Another Silent Spring: A special report on accelerating mass extinction events

Alongside the endangered redwood, the monarch butterfly is a symbol of our land.

We have taken the monarch as our emblem—one sees it in many places—on our T-shirts and jewelry, our journals, our sky-flying kites; it is on our place-making murals of fluttering monarchs and happy people. The monarch floats up from our subconscious and haunts our dreams…

Little wonder, the annual migration of the western monarchs—flying up the coast from

Mexico—is one of the great natural wonders of the North Bay.

Or, I should say, it was.

As I write, at the height of fall harvest, we are at the height of the monarch migration. Let me ask our readers—trash consumerism aside, has anyone seen a single solitary one?

Although it goes little reported, in the last 10 years, the monarch population has collapsed, from a degraded and declining baseline of several million in the 1990s to just

9,000 this last year. (See The Xerces Society for Invertebrate Conservation’s paper, Western Monarch Declines to Near Record Low, 2025.)

That means if one has been so lucky—so blessed—to see one monarch this year, in 1995 they would have seen 200 monarch butterflies floating through our skies. If they have seen 10, they would have seen 2,000 monarchs—can one imagine such a prodigy? Most likely one has seen zero. Our blue and brown, hazy skies are empty.

The only one I have seen was on one of our murals, which has been transformed, ironically, from a celebration of this place and its natural abundance into a memorial for the dead. What does the probable extinction of the monarch butterfly, our emblem, mean to us? What is the significance that monarchs are thought to carry our spirits to the afterlife according to Mexican folkloric belief? What will become of our souls when they are gone?

Emptier Skies

Poets have called butterflies “nature’s living jewels.” As a general trend, across the United States, butterfly populations are collapsing. (See North American Butterfly Association’s American Butterflies magazine story, “The Great Butterfly Die-Off,” 2025.)

Can one even imagine a world without the play of butterflies? If that thought causes pain, then one is connected to the butterfly and its pain. With its death, something dies in oneself.

It’s not just butterflies that are going extinct. As a generality, most “winged insect” populations are now in a mass die-off. That broad group and segment of life includes butterflies and moths, mosquitos, honey bees, flies, dragonflies, beetles of all stripes, wasps, cicadas, lightning bugs, ladybugs, etc.

They are all rapidly disappearing, right here, and all around the world. The rapid decline is so dramatic and distressing that some scientists are calling it “The Insect Apocalypse.” (See Current Biology Magazine, “The Insect Apocalypse and Why it Matters,” 2019.) That’s a striking phrase. It’s a big story. It’s the headline for 2025.

It’s funny we haven’t even heard of it, huh? I haven’t seen any mention of it endlessly doomscrolling my Instagram Reels. But perhaps one has noticed it, if only secondarily—with less need to spray pesticides on their lot or clean smashed bugs off their windshield.

As a class, insects represent a major part of the “biomass” on Earth—that is the weight and the number of life forms on Earth. And they’re rapidly dying away. That might not move someone. When we interact with insects, quite often it is as pests and as nuisances. “Bugs are gross.” But it should be concerning—insects, as the basis of biomass, are the basis of food chains. Pluck hard on that food web, and it ripples out to shake all living species.

Hurt by the seeming indifference of most people to insects, local butterfly expert John

Hibbard (my own father) elaborated on that point: “In the grand scheme of nature, butterflies [and caterpillars] exist to feed birds.”

The elder Hibbard is right; along with insect populations, bird populations are collapsing all around us. According to a recent report by the North American Bird Conservation Initiative (NABCI), 30% of North American bird species are now in free fall decline. (See NABC’s “The State of Birds,” 2025.) Birds are falling, from emptier skies. And silent is the spring (see Rachel Carson’s epochal Silent Spring, 1962). And these deaths are not painless deaths. Mass starvation—the inability to get insect food for themselves and their young—is a cause of their collapse.

Doubtless that moves anyone. Birds are in our hearts. They are our symbols of liberation and escape. They are the mascots of our schools, our teams, and the emblems of great nations. Birds are in our dreams. In the folkloric belief of many lands, birds are thought to communicate between earth and heaven, carrying communications from the gods (hence, “divination by augury”). So what does this augur for us? If we and our swine could even survive, would we even want to live in a world without birds?

I am afraid I am understating the case, because it’s not just butterflies and birds—it’s moths and bats too. As the basis of the food web, insects directly feed most small mammals, reptiles, ambitions and fishes, which in turn feed larger animals scaling up the food chain to apex predators. All are now at risk.

Think of all the iconic species we learned to name as innocent children and hugged as stuffed animals in the safety of our small beds. Think of all the spirit animals that guide us as adults when we are spiritually lost. They are now themselves lost, disoriented, wandering among the fast fragmenting wilds, straying, and starving into human developments, as well as dying under the wheels of heavy trucks.

Our plants are dying too. Insects feed animals, and they also pollinate flowering trees and plants—forming a vital link in their reproductive cycle and fruiting. Insect death ripples and rips through the meadows and forests where we seek spiritual refreshment and peace. All the food web is shaking violently, as in a great earthquake, as in a great storm.

The Holocene Mass Extinction

Reader—fellow human being—we have reached an inflection point, a decision point. And now, it is time to choose. Have no doubt. This is the biggest story of our times. Make no mistake. Trump is just noise. China is noise. Tik Tok trends are noise. Taylor Swift’s wedding is noise. The football season is noise. And Disney-Marvel is a desperate distraction from what is happening here and now.

Stop distracting oneself. Undeceive oneself. Put the pieces together. Endangered apes and elephants in Africa, dead coral reefs in Arabia and Australia, collapsing fisheries, disappearing kelp forests, the slash and burn destruction of the Amazon, the endangered honey bee, the last flight of the monarch—these are all pieces of a much bigger story—Global Mass Extinction.

Per The International Union for Conservation of Nature (IUCN), a once-every-four-years gathering of global nature conservation experts, leaders and decision-makers, 28% of all living species are now at risk of extinction. It won’t stop there. (See IUCN’s “Red List.”) That’s trillions of insects, plants and animals sick and starving, unable to propagate or keep their young alive. Mass extinction is the headline for 2025 and 2026 and 2027. And it’s the only story that matters.

Factors & Cause

The surprising thing is, we all already know the factors causing what scientists call the “holocene mass extinction event.” But, with a galvanic thrill, let us review them with renewed urgency.

The leading causes of mass species extinction are development: roadbuilding, land clearing, timber cutting, mining, house building, livestock grazing, monoculture farming and pollution of formerly “undeveloped land”—i.e., animal habitats and ecosystems. Development is driven by bad policy, over-population and consumptive consumerism gone mad.

Those are the general factors oppressing all other species. But there is also a specific factor, suppressing all insect life, and setting off a cascade effect of dropping dominos among the larger animals and plants that depend on them for food or reproduction.

All I can say is that it is a relatively new pesticide in increasing agricultural use. It is a broad-spectrum insect killer and long-lived. In dust suspension it has blown about everywhere, and it is present in most of the inorganic food that we eat.

I have been warned by some of my science advisors not to be more specific than that. The corporations that make it would think nothing of breaking me or burning this paper down with smear campaigns and baseless but expensive nuisance lawsuits. In fact, that seems to be part of their multibillion dollar business plan. It’s good business to close newspapers.

But the cause is us. Whether or not we are fully aware of it, we are doing this. We are making this happen with our daily choices. This is the true story of our times, and it is the true meaning of our lives. It is our legacy. Like it or not, gathered around our own good works, lie thousands of dead butterflies and bees, and birds and squirrels, lizards, snakes, fish, foxes, otters, coyotes, elk, wolves, bears, eagles and mountain lions. Don’t look away.

And while we have now exceeded the point of irreparable damage to life on Earth and may lose the innocent monarch butterfly, it is in our power to choose again, and save other species. Just as we already know the causes, we already know what to do.

But let us revisit those changes with renewed urgency and purpose. Thrill to it.

An Urgent New Environmentalism

A meta-analysis of research published by Science Magazine in 2020 revealed “Declines in Terrestrial But Increases in Freshwater Insect Abundances.” The authors of this scientific paper attributed the turn-around to environmental laws and regulations designed to clean up and protect our waterways. Those very same protections are now being torn up by the Trump Administration, which is now opening all federal land to rapacious development.

The first lesson of this story is the powerful effect that good government policy can have on reducing species loss. The second lesson is that, for the present, we can’t count on the government to lead the response to mass extinction. Still, the oft repeated refrain conservative politicians make when shredding market regulations restraining the worst impulses of capitalism is true: “The power lies in the choice of consumers.” And I will add, in the will of voters.

As consumers, we can make a daily difference. And as loud local activists and voters, we can draft and organize the local policies and programs that can scale nationally or internationally when Donald Trump topples. Here, submitted by some of the local naturalists and international scientists that helped inform this article, are priorities for a grassroots campaign to slow mass extinction. They are none of them new. It’s the old green agenda. But it’s urgent.

1. Support candidates with a green agenda.

The green new deal. Stopping the sale of federal land, new parks, linking existing parks. Fighting climate change and climate denial. Help farmers transition to organic (pesticide-free) farming and subsiding the purchasing of expensive organic food (health food for all).

2. Supporting non-profits that promote environmental conservation.

One can support them with their vote, money or in-kind donations; their volunteer time; or by using their Facebook, TikTok and Instagram to boost their message.

3. Buy less—reduce, reuse, repair.

4. Buy local—local production and shipping has a reduced environmental impact.

5. Buy organic food and wine.

6. Buy less meat—start with “Meatless Mondays”

7. Avoid purchases with high carbon footprints. If one flies, buy carbon offsets.

8. Convert part or all of one’s yard or business landscaping to promote pollinator-friendly native plants. Look up “butterfly gardening” and “national park in your backyard.”

9. Spend time connecting with wild nature. It’s good for the body and good for the soul.

10. Talk about these issues with family and friends. Have a conversation about this article. Keep this issue alive on all platforms.

One has seen this list before. But now they know we do these things for the bird and the butterfly, the otter and the oak tree. We can’t wait for Washington and Sacramento.

The Humans

Why isn’t mass extinction the story everyone is talking about? Some of the environmental activists, butterfly people, birders and research scientists I spoke to seemed to imply that people just don’t care. “People only care about people.”

But, the fact is, we do care—we are connected to these animals and flowering plants, heart and soul. We love our plants and pets. We love the monarch butterfly. And, whatever people say, humans are fundamentally moral creatures. What proves our morality is how much time and energy we spend distracting ourselves, avoiding a confrontation with the truth.

We fear the truth about our actions because, no matter what we say in public, we don’t actually think that we are good people. We know that if we confronted the truth we would be forced to change—by our own fundamentally moral constitutions.

We fear the change, and we fear the reckoning. But we forget how cleansing it can be to make amends, and how lightening it can be to make sacrifices for other living beings. And although we grumble, we forget how adaptive we are. The discomfort of change is brief, and briefly it is forgotten.

Don’t look away. When buying inorganic food or trendy plastic junk, one is buying a dead song bird too. Each time. In time, those purchases add up to a dead bald eagle, and a dead grizzly bear. One has bought those dead animals. And must pay for them—the cost comes out of their own soul. We are connected. When one buy organics, they literally save lives.

We can change. This is in our power to stop this. And change we must. In this journalistic diatribe I have emphasized what mass extinction will cost our souls (our dreams, symbols, our wonderment, emblems, archetypes, awe, mascots, cartoons, spirit guides, our love, our friends). However, mass extinction may cost us our lives too. For if there is a domino effect, collapsing up the food chain, the last domino to fall will be humans—the apex predator. We cannot simply fence off our corn and our cattle as the environment collapses and burns all around us.

The words of Dr. Joshua Arnold, a scientist who studies the role of beneficial insects in human food agriculture, put it succinctly: “There is a dogma about what we will be able to craft our way out of any problem, but the promises of technology will not be able to make up for a dying planet. Everything we do depends on the ecosystem around us. We might be able to eek on by for a time but we will suffer… Technology won’t save us.”

According to The World Economic Forum and the United Nations Food Summit, pollinating and pest eating insects are critical to the cultivation of 35% of the world’s food supply (“Why We Need to Give Insects the Role they Deserve in Our Food Systems,” 2021).

With the human population projected to increase by 2 billion by 2050, that projected food shortfall has us fighting a world war. The Insect Apocalypse is the harbinger of a greater slaughter. There still is time to avert it. Let the death of the monarch be our turning point.

Learn more & act: linktr.ee/massextinctionLINKS.

Yards of Cards at Sonoma Con

Sonoma Con is back and … they’re adding cosplay.

But before one decides to dust off those old comic books and try to sell them for far less than they thought they were worth, Sonoma Con isn’t really a comic book convention.

Rather, it’s a celebration of TCGs (Trading Card Games), TTRPG (Tabletop Role-Playing Games) and all of the wonder and whimsy that goes along with these incredibly popular hobbies.

This year’s event, the second annual, has also moved from the Santa Rosa Veteran’s Memorial building to spaces across the street at the Santa Rosa Fairgrounds. Event producer Joe Sapp is excited for the growth, saying they “are striving to create an inclusive environment, where attendees of all ages can come and celebrate their fandoms or create new ones.”

But before we delve into what the weekend will have, perhaps a little explanation of what this is all about is necessary?

TCGs are best described as Magic cards in the same way grabbing a ride-share is considered “Ubering.” In other words, Magic is the common term, but there are many, many more Trading Card Games out there. Similarly, a common example of a TTRPG would be Dungeons and Dragons, but again, there are many forms of Tabletop Role-Playing Games. This concludes the covering of our rear-ends from fans who will write letters regarding such a simple explanation of a beloved and diversified gamescape.

Fans of these games, if they’re still with us, will be thrilled to hear that according to Sapp, “This year’s convention will feature prominent Magic: The Gathering artists, as well as renowned cosplayers from Magic: The Gathering and Flesh and Blood.” He adds the weekend “will also feature some experiences that will be free to attendees, such as pumpkin painting with a local artist and Miniature ‘Paint-and-Take,’ where you can paint a miniature for free and take it home with you.”

Some of the names who will be attending include card illustrator Phil Stone, who is best known for his “Rulebook Showcase illustrations in Magic: The Gathering,” as well as some of his most famous cards, which include Ancient Copper Dragon, Sword of Forge and Frontier, and Tyrranax Rex. Other Magic-centric guests include RK Post, Randy Gallegos and Steven Russell Black.

Other notable guests in the house (or castle) include Croatian illustrator Milivoj Ćeran, veteran inker Jeff Laubenstein and voice actor Nikki Rapp, who fans may know from her work including voicing children in the original Sims series, Sims 2 and Sims 3, as well as her role as Lili Zanotto in Psychonauts, Deadeye Courtney in Broken Age and Lilly in Telltale Games’ The Walking Dead.

Sapp says Sonoma Con is the only TCG- and TTRPG-focused convention in Sonoma County and adds, “I am looking forward to the inclusion of our first cosplay competition and cosplay parade. I think it’s really cool that we get to lean into the Halloween season, and merge that with people’s love for dressing up to celebrate their fandoms.”

The event runs from 9am to 9pm, Saturday, Oct. 4, and Sunday, Oct. 5. Two-day passes are $25 for adults, $15 for those under 18, and one-day passes are $15 for adults, $10 for those under 18.

For more information, check out sonoma-con.com.

Grim Tales: ‘Into the Woods’

Before there was Grimm, Enchanted or even Shrek, there was Steven Sondheim’s two and a half hour Into the Woods, the 1986 musical that asks the important question, “What happens after happily ever after?”

Rohnert Park’s Spreckels Theatre Company, under the direction of artistic director Sheri Lee Miller and musical director Lucas Sherman, has taken on this marathon of a musical, now running through Oct. 12.

Following a Baker (Noah Vondralee-Sternhill) and his wife (Megan Bartlett) as they try to remove a curse placed on them by their next-door witch (Daniela Innocenti Beem), their journey into the woods overlaps with a book’s worth of Grimm Brothers’ characters.

There are some impressive production values here, along with excellent acting and singing. The orchestra under Sherman’s direction is excellent, efficiently dealing with a few opening night line snafus. Even the props (by Mary Jo Hamilton) look good enough to eat.

It’s also rare to find a performer who is both an actor and a singer. This production was blessed with quite a few of them. Molly Larsen Shine as Jack’s Mother, Andrew Cedeño as Jack, Nicole Stanley as Little Red, along with Beem and Bartlett, are a few of the standouts.

Sam Coughlin as Milky White, however, steals the show, though he has no lines. Puppetry is challenging; creating a stylized puppet cow that dances, cries and elicits empathy requires a great deal of hard work and raw talent.

Sadly, not everything was top-notch. There were some odd choices made, such as in the Prince and the Baker’s Wife scene, where she gives in to him right away, robbing the scene of its usual tension. Similarly, although the overall staging was good, Karen Miles’ choreography of the finales was confusing. It formed pretty stage pictures that did not further the story or account for the plot. There was also the choice by Vondralee-Sternhill (who must be noted is a fantastic singer) to play the Baker with low stakes, robbing the plot of some of its vitality.

All that being said, at the opening night curtain call, a small boy ran up to the edge of the orchestra pit to enthusiastically applaud the actors. Look, I can (and will) critique all I want, but in the end, all of us are just trying to tell the best story we can. And if one of our shows inspires the next generation like this one obviously did, that’s what actually matters.

‘Into the Woods’ runs through Oct. 12 in the Codding Theater at the Spreckels Performing Arts Center, 5409 Snyder Ln., Rohnert Park. Fri-Sat, 7:30pm; Sun, 2pm. $16–$42. 707.588.3400. spreckelsonline.com.

NorBay Theater Awards Return to Spotlight Local Stages

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The curtain is rising once again on one of the North Bay’s signature celebrations of stagecraft.

After a five-year hiatus, the Marquee Theater Journalists Association (MTJA) has announced the nominees for the 2025 NorBay Theater Awards. The program, which recognizes outstanding performances and productions in Sonoma and Napa counties, will be presented on Sunday, Sept. 28, at the California Theatre in Santa Rosa.

The MTJA first launched in 2015, designed as a critics’ collective to highlight excellence in local productions. The NorBay Awards had been warmly embraced during their first five years, but the program was put on hold when the pandemic hit in 2020. With some original members moving on and the theater world itself in recovery, it wasn’t feasible to continue at the time.

In the past two years, however, North Bay theater has regained its footing, and new contributors have joined Weeklys’ theater coverage. When local companies and artists expressed interest in reviving the awards, the association determined the time was right and that there were enough productions—and critics—to support a meaningful, critically-based program.

“To be honest, the local theater scene hasn’t changed that much in the last five years,” said Harry Duke, this paper’s resident theater critic and a founder of the MTJA. “We lost one company (Main Stage West in Sebastopol) and the theater program at Sonoma State University, and one company has taken their shows on the road (Cinnabar Theater), but we’ve gained a company as well (Mercury Theater in Petaluma).”

The most significant change the critic has observed is an increase in diversity both onstage and backstage. “That’s something that continues to need to be worked on. As far as how that’s reflected in the awards, they were always designed to recognize outstanding work, regardless of who is doing it or where,” Duke said. “That continues to be the goal.”

One innovation that has set the NorBays apart from the beginning is the elimination of gender distinctions in performance categories.

“That was one thing I insisted upon when we were developing the awards,” Duke explained. “Other categories like director or writer aren’t gender-specific, so why should performance categories be?”

Throughout, the voting process emphasized collaboration. Each member could submit up to five nominees per category, with the seven most-mentioned advancing to the ballot. The group then met to openly discuss the nominees, allowing critics to advocate for their picks and hear one another’s perspectives. After this exchange, the final decisions were made through ranked-choice voting.

“The members put a lot of thought into this process,” Duke observed.

As for trends in this year’s nominations, Duke noted, “Musicals continue to be the most popular genre of theater produced locally. Solo or small-cast shows were done a lot coming out of the pandemic, but there were few this past year, so we folded them into the drama category.”

The critics also expected more comedies “…to help us deal with the difficult political environment we’re living in now,” Duke suggested. “But maybe people are just finding it too difficult to laugh about anything these days.” – Weeklys Staff

The NorBay Theater Awards will be presented 6–8pm, Sunday, Sept. 28, at the California Theatre, 528 7th St., Santa Rosa. Admission is free. caltheatre.com.

Many Moons Festival Celebrates Asian Cultures & Community

There’s nothing more American than a cultural festival.

Enter the Many Moons Festival, bringing food, shopping and culture this Saturday, Oct. 4 to Sebastopol’s Ives Park, organized by the Asian-American Pacific Islander Coalition, North Bay.

The moon is many things in Asian traditions, goddess, calendar, yin, concepts varying with each culture. Asian-Americans and Pacific Islanders celebrate the moon’s importance to the autumn season in some of their most sacred traditions, from the Mid-Autumn Festival to Diwali to Ramadan.

These Americans from Asia or Asian families share a story with all of us. To leave the old world behind and set out into the new is one thing all Americans share—by force, choice or circumstance, knowing what it means to move to a new land while trying to bring along what one can of the old, the familiar, the proven, the wisdom and aesthetics of the place one’s people came from.

“In many ways, we have been a silent population for too long,” said AAPIC president Laurie Fong. “This festival is a ‘coming out’ to say we are here, we want to contribute and we have much to offer.”

The festival is for everyone who wants to learn, explains AAPIC director of development Lisa Johnson-Foster. “What better way to understand and support Asian cultures than to jump right in, taste, see and hear it for yourself, right in Sonoma County?”

Festival goers will enjoy a fashion show, martial arts demos, craft wares and experiences like the mesmerizing dance calligraphy of SoCo’s own JunJun Li.

More than a dozen vendors—most North Bay-based—will be offering food and treats. Think dim sum, boba, pad Thai, poke, curries and more. Vendors include: Shokakko, Momo Man, Lata’s Indian Cuisine, Shogun Japanese Restaurant, Wanna Thai Kitchen, Ube Area Bakery, and, of course, Kona Ice.

Local business owner Lani Chan of Big Spoon Sauce Co. will have her chili crisp sauces for sale while she does a dumpling demo. Asian parties gotta have dumplings.

This writer for one will be frequenting the Tambayan Filipino Eatery. Filipino workers and ranchers have been a part of the North Bay for a long time and helped to establish and tend many of the oldest vineyards in Napa—how about learning more about that story over a bowl of pancit?

AAPIC formed in response to the Asian Hate wave that came along with everything else frightening during Covid, to connect the sometimes isolated AAPI communities and provide resources for safety and support. They started by reaching out to one group at a time.

“Always around food, really great food,” said Fong; for example, Korean Thanksgiving. “That was really awesome.” Is there any doubt?

Understanding that connecting the Asian communities was only a part of an effective response to hate, AAPIC created Many Moons as a way to deepen the appreciation of our local Asian culture within the demographically larger white and Latin communities.

Connecting these richly varied Asian groups with the greater community of Sonoma County so we can all get a little better at enjoying each other’s culture? Over dumplings? It’s time to get out there.

Many Moons Festival runs from 11am to 7pm on Saturday, Oct. 4, at Ives Park, 7400 Willow St., Sebastopol. Tickets at $10 in advance at Oliver’s, Pacific Markets and online. $15 at the door. Visit manymoonsfestival.com.

When Peace Crashed

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Peace came dressed like a census taker

clipboard in hand, mild mannered

asking who still lives here

and in what condition.

It smelled of sunscreen and burnt coffee

and Febreze

And shuffled awkwardly on the welcome mat in mismatched shoes.

But—we’re not supposed

to talk to strangers or salesmen

And so we closed the door.

Later, when Peace turned up again—

It apologized for its mussed hair and secondhand clothes

the headlines etched over the clown makeup and stubble

wet from tidying in a gas station men’s room.

“I used to live here,” Peace explained.

“Can I come in? See my old room?

Have a glass of water, maybe use the phone?”

A wing-tipped toe inched over the weatherstripping.

But—we know about vampires and death

and multi-level marketing

And we closed the door.

Later—Peace planted its ass on our stoop and sobbed

From gloaming to gloom, embarrassing and loud

Neighbors turned off their porch lights

His bony shoulders shook.

Oh, Peace, that damn old drunk, we asked—

Who do we call? Should we get you a cab?

Come inside, have some water, use the phone.

But all Peace wanted now was to borrow a shovel.

Can’t remember exactly but—

We were watching reruns on the news

And Hope, who clearly doesn’t know the rules

finally snuck Peace in through the side screen door.

And they drank all the wine and danced, and told lame jokes

And now Peace just crashes on our couch

pretty much whenever.

Because Hope says Peace is welcome

Doesn’t need an invite or even a key

And it’s been so long now it’s hard to recall

The last time the world flinched.

Daedalus Howell is at dhowell.com.

Art, Jazz and ‘Good Grief’

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Petaluma

Whale Sounds at Usher

Whale songs turn into brushstrokes in Whale Sounds on a Canvas II, the latest exhibition by artist Firuze Gokce. Inspired by whale sound spectrograms, Gokce transforms acoustic patterns into abstract works that merge science, art and conservation. Acrylic whale portraits round out the Usher Gallery show, offering vibrant glimpses of marine life while underscoring the urgency of protecting ocean ecosystems. An opening reception on Saturday, Oct. 18, 5–8pm, features live music by the Loralee Christensen Duo, refreshments and a chance to meet the artist. The exhibition runs Oct. 14–Nov. 23 at Usher Gallery, 1 Petaluma Blvd. N., Petaluma. More at ushergallerypetaluma.com.

Santa Rosa


‘Peanuts’ Turns 75

Seventy-five years ago, Charles M. Schulz introduced the world to Charlie Brown, Snoopy and the gang with the first Peanuts strip on Oct. 2, 1950. The Charles M. Schulz Museum honors this anniversary with HA! HA! HA! HA! 75 Years of Humor in Peanuts, a new exhibition running now through March 18. Visitors can explore original comic strip art and see how Schulz’s humor evolved over 17,897 strips, cementing a legacy of laughter that continues to resonate worldwide. 10am–5pm, now through March 18, Charles M. Schulz Museum, 2301 Hardies Ln., Santa Rosa. Details at schulzmuseum.org/peanuts75.

Mill Valley

Decade of Poet and/the Bench

Poet and/the Bench kicks off its 10th anniversary season with a reception for Between Soil and Sky & Desert Rising on Saturday, Oct. 4. The show pairs Topanga Canyon artist Danielle Hutchens, whose natural pigment paintings grew from the quiet regrowth after Los Angeles’ fires, with San Francisco potter Avigail Remak, whose ceramics echo the resilience of desert flora. Both artists will be present for the opening, which runs 4–8pm. On view through Jan. 31, the exhibition continues Poet and/the Bench’s dedication to contemporary design and emerging voices. 4–8pm, Saturday, Oct. 4, Poet and/the Bench, 11 Throckmorton Ave., Mill Valley. Details at poetandthebench.com.

Mill Valley

Vuckovich & Ryan in Concert

Jazz pianist Larry Vuckovich—fresh from receiving two Lifetime Achievement awards—joins forces with vocalist Jackie Ryan for a special Sunday afternoon concert at Mill Valley Community Church. Ryan, a Marinite whose CDs have topped charts worldwide, brings her interpretations of Latin classics and jazz standards, while Vuckovich, Vince Guaraldi’s onetime student and piano partner, adds a lifetime of bebop and Afro-Cuban stylings to the keys. 3pm, Sunday, Oct. 12, Mill Valley Community Church, 8 Olive St. Tickets and details at larryvuckovich.com.

Tavern on Tap in Tam

As of Friday, Sept. 19, the former Floodwater in Tam Junction has been transformed into the new Tam Tavern by East Brother Beer Company. It was brought to life by Bill Higgins (Buckeye Roadhouse, Bungalow 44, Corner Bar), in partnership with the duo behind East Brother Beer Co., making for a friendship-powered new gathering place.

It turns out that while East Brother was founded in Richmond 12 years ago, the founders, longtime Mill Valley friends and neighbors Chris Coomber and Rob Lightner, still live in Mill Valley, where Coomber caught the homebrewing bug in Sycamore Park. In fact, the East Brother tagline succinctly sums this up: Born in Mill Valley. Brewed in Richmond. Built for the Bay.

They were approached by Higgins, who was looking for a beer-centric collaboration in the new restaurant concept, having been a fan of their brewery and choosing the East Brother brews to pour on his various other menus for years. But Tam Tavern now features a broader range, from light pilsners and lagers to various IPAs to Bavarian and Belgian-style beers. Coomber and Lightner are self-admitted beer fanatics. The opportunity to showcase their wide lineup with consulting chef Michael Siegel’s beer-friendly food menu is exciting.

As with most of us, East Brother Beer Company cofounder Rob Lightner didn’t really think he would be half of a popular brewery when he was attending UC Berkeley for his degree in Japanese. After a stint at an advertising agency in Tokyo, he went into the nonprofit sector and also spent 15 years at Sega of America in San Francisco. Today, perhaps one will find him pulled up to the 30-seat bar at Tam Tavern, enjoying a pint.

Amber Turpin: How did you get into this work?

Rob Lightner: After 30 years in the corporate world, I figured it was time to start something on my own, and with a partner.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

Back in the ’90s, I thought the only alternative to Budweiser, Miller or Coors was Sierra Nevada. On a trip to France, I discovered the world of Belgian beer, which blew my mind.

What is your favorite thing to drink at home?

East Brother Bo Pils.

Where do you like to go out for a drink?

Anywhere that has a comfy bar and a diverse lineup of beer.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Coffee, beer, whiskey.

Tam Tavern, 152 Shoreline Ave., Mill Valley, 415.843.4545. tamtavernmv.com.

The Conundrum of Kid Care

At three months old, my son was kicked out of his daycare. I had spent my pregnancy navigating my city’s brutal child care landscape. So, when I found this place, I felt a flood of relief. Yet, less than a week after I returned to work, I received a call asking me to pick up my son because he was crying too much. The next day, same call. After a few days, I was told “it was not a good fit.” I had until the end of the month.

I had exhausted my PTO and depleted my savings in an attempt to offset the costs of my unpaid leave. I don’t have family nearby. I’m a single mom working in healthcare, unable to work remotely or stay home full-time. I finally found the daycare he now attends, but it costs more than my rent—it puts a $1,600 deficit in my monthly budget. So with each passing month, I fall further behind on car payments, student loans, utilities. And every day, I field calls from debt collectors. All of this is due to the cost of child care.

Almost every mom I know has a story like this. The details vary, but the common thread is this: Child care costs are unsustainable. Sweden offers 16 months of paid parental leave. Norway provides leave specifically for parents caring for a sick child. Canada is initiating $10 a day child care. Portugal has free child care for all, regardless of income.

This late night rabbit hole affirmed what I already knew—moms in the U.S. are struggling due to systemic issues and policy failures. It was moms that helped me secure a last minute daycare spot. It was moms who recently gathered at a local park to swap baby gear in response to rising prices. And it will be moms who demand more from our policymakers when it comes to the accessibility of child care in our country.

Brea Harris is a single mom living in Chicago.

Your Letters, Oct. 1

Making Maps

Prop 50, also known as the Election Rigging Response Act, will be on the ballot here in California, Nov. 4. Prop 50 temporarily redraws the congressional district map until 2030, allowing us to counter some of the gerrymandering being done in Republican-led states, often without the consent of their constituents. Our current president wants to be a dictator with no barriers or guardrails, completely circumventing or ignoring our Constitution and the rule of law this country was founded upon.

Most Americans do NOT support the authoritarian measures being taken against those who live in the U.S., or the loss of personal freedom and basic human rights. The Republican Congress is unwilling to stand up for the people of this country. If we want to have any chance of Democrats taking back the House in 2026 and stopping this insanity, we must respond aggressively. This is a five-alarm fire. We have been asking our representatives to take off the gloves and stand up to this administration—now it’s time for the voters to do the same. I will vote YES on 50 and hope you will too.

Janice Blalock

Santa Rosa

Land Trust Must

I appreciate the article on the work that the Mt. Tam CLT is proposing to do regarding affordable housing (“Mt. Tam Community Land Trust,” Sept. 24). I am concerned that the article implies that the organization has already made inroads, when in fact they have not at this point provided any affordable housing under the CLT model.

Sandra Becker

San Rafael

Another Silent Spring: A special report on accelerating mass extinction events

Alongside the endangered redwood, the monarch butterfly is a symbol of our land. We have taken the monarch as our emblem—one sees it in many places—on our T-shirts and jewelry, our journals, our sky-flying kites; it is on our place-making murals of fluttering monarchs and happy people. The monarch floats up from our subconscious and haunts our dreams… Little wonder, the...

Yards of Cards at Sonoma Con

Sonoma Con is back and … they’re adding cosplay. But before one decides to dust off those old comic books and try to sell them for far less than they thought they were worth, Sonoma Con isn’t really a comic book convention. Rather, it’s a celebration of TCGs (Trading Card Games), TTRPG (Tabletop Role-Playing Games) and all of the wonder and...

Grim Tales: ‘Into the Woods’

Before there was Grimm, Enchanted or even Shrek, there was Steven Sondheim’s two and a half hour Into the Woods, the 1986 musical that asks the important question, “What happens after happily ever after?” Rohnert Park’s Spreckels Theatre Company, under the direction of artistic director Sheri Lee Miller and musical director Lucas Sherman, has taken on this marathon of a...

NorBay Theater Awards Return to Spotlight Local Stages

The curtain is rising once again on one of the North Bay’s signature celebrations of stagecraft. After a five-year hiatus, the Marquee Theater Journalists Association (MTJA) has announced the nominees for the 2025 NorBay Theater Awards. The program, which recognizes outstanding performances and productions in Sonoma and Napa counties, will be presented on Sunday, Sept. 28, at the California Theatre...

Many Moons Festival Celebrates Asian Cultures & Community

There’s nothing more American than a cultural festival. Enter the Many Moons Festival, bringing food, shopping and culture this Saturday, Oct. 4 to Sebastopol’s Ives Park, organized by the Asian-American Pacific Islander Coalition, North Bay. The moon is many things in Asian traditions, goddess, calendar, yin, concepts varying with each culture. Asian-Americans and Pacific Islanders celebrate the moon’s importance to the...

When Peace Crashed

Peace came dressed like a census taker clipboard in hand, mild mannered asking who still lives here and in what condition. It smelled of sunscreen and burnt coffee and Febreze And shuffled awkwardly on the welcome mat in mismatched shoes. But—we’re not supposed to talk to strangers or salesmen And so we closed the door. Later, when Peace turned up again— It apologized for its mussed hair and secondhand clothes the...

Art, Jazz and ‘Good Grief’

Petaluma Whale Sounds at Usher Whale songs turn into brushstrokes in Whale Sounds on a Canvas II, the latest exhibition by artist Firuze Gokce. Inspired by whale sound spectrograms, Gokce transforms acoustic patterns into abstract works that merge science, art and conservation. Acrylic whale portraits round out the Usher Gallery show, offering vibrant glimpses of marine life while underscoring the urgency...

Tavern on Tap in Tam

As of Friday, Sept. 19, the former Floodwater in Tam Junction has been transformed into the new Tam Tavern by East Brother Beer Company. It was brought to life by Bill Higgins (Buckeye Roadhouse, Bungalow 44, Corner Bar), in partnership with the duo behind East Brother Beer Co., making for a friendship-powered new gathering place. It turns out that while...

The Conundrum of Kid Care

Open Mic writers express their perspectives on a variety of topics.
At three months old, my son was kicked out of his daycare. I had spent my pregnancy navigating my city’s brutal child care landscape. So, when I found this place, I felt a flood of relief. Yet, less than a week after I returned to work, I received a call asking me to pick up my son because he...

Your Letters, Oct. 1

Click to read
Making Maps Prop 50, also known as the Election Rigging Response Act, will be on the ballot here in California, Nov. 4. Prop 50 temporarily redraws the congressional district map until 2030, allowing us to counter some of the gerrymandering being done in Republican-led states, often without the consent of their constituents. Our current president wants to be a dictator...
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