Railroad Square Music Festival Returns

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If one is currently reading a copy of their county’s local alt-weekly, there’s a good chance they’re the sort of person who is already well aware of the Railroad Square Music Festival.

Since 2015, except for a two-year Covid-related hiatus, the festival has been taking over several blocks in downtown Santa Rosa for a free, all-ages day of music, food, art and community.

Josh Windmiller, a lifelong Sonoma County resident and co-director of the festival, says that RSMF is the spiritual successor to another event unique to the area called Handcar Regatta.

For those unfamiliar, the regatta took place every year in Railroad Square and invited anyone and everyone to construct handcars that could be operated on the length of train tracks that ran across Sixth Street. Think Burning Man art cars with a steampunk twist, and one won’t be far off from the aesthetic sensibilities.

“It was an event that could really only happen in Santa Rosa, just due to the availability of empty train tracks,” says Windmiller, “and so became a weirdly accurate reflection of the city’s spirit.”

When Sonoma SMART began development along the lines, the regatta was cut, and Windmiller spotted an opening. “I wanted to create something that held a similar reflective spirit, but was more music-oriented,” he notes. Along with co-founder and co-producer of the event, Susy Dugan, Windmiller set forth on creating a community-oriented music festival that was easily accessible to anyone and everyone.

As I interview Windmiller for this story, I begin to sense an undercurrent of subversiveness in how he describes the event. I ask him about my hunch, and he smiles a bit. “I’m obsessed with sneaking performance and art into places it is not present,” he explains. In the early 2000s, Windmiller began involving himself in the DIY performance scene in the area, and he began building a career out of a mishmash of various production gigs and musical performances with his band, The Crux. He continues, “In a sense, I’m trying to smuggle something into the public mind of our city.”

What exactly is he trying to smuggle in? The simple idea that Santa Rosa can be a place that sustains a larger cultural density than it currently does.

“Things have a shelf-life here,” he says. The things he is referring to are venues, shows and bands, which I am inclined to agree with. As a culture writer in the area, it sometimes feels like my beat is trying to catch flashes in the pan and document them before they fade from memory. He adds, “I want people to come to this event and walk away believing that we can be the kind of town that has more of it. Right now, we aren’t competing against other shows and events; we are competing against Netflix and HBO.”

According to Windmiller and co-founder Dugan, the key to consistently separating people from their home entertainment options is a mixture of familiarity and surprise. “We agreed early on that this would be a ‘genre-less’ event,” says Windmiller, genre-less in this context meaning that RSMF is not limited to any set sound or category of music.

Rather than booking according to a specific sonic vibe, the festival seeks to accurately reflect the variety of cultures and experiences that exist within Sonoma County.

“Josh and I are limited to our own experiences,” says Dugan, “so we make a concerted effort to reach out to our community about what they’re excited about.” Dugan also says that the festival is loosely associated with an advisory board that seeks to promote equity and visibility for all identities and walks of life in the area. “We make a concerted effort to reach out to our community about what they’re excited about,” she notes.

While this results in there being a little bit of something for everyone, it is also a model that promotes exposure to music that county residents might not be aware of. “I want everyone to leave with a new favorite band,” says Windmiller. Attendees this year can anticipate folk and country acts, Afro-Brazilian performances, Latin music, EDM DJs, youth bands, hip-hop and more.

In order to better uphold this vision of diversity and inclusion, the festival has tried to eliminate as many obstacles as possible for bands to pitch their hat in the ring to perform. “We have an application on our website that all bands can enter,” says Dugan. “There is no application fee, and we give consideration to anyone who applies.”

Windmiller and Dugan are also associated with The Lost Church, a non-profit music venue with a location in San Francisco and formerly a spot in Santa Rosa (though plans are underway to reopen a space soon), and have formed a large regional network of musicians and bands that they are excited to invite into the festival.

Dugan is emphatic that, along with the music lineup, this year’s vendor marketplace is an equally important element in RSMF’s mission to represent as broad of a swath of Sonoma County’s cultural diversity as possible. “We have brought in so many incredible artists, craft-makers and food vendors this year,” she says, “and they come from all different cultures in the county.”

There is also an incredible amount of attention being paid to accessibility at the event. For those who wish to drive, there is ample parking, but the festival will also support alternative means of transportation. The event connects to the downtown SMART train station, and it sits along several bus lines. Windmiller and Dugan are both excited to report that there will be a bike valet for anyone who decides to ride in on two wheels.

In this tenth year of the festival’s existence, Windmiller has been largely successful in his dream of smuggling a pro-art attitude into the streets of Sonoma County. As he points out, the festival grows in scope with each successive iteration, has an incredibly positive working relationship with the City of Santa Rosa, and a seemingly endless stream of people excited to join on as volunteers.

He loves the idea of the festival becoming a year-round endeavor, with special seasonal events and perhaps even a pressed compilation record of associated acts. It’s not outside of the realm of possibility, but it’s not fully up to him either. The fate of art in our city depends on the people who show up, who get inspired to organize something themselves and who believe that the place we live should reflect our collective experience for everyone to come and celebrate.

The Railroad Square Music Festival runs from 12 to 7pm, Sunday, Sept. 28, in historic Railroad Square (between Third, Davis, Wilson and Sixth streets), Santa Rosa. For a complete schedule and line-up, visit railroadsquaremusicfestival.com.

‘Finding Lucinda’ Doc Follows Musician’s Journey of Self-Discovery

Every creative person, be they a hobbyist or professional, eventually butts up against a bevy of similar but nonetheless challenging questions.

These questions and personal confrontations are but a few of those facing Sonoma County singer-songwriter Avery Hellman, who performs as Ismay, and is the main focal point of the new documentary, Finding Lucinda, which hit VOD platforms this month.

This film follows Hellman on a nearly seven-year journey of self-discovery as they lean way-in to the life and work of one of their heroes, Lucinda Williams. The 1998 album by Williams, Car Wheels on a Gravel Road, is not only well regarded as a masterpiece; it was also named #98 on Rolling Stone’s 500 Greatest Albums of All-Time list in 2020. This album also ranked sixth overall for the same mag’s Best Country Albums of All-Time list in 2022, lodged squarely between Merle Haggard’s Serving 190 Proof and The Chicks’ Fly.

Hellman says the process of starting the journey to answer possibly unanswerable questions came about organically. “The whole process kind of went one step at a time. I was working half-time playing music and half-time on my family’s ranch and was just sort of unsure, as anyone who’s 25 years old would be, in terms of where I fit in,” they explain. “It kind of goes from someone in their mid-20s, where you’re asking, ‘What do I imagine I want to be?’ to ‘What does the world want from me?’ when you’re a bit older.”

The connection to Williams was an early one, as the family would often listen to her albums on road trips. And later, when in an attempt to spend more time with their dad, Hellman sang and played guitar in a Williams cover band called Lake Charlatans, a clever nod to Williams’ birthplace in Lake Charles, Louisiana.

This created “a spark of interest” in Williams’ body of work. “When you’re a creative person, you’re always looking for more inspiration, and I was just looking for a route to learning more about a certain kind of music,” says Hellman.

That route becomes tangible in Finding Lucinda as Hellman embarks on a journey that literally follows in some of the early footsteps Williams took on her rise to prominence. In the film, Hellman first meets with Austin stalwart Charlie Sexton, who produced and played guitar on Williams’ follow-up to Car Wheels, 2001’s Essence. This meeting, which takes place early in the film, sets the stage for a travelogue of sorts where influential figures in Williams’ career share stories but also do their best to answer all the big questions Hellman is facing.

Hellman says, “I was able to see behind the scenes in her development and maybe understand a bit more about her origins. When she was young, maybe 15, she did a tour of Mexico and played with this folk artist, but I also hadn’t realized that her dad was friends with people like Charles Bukowski; she was with Flannery O’Connor when she was growing up.” Notable ingredients to the roux in the Lucinda Williams creative gumbo to be sure.

Having worked on the film for nearly seven years, Hellman continues to grow, learn and perform. The interviews from the film, which obviously had to be truncated to fit a certain runtime, have now been refurbished into a podcast (also entitled Finding Lucinda). And as the film makes its way into the world, Hellman has started booking dates where it will be shown, followed by a performance by Ismay.

This includes a local date as part of the “Hardly Strictly Bluegrass Out of the Park” nighttime screening series on Friday, Oct. 3. The event will feature live performances by Ismay, Chuck Prophet, Steve Earle and of course, the Lake Charlatans, with all proceeds going towards Sweet Relief Musicians Fund of the Bay Area, which offers medical support for musicians.

More information about the film is available at findinglucindafilm.com and about Ismay at ismaymusic.com.

Your Letters, Sept. 24

Redress, Redraw

If the president of the United States’ policies are so unpopular that he needs to tell red states to redraw their maps in an attempt to hold onto a congressional majority, maybe it’s about time the other party steps up and says no.

The Democrats did not start this fight, but we are not going to lay down and play dead.

My family has lived in this country since the 1600s, and we have had someone fight in nearly every war. As I watch the apparent leader of the free world do all he can to dismantle what so many fought for, I can’t stay on the sidelines and watch.

Finally, there is something we can do to stop the madness. Prop 50 is a temporary redrawing of our districts in direct response to Donald Trump’s election rigging. I will be voting Yes on Prop 50, and hope you will too.

Suzanne O’Brien

Santa Rosa

Embodying Art and Jazz

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Sausalito

Artists at Work
This weekend, 180 artists fling open their studio doors for Artists at Work, the semiannual open house at Sausalito’s ICB ART building. Visitors can wander all three floors; talk “process” with painters, sculptors, photographers, jewelers and fiber artists; and take home works fresh from the studio wall. It’s part art walk, part creative laboratory and a whole lot of community. 11am–5pm, Saturday, Sept. 27, ICB ART, 480 Gate 5 Rd., Sausalito. Free. icbart.com.

Larkspur

Indo Latin Jazz
Mariah Parker’s Indo Latin Jazz Ensemble brings a borderless blend of Latin jazz, Indian ragas, flamenco and global rhythms to the Lark Theater. Parker, joined by a cast of Bay Area players and Grammy-winning drummer Mark Walker, honors jazz legend Paul McCandless with a new film trailer debut before the concert. 7:30pm, Saturday, Sept. 27, Lark Theater, 549 Magnolia Ave., Larkspur. $57.25 GA, $67.25 VIP. larktheater.net.

Santa Rosa

The Sonoma Body Project
Photographer Summer Weslow turns the lens on real women, real bodies and real stories with The Sonoma Body Project, a group portrait and live art happening at 6th Street Playhouse. Women from across the county will step into the frame—solo and together—for a living portrait of what Sonoma beauty looks like today. Tickets are $10, with proceeds supporting Common Ground Society. 5:30pm, Sunday, Sept. 28, 6th Street Playhouse, 52 W. 6th St., Santa Rosa. $10. More at empowering-boudoir.com/the-sonoma-body-project.

Santa Rosa

Broadway Burlesque
Epineux Productions fuses razzle-dazzle Broadway with the tease of burlesque in Broadway Burlesque, a two-night variety blowout at the California Theatre. Friday’s cabaret-style show spotlights local musical theater and burlesque stars, while Saturday pulls in performers from across California. Hosted by Velvet Thorn channeling classic Broadway characters, one may expect a heady cocktail of sequins, show tunes and sass. 7:30pm, Friday–Saturday, Oct. 3–4, California Theatre, 528 7th St., Santa Rosa. $25–$40. caltheatre.com.

Winemaker Ryan Zepaltas of Copain

When Ryan Zepaltas achieved what he calls his “dream job” in 2018, becoming winemaker and general manager at Copain, he brought with him nearly two decades of experience crafting exceptional wine.

His expertise was honed through years of dedicated work at Siduri, where he began in the summer of 2000. The then-emerging pinot noir producer, operating from a modest Santa Rosa warehouse, provided the perfect environment for Zepaltas to immerse himself in his favorite varietal.

Under the mentorship of founders Adam and Dianna Lee, whose philosophy centered on small-batch, terroir-driven winemaking, he evolved from cellar master through assistant winemaker to eventually helm production over two transformative decades.

That experience led him in 2004 to establish Zepaltas Wines, a boutique label dedicated to small-lot expressions of cool-climate varietals including pinot noir, syrah, chardonnay and sauvignon blanc. This venture, which earned critical recognition, paved the way for the approach he would later bring to Copain.

But this journey into the wine world was quite unconventional, beginning far from California’s vineyards. Raised in Wisconsin’s beer-centric culture, Zepaltas had little interest in wine until circumstances intervened. After relocating to Sebastopol to pursue skateboarding dreams, financial reality struck hard. A fortuitous harvest position at La Crema ignited his curiosity about winemaking, leading to a pivotal stint at New Zealand’s Villa Maria that crystallized his calling.

Amber Turpin: How did you get into this work?

Ryan Zepaltas: Totally by accident. I moved to California to focus on skateboarding, but it wasn’t paying the bills. I heard from a family friend that I could work harvest to make some quick cash, and I wanted to stay in California. I met a guy who ran a cellar, and he gave me a shot as an intern, and I was hooked on wine instantly.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

I was gifted a ticket to a GAJA Barolo retrospective tasting early on in my career. I had no idea what I was in for, but tasting perfectly aged barolo was a euphoric experience. I learned that wine can go levels beyond just being delicious and enjoyable. Great wine can truly be magical and life changing.

What is your favorite thing to drink at home?

Besides coffee, crisp, white wines from all over the world.

Where do you like to go out for a drink?

Al’s in Locke. If you know, you know.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Chablis.

Copain Wines, 7800 Eastside Rd., Healdsburg, 707.836.8822. copainwines.com.

Not Just a Book Report: Christie George’s ‘The Emergency Was Curiosity’

Author Christie George’s new book is a hand drawn line to the recent, misremembered past. It is an early pandemic project, begun as we were hoarding TP and baking bread.

It has now been five and a half years since the beginning of the Covid pandemic—five years since the close of the Black Lives Matter summer, and the racial reckoning that wasn’t. Although we rushed to forget the pandemic like a bad dream, it is important to remember it and remember it clearly—we are living in the world and politics that Covid created.

The Emergency Was Curiosity is the title of Christie George’s “new” book. It is a quotation drawn from artist Jenny Odell’s 2019 book, How to Do Nothing. If I can provide an interpretive gloss to George’s title, I would render it as, “what if an ‘idle’ and intuitive, childlike curiosity and wonder were raised up to the level of urgent priority—above the productive items that remain stuck at the top of our frantic, adult to-do lists.”

Mine’s not as pithy though. If I can provide the same (dis) service to Jenny Odell’s title, I would render it, “How to do nothing recognized as having ‘productive value’ to the misaligned and crushing capitalist machine.”

Odell’s book blends cultural critique and activism in its warning challenge to our modern “attention economy,” wholly captured by screens and social media, that seemly operate like control devices, keeping us distracted, stupid, misinformed, angry, hateful, anxious, hysteric and afraid (the better to rule us).

Also, Odell’s book is a call to liberation “disguised as a self-help book.” George’s new book is a commentary on Odell’s. Although she isn’t wholly comfortable with calling it “a book.” She prefers to call it a “fan letter,” a “collage,” “a book report” or a “zine.” Although it is hard-bound in a floral pattern watercolored by George, those terms evoke the loose, rambling, low-stakes art projects of a child on an idle summer day—or an adult in pandemic lockdown learning how to draw.

George entered the 2020 pandemic armed with Odell’s 2019 book, and her “book report” diarizes her experience of using the book to win back her attention and rediscover her self and her family and her wild West County home. It’s a charming and useful book (and pandemic portal) filled with hand-typed pages, doodles, diagrams, lists, manifestos, watercolors and nature field guides from pandemic year 1.

Cincinnatus Hibbard: Christie George, why did you start this book report and diary?

Christie George: I had a feeling I would not remember the early days of the pandemic faithfully—we are unreliable narrators of experience. I felt that I would remember it as way better than it was or way worse than it was… In reality, horrible things and beautiful things were happening all at the same time…

And now it remembers those days for all of us—better than a bronze memorial. You were intending to print only three copies—for yourself, for family and for Jenny Odell, but were convinced by experiences with friends and strangers to print more?

Sharing it was like an intimacy hack. If I give it to them—and if they read it, we are accelerated deep into a conversation around how we are wrestling for control of our attention in our daily lives. This is all I’m in it for—to talk to people about these ideas. That’s why I continue to share it. And I’ve now received many book reports on the book report (laughs).

Learn more: christiemgeorge.com.

Merry Misfire: Sherwood

While I tend towards more edgy and dramatic fare than Ken Ludwig’s Sherwood: The Adventures of Robin Hood, we could all use a little lighthearted respite nowadays. Cinnabar Theater has mounted a production of the irreverent farce, directed by Zachary Hasbany, that runs in the Warren Auditorium at Sonoma State University through Sept. 28.

The cheeky script provides more than enough opportunities for an ensemble of talented character actors (led by the incomparable David Yen as narrator Friar Tuck) to be as big and experimental as they want to be, should they choose to accept that mission.

This comedic romp tells the well known story of Robin Hood (an understated Adam C. Torrian), but adds a staggering amount of cultural references, musical interludes and tons of goofy physical shenanigans, mainly supplied by Yen, who tirelessly leads the cast both emotionally and physically (as he’s constantly moving actual set pieces around). There’s strong support from a saucy Tim Setzer as the Sheriff of Nottingham and the bold antics of Krista Joy Serpa as a foppish Prince John. Zane Walters, as the fiendish Sir Guy, also hams it up appropriately.

The overall message of the story resonates today: Help the unfortunate, and bring justice to the evildoers in power—a note that permeated the show in a very heartfelt manner, personified best by Lizzy Bies as the plucky Deorwynn (a new character).

However, tonally, the show was disorganized. The staging was chaotic and often completely undone by both its overbearing sound design and recorded musical additions. The fight choreography by Raisa Donato was carefully crafted but hesitantly executed at the performance I attended, the exception being the first-act duel between Little John (a charismatic Delaney Brummé) and Robin.

The cast wasn’t synching fully and could have made stronger character choices, thus leaving a feeling of disconnect, especially between the heroic Maid Marian (Amanda Vitiello) and Robin, between whom sparks should have been flying.

It’s not easy to write that, in the end, a play didn’t work. It sounds dismissive and reductive, because I am keenly aware of what actors put into a show and how vulnerable it is to be a performer.

Knowing the level of talent in this particular ensemble, perhaps I just attended an off night.

Cinnabar Theater presents ‘Sherwood: The Adventures of Robin Hood’ through Sept. 28 at Warren Auditorium in Ives Hall at Sonoma State University. 1801 E. Cotati Ave., Rohnert Park. Fri–Sat, 7:30pm; Sun, 2pm. $23–$66. 707.763.8920. cinnabartheater.org.

Free Will Astrology: Week of Sept. 24

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ARIES (March 21-April 19): In Tonglen, a Tibetan Buddhist meditation, you visualize yourself breathing in the suffering, pain or negativity of other people, then imagine breathing out relief, healing or compassion toward them. The practice can also be done on your own behalf. The goal is to transform tension and stress into courage, vitality and healing. I recommend this practice, Aries. Can you turn your scars into interesting tattoos? Can you find mysterious opportunities lurking in the dilemmas? Can you provide grace for others as you feed your own fire? 

TAURUS (April 20-May 20): In a YouTube video, I watched Korean artisans make hanji paper in the same way their predecessors have for 1,300 years. It was complicated and meditative. They peeled off the inner bark of mulberry trees, then soaked it, cooked it and pounded it into pulp. After mixing the mash with the aibika plant, they spread it out on screens and let it dry. I learned that this gorgeous, luminous paper can endure for a thousand years. I hope you draw inspiration from this process, Taurus. Experiment with softening what has felt unyielding. Treat what’s tough or inflexible with steady, artful effort. Be imaginative and persistent as you shape raw materials into beautiful things you can use for a long time.

GEMINI (May 21-June 20): Legendary jazz musician Sun Ra was a Gemini who claimed to be from the planet Saturn. He aspired to live in a state of “cosmic discipline”—not just in his musical training but in his devotion to self-improvement, aesthetic exploration and a connection to transcendent realities. He fused outrageous style with sacred order, chaos with clarity. I invite you to draw inspiration from him. Put your personal flair in service to noble ideas. Align your exuberant self-expression with your higher purpose. Show off if it helps wake people up.

CANCER (June 21-July 22): In Inuit tradition, qarrtsiluni means “waiting in the darkness for something to burst forth.” It refers to the sacred pause before creativity erupts, before the quest begins, before the light returns. This is an apt description of your current state, Cancerian. Tend your inner stillness like a fire about to ignite. Don’t rush it. Honor the hush. The energies you store up will find their proper shape in a few weeks. Trust that the silence is not absence but incubation. Luminosity will bloom from this pregnant pause.

LEO (July 23-Aug. 22): You’re feeling the stirrings of a desire that’s at least half-wild. A surprising vision or opportunity has begun to roar softly within you. But here’s key advice: Don’t chase it recklessly. Practice strategic boldness. Choose where and how you shine. Your radiance is potent, but it will be most effective when offered deliberately, with conscious artistry. You’re being asked to embody the kind of leadership that inspires, not dominates. Be the sun that warms but doesn’t scorch! PS: People are observing you to learn how to shine.

VIRGO (Aug. 23-Sept. 22): If humans ever perfect time-travel, I’m going to the Library of Alexandria in ancient Egypt. It was crammed with papyrus scrolls by authors from all over the world. It was also a gathering point for smart people who loved to compare notes across disciplines. Poets argued amiably with mathematicians. Astronomers discussed inspirations with physicians. Breakthroughs flowed freely because ideas were allowed to migrate, hybridize and be challenged without rancor. Consider emulating that rich mélange, Virgo. Convene unlike minds, cross-pollinate and entertain unprecedented questions. The influences you need next will arrive via unexpected connections.

LIBRA (Sept. 23-Oct. 22): The ancient Mesopotamians believed each person had a personal god called an ilu who acted as a protector, guide and intercessor with the greater gods. You’re in a phase when your own ilu is extra active and ready to undergo an evolutionary transformation. So assume that you will be able to call on potent help, Libra. Be alert for how your instincts and intuitions are becoming more acute and specific. If you feel an odd nudge or a dream insists on being remembered, take it seriously. You’re being steered toward deeper nourishment.

SCORPIO (Oct. 23-Nov. 21): In Venice, Italy, floods periodically damage books at libraries and bookstores. Trained volunteers restore them with meticulous, hands-on methods. They use absorbent paper and towels to separate and dry the pages, working page by page. I offer this vignette as a useful metaphor, Scorpio. Why? Because I suspect that a rich part of your story needs repair. It’s at risk of becoming irrelevant, even irretrievable. Your assignment is to nurse it back to full health and coherence. Give it your tender attention as you rehabilitate its meaning. Rediscover and revive its lessons and wisdom.

SAGITTARIUS (Nov. 22-Dec. 21): In classical Indian music, a raga is not a fixed composition but a flexible framework. It’s defined by a specific scale, characteristic melodic phrases and a traditional time of day for performance. Musicians improvise and express emotion within that expansive set of constraints. Unlike Western compositions, which are written out and repeated verbatim, a raga has different notes each time it’s played. I think this beautiful art form can be inspirational for you, Sagittarius. Choose the right time and tone for what you’re creating. Dedicate yourself to a high-minded intention and then play around with flair and delight. Define three non-negotiable elements and let everything else breathe.

CAPRICORN (Dec. 22-Jan. 19): In medieval European monasteries, scribes left blank pages in certain texts. This was not done by accident, but to allow for future revelations. Later readers and scribes might fill these spaces with additional text, marginalia and personal notes. Books were seen as living documents. I recommend a metaphorical version of this practice to you, Capricorn. You will thrive by keeping spaces empty and allowing for the unknown to ripen. You may sometimes feel an urge to define, control and fortify, but acting on that impulse could interfere with the gifts that life wants to bring you. Honor what is as-yet unwritten.

AQUARIUS (Jan. 20-Feb. 18): In West African Vodún cosmology, the deity named Lêgba guards the crossroads. He is the mediator and gatekeeper between the human world and spirit realm. He speaks all languages and serves as the first point of contact for communication with other spirits. In the weeks ahead, Aquarius, you may find yourself in Lêgba’s domain: between past and future, fact and fantasy, solitude and communion. You may also become a channel for others, intuiting or translating what they can’t articulate. I won’t be surprised if you know things your rational mind doesn’t fully understand. I bet a long-locked door will swing open and a long-denied connection will finally coalesce. You’re not just passing through the crossroads. You are the crossroads.

PISCES (Feb. 19-March 20): In 1977, NASA launched two Voyager spacecraft into the abyss. Both carried a message in the form of a golden record to any extraterrestrial who might find it. There were greetings in 55 languages, natural sounds like whale songs and thunderstorms, music by Chuck Berry and others, plus over 100 images and diagrams explaining how to find Earth. It was science as a love letter, realism with a dash of audacity. I invite you to craft your own version of a golden record, Pisces. Distill a message that says who you are and what you are seeking: clear enough to be decoded by strangers, warm enough to be welcomed by friends you haven’t met. Put it where the desired audience can hear it: portfolio, outreach note, manifesto, demo. Send signals that will make the right replies inevitable.

Homework: You know that insult you fling at yourself? Stop flinging it! Newsletter.FreeWillAstrology.com

New Buzz: River Electric’s Haley Wise

While her experience in the wine industry brought Haley Wise to Guerneville, it’s safe to say that there’s much more keeping her there as food and beverage director at The River Electric resort. It’s a really cool place, with a really cool team of owners and staff. And the surrounding community of Guerneville is also now Wise’s new home, where she lives nearby at Solar Punk Farms. 

How did you get into this work?

Haley Wise: I was lucky to fall into this work by making great friends in the wine industry who took me under their wing. It was the right time, the right place, and I’m very fortunate.

I found myself selling wine for a small natural wine importer and distributor called Merchants of Thirst right as doors were reopening after Covid. On my first day, I walked into Vintage Berkeley on Vine Street, and met one of my soon-to-be mentors, who offered me a job on the spot. That little shop, with its huge selection, opened the door to the never-ending rabbit hole of food and beverage—and the incredible community that comes with it.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

I have an ‘aha’ moment with every single drink I create. If I haven’t gotten to that ‘aha’ moment yet, I just keep tweaking it. I might try something 30 times, but I won’t stop until that lightbulb goes off… We had a lot of ‘aha’ moments while experimenting and crafting the cocktail list for The River Electric—it was a lot of fun.

What is your favorite thing to drink at home?

Wine will always be my first love, and what I reach for when I’m at home. Choosing a wine to share with friends and family over a meal is one of the greatest joys in life. Usually, I’ll go for bubbly, like Champagne if it’s a special occasion, or sometimes something super salty and mineral-driven, like something from Sicily.

Where do you like to go out for a drink?

It’s so fun getting to know the spots in Guerneville as a new resident. I love El Barrio; they have such a fun and adventurous cocktail menu. It’s truly inspiring to see something so well-crafted and elevated in a small town. Be careful of the Negronis at Rainbow Cattle Co. though—they’re usually served on the rocks in a pint glass, filled to the brim. I’m still being totally honest; at the end of the day, there is nowhere I’d rather go.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

A Campari Spritz, for sure. I would close my eyes and pretend I was in my happy place on the coast of Italy with some sardines and olives on the side. 

The River Electric, 16101 Neeley Rd., Guerneville, 707.937.8915. theriverelectric.com.

Farm Finds: Expert Secrets for Local Ingredients

Living in the North Bay during harvest season is a delicious privilege and a downright pleasure.

As summer’s heat begins to fade into fall, seasonal crops grow ripe for the picking all across the agriculturally rich counties of Sonoma, Napa, and Marin. And the best part is, one doesn’t have to sow and grow their own fully-stocked pantry to have access to fantastic local food. Not when sourcing local ingredients is so, so much easier than all that tilling, tending, etc…

To help unearth these edible, informational gems, three local experts agreed to share their insight, experience and wisdom on the subject of sourcing local ingredients. Together, they cover the who, what, when, where and why of shopping for local produce and food products. The most satisfying part? Even though the experts were interviewed separately, all three of them were on nearly the exact same page when it comes to their love of local ingredients as well as their advice for sourcing them. And since it is very unlikely they all had a secret pre-interview meeting, it’s safe to assume they speak the truth.

So, who were these experts and what did they have to say? Well, in the spirit of ladies first, Christina Topham, owner and executive chef of Spread Kitchen in Sonoma, began her culinary career in 1999 after leaving a Wall Street tech job. She trained at The French Culinary Institute in New York City and gained experience at Les Olivades in Paris, The Savoy in New York City and Julia’s Kitchen in Napa before launching a boutique catering company in Brooklyn and working as a superyacht chef, sourcing local ingredients across the Caribbean, Mediterranean and Mexico.

Topham returned to Northern California in 2014 and opened Spread Kitchen in 2016, which evolved through the pandemic into meal kits, prepared foods, and farmers market sales, culminating in a brick-and-mortar location in Sonoma in 2022. Today, she serves Lebanese-inspired dishes with a California twist, emphasizing seasonal, local ingredients.

“As a yacht chef, I planned our menus but left some flexibility for whatever ingredients I might find wherever we were at the time,” explained Topham. “Even with the restaurant, using local ingredients requires flexibility, time and effort to source things and pick them up.”

“Local food is… I would say there’s definitely stuff that’s hyperlocal that’s from here in Sonoma,” she added. “But I still consider stuff pretty local if it’s Bay Area-centric. There are varying degrees of local. Super hyper local for me comes from Sonoma County, but then I consider it a good thing if I’m getting something out of Brentwood too, since it’s still way better than if it’s coming out of Arizona or something.”

Topham’s suggestions for those looking to buy more local ingredients include looking into farm boxes nearby (and finding someone to split them with, since they can contain a hefty amount of fruit and veggies). She also suggests heading to farms if they have visiting hours, or even looking for local produce at grocery stores or attending one of the many nearby food festivals or events.

“If people are interested in more local stuff, see what’s going on in your town,” she said. “I feel like there’s always some sort of food event taking place. Olive season is coming up, and I know that there are plenty of olive events around olive season. Plus harvest events. Some farms have events too.”

Luke Regalbuto, owner and operator of Wild West Ferments, works alongside his wife, Maggie Levinger, to create artisanal sauerkraut, kimchi and sodas found in more than 200 stores and at their West Marin Culture Shop in Point Reyes. The venture began when Levinger, who grew up in Inverness, trained in nutrition and restaurant work and developed a passion for probiotics and fermentation while traveling globally.

Wild West Ferments produces all-organic fermented foods using traditional methods like ceramic crocks, focusing on quality, flavor and nutrition while avoiding plastic. Their storefront doubles as a “fermented micro food hall,” showcasing their products alongside other artisanal foods and DIY fermentation resources, reflecting the couple’s commitment to traditional foodways, community and adventurous globally inspired flavors.

“My general philosophy with sourcing ingredients is the more direct, the better,” said Regalbuto. “If you can get your ingredients directly from the farmer or producer, it’ll be better quality. And it’s better for the farmer too … so yes, direct is always going to be the best.”

Regalbuto’s other favorite ways of sourcing local ingredients include farmstands like Little Wing, farmers markets (especially the San Rafael Farmers Market) and the Agricultural Institutes. He also suggests Community Supported Agriculture (CSA) as another fantastic resource.

“If I’ve done all that direct farm shopping but want chickpeas or something that’s not locally produced, then I go to Good Earth,” he said. “It’s my favorite grocery store. For staples, I go to their bulk department. They have such a great variety, and a good bulk section is the mark of a great grocery store, in my opinion.”


Last but far from least is Tony Najiola, the local chef and owner of Petaluma’s own Central Market. For more than 20 years, Najiola’s restaurant has fed its guests with no-frills, all-skills dishes that aren’t trying to impress … they’re just that impressive. Najiola began cooking in New Orleans before moving to New York, eventually settling in San Francisco, and later making Sonoma his long-term home.

“I’ve lived in Sonoma longer than anywhere else in my life,” he said. “Clearly, it resonates with me. Right now, I’m sitting under a 40-year-old plum tree on my property. To be honest, I’ve always been more interested in how food and culture go hand in hand than anything else. I’m not really interested in trying to reinvent the wheel, just in trying to be a good craftsperson and a good cook. That’s all I’ve ever aspired to be —a good cook. That’s where my passion comes from, the desire to make people happy because I’m feeding them.”

Najiola has always been drawn to rustic, ingredient-driven cuisine and the cultural stories behind food, prioritizing craftsmanship and simplicity over culinary theatrics. His secret? Sourcing great ingredients and treating them with respect, skill and refined simplicity. Every dish, after all, is a sum of its ingredients and the hands that cooked them.


“Right now, we’re in the middle of harvest,” he said. “So it’s easy to get great local ingredients and produce. I can tell you there’s not a meal I sit down to that isn’t represented with tomatoes and cucumbers since their season is right now—you have to embrace what’s in front of you with food, and right now there’s a great variety.”


“All the farms around us are representing the same things,” added Najiola. “I try to deal directly with the farmer for a few reasons, mostly to keep the price down and give them as much income as possible.”

His advice for locals looking to source local ingredients includes FEED Cooperative, the North Bay collective with an impressive network of 50-plus farms. He also suggests finding close-by farmstands and dealing directly with the farmers themselves.

In fact, all three experts’ insight boils down to one overarching theme: Buy ingredients as directly as possible, not just for better taste and nutritional value, but to support the hardworking local farmers and food producers whose labour brings the North Bay its incredible flavor.

“I studied organic agriculture,” said Regalbuto. “When you get your hands in the dirt and work on agricultural projects, you realize how hard it is. I may have moved more into production, but I have such a profound respect for people who do that work, and we have to support them. It’s so hard for food products, especially in the Bay Area, where the cost of living is so high. It won’t be there if we don’t support it.”

“I remember one back-and-forth I had with this tough-as-nails little lady peach farmer,” said Najiola. “I found myself arguing with her on the price of peaches. Then I looked at her one day … and thought to myself, ‘What is wrong with you? Pay her.’ Farming is so, so hard—there’s so much trying to destroy what you’re trying to create. The least we can do is respect and try to compensate that sort of effort.”

“I actually think a really big gap that could be filled a lot better here would be to have a produce market that really carries only local ingredients,” Topham concluded. “When I lived in St. Louis, there was a local market with local eggs, local milk, local produce, local food … a food co-op like that would do really well here, and we could really, really benefit from that. It blows me away that nobody has started something like that between Sonoma, Marin and Napa. How is it possible we don’t have a co-op like that?”

Ultimately, shopping and eating local isn’t just about health, taste or sustainability—it’s about the sum of those parts, which amalgamates to a sense of community one can taste. From the hardworking farmers growing the produce to the people crafting it into delicious products to the ranchers tending cattle and even the cows grazing and making milk and chickens clucking and laying their eggs. All of these components come together to create the tables families and friends gather around, both at home and when eating out. That extensive network of collaboration brings the most incredible, edible and tangible sense of community and humanity to the North Bay.

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