Workplace Woes

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โ€˜9 to 5, the Musicalโ€™ clocks in at 6th Street

By Harry Duke 

Itโ€™s been over 40 years since Dolly Parton made her film debut in 9 to 5 and the title tune topped the charts. The film and song (which garnered Parton an Academy Award nomination for Best Original Song) became markers in the struggle for parity in the workplace for women. Thank goodness it was achieved decades ago.

Just kidding.

Parton herself collaborated with one of the original screenwriters to come up with 9 to 5, the Musical. The pretty straightforward musical adaptation of the film runs at Santa Rosaโ€™s 6th Street Playhouse through June 26.

The book of the show closely follows the film script, as three disparate office workers join together to take on their “sexist, egotistical, lying, hypocritical bigot” boss. The too-frequently-overlooked-for-promotion Violet Newstead (Daniela Innocenti Beem) joins forces with the newly-employed Judy Bernly (Julianne Bradbury) and the unfairly maligned secretary-to-the-president Doralee Rhodes (Anne Warren Clark) to bring some equity to the offices of Consolidated Industries and some payback to its loathsome leader, Franklin Hart (Mark Bradbury).

There are minor differences between the film and the stage show, but the basics are all there, plus about a dozen more tunes by Parton. including โ€œBackwoods Barbie.โ€

Director Carl Jordan has cast the show well. Each of the principals brings a strong voice and clear characterization to the stage. Violet is a good role for Beem, and Bradbury really impresses with her vocals as Judy. Clark has the difficult task of not being too Dolly Parton-ish and succeeds, big hair and all. Mark Bradbury is effectively sleazy as Hart, and Jen Boynton matches well with him as the office busybody.

Thereโ€™s a large ensemble doing good work in multiple supporting roles, and they do the bulk of the dancing. They also spend a good deal of time moving set pieces around. This show has a lot of moving parts, and credit goes to the ensemble (and stage crew) for keeping the pace up. Credit also to set designer Eric Broadwater for the best-looking set Iโ€™ve seen at 6th Street in a while. Projections by Chris Schloemp really complement the sense of place.

9 to 5 is the type of show that delivers exactly what you expect it to deliver, and that includes a couple of appearances by Parton herself. 

โ€˜9 to 5, the Musicalโ€™ runs through June 26 in the GK Hardt Theatre at 6th Street Playhouse, 52 W. Sixth St, Santa Rosa. Thurs-Sat, 7:30pm; Sat-Sun, 2pm. $26โ€“$45. Proof of vaccination and masking are required to attend. 707.523.4185. 6thstreeetplayhouse.com

Do Nothing

The most difficult endeavor

By Christian Chensvold

Hereโ€™s a simple test to check your health that doesnโ€™t require any medical paraphernalia or professional diagnosis. Itโ€™s the simplest thing imaginable, which means in a chaotic age such as ours, only seasoned experts can do it.

Hereโ€™s the test: can you sit and do absolutely nothing for five minutes? That is, can you leave the house without your phone, find a bench or a plot of grass, and just be? If you canโ€™t sit alone with yourself for five minutes and not slip into a state of irritability, with a million agitated thoughts running through your mind, then your โ€œmental healthโ€ is in serious trouble.

Youโ€™re what I call a replicant; you look like a human being from the past, except that you’re a counterfeit version. You got body-snatched, or rather, soul-snatched. Think about it: shouldnโ€™t you be able to sit with your body and your thoughts and not have to auto-lobotomize yourself because of all the anguish and nihilism built up inside, and which only goes away if you distract yourself?

When you start listening to others whoโ€™ve awakened to metaphysical reality, you find a recurring theme. Eckhart Tolle became world famous as a spiritual guru, and recounts how after reaching peak suffering and finally awakening, he spent the next two years sitting on park benches in a state of rapt wonder at the mystery of simply being alive.

Once youโ€™ve mastered sitting and doing nothing for five minutes, you can try doing it while imagining yourself as an ancient king or queen, and Iโ€™m not being a court jester here. Throughout Greece, Persia, India and the other great spirit-infused kingdoms, the ability to sit on the throne in a state of immutable calm was the visible expression of a sovereignโ€™s divinity. In Egypt, the ability to sit perfectly still with an aura of supreme command was believed to be a supernatural quality of a king or queen that proved their celestial lineage.

After learning to sit in simple tranquility, then with resolve and poise, you may be ready to take up yoga in its higher dimension, and learn to sit in superior calmness to everything external, completely centered to the transcendent dimension within, the part of you that is greater than you. As the great religious historian Mircea Eliade wrote in a seminal study of yoga, body postures are capable of evoking hieratic stillness, the purpose of which is to become transformed into the image of a deity.

And so what began with sitting on a park bench doing nothing becomes the first step on the path to immortality.

Roundup at Rialto

โ€˜Children of the Vineโ€™ screens

With 2.3 million pounds of pesticides and herbicides used annually in Sonoma Countyโ€”97% on wine grapes, including 30 tons of Roundup, the investigative documentary Children of the Vine couldnโ€™t be more timely. Shot primarily in the famed wine regions of Napa and Sonoma counties, the film makes its debut for a one day showing on July 12 at the Rialto Cinemas, Sebastopol.  It is an unsettling investigation into the controversial herbicide Roundup and its impact on public health.

Directed by filmmaker Brian Lilla, who after moving to Napa Valley to start a family, witnessed the nightmare unfolding around him as farm workers sprayed vineyards with thousands of gallons of Roundup each winter. Beyond the manicured beauty of Napaโ€™s vineyards, Lilla found the wine industry is using more Roundup in vineyards than most agricultural crops. At the center of this controversy is glyphosate, the primary active ingredient in Monsantoโ€™s Roundup. Glyphosate is now found in breast milk, baby food, wine and 80% of food grown in the United States.

Lilla interviewed both farmers who depend on Roundup and those paying the ultimate price for spraying it on their crops. He also digs deep into Monsantoโ€™s misleading science and 40 year campaign that Roundup is โ€œsafe as salt.โ€ In the end, Children Of The Vine highlights more sustainable farming practices that donโ€™t put public health at risk and are capable of feeding the world.

With many residents still using Roundup on their properties, the information in this explosive documentary should be a game-changer for local residents and moreover, the ag and wine industry.

The screenings will be followed up with a panel of experts and director Brian Lilla, to answer questions and discuss the options of non-toxic farming practices. Proceeds benefit Neighbors to Preserve Rural Sonoma County.

โ€”Padi Selwyn

Co-chair, Neighbors to Preserve Rural Sonoma County.

โ€˜Children of the Vineโ€™ plays at 3 pm and 7 pm, Tuesday, July 12 at Rialto Cinemas, 6868 McKinley St, Sebastopol. More information at rialtocinemas.com.

Clouded by Coho

Last winterโ€™s coho run spawns hope

By Cole Hershey

The rains of 2021 were a soothing balm to the drying lands of California, filling reservoirs to the edges of dams across Marin and Sonoma counties.

During and proceeding these heavy downpours, many in the media noted the season as a miracle for the coho salmon that live in Lagunitas Creek in Marin County, stretching their spawning across the watershed into areas they have not been seen in over a decade. The rains of late 2021 helped the Lagunitas coho, as in [1]ย the most plentiful streams in all of California lay nearly 400 nests (called redds), according to preliminary data acquired by the Bohemian.

While this preliminary number is nearly double the coho redds found last year, when looking at seasons historically, the number may have less to do with the rains than many observed.

Coho spend parts of their lives in freshwater and parts of their lives in the ocean. They live in freshwaters for a year and a half before they venture out to the ocean, only returning to breed in their third year of life, after which they pass away. For coho conservationists, the important information to observe is the parent generations and their offspring generations, meaning the salmon spawning season three years prior.

As it currently stands, the coho redd count is higher than the previous generation. The data is still being collected by the National Park Service, Marin Municipal Watershed District, and the Salmon Protection and Watershed Network (SPAWN).

โ€œThe generation following has always been greater than the one that preceded it,โ€ said Preston Brown, director of watershed conservation at SPAWN.

โ€œThose rains in December which drew headlines said, โ€˜Yeah coho! Coho everywhere!โ€™โ€ remarked Brown. โ€œBut when you look at it, the number of coho was just a little above average, at least in Lagunitas.โ€

In the Russian River Watershed of Sonoma County, where coho are known to make redds, the appearance of a large swelling of coho also occurred. The large number of coho observed in this watershed [2]ย was due to the heavy rains shortening their spawning season, which gave off the appearance of more coho in the stream, according to a recent Sonoma Water report.

Due to the heavy rains before their spawning season began, coho swam further upstream than usual, reaching higher into small tributaries. Since they spread out across the watershed further than usual, it gave the appearance that the run was more bountiful than other years.

โ€œThey were in amazingly high places, so it painted this picture that could be sort of misconstrued,โ€ said Brown.

This occurred in Sonoma as well for the threatened Chinook salmon. However, exact numbers are hard to discern, seeing as Chinook are listed as threatened, unlike steelhead and coho, so monitoring their numbers across California has not been prioritized.

โ€œBecause the rains were so perfectโ€”they came right at the right time at the right amount of durationโ€”it made these little tributaries full of water,โ€ said Brown. โ€œCoho were getting up into those waters where they hadnโ€™t been seen in maybe 10 years or so.โ€

As the winter season continued, however, there was very little rain to show, quickly drying Lagunitas creek, which has very little groundwater to maintain its flow throughout the summer. By the beginning of spring in some tributaries further upstream, the pools of water were beginning to lower into trickles.

โ€œWe got these coho spawning in these tiny tiny tributaries, and once those eggs hatch and the fish are swimming around, those tributaries [could] start to go dry,โ€ said Brown.

Luckily, the April rains greatly aided the coho living further upstream.

The fact that the coho spawned so far upstream, according to Eric Ettlinger, aquatic ecologist for the Marin Municipal Water District, is the important takeaway from this yearโ€™s run of endangered coho. 

โ€œEven if we hadnโ€™t gotten those spring rains, I think salmon spawned in enough places that we wouldโ€™ve gotten a good juvenile population this year, regardless,โ€ Ettlinger said.

This, Ettlinger explained, is because there was a wider variety of habitats and locations where the salmon could thrive.

โ€œThereโ€™s this idea of a portfolio where you want as much diversity as possible in order to maximize your returns,โ€ Ettlinger said. โ€œYou want them to have as many options as possible, and this winter we saw that.โ€

While this year has been a positive moment for coho, steelhead and Chinook alike, California is heading yet again into an exceptionally hot and dry summer, with nearly all of the state in a severe drought.

According to a 2019 report by the National Oceanic and Atmospheric Association, most coho in California are at a very high risk from[3]ย  climate change, due to a greater sensitivity to ocean acidification, along with water temperatures and other stressors.

โ€œThis population here is particularly vulnerable to climate change,โ€ said Ettlinger. โ€œ[This] is the southernmost wild coho population in the world, and climate change is going to have the biggest impact on populations [of all species] closer to the equator.โ€

Due to large-scale fishing, along with habitat loss mainly from large-scale dam building across California, coho have been greatly reduced from their historical numbers, when the streams all across Northern California used to run red with coho. Since their listing as endangered in 1996, coho populations in California have steadily been on the incline.

While there is little to be done to reduce the temperature of ocean water, other than eliminating the use of fossil fuels, there are things to be done to help coho survive in a less hospitable climate.

Marin Water for decades has been adding logs and other plants into streams themselves, something that has been proven to help juvenile coho survive through the summer.

According to Ettlinger, while dams across the county have created many setbacks for the salmon, the release of water from the reservoirs may give coho in Lagunitas a better chance in the future.

โ€œIronically, the cold water thatโ€™s released from our reservoir, Kent Lake, year round may be one of the reasons that this population will persist when other populations in the region are not going to,โ€ Ettlinger said. โ€œSo that acts as a buffer against the rise in temperatures that are expected with climate change.โ€

SPAWN, for one, helps with countless restoration activities across the watershed, such as running a native plant nursery and reestablishing historical floodplains. This June, SPAWN made an agreement with Marin County to implement a new stream conservation ordinance to help protect stream banks and floodplains from building.

However, the work of protecting coho salmon in the North Bay is not relegated just to the small watershed of Lagunitas Creek.

In 2021, a study was conducted in Dry Creek, a small tributary of the Russian River, in order to understand why many smolts, young coho traveling to the ocean, do not make it to the Pacific. While this was the first year of the study using hatchery-caught coho to study the effects of predators on the young fish, it is data Sonoma Water could use in order to inform how they proceed with ongoing restoration projects aimed at saving coho.

One potential tool, which now could be used to help mitigate the effects of drought and climate change on coho in streams, is beavers.

โ€œA group of us are working to reintroduce beavers into Lagunitas Creek,โ€ said Ettlinger. โ€œIt would be really beneficial to coho in particular because coho like slow water, they like wood in the channel and beavers can create a really ideal nursery habitat. So that would be a big change.โ€

In May of this year, the state of California approved five new staff members to lead a beaver restoration assessment program across the state, signaling a shift in how the government may feel about the animals, seeing as the rodent has a great many benefits to the land beyond coho restoration.

It should be noted that beaver relocation is currently illegal under state law, California being one of the few states west of the Rocky mountain range to do so.

With the work of countless individuals across Sonoma and Marin counties, coho are steadily increasing in number, and there is still plenty of reason to hold out hope. According to Brown, coho, a keystone species like the beaver, are critical for the preservation of coastal ecosystems and local economies. Even in Sonoma County, the fish were once so plentiful that there was a cannery in the southern region of the Russian River Watershed.

While coho are still far from those booming numbers, with the tireless work from Marin Municipal Water District, SPAWN and Coho Partnerships in Sonoma County, coho are slowly but surely on the rise.


Limit Look

Jenny DeYoung, new owner of Disguise the Limit

By Jane Vick

Hey loves! Happy Wednesday! How is everyone?! Surviving this heat wave? Rush, rush to the coast, gas prices be damned! Bring roasted chicken and cherries and a light heart. Go!

And straight to this weekโ€™s Look, which is lovely indeed. Jenny DeYoung, new owner of Disguise the Limit, the 40 year standing costume shop in Santa Rosaโ€™s Railroad Square, is a gem of a human, and I was thrilled to learn more about her this week. See below, and for any costume needsโ€”especially during Pride Month!โ€”look no further.

Jane Vickโ€”When and why did you buy Disguise the Limit?

Jenny DeYoungโ€”Iโ€™ve always had a dream of owning my own shop, selling all my favorite things, to include fashionable items like festival wear, vintage wear and also costumes! But I always wanted the store that had a little bit of everything, so that everyone would find a little bit of treasure when they came to the shop. The year 2016, this store became available for purchase, and my business partner at the time helped me with acquiring it. It was the beginning of everything I had ever wanted and more. Iโ€™ve been working hard to re-design it and making it the favorite store for everyone in every sense.

JVโ€”Where does your love of costume come from?

JDโ€”I  started off being a theater major at UCLA, primarily focused on production design for film and theater. Production design encompasses the entire art department of a film or theater play. Which means it also encompasses costume design. I love all things fashion, and I love dressing up so it all comes together. My shop is like my biggest set design I have ever created yet.

JVโ€”Is there a message youโ€™d like to share with the community this Pride Month?

JDโ€”First of all, we are so grateful that there is a Pride Parade here and that we get to participate in it by vending and supporting that community! Disguise the Limit stands for unity and that we should all love and respect and appreciate each otherโ€˜s diversities and love choices! Love is love!

You heard it here, everyone. Love is LOVE!

See you next week!

Love always,

Jane

Jane Vick is an artist and writer based in Oakland. She splits her time between Europe, New York and New Mexico. View her work and contact her at janevick.com.

Vote Volunteers

I’ve been a voter in Marin County since I first voted at age 18 in 1975.

We must recruit as many nonpartisan volunteers as possible to ensure that no eligible voter is discouraged or wrongly turned away from the polls in 2022.

In America, voters should have the final say. But Donald Trump and far-right extremists engaged in a criminal conspiracy by helping to promote and pay for election sabotage efforts that culminated in the deadly attack on our country on Jan. 6, 2021.

The January 6th House Select Committeeโ€™s public hearings are present[1] ing the facts about this attack and its lead up. The committeeโ€™s investigation has been nonpartisan and factual.

We must support the January 6th Committee in investigating and holding accountable everyone involved in this crimeโ€”to both ensure it never happens again and make sure that our elected leaders respect the will of the people. This includes making sure everyoneโ€™s vote is counted by volunteering as an Election Protection volunteer.

Register to volunteer for Election Protection to make sure we protect the results of the 2022 election at cmnca.us/jan6ep.

Dennie Mehocich

Marin County

Freedom Lost

Your freedom wasn’t in Iraq and it’s not in Ukraine. It isn’t gone yet, but as soon as Julian Assange is extradited, you will lose it. It might not be immediately apparent, but one day you will miss its absence sorely. I don’t care if you hate him, if you’re convinced he was working for Trump or Russia. Assange’s extradition is the precedent that will begin the end of the First Amendment to the U.S. Constitution. Those rights apply to all of us, and this is how close we are to losing them completely.

Jason Kishineff

American Canyon


Eliminated the word “upcoming” here, and changed “will present”  to “are presenting,” since several have already happened.

Silent = Death

How the media and congress enable presidentโ€™s silence on nuclear war

By Norman Solomon

Iโ€™ve just finished going through the more than 60 presidential statements, documents and communiques about the war in Ukraine that the White House has released and posted on its website since Joe Bidenโ€™s State of the Union address in early March. They all share with that speech one stunning characteristicโ€”the complete absence of any mention of nuclear weapons or nuclear war dangers. Yet weโ€™re now living in a time when those dangers are the worst theyโ€™ve been since the 1962 Cuban Missile Crisis.

You might think that the risks of global nuclear annihilation would merit at least a few of the more than 25,000 words officially released on Bidenโ€™s behalf during the 100 days since his dramatic speech to a joint session of Congress. But an evasive pattern began from the outset. While devoting much of that speech to the Ukraine conflict, Biden said nothing at all about the heightened risks that it might trigger the use of nuclear weapons.

A leader interested in informing the American people rather than infantilizing them would have something to say about the need to prevent nuclear war at a time of escalating tensions between the worldโ€™s two nuclear superpowers. A CBS News poll this spring found that the war in Ukraine had caused 70% of adults in the U.S. to be worried that it could lead to nuclear warfare.

But rather than publicly address such fears, Biden has dodged the publicโ€”unwilling to combine his justifiable denunciations of Russiaโ€™s horrific war on Ukraine with even the slightest cautionary mention about the upward spike in nuclear-war risks.

Biden has used silence to gaslight the body politic with major help from mass media and top Democrats. While occasional mainstream news pieces have noted the increase in nuclear-war worries and dangers, Biden has not been called to account for refusing to address them. As for Democratic leaders on Capitol Hill, party loyalties have taken precedence over ethical responsibilities. Whatโ€™s overdue is a willingness to insist that Biden forthrightly speak about a subject that involves the entire future of humanity.

Giving the president and congressional leaders the benefit of doubts has been a chronic and tragic problem throughout the nuclear age. Even some organizations that should know better have often succumbed to the temptation to serve as enablers.

In her roles as House minority leader and speaker, Nancy Pelosi has championed one bloated Pentagon budget increase after another, including huge outlays for new nuclear weapons systems. Yet she continues to enjoy warm and sometimes even fawning treatment from well-heeled groups with arms-control and disarmament orientations.

And so it was, days ago, when the Ploughshares Fund sent supporters a promotional email about its annual โ€œChain Reactionโ€ eventโ€”trumpeting that โ€œSpeaker Pelosi will join our illustrious list of previously announced speakers to explore current opportunities to build a movement to reduce and eventually eliminate nuclear weapons once and for all.โ€

The claim that Pelosi would be an apt person to guide listeners on how to โ€œbuild a movementโ€ with such goals was nothing short of absurd. For good measure, the announcement made the same claim for another speaker, Fiona Hill, a hawkish former senior director for Europe and Russia at the National Security Council.

Bizarre as it is, the notion that Pelosi and Hill are fit to explain how to โ€œbuild a movement to reduce and eventually eliminate nuclear weaponsโ€ is in sync with a submissive assumptionโ€”that thereโ€™s no need to challenge Bidenโ€™s refusal to address nuclear-war dangers.

The president has a responsibility to engage with journalists and the public about nuclear weapons and the threat they pose to human survival on this planet. Urgently, Biden should be pushed toward genuine diplomacy, including arms-control negotiations with Russia. Members of Congress, organizations and constituents should be demanding that he acknowledge the growing dangers of nuclear war and specify what he intends to do to diminish instead of fuel those dangers.

Such demands can gain momentum and have political impact as a result of grassroots activism rather than beneficent elitism. Thatโ€™s why (on June 12,) nearly 100 organizations co-sponsor(ed) a โ€œDefuse Nuclear Warโ€ live streamโ€”marking the 40th anniversary of the day when 1 million people gathered in New Yorkโ€™s Central Park, on June 12, 1982, to call for an end to the nuclear arms race.

That massive protest was in the spirit of what Martin Luther King Jr. said in his speech accepting the Nobel Peace Prize in 1964: โ€œI refuse to accept the cynical notion that nation after nation must spiral down a militaristic stairway into the hell of thermonuclear destruction.โ€

In 2022, the real possibility of such a hell for the entire world has become unmentionable for the president and his enablers. But refusing to talk about the dangers of thermonuclear destruction makes it more likely.

Norman Solomon is the national director of RootsAction.org and the author of a dozen books, including โ€˜Made Love, Got War: Close Encounters with Americaโ€™s Warfare State,โ€™ published this year in a new edition as a free e-book.

Culture Crush – Week of 06/22/22

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Santa Rosa

Blushinโ€™ Tunes

Never a let down, Lost Church Santa Rosa is bringing another great musical lineup to the Santa Rosa scene this Saturdayโ€”get ready for The Blushinโ€™ Roulettes and Ring of Truth Trio. The Blushinโ€™ Roulettes features Angie Heimann on guitar and songwriting, Cas Sochacki on double bass, and Jay Brown also on guitar, with harmonica and vocals to boot. San Francisco Free Folk Festival describes their music as โ€œstripped down, sexy little jewel boxes stuffed with ancient mountain magic.โ€ Ring of Truth Trio, local to Santa Rosa, features Rory McNamara, David Olney and Roxana Olvia and has a dusty, hearty, country quality perfect for those who appreciate Mary Gauthier or Rosanne Cash. The Blushinโ€™ Roulettes and Ring of Truth Trio are playing Saturday, June 25 at Lost Church Santa Rosa, 427 Mendocino Ave, Santa Rosa. Event from 2:45pm-5pm. Tickets $12 in advance, $15 at the door. www.lostchurch.org

Sebastopol

SebastoSoul

Itโ€™s a groovy time to be at the 6th Annual SebastoSoul Festival this Saturday, celebrating food, beer and good music! Featuring music by Marshall House Project (MHP), a soul-funk mashup bringing energetic and danceable music with a psychedelic twist and an uplifting undertone. MHP is a hybrid of meaningful lyric and accessible rhythm for the optimal contemplative, connected dance experience. Be sure to also check out Santa Cruz-based band Space Heater, who bring Prince and James Brown-inspired sounds with a cosmic influence, guaranteed to take listeners to a galaxy far far awayโ€ฆ The revelry is starting at 9pm. The Marshall Project and Space Heater are playing Saturday, June 25 at HopMonk Tavern, 30 Petaluma Ave, Sebastopol. Doors at 8pm. Tickets $20 online or $22 at the door. This event is 21+. www.hopmonk.com 

Petaluma

La Gente SF

Welcome La Gente SF to โ€œEverybodyโ€™s Fair,โ€ aka the โ€œMarin-Sonoma Fairโ€ in Petaluma! La Gente SF,led by Rafael Bustamante Sarria, is an energetic, loving and unique blend of cumbia, reggae, salsa, hip-hip and reggaeton. The blend of Caribbean and Latino American cultural influences with a San Francisco flavor creates inimitable music! La Gente SF has toured internationally for years, performing in New York, Austin, Portland, Spain, Brazil, Italy, France and more. They have played with such acts as E-40, MALO, Pete Escovedo and Pato Banton. La Gente SF has just released their first single, โ€œLotus Hotel.โ€ โ€œEverybodyโ€™s Fairโ€ in Petaluma is a promotion of and homage to the current and historical agricultural presence in Northern California, and an opportunity to showcase the exceptional and diverse talent of the residents of both Sonoma and Marin counties. For more information on the fair, visit sonoma-marinfair.org. La Gente SF will perform Sunday, June 26 at โ€œEverybodyโ€™s Fair,โ€ 175 Fairgrounds Drive, Petaluma. 4:30pm-6:30pm. Tickets $17. www.sonomamarinfair.ticketspice.com

San Rafael

Yoga + Brews

Is there a better combination?! Maybe, but this one is pretty dang good. Join a great group at Pond Farm Brewing this Sunday, from 10:30am to whenever, for Yoga in the Taproom, led by yoga teacher Jordin Rodondi. Rodondi is primarily trained in the tantric lens of yoga with Sianna Sherman and the Rasa Yoga Collective. She brings an inclusive, conscious energy to her practice that will soothe and ground practitioners. Pond Farm Brewing is a bright and inclusive community space, great for grabbing a drink and getting to know the neighbors. Stop in with a mat and a towel, and stay after the flow for a chat! Yoga in the Taproom is Sunday, June 26 at Pond Farm Brewing, 1848 4th St, San Rafael. 10:30am-11:30am. Tickets $30, include one beer or kombucha. www.mettayogastudio.com

โ€”Jane Vick

Astrology – week of 06/22/22

ARIES (March 21-April 19): Aries actor Marilu Henner has an unusual condition: hyperthymesia. She can remember in detail voluminous amounts of past events. For instance, she vividly recalls being at the Superdome in New Orleans on Sept. 15, 1978, where she and her actor friends watched a boxing match between Leon Spinks and Muhammad Ali. You probably don’t have hyperthymesia, Aries, but I invite you to approximate that state. Now is an excellent time to engage in a leisurely review of your life story, beginning with your earliest memories. Why? It will strengthen your foundation, nurture your roots and bolster your stability.

TAURUS (April 20-May 20): Poet Elizabeth Bishop noted that many of us are โ€œaddicted to the gigantic.โ€ We live in a โ€œmostly huge and roaring, glaring world.โ€ As a counterbalance, she wished for โ€œsmall works of art, short poems, short pieces of music, intimate, low-voiced, and delicate things.โ€ That’s the spirit I recommend to you in the coming weeks, Taurus. You will be best served by consorting with subtle, unostentatious, elegant influences. Enjoy graceful details, quiet wonders and understated truths.

GEMINI (May 21-June 20): In the coming weeks, you will need even more human touch than usual. Your mental, physical and spiritual health REQUIRE you to have your skin in contact with people who care for you and are eager to feel their skin against yours. A Tumblr blogger named Friend-Suggestion sets the tone for the mood I hope you cultivate. They write, โ€œI love! human contact! with! my friends! So put your leg over mine! Let our knees touch! Hold my hand! Make excuses to feel my arm by drawing pictures on my skin! Stand close to me! Lean into my space! Slow dance super close to me! Hold my face in your hands or kick my foot to get my attention! Put your arm around me when weโ€™re standing or sitting around! Hug me from behind at random times!โ€

CANCER (June 21-July 22): Author John Banville wrote what might serve as a manifesto for some of us Crabs: โ€œTo be concealed, protected, guarded: that is all I have ever truly wanted. To burrow down into a place of womby warmth and cower there, hidden from the skyโ€™s indifferent gaze and the harsh air’s damagings. The past is such a retreat for me. I go there eagerly, shaking off the cold present and the colder future.โ€ If you are a Crab who feels a kinship with Banville’s approach, I ask you to refrain from indulging in it during the coming months. You’re in a phase of your long-term astrological cycle when your destiny is calling you to be bolder and brighter than usual, more visible and influential, louder and stronger.

LEO (July 23-Aug. 22): โ€œWe wish to make rage into a fire that cooks things rather than a fire of conflagration,โ€ writes author Clarissa Pinkola Estรฉs. That’s good advice for you right now. Your anger can serve you, but only if you use it to gain clarityโ€”not if you allow it to control or immobilize you. So here’s my counsel: Regard your wrath as a fertilizing fuel that helps deepen your understanding of what you’re angry aboutโ€”and shows you how to engage in constructive actions that will liberate you from what is making you angry.

VIRGO (Aug. 23-Sept. 22): Virgo author Jeanette Winterson was asked, โ€œDo you fall in love often?โ€ She replied, โ€œYes, often. With a view, with a book, with a dog, a cat, with numbers, with friends, with complete strangers, with nothing at all.โ€ Even if you’re not usually as prone to infatuation and enchantment as Winterson, you could have many experiences like hers in the coming months. Is that a state you would enjoy? I encourage you to welcome it. Your capacity to be fascinated and captivated will be at a peak. Your inclination to trust your attractions will be extra high. Sounds fun!

LIBRA (Sept. 23-Oct. 22): Libran lexicographer Daniel Webster (1758โ€“1843) worked hard to create his dictionary, and it became highly influential in American culture. He spent over 26 years perfecting it. To make sure he could properly analyze the etymologies, he learned 28 languages. He wrote definitions for 70,000 words, including 12,000 that had never been included in a published dictionary. I trust you are well underway with your own Webster-like project, Libra. This entire year is an excellent time to devote yourself with exacting diligence to a monumental labor of love. If you haven’t started it yet, launch now. If it’s already in motion, kick it into a higher gear.

SCORPIO (Oct. 23-Nov. 21): โ€œShouldnโ€™t the distance between impossible and improbable be widened?โ€ asks poet Luke Johnson. I agree that it should, and I nominate you to do the job. In my astrological view, you now have the power to make progress in accomplishing goals that some people may regard as unlikely, fantastical and absurdly challenging. (Don’t listen to them!) I’m not necessarily saying you will always succeed in wrangling the remote possibilities into practical realities. But you might. And even if you’re only partially victorious, you will learn key lessons that bolster your abilities to harness future amazements.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian novelist George Eliot wrote, โ€œIt is very hard to say the exact truth, even about your own immediate feelingsโ€”much harder than to say something fine about them which is not the exact truth.โ€ I believe you will be exempt from this rule during the next seven weeks. You will be able to speak with lucid candor about your feelingsโ€”maybe more so than you’ve been able to in a long time. And that will serve you well as you take advantage of the opportunity that life is offering you: to deepen, clarify and refine your intimate relationships.

CAPRICORN (Dec. 22-Jan. 19): Author bell hooks (who didn’t capitalize her name) expressed advice I recommend for you. She said, โ€œKnowing how to be solitary is central to the art of loving. When we can be alone, we can be with others without using them as a means of escape.โ€ As you enter a phase of potential renewal for your close relationships, you’ll be wise to deepen your commitment to self-sufficiency and self-care. You might be amazed at how profoundly that enriches intimacy. Here are two more helpful gems from bell hooks: โ€œYou can never love anybody if you are unable to love yourselfโ€ and โ€œDo not expect to receive the love from someone else you do not give yourself.โ€

AQUARIUS (Jan. 20-Feb. 18): In April 2005, a 64-year-old Korean woman named Cha Sa-soon made her first attempt to get her driver’s license. She failed. In fairness to her, the written test wasn’t easy. It required an understanding of car maintenance. After that initial flop, she returned to take the test five days a week for three yearsโ€”and was always unsuccessful. She persevered, however. Five years later, she passed the test and received her license. It was her 960th try. Let’s make her your role model for the foreseeable future. I doubt you’ll have to persist as long as she did, but you’ll be wise to cultivate maximum doggedness and diligence.

PISCES (Feb. 19-March 20): In the eighth century, Chinese poet Du Fu gave a batch of freshly written poems to his friend and colleague, the poet Li Bai. โ€œThank you for letting me read your new poems,โ€ Li Bai later wrote to Du Fu. โ€œIt was like being alive twice.โ€ I foresee you enjoying a comparable grace period in the coming weeks, Pisces: a time when your joie de vivre could be double its usual intensity. How should you respond to this gift from the Fates? Get twice as much work done? Start work on a future masterpiece? Become a beacon of inspiration to everyone you encounter? Sure, if that’s what you want to do. And you could also simply enjoy every detail of your daily rhythm with supreme, sublime delight.

Going Solo

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Joshua James Jackson releases first solo album

By Jane Vick 

Sonoma County, rife with talent, can lay claim to another artist on the rise: Josha James Jackson. Born and raised in Santa Rosa, JJJ (as he is sometimes known) is releasing his first solo album, Livin’ the Dream, with a music video accompanying the titular track.

Head straight to YouTube for an independently made work of video art starring โ€œQueenie,โ€ the main character of the music video, and coincidentally, a ball of purple Play-Doh.

Jackson has always been musical, performing with bands like Fishbear, which once opened for Cake, and the marching band Church, which did a live parade through the streets of Railroad Square one summer.

Livinโ€™ the Dream is Jacksonโ€™s debut not only as a solo act, but as himselfโ€”pursuing the type of questions, through music, he was unable to explore in other music projects.

It started with a high school band that didnโ€™t pan outโ€”Fishbearโ€”after which Jackson spent the better part of a decade working with several different singer-songwriters, helping them tour and playing in their bands. Jacksonโ€™s thought was that he was accruing experience, which he says he feels he did, but ultimately the process left him unfulfilled creatively.

โ€œIn 2016 or 2017, I made a big stink of quitting all the bands I was working for and started trying to run a band. It was probably more dramatic than was ultimately needed, but it was what I felt like I needed at the time,โ€ said Jackson.

The band in question, Sharkmouth, actually provided Jackson with several songs featured on his upcoming album, including Livin’ on a Dream. The group toured a lot, and Jackson describes it as a โ€œreally high concept musical group that relied heavily on a lot of work from a small team.โ€

The stress of it, he said, became ultimately untenable.

โ€œEverything was last minute; Iโ€™d show up making it work by the skin of my teeth, and it felt like we were letting people down. It was too much pressure on too small a team. So I made the choice to transition to using my own name again, a probably ultimately more dramatic than necessary move,” said Jackson, laughing.

Jackson realized he needed to pursue his own art rather than create a dream band.

โ€œI think a lot of musicians suffer from thisโ€”I grew up watching Beatles movies. I thought that being in a band would be like thatโ€”you know, team, siblings, family. All the time. And I was trying to cultivate that, when it doesnโ€™t really exist in that way. Which was on me for trying to create an idyllic community from my idea of what that could be, instead of a real reflection of what it was.โ€

He still collaborates with some of his old Sharkmouth band members, and shares no bad blood, but Jackson saw the need to truly honor the singularity of his creative calling. After over a decade of collaborations, Jackson began his first solo project in earnest in 2019.

โ€œI right away started putting a record together, and it was scheduled to be released in 2020. But we all know what happened, so here it is now.โ€

Jackson recorded Livinโ€™ the Dream in the OK Theater in Enterprise, OR, the oldest operating purpose-built theater in Oregon, erected in 1919. He tracked the bulk of the record there, and worked also with Dimed Records with musician and producer Jeremy Lyon.

The record in full is still to be releasedโ€”meaning I havenโ€™t heard it all yetโ€”but Livinโ€™ the Dream,  the title track, is a feat of poignant yet upbeat melody layered with brass, keyboard and percussion, and Jacksonโ€™s vocals, all at once playful, crackly like a record and sad.

The lyrics, โ€œIโ€™m living the dream, if thatโ€™s what weโ€™re gonna call it,โ€ pretty overtly suggest that the dream isnโ€™t all itโ€™s cracked up to be. Jackson wrote this song while touring with Sharkmouth, at a moment when people would look at him and assume he was living a magical dream, when in fact he was struggling to find a sense of happiness and balance in his life.

โ€œIโ€™m super grateful for that time, and it was magical, but I also wasnโ€™t getting enough to eat, I wasnโ€™t bathing right. A lot about that lifestyle was so hard. So many of us who are trying to make work that we think is important live this experience where we struggle with our basic needs. Itโ€™s tough,” he reflected.

That said, Jackson says his life is more charmed than hard, though he adds that what looks cool can actually feel bad.

“The classic Instagram versus reality type thing,” he said. “So itโ€™s kind of that. And at the time too, I was really depressed and lacking the tools to deal with that, and at the same time felt like I was actively living out my dreams. It was a strange dichotomy.โ€

Jacksonโ€™s work now, as a solo artist, is to continue exploring dichotomies like this one, and others he confronts, including feeling both incredibly privileged as a white male, but also experiencing real financial struggle in pursuing his art.

He feels that his work โ€œoscillates between feeling self-indulgent and culturally useful.โ€ And he is courageously exploring that cognitive dissonance. In going solo, he seeks to figure himself out, and hopes to also regain the momentum he had just before the pandemic hit, when he returned from a three week tour in England and was gearing up to sign with a record label.

โ€œIn a way, Iโ€™m totally starting over,โ€ said Jackson.

Jackson gave his track over to Dana Merwin, a producer, writer and comedian originally from Georgia, who has performed at The Mothโ€™s Grand Slam in Los Angeles, SXSW in Austin, TX, and SF Sketchfest, to name a few. Merwin, along with director, editor and animator Mike Manzielo and cinematographer Steve Kayeโ€”both of whom Merwin emphatically acknowledged as vital players in the entire process and critical in bringing โ€œQueenieโ€ to lifeโ€”took Jacksonโ€™s song and ran with it, creating the inimitable aforementioned โ€œQueenieโ€ and a totally unique music video filmed in downtown Oakland.

As Merwin tells it, โ€œQueenieโ€ is  a purple ball of Play-Doh, but so much more. Merwin chose Play-Doh because of the nostalgic nature of the smell, and the child-like quality of the substance. It represents a love of childhood that we all, especially artists and creatives, seek to reconnect with, and keep alive.

โ€œWhat I love about all of Joshโ€™s work is that combination of soul sadness and joy,โ€ said Merwin. โ€œThatโ€™s the struggle that Joshโ€™s music is asking us to acknowledge. How do we live that dream, the waking dream that was asked of us as kidsโ€”what do we want to be when we grow up?โ€”while also living โ€˜the American dreamโ€™? This is going back to what we really wanted as kids, and facing that reality as an adult, without being overwhelmed by it, is what โ€˜Queenieโ€™ is working through.โ€

Itโ€™s fitting that in this moment a music video and album come out asking us to confront our dreams and the harsh nature of reality also. Taking a look at duality, dichotomy and dissonance, the way Jackson is doing in Livinโ€™ the Dream, is perhaps the best chance any of us have to actually create the symbiotic relationship between our childhood dreams and what life asks of us as adults.

Watch โ€˜Queenieโ€™ in โ€˜Livinโ€™ the Dreamโ€™ today, and stay up to date with JJJ by following @joshuajamesjackson on Instagram. 

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