Letters to the Editor: No Thanks to MDMA and Cannabis in the Olympics

MDMA? No Thanks

I’m no Puritan, but there are all sorts of reasons to stay far away from what is called MDMA. While pure substances are available with a gov’t license, all the pills shown in the (“Red Pill, Blue Pill,” Feature, July 7) article photo are from underground sources where things like quality and purity are given short shrift.

Some of the more common adulterants found in “ecstasy” are bath salts, flakka, GHB, and meth and its nasty cousin, PMMA. Recently, Molly pills have been found with a combination of meth and fentanyl.

Ecstasy makers in the Netherlands commonly dump their lab waste in the natural areas around Amsterdam. There is no effort to dispose of the toxics properly. Another lesser-known fact is that the appetite for X is causing havoc in rainforests in Southeast Asia, where rare trees are poached to extract Safrole oil, an ingredient needed to synthesize MDMA.

Think about the consequences before you roll. R.I.P. Alyssa Byrne.

Andrew Haynes, Petaluma

Not So Fast

While I read with interest the assertion of Jonah Raskin, (“Out Run,” Rolling Papers, July 14) that basically, the Olympics is out of control against poor Ms. Richardson and cannabinoids, which may be popular in Marin County—not so fast. Pun intended.

Sadly, this young, gifted and very capable athlete made a choice. And even more sadly, Mr. Raskin failed to include Ms. Richardson’s acceptance as she made a statement of responsibility for rules to which she was completely aware and agreed she violated. 

Look, I’m not going down the path of justification, rationalization nor negotiation as Mr. Raskin did about her use of marijuana. Instead let’s ask a question. What was she thinking? I have no idea. She was stressed? A world-class athlete has resources to deal with losing a family member, yet she chose to self-medicate with a substance she knew was not permitted in the field she chose to compete in. Does she think so little of her place on the Olympic Team, her obligation to her training, to her career, to her reputation, to herself that she decided this was a good choice? A “pass”? Really, Mr. Raskin? What does she deserve a ‘pass’ for? 

For 25 years I was a D.O.T regulated worker subject to 6-month mandatory drug testing at any random time in/at my job. I k-n-e-w what the results of making that same choice would be for me. I’d be unemployed AND unemployable. Yea, even if it was “only” weed.

Joseph Brooke, Point Reyes Station

Write to us at le*****@******an.com.

Theater Lives Again in Cloverdale

With the lifting of most restrictions on in-door gatherings, the curtain continues to slowly rise on live, in-person theater in the North Bay. Many companies, having made their season announcements, plan to welcome audiences into their houses with productions opening from mid-August to early September.

The Cloverdale Performing Arts Center gets an early jump on the season with Sam Shepard’s The God of Hell. Originally planned as a streaming production, the show now runs live, onstage Saturday evenings and Sunday afternoons through Aug. 1.

Capacity at the 99-seat theater will be limited to 50%, and groups will be safely spaced apart. Masks must be worn while moving around the theater—but may be removed while seated for the 90-minute show, which is what every one of the 30-plus opening-night attendees—except me—did.

Playwright Shepard, whose better-known works include True West, Buried Child and Fool for Love, wrote this play in 2004 in reaction to the events of 9/11 and the then-impending presidential election. Its focus on ultra-patriotism places connections to our current political environment within easy reach.

Wisconsin dairy farmers Frank (Christopher Johnston) and Emma (Elizabeth Henry) find their quiet, pastoral lives upended with the arrival of a mysterious man in black named Welch (Jonathan Graham), whose briefcase is stuffed with American flags and red, white and blue cookies. He takes particular interest in the number of rooms in the farmhouse, and exhibits an almost obsessive curiosity about the basement.

Residing in that basement is Haynes (Matt Farrell), a friend of Frank’s who seems to be on the run from something, and whose electrifying presence is the real reason for Welch’s visit. The slick salesman of all-things-American, whose jingoism is initially mildly amusing, soon morphs into a sadistic torturer. By the show’s end, Frank has bought into the program, while Emma literally sounds a warning bell.

Shepard wrote this farce in a hurry, and it shows. Director Athena Gundlach brings a light touch to the occasionally heavy-handed material—and being reminded of the Abu Ghraib atrocities is about as heavy-handed as comedy gets.

The cast of four is solid, and obviously relished the opportunity to be back on stage in front of an audience—almost as much as the audience relished the opportunity to be back in a theater. 

Welcome back, everyone, but please think about keeping the masks on.

“The God of Hell” runs through Aug. 1 at the Cloverdale Performing Arts Center, 209 N. Cloverdale Blvd., Cloverdale. Saturday, 7:30pm; Sunday, 2pm. $12–$25. 707.894.2219. Recommended for ages 18+. Strobe effects and pyrotechnics. cloverdaleperformingarts.com

Wine of the Times: Upcoming events showcase the North Bay’s tastes

Several North Bay organizations invite the public to raise a glass in both virtual and in-person settings this summer for events that celebrate the region’s vintner culture and support local wineries, local youth and the fight against cancer.

Founded in 1944, Sonoma County Vintners represents more than 200 wineries and affiliated businesses throughout Sonoma County. Each summer, the group gathers many of these wineries for the annual Taste of Sonoma event.

This summer, Sonoma County Vintners pivots to virtual events and partners with Wine.com to present “Taste of Sonoma at Home,” presented by Visa Signature, featuring a lineup of online events in July.

“We wanted, out of an abundance of caution, to not move forward with a (live event) until we could do so in a safe and healthy manner for our wineries and community,” says Sonoma County Vintners Director of Events Vanessa Renee. “It also allows us to put the spotlight on the wineries who are welcoming guests back in smaller numbers to their tasting rooms.”

This week, “Taste of Sonoma at Home” digitally joins Kendall-Jackson Winery on Thursday, July 22, for an interactive virtual garden tour and culinary class hosted by Executive Chef Justin Wangler and Master Culinary Gardener Tucker Taylor. 

“The idea was to bring back that food and wine focus, and that’s such a big part of the Kendall-Jackson DNA,” Renee says. “They have these beautiful grounds surrounded by vineyards and these great gardens. This is a way for them to show that off and to get people excited about when this event comes back, because it will be at Kendall-Jackson.” 

The following week, on July 29, Wine.com hosts an online rotation of local red wines ranging from Russian River Valley pinot noir to Dry Creek Valley zinfandel and Alexander Valley cabernet sauvignon featuring participating wineries Pedroncelli Winery, Francis Ford Coppola Winery and La Crema. tasteofsonoma.com

In San Rafael, nonprofit organization Youth In Arts will close down C Street for an outdoor fundraiser, Sip & Bid: Dancing in the Streets, on Friday, July 23. Youth In Arts has plenty of reason to celebrate, as it marks a 50-year milestone of helping Marin County youth build visual and performing arts skills.

For the upcoming event, Chef Lisa Hines—also known as “the Food Fashionista—of Bella Luxe catering will serve food and drinks alongside live music by Marin band Pop Rocks and performances by famed YIA mentor artists.

In addition to the entertainment, the Sip & Bid benefit also boasts an extensive wine auction that includes rare vintages, wine trips and other experiences. youthinarts.org

In Napa Valley, the V Foundation Wine Celebration, benefitting the V Foundation for Cancer Research, goes live in August. The three-day soiree, running Aug. 5–7, includes highlights like the “Rock The V Party” on Aug. 6; which boasts a barbecue showdown and North Bay vintners offering samples of their latest vintages and perfectly aged selections.

On Aug. 7, the weekend celebration gathers some of the nation’s leading physicians and research scientists for the “Answer for Cancer” research symposium. The free event features top minds discussing current advances in immunotherapy and discoveries into alternative treatments for cancer.

Also on Aug. 7, the V Foundation Wine Celebration culminates in a gala dinner and live auction at Nickel & Nickel Winery in Oakville. Recently, V Foundation announced that a generous matching grant will challenge bidders in the fund-a-need portion of the evening’s auctions.

“With this generous matching grant, we are poised to raise a significant amount of money to advance immunotherapy research,” says Julie Maples, V Foundation board member and co-chair of the Wine Celebration, in a statement. “We are working to bring our vision of victory over cancer closer to reality every single day.” winecelebration.org

The North Bay Marks the Spot for TreasureFest This Year

Ten years ago, North Bay residents Angie and Charles Ansanelli launched one of the Bay Area’s largest, most diverse and most popular flea markets, TreasureFest.

Originally named the Treasure Island Flea and renamed TreasureFest in 2016, the event indeed flocked to Treasure Island, connected to San Francisco via the Bay Bridge, for its outings.

For several years, the monthly open-air market drew in-demand indie designers, artists, craft makers, local eateries, musicians and other creatives, along with thousands or shoppers and their dogs to the island.

Last year, the Ansanellis realized the event was outgrowing the island, and were planning to move to Marin County to turn the monthly gathering into a massive annual event that could further showcase art, music, top-rated local eats and other treasures among more than 400 curated vendors selling their goods.

While the 2020 TreasureFest was canceled due to Covid-19, the Ansanellis were able to go online for a virtual market last year.

Now, the in-person event is back on the books for 2021, and North Bay attendees are invited to the Marin Center in San Rafael for the 10th anniversary TreasureFest on September 18-19.

The outdoor event will take over a massive lawn that’s perfect for a picnic or sunbathing, and the two-day showcase will feature live music from popular local acts, mouth-watering local eats, craft brews, wine and cocktails, art installations and live art demonstrations and hundreds of local vendors.

The one-of-a-kind crafts and items that will be available at TreasureFest includes up-cycled furniture, clothes, art and jewelry, and more from both emerging designers and vintage collections.

“We are so excited to bring TreasureFest to Marin,” says Angie Ansanelli. “We have expanded the original concept of TreasureFest to be even more of a premium outdoor festival experience. The 2021 TreasureFest is going to be our best yet and and as always, fun for all ages and well-behaved pooches on leashes!”

“Our goal is to showcase the immense talent found throughout the bar area, connecting the maker or collector directly to the shopper,” Ansanelli says. “This way the shopper not only walks away with a treasure but the story behind it, to share with others for years to come.”

On the TreasureFest website, organizers also note that, “We are relieved and hopeful to see the COVID-19 situation improving across the country but we are still monitoring matters closely. We will follow the recommended health and safety guidelines put forth by the authorities. In the meanwhile, please help us achieve our goals by continuing to wear masks and get vaccinated when it is your turn to do so.”

TreasureFest comes to the North Bay on Saturday and Sunday, Sept. 18–19, at Marin Center in San Rafael. 10am to 6pm both days. All ages. Early Bird tickets to the event are sold-out and $15 tickets expire on July 31. Tickets will be $20 on August 1, and $25 at the door. Treasurefest.com.

Sonoma County Library Invites Locals to Share Covid Memories

In September of 2020, Sonoma County Library launched Sonoma Responds: A Community Memory Archive, inviting Sonoma County residents to share their stories and preserving these memories in an online archive, the Sonoma Responds community collection, 2020-2021.

The collection preserves a local historical record of living through Covid-19 and the past year’s events such as the Black Lives Matter movement, wildfires, the most recent presidential election, and everyday life.

By sharing and preserving these stories in the archive, the library gives the North Bay a place to collectively reflect on the past years’ experiences while building a record of life in the new age of social distancing.

This summer, the library will conclude collecting digital submissions on August 31, 2021. Community members are encouraged to share their memories and experiences, both in English and in Spanish, on the library’s online portal before time runs out.

“The stories we leave behind will shape the way future generations understand this period in history. All of us have a story to tell,” says Zayda Delgado, Special
Collections Librarian and one of the project leads, in a statement.

Digital submissions of all types are welcome, including anonymous submissions. The Sonoma Responds project is accepting images, videos, audio recordings and writings, as well as other online content for the web archive and materials and objects for the physical archive.

Already, the Sonoma Responds archive has collected photographs, videos, letters, zines, signs, blog and social media posts, and creative works such as novels, poetry and drawings, even an album of coronavirus-related songs.

Recently, the California Library Association recognized Sonoma Responds with ‘Best in Show’ at the PRExcellence Awards, stating it was “a timely and meaningful project for this unusual time.”

The library’s efforts to preserve this material is part of the Internet Archive’s Community Webs program, which supports public libraries around the country in building and maintaining web archives that reflect local culture and events.

Through a collaboration with Sonoma State University’s Center for Community
Engagement, the library is also archiving over 600 student submissions. A broad range of classes including communications, education, history, chemistry, nursing, psychology and sociology participated in this initiative.

“At a time when community-based work was slowing down, we expanded, and students in over 40 service-learning classes were able to contribute to the historical record about their experiences during covid, the racial justice movement, the election, and the fires,” says Merith Weisman, Director of Community Engagement and Strategic Initiatives, in a statement.

The archive is online now in the Sonoma County Library’s digital collections. To tell your story and become part of the historical record, visit sonomalibrary.org/sonoma-responds-community-archive.

SOMO Concerts Comes Back with New Booker and Superstar Shows

Since 2014, Rohnert Park’s 3,000 capacity solar-powered outdoor venue SOMO Concerts has presented international artists and dynamic events each summer.

The list of headliners who’ve graced the stage at SOMO Concerts includes E-40, Lucinda Williams, Sharon Jones & The Dap-Kings, Michael Franti & Spearhead, Ziggy Marley, Los Tigres del Norte, Billy Currington, Playboi Carti and Social Distortion.

Last summer, SOMO Concerts went dark along with every other North Bay venue due to the pandemic. Now, the sustainable venue is reopening for major concerts, and doing so with the help of a new independent event promotion firm.

Last month, Nederlander Concerts was selected to exclusively book and promote SOMO Concerts, effective immediately.

This multi-year agreement with the venue’s manager, Second Octave Entertainment, aims to broaden the venue’s reach and booking capabilities with Nederlander’s national expertise. 

“With the resurgence of the live entertainment industry, we are thrilled to expand our footprint and offer music and events to the fans of Sonoma County,” says Rena Wasserman, Nederlander Concerts Senior Vice President of Production & Operations.

Nederlander Concerts will present an annual series of music, comedy, and family entertainment events, which will take place from April through November each year. Already, Nederlander is booking major music acts to usher in the return of shows at SOMO Concerts.

On August 29, eight-time Grammy-winning musician and producer Stephen Marley brings his “Babylon By Bus Tour” to the North Bay. On September 23, Mexico-based superstars Los Ángeles Azules play the venue as part of their long-awaited “40 Años” Tour.

The second son of music icons Bob and Rita Marley, Stephen Marley is a legend in his own right, producing a robust collection of prolific music that infuses reggae with hip hop, soul, jazz, doo-wop and much more.

A portion of the proceeds from the August 29 concert will benefit Ziggy and Stephen’s Ghetto Youths Foundation, a nonprofit organization dedicated to creating social change and equity with a focus on providing opportunity to young people, seniors, and families from compromised communities and challenging situations.

Hailing from Iztapalapa, Mexico, Los Ángeles Azules are the largest exponents of the Latin America folk tradition of Cumbia. Formed four decades ago by the siblings of the Mejía Avante family, the band has played some of the biggest stages in the world and international festivals such as Vive Latino and Coachella. In this new tour, fans will be able to enjoy classic hits as well as many more surprises.

“We are excited about the opportunities Nederlander Concerts can bring to continue the growth of SOMO Concerts,” says Second Octave Entertainment CEO Morty Wiggins in a statement. “Their reputation, resources, and experience in the industry are important to us as we usher in this new era of entertainment and return to hosting events safely.”

In addition to SOMO Concerts, the Rohnert Park venue is also continuing to highlight North Bay artists and bands this summer with the second round of the SOMO Grove Dinner Series.

Last May, the series first paired locally sourced meals with local bands for several socially-distanced, seated outdoor shows. The series–curated by event producer, booker and promoter Bryce Dow-Williamson–was a major success. This month, a new lineup of local stars come out for more SOMO Grove Dinner Series shows.

On Friday, July 16, North Bay vocalist Stella Heath and some of the Bay Area’s finest Jazz musicians perform as The Billie Holiday Project. The ensemble draws from some of the Jazz legend’s most recorded tunes and also revives some of the earlier and lesser known tunes she interpreted. 

On July 31, classic rock-and-roll duo Luvplanet and funk-rock outfit The Dylan Black Project team up for a one-two punch of good vibes and amazing musicianship. SOMO Grove Dinner Series continues with a hip-hop showcase featuring North Bay stars Tru Lyric and Kayatta on August 13. The series wraps its secound round of shows with longtime local favorites The Pulsators and Awesome Hotcakes on August 27.

Dinner from Heirloom Café included in price of ticket for all four SOMO Grove Dinner Series shows. Groups that would like to be seated together need to purchase as a group. Get tickets to all of these shows at somovillage.com/events.

Petaluma Ousts Committee Member Stefan Perez After Racist Social Media Posts Surface

An internet-fueled controversy over the social media posts of a member of a Petaluma committee formed in the wake of last year’s racial justice protests came to a contentious end at a city council meeting on Monday, July 12.

The Petaluma City Council voted 5-1 to remove Stefan Perez, a Petaluma resident, from the recently-formed Ad Hoc Community Advisory Committee (AHCAC). Councilmember Mike Healy, the lone vote opposed to removing Perez, implied that the city was infringing Perez’s First Amendment rights. The rest of the council, the city attorney and most residents who spoke at the meeting disagreed with Healy’s concerns.

The city council appointed Perez to the AHCAC at a March 15 meeting. The AHCAC is tasked with discussing what makes community members—particularly those from marginalized groups—feel unsafe in Petaluma, and with providing recommendations to the city council on city and police policies aimed at improving race relations.

At the time of his appointment, several Petaluma residents spoke in support of Perez. Others raised concerns about his social media posts and online interactions during the past year, including comments Perez made on the Nextdoor app raising alarm about racial justice protests by alleging that BLM activists and “antifa” members were dangerous.

In late May, Perez rose to infamy after Chad Loder, an influential Twitter user, shared social media posts made by Perez featuring Nazi imagery, and racist and misogynistic humor. Loder also alleged that Perez managed several Golden State Nationalist social media accounts which harassed local racial justice activists last year. Perez’s attorney has denied that his client is behind the Nationalist accounts and stated that Perez’s personal social media posts were meant as “jokes and dark humor.”

Last week, after remaining largely silent about the allegations against Perez, the council added an item to their July 12 agenda to remove Perez from the AHCAC. The agenda was published on the evening of July 8 with the Perez item on the consent calendar, a section of the meeting intended to group together non-controversial items which can be passed without much discussion between councilmembers.

The only thing critics and supporters of Perez seemed to agree about at the Monday night meeting was that it was cowardly of the city council to add the item to the agenda’s consent calendar, rather than make their perspectives on the matter known.

Indeed, it appears the city council attempted to kick Perez off the committee as quietly as possible. A 7-page staff report explaining the decision in front of the council first mentions Perez’s name on page 6. The report does not specify the reason behind the city’s decision to remove Perez from the committee. Instead, it states that the city council “has the inherent power to remove and replace members of the AHCAC in the Council’s discretion, with or without cause,” then refers to that in its resolution to remove Perez from the committee and abolish his seat.

Councilmember Mike Healy, who said that there was no “legally defensible rationale” for removing Perez from the AHCAC, moved to take the item off the consent calendar, in order to allow for more discussion.

“Sometimes the First Amendment requires government agencies… to do things they are uncomfortable with, and would prefer not to have to do, but that’s pretty much what the First Amendment was intended to do. I’m not prepared to evade Mr. Perez’s First Amendment rights by voting to remove him for no particular reason at all,” Healy said. Later in the meeting, city attorney Eric Danly, who drafted the agenda item, stated that he believed there “is a legally defensible rationale for the action.”

Between written and spoken comments, about 25 members of the public expressed their opinions on the removal of Perez. The majority of commenters supported the move on the grounds that Perez’s views seemed opposed to the work of the committee. Other commenters said that other AHCAC members were uncomfortable with Perez’s presence.

During his comments to the council, Perez did not allege that his First Amendment rights were being infringed. Instead, he accused the council of “taking the easy way out” by bowing to the “special interest groups” who appointed other members of the AHCAC.

In public comment, Paloma Fautley offered a counterpoint to Perez’s take, stating that she feels that identifying designated community groups to select representatives for appointment on the AHCAC was a sound process. 

“[The city] talked to a lot of local groups and said, ‘Who do you want to represent you?’ and [those groups] gave you their best—they gave you the people they thought would address this [topic] for their specific groups—and they trusted those people to support them. And so, saying ‘Hey, this person who was not appointed by any group actually isn’t qualified, wasn’t vetted properly and should have gone through that normal process’—I see nothing wrong with that,” Fautley said.

On Monday, Perez told the council, “I joined the committee because I saw a lack of proper representation, and I don’t just mean ethnic representation. I’m talking about diversity of thought.”

Back in March, when Perez made his appeal to the council to join the committee, he said that his perspective as an Indigenous person who had not had any negative interactions with Petaluma police would be a valuable perspective to include. However, at the July 12 meeting commenters noted that the police department already sends representatives to AHCAC meetings, making it redundant to have a police supporter on the committee, which is tasked with finding ways in which the police can improve at serving and protecting marginalized communities.

“[The AHCAC] exists to address power imbalance that exists between marginalized people and society and law enforcement. And the conduct of Mr. Perez in the meetings so far has demonstrated that he’s … unapologetically pro-police and his presence on the committee is not helping balance this power imbalance that exists within society,” Christopher Neugebauer told the council.

Other Petaluma residents pushed back on Healy’s First Amendment concerns.

“The way that we’re talking about the First Amendment is not actually what the First Amendment is … You can’t be silenced completely, but you don’t get a right to every platform; when you submit a letter to the editor, they don’t have to publish it,” Sarah Casmith said during public comment. 

In comments before voting, Mayor Teresa Barrett said she was not convinced by the free speech argument either.

“There are many people in that group that I have no idea where they stand [with regard to] what their personal values are, but what I do want is to remove any impediment to that group moving forward in a very timely fashion and working at the highest level they can,” Barrett said.


This article is part of a series. Read the previous installments here and here.

Thoughts, tips or comments? You can reach Will Carruthers at wc*********@*****ys.com.

Sha’Carri Richardson’s Weed Debacle

How can you not love 5-foot-1-inch’ Sha’Carri Richardson, the amazing Black athlete with the cool name, bright orange hair, tattoos up and down her muscular arms, and her use of marijuana—which eliminated her from this summer’s Tokyo Olympics? Richardson was suspended from competition for a month, which knocked her out.

The World Anti-Doping Agency (WADA)—which regulates drug use in global sports—bans “all natural and synthetic cannabinoids.” That includes weed. And that’s dumb. U.S. Anti-Doping CEO Travis Tygart says, “The rules are clear, but this is heartbreaking.” Indeed it is.

Richardson is one of the fastest humans on the planet. In June 2021, she ran the 100 meters in 10.86 seconds. That’s tops.

At 21, her career is just beginning, and her big mouth shows no signs of going quiet. “I am it,” she says. “I am who I say I am.” And also, “Talent is talent. If you got it, you go fast.” Richardson also says she’s sorry.

“I apologize for the fact that I didn’t know how to control my emotions or deal with my emotions during that time,” she says.

She used marijuana to deal with her mother’s death. That news hit her hard, plus she was stressed about the competition for the Olympics.

I say the anti-doping officials should have given Richardson a pass. After all, weed isn’t heroin, steroids or cocaine. According to sport experts, marijuana can relax an athlete and improve performance. Let all the sprinters smoke weed, get loose and run fast. On social media, many fans of the Olympics were behind Richardson. Actress Patricia Arquette says, “This is ridiculous. What are they thinking.” Another fan says, “She should get extra points for winning while on the weed.”

Here’s my all time favorite comment from Richardson: “This is the last time the Olympics don’t see Sha’Carri Richardson. This is the last time the U.S. doesn’t come home with the gold in the 100 meters.”

Perhaps Richardson runs fast and talks wild, because she grew up poor in Texas. She played some basketball and football in school, but by the age of 9 she knew she wanted to be a sprinter and win medals. She has exceeded her wildest dreams.

Track aficionados have told her to cut her hair, cut her nails and get rid of her eyelashes, because they slow her down. Richardson is Richardson, from her size 8 shoes to her bright orange hair.

Along with Muhammad Ali, she’s the greatest—in my book. I’ll tie her shoe laces, bring her water, clock her when she runs the 100 meters and point out once again the absurdity of the laws against marijuana.

Jonah Raskin is the author of “Marijuanaland: Dispatches from an American War.”

Divine Honeymoon

In our last Spirit column, we explored the esoteric concept of the sacred marriage of opposing energies, best represented through astrology with Sun and Mars on the masculine side and Moon and Venus on the feminine. Now it’s time for the honeymoon. Our soundtrack is the 1983 New Wave hit “Sex” by the band Berlin.

In the pop duet, the female singer refers to herself as a virgin, goddess, bitch and geisha, while the male singer simply repeats the same response: “I’m a man.” Whether purposefully or not, the lyrics thus express a fundamental teaching of the wisdom tradition, which distinguishes between two dimensions of reality: the world of being and the world of becoming.

The world of becoming is considered feminine and to it belongs birth and death, changes of season and everything pertaining to the sphere of nature and human events. In contrast to this dynamic playing field was posited an unchanging metaphysical reality ruled by a Sky Father, be it Zeus in Greek mythology, Ahura Mazda in Zoroastrianism or Allah in Islam.

In Hinduism, the goddess Shakti represents the feminine principle, or everything that is dynamic energy within the world of becoming. In contrast, her celestial consort Shiva enacts the male principle of immutable power,  just as a stone in a creek causes the current to flow fastest even though the stone does nothing but simply be there. Shakti’s changeability, shape-shifting as in the song lyrics from one feminine guise to another like the phases of the moon, is drawn to Shiva’s steadfastness like steel to a magnet.

A curious difference between East and West is that European civilization created the scientific study of sex, but never produced a sacred handbook such as The Pillow Book from China or Kama Sutra from India. Is it possible Westerners have misunderstood the dynamics of sex for millennia?

The classic Tantric sexual position known as the lotus places the woman, embodying the goddess Shakti, in the lap of the man, who sits cross-legged and plays the role of Shiva. In their divine embrace, Shakti gyrates with her dynamic energy while Shiva’s role is to sit like a stone in a creek—or a king on a throne—and “hold the center” or “do without doing,” acting as the fixed axis around which the sexual energy turns. In this dynamic fusing of being and becoming, we may say that the female role is actively passive while the male role is passively active.

After voicing their opposing parts in the cosmic union, the singers in our ’80s New Wave tune intone the final line in unison: “And we make love together.”

Christian Chensvold blogs about the world’s wisdom traditions at trad-man.com.

Drought Challenges Dry Farmers

As the drought drags on with no end in sight, California farmers face the sobering prospect of springs and wells drying up.

But at Red H Farm in Sebastopol, that isn’t a consideration, much less an option, because their well collapsed six years ago. That’s when farmer Caitlin Hachmyer turned to dry farming. Now, she relies on the rain to feed her crops, and obsesses over the soil to keep it moist through the dry season. It works; most of her fields don’t need any irrigation, and while yields are lower, less water makes for a more concentrated flavor—a bite of her dry-farmed tomatoes is a reminder that they are, in fact, a fruit.

But after two years of meager rain, the ground is parched. Blasting heat waves serving up triple-digit temperatures, and fleeting coastal fog, are beginning to take a heavy toll. “I’m at about 50% of my usual harvest this time of year,” Hachmyer says. Clearly, there’s only so much dryness that even dry farming can take. She’s anxious about the long, hot months ahead, and hopes the remaining crops nestled in her lower-lying fields fare better.

Given the region’s arid climate, the sustainable ethos of dry farming seems like a no-brainer. Heavy rains soak loamy and clay fields in the winter, and cool summer fog helps to lock it in during the dry months. Meanwhile, drought-tolerant, early maturing crops sip moisture through deep roots while developing rich, intense flavors. But as seasonal precipitation gets stingier and less reliable, its long-term sustainability in the North Bay is starting to look uncertain. Local farmers are abandoning dry fields as they contemplate shutting down for the season, or moving altogether to greener, more water-secure pastures up north.

Seasonal patterns were consistent on Hachmyer’s 1.2-acre family farm for as long as she can remember. “I grew up here,” she says, her slender frame capped by a no-nonsense bun, “so I have a 37-year relationship with this particular place.” Fields flooded in winter, and foggy mornings rarely pushed summer temperatures past the high 80s. By fastidiously working the soil with absorbent organic matter and protecting it with woven tarps and thick mulch, her crops thrived without irrigation, even during past droughts.

“Usually, June is the most lush, beautiful time on the farm,” Hachmyer says. “Things start drying out in July and August, but in a regular year, I’d still be harvesting broccoli florets from a February planting.” Typically, she’d have a summer bounty of vegetables, leafy greens and squash, followed by a fall crop of flavor-rich tomatoes. “But this year, there’s just no water,” she says. And an early summer heat wave left many of her plants withering. “Even in [previously dry] years, my soil has still had tons of moisture, but this extreme drought is like ‘next level.’”

North Bay rainfall has averaged 13 inches this year—about a third of normal. That sounds extreme, even for dry farming, but the volume of rain is only one factor, says Paul Vossen, an agricultural consultant based in Santa Rosa. Filling the soil profile with moisture also requires consistent and cumulative precipitation.

“If you get 13 inches all in a few rains, particularly if one was in late spring, then you’d have your soil profile full,” he says, “and everything would be pretty good, actually.” Intermittent sprinkles can turn the hills grassy in the spring, but crops require deeper, consecutive soakings.

Vossen recently retired as the University of California Cooperative Extension farm advisor, where he specialized in farming in drought conditions. After 35 years on the job, he’s seen it all—but agrees that this year is exceptional. And the rise in seasonal temperatures only adds to the challenges. “It’s one thing to dry farm when it’s in the 80s [during the day] and cool at night,” he says, “and another when it’s 100 degrees every day.”

On a 10-acre farm outside of Petaluma, Jesse and Moira Kuhn of Marin Roots Farm are down to their last harvest of dry-farmed greens. They didn’t get their usual profusion of native crops like chickweed and miner’s lettuce this spring, says Jesse Kuhn, and their fields are crackling dry. “We’ve got a little bit of chamomile, lamb’s quarters, dandelion and spring onions—maybe one last pick.”

Kuhn, who grew up in San Geronimo, enlisted his father’s help in digging a deeper spring, which he’s using to irrigate herbs and microgreens inside two greenhouses. “It’s still very, very little water,” he says, shaking freshly dug pebbles out of his pockets. “But we have to rely on it to carry whatever we plant through the remainder of the season, because whatever little water is left in the soil is going to go quickly.” He grins solemnly beneath his handlebar mustache.

The Kuhns have resisted the siren call of more water security, in less-pricey regions up north. “We both have family here,” he says, “along with all of our restaurant accounts and farmers markets, [largely within] a 50-mile radius.” But with no signs of the drought easing, they’re looking to plant new roots in Marin, in fields with better access to water.

Twenty miles northwest, towards Bodega Bay, David Little has dry-farmed potatoes and tomatoes on nearly 50 acres of coastal land for the past quarter century. The San Anselmo native runs Little Organic Farm with his daughter, Caressa, and her fiancé, Anthony Giaccobe, on fields cobbled together on five different ranches across the Marin-Sonoma border.

Little is quick to note that he fallows nearly half of his acreage, often for two to three years at a time, to allow the soil to recharge with moisture and nutrients. He also sites his fields carefully, planting crops at the base of slopes and hills, where water tends to collect underground. It’s a long-term investment in land management, and this year, the odds seem a bit tenuous. 

Loquacious and eccentric, Little’s presence is as big as his personality. “Alice Waters came by my [farmers market] booth and asked me how I was doing with the drought,” he says. He and the famous Chez Panisse owner go way back, apparently. “I just told her, ‘less yields, smaller potatoes, more flavor, less waste.’”

Indeed, his tubers are compact, ranging in size from marbles to golf balls, perfect as sides to a fancy dish. Little digs up an entire plant, shaking the clumpy-but-dry soil off the roots to pick a cluster of baby Crimson Kings. He harvests about six per plant, explaining that were he to leave them longer, they would continue to grow in size and yield upwards of 14. “We’re robbing the cradle to get new potatoes for the sweetness and texture, and also to get back in the market because we’re strapped for money.”

For farmers, “the struggle is real,” Giaccobe says. “Normally, our tomato crop pays for the harvest of the potatoes, but I don’t even know if [they’re] going to grow this year.” He was surprised at the number of customers who balked at their 25% price hike last year. “There’s a disconnect between what’s going on in nature, how hard the work is and how much everything else—paper bags, boxes and labor—is going up in price.” He and Caressa hope to boost business by venturing into potato chips. “It’s a great way for us to utilize everything; all the ugly potatoes that people don’t want to buy.”

The farm also experienced an unexpected blow in late May, when a freak frost hit a low-lying field and destroyed three acres of potatoes. It came on the heels of plummeting restaurant sales during the Covid pandemic, and a two month market hiatus during a dip in yields. “If I sound disgruntled, it’s because I am,” Little says. “It’s just crazy times for small farms.”

As the dry season continues, farmers pray for emergency relief, which looks as elusive as the next rainfall. Currently, federal and state drought relief is limited to livestock and perennials, not diversified annual crops, says Red H’s Hachmyer, adding that immediate funds are desperately needed to keep family farms afloat. “It’s slim margins as it is,” she says. “It’s really important to make sure that small-scale farmers don’t throw in the towel this year.”

Meanwhile, Hachmyer is considering raising funds to dig a new well. “There’s really not a whole lot more adapting that I can do,” she says. “At some point, my plants just need at least a little bit of water.”

Naoki Nitta is a food and sustainability writer based in San Francisco.

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