Polly Klaas Foundation

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Spiraling Down


Janet Orsi

Stormy waters: Polly Klaas Foundation Vice President Phil Grosse advises people not to discount the agency’s tenacity. But detractors contend that the Petaluma-based organization has squandered its funds and is floundering under a self-serving board of directors.

Polly Klaas Foundation riddled with fiscal problems

By Paula Harris

Wracked by infighting and caught in dire fiscal straits, the Petaluma-based Polly Klaas Foundation is facing its biggest challenge since the ill-fated search two and a half years ago that spawned the high-profile child-find agency. The problems come even as the foundation helps in the search for missing Mendocino County teen Raina Shirley and the murder trial of ex-state parolee Richard Allen Davis, accused of the 1993 homicide of Polly Klaas, is set to begin in San Jose.

In recent weeks, executive director Gary Kinley has resigned with no explanation, and the beleaguered organization–which Marc Klaas, father of slain schoolgirl Polly Klaas, once vowed would be his daughter’s legacy–has moved to a smaller, less costly office in downtown Petaluma. Klaas, who now fronts a rival child-find agency of his own, the Sausalito-based Marc Klaas Foundation for Children, is in direct competition for the slim grant dollars that once found their way to the Polly Klaas Foundation.

“We’re not at death’s door, but we’re aware we’ve got to learn how to fundraise,” acknowledges Polly Klaas Foundation Vice President Phil Grosse.

He confides that the non-profit has “less than $50,000” in the bank, down from a one-time high of more than $504,000. In addition, the $250,000 annual operating budget recently has been slashed to $83,000 as financial support continues to slip.

What became of all the donations showered on the foundation by the community after it first sprang up in response to the 1993 kidnap and murder of the westside Petaluma 12-year-old?

“To say the money was frittered away is the harshest possible interpretation,” muses Grosse during an interview at the organization’s downsized office on Western Avenue in Petaluma.

“Salaries, rent, and learning ate up a lot–and bills for the search for Polly, people at the time saying, ‘take what you need, we’ll bill you later.'”

Funds also were gobbled up in auditing, insurance, and trademark registration expenses, he adds. “Then there was $100,000 just for postage for Polly, and phone bills of $20,000 per month.”

“There’s been a period of growing pains as we’ve been struggling to find our true mission,” he says.

But detractors say the problem isn’t just the high cost of the ill-fated search. Indeed, in 1994, the foundation under interim executive director Brad Morrison spent up to $1,000 a day, oftentimes on seemingly frivolous business expenses. A rule of thumb for non-profts dictates that no more than 25 percent of an agency’s budget should be spent on salaries and other operating expenses, with the lion’s share going to services. Until recently, the Polly Klaas Foundation spent 44 percent of its budget on salaries and rent alone. “They were far too extravagant for their time and place as a new business,” concludes Liz Ecke, a former Polly Klaas Foundation and Marc Klaas Foundation volunteer.

She blasts the board of directors at the Polly Klaas Foundation for renting the pricey office space on Mc–Dowell Boulevard after she’d found cheaper alternatives. “Everyone just thought it was too beneath them to look at any of these, so they ended up paying $3,600 a month for the Mc-Dowell space,” she explains. “That was way too high on the hog for them.”

By comparison, the new headquarters cost $417 per month.

But critics cite runaway spending, including the hiring of high-priced consultants and lawyers; the purchase of first-class airplane tickets, hotel accommodations, and limousines; and exceedingly high phone bills.

Resources were further drained when the board hired an executive director and a development director, with a combined salary of $80,000 per year. Their efforts resulted in few of the promised school and community education programs.

During its infancy, the foundation seemed to take on a life of its own, attracting both “masses and moolah,” Ecke adds. “The money came because everyone fell in love with Polly, and I think the foundation represented this virtual spirit of goodness or something,” she recalls. “It was the next best thing to touching God.”

But not everyone was drawn for the same reasons. As one former longtime volunteer, who asked not to be named, bluntly puts it: “It attracted gobs of weirdos. Most board members were unemployed and saw it as a career steppingstone. Once they saw the publicity, they just wanted to latch onto it. It became so ego-oriented.

“It was never about children for those guys.”

Lynn Mills, another former volunteer, concurs. “All the board members got into it with their minds and their hearts in the right place, but then it became, like, ‘Gee, wouldn’t this look good on my résumé.’ They were all trying to make a name for themselves. It just got out of hand and people lost their focus.”

But board members defend their actions. “The pace was moving so fast, so quick, you just didn’t know what to do all the time,” recalls former board member Adele Calkin. “The board learned a lot.”

Gary Judd, newly elected foundation president, says the board always had the best intentions. “We had a Cadillac operation to service a nation,” he says. “The biggest expenses were the res-ponse element and the 800-number. The office space was larger than we needed, but hindsight is always 20-20.

“The heart and efforts shown by the volunteers is an international legacy to the town of Peta-luma, and a tribute to the impact the community made on a national issue,” he adds.

During a recent shakeup, two board positions were eliminated and four longtime volunteers, including a Petaluma child-care center operator and a Sonoma State University student, were appointed as board members. Former board president Gary French is now treasurer, and Eve Nichol, Polly’s mother, also remains. One position is open. Volunteers take calls from families or law enforcement personnel, then fill out missing-child reports and start a case file. The foundation handled 563 cases in 1994 and 699 in 1995, and has handled 80 so far this year.

“The Polly Klaas Foundation is in a place it should be right now, considering what it’s able to accomplish and where it’s able to go,” says Marc Klaas, who was ousted from that foundation’s board in December 1994 after a bitter struggle over spending policies. “They have Polly’s name, but we have Polly’s work we’re doing,” he adds.

Former volunteer Lynn Mills predicts the Polly Klaas Foundation soon “will fold,” once it runs out of money.

Grosse, a blonde and bespectacled man whose tall, jean-clad frame dominates the tiny headquarters, disagrees. “We’re confident we’re going to be here for a long time,” he says. “We’re starting to learn how to fundraise and are determined to provide every bit of service and more at the cheapest possible cost.

And when the volunteers at the Polly Klaas Foundation get determined to do something–watch out!”

From the March 28-April 3, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

News Briefs

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News Briefs

School Layoffs

SANTA ROSA The federal budget impasse could cost local schools 13 teachers’ aides, a joint announcement by Rep. Lynn Woolsey, D-Petaluma, and Santa Rosa school officials noted this week. Woolsey blames House Speaker Newt Gingrich for “playing politics” and ordering the Republican majority to delay passage of a federal budget. The current temporary operating budget provides 17 percent less money to help children in reading, writing, mathematics, and advanced reasoning programs. At this level, Sonoma County stands to lose $700,000 in so-called Title I funds.

Among those possible layoffs are eight teachers’ aides at Burbank Elementary School and five more at Santa Rosa Junior High School. This is not the way to run a government, and this is not the way to be treating our schools and students, said Woolsey, a member of the budget, and education and opportunities committees. She plans to ask the House this week to accept a U.S. Senate plan to restore $2.6 billion for education when it considers a new continuing resolution for the rest of the year. Meanwhile, Rep. Frank Riggs has announced that he will join the fight to persuade senators to restore education funds.

Lafferty Vote Delayed

PETALUMA In a stunning development Monday, four city councilwomen gave in to increasing public opposition and agreed to postpone the controversial Lafferty-Moon land swap for one year to seek other options. Mayor Patty Hilligoss and Councilwomen Nancy Read, Lori Shea, and Mary Stompe proposed delaying the deal that would trade city-owned mountain property Lafferty Ranch and $1.4 million in county open space funds for the privately owned Moon Ranch.

They say they were swayed by county Supervisor Jim Harberson, who said he’d support an alternative way to get a regional park. Meanwhile, some members of the community charge the councilwomen with violating the Brown Act by conducting a closed meeting to discuss their intentions prior to the recent council meeting.

Open Space Funds for Laguna Uplands

SEBASTOPOL By the narrowest possible margin, the Sonoma County Open Space Authority has helped sustain the possibility of a new Native American cultural center at the Laguna Uplands site. The Open Space panel voted 3-2 last week to contribute $900,000 to the effort, although the action must still be ratified by the county Board of Supervisors. The funds represent 60 percent of the purchase price for an 18-acre site overlooking the Laguna de Santa Rosa, an area that was once home to a large Native American encampment. The site has been approved for an 18-home luxury subdivision called Palm Terrace, but the developers have said they are willing to sell the property to the community instead, if $1.5 million can be raised by mid-April. Grassroots fundraising efforts, including bake sales and donation jars in local businesses, have collected only about $82,000 so far, but “there’s absolutely no doubt we’re going to make it,” says Laguna Uplands committee co-chair Juliana Doms. “We have planted enough seeds.” A benefit concert this weekend and a second fundraising event April 13-14 are also expected to help boost the fundraising effort. Detailed plans for the site will not be developed until the purchase has been assured, Doms says, and then the committee will seek a citywide consensus. “In order to honor our original motives, it has to be brought to the community.”

Rally Causes Furor

SANTA ROSA It’s clear that the Christian Life Center was within its rights to stage an evangelical youth rally at the Santa Rosa High School auditorium last week, but officals from the church and the school have distinctly differing views on how the event was promoted. The evening rally came after a day of school assembly programs at two junior highs and three high schools in Santa Rosa, as well as a program at Windsor Middle School. These secular programs focused on a message of self-esteem and warnings about drug and alcohol use, explains the Rev. Carter Wood of Christian Life Center, and were well received by the schools.

At those programs, however, flyers were passed out inviting the kids to the evening meeting at SRHS, which was to feature free pizza, a Velcro wall, and other attractions. But there was no mention of the church’s sponsorship of the event on the flyer, nor of its strong Christian content. “The flyers did not have any religious content on them because we were told not to put it there,” Wood says. “The schools don’t let us pass out religious material. Why they have to be so skittish about it, I don’t know.”

Wood also says the Christian nature of the evening gathering was made clear to school officials at the time they made arrangements to rent the auditorium: “They were well aware it was going to be a religious event,” Wood adds.

But that’s not the way that SRHS vice principal and facilities coordinator Tony Negri saw it. “I knew it was something that was supposed to be positive and engage the kids, but I didn’t know it revolved around an evangelical approach to religion,” Negri says. “Nor was I aware of the free pizza.” The rental of the room for $495 that night did not hinge on the nature of the event, he adds. “This is a public auditorium. You could have anything you want in there.”

But Negri says the sponsors “were less than forthright” about their plans, although he also admits, “I can’t say [Wood] was being deliberately evasive, because I didn’t ask him the hard questions.”

Community Hospital Control Transferred

SANTA ROSA The management of county-owned Community Hospital in Santa Rosa passed quietly into the hands of Sutter Health of Sacramento on Monday. The controversial transfer, opposed by many of the facility’s 800 unionized employees, still faces a tough ballot fight in November. The employees are now working under a temporary contract that expires in June. Labor negotiations are slated to begin in mid-May.

From the March 28-April 3, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Usual Suspects

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Usual Suspects

Magnolia’s Deflowered

The real loser wasn’t even a party to the nationally publicized lawsuit. While California Hardbodies owner Bob Manthey exulted over Friday’s ruling by federal court Judge Eugene Lynch that Santa Rosa’s new anti-nudity ordinance is too broad and cannot be enforced, the venue at which it all came to a head may be about to disappear. The court case–which still awaits final resolution–hinges on the law’s exemption clause, which states that it “shall not apply to a theater, concert hall, or similar establishment which is primarily devoted to theatrical performances.” That clause does not adequately define what constitutes such a venue, the judge ruled. But such legal semantics are of little consolation to club owner Scott Goree, who last week said he would close Magnolia’s, his Railroad Square nightclub, at the end of April. Goree is facing a 30-day disciplinary suspension of Magnolia’s liquor license by the state Alcohol Beverage Control board, stemming from a Hardbodies performance there last November–before adoption of the ordinance–at which the buxom dancers allegedly violated ABC regs by “simulating various sex acts with the air,” the stage floor, and each other, according to a police report by vice detective Steve Fraga. Apparently an accomplished aesthetician as well as an astute law enforcement officer, Fraga also noted in his report that the dancers “were often not in tune or rhythm with each other” and concluded that either their performances were “not well choreographed or the entertainers had practiced very little.” Perhaps they will have im-proved by the time the Petaluma-based Hardbodies tentatively make a farewell return visit April 29 to the Santa Rosa club, for a last hurrah on what may be Goree’s last night in business. He now says he hopes to find a way to work things out with the ABC.

Switching Lanes

Just in time for the run to the general election. Everyone knows Rep. Frank Riggs, R-Windsor, the county’s resident conservative congressman and Newt Gingrich protégé. A lot of folks also recall the days (during his first term) when Riggs enjoyed a reputation as a progressive Republican, one of only three Republican reps to vote against then-President George Bush‘s patriotic Gulf War initiative. He’s a bona fide denizen of the political right, right? Well, check this out. In a March 22 press release, Riggs blasts President Bill Clinton for supporting a plan to spend $493 million on additional B-2 bombers, accusing Clinton of trying to buy California votes with pork-barrel fat for the state’s sagging aerospace industry. Riggs claims the increased funding “would come at the expense of communities struggling to convert from base closures and defense downsizing.” Instead, he wants those dollars spent helping the folks in Vallejo to recover from the recent closure of the Mare Island Naval Shipyard. Has he finally found his conscience? Or is this just a clever ploy to court disaffected middle-of-the-road voters?

Evidently you can expect anything in an election year. But we suspect that Riggs hasn’t strayed far from his buddies in the Republican leadership, who are always looking for a way to embarrass Clinton–even if it means asking their hawks to don doves’ clothing.

From the March 28-April 3, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

News Briefs

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News Briefs

Animal Shelter Bid

PETALUMA The City Council has officially given control of the city’s animal shelter back to the Sonoma County Humane Society, even though it will cost more. The Humane Society has been filling in on an emergency basis after council members voted to oust previous operators Thunder and Lightning’s Cause in December after complaints and allegations of criminal wrongdoings. A lengthy police investigation ended with no criminal charges being filed against TLC. However, the council members voted 6-0 on Monday to give the contract to the Humane Society, which had provided service in previous years. The new $834,000, 39-month contract is $184,000 more than TLC would have charged and $103,000 more than the Humane Society originally bid when it competed last year with TLC.

Courts to Merge

SANTA ROSA In a bid to boost efficiency, the functions of Superior and Municipal Court judges will be consolidated under a single presiding judge, thanks to an agreement signed by the judges last week. The court will have four sections–civil, family law, and two criminal sections–and judges will be able to move freely among them. This will allow judges whose cases end early to take on additional assignments, and should help speed the caseload through the local courts, said presiding Municipal Court Judge Cerena Wong. The new plan is due to go into effect on Jan. 1.

Raven Owner Sued

HEALDSBURG Raven Theater owner Don Hyde has a new legal headache. Mark D. Swendsen, a Healdsburg attorney, has filed a lawsuit at Sonoma County Superior Court, charging Hyde with breach of oral contract and fraud for screening the NC-17-rated film Showgirls last year in violation of a partnership agreement not to show pornographic (X-rated) material at the theater. Hyde admits that he’d agreed not to show pornographic films but scoffs at Swendsen’s contention that the NC-17 rating replaced the X rating. The case is set to be heard May 17.

Roseland Clinic Opens

SANTA ROSA Officials dedicated the new $1.2 million health clinic for southwest Santa Rosa on Tuesday, culminating a two-year effort to establish a center for health services in that underserved area. Directed by local residents Dr. Julio Porro, Margot Huges-Lopez, and a homegrown board of directors, the Health Center was built by Memorial Hospital and then donated to the local community. In addition to conventional medical care, it offers dental and counseling services at 751 Lombardi Court, off Sebastopol Avenue near Stony Point Road.

General Plan Approved

WINDSOR By a 3-2 vote, the Windsor Town Council has approved a new general plan that will allow the town to nearly double its present population to 35,000 residents over the next 20 years. Dissenting council members Sam Salmon and Lynn Morehouse especially objected to plans to annex 267 acres north of Arata Lane, an area that would hold 660 new homes. That annexation is also opposed by Healdsburg and may be challenged before LAFCO (Local Agency Formation Commission).

Big Box Closing

ROHNERT PARK The 108,000-square-foot Price Club store west of Highway 101 will close at the end of the month, a move that will cost 119 jobs and annual local sales-tax revenues of up to $300,000. Company officials say the store, which opened in 1991, never achieved sales projections, and it apparently took in half or less of the average member of the chain. City leaders are scrambling to find a new tenant for the huge space, but no candidates have been named yet. Price Club and Costco merged last year and the company has been consolidating ever since.

Salmon Season Cut

WASHINGTON D.C. The National Marine Fisheries Service has announced plans to reduce the ocean salmon catch in the North Pacific by half in order to protect the endangered Chinook run in the Eel River.

SHORT TAKES
A fire that destroyed the train station at Howarth Park early Sunday, causing about $80,000 in damage, apparently was set by an arsonist. . . . Rohnert Park planners have given their OK to a new 16-screen theater complex to be built next to Double Decker Lanes, across from the Red Lion Hotel, despite the complaints of nearby residents that it will worsen an already bad traffic situation there. . . . County supervisors will spend $400,000 of open-space money to buy 21 acres next to Cardinal Newman High School that will be used for public playing fields. . . . Cyclists, skaters, and skateboarders can no longer ride on downtown Santa Rosa sidewalks. That’s becoming a ticketable offense.

From the Mar. 21-27, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Mark di Suvero

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Weight and Balance

The work of Mark di Suvero explores the edges of space

By Gretchen Giles

Long slabs of rusty steel lie mute on the ground, some piled one atop the other, some bent and cut with sinuous, curved lines. Iron oxide has altered the metal so that its harsh surface now has the soft warm quality of leather or strips of clay. Amid the mud and new grass, the forge, and two idle cranes, an enormous unsettled sculpture stands smack, reaching up to a central knot and then exploding in a radii of invisible energy up to the sky. Stand under the work and the unused kinetic force of its six-some tons pulses like an oxide aura.

“I think that some people see it, others don’t,” Lowell McKegney offers briefly. A tall, strong man, McKegney has been working with renowned sculptor Mark di Suvero for the last 20 years. Standing amid the muck of di Suvero’s Petaluma studio site, McKegney gestures to the piece looming over our heads. “There’s a strength to them, there’s a grace, for the size and the scale and the material.”

Whether or not one feels the metal mantra that emanates from his work, it’s hard to miss a piece by Mark di Suvero. As the foremost living sculptor of steel in the United States (and the world), di Suvero creates pieces that indoors could push the ceiling of an airplane hangar, while outdoors they redefine the seeming limitlessness of space, causing air to cling and cut out around them. While he has worked on the smaller scale of the tabletop, most notably on a series of hands terribly gripping nails or an awful nothing as they spring up from their bases, di Suvero is best known for his freestanding outdoor sculptures, such as the new installation recently planted below the torn-out ruckus of San Francisco’s Embarcadero freeway. What’s more, for all of their weighty dignity, di Suvero’s sculptures often do a surprising thing. They move.

Balanced on the fine point of a rod or hanging down from the stiff arm off an H-beam, these structures are meant to examine the delicacies of balance, to let the wind define caprice, and to swing with a determined gravity around their partners, letting loose the pent-up ions of hundreds of pounds of steel.

With his work in the permanent collections of New York’s Whitney Museum (which hosted an unprecedented one-man retrospective of his, placing his massive works in each New York City borough) and the Museum of Modern Art, di Suvero’s steely vision can be found in most major cities in the United States. He has had the honor of being given the only one-man show by a living artist at the Jardin de Tuileries–the gardens that front Paris’ Louvre–and has used his influence and funds to begin the Socrates Sculpture Park, sprawling adjacent to his New York studio, an outdoor exhibition space for those international artists whom di Suvero cultivates and assists.

And with most residents none the wiser, di Suvero has been changing the nature and expectations of the art world right from Sonoma County. While maintaining his county-based site, di Suvero now works primarily now from his East Coast studio, which lies flat against the gray glint of New York’s East River. When not in the states, di Suvero plies his heavy metal in Chalon-sur-Saône, France, in whose river he swam to recover from an injury that confined him to a wheelchair for several years.

At age 63, di Suvero walks without a cane, and one senses that the lingering problems from his former paraplegia are small compared to what this man can do when he sets his mind to it.

But what he wants to do now is to take orders for cappuccinos as he stands happily–his blonde-gray beard evenly clipped, his welding helmet discarded–before the coffee machine of his chaotically neat New York studio.

He dismisses the idea that his work, which unbolts and travels hugely around the world, encompasses both the memorial and the transient. “It certainly is not just taking bolts out,” he retorts. “And next to a mountain, it’s really nothing. We’re used to all kinds of motion, and it seems that the kind of sculpture that I take part in is really about a kind of knowledge about the material. Simply to treat steel as if it were a lumpen rock that can’t be moved, well, that’s their vision of it. I think that it is a really protean material. There is no single shape. When you look at Brancusi, you see that he was searching for the essential form of stone. I tried that, but the steel doesn’t have one essential form. He ended up with an essential form that is very spiritual and very moving. I tried and I found that there is one of those shapes in this H-beam that I work with that allows all of these skyscrapers to be built.”

Di Suvero bends his steel and prefers to use the strength of a crane to master the curves of his finished pieces rather than chance the hot unevening of metal. “You have to kind of go with it,” he says affably. “You listen to the form, and you deal with the dream that you have, the inner vision, the mind’s eye aspect of it, and then you have to see what it wants to be when you go and do that. I don’t think of it as a combat, you know, man over material, though the sounds are terrible–the grinding, the running of the diesel. But it takes a certain kind of willingness to accept the way that [the material] wants to go.

“And then it gives you a kind of, I don’t want to say power, but it gives you a kind of a freedom of form that seems not normal, but is really very Taoist. You understand that in Sonoma,” he laughs.

Part of di Suvero’s power comes from the free swing of his giants, as they turn in the breeze. “You’re dealing with what isn’t seen,” he explains. “Ballerinas do it. Surfers do it. It has to do with the center of gravity. As any good dancer knows, you can pull the center of gravity outside of yourself. Then you’re able to handle something else.”

Having stated in past interviews that he doesn’t believe that art should be a struggle, di Suvero nonetheless has struggled all his life against his very materials, the politics of war (he was jailed for protesting Vietnam and chose to live in exile until the conflict ended), and physical disability. Does he think that these struggles have had a positive effect on his art? “No, I don’t think that struggle makes it flourish,” he answers definitively. “I think that when you have the right forms and you come into tune with those forms that that is what can develop your spirit.”

From the Mar. 21-27, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Steve Riley

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Ragin’ Cajun


Philip Gould

Steeped in tradition: Louisiana accordionist Steve Riley and the Mamou Playboys offer Cajun songs celebrating the bayou country’s fertile musical soil. They perform next week at the Powerhouse Brewing Co. in Sebastopol.

Young’uns embrace the bayou country’s old ways

By Greg Cahill

“It’s weird because we had a long talk about this the other night,” says singer, accordionist, and fiddler Steve Riley, during a phone call from his home in Mamou, La. “it’s like the bands around Lafayette play Cajun music in a slightly different way than folks in Mamou or Eunice. The rhythm is a little more, uh, squared off; there are more corners. For us, it’s more like a wave–it’s rounded off a little bit more.

“You have to listen really closely to tell the difference.”

There’s no question that Riley, 26, is into Cajun music–really into Cajun music. Not the slick swamp-pop played by young bloods like Zachary Richard or Roddie Romero, who Riley complains is aspiring to be the Michael Jackson of Cajun music, but the authentic down-to-bayou sound crafted by such Cajun legends as the late Dewey Balfa and D. L. Menard.

Riley is to Cajun music what Space Hog is to ’70s-style hard rock, neo-traditionalist Dwight Yoakum is to country, or rebopper Wynton Marsalis is to jazz.

“It’s the music that moves me,” says Riley, who plays a single-row, 10-button diatonic accordion made by his cousin, Marc Savoy, a legendary Cajun music revivalist. “I’ve played rock ‘n’ roll before and it just doesn’t do anything for me. I get a kick out of just playing guitar, triangle, and accordion. I love that traditional stuff.”

Riley has recorded with everyone from Cajun great Michael Doucet to Paul Simon. His five albums for Rounder Records, including 1995’s La Toussaint, resonate with the sounds of the past, establishing him as the pre-eminent young Cajun revivalist. They feature covers of classic tunes by Balfa and Clifton Chenier. And sometimes Riley even plays the Old Man, the fiddle Balfa used on most of his legendary recordings. Those tracks ring with an eerie likeness that even fool close friends of Balfa’s into believing the master has returned from the grave.

The musical similarities between Riley–who studied with Balfa for nearly eight years–and Balfa is uncanny. Riley recalls: “Dewey told Peter [Stone] and me, ‘Man, I got to cut out teaching you guys, because you all sound more like me than I do.'”

At 15, Riley first met Balfa–whose appearance with the Balfa Brothers at the 1964 Newport Folk Festival kindled the Cajun music revival–at a house party one night. The two hit it off immediately. Even then, Riley was an up-and-coming musician who had picked up the accordion at age 7 and had long admired Balfa’s lively bare-bones arrangements.

Their relationship went far beyond academic interest. “When I was young, my grandfather died. I was closer to him at the time than to my own parents. It was a real hard to lose him.” Riley says. “Dewey reminded me of him. He really cared. He was kind and gentle. He always made time for me.

“He had a big heart and was very giving.”

Balfa recognized that Riley had a soft spot for his old-timey sound, but he also instilled a love for experimentation. “He gave me this huge background and put me on the right path. He said, ‘If you want to go down a side road now and then, go ahead.’

“So we can play a song like ‘Choo Choo Choo Boogie,’ but we’ll always come back to the traditional songs. It’s the music closest to our hearts.”

Steve Riley and the Mamou Playboys perform Saturday, March 30, at 9 p.m. at the Powerhouse Brewing Co., 268 Petaluma Ave. (Hwy. 116), Sebastopol. Tickets are $7 advance.

From the Mar. 21-27, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

‘Lawrence of Arabia’

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Desert Icon


The thin gold duke: Peter O’Toole, pre-alcohol and ‘Zulu Dawn’.

‘Lawrence of Arabia’ returns to the big screen in all its glory

By Zack Stentz

Critics have always been suckers for epics. Witness the inexplicable respect given to Legends of the Fall or the unprecedented number of Oscar nominations bestowed upon the barely watchable Braveheart. A low-budget independent film with dialogue as shoddy and history as sloppy as Mad Max’s directorial opus would be laughed right out of the art house. But throw in exotic locations, period decor, a bloated running time, and, most important, numerous crane shots of thousands of extras, and suddenly the critics start dusting off comparisons to De Mille and, of course, to David Lean.

All the more reason to head to the theater and see the restored version of Lean’s own 1962 masterpiece, Lawrence of Arabia. Ranked with most critics alongside Dr. Zhivago and Bridge on the River Kwai as the best of David Lean’s films, in my mind Lawrence surpasses even the other two. Stripped of the William Holden war-movie heroics that muddled the narrative in Bridge on the River Kwai and the knee-jerk anti-Communism that besmirched Dr. Zhivago, Lawrence of Arabia instead keeps its attention focused on the titular character of soldier/explorer T. E. Lawrence (Peter O’Toole) and his efforts to rally Arab forces against the Ottoman Empire during World War I.

Painstakingly restored in 1989 (the restoration process took 19 months, one month longer than the film’s original production), the finished product is the 223-minute film that Lean intended, not the chopped 187-minute version known to most audiences.

In one of the finest performances of his career, O’Toole (heartbreakingly beautiful and incongruously fragile-looking, like a young, sun-kissed David Bowie) masterfully depicts Lawrence’s struggles with the imperial mandate given to him by London, the rising tide of Arab nationalism he helps unleash, and his own growing messiah complex. Amid the film’s sweep of conferences, ambushes, and forced marches through the desert, a tantalizingly complex and not altogether likeable portrait of Lawrence emerges.

More sympathetic is Lawrence‘s take on its many Arab characters. This might seem like a minor point, but when set beside the vicious anti-Arab racism that has characterized Hollywood fare from Exodus on up through True Lies, a film that features intelligent, dignified Arab characters and treats with respect their national aspirations seems downright radical. (Turks, on the other hand, fare less well in Lawrence. They can add this to Midnight Express and From Russia with Love on the list of celluloid slurs committed against their fine nation.) The Kingdom of Jordan, where Lawrence was filmed, cooperated in the film’s making because King Hussein’s Hashemite ancestors were flatteringly portrayed. But then, who wouldn’t want to see one’s grandpa played by Omar Sharif?

But politics and culture aside, it is Lean’s images that remain burned into the mind’s eye long after one leaves the theater. And those images are indelible precisely because they’re done not to show off the mega-budget or the cinematographer’s prowess, but to illuminate the deeper meanings of the film.

A panoramic shot of a lone human figure squashed in the corner of a vast sea of sand and sunlight doesn’t just look cool, it perfectly illustrates the futility of human struggle and achievement in such a hostile environment. It’s a cinematic version of Shelley’s “Ozymandias,” and proves that Lean knew well what Mel Gibson and his ilk have yet to learn: that it’s a lot easier to fill the big screen with magnificent images than to have those images actually mean something. Other directors have dutifully aped Lean’s visual style, but they’ve left his heart and his brain back on the desert sands.

From the Mar. 21-27, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Mean Streets

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Mean Streets


Janet Orsi

A rock and a hard place: Kathy Ferrell and her husband, Stan, manage two buildings in the Apple Valley neighborhood. She complains that life is growing more dangerous there.

They don’t deliver pizza to Apple Valley Lane after dark. But that’s the least of the worries for residents of Santa Rosa’s most crime-ridden neighborhood

By Dylan Bennett

Bam-bam. Bam-bam-bam-bam. Two bursts. Six shots. The piercing snap of gunfire in the night is routine for Santa Rosa resident Kathy Ferrell, and so is fear. “Of course I’m scared,” she says. “What goes through your head is: I just hope a bullet doesn’t come up here and hit my daughter. I pray every night that it doesn’t hit one of the children.

“How doesn’t somebody do something about it?” she asks. “I mean, the police are down here all the time, but always after the fact. I guess that’s the way it is with crime. I, myself, as a person, am fed up.”

Living with crime is just part of Ferrell’s frustration. Inside her apartment the kitchen stove doesn’t work. For a year only the small left-rear heating element on the electric range has functioned. Her bathroom sink leaks into the subfloor; the cabinet is swollen, water-logged, and moldy. Linoleum buckles and tears. From the bathroom leak upstairs, the living room ceiling decays.

Out on the streets, bursts of gunfire sporadically ventilate the night, teenagers peddle bags of cheap dope, suspicious figures drink booze in the shadows. And stabbings, beatings, and dirty needles in the gutter are a common part of life.

Santa Rosa police say Ferrell’s low-income neighborhood–just a mile or so west of Coddingtown–has the worst crime in the city. It’s a place where bad living conditions and crime feed off each other. It’s not Southpark, Roseland, or West Ninth Street. Rather, it’s the neighborhood surrounding the idyllically named Apple Valley Lane, a small rental city on a dead-end street with hundreds of residents, yet without a park, playground, or community center. Apple Valley Lane butts up against Papago Court, another dead-end street with crime-ridden apartments.

A roll of concertina wire with razor-sharp barbs adorns the top of a cyclone fence separating the two complexes.

Here in the heart of upscale Sonoma County live poverty, ugliness, crime. The people who call this home are poor. They are field workers, cooks, dishwashers. They are the disabled, the under- educated, single mothers on welfare, parolees, and immigrants. They landscape or work in local nurseries, chicken-processing plants, and wineries. For most, English is a second language at best.

Apple Valley Lane and Papago Court form a civic Rubik’s Cube with a hard-to-solve formula. At the end of a long, indirect transit bus ride, the residents live in drab, shabby, rundown, and badly designed two-bedroom apartments. Tenants pay from $550 to $700 per month, many for units with serious maintenance problems. The basic ability to rent with no questions asked makes the neighborhood a magnet for dope dealers, violent gangs, parolees, and troublesome outsiders, who all contribute to a high-profile crime zone.

“They don’t do credit checks here. Show ’em money and move in,” says one resident, who asks not to be named. “And then they wonder why the neighborhood is so bad.”

The city of Santa Rosa insists the property owners cooperatively manage rentals with higher standards and also maintain the properties up to code. Owners generally say the real estate market, high taxes, and utility rates leave no money for improvements. Some also say the city should provide rental subsidies to residents and that it has failed to deliver adequate police and human services to the people of Apple Valley. That debate carries on in a low-intensity battle of red tape and paperwork far removed from the lives of most residents.

On the street, people talk mostly about crime, cops, and the bad deal on the rent: cheap but crummy.

Kathy Ferrell is a straight-talking partisan for the poor, well-intended people who live around her. She points her verbal finger at a notorious property management executive: “sleaze bag.” Kathy and her husband, Stan, manage two buildings on Apple Valley. They moved in with their young daughter when times were tight and Stan was in job training. Today he has a good job as an electronics technician. Kathy works as a home-health nurse. They can afford to leave now, and often they want to. But for their sense of mission to make a difference, they’d be long gone.

“We’re trying to help the community because we understand the economic situation these people are in,” says Stan. “There’s a lot of kids who won’t make it in the present situation. Someone has go to help them see a different light than what they are seeing, so they know they can make a difference. That’s why I am still here. If I could be here one day or one year to help one kid, then it’s worth it.”

On the pavement, big gray garbage cans lie toppled like giant bowling pins bulging with stinking garbage just a few feet from somebody’s front door. Beer cans, broken glass, stray grocery carts, and a deep ecology of litter dirty the grounds. Carports rot. Rough parking spaces become muddy ponds in the rain. Drainage is atrocious. Skeletons of dead fences gaze up at haphazard tree forts built from stolen fence boards. Lawn space is scarred by human and vehicular traffic.

Inside the apartments, problems are commonplace. Literally everyone speaks of serious cockroach infestation. “Not just small ones either,” says a young black man. “As big as this,” and he holds up his thumb and index finger to indicate about two inches. “Big fat beetle cockroaches.”

Overcrowding with up to eight people in a two-bedroom apartment is normal and wears hard on appliances and plumbing. Out on the sidewalk, members of a cast list of formal gangs fight turf wars, deal drugs, and play an ongoing game of “tagging” their initials on fences and walls.

Enter City Hall. Two years ago the city went looking for trouble. Housing officials sought out “characteristics of distressed neighborhoods” in an effort to pre-empt growing social problems. They found Apple Valley Lane, where 178 units stand on 43 different properties and have 27 separate owners, a high-population density, and mostly absentee landlords who rely on rental management companies. Not a single owner of Apple Valley property actually lives there. A virtual absence of pre-screening guidelines creates a revolving door for bad tenants who hold the neighborhood hostage to public disturbance.

The city’s prescription: Create a housing owners’ association to enforce strict screening procedures and property maintenance. These measures–plus the redesign of entrances, yards, and windows to give more privacy–have been successful in turning around other at-risk, high-crime neighborhoods in California.

The carrot came last fall. The city offered low-interest, deferred-payment rehabilitation loans to owners. The stick: enhanced building and fire code enforcement, and the threat of nuisance suits. The catch: to get the easy money, property owners must enter into a mutual-benefit association with the city to guarantee screening and up-to-code living standards.

As of today, no loans have been issued. Those pending have “stalled out.” Few fire safety citations and no extra building inspections have occurred, although an inspection blitz is scheduled to begin this month.

A dwindling number of tenants attend periodic crime-elimination meetings located downtown and predominantly composed of cops, city bureaucrats, and defensive property owners. While some owners do, in fact, form a loose association, the kind of cooperation City Hall desires remains a fantasy. At last month’s crime-elimination committee meeting only one property owner attended.

“I don’t see any real evidence of owners establishing a system to manage the buildings that is substantially better than the past,” says housing official Steve Burke. “The city has a standing offer to the owners. In the meantime, the residents are the real owners.”

Burke notes that while fully half of Santa Rosa’s housing funds available for low-income housing have been earmarked for Apple Valley Lane, housing funds are limited.

“In 1976, we had 1.8 million federal dollars and a population of 65,000,” he explains. “Today, we have from $800,000 to $1 million for a population of 130,000, and expectations are greater.”

Meanwhile, policemen in Zone Three spend 70 percent of their efforts on Apple Valley Lane, a community that a-mounts to a mere 5 percent of their total area.

And now for the rest of the numbers. SRPD Sgt. David Hayes says the “three short streets” of Apple Valley Lane, Papago Court, and a strip of West Steele Lane generated 1,529 calls for police service in 1995. There were 336 crime reports from police officers written on 165 physical arrests, 93 traffic violations, 91 cite-and-release misdemeanors, and one murder.

Police officials say violations for alcohol and small non-dealer amounts of marijuana are handled with a misdemeanor, cite-and-release ticket. Physical arrests are for fighting, intoxication, outstanding warrants, weapons violations, and even small amounts of methamphetamine, crack, and heroin.

Crime in Apple Valley adds up to numerous small-time drug dealers selling marijuana, methamphetamine, cocaine, crack, and more recently heroin. Often, young kids act as couriers between dealers and buyers. Ironically, when you ask beat cop Mike Akin which street drugs stimulate the most disturbances, he says “alcohol,” which is easily available to both adults and minors at a convenience store on West Steele Lane, thanks to a flourishing post-retail economy of adults who buy booze for kids.

With drugs and alcohol come fights, loud parties, gangs, and, most serious, gunfire.

“At first when I heard shots, I wanted to run away like a rabbit,” says Connie Alaniz, who lives on Papago Court. “Now, the shooting is just normal. Just last night there were two bursts. Five shots, then six shots.”

Tall, blonde, and gung-ho, patrolman Akin, 29, has a Captain Kirk-like passion to get the bad guys. His ability to speak Spanish makes him a rare breed on the force. From 5 p.m. to 2 a.m., Akin patrols the streets, carports, and backyard driveways that filtrate through a maze of close dwellings. The area is caged in by railroad tracks to the east, a creek to the north, and Papago Court to the west, and opens up to Steele Lane to the south. The layout makes surprise approaches impossible, es-cape easy, and pursuit perplexing.

Riding in a patrol car with Akin late at night, one sees clusters of teenage girls hanging out at the local 7-Eleven. Akin says one night he found a 3-year-old child unattended at 2 a.m. in the street. He describes his beat as “frustrating,” but obviously enjoys the challenge.

“An officer sees known drug-dealing gang members hanging out at the pay phones, but these people have a ‘reasonable expectation of privacy’ by law, so the police can’t just search them,” Akin says.

Getting searched in Zone Three, however, is not difficult. A minor violation of law provides justification for “patting down” suspects, and these searches often reveal much. Three Hispanic men drinking beer as they walk on the sidewalk are apprehended for public drinking. A search reveals a small baggie of green marijuana buds, and Akin gets busy writing three tickets for possession–another cite-and-release misdemeanor arrest. The men wear large black-and-blue plaid shirts, harbor angry eyes, and offer insults and expletives at the arresting officer. The scarred and denuded surrounding lawn is filled with empty 40-ounce malt liquor bottles.

But it’s not the pot that primarily concerns Akin. A friendly, humorous fellow to ride-along journalists, he dons a no-games fighting face with the enemy. In this case, gangsters. The tickets are less about pot and more about what Akin calls “preventative maintenance.”

Akin is an officer of philosophy as well as action.

“I think society has lost its sense of simplicity,” he says. “In commercial society you’ve got to have that Nike Starter jacket. Television pushes products on the middle-class, and the lower-class wants them too, so how do they fulfill their desires with no money? Crime.”

Meet the PSC. “Purros Sureños Cholos”–Pure Southern Gang-sters. Blue is their color. Thirteen is their number. Papago Court is their turf, according to local police. And they all come from Mexico. Introducing VSL: “Varrio Sureños Locos”–Local Southern Crazies, the “redraggers.” Four-teen is their number. And don’t leave out VSRN. “Varrio Santa Rosa Norte”–Northern Santa Rosa Neighbor-hood, a racially mixed group. Of course, there’s PL, “Pachucho Locos”–Crazy Home-Boys. Lately, gang-style graffiti are on the rise and a new gang has introduced itself to the local turf. This year already, two drive-by shootings occurred.

So what do gangs do? According to Akin: “shooting, stabbing, and beating the hell out each other, drug use, auto theft, and disruptive behavior.” Wea-pons include plenty of firearms, yet most fighting occurs with clubs, baseball bats, and knives. “We have a lot of gunshots, but not a lot of shooting victims,” says Akin. “We don’t have a gang problem like they do in L.A., but we do have gang-related homicides.”

Summer is the worst. “As the heat increases, alcohol consumption presents a major problem,” says police Sgt. David Hayes. “As the night drags on, there are more fights and assaults with knives and bottles.”

From kids on the street to cops on the beat, people say the PSC rule the roost at the Papago Court apartments. A large, blue spray-painted version of “PSC” adorns a brown wooden fence at the entrance. Unlike other graffiti, these three-foot letters don’t get crossed out by rivals.

The apartments owned by Thomas Glenn are in bad shape. Deep potholes in the parking area act as inverted “speed bumps.” Two-story brown plywood structures are arranged in a large rectangle around bruised, battered, leaky carports.

Glenn says the claims of PSC dominance here are false and reek of “McCarthyism.” On the swing shift, Akin says “the owners don’t have a good sense of what’s going on.”

To reach a second-floor apartment on a frigid rainy night, one treads up uncertain wooden stairs and beholds unsealed plywood decking: soggy, broken, and slippery. Beside the concrete walkways simmers a stew of cigarette butts, beer cans, and miscellaneous bits of garbage. “The good part is the rent is reasonable,” says an old Mexican lady in Spanish. “Bad part is some people are bad.”

The good part, numerous residents suggest, is a sense of community that perseveres. “The bad part,” says a shy, underemployed man named Lee, is “the gangs, violence, the owners that don’t care, the people who don’t care. They fight, shoot guns–you name it. All that vandalism, graffiti, dirty needles still dripping blood. Up and down the street, heroin, cocaine, speed–you name it.”

What most property owners have in common in Apple Valley is their absence. Those engaged with the rental community and city program range from civic princes to those with a bad reputation. A man named Duncan Soldner is widely acknowledged as a model landlord. His units are well-maintained, landscaped, and free of graffiti; police say that little to no trouble comes from these apartments.

Thomas Glenn owns the rundown units on Papago Court and several buildings on Apple Valley Lane where Stan and Kathy Ferrell are the on-site managers. No one has nominated him for coronation, but he is one of just a few in negotiation for rehabilitation loans.

When asked, Glenn says Kathy Ferrell, deserves a kitchen stove that actually works. “I am responsible. When you buy property, you’re responsible for the upkeep. I agree the homeowner is totally responsible for decent housing.”

At the same time, Glenn and others like Sherman Campbell of Apple Properties feel Apple Valley has been “redlined” by the city. Between a rock and hard place, Glenn says fire and building code inspections, which are required to get the rehabilitation loans, make it difficult to get refinancing from banks, create a problem with fire insurance, make it harder to evict bad tenants, and cause decent owners to lose property value.

The man who gets repeatedly criticized by the Apple Valley community for bad management is Sherman Campbell, who both owns properties on Apple Valley Lane and manages a number of buildings under the auspices of Apple Properties.

“Sleaze bag,” exclaims Kathy Ferrell. “He doesn’t properly screen tenants. He only collects rent. The units get rundown and tenants don’t care about units because he doesn’t do anything to fix them up. That kind of management attracts drug dealers who just need a spot. Campbell leads other owners against the city. He blames the police, but the police are around a lot with 4 a.m. walk-throughs. The cops do a good job.”

Campbell contends that the lack of constant police presence is to blame for the high crime and declining rental revenues. He is not alone in his demand for a police substation on West Steele Lane, but, unlike others, he makes “continuous police patrol” his single hard-to-meet demand.

For his part, Campbell says his screening process is “more thorough than most.” Not only Kathy Ferrell disagrees. Campbell once managed Glenn’s Papago Court properties. But no longer. “Sherman Campbell didn’t screen well. He charged too much for his services, his renting criteria were not strict, and he put questionable people in units,” says Glenn.

Additionally, Campbell thinks the push to upgrade “cosmetics” is off the mark.

“The city is of the point of view that if the buildings look a little rundown, then crime will move in,” says Campbell. “Addressing cosmetics is not solving the crime problem. It’s like playing the fiddle while Rome burns. What will be accomplished with better cosmetics? I don’t think it will have any effect at all.

“I’m of the opinion that our buildings are up to code. When things are not working, it becomes an acceptable premise not to pay rent. It’s not an option not to maintain working refrigerators, plumbing, and stoves. Units must be inhabitable or the tenants could literally go on a rent strike.”

Evidence suggests that in some cases on Apple Valley Lane, Campbell is incorrect and that “cosmetics” are actually substandard living conditions that attract substandard tenants. A rent strike is unlikely by a population unversed in rental justice, yet the locals know what they want.

Both owners and tenants point to Roseland as a community that did it right. That southwest area of Santa Rosa has a sheriff’s substation, human services like Sonoma County People for Economic Opportunity, Head-start, and an immigration office. People want these things for Apple Valley also.

Stan Ferrell, for one, has an optimistic vision of the future for Apple Valley. He dreams of a community center, senior services, parenting classes, counseling for domestic and alcohol abuse, child care, youth programs, sporting activities, dances, food banks, clothing banks, and vocational training–and improved housing, landscaping, and practical transportation.

For today, Stan’s vision is only a dream and his wife’s patience is wearing thin.

“I don’t want my kid to see this no more,” Kathy fumes. “It’s gotten worse in the last few months. It’s not even summer yet and it’s getting hot and crazy around here. I tried and I tried, and now all the good people are talking about moving. It’s gonna be a whole neighborhood of crime.”

From the Mar. 21-27, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Talking Pictures

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Bird-Brains


A ‘Bird’ in the fist: Author Leslea Newman found ‘The Birdcage’ to be condescending and redolent of old anti-gay stereotypes.

Lesbian author trapped in ‘Birdcage’

David Templeton takes interesting people to interesting movies in an ongoing quest for the ultimate post-film conversation. This time around, David calls up outspoken writer Leslea Newman (Heather Has Two Mommies) to discuss the new film The Birdcage, a broadly played farce about a gay couple who agree to play straight for one excruciating evening.

So there I was in the theater last night,” describes the voice on the phone. “And I was watching the movie, and I was trying to gauge the audience. It was a full house, and I just kept wondering what these people were laughing at. I mean, were they laughing with the fags or at the fags?”

Leslea Newman is speaking from her home in North Hampton, Mass. After two months of bicoastal phone tag, we’ve finally found a movie that (a) deals with gay or lesbian relationships and (b) is playing at both ends of the United States. We settled on The Birdcage, a remake of the French farce La Cage aux Folles, about two gay men (Robin Williams and Nathan Lane) who have raised a son, now 20 years old; when he asks them to play straight for one evening, hiding their homosexuality from his fiancée’s ultraconservative parents (Gene Hack-man and Diane Wiest), they can’t say no. It’s what Guess Who’s Coming to Dinner would have been like had the daughter asked Sydney Poitier to pretend he was white.

“I actually talked to someone this morning,” Newman continues, “who saw the movie in Springfield, very different from North Hampton, though it’s only 15 minutes away. And he was sure the audience was reacting in a homophobic manner. They were laughing, but they were laughing at the spectacle of it.”

“Sounds like you didn’t much like it?’ I suggest. “Oh, I didn’t,” she agrees. “And I really wanted to.”

Leslea Newman is such a prolific writer that some have referred to her as a “one-woman cottage industry.” Though best known as the author of the groundbreaking children’s book Heather Has Two Mommies (a widely publicized target of conservative Republicans, it is in truth quite charming and sweet), Newman has also produced 20 volumes of poetry, fiction, self-help, and inspiration.

Her latest, My Lover Is a Woman: Contemporary Lesbian Love Poems (Ballantine, 1996), is a stirring, stunning, funny, sexy, politically charged, and uplifting assemblage of poems featuring the work of 126 lesbian and bisexual women from around the globe.

“Sometimes I try,” Newman continues, “to just check my politics at the door and enjoy the movie, but it doesn’t work, you know? This movie made me really sad, that in this day and age these parents were willing to devalue their lives so much for the love of their son, and I know it was a farce and I know that without that you wouldn’t have had a movie, but . . .” There is a long pause. “When Albert [Lane] walks out dressed in that suit, and everyone was laughing, I just wanted to cry.

“It made me wonder how this kid could grow up in this family, a warm, affectionate family, and then turn out this way. I guess all kids rebel against their parents in some way, but he was horrible to them. I would think that if he felt this strongly, he’d just say that his parents were dead.”

“But by asking them to play it straight . . . ?” I ask.

“He’s asking them to agree that there’s something to be ashamed of.”

“Some would say,” I suggest, “that the importance of this movie is that, with so many people, straight people, going to see it, it’s bringing them one step closer to being comfortable with the presence of homosexuality.”

“I don’t know about that,” she replies. “What I really felt like doing last night was doing an exit poll and asking people what they thought. What would they do now if they saw a really queeny guy walking down the street? After this movie, would they think any differently of him?”

Aside from the political aspect, the lack of movies with believable gay men and the even greater absence of screen lesbians have taken a personal toll on her, Newman explains. “We’re constantly translating. Every love story we see, we translate it into our own experience, and you get used to that. So when I saw a movie like, oh, The Incredibly True Adventure of Two Girls in Love [a small independent film, released last year], it blew my mind. I didn’t have to translate! It was just . . . two girls in love.

“I came out of that theater singing,” she laughs. “Like I never had before.”

From the Mar. 21-27, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Usual Suspects

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Usual Suspects

Primary Colors

With the March 26 primary on the horizon, the B.S. is flying fast and thick. Most of it this week has been aimed at Monica Marvin, the Democratic Party’s endorsed candidate in the 1st Congressional District race. On Monday, candidate and former San Francisco Supervisor Carol Ruth Silver dropped by this office to, well, shall we say demand that we take a look at her latest TV ad, belittling Marvin as a prima donna. Silver, a born-again Healdsburg resident who has been branded by the local pundits as a carpetbagger, also is going out of her way point out that Marvin is taking huge sums of campaign contributions from outside of the district. Indeed, the latest figures from the Federal Election Commission show that Marvin–a small business lawyer from St. Helena–has gathered more greenbacks than any ambitious carpetbagger could carry in one small satchel. Her receipts total $232,090. Of those contributors listed in the latest report, outside donors outnumber local ones by nearly six to one. And where is all that outside money coming from? Members of EMILY’s List, the Washington, D.C.-based group that helps fund pro-choice Democratic women running for Congress. Marvin, who a lot of Demos hope will unseat Rep. Frank Riggs, R-Windsor, is one of six such candidates this year to be included in a mailing to EMILY’s (the acronym stands for Early Money Is Like Yeast) 35,000 members nationwide. While the organization itself has kicked in about $4,600, its members have generously opened their wallets, sending in checks from as far away as Maine and Florida, where it’s a safe bet nobody has ever heard of Marvin. All that EMILY’s List cash is causing fellow candidate Dennis Chunning to grouse. On Monday, he fired off a fax accusing Marvin of soliciting illegal campaign funds by asking supporters who already had sent the $1,000 maximum contribution allowed by the feds also to send a check to EMILY’s List earmarked for Marvin, thus circumventing the FEC policy. Not so, says EMILY’s List spokesman Frank Wilkerson. The document in question–a two-page candidate profile–originated with EMILY’s List. Any checks made out to Marvin’s campaign and sent through the group are then forwarded to her campaign and reported to the FEC. “Despite Mr. Chunning’s best efforts to paint this as a nefarious conspiracy, I’m afraid there isn’t one,” Wilkerson says with a loud laugh.

He’s Outta Here

Judicial candidate Don Kocalis has bailed out of the race to fill retiring Superior Court Judge Rex Sater’s vacated seat. On Friday, a local newspaper reported that Kocalis had rushed to complete his DUI probation, stemming from a 1991 arrest in which Santa Rosa police had found marijuana in his car, and that a messy six-year Santa Cruz divorce and child-custody dispute between the candidate and his former wife had alleged that Kocalis had physically abused his son. Then Kocalis and rivals Mark Tansil, a Municipal Court judge, and Lawrence Buchanan, a Healdsburg attorney, appeared that morning on Alan Stock’s KSRO radio talk show. A caller said she was upset by the DUI story and wondered if Kocalis had “lied” about anything else. Chuckles all around as Stock explained that if Kocalis were hiding the truth, he surely wouldn’t reveal that now. Then the same caller asked the other two candidates if they had ever seen Kocalis drinking heavily at campaign functions. Pause. Well, said Buchanan, actually he had seen Kocalis shit-faced on a couple of occasions and doubted if Kocalis could have passed a field sobriety test. Pregnant pause. Then Tansil simply said that he hadn’t been looking for that type of behavior and had no comment. A stunned Kocalis later denied Buchanan’s allegations, but not before claiming that he had seen Buchanan stewed at the recent Democratic crab feed. Phew! On Saturday, Kocalis announced he had quit the race in the best interest of his family. His name still will appear on the ballot. Meanwhile, Tansil scored big points on the radio debate just for showing good taste in the midst of all that shameless mudslinging.

Do as I Say . . .

Call it the “guilty but with an excuse” plea. Michaela Alioto acknowledged this week that, yes, she had been registered in San Francisco but had not voted in the ’94 and ’95 elections, as rival congressional candidate Monica Marvin revealed last week. We assume Alioto will vote next week.

From the Mar. 21-27, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Polly Klaas Foundation

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Desert IconThe thin gold duke: Peter O'Toole, pre-alcohol and 'Zulu Dawn'.'Lawrence of Arabia' returns to the big screen in all its gloryBy Zack StentzCritics have always been suckers for epics. Witness the inexplicable respect given to Legends of the Fall or the unprecedented number of Oscar nominations bestowed upon the barely watchable Braveheart. A low-budget independent film with...

Mean Streets

Mean StreetsJanet OrsiA rock and a hard place: Kathy Ferrell and her husband, Stan, manage two buildings in the Apple Valley neighborhood. She complains that life is growing more dangerous there.They don't deliver pizza to Apple Valley Lane after dark. But that's the least of the worries for residents of Santa Rosa's most crime-ridden neighborhoodBy Dylan BennettBam-bam....

Talking Pictures

Bird-BrainsA 'Bird' in the fist: Author Leslea Newman found 'The Birdcage' to be condescending and redolent of old anti-gay stereotypes.Lesbian author trapped in 'Birdcage'David Templeton takes interesting people to interesting movies in an ongoing quest for the ultimate post-film conversation. This time around, David calls up outspoken writer Leslea Newman (Heather Has Two Mommies) to discuss the new...

Usual Suspects

Usual SuspectsPrimary ColorsWith the March 26 primary on the horizon, the B.S. is flying fast and thick. Most of it this week has been aimed at Monica Marvin, the Democratic Party's endorsed candidate in the 1st Congressional District race. On Monday, candidate and former San Francisco Supervisor Carol Ruth Silver dropped by this office to, well, shall we say...
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