. If joining Cider Circus is wrong, then no one wants to be right. Cider Circus runaways may come via train, bike, tightrope or by paddling up the river—that is to say, no drinking and driving clown car shenanigans. Early bird tickets cost $45 each, and children are welcome to attend for free (as are dogs, provided they stay on their leashes).

Tickets are at bit.ly/cider-circus. Cider Circus will take place from 1 to 6pm on Saturday, April 26 along the banks of the Petaluma River at Steamer Landing Park, located at 6 Copeland St. in Petaluma.

Petaluma

Surfs Up in Petaluma

Some serious waves are about to hit Petaluma … and before y’all get worried, this is an announcement for an art exhibition (and definitely not a tsunami warning). Now that we’re on the same wavelength here, it’s time to get stoked for a local exhibition from water and surf landscape artist Robb Havassy. Those who love art, the ocean and/or artwork of the ocean may follow the current down to Usher Gallery, which is hosting Havassy and his expressive and aquatic collection of works entitled Into the Light. So, do not barrel roll gently into that good light, folks—instead, one may catch a wave and hang loose looking at some art.

The opening reception of ‘Into the Light’ will take place from 5 to 8pm on Saturday, May 3 in the Usher Gallery, located at 1 Petaluma Blvd. N. in Petaluma.

Sausalito

Local Treasures Meet Legal Heist 

What if local art lovers could spend a night feeling like a bougie and legal version of Bonnie and Clyde? Well, no need to speculate when Marin Open Studios hosts their Local TreasuresBenefit for Art in a historic bank vault turned art room at the Sausalito Center for the Arts. The pièce de résistance of the evening is the “pick a treasure” game, which goes alongside a wine pull and a vacation auction (and art, obviously). One may grab their finest pinstripe suit and bowler hat, and not forget their getaway car—i.e., a sober designated driver—’cause the benefit is all set to have an open bar alongside gourmet catering from Insalata’s and other local restaurants.

The Marin Open Studios ‘Local Treasures Benefit for Art’ will take place from 6 to 9pm on Saturday, April 26 at the Sausalito Center for the Arts, located at 750 Bridgeway. To buy tickets, go to bit.ly/MarinOS25.

There Goes the Neighborhood, Sonoma County’s Local Defense Contractors

While conflicts like the yearslong war in Ukraine or the shaky Gaza ceasefire seem comparatively far away, the weapons manufacturing capabilities of Sonoma County have brought the logistics—and potentially the threats—of war to Wine Country. 

Keysight Technologies in Santa Rosa and General Dynamics Ordnance in Healdsburg are two large defense contractors that produce components and software for weapons that have been deployed in Ukraine and Gaza. 

Ken McCallum, head of British intelligence agency MI5, noted in his annual speech to the Counter Terrorism Operation Center last October that defense contractors’ participation in these conflicts brings with it the risk of sabotage operations, as already seen in several European nations. 

“Over the last year, the Russian government and its proxies have planned and directed sabotage attacks against European military installations, foreign defense companies, logistics facilities and public utilities in an effort to undermine Allied support to Ukraine,” a public release from the U.S. Office of the Director of National Intelligence (DNI) warned in November of 2024. 

The release cautioned that such activity could be repeated at defense industry base facilities in the United States. 

Known as “hybrid warfare,” Russia’s tactics are thought to have included framing political parties for vandalism, destruction of undersea cables and a plot to assassinate the CEO of a German arms maker, resulting in the effects of the Ukraine war being felt far beyond the frontline. But Wine Country is also “fire country,” so it is the arson attacks that are of most concern when considering how Sonoma County’s businesses are embroiled in foreign policy. 

Keysight Technologies is headquartered off Fountaingrove Parkway in northern Santa Rosa, sitting on a 200-acre campus nestled between oak trees and senior assisted living communities. The location is idyllic, and security is tight. The company’s website describes its mission to “connect and secure the world,” through hardware and software for electronic detection and emulation. 

Essential capabilities on today’s high-tech battlefield.

“We do not make a single component that goes into a weapon,” said Hamish Gray, senior vice president of corporate services for Keysight, who has been with the company for 36 years. Nonetheless, he confirmed that Keysight is “absolutely a defense contractor.”

Gray added, as if to emphasize the point, “There’s not a single aircraft carrier that doesn’t have our tech on it.”   

“We monitor the news constantly,” said Alicia Benson, vice president of workplace solutions for Keysight. “When the Ukraine war started, we had a Russian footprint. We got out. We have a big Israel headquarters as well.” She added that, because this monitoring is constant, they did not make any security changes based directly on the DNI release. 

General Dynamics Ordnance and Tactical Systems is another powerful local contractor with reported revenues of $47.7 billion in 2024. The nondescript, almost homey-looking warehouse on Grove Street, less than a 15-minute walk from the well-dressed wine tasters in downtown Healdsburg, is one of 27 locations owned by the third-largest U.S. government aerospace and defense contractor, as of 2023.

According to GD-OTS’s website, its Healdsburg facility manufactures guidance components for precision munitions such as the Javelin anti-tank missile and the High Mobility Artillery Rocket System (HIMARS). Both weapon systems were publicly lauded as key to turning the tide of the war in Ukraine when sent as military aid.

Hybrid warfare isn’t limited to Russia. Iran has a long history of using international proxies for acts of sabotage and terrorism to further the state’s interests. As the U.S. becomes more deeply embroiled in the Middle East, the chances of those proxies taking aim at Americans goes up.

Whether munitions heading to Israel for use in the war in Gaza are manufactured in General Dynamics’ Healdsburg location specifically is unclear, but the company is known to produce the bodies of the MK-80 series of bombs, which has seen extensive use in that conflict, including in the 2024 bombing of the Jabalia Refugee Camp, according to American Friends Service Committee.

A shipment of 35,529 MK-84 bomb bodies manufactured by General Dynamics will be delivered next year as part of the latest round of military aid to Israel, according to a February press release from the Defense Security Cooperation Agency. The cost of these bombs and their ancillaries is more than $2 billion of the total $12 billion in arms authorized for Israel since President Donald Trump took office. 

Last December, activists organized by the Jewish Voice for Peace Sonoma County, the Party for Socialism and Liberation of Sonoma County and Sonoma County for Palestine gathered outside of General Dynamics’ Healdsburg facility to protest what they deemed the company’s complicity in the humanitarian crisis in Gaza.

“General Dynamics makes bombs and artillery shells used against people in Gaza,” a poster on Sonoma County for Palestine’s Facebook page said. 

Inhui Le, a community organizer with Sonoma County for Palestine, said her own experiences growing up in a ravaged postwar South Korea deeply impacted her views on the effects of war and defense contractors who profit from it. 

 “We want people to know that, even in Northern California, in the heart of Wine Country, there is a weapons industry,” Le said.  

General Dynamics did not respond to attempts for comment. 

The high stakes at which these companies play in the national security game came into focus in 2021 when the State Department fined Keysight Technologies $6.6 million for exports of unauthorized technical data, software used to test radar equipment, to 17 countries. 

“Keysight’s exports to the PRC [China] and Russia harmed U.S. national security,” said the charging letter the State Department sent to call out the problem. 

According to Gray, the incident was simply a case of an engineer misidentifying a line of code. “Technically it was dual-use anyway,” Gray said.  

Negotiations to end the Russo-Ukrainian conflict are moving like molasses while hope for peace in Gaza languishes between ceasefires. But, escalations in Yemen notwithstanding, both of these firestorms are showing signs of cooling. That said, either could flare back up. And there are plenty of others brewing. 

As John Mearsheimer, University of Chicago professor of international relations, said during a 2024 lecture at Notre Dame University’s International Security Center, the world is moving into an era of multipolarity and escalating militarization between three great powers, namely Russia, China and the United States. Some small countries will be made to choose which sphere of influence they fall under, but many, like Ukraine, will have the choice made for them. 

World leaders, including Russian Foreign Minister Sergey Lavrov, echoed this observation at the Antalya Diplomacy Forum in Turkey recently. “Generally speaking about multipolarity, it is gaining ground, no doubt about this,” Lavrov said. “What we observe is fragmentation of the world economy. This is the time of uncertainty. I would say nobody knows how the situation with world trade and investment is going to evolve, because there would be new twists in this situation.”

Trump’s tariff war is another manifestation of this emerging power dynamic shaking out as the rules based international system gives way to a tangled web of trade and security agreements. As each great power jockeys to maximize their sphere of influence in this new world order, tensions between these alliances create trip wires for escalation.

Defense industrial base facilities that are the target of protestors and saboteurs today could be the targets of conventional military or even nuclear strikes should that escalation spiral out of control. This may sound dramatic. But since “war supporting and economic factories” are one of four categories of targets named in the United States General Accounting Office’s “Nuclear Weapons Targeting Process” fact sheet, we can assume the same applies for America’s adversaries.

“We have a lot of defense contractors in Sonoma County,” congressperson for California’s 4th district and former House Intelligence Committee member Mike Thompson told Santa Rosa Junior College students on April 15. “They fly under the radar.” 

Adding to that, he blames the executive branch for elevating the threat to those facilities. “Part of the problem with this administration is we’ve told the world we are in chaos. And when we’re in chaos, we’re much more open to any type of attack,” Thompson said.

Though multipolarity suggests the world is dividing, ever-increasing technological interconnectivity is also shrinking it, bringing potential adversaries closer and blurring the lines between foreign and domestic concerns. 

While the prospect of saboteurs setting fire to Sonoma County to disrupt the United States’ military industrial base remains relatively remote, the DNI’s warning serves as a reminder that the fear and consequences of conflict often reverberate far beyond the battlefield, touching communities much like our own. 

If a distant threat can stir unease here, in one of the safest corners of the world, it may offer a glimpse—however faint—into the daily reality of people who live at the center of those conflicts, where policies shaped by our votes often disrupt their homes, families and futures.

Day at the Bay: Hitchcock, Hospitality & the Sonoma Coast

Thanks to wine industry conjunctive labeling laws, talking about the “Sonoma Coast” requires some semantic gymnastics—we’re not discussing the sprawling American Viticultural Area, but rather the craggy shoreline. 

Further complicating matters is the “Bodega” conundrum—are we talking about the bay or the town? Alfred Hitchcock didn’t help matters by blurring geography in his feathered fright-fest, The Birds. 

Also, doesn’t Yoda live in the Bodegabah System?

On a bluff overlooking iconic Highway 1, The Lodge at Bodega Bay started out in 1972 as a modest seaside motor lodge. Today, it’s grown into a plush, 83-room coastal getaway, complete with EV-friendly charging stations, Arts & Crafts-inspired decor (think nautical chic without the kitsch) and fireplaces begging one to pretend it’s colder than it actually is. The place has precisely that mid-century mod coastal vibe to make Don Draper want to buy the world a Coke.

That said, no matter how cozy their room, one will spend half their time gawking at the ocean views.

The Lodge doubles as the perfect staging ground for local exploration. Just steps away is Doran Beach, one of the Sonoma Coast’s favorite sandy playgrounds. Pro tip: Snag a free beach parking pass from the front desk and save $7—enough for a gas-station burrito on the drive home. Trails for hiking, biking and even horseback riding are everywhere. Though, judging by the folks I saw, horses are strictly BYOH (bring your own horse).

Bird lovers will find Bodega Bay to be feathered-friend heaven, officially recognized by the Audubon Society. Hitchcock would no doubt approve. Though hopefully one’s avian encounters won’t involve fleeing in terror like Tippi Hedren (from Hitch’s unwanted advances).

Speaking of bird themes, Black Kite Cellars’ Jasper House recently opened as Freestone’s preeminent tasting room in the historic district. Conveniently close to Wild Flour Bread and Osmosis Day Spa Sanctuary, Jasper House showcases terroir-driven pinot noirs and chardonnays expertly crafted by winemaker Jeff Gaffner. 

Owners Tom Birdsall and Rebecca Green Birdsall have cultivated their family-owned winery’s reputation since 2003, cementing west Sonoma County’s status as Wine Country royalty. Located at 12747 El Camino Bodega, Jasper House is open daily, 10am–5pm. Appointments are encouraged, but spontaneous tastings are welcome—perfect for wine emergencies. Visit BlackKiteCellars.com.

For those downsizing their mad money expenditures, follow my lead: Tell your workmates you’re going into “the field”; grab a frosty, $4 20-ounce Pabst Blue Ribbon from Diekmann’s Bay Store on Highway 1; claim a dune at Salmon Creek South; write your damn story; and let the great gaping maw of the Pacific Ocean remind you that simple pleasures can often be the best. Just don’t get sand in your laptop.

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