Blame Game

Two waves of outrage greeted the news on Wednesday, Sept. 8, of Bob Woodward’s latest book, “Rage.”

The first was the President’s disclosure to Woodward that he knew as early as February—even as he was dismissing the coronavirus publicly—that the looming pandemic was far deadlier than the flu.

The second was that Woodward, long associated with The Washington Post, didn’t reveal this to the public sooner.

So, the public should blame Woodward for keeping this Administration’s obfuscation? No, anyone could argue that, but who would believe it? This Administration has lied to America and could still win an election in certain backward parts of this country and the media (FoxNews).

We are to blame for this Administration, principally for the failure to impeach.

Gary Sciford

Santa Rosa

Marin Loves Henry 1

I’m not commenting on the Sonoma County Sheriff’s budget cuts generally, but rather his specific threat of selling Henry 1, their rescue helicopter, in order to meet those budget cuts (“Scare Tactic,” Letters, Sept. 9).

I remind the Sheriff that since Henry 1 just rescued two Marin County firefighters on Aug. 22, at night, with a ring of fire surrounding them and little visibility due to smoke, he may want to rethink that threat. Right now the Sonoma County Sheriff’s Office gets to be the hero every time they rescue someone, garnering love and support by just about everyone.   

I don’t know whether he is a fool overall, but THAT would be political suicide and probably result in lives lost that could have been saved … like our firefighters. Just sayin’.

Liz Froneberger, RN

Fairfax

A Chef’s Voyage

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While the premise of the film A Chef’s Journey focuses on following James Beard–award winning chef-owner David Kinch as he travels to France with most of his kitchen staff to celebrate 15 years of his 3-Star Michelin restaurant, Manresa, in Los Gatos, the film actually achieves something it didn’t likely set out to do. With an honest lens, A Chef’s Journey lays bare the reality of working in professional kitchens even at the highest echelons.

Right out the gate, Kinch’s team is clearly more nervous than excited about this international undertaking. The journey will entail the preparation of five dinners and four lunches over the course of just 10 days in three different acclaimed French restaurants (Le Taillevent, L’Oustau de Baumanière and Le Petit Nice) in Paris, Provence and Marseille. The mere logistics required to prepare Kinch’s refined California cuisine make one’s head spin. Throw in the fact that French cuisine has been the standard of excellence since the 17th century and no wonder the chefs are feeling the pressure.

This doesn’t mean Kinch’s heart isn’t in the right place. I met him a couple of times and he came off as intimidating; he was quiet, his arms were often crossed and he snuck sideways glances at me—as if he thought I might be untrustworthy. As food-writer Christine Muhlke points out at the start of the film, “David is very old school—he should be a 75-year-old chef in France.”

Contrary to what reality cooking shows would have us believe—most chefs are not limelight-seeking performers. Instead, the majority of chefs simply love to cook and feed people and they fundamentally understand that cooking is a craft that entails julienning hundreds of pounds of carrots and making gallons of stock from roasted bones and mirepoix. It’s not sexy work—it’s hard work and as Kinch points out, it’s not for everybody. 

Throughout most of the movie the staff seems both bewildered and awkward, navigating unfamiliar kitchens, a language barrier and, dare I say, the less-than-welcoming French hospitality.

Thankfully, the film features plenty of beautiful food photography alternately paired with jaunty French tunes, romantic classical selections and, of course, chef David Kinch, who speaks honestly about mentoring staff, about his commitment to the best ingredients and about how he still enjoys going to work each day.
In the end, this film may be hard-pressed to hold the attention of non-chefs and non-food enthusiasts, but that makes it honest. What it does best is reveal the truth about cooking in restaurants. Kinch admits he doesn’t want to die cooking in a kitchen and says he has a plan. This admission leads me to believe he is preparing for the next chapter. And to hazard a guess, I wouldn’t be at all surprised if he lands in Nice, down near the ocean—it’s warmer on the Mediterranean than it is in Santa Cruz, where he currently lives.

Mural Project Pops Up in Santa Rosa

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Santa Rosa, like other North Bay cities and towns, has been the focal point of numerous social-justice events and protests since the renewed Black Lives Matter movement began in June following the death of George Floyd at the hands of police in Minneapolis.

In addition to protesting police brutality, the demonstrations and gatherings in Santa Rosa have celebrated diversity, with an emphasis on supporting the North Bay’s immigrant communities and people of color. 

That celebration is now visually realized throughout Santa Rosa in the recently launched SCAPE Mural Project. 

The artistic endeavor has so far completed the large “Trinity Mural,” currently placed on the side of 3 Disciples Brewing Company at Mendocino Avenue and Ross Street; and the project recently put the final touches on an expansive community mural that can be seen along Fourth Street businesses downtown near Courthouse Square.

SCAPE (Sonoma County Artists Propelling Equity) is a grassroots collective of local artists who are people of color, and SCAPE murals feature portraits of Black Indigenous People of Color, or BIPOC, as well as portraits of inspirational leaders in Sonoma County. 

SCAPE Mural Project’s lead artist is Rima Makaryan, a recent Montgomery High School alumni and first-generation Armenian immigrant, who also works on The Monarch Project, a Sonoma County group that makes art to tell the stories of immigrants and to empower the local community.

Other participating SCAPE artists include Féven Zewdi, a first-generation Eritrean immigrant, who states that the new murals’ purpose is to stir interest in the fight for racial equity and justice. 

“My community takes up notable residence here in Sonoma County,” Zewdi says in a statement. “It’s an honor for me to give my best for my tribe. Through my efforts with SCAPE I hope to spark curiosity, social and political awakening that push for collective solution-building that will impact socio-economic improvements for BIPOC communities.”

The SCAPE Mural Project’s “Trinity Mural” depicts Bernice Espinoza, a local lawyer who advocates for racial justice and criminal justice reform; Rose Hammock, a community educator and activist who is Pomo and Wailacki; and Joy Ayodele, a local student activist. 

“I am truly touched beyond words,” Joy Ayodele says about her portrait in the mural. “I am honored. Sometimes there are moments of discouragement and fatigue, so it’s really special to me to feel uplifted in this way.”

SCAPE Mural Project’s Fourth Street murals were done in cooperation with Santa Rosa’s downtown revitalization effort Open & Out, a program that has turned sections of Fourth Street into pedestrian-only zones with expanded outdoor dining options. The impactful murals that adorn the street feature portraits of several local activists, and the imagery reflects the stories of Indigenous people, Latin Americans, Black people and LGBTQ people.

While poor air quality forced the mural organizers to cancel a planned unveiling on Fourth Street this past weekend, the art is there for visitors to see, and videos and other content will soon be available on The Monarch Project’s website. Additionally, donations to the SCAPE Mural Project can be made on its GoFundMe page.

Sheriff Won’t Release Communications With ‘Transparency’ Advisor

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The Sonoma County Sheriff’s Office has declined to release emails and other communications it has had with media consultants who advertise themselves as “transparency engagement advisors.”

In late July, the Bohemian filed a request with the Sheriff’s Office under the California Public Records Act (CPRA) for a year’s worth of emails and other documents involving Cole Pro Media and Critical Incident Videos, two Vacaville-based companies founded by a former television journalist.

On Sept. 1, the Sheriff’s Office released some records but, citing a broad range of reasons including protections for communications with attorneys and communications related to ongoing investigations, withheld an unknown number of additional records, including social media training materials developed by Cole Pro Media.

Glen Smith, an attorney with the San Rafael–based First Amendment Coalition, a nonprofit focused on government transparency and free speech, says the exemptions cited by the Sheriff’s Office’s seem overly broad, especially given that no one at either of Cole’s companies are attorneys.

“It appears from [the documents] they released that this is purely a PR firm and their work product, whatever it might be, is not privileged,” Smith told the Bohemian.

The Sheriff’s Office’s latest contract with Cole Pro Media, a three-year agreement signed this July, requires the company to provide a wide range of services, with tasks ranging from daily social-media advice to “1-on-1 tactical and strategic consultation” for Sheriff Mark Essick. Under a separate contract signed last year, Critical Incident Videos performs “redaction and editing of video” and provides “non-legal advice regarding production” for the Sheriff’s Office on an as-needed basis.

In a statement, Misti Wood, a Sheriff’s Office spokesperson, said that the agency takes “transparency very seriously.”

“Cole Pro Media provides transparency and engagement advice from an outside perspective,” Wood wrote. “This advice helps the Sheriff’s Office continue to be as transparent as possible.”

Laura Cole, the founder of both media consulting companies, did not respond to a request for comment.

Cole, a former television journalist, founded Cole Pro Media in early 2014, a year after the Black Lives Matter movement first sprang up nationwide. In February 2019, Cole founded Critical Incident Videos, a company which edits together 911 call recordings, body-camera footage and other materials following a “critical incident” involving law enforcement officers in order to comply with Assembly Bill 748, a recent state law which requires agencies to release body-camera footage when a law enforcement officer’s actions result in “death or great bodily injury.”

Although her companies are still relatively young, they have attracted a long list of California law enforcement agencies as clients. According to its website, Cole Pro Media represents numerous law enforcement agencies across the state. It also serves as a media consulting firm for the California State Sheriff’s Association, an advocacy group which opposed AB 748 when it was under consideration in Sacramento. Just a year and a half old, Critical Incident Videos now represents about 100 agencies throughout the state, Cole told KPBS, a San Diego public radio station, earlier this month.

The manner in which Cole presents her company’s work has shifted over the past three years.

In May 2017, the Modesto Bee reported that Cole Pro Media’s own Facebook page described the company’s work in these words: “Here at Cole Pro Media, we believe journalism is changing. Thanks to social media, any person, agency, or leader can report the TRUTH. It is all about building your OWN media. We will report the story for you and teach you how to do it on a daily basis. It is time to take back the control from the Mainstream Media and get the real stories out there using social media. We also offer a ‘street smart’ class to outsmart reporters.”

Although Cole reportedly stood by the description of her company’s work at the time, Cole Pro Media’s public presentation has changed considerably since then. On its website, the company now calls its employees “transparency engagement advisors” and claims to have a “no spin” policy.

In her recent KPBS interview, Cole said that Critical Incident Videos will not edit videos for an agency which wants the company to make the agency “look good.” That said, Cole acknowledged it is ultimately the client agency’s decision as to what final video is published.

The Sonoma County Sheriff’s Office first hired Cole Pro Media in November 2016 for $2,500 per month. The company’s first contract includes a short, general, three-point scope of work, including offering the agency “guidance on media communications,” “social media support,” and six two-hour social-media training sessions for Sheriff’s Office personnel each year.

This July, the Sheriff’s Office signed a new, three-year contract with Cole Pro Media with a more specific scope of work for $3,000 per month, plus $350 per hour for any on-site work outside of Cole Pro Media’s social-media training courses.

All told, the Sheriff’s Office paid Cole Pro Media $126,500 between October 2016 and August 2020, according to financial records obtained through a public-records request. Critical Incident Videos, which bills the Sheriff’s Office $350 per hour, has edited four videos for the Sheriff’s Office at a total cost of $18,200 over the past year.

The scope of work included in Cole Pro Media’s July 2020 contract includes numerous specific tasks, including reviewing “high profile and sensitive documents prior to release to the media” and completing a “daily review of all Sheriff’s Office posts on all media and social media platforms.”

The contract further requires Cole Pro Media to be available for “multiple conversations a day for the duration of the [critical] incidents” and “3 conversations each day” for the duration of a natural disaster, such as a wildfire or flood, for up to three weeks.

One line is repeated in both the November 2016 and July 2020 contracts: “Anticipate questions and tactics from mainstream media.”

Lastly, in addition to shaping public perceptions of the agency as a whole, the July 2020 contract tasks Cole Pro Media with providing “1-on-1 tactical and strategic consultation to the Sheriff to assist with media approach, both on an incident specific and broad strategic development scale.”

While Cole Pro Media’s contract suggests close contact with the Sheriff’s Office it is not clear where the consultant’s scope of work stops and starts.

Since late May, when he briefly announced that his agency would not enforce the county’s Covid-19 Health Order, Sheriff Mark Essick has been perceived on several occasions to be at odds with the Sonoma County Board of Supervisors and other local officials. During those public disagreements, Essick sometimes spread his opinions via Facebook.

But, since the Sheriff’s Office will not publicly release its communications with its media consultants, it remains unclear what advice they are giving Essick—and whether he is following it.

In her response to questions about Cole Pro Media, Sheriff’s Office spokesperson Misti Wood stated that Cole Pro Media “may provide advice on any number of subjects, from daily activities to disasters,” but did not respond to specific questions about whether Cole Pro Media offered advice on any of the recent public disagreements between the Sheriff and other county officials.

A recent public scuffle over the Sheriff’s budget offers a good example of Essick’s use of the agency’s Facebook page. In an Aug. 13 Facebook video published on the agency’s Facebook page, Essick outlined the “proposed service cuts” the Sheriff’s Office was facing, including the elimination of the agency’s beloved helicopter, Henry-1.

“Please know that I have no choice but to recommend these cuts based on the Board’s direction to cut $14.2 million from our proposed budget,” Essick says in the video. “If you want to get involved, you may get in touch with the Board of Supervisors directly to share your thoughts.”

In an interview with the Press Democrat, Essick argued that the video was “about public transparency and the budget process.” Multiple county supervisors disagreed with that assessment, pointing out that they had required all county agencies to find programs to cut.

“He is bullying the Board of Supervisors through social media,” Supervisor Shirlee Zane told the Press Democrat. “He’s also using social media to scare the public at a time when we need the public’s trust more than ever. Shame on him.”

The scope of work from Cole Pro Media’s July 2020 contract is available below. The scope of work from Cole Pro Media’s November 2016 and Critical Incident Videos’ July 2019 contract are linked here and here.

 

Schulz Museum Marks 70 Years of ‘Peanuts’ with Online Events All Season

The first “Peanuts” comic strip was published in seven newspapers on October 2, 1950. In the 70 years since then, “Peanuts”–written and drawn by longtime Santa Rosa resident Charles M. Schulz–has become one of the most beloved comic strips ever, with it’s iconic characters appearing in thousands of newspapers as well as animated films, live stage shows and more.

Now, Santa Rosa’s renowned Charles M. Schulz Museum and Research Center celebrates the comic strip’s Platinum Anniversary and covers other timely topics with a fall season filled with public programs.

Due to the Covid-19 pandemic, the Schulz Museum will present the fall season entirely online, meaning “Peanuts” fans around the world will have the opportunity to join in the fun from the comfort of their own home.

Right now, the museum is already offering fall online classes for kids, running through October and featuring art and cartooning classes led by professionals.

This Wednesday, Sept. 16, cartoonist Joe Wos hosts an online class for ages seven and up on drawing endangered animals with simple step-by-step instruction. Also on Sept. 16, artist Barbara Golden begins a six-week class on Manga and anime art for students in grades seven to ten. A full list of classes can be found online now.

On Thursday, Sept. 17, the museum hosts a live event, ‘Telling Her Story: How Women are Changing Animation’ that will feature three women from Pixar Animation Studios’ Story Department–Aphton Corbin, Valerie LaPointe, and Louise Smythe–in conversation with Pixar Animation Studio’s Animation Department head Becki Tower. The conversation will examine how women are impacting the animation industry and how audiences experience animated films in the 21st century.

On Wednesday, Sept. 23, the museum offers an interactive crafting class based on the new book Peanuts Origami, in which participants can learn to fold paper to create characters like Charlie Brown and Snoopy while they learn a bunch of fun “Peanuts” trivia along the way.

The museum opens October, the comic strip’s anniversary month, with a live conversation between Charles Schulz’s widow, Jean Schulz, and cartoonist Stephan Pastis (“Pearls Before Swine”) on Saturday, Oct. 3. Schulz will share stories about her husband’s legacy in the world of cartooning as well as the strip’s ongoing popularity.

Next, presented in conjunction with the exhibition, “Lucy! Fussbudget to Feminist,” the museum hosts a live event, ‘Women Rising: Local Leaders Speak Out’ on Wednesday, Oct. 7. The live conversation features Camilla Gray-Nelson (owner of Dairydell Doggie Dude Ranch and Training Center), Jennifer Reichardt (owner and winemaker at Raft Wines), and Vivienne Wei (author of Labor Force) sharing the challenges and successes they’ve experienced in their careers.

Another anniversary party, ’70 Years with the Peanuts Gang,’ commences on Saturday, Oct. 17, when author Simon Beecroft presents his new book, The Peanuts Book: A Visual History of the Iconic Comic Strip. Charles M Schulz Museum curator Benjamin L Clark and archivist Sarah Breaux join Beecroft in conversation, charting the evolution and endurance of the “Peanuts” characters.

October wraps up at the museum with an online drawing party focusing on ‘How to Draw Peanuts Halloween.’ Learn how to depict Charlie Brown in his ghost costume, Lucy in her witch hat and mask, Snoopy as the WW1 Flying Ace and the Great Pumpkin with instruction from Atlanta-based cartoonist Robert W. Pope on Thursday, Oct. 29.

Fall 2020 at the Charles M Schulz Museum continues in November and December with more drawing classes and live conversations on topics such as the Black experience as told through graphic novels and comics. Advanced registration is required for all online events. Visit schulzmuseum.org to sign up for these events now.

Marcus Shelby Takes the Lead at a North Bay Jazz Institution

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After more than two decades running the Healdsburg Jazz Festival, founder and longtime Artistic Director Jessica Felix recently announced her retirement effective at the end of September.

When she leaves, Felix will welcome acclaimed composer and bandleader Marcus Shelby as the festival’s new artistic director. Shelby takes over the role on Oct. 1, with an eye towards the community.

“I believe that Healdsburg jazz, through Jessica Felix, has built one of the strongest foundations possible with a commitment to the art form,” Shelby says. “I want to bring to the table my strengths; part of that is my love for collaborations, and bringing musicians together with other artists. I’m looking forward to being a part of the Healdsburg community, not just as a musician or artistic director but being conscious about the city and how it’s changing, and then seeing how the festival itself can be a strong community partner year-long.”

Shelby is a beloved figure in the Bay Area jazz scene, having first established himself by leading both the Marcus Shelby Trio and the Marcus Shelby Jazz Orchestra. He’s also a composer-in-residence with the Yerba Buena Gardens Festival and has taken on a variety of roles at SFJAZZ, including a stint as a resident artistic director.

A decade ago, Shelby began working with the Healdsburg Jazz Festival, when Felix hired him to bring his Black History Month programming to local schools. Following that, Shelby created and directed the Healdsburg Freedom Jazz Choir.

“Jessica has created a culture that is very pro-artist,” Shelby says. “Artists love to play at Healdsburg Jazz. I speak as one artist, but I know this from talking to others—Jessica has made that a core value of Healdsburg Jazz.”

Something else that Shelby says will continue at Healdsburg Jazz is a commitment to the art form and the artists who create it, as well as a commitment to education that will match the commitment to presenting performance. Recently, Healdsburg Jazz has offered monthly online Zoom presentations on jazz and jazz history.

For Shelby, taking on the role of artistic director for Healdsburg Jazz Festival in 2020 means facing unprecedented challenges due to the Covid-19 pandemic that already canceled this year’s event, originally scheduled for last June.

Undaunted, Shelby is already working with the festival’s Board of Directors on strategizing for the 2021 festival, as well as working to continue the year-round concerts and education programs that Healdsburg Jazz regularly hosts, such as a virtual world premiere live streaming concert on Saturday, Sept. 26, featuring acclaimed musicians Charles Lloyd, Zakir Hussain and Julian Lage playing together as trio for the first time ever.

“Every challenge presents ways of being innovative,” he says. “Since we’ve gone online, we’ve expanded our borders. We’re in communication not only nationally, but internationally. With that, when we are able to bring our festival back in person, we’re hoping that this is one way we build a larger audience that will come to this beautiful place and enjoy the music and culture we provide.”

Healdsburg Jazz presents the Lloyd-Hussain-Lage Trio performing live online Saturday, Sept. 26, at 7pm. Admission by donations of $15 and up. healdsburgjazz.org.

Stay Inside This Weekend with Virtual Events

As California and the West Coast continues to burn, air quality is forecast to be very unhealthy for the entire weekend throughout the Bay Area, and experts advise residents to stay indoors with windows and doors closed and to minimize outdoor activity.

By now, staying indoors is nothing new for locals who’ve remained socially distant due to the Covid-19 pandemic, and several organizations in the North Bay are offering virtual versions of events ranging from readings to art exhibits to online auctions.

One such group is Marin Open Studios. For 27 years, Marin Open Studios has increased awareness of local artists through annual self-guided tours of the artists’ studios and galleries. This year’s pandemic canceled the tours this past May, though MOS has kept busy with online versions of their art tours. This week, MOS hosts a live-streaming art reception for “The Human Spirit,” the premiere exhibition in its new virtual gallery. This show, curated on the theme of portraying different aspects of the human spirit, features several participating Marin Open Studios artists, many of whom share their art and their stories on Saturday, Sept. 12, at 5pm. Free. Marinopenstudios2020.org.

For theater lovers, Transcendence Theatre Company has spent the summer reliving the best moments from it’s annual “Broadway Under the Stars” festival by presenting online showcases of the family friendly performances and song-and-dance shows that have been captured on video. Now, the company is pulling out all the virtual stops for the season-ending Annual Gala Musical Fundraiser, featuring never-before-seen footage of Broadway stars from smash hits such as “School of Rock,” and “Frozen” from the last eight seasons of “Broadway Under the Stars” performances. The virtual Gala’s video compilation of “the best of the best” musical performances runs Friday through Sunday, Sept. 11–13. Times vary. Free to watch, donations welcome. Transcendencetheatre.org.

In Napa Valley, The long-running Festival for Brain Health has raised nearly $500 million to build awareness for brain-related disorders and to develop new therapies. The event normally gathers at Staglin Family Vineyard in the Napa Valley, though due to the Covid-19 pandemic, it won’t be possible this summer to hold the event in-person. Instead, the significant brain health event is occurring virtually this year, with a daylong program featuring an online scientific symposium and Q&A with leaders in brain health, followed by an exclusive, live-stream concert by 10-time Grammy Award–winning musician Arturo Sandoval and his ensemble band on Saturday, Sept. 12. Registration required. Music-festival.org.

There are several chances for local literature this weekend as well, as local figures go online to read from very different kinds of books. First, Book Passage co-owner Bill Petrocelli argues that the Electoral College has lost its way in his new political book, “Electoral Bait & Switch.” Petrocelli engages with Constitutional law professor Joel Paul online Saturday, Sept. 12, at 4pm (Bookpassage.com). The next day, award-winning poet and recently retired Santa Rosa Junior College professor and clinical social worker Donna Emerson reads from her new poetry collection, “Beside the Well,” in Occidental Center for the Arts’ first virtual book launch via Zoom on Sunday, Sept. 13, at 4pm (Occidentalcenterforthearts.org).

North Bay residents looking to give back to beloved local cultural purveyors have a few online auctions that they can turn to, with fine art and at-home experiences available for bidding. First, the Sausalito Art Festival, which was forced to cancel its live event earlier this month, decided to do something to help artists financially. With that in mind, the 2020 Sausalito Art Festival Silent Auction is open now, featuring art from over 80 participating artistic masters in varied mediums. That auction will end Sunday, September 13 (Sausalitoartfestival.org). That same day, another online auction opens, as the Children’s Museum of Sonoma County invites patrons to dream big in the “Time to Wonder” online auction, running Sept. 13 to Sept. 22. This newly virtual auction features over 45 locally-sourced items such as at-home adventures and experiences, food and collectible wines, books and gourmet baskets. Additionally, participants can support the Fund-A-Need, which will be used to refurbish existing beloved exhibits and build new gems at the Children’s Museum (cmosc.org).

Petaluma City Councilmember Gabe Kearney Faces 16-Count Campaign Finance Complaint

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A complaint filed with a state campaign finance regulation commission alleges that Petaluma City Councilmember Gabe Kearney has violated campaign finance rules 16 times during the past four years by failing to file paperwork and pay fees on time.

The complaint against Kearney, filed with the state Fair Political Practices Commission (FPPC), alleges that Kearney filed numerous forms late, failed to pay annual FPPC fees on time for the past four years, and gathered over $5,000 in political contributions before formally declaring his candidacy in the November 2016 election.

Though the complaint lists the forms as allegedly late, not entirely missing, some of the same forms are not available at the Petaluma City Clerk’s office, making it unclear how much money—if any—Kearney received from donors at the end of his 2016 campaign and during his latest four-year term on the council.

At a meeting in May, the FPPC’s legal staff determined that there was “probable cause” that Kearney had violated state rules repeatedly. While a finding of probable cause does not mean there was a violation it does signal that FPPC staff found some evidence to support the complaint. The vast majority of cases end in a settlement, according to an FPPC spokesperson. The FPPC does not comment on specific, on-going cases.

In response to questions about the complaint, Kearney told the Bohemian on Thursday morning that the late filings stem from a paperwork error at the end of 2016.

“At the end of the [2016] campaign I submitted the forms that I thought were adequate to close out my campaign account. I have been informed that they were not the proper forms to close out the account and I am working with the FPPC to close out this in the proper way,” Kearney wrote, adding that he hopes to close the case in the next few weeks.

Kearney’s explanation does not appear to apply to six of the 16 counts against him. Five of the counts predate the end of the 2016 campaign and another count, an alleged failure to file an annual Statement of Economic Interests on time in 2019, is unrelated to the 2016 campaign committee.

In addition, a form covering contributions to Kearney’s 2016 campaign between Oct. 23 through Dec. 31, 2016, was not available on the City Clerk’s website at the time of publication.

Acting City Clerk Samantha Pascoe told the Bohemian on Thursday that Kearney is working with the FPPC to amend two 2016 forms—including the one covering campaign contributions Kearney received between Oct. 23 through Dec. 31, 2016—which are currently not available on the city’s website. A recently-added note on the city’s 2016 campaign finance page states that the amended forms will be published soon.

Kearney did not respond to a request for clarification of his explanation on Thursday.

Ann Ravel, a former chair of the FPPC who reviewed the complaint, said that the number of alleged violations listed in the complaint against the Petaluma City Councilmember is unusually high and could result in a large fine.

“This is an awful lot of instances of violations. It’s quite unusual actually,” Ravel said in a phone interview.

Ravel said she believes that the commission’s staff would have considered the possibility of the paperwork error Kearney cited before deciding that there was probable cause.

“Certainly the FPPC would have looked at the circumstances. Either you filed or you didn’t… They would have known whether [the campaign committee] was closed out, whether it should have been closed out,” Ravel said. “If they thought that [Kearney’s explanation] was a reasonable rationale for failing to file they would not have charged him.”

The 16 counts against Kearney include soliciting and accepting “campaign contributions totaling approximately $5,315” before filing paperwork announcing his intention to run in the November 2016 election and failing to file eight campaign finance statements on time between Sept. 24, 2016 and Jan. 31, 2020. Kearney and his 2016 committee also allegedly failed to pay an annual FPPC fee—and the four resulting $150 late fees—every year between 2016 through 2020.

One form available on the City Clerk’s website, which the FPPC complaint lists as due on Sept. 29, 2016, was submitted on Oct. 6, 2016, according to a datestamp on the form.

“It looks to me like there’s probably going to be a big fine involved,” Ravel, the former FPPC chair, opined.

Kearney was first appointed to the Petaluma City Council in 2011. He won reelection in 2016 and recently filed paperwork announcing his intention to run again in the Nov. 3, 2020 election.

According to his most recent Statement of Economic Interests, a form politicians and many public employees are required to file each year, Kearney worked in 2019 as an Emergency Services Coordinator for Cal OES, the state emergency management department.

All told, three sitting city council members—Kearney, Mike Healy, and Kathy Miller—are running against five newcomers—Brian Barnacle, Robert Conklin, Susan Kirks, Dennis Pocekay, and Lizzie Wallack—for three open seats on the Petaluma council this November.

The complaint against Kearney is included on pages 12 and 13 of this document.

Marin String Band Charms on Debut

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by Sean McAlindin

San Rafael string band Late for the Train’s debut album, Plant It or Build It, is a beautiful collection of peculiarly romantic songs full of thoughtful lyricism, stirring instrumentals and sweet harmonies. 

The opening track, “Sang Through the Summer,” is all about celebrating an ephemeral twinkling of bliss before it’s gone. It’s a fitting introduction for the band fronted by Marin County troubadours Laura Benson and Dave Pascoe, who share a penchant for wandering roads less traveled while loving each magical moment along the way. 

The voices of Benson and Pascoe blend like gypsy souls who’ve found a home in each other’s musical arms. They met at an open mic night in a Northern California living room on Halloween night, 2017. Benson was dressed as Rosie the Riveter in bright red lipstick; Pascoe, in cheetah pants, saw her sing to a rapt, silent room. As the party wore on, they both got out their fiddles and started jamming on Celtic tunes. The rest is history, as they now live and create together from their home in San Rafael’s Gerstle Park neighborhood. 

What begins with deft Appalachian flatpicking quickly hints at something more on Plant It or Build It. Through all 10 songs on the album, their voices contrast and meld with a fascinating and plaintive authenticity harkening back to older times while keenly observing those of today.

The album was recorded by Ky Takikawa almost entirely live during a four-day session in a remote, two-story concrete-and-glass house hidden under Bixby Bridge in Big Sur. 

Tracking days began early with a family breakfast and ended well beyond midnight underneath the California stars. During breaks, the band walked an overgrown singletrack path alongside the creek to jump into the roiling ocean and wash away their blues. 

Flawless mastering by The Wailin’ Jennys’ soundman Adrian Dolan shines as the first side of the record ends with the one verse of traditional acapella, “Bright Morning Stars.” The harmonies of this song about staying up all night surround your ears as you long for more.

Side two begins with “The Architect,” a song about what it takes to make a life in this contemporary day and age. Jack Johnson meets Ani DiFranco as Pascoe and Benson ask listeners, “Are you the architect or the gardener of your life?”

The album closes with “Paper Smiles,” a lovely composition about being the black sheep of the family, the one destined to roam the countryside looking for a little love and decent song. 

“Me, I play the sounds of lovers lost and freedom found,” the band sings on the closing track. “So I can hold them close, the ones I love the most.”

‘Plant It or Build It’ is available now. Lateforthetrainband.com.

Letters: Scare Tactic

We’ve seen a surge in propaganda from our rogue Sonoma County Sheriff Mark Essick lately.

In recent weeks, the Sheriff launched a campaign of major scare tactics and hangdog pleas asking the public to complain about a budget cut called for by the Board of Supervisors across all county agencies. This cut will force him to sell Henry 1, the rescue helicopter we all love, he says. And, apart from the time Essick summoned the copter to impress guests at a private party hosted by a wealthy donor, Henry 1 and crew do great work. 

What Essick isn’t saying is that he has a whopping budget of $184 million, the lion’s share of the entire County budget, and he’s been asked to reduce spending by only 8 percent, around $14 million. He’s also not mentioning that the annual budget for Henry 1 is just slightly over $2 million a year. 

Mr. Essick, you can’t manage a $2 million cut from your $184 million? I don’t believe that for a minute. It’s a ploy, people, don’t fall for it!

Kathleen Finigan

Santa Rosa

Be Proper

Most protesters are peaceful, but some are not. Some observers say “violent” protestors are ONLY damaging property. Property damage is much less egregious than damage to people, but it’s also counter-productive. Property is God to some Americans. Try convincing Trump supporters that it’s ONLY property being damaged.

I get it, having been involved in violence myself during the Vietnam era. I think it’s counterproductive now though, due to the upcoming election. Cooler heads must prevail. We had great political leaders during the ’60s. I don’t hear about any leaders at all now.

People say, “Anybody but Trump,” but their actions are improving his re-election chances. Can they not realize this?

Robert Feuer

Camp Meeker

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Sheriff Won’t Release Communications With ‘Transparency’ Advisor

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Gabe Kearney, City of Petaluma
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Letters: Scare Tactic

We’ve seen a surge in propaganda from our rogue Sonoma County Sheriff Mark Essick lately. In recent weeks, the Sheriff launched a campaign of major scare tactics and hangdog pleas asking the public to complain about a budget cut called for by the Board of Supervisors across all county agencies. This...
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