‘A Night with Janis Joplin’ in Sonoma

Jukebox musicals, with few exceptions, are not known for their intricate plots or dramatic surprises. They exist to provide their audiences with musical comfort food. Case in point, the Sonoma Arts Live production of A Night with Janis Joplin. The show is heading into its closing weekend on the Rotary Stage in Andrews Hall at the Sonoma Community Center.

Folks expecting to hear much about Joplin’s life will find the show lacking. It offers snippets of her upbringing and family life and references her musical influences and her blossoming as a performer. The drug and alcohol abuse that ultimately killed her is dismissed via a few sentences and an ever present bottle of whiskey on stage. It shouldn’t be surprising given the approval of the Joplin Estate of the development of this show. Joplin’s Wikipedia entry provides more info than this show’s book.

But, oh, the music.

Folks coming to hear the classic Joplin songbook (“Me and Bobby McGee”, “Piece of My Heart”, “Try”) will be more than satisfied with this production. Libby Oberlin is simply terrific in the role of Janis, completely embodying the character in both physical presence and voice. It’s amazing to think her last “solo” performance at SAL was as Vivian Vance.

And because that voice needs significant rest to get through a two-plus hour show, audiences get a bonus with performances by the aforementioned “influences”, including Bessie Smith (Skylaer Palacios), Etta James (Jeffrie Givens), Nina Simone (Aja Gianola), and Aretha Franklin (Safira McGrew). When they’re not performing as these icons with such songs as “Tell Mama”, “Nobody Knows When You’re Down and Out”, and “Spirit in the Dark”, they’re backing up Janis as “The Joplinaires”. It’s one hell of an ensemble.

There’s a seven-piece, hard-rocking band occupying most of the small stage – Justin Pyne on keyboards, Jonathan Bretan on lead guitar, Tim Curley on rhythm guitar, Jessy Aguilar on bass, Dave Lindgren on brass, Maria Millard on trombone, Brendan Buss on reeds, and Allen Daniel Rivera on drums. All are excellent, with Bretan given a few moments to shine with his axe picking skills.

A Night with Janis Joplin really isn’t a jukebox musical. It’s a staged concert and director Carl Jordan stages this one pretty well. Folks usually don’t go to concerts expecting to learn anything about the performer. They just want to be entertained and maybe sing along to some of their favorite tunes. If you’re a fan of Janis Joplin, her influences, or even just a fan of classic rock, you’ll have a great time.

Note: The role of Janis Joplin is performed by Michelle Louise at the 09/18 evening and 09/20 matinee performances.

Sonoma Arts Live presents ‘A Night with Janis Joplin’ through September 21 on the Rotary Stage at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs – Sat, 7:30pm; Sun, 2pm. $25 -$42. 707-484-4874. sonomaartslive.org

Sun Day: Solar Offers Power to the People

Great news, everyone: Solar is cheap, easy and only going to improve in efficiency decade after decade, forever. That is unless we choose—against economics and reason—to dig deeper and deeper into the ground for less and less oil at greater cost decade over decade … an activity that will eventually choke us all to death.

So, which is it, folks … Option A or Option B?

The Opportunity

In a new book, Here Comes the Sun, longtime environmental advocate Bill McKibben lays out facts of the accomplished technological revolution in solar and wind power. While there are advantages and objections to them both, in this article, as McKibben does in his book, let us focus mostly on solar, because that is where the innovation curve has really taken off.

“Sometime in the early part of the 2020s we crossed an invisible line where the cost of producing energy from the sun dropped below the cost of fossil fuel,” writes McKibben. “We live on an earth where the cheapest way to produce power is to point a sheet of glass at the sun; the second-cheapest is to let the breeze created by the sun’s heating turn the blade of a wind turbine.”

Famously, in these tariff-ridden times, China produces the majority of the world’s solar panels. After the hiccup in U.S. world leadership that was the 2008 global economic crisis, China took its own path away from fossil fuels toward clean energy. At first, the country’s mix of renewables doubled from 15% in 2008 to 30% in 2020, according to Marcotrends. Then it really took off. “In 2023, China commissioned as much solar PV as the entire world did in 2022,” says the International Energy Agency.

China is the supplier of solar panels internationally as well. In smalling newly developing countries where the East Asian giant has established strong trade ties, the new low cost of solar energy means that countries like Zambia (92.1%), Tajikistan (93.3%), Costa Rica (99.4%) and Bhutan (100%—yay, Bhutan) are choosing to bypass the trap of fossil fuels’ historical low up-front cost and jump straight to solar and the gang. Not only is the infrastructure and management cheaper, but the long term hidden costs of fossil fuels can be avoided.

So that is the rest of the world. How are we doing here in the U.S., land of fossil fuel domination? Pretty great, it turns out, and not just in our little “bubble” of northern California.

In March of this year, the Texas powergrid (yes, Texas) set its weekly records for wind production (28,470 megawatts), solar production (24,818 megawatts) and battery discharge (4,833 megawatts). That last number, the amount of energy from batteries, nearly equaled the full output in the state from nuclear facilities. To repeat: Just the excess renewable energy storage in batteries and then used was equal to the nuclear energy generated in the great state of Texas.

That was March. Solar’s new record in Texas was set on Sept. 9, breaking the previous record from July. The peak of natural gas—the fossil fuel’s big bet on “cleaner energy”—was two years ago. One may look up these numbers at GridStatus.io. When having a tough day, browsing numbers in places like Kentucky, Texas and Florida might just lighten one’s mood.

In fact, according to McKibben, as of June 2023, the world has been installing “a gigawatt’s worth of solar panels on this planet every day.”

It is a story that gets buried under endless chaos and crisis reporting and trolling comments to social posts. Time to bring the good news to light. To do just that, groups around the world are organizing the 1st Annual Sun Day on the autumn equinox. Think Earth Day for cheap, clean power. (See sidebar for local events.)

Raise a Clamor

When McKibben delivered the keynote address to an enthralled audience at Green Music Center for Sonoma State’s Sustainability Days in 2016, we were inspired but not exactly hopeful. The path toward clean energy looked far too long, and the price of the technology was an ongoing barrier.

Now, the low cost of solar power is a lever for change. Own stock? If a company one invests in avoids adding cheaper clean energy to expand on more expensive fossil fuel infrastructure, that company is giving a competitive advantage to its competitor. Stock goes down. Might want to mention that on the next stock holders’ call. Or sell, quick.

Work for a company making that same mistake? One might want to pressure management to adopt cheap energy to protect jobs. School budgets constricting? Boys and Girls clubs needed to cut costs. One can make sure playgrounds and community centers have installed solar, and run a fundraiser to throw on some batteries.

Not interested in cost-cutting or economic arguments? How about energy resilience? Texas knows. The rapid expansion of solar in the state was essential for political survival of elected representatives after the onset of massive power outages across the infamously deregulated power grid.

Drawing attention to war-torn Ukraine, McKibben provides a powerful example of the security advantage of solar over coal in his book. According to Maxim Timchenko, an owner of both clean and traditional power plants, when a Russian rocket hits a coal plant, the repair and restart take months. When a solar plant of similar energy output is hit by a rocket, the facility is up and running at full capacity in seven days. Just swap out the panels and go. How about that for security?

Here’s the thing: Political parties have picked sides about cleaning up the environment. Although surveys suggest that 60% of the global population has a positive view of clean energy (compared with only roughly 20% for fossil fuels), the environmental arguments for the clean power transition have been fully politicized, arguments and claims buried in disingenuous rhetoric and confusing wonk. That was before. Now the real drivers of clean energy are economics and market competitiveness.

China is running with solar power. Developed countries like Germany and Norway (99.1%) are well on their way, and without having to take on the debt of massive fossil fuel infrastructure—shipping, deeper ports, petroleum safe railways, gas stations with (mostly) leak-free tanks—developing countries are eagerly skipping straight to electrical economies. Families and communities around the globe of every class are gaining cheap, distributed access to energy for refrigeration, entertainment, computation, AI interface, e-bikes.

And there is another benefit. “Energy above is fundamentally different than energy from below,” says McKibben, meaning that decentralized power generation for human activity looks very different from centralized energy under the control of forces outside of our communities and neighborhoods. For those “degrowth” minded people, like this writer, who want a simpler, less consumption driven world, McKibben asserts that distributed clean power will bend the arc in that direction.

There are legitimate concerns with the rollout of this new infrastructure, such as the need to mine massive amounts of material from the ground in what are certain to be horrible conditions in lithium and other mines in Africa and beyond. Mines that are already operating and supplying our phones, cars, laptops and much more. We have to insist that slave and forced labor end in all its forms, once and for all. Yes, 100%. And we have to mine the sh** out of lithium. Then we are done.

The more we use any technology, the more efficient it becomes. The same for the materials use. The copper from one solar panel in the ’80s can be recovered to supply five current generation panels. That same copper will go into a higher number of panels in the future.

This is not a hypothetical. Metals, like copper and lithium, are highly recyclable. However much we need for the current rollout of solar PV, we will need less per unit in each generation going forward. Less equals cheaper, and the long arc of innovation here bends unwitting toward justice, because where that arc leads is effectively free power. That is the great opportunity presented to the world economy.

As McKibben pointed out to me while discussing his book, “I think we have plenty of good reasons to be pessimistic; one to be optimistic shouldn’t hurt.”

SIDE BAR:

Sun Day Events in the North Bay

Freedom Singers Sun Day Sing-along
4:45pm, Sunday, Sept. 21 at Mill Valley Depot Cafe & Book Store, 87 Throckmorton.

It Floats: Visit Healdsburg’s Amazing Solar Array

10am, Thursday, Sept. 18 at Healdsburg Wastewater Treatment Plant, 340 Foreman Ln.

Enso Village Tour
11am, Saturday, Sept. 20 at Enso Village, 1801 Boxheart Dr., Healdsburg.

Clean Energy and Clean Air: A Free Screening of ‘Idle Threat’
6pm, Wednesday, Sept. 17 at Little Saint Second Story, 25 North St., Healdsburg.

Sun Day Celebration of Solar
11:30am, Sunday, Sept. 21 at Windsor Community United Methodist Church, 9451 Brooks Rd. S.

Your Letters, Sept. 17

Hold That Nose

Regarding the upcoming Prop 50 redistricting election: We should hold our noses and vote “yes,” but it should never have come to this. Texas and the GOP continue to play unethical games, fully aware of how crucial the 2026 elections will be in determining control of the House.

They have politicized what redistricting is meant to be: the fair re-drawing of voting districts to reflect population changes and ensure balanced representation. Instead, partisan maneuvering has undermined public trust.

We all know how pivotal the 2026 elections will be in restoring balance to both the House and Senate and in repairing the damage done to our country. Vote Yes on Prop 50.

Yvonne Martin

Santa Rosa

Confining Conflict

Political violence is never acceptable. However deep our disagreements, resorting to threats or attacks only corrodes democracy and undermines the very freedoms we’re arguing about. If we can’t keep our conflicts within words and ballots, we risk losing the system that lets us have those conflicts at all.

B. Sandoval

San Rafael

We appreciate your letters to the editor—send them to le*****@******an.com or le*****@********un.com. Letters may be edited for clarity and space.

The Thinnest Books in the World: Congress’ lost chapter

We all recall the jokes we told each other back in the days of the wood-burning radios when it was sorta kinda tolerated to tell jokes about each other, like in the 1960s.

Some of the favored jokes in the suburban white boys’ tribe, which was full of kids who really never developed emotionally and intellectually past 8th grade, boys like me, were the jokes about the world’s thinnest books.

One could go the route of racial hatred if they liked, or the anti-gender route, or the losing teams in sports route, or one could pick on the kids at a particular school in which there was a perceived underlying social stigma.

These were the best of times and the worst of times, depending on one’s tribe.

Some of the books on the list included My Life’s Memories by Ronald Reagan and Things I Cannot Afford by Bill Gates, as well as such titles as Twenty Centuries of German Humor, Virginity in France and Italian War Heroes. This is an area of study in which bad taste is not just in heat; it is on fire.

The thinnest book in the world over the past 10 years or so is Courage in Congress.

Our Constitution is a game of rock, paper, scissors. The game is conducted so that no branch of government, executive, legislative and judiciary, is more powerful than another. We have checks and balances to keep things in position.

Over the past, oh, 50 years, one of the three branches stopped doing its damn job. It’s not the executive, and it’s not the judicial system. It’s Congress.

We know that tariffs suck. Congress sits there. We know that attacks on institutions of higher learning and the presence of international students in them are a form of economic subterfuge. Congress sleeps.

This is not a Trump thing, a Biden thing or a Putin thing. Or a Republican versus Democrat thing. This is a “Congress has lost its backbone” thing.

Yo, Judgment Day is more important than Election Day. Incumbents beware.

Craig Corsini lives and writes in San Rafael.

North Bay Derby’s Erin ‘Lucille Balls’ Stous

It’s like football—on wheels. Lacing her skates for a drill, this is how Rizzo, No. 76, spitballed on the essence of what flat-track roller derby is.

Around us, the team sat or glided around the black light neon decor of Cal Skate, Rohnert Park, a venue that still smells nostalgically of hot dogs and teenage pheromones.

Humor seems essential to the sport too. And that humor extends—from player names and numbers (Scarlotte Brawntë, No. 421; Honey Baked Slam, No. 554; Shredder Cheese, No. 37) through the easy, wise-cracking camaraderie of team practices. Does that humor begin with the sport’s premise, the merging of football and roller disco?

I can’t say. I can say the sport is serious. As serious as the hits—landed by players with shoulders or hips at speeds between 12 and 20 miles an hour as the two opposing teams race around an oval track. It’s one thing to take a hit at full running speed flat-footed; it is quite another to take it while standing on eight greasy little wheels—full falls are common in play.

The competition is fierce. These women are in it to win it as they fight through the bracket through regional, state and national championships. They’ve earned our cheers—they carry our colors as North Bay Derby.

For this week’s brief encounter, I sat down with one of the stars of our team, veteran starter, “Lucille Balls.”

Balls, could you give us nubes the basics of the sport?

It is a point based sport. Each game or “bout” is divided into two halves, and those halves are divided into “jams” of not more than two minutes each. In each jam, each of the two opposing teams fields one “jammer” and four “blockers,” making for 10 on the oval track. The jammers are the only players that can score points initially.

So the jammers are the running back and the ball?

Yes. When the whistle blows, the jammer’s objective is to get through the defending blockers. And for every pair of hips they pass, they get a point. As a defending blocker, my objective is to not let the opposing jammer through. As an offensive blocker, my objective is to clear a path for my jammer. There is a lot of strategy. Some people think we’re just out there punching each other—not so. (laughs)

So it’s set up to be a high scoring game with many dramatic reversals of fortune.

Entertaining. How long have you been playing?

Twelve years. Our team has players that have been playing between 1 and 18 years. It’s very age inclusive. And inclusive of body type—it’s advantageous to be large or small or tall or solid or quick in this game.

Derby really does include everybody. There are people in derby you would never think

We used to have a city council person; we have teachers, lawyers, lots of moms, massage therapists, doctors—I’m an ER nurse. And it’s a great outlet … for all kinds of stuff.

What kinds of stuff?

If you have a stressful job—or life, it’s a great outlet to blow off steam. You can legally hit people. (laughs)

Does it hurt much ?

During the game, there is enough adrenaline that you don’t feel it too much. (laughs)

Learn more. North bay derby wants members. The team is having its next entry level 12-week training camp Sept 22. Their next home game is a double header Nov. 1, at our home venue, the Sonoma County Fairgrounds. northbayderby.org/events.

Art Walk Features Schehera Van Dyke

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The Fairfax Annual Art Walk lights up downtown on Friday, Sept. 26, and The Eleventh House hosts visionary artist Schehera Van Dyke from 5–9pm. A self-taught painter, ceramicist and designer, Van Dyke draws from the rhythms of nature to create bold works brimming with vitality. Her latest installation debuts alongside a new line of clothing and home goods, bringing her art into daily life. 5–9pm, Friday, Sept. 26, The Eleventh House, 7 Bolinas Rd., Fairfax.

San Rafael

‘Being Adolph Gasser’ Screens

Filmmaker John C. Aliano presents his new documentary, Being Adolph Gasser, on Saturday, Sept. 20, at the Smith Rafael Film Center. The film chronicles the remarkable life of Adolph Gasser—World War II veteran, inventor, camera repairperson and confidant of photographer and environmentalist Ansel Adams—whose San Francisco shop became a hub for generations of Bay Area photographers and inventors. As technology and time threatened his legacy, Gasser’s resilience and artistry became a story worth capturing. 7pm, Saturday, Sept. 20, Smith Rafael Film Center, 1118 Fourth St., San Rafael. Tickets $10-$15. rafaelfilm.cafilm.org.

Napa

Uptown Hosts Katy Guillen

Kansas City’s indie rock duo Katy Guillen & The Drive—guitarist/vocalist Katy Guillen and drummer Stephanie Williams—bring their fiery sound and all-female powerhouse energy to Uptown Theatre on Wednesday, Sept. 24. Known for electrifying chemistry and championing empowered spaces for women in music, the pair are on tour celebrating their forthcoming album, Make That Sound (out Oct. 17). They join guitar legend Robin Trower for a night that promises both grit and groove. 7:30pm, Wednesday, Sept. 24, Uptown Theatre, 1350 Third St., Napa. uptowntheatrenapa.com.

Petaluma

Tim Bluhm in P-Town

Mother Hips frontperson Tim Bluhm plays a rare solo set at Della Fattoria Café on Saturday, Sept. 27, in an intimate 85-seat venue. Openers Chris Samson and Steve Della Maggiora warm up the evening before Bluhm takes the stage at 7:45pm. All proceeds benefit the music program at Petaluma High School—so every ticket helps keep local music alive. Doors 6pm, show 7pm, Saturday, Sept. 27, Della Fattoria Café, 141 Petaluma Blvd. N., Petaluma. Tickets $30.

Free Will Astrology: Week of Sept. 17

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ARIES (March 21-April 19): Hindu goddess Durga rides a tiger and carries weapons in her 10 hands, including a sword, axe and thunderbolt. Yet she wears a pleasant smile. Her mandate to aid the triumph of good over evil is not fueled by hate but by luminous clarity and loving ferocity. I suggest you adopt her attitude, Aries. Can you imagine yourself as a storm of joy and benevolence? Will you work to bring more justice and fairness into the situations you engage with? I imagine you speaking complex and rugged truths with warmth and charm. I see you summoning a generous flair as you help people climb up out of their sadness and suffering. If all goes well, you will magnetize others to participate in shared visions of delight and dignity.

TAURUS (April 20-May 20): Born under the sign of Taurus, Maya Deren first expressed her extravagant creative urges as a writer, poet, photographer, clothes designer and dancer. But then she made a radical change, embarking on a new path as an experimental filmmaker. She said she had finally found a glove that fits.” Her movies were highly influential among the avant-garde in the 1940s and 1950s. I bring Deren to your attention, Taurus, because I suspect that in the coming months you, too, will find a glove that fits. And it all starts soon.

GEMINI (May 21-June 20): In medieval times, alchemists believed mercury was a sacred substance and divine intermediary. They knew that it’s the only metal that’s liquid at room temperature. This quality along with its silvery sheen (why it’s called “quicksilver”), made it seem like a bridge between solid and liquid, earth and water, heaven and earth, life and death. I nominate mercury as your power object, Gemini. You’re extra well-suited to navigate liminal zones and transitional states. You may be the only person in your circle who can navigate paradox and speak in riddles and still make sense. It’s not just cleverness. It’s wisdom wrapped in whimsy. So please offer your in-between insights freely. PS: You have another superpower, too: You can activate dormant understandings in both other people’s hearts and your own.

CANCER (June 21-July 22): In the western Pacific Ocean, there’s a species of octopus that builds its lair from coconut shells. The creature gathers together husks, dragging them across the seafloor, and fits them together. According to scientists, this use of tools by an invertebrate is unique. Let’s make the coconut octopus your power creature for now, Cancerian. You will have extra power to forge a new sanctuary or renovate an existing one, either metaphorically or literally. You will be wise to draw on what’s nearby and readily available, maybe even using unusual or unexpected building materials.

LEO (July 23-Aug. 22): I invite you to contemplate the meaning of the phrase “invisible architecture.” My dream told me it will be a theme for you in the coming weeks. What does it mean? What does it entail? Here are my thoughts: Structures are taking shape within you that may not yet be visible from the outside. Bridges are forming between once-disconnected parts of your psyche and life. You may not need to do much except consent to the slow emergence of these new semi-amazing expressions of integrity. Be patient and take notes. Intuitions arriving soon may be blueprints for future greatness. Here’s the kicker: You’re not just building for yourself. You’re working on behalf of your soul-kin, too.

VIRGO (Aug. 23-Sept. 22): A supple clarity is crystallizing within you. Congratulations! It’s not a brittle or rigid certainty, but a knack for limber discernment. I predict you will have an extra potent gift for knowing what truly matters, even amidst chaos or complication. As this superpower reaches full ripeness, you can aid the process by clearing out clutter and refining your foundational values. Make these words your magic spells: quintessence, core, crux, gist, lifeblood, root. PS: Be alert for divine messages in seemingly mundane circumstances.

LIBRA (Sept. 23-Oct. 22): The ancient Mesopotamian goddess Inanna was called “the Queen of Heaven.” Her domains were politics, divine law, love and fertility. She was a powerhouse. One chapter of her mythic story tells of her descent into the underworld. She was stripped of everything—clothes, titles, weapons—before she could be reborn. Why did she do it? Scholars say she was on a quest for greater knowledge and an expansion of her authority. And she was successful! I propose we make her your guide and companion in the coming weeks, Libra. You are at the tail-end of your own descent. The stripping is almost complete. Soon you will feel the first tremors of return—not loud, not triumphant, but sure. I have faith that your adventures will make you stronger and wiser, as Inanna’s did for her.

SCORPIO (Oct. 23-Nov. 21): In ancient Rome, the dye called Tyrian purple was used exclusively for garments worn by royalty and top officials. It had a humble origin: murex snails. Their glands yielded a pale liquid that darkened into an aristocratic violet only after sun, air and time worked upon it. I’m predicting you will be the beneficiary of comparable alchemical transformations in the coming weeks. A modest curiosity could lead to a major breakthrough. A passing fancy might ripen into a rich blessing. Seemingly nondescript encounters may evolve into precious connections.

SAGITTARIUS (Nov. 22-Dec. 21): Bees can see ultraviolet patterns in flowers that are invisible to humans. These “nectar guides” direct bees to the flower’s nectar and pollen, functioning like landing strips. Let’s apply these fun facts as metaphors for your life, Sagittarius. I suspect that life is offering you subtle yet radiant cues leading you to sources you will be glad to connect with. To be fully alert for them, you may need to shift and expand the ways you use your five senses. The universe is, in a sense, flirting with you, sending you clues through dream-logic and nonrational phenomena. Follow the shimmering glimmers.

CAPRICORN (Dec. 22-Jan. 19): At the height of her powers, Egyptian pharaoh Hatshepsut declared, “I have restored what had been ruined. I have raised up what had dissolved.” You now have a similar gift at your disposal, Capricorn. If you harness it, you will gain an enhanced capacity to unify what has been scattered, to reforge what was broken and to resurrect neglected dreams. To fulfill this potential, you must believe in your own sovereignty—not as a form of domination, but of devotion. Start with your own world. Make beauty where there was noise. Evoke dignity where there was confusion. 

AQUARIUS (Jan. 20-Feb. 18): In the high Himalayas, there’s a flower called Saussurea obvallata—the Brahma Kamal. It blooms only at night and for a short time, releasing a scent that legend says can heal grief. This will be your flower of power for the coming weeks, Aquarius. It signifies that a rare and time-sensitive gift will be available, and that you must be alert to gather it in. My advice: Don’t schedule every waking hour. Leave space for mystery to arrive unannounced. You could receive a visitation, an inspiration or a fleeting insight that can change everything. It may assuage and even heal sadness, confusion, aimlessness or demoralization.

PISCES (Feb. 19-March 20): The human heart beats 100,000 times per day, 35 million times per year and 2.5 billion times in an average lifetime. It’s the most reliable “machine” ever created, working continuously and mostly without special maintenance for decades. Although you Pisceans aren’t renowned for your stability and steadiness, I predict that in the coming weeks you will be as staunch, constant and secure as a human heart. What do you plan to do with this grace period? What marvels can you accomplish?

Homework: I dare you to plan a wild and smart adventure. Newsletter.FreeWillAstrology.com

One Singular Sensation: Classic ‘A Chorus Line’ at 6th Street

It’s been 50 years since Michael Bennett’s A Chorus Line took Broadway by storm. The musical tale of the hopes, dreams and aspirations of those who seek a life in the theater won nine Tony Awards and a Pulitzer Prize and held the record for longest running Broadway musical for 14 years.

While simplistic in plot, it’s a difficult show to mount, as it requires a large cast of “triple threats,” performers who can act and sing and dance. Santa Rosa’s 6th Street Playhouse has taken on the challenge with a production running through Sept. 28.

Set conveniently enough in a theater, the show opens with Marvin Hamlisch/Edward Kleban’s “I Hope I Get It” as a large group of dancers audition for slots in a new musical’s chorus line. Director Zach (Tajai Jaxon Britten) thins the crowd down to 17 and then begins the interview process. He asks each dancer personal questions, sometimes eliciting joyous responses like Mike’s (Diego Rodriguez) “I Can Do That,” and other times more melancholy responses like “At the Ballet” from Sheila (Sasha Holton), Bebe (HarriettePearl Fugitt) and Maggie (Lillian Sigrist).

The interviews continue, and we get to know more about each performer from Mark’s (Jayce Kaldunski) sexual awakening to Greg’s (Ben Stevens) realization that he’s gay to Val’s (Anna Voperian) decision that cosmetic surgery is one way to get what she wants out of life (“Dance: 10, Looks: 3”). 

Then there’s Cassie (Lila Howell), a dancer who made it out of the chorus line but finds herself looking for work and a way back in, and Paul (Jonathen Blue), the most reluctant to share his painful, personal story. His monologue is the heart of the show.

Zach cuts the group down to eight, and the show ends with everyone festooned in gold and singing and dancing the signature number, “One.”

First-time director Lorenzo Alviso, whether by necessity or design, has cast a fairly non-traditional group of performers with a variety of experiences, ages, genders and body types. While the goal of a chorus line is uniformity, it’s an interesting approach that often works. 

The execution of Hannah Woolfenden’s choreography is better than one might expect given that many, but not all, of the cast lack formal dance training. Ginger Beavers leads an excellent seven-piece band that never over-powered the performers. 

Good group vocals and some solid performances make A Chorus Line a solid season-opener for 6th Street.

‘A Chorus Line’ runs through Sept. 28 in the GK Hardt Theatre at 6th Street Playhouse, 52 W. 6th Street, Santa Rosa. Thurs–Sat, 7:30pm; Sat & Sun, 2pm. $32–$56. 707.523.4185. 6thstreeetplayhouse.com.

Poetry in Motion: Petaluma Poetry Walk Celebrates 28 Years

On a September Sunday, downtown Petaluma transforms into something more than its already picturesque self. 

Side streets, bookshops, cafes and even the venerable Hotel Petaluma ballroom become stages for 26 poets, who will lend their voices and verse to a nearly 30 year tradition.

This year, the Petaluma Poetry Walk celebrates its 28th year, a tradition that began in 1996 when the late poet Geri Digiorno brought together poets and listeners for a literary experiment that stuck. Nearly three decades later, the event remains free, expansive and steeped in the cultural character that earned Petaluma the tongue-in-cheek honor of being named one of the “Vibiest Towns in America” by Apartment Therapy.

The walk’s new director is author and editor Kary Hess, a regular Bohemian contributor (and married to its editor), who has stepped into leadership of the event following longtime director Bill Vartnaw, who likewise continued in the footsteps of founder Geri Digiorno. Hess is not just inheriting a festival—she’s carrying forward a local legacy.

“The first poetry walk I attended was in the 1990s when Geri Digiorno was producing it,” Hess recalls. “I heard so many great poets perform, including women like Diane di Prima at the Apple Box Café and Terry Ehret, who later became the Sonoma County poet laureate and still participates in the poetry walk today. 

“Men still dominated the literary scene then, and the experience of hearing women poets perform their creative work helped me think that maybe I could do something with poetry too. I’m so honored to be continuing that tradition of bringing together a diversity of poets’ voices, and hopefully it will inspire many others in the same way,” Hess continues.

Building the Lineup

Part of the walk’s enduring charm is its balance of literary heavyweights and emerging voices, all presented in an accessible format. This year’s roster includes Pulitzer Prize finalist Dorianne Laux (who also read at the very first walk in 1996), her partner and fellow poet Joseph Millar, Berkeley Poetry Festival Lifetime Achievement Award winner Tureeda Mikell, current Sonoma County poet laureate Dave Seter, and youth laureates Anaya Ertz and Lisa Zheng—just to name a few.

For Hess, the mix is both organic and deliberate. “Luckily the Bay Area and beyond is full of talent. Some of the poets themselves reached out, like (ironically) the Unsolicited Press Poets; others were people I knew who were already performing together, like the Sixteen Rivers Poets and the Found Poets. The walk’s former director, Bill Vartnaw, was instrumental in bringing in the more established poets, as he has been working with them for a long time,” she explains.

Unlike many literary festivals that take place in a single venue, the poetry walk is defined by its reach. Audiences drift between the Hotel Petaluma ballroom, Keller Street CoWork, the Phoenix Theater, The Big Easy, Copperfield’s Books, Usher Gallery, the Petaluma Historical Library & Museum and Aqus Café. Each space takes on the energy of the poets it hosts, while the city itself becomes the connective thread.

“Traditional venues are one and done and might last a few hours,” Hess explains. “While the Petaluma Poetry Walk goes from 11am-8pm, each individual event is only about 45 minutes long. There are eight events to choose from in eight different venues within walking distance of each other. This walkable downtown setting allows attendees to choose their poets and their venues and even start the day with brunch or take a break for lunch right downtown if desired.

“People can attend one event, three events or even all of them. Being able to get up, talk, stretch and walk to the next venue every hour keeps it energetic, and there is such a multiplicity of poetry to enjoy,” she adds.

That mix of intimacy and variety has long been the poetry walk’s hallmark—an event where a Pulitzer finalist might follow a teenager reading their first published work, all within the space of a few blocks

This year marks not only a continuation but also an expansion. Under Hess’ direction, the poetry walk will extend its life beyond its one-day format through new publishing and digital projects.

“The poetry walk is a yearly, free event so it’s accessible to all and also ephemeral,” Hess says. “The new Petaluma Poetry Walk magazine serves as an anthology and keepsake of the event, and an introduction to the work of all the participating poets—and buying one is a way for people to support the event financially. If you missed any of the poets, or want to know more about them, you can read a poem from everyone who read at this year’s event in the magazine.”

She also sees the Substack newsletter as a way to keep the community engaged in between walks. “The poetry walk newsletter keeps subscribers in-the-know about the yearly event and highlights the various performers. Since it’s on Substack, the newsletter is free, and there is also a paid option so people have a really simple way of supporting the poetry walk if they choose,” she notes.

These initiatives recognize that while poetry is fleeting, the need for connection is constant. A magazine and newsletter can extend that sense of belonging throughout the year.

The Poetry Vibe

When asked how the walk connects to Petaluma’s cultural reputation as one of the “Vibiest Towns in America,” Hess doesn’t hesitate. “I mean, a yearly poetry festival that has been around almost 30 years is totally vibey,” she says with a laugh. 

“The event has hosted poets laureate alongside up-and-coming voices. Last year the California, San Francisco and Key West poets laureate all read. This year, Pulitzer Prize finalist Dorianne Laux will be headlining along with poet Joseph Millar. It’s a cultural niche festival that has become a destination event over the past three decades. It also ends up being somewhat of a reunion of poets who all get to come together in one place, once a year,” she adds.

Hess’ role comes with both weight and opportunity. Digiorno’s founding vision, Vartnaw’s decades of stewardship and the countless poets who have graced the walk’s stages have made it a fixture in Northern California’s cultural calendar. Now, with Hess at the helm, the event is poised to continue thriving—rooted in its past, but open to the future.

Petaluma Poetry Walk, 11am–8pm, Sunday, Sept. 21. Downtown Petaluma venues include Hotel Petaluma, Phoenix Theater, Copperfield’s Books, Aqus Café and more. Free admission.

For the full schedule, visit petalumapoetrywalk.org. To subscribe to the new newsletter or support the festival, see petalumapoetrywalk.substack.com.

Ratatouille Season, the Debate Begins

It’s finally ratatouille season. The French dish of stewy vegetables (as well as its namesake animated film) is a favorite of mine, so much that every year, I try to find someone to argue with me about it. 

I often try arguing at Petaluma’s Jupiter Foods with Dan Bleakney-Formby, since he is a greengrocer and vegetable nerd. Plus, the outdoor half of his shop, that dreamy micro-farmers’ market where Jupiter proves its motto, “We know your farmer,” is usually where I realize the season has begun.

When large eggplants, bright peppers, crowding basil, fat onions and odd-shaped tomatoes flood the markets and people are almost bored of zucchini, the season is here. California gardeners know these plants suddenly overproduce in early mid-August—one has to do something, or they’ll rot, causing all that hard work or the money they gave Bleakney-Formby to go down the drain. Too many tomatoes. Too many zucchini. Almost too many bell peppers. Basil threatening to break one’s heart and collapse into black slime.

“It’s finally ratatouille season,” I say to Bleakney-Formby. 

“Is it?” he replies, almost as if he has things other than ratatouille on his mind. Not me; only ratatouille-related questions occur: Should I get basil, even though I already have pesto? Do I have garlic? Is it sacrilegious to use Jimmy Nardello peppers in any stew? Could Roma tomatoes be delicious enough, if they’re from Yagi Sisters Farm? (Yes, no, sort of, yes.)

“You know what you could do, too,” Bleakney-Formby says. Oh, here it comes. “You could make a tian. It’s the same ingredients as ratatouille, but it’s like a casserole, with stacked vegetables, like in the Pixar movie.”

No, Dan Bleakney-Formby, I could not. Want to argue about why? But he’s busy, already off thinking about something other than ratatouille.

A crucial question in food is, obviously, “What is food?” Related: “Who is food for; who makes it; when, how and where?” Tian’s answers would be: Food is a professionalized endeavor, for adult strangers, made by paid people, quickly, in an organized kitchen. As for “Why?” the tian says: To impress, as much as to nourish. Ratatouille disagrees: Food is sustenance and culture, for family, especially children, made by a grownup, usually a mom, in a home kitchen. 

Why? To nourish, only.

In the film, scenes of actual ratatouille show the strong magic of impressive as well as homey versions: A cook begins to prepare the dish, choosing a sprig of thyme and a traditional recipe card showing a picture of stew. She’s stopped by Remy, the chefly rat. Instead, Remy indicates a course of action which in real life was developed by chefly chef Thomas Keller. This is the tian, also known by its even fancier name, Confit Byaldi. 

When restaurant critic Anton Ego eats this food, plated in the now-famous configuration of meticulously sliced and size-matched vertical and horizontal stacks of vegetables, he’s emotionally transported. He’s “taken” to his childhood home, where his mother soothingly plonks down a bowl of rough-chopped, long-simmered ratatouille.

Dan Bleakney-Formby, I still want to argue—but we might both be right.

Jupiter Foods is located at 100 Petaluma Blvd. N., Petaluma. Visit jupiterpetaluma.com.

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On a September Sunday, downtown Petaluma transforms into something more than its already picturesque self.  Side streets, bookshops, cafes and even the venerable Hotel Petaluma ballroom become stages for 26 poets, who will lend their voices and verse to a nearly 30 year tradition. This year, the Petaluma Poetry Walk celebrates its 28th year, a tradition that began in 1996 when...

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It’s finally ratatouille season. The French dish of stewy vegetables (as well as its namesake animated film) is a favorite of mine, so much that every year, I try to find someone to argue with me about it.  I often try arguing at Petaluma’s Jupiter Foods with Dan Bleakney-Formby, since he is a greengrocer and vegetable nerd. Plus, the outdoor...
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