Your Letters

Filibuster

In 2006, 192 Republicans voted to renew the Voting Rights Act. Now, we can’t get a single Republican senator to come out and unequivocally support protecting the freedom to vote for the American people.

That tells you everything you need to know about our hopes for passing voting rights legislation without abolishing the filibuster.

It’s time for President Biden to recognize this reality and use the power of his office to demand the Senate abolish the filibuster. Supporting voting rights legislation alone is simply not enough.

Please, President Biden, we need a strategy. Put the American people’s freedom to vote ahead of any reservations you have about abolishing the filibuster. The stakes are too high to lack your leadership.

Chris Bolei
San Rafael

No Nukes

The frightening wildfires that are destroying thousands of acres of the world’s forests and open spaces are ominous reminders of what lies ahead for humankind if the world’s most powerful nations continue preparing for an eventual nuclear war.

Perhaps Harry Truman can be forgiven for his naive belief that destroying Hiroshima and Nagasaki with atomic bombs was the best way to end the nightmare of the Second World War.
But now, 76 years later, can we forgive ourselves for continuing in this utterly insane trust in nuclear weapons to save humanity from a Third World War? It seems impossible to remain this foolish, especially when all the brightest and most responsible of the world’s experts in science and world affairs have consistently warned us that we are absolutely certain to destroy all life on this planet by remaining addicted to these weapons of unbelievably destructive power.

It is time for us to wake up from our blind trust in these horrifying nuclear weapons to save us from our lack of love and trust toward each other. It is absolutely imperative to finally abolish the world’s nuclear warheads.

Rama Kumar
Fairfax

Pulling Together

In stressful times, we tend to fracture into warring tribes, sticking to the echo chambers that reassure us that we’re the good guys while anyone opposing us must be the baddies, who we attack so we can feel that we’re opposing evil.

But there’s no way around the fact that we’re all in this together. Even the worst among us are human beings, and if we don’t pull together in these unprecedentedly hazardous times, there’ll be hell to pay for us all.

Suggestions:

1) Learn how to maximize empathy for those who push your buttons.

2) Rather than surrounding yourself with an insular layer of those who agree with you, cultivate relationships with those who are different. Try to experience them in their complex fullness, rather than as projection screens for your stereotypes.

3) Let the Golden Rule inform your discourse; this is the Critical Thinking tenet called Intellectual Fairness. There’s nothing wrong with suggesting that someone may be mistaken, but trying to “beat” everyone in arguments is a counterproductive ego trip.

4) Remember that any of us can be wrong about anything, and all of us are wrong about something. Commit to being correctable.

5) We cannot expect those who disagree with us to bring any more open-mindedness to the table than we do. If you’re absolutely sure you have the indisputable truth, understand that you’re modeling arrogant closed-mindedness, and you can’t complain when those you disagree with respond similarly.

6) Be suspicious of those who emphasize people’s differences, seeking to divide and conquer to further themselves. Demagogues are NOT your friends.

7) If you want the benefit of the doubt when people interpret your meanings and motivations, you must give it to others.

8) Lead with love, empathy and positive expectations, assigning blame and engaging in conflict only as absolutely necessary to deal with problems.

9) See yourself in everyone around you. This will minimize your natural tendency to behave self-centeredly in hurtful ways.

For better and worse, we’re all in the same boat. Whether we sink or swim will depend on how unified we are.

Saving the Apple: Pressing, eating and drinking

If you have lemons, you make lemonade. If you have apples, you make apple juice, apple sauce, baked apples, apple pie, apple butter and applejack—which can be intoxicating. In Sonoma County, where the apple was once the queen of ag and the grape a knave, the folks at Slow Food Russian River created, not long ago, the Sebastopol Gravenstein Apple Presidium. Unanimously, they adopted the Gravenstein as a “presidia,” and created a “community apple press,” which is the only one of its kind in the U.S., though there are many in England and a few scattered across Canada and Australia.

In SFRR lingo, the Grav is “traditional, good tasting, sustainably produced and represents a sense of place and culture.” The Bodega Red Potato, which was once widely cultivated in West County, is also a “presidia,” and like the Grav, it’s endangered. Global competition cratered the market for the local apple and the local potato.

If a green apple is the Beatles’ icon and New York is the Big Apple, Sebastopol is the early autumnal apple in a landscape where orchards meet kitchens, and apple juice and apple cider flow like wine. Associated in the Bible and in classical art with sin and expulsion from the Garden of Eden, the Grav has become a symbol of resilience, revival and rebirth.

In the wake of the 2000 pandemic, which put a dent in nearly everything, including the cause to save the Grav, the cause has bounced back with unexpected friends and allies among the crowd of newcomers from urban centers who have settled in rural Sonoma and fallen in love with its past.

Paula Shatkin saw the devastation of the apple orchards right before her eyes, soon after she moved to Sonoma County from L.A. with her husband David. “We should do something about the apples,” Paula said at a meeting. Michael Dimock, who aided the start of the chapter, or “convivium,” told her, “Yeah, you.”

At about the same time, his environmental organization, Roots of Change, received a grant from the United States Department of Agriculture. Some of the funds went to SFRR and boosted the apple project, which has become a calling for a group hell-bent on saving the fruit from a tree that once grew wild, that humans in Central Asia began cultivating thousands of years ago, and that spread to Europe and North America. John Chapman, the legendary gardener Johnny Appleseed, created countless nurseries and became a missionary for his favorite fruit.

“The apple project now takes up at least half my life,” Paula Shatkin tells me. “I learned about organizing through trial and error. At a public meeting, I said ‘we need food not alcohol.’ Someone replied, ‘You’re not gonna tell me what I can do with my land.’”

The idea of doing something to save the apples rubbed some property owners the wrong way, but it also found converts and has grown into a vibrant movement, despite what might be called “the war against the apple.” Or maybe because of the war.

“The apple is an icon, like the whale, panda, polar bear or any endangered critter for which people rally,” Dimock tells me. “Saving Gravensteins has been part of the fight to save food-plant diversity and the diversity of Sonoma County ag.”

Over the past three decades, sturdy, beautiful, fruit-producing apple trees, from Santa Rosa to Sebastopol and from Graton to Freestone, have been cut down with chain saws or bulldozed and ripped out by their roots. Like Paula Shatkin and others, I’ve seen orchards decimated to make room for pinot, cab, chardonnay and more. I’ve also watched the community rally around the Grav.

It doesn’t help to demonize grape growers and winemakers. Long ago, Forrest Tanzer, one of the founders of Iron Horse in Forestville, took me on a tour of the vineyard and winery and pointed to the new houses on the ridge. “If it weren’t for grapes, this place would be like San Jose,” he said. Paul Downing, a Slow Food stalwart and major player in the apple cause, agrees. “Grape growers are farmers, too,” she says.

Apple lovers have been known to shed tears at the sight of chain-sawed trees, but they also flex their muscles. In 2004, a group of impassioned folks got together and formed a group dubbed the “Apple Core,” a whimsical name if ever there was one.

Over the past seven years—with the notable exception of the 2020 pandemic year—members of the Core have operated the Sebastopol Apple Press from August to October, the height of the apple season. This year for the first time, the Core has mandated masks and vaccinations for everyone, whether they’re volunteers or participants.

On Saturdays, Core members congregate at the Luther Burbank Gold Ridge Experiment, where they meet and greet local farmers, ranchers and back-to-the-landers, helping them press their apples and make juice. This year the press began to operate Aug. 7. Some swear the ghosts of Luther Burbank and Johnny Appleseed hovered nearby and cheered.

The Sebastopol apple project aims not only to save trees (malus domestica) and salvage fruit, but also to safeguard the livelihood of ranchers and farmers. If, as environmentalist Wendell Berry says, “eating is an agricultural act,” eating local apples in season is crucial if ag is to survive in these parts.

It takes a whole community to keep the Core up and running. Help has come from the County of Sonoma, the City of Sebastopol, the Western Sonoma County Historical Society, as well as from artisan cider makers Ellen Cavalli and Scott Heath at Tilted Shed Ciderworks, and Jolie Devoto and Hunter Wade at Golden State Cider.

Lawyer Bob Burke has worked with the Core for years. “I like diversified ag, which is pleasing to the eye, rather than mono cultures which aren’t good for the planet,” he tells me. Burke enjoys time away from his desk and his office and in the open air, where he can “give back to the community and meet wonderful people.”

Kristy and John Godfrey, both ex-New Yorkers, recently moved to a two-acre parcel in Sebastopol with about 60 apple trees. Kristy loves the Gravs, she says, because they have “a nice balance of sweet and tart.” She adds that soon after she and her husband, John, moved to Sonoma County they learned much of the apple’s lore and history and were “excited to be a part of the apple industry.”

John says that he and Kristy are not in it for the money, and don’t see apples as a “cash crop.” Rather, they’re “motivated by a desire to save the trees and be a force for good.” The Godfrey’s apples are destined for Apple-a-Day Ratzlaff Ranch in Sebastopol where generations of family members have grown Gravs. The Ratzlaffs make heavenly apple juice, sold by the pint—for $2.19—the quart and the gallon at Mollie Stone’s, Andy’s, Oliver’s and Whole Foods. “U-pick“ is a popular option.

Michael Dimock planted his first apple tree in Santa Rosa about a decade ago. Five years later he harvested his first crop. Dimock grows organically. His apples have worms, which don’t bother him. His godmother, Louise Smith, owns an orchard in Graton. Michael visits her and her daughter, Julie, during apple season and enjoys apple strudel and apple gallant. Lucky man.

If and when apples are no longer grown in Sonoma, he will miss them dearly. “I feel sad about the decline and fall of the apple empire,” he says. “I also understand why that’s happening in our capital-driven system.”

Like many SFRR members, Dimock is anxious about the future of the Grav, which has a short shelf-life, doesn’t ship well and relies on local demand for sales, revenue and survival.

“Global warming might soon make it too warm for Gravensteins,” Dimock tells me. “Either because they will not get enough chill hours or because pests will overwhelm orchards.” What he finds heartening is the local cider industry, which has grown steadily during the past few years and which must have apples to exist.

These days, a ton of organic apples will bring a grower $350; $250 a ton for conventional. A ton of grapes is way more than that. In Napa, Cab fetches close to $8,000 a ton and in Sonoma about $3,000 a ton. You do the math. There’s now an oversupply of grapes, and as one wine-industry group noted, “wildfires, economic uncertainty, politics and a worldwide pandemic have all conspired to shake our core.” Grapes might go the way of raspberries, prunes and hops—which were once major crops.

Meanwhile, in Sonoma County big-time grape growers like the Dutton family also grow apples. They have over 1,000 acres in grapes and 200 acres in apples. Newcomers to the county, such as the Godfreys and Shari Figi, also hearten apple lovers. Figi, a recent arrival, owns a three-acre parcel with 50 trees. She wants to improve the sorry state of her orchard and make her trees productive again. “I’m looking out for myself,” she tells me. She’s also looking out for the apples. “It would be a shame,” she says, “to lose our wonderful history.”

Figi will hire hands to harvest the fruit. Like most agricultural labor, it can be back breaking and often requires climbing up and down ladders, gathering apples and adding them to bins which can hold a ton. “It’s fascinating to watch the Mexican guys work,” Downing tells me. “They prune and they pick and they can identify each and every apple tree, even without leaves. All that for $20 to $25 an hour.”

To the laborers, we owe a debt of gratitude.

To make a reservation to press your apples from now until Oct. 24, go to www.slowfoodrr.org.

Jonah Raskin is the author of “Field Days: A Year of Farming, Eating and Drinking Wine in California.”

HR Farce: A Zoom of one’s own

Patty from HR is pissed. After being fired from her dream job as the human resources director at The New Yorker magazine, she’s been reduced to conducting Zoom training sessions for the uninformed. Well, she will be if she can get past her inaugural session/audition. That’s the premise of Patty from HR: A Zoom with a View. It’s the season opener at Sebastopol’s Main Stage West, and it runs through Sept. 11.

Patty, described as the world’s first Human Resources drag queen, is the creation of San Francisco-based performer Michael Phillis. He can be regularly seen at the Oasis, San Francisco’s premiere queer and drag cabaret space, where’s he’s made quite a name for himself via his drag adaptations of iconic sitcoms like Friends and The Golden Girls.  

He was one of the last performers seen at Main Stage West, with Patty’s participation in a fundraising event for the theater held just before the March 2020 pandemic-induced closures. She was such a smash that Producing Artistic Director Keith Baker brought her back for the company’s first post-peak-pandemic production.

Preferring to dip their toe in the live-performance pool with a production requiring a small cast and crew, the 70-minute tour-de-farce of a typical corporate training session is a very satisfying way to reintroduce oneself to the pleasure of live theater.

Once patrons provide proof of Covid vaccinations at the box office, they’ll be escorted to their seats in the quaint theater, where they will find it is possible to laugh from behind their masks.

Patty enters from the rear of the house and, with some difficulty, takes the stage to introduce her audience to the workings of this new-fangled thing she’s sure we’ve never heard of—Zoom! She then proceeds to spend the next 65 minutes talking about everything but, then closes with a diatribe that encapsulates how a lot of us feel about this new technology.

While she never explicitly says it, I take those last moments as a criticism of the proliferation of streaming theater and how it can never, EVER replace the shared-experience of live performance. Bravo, Patty.

Interspersed between the rare moments of actual training are hilarious bits about Patty’s backstory, from her introduction of personnel policies at a neighborhood lemonade stand to her participation in Jeffrey Toobin’s infamous self-satisfying Zoom conference call.

To be succinct, Michael Phillis’ A Zoom with A View is no drag.

“Patty from HR: A Zoom with a View” runs Thursday to Sunday through Sept. 11 at Main Stage West, 104 N. Main St., Sebastopol. Thursday–Saturday at 8pm; 5pm matinees on Sunday. $20–$32. 707.823.0177. mainstagewest.com

Killer Toys: Dangerous toys of yesteryear exhibit

A new exhibit, “Dangerous Games: Treacherous Toys We Loved As Kids,” opens Sept. 25 at the Napa Valley Museum in Yountville. In light of the last two years of chaos, is there a more fitting show than one which highlights our best intentions gone horribly awry?

I personally think there’s an element of soothingly absurdity, a sort of ridiculous-balm, if you will, in revisiting toy concepts that turned out to be lethal. These toys give a whole new level of validity to Calvin’s Dad—of Bill Watterson’s Calvin and Hobbes—yelling, “you’ll put your eye out!”

I imagine those people who were kids in the era of Red Ryder Rifles are amazed they still have both peepers. As a 1992 baby, I missed the world of Lawn Darts—those kid-operated flying spears sent over 6,000 people to the hospital before being banned in 1988—and uranium kits, but I arrived well in time for Slip-n-Slides and giant trampolines. I still remember summer days spent flipping wildly through the air at the neighbors house until one fateful day when a fellow thrillseeker went flying off the side of the trampoline mid-bounce and crumpled on the sidewalk. How he came out uninjured is still a mystery to me. The trampoline was removed in short order. No one lets us have any fun.

“Dangerous Games” piqued my curiosity, and in researching the most dangerous toys of the last 30 years I can only say I’m nearly beyond words. If anyone reading this remembers the Swing Wing, or—God forbid—played with one, please write to me personally and tell me your spinal fluids haven’t hemorrhaged. For those who don’t know, the Swing Wing—it’s slogan, “It’s a What!?!”—is a toy helmet worn on one’s head with a “wing” attached to a string at the top that the wearer rotates like a propeller by flinging their head around in a circle like a maniac.

The commercial for this contraption, viewable on YouTube and not to be missed, features children hanging upside from trees swirling their Swing Wings with abandon—it seems the director chose not to use the B-roll footage of them vomiting upon dismount.

From the Swing Wing fiasco I found a frankly even more distressing toy—the Wham-O Water Wiggle. The commercial for this delight is also viewable on YouTube—where one can watch this thing wrap itself around a woman’s neck while the narrator says, “Kids love me, too, ’cause I’m so soft and playful”. Yikes.

This snake-like hose attachment, though not overtly lethal, could, when turned on full blast, chip teeth, bloody noses and—as the ad gleefully highlights—attempt to strangle. Wham-O is also responsible for Slip-n-Slide, which, by the 1990s, regretfully but rightfully had a warning on the box referring to the possibility of “spinal injury and death.” Yeesh. 

It gave me pause, considering all these “whacky” bygone toys, both because of the confirmation that human beings are the most absurd species to yet grace the face of the earth, and because I realized I don’t quite know what today’s youngsters play with. In the age of TikTok and Instagram Reels, what tangible toy is the average 11-year-old interested in? What is the 2021 version of the Wing Thing? Napa Valley Museum might want to follow this show up with something that highlights today’s world of tech-inspired playthings—who knows, maybe I’ll curate it.

For a laugh and a walk down Memory Lane, don’t miss “Dangerous Games.” Opening reception is at 5:30pm on Sept. 25; reserve your tickets at napavalleymuseum.org, and don’t forgo the $5 audio tour narrated by the one-and-only Bill Rogers, a.k.a the voice of the Disney Parks. It’s well worth the investment. Enjoy, and if you’ve ever slipped, slid, clacked or winged, count your lucky stars.

Regrouping: Marin men’s group sticks together for over 40 years

I was recently invited to meet with eight men in a beautiful home perched on a hill in San Rafael. They wanted to share the remarkable story of their deep-rooted friendships that have lasted more than four decades.

Together, the men, who are in their 70s and 80s, have experienced marriages, the birth of children and grandchildren, divorces, coming out, careers, career changes, retirement, aging, illness and death.

They weren’t school chums or fraternity brothers. Their odyssey began when some of the men answered an ad that two therapists ran in the Point Reyes Light newspaper on Oct. 13, 1977.

“Group for men forming. Sharing and learning. Grow towards more personal and interpersonal clarity, sensitivity and power. For more information, call Bill Schutt and Peter Beck.”

Though there were originally about a dozen men in the group, nine stuck together. Stan, Joel, Steve, Ken, Leif, Joe, Jim, Dan and Harry. Some responded directly to the ad, while a few were recruited. Leif invited Harry. Harry then enlisted Stan, the last to join.

They were young fellows, mostly concerned about relationships. Little did they know at the time, this group would forge some of the longest relationships of their lives—they’re still together almost 44 years later, with the exception of Harry, who passed away.

Therapists Beck and Schutt initially led the group, and the members paid them to attend the meetings, which took place at Schutt’s home in San Anselmo. Beck moved out of the area after a few years, but the group continued under Schutt.

“It was a time when men’s groups were being seen as a useful tool,” Leif said. “We started out as a therapy group.”

During the sessions, they went around the room to “check in.” Each man had the opportunity to speak uninterrupted, with no time limit. They each learned to hear people out. Schutt taught the men that they weren’t there to fix each other or to become perfect.

After the meetings, sans therapists, the members likely as not ended up at the now-defunct Spanky’s Restaurant in Fairfax, smoking cigarettes, drinking beer and bonding. Eventually, the nine members came to the realization that they enjoyed each other’s company and didn’t necessarily need to keep paying a professional to lead their meetings.

They decided to say goodbye to Shutt and save the therapy fees. Jim opened a bank account under the name R.E. Group, as in “regroup.” They used the funds for an annual group event with their partners.

“Our significant others were left home every Thursday night with crying babies,” Joe, who has been married since before the group formed, said. “We took the money and took them out once a year for our grand Christmas dinner in the city. We still do that. Before Covid, we had a fantastic meal in Oakland and went to a concert at a cathedral.”

Although many of the men had crying babies at home—between them, they have 11 children and nine grandchildren—some didn’t. 

Stan never married, and his longest romantic relationship lasted a year. The group, he says, is his social anchor.

Leif was married to a woman and then divorced. He came out as gay to the group before telling anyone else. Today, he’s been with his partner, Mark, for 42 years. All the men in the group spoke at their wedding.

Dan was also married to a woman, had a daughter and divorced. He, too, came out as gay in the place he felt most comfortable: the group.

“It was [in] transitioning from being a straight man to a gay man that I got enormous support from this group,” Dan said. “To come to that realization in one’s life, ‘I’m not straight, I am gay,’ for me, was tough.”

The men say they have an inherent commitment to the group, which is greater than the sum of its parts. It provides constancy and ballast in their lives. They care about each other; however, what binds them is more than friendship, because sometimes they don’t like each other.

“It’s another family,” Jim said. “When the immediate family is falling apart, the men’s group is a family you can go to for a reality check and understanding. It’s a really valuable thing.”

These days, they still meet regularly, but they haven’t had a group therapist in years, they’ve given up the smokes and drinking consists mostly of soft beverages. The meetings run in much the same way as when the men worked with the therapists. They meet on the first and third Thursday of every month for dinner, and they take turns hosting. There are two leaders, and they rotate the positions. The men still check-in, although sometimes they have more of a freeform conversation. At other times, the leader throws out a topic for the group to discuss.

Covid has been but a little blip to them. The group continued on Zoom during most of the past year, and they recently resumed their in-person gatherings.

Adamant that their group did not grow out of the New Age movement, the men heartily laugh as they admit to participating in one drumming circle, one biofeedback session and one sweat lodge ceremony. They also met with a women’s group once. In the ’80s, they appeared on the television show People Are Talking with a sex therapist from Mill Valley—though she did most of the talking.

During my meeting with the men, they talked about their significant memories, such as the time they asked Jim to leave. Jim was using “heavy duty” painkillers for acute neck pain, lost his job, got divorced and was depressed, all of which affected his relationships with group members. Though Jim says being without the group was a low point of his life, he mended fences within a couple of years and was welcomed back.

Harry, who died of melanoma 27 years ago, was another major subject. He was the eldest member and would now be 87.

With a larger-than-life personality, Harry was a successful graphic designer, responsible for the graphic identity of the original Gap stores. The men described Harry as powerful and competitive. His illness and death were also powerful.

At one of their annual group retreats, Harry announced he had melanoma. Already a year into his fatal disease by then, he had delayed telling them to avoid being treated differently.

The group immediately became Harry’s attendants, meeting mostly at his home. Although he underwent experimental immunotherapy, he began wasting away. An interesting phenomenon occurred during Harry’s prolonged illness. He decided to be blunt with each member of the group about how he felt about them. Needless to say, his words were met with mixed reactions. Harry lost his battle with cancer in 1994. Stan and Leif were at his bedside when he died, each holding one of Harry’s hands as tears streamed down their faces.

Aging and death are recurring themes in the group’s meetings. In their earlier days, they spoke of “growing old together.” Today, all the men have medical issues. While none of the issues are incapacitating, they say there have been some frightful moments. They added a sobering thought—one man will be the first to go, and one will be the last man standing.

While the group may discuss the Grim Reaper, the members certainly aren’t sitting around waiting for him to appear. In recent years they’ve rafted down the Colorado River in the Grand Canyon, gone on backpacking expeditions together and taken annual ski trips.

As they approach their 44th anniversary together, the men contemplate the reasons for their group’s success. The annual retreats, where they spend three days together out of town, resonate with all of them. They have the time to delve deeply and share what’s going on in their individual lives, and to also work out issues they have with each other. The sessions often become intense, yet the men say it brings them closer.

Aside from their foray into television decades ago, the group has never spoken publicly. It was a dilemma for some members to agree to meet with me, but in the end, they took the leap of faith with an altruistic motive in mind. Their lives have been dramatically enriched by developing their relationships within the group, and they want others to know what’s possible.

“We feel like we’re a special group,” Jim said. “We’re proud of our group. It’s a significant part of our lives, and we’re revealing ourselves to let people know men can do this.”

Spaghettoni, Sustainably

Bayview Pasta isn’t noodling around

Joshua Felciano points to a thick pair of millstones the size of wine-barrel hoops, stacked in the belly of a tall gristmill. “This here is 800 pounds of Vermont granite,” he says.

The Sonoma County native and owner of Bayview Pasta, a fresh-pasta manufacturer in San Francisco, hand-mills flour from sun-ripened wheat berries grown on a fifth-generation family farm in Eastern Washington while we talk. The drought-tolerant grains were dry-farmed leeward of the Cascade Mountains, he notes, raised strictly on a diet of rain, snow and nutrient-rich, untilled soil.

“But did they lead happy lives?” snarky Portlandia fans may be tempted to ask, and Felciano readily acknowledges the satirical overtones. Actually, the grains lead a parched, somewhat stressful existence—but that makes for tastier pasta, he says, as low moisture concentrates flavor and gluten.

Who knew? Wheat may be America’s third-largest crop and as flour, a pantry essential, but we’re more attuned to the origins of our syrah than to the source of our spaghettoni. Felciano, however, digs a deeper plow-to-fork connection by bringing the story of pasta full circle—back to where the grain comes from, how it is grown and when it was milled. And he challenges the Bay Area’s relationship to a culinary staple by crafting fresh, whole-grain pasta that’s less about the sauce and more about complex flavor, rich texture and higher nutrients.

“Pasta’s part of my heritage,” Felciano says. He grew up in a “boisterous Italian-American family” from Healdsburg. And as a former sous-chef, working with flour has always been central to his livelihood; he cut his teeth at Manzanita, moving onto Simi Winery before landing at Delfina. But he admits, flashing an affable grin and beefy, dough-pounding forearms, that he gave little thought to the refined Italian semolina that used to dust his workplace.

When Felciano established Bayview Pasta in 2017, he initially bought wheat on Amazon—free Prime delivery!—from a small grain company in Utah. It was located about an 11-hour drive from San Francisco, so he called it on a whim. Could he check out their mill, maybe visit their farm?

“We couldn’t tell you where the grain’s from,” he was told. “It’s all commodity [that gets] thrown into a community silo.” It was a stark realization—“we were so far from the story of where our [grain] comes from, so far from the field, so far from the farmer,” he said.

Humans have cultivated wheat since the dawn of civilization and grown it in the Western United States since the early 18th century. It’s a large—but also a largely forgotten—part of California’s agricultural legacy; the state once produced much of the nation’s supply, until dairy, produce and nuts supplanted it in the mid-1900s.

“Growing grain is the missing part of the food revolution,” says Alex Weiser, co-founder of the Tehachapi Heritage Grain Project. The small collective of farmers set out to re-establish a sustainable grain belt in Southern California eight years ago. On a patchwork of fields 100 miles northeast of Los Angeles, they grow heirloom wheat like King Desert durum, Red Fife and spelt, along with Oaxacan dent corn—hardy, regenerative crops with disease- and drought-resistant pedigrees.

Felciano recalls his first visit there with his wife; they joined Weiser and gang in harvesting purple corn, and ended up geeking out with them on grain. “These farmers were sitting around, showing and asking each other about their plantings, like ‘Where’s this one from? Why are you growing it? Who’s it for?’” Felciano says.

The deep connection they had to their fields, crops and farming practices was a revelation. “I could come back to San Francisco and say, ‘I know the person who grew this grain. I know why it works well, why it’s so different from a bag of King Arthur [flour],’” he says. “And it was all happening right there in this cornfield.”

The Grind

It’s 6am, and the sun casts a warm glow across the Bay in front of the Hunter’s Point Shipyard. Felciano grinds away in the commissary kitchen where Bayview Pasta is based—has been since 4am—milling plump, hard red wheat berries grown in the Horse Heaven Hills of Prosser, Wash. As he pours them into a spout, the mill roars into action, drowning out the chorus to Volare streaming in the background. The grains pulverize into a stream of silky, amber flour speckled with golden hints of their former selves, releasing the malty aroma of toasted oats.

Encased in a fire-engine-red steel frame, Felciano’s workhorse is a slick take on a classic piece of machinery. But it serves a basic purpose: it grinds the entirety of the grain, integrating the bran, germ and endosperm into whole flour. And the massive granite millstones manage to stay cool, effectively preserving the grain’s aromatic oils, nutrients and flavor.

Industrial mills operate differently, using steel rollers to crack and separate the bran and germ from the endosperm, Felciano says. Refined flour is then milled uniquely from this gluten-rich core—very shelf stable and great for making toothy pasta, he notes, but void of fiber, vitamins and healthy fats. “So when you buy a sack of flour in the store,” he says, “you have no idea how old it is.”

Fresh, whole flour, on the other hand, has a shelf life of about a week, but Felciano never lets it sit for more than a day. He quickly moves onto the next step of mixing the hard red with other fresh flours including spelt, Red Fife and Desert durum from Tehachapi. With the scantest addition of water, the flour blend turns it into a crumbly dough, which, when squished, is cohesive yet surprisingly light. The rich oils give it the consistency of egg pasta without the eggs, with fuller nutrients, taste and texture.

The morning pace picks up as Felciano’s three employees set up their individual stations. Each one extrudes a different kind of pasta; one rhythmically chops wide, stubby tubes of rigatoni that curl out of a traditional bronze die, while another slices ropes of bucatini, twisting them into nests with a flick of the wrist.

Other items on today’s docket: fettuccine tinted sage-green with nettles, brilliantly yellow turmeric spaghettoni and pappardelle, which Felciano makes by hand-feeding flattened dough through a pasta cutter. The wide, hearty ribbons are his favorite, he says, tossed with “just butter and parm[igiano-reggiano].”

The rich and robust flavor of the pasta, in fact, favors simplicity. Causwell’s, a bistro-style restaurant in San Francisco’s Marina District, rotates its offering of Bayview’s pasta every few weeks; currently it’s spaghettoni paired with a tomato-braised pork ragù and sprinkles of English peas and spring onions. It highlights the taste and texture of the pasta, with tender shreds of meat clinging to the thick strands without drowning them, all accented by a pop of fresh greens and pecorino cheese.

“The pasta has a really nice tooth to it—you can tell the quality of the grain,” says Chef Adam Rosenblum. And it’s in line with Causwell’s fresh-and-local ethos: “We make everything from scratch, so if I’m getting something from somewhere else, it needs to be of the same caliber and craftsmanship.”

The quality of the pasta, as Rosenblum points out, is sown in the grain itself—and that’s every bit the craft for Garrett Moon, of Moon Family Farm in Prosser, Wash. The fifth-generation farm grows “grain with big flavor and a small carbon footprint”—drought-tolerant heritage wheats like hard red, hard white and spelt—on 2,400 unirrigated and untilled acres.

Relying solely on precipitation and soil management, the farm avoids the energy costs and impacts of pumping water from aquifers or rivers, Moon says. But it faces increasingly steep challenges: the region, located in the rain shadow of the Cascade Mountains, is the driest in the state, and 10% of normal spring rainfall this year is putting a sobering strain on yields.

Artisan producers like Felciano “understand that we put a lot of extra effort into our grain, land and conservation efforts—things that aren’t recognized in a commodity market,” he says. “So we try to make connections with people who care about the same things, who appreciate wheat done right.”

It’s clearly a kindred connection. As Felciano boxes up the morning batch of fresh pasta, he points to a message printed on every label, below the stamped mill date of the flour: “We buy our grains directly from the farm that grew the grain.”

The boxes of pasta stack up by late morning, awaiting delivery to stores and restaurants around the Bay Area. The farthest, Felciano notes, is Big John’s Market in Healdsburg, where he held his first job as a teenager. “It’s the only place where I’ve been hired, fired, then rehired,” he says. It’s yet another wholesome loop in the story of his pasta.

The H Factor: Heaven vs. Hell

The peak years of the British Empire saw the introduction of many ancient texts from the East, introduced by such scholar-adventurers as Sir Richard Francis Burton. One of them, translated in 1859 under the title The Rubai’yat of Omar Khayyam, was widely published well into the 20th century. You can often find a beautiful edition at a used bookstore for modest cost. The 11th-century Persian poem is not a tract on spiritual asceticism, but rather a celebration of wine, women and song. The following lines from the poem are used in the opening credits of the 1945 film adaptation of Oscar Wilde’s novel The Picture Of Dorian Gray:

“I sent my soul through the Invisible

For some letter of the afterlife to spell

And by and by my soul returned to me

And said, ‘I myself am Heaven and Hell.’”

The Abrahamic religions—Judaism, Christianity and Islam—have their concept of Heaven and Hell, which in the wisdom tradition might stand for states of being viewed either as suffering or nirvana, or what psychology would call contentment versus misery. Think of everyday consciousness as spanning a certain range required for a normal life. Expanding upwards brings the light of spiritual truth and increasing identification with the realm of Being, while egressing in the Hell direction brings a state of lessened consciousness in which one is prone to a kind of demonic possession by emotion or ideology.

The Heaven orientation makes one holy: radiant, calm, detached and capable of pure action for its own sake—such as creation, the most divine endeavor—without concern over outcome. The Hell direction, on the other hand, naturally brings about the opposite: a regression to chaotic and pre-personal levels of being in which one does not even have a soul, only a mugshot with a crazed look in the eyes.

David R. Hawkins, a successful doctor who experienced an intense spiritual awakening, withdrew from the world to live in a state of mystical ecstasy. Later he wrote a book called Power Vs. Force, endorsed by no less than Mother Theresa. Hawkins created a consciousness scale with shame registering 40 and 1,000 reserved for the likes of Jesus and the Buddha. Ordinary people require a level of 200 to get up each morning and face the day even when they don’t feel like it. This level is called courage.

The mere slightest drop downwards—to anger, fear, apathy, guilt—and a person’s already on the road to Hell. On the contrary, the path of acceptance, love and joy lifts them towards the clouds of Heaven, and might even open the gates of immortality.

Pollan’s Paranoia

If you don’t recognize the name Michael Pollan and haven’t read his books, you’ve missed a lot of good writing about drugs.

In his new book, This Is Your Mind on Plants (Penguin; $29), Pollan dives into the exciting world of opium, caffeine and mescaline. In The Botany of Desire, which is probably his best book, he focused on apples, potatoes and marijuana, and argued convincingly that over thousands of years humans and plants have co-evolved.

Slick writers have hijacked and distorted that notion and have insisted that plants kick our asses all over the planet. That’s not Pollan. It’s not his fault that his ideas have been corrupted. In the middle section of This Is Your Mind on Plants, he talks about caffeine, a drug that’s legal, that millions of Americans imbibe every day and that they probably don’t think is addicting. In the last part of his book he writes about mescaline—which is much harder to score than a cup of coffee or tea—and in the first part he gets into the realm of opium, which comes from poppies and which the British forced on the Chinese to successfully addict a whole nation. Poetry lovers might remember that opium was the drug of choice of Samuel Taylor Coleridge and his fellow English romantics.

Part one of this book is less about opium and more about Pollan’s harrowing bout with paranoia, a state of mind shared by many who try marijuana and swear never to use it again. Years ago, Pollan says, he was working on an article about opium and was terrified that if and when it was published he would be arrested, imprisoned and lose his property.

I know the feeling. For the first 15 years that I wrote about weed, coke and opium, I did so under the pseudonym “Joe Delicado.” Paranoia is real, and it’s powerful. I understand why Pollan cut the crucial section from his article. In This Is Your Mind on Plants he has finally published it. What he says is that opium has the effect of subtracting “things: anxiety, melancholy, worry, grief.” That’s how I felt when I used “O,” as my friends and I called it. Pain vanished. My whole body became a storehouse of pleasure. 

The problem was that when O wore off I felt every single little pain, magnified more than ever before. I knew I couldn’t go on using O, so I kicked my habit before it kicked my butt. I don’t recommend O, but I do recommend Pollan’s new book. It illuminates the war on drugs, which has created a kind of police state that generates mass paranoia and that hasn’t gone away yet.

Jonah Raskin is the author of “Marijuanaland: Dispatches from an American War.”

Yard Bard: Shakespeare in micro-doses or in full

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For theater lovers who prefer their Shakespeare “al fresco”—or for those who are still hesitant about venturing inside—two North Bay companies are presenting free outdoor productions of Bard-centric plays. They are adhering to all city, county and state Covid protocols, and the casts and crews are fully vaccinated.

Mill Valley’s Curtain Theatre returns with Shakespeare’s comedic Twelfth Night, while Healdsburg’s Raven Players presents every Shakespeare play known to man via The Complete Works of William Shakespeare (Abridged).

Twelfth Night is one of Shakespeare’s most-produced plays. It contains all the familiar Shakespeare elements—shipwrecks, separated twins, gender-switched impersonations, trickery, unrequited love and sword fights—that, when delivered with gusto, usually make for raucous comedy.

Not this time. Aside from casting two actors (Isabelle Grimm, Nic Moore) as twins who actually appear as if they could be, I find Michele Delattre’s directorial choices somewhat confounding. The cast—many who’ve proven their comedic abilities in previous productions—never seem to get out of first gear. Nelson Brown’s Orsino is more flat-footed than head-over-heels in love with Olivia (Faryn Thomure.) Glenn Havlan’s Sir Toby Belch plays like he just came out of a 12-step program. Grey Wolf’s Malvolio is more milquetoast than malevolent. Energy and passion are woefully missing, and the pacing for everything just seems off.

The production does have its charms, but not nearly as many as it should.

Steven David Martin directs Nicholas Augusta, Matt Farrell and Katie Watts-Whitaker in The Complete Works of William Shakespeare (Abridged). The premise is simple: three actors compress Shakespeare’s 37 plays down to about two hours—including an intermission.

The show is pure goofiness. It’s silly, crass, mildly adult and occasionally gory—I saw a younger member of the audience dive under a blanket during the Titus Andronicus-as-a-Julia Child-type-cooking-show segment. Mixed in with the butchering of the traditional dialogue are topical references, improvisation and audience participation. The cast works hard to earn their audience’s laughter, which they did at the Sunday evening performance I attended.

Pack a picnic, dress in layers and bring a blanket. Old Mill Park by day, and Healdsburg by night, can get mighty chilly.

“Twelfth Night” runs Saturday–Sunday through Sept. 5 with a special Monday, Sept. 6 (Labor Day) performance at the Old Mill Park Amphitheater, 352 Throckmorton Ave., Mill Valley. All shows 2pm. Free. curtaintheatre.org“The Complete Works of William Shakespeare (Abridged)” runs through Aug. 29 at West Plaza Park, 10 North St., Healdsburg. Thursday–Saturday, 7:30 pm. Free. 707.433.6335. raventheater.org

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