Wastewater Privatization

Sewer Stink

By Bruce Robinson

WHILE SANTA ROSA is routinely bashed for taking more than a decade to devise a workable solution to its need for more wastewater storage, neighboring Petaluma is being criticized for moving too fast in its bid to privatize that city’s aging sewage treatment system. “The facility we have now is old and is at capacity, so it needs to be upgraded,” says Assistant City Manager Warren Sammons of Petaluma’s sewage facilities. That assessment is one of the few undisputed points in a long-running debate over the future of the city’s wastewater.

Since 1979, Petaluma has been blazing a trail in the area of “privatizing” its sewer operations, having hired an outside company to run the aging plant for the past 16 years. Now the city is preparing to go several steps further, and is seeking bids from private companies to both build and operate a new sewer plant. If that process is consummated, Petaluma would become the first city in California to completely privatize its wastewater system. But not everyone is pleased by that prospect.

“We are the guinea pigs. There’s nothing else to judge it by,” worries David Keller, director of the Petaluma River Council, a local environmental organization. “There is only speculative information from the city and consultants, and even that is inconclusive.” Although Keller says he retains an open mind toward the touted consumer savings that are the primary rationale for privatization, he is deeply concerned that the process, so far, has not been accessible enough to the public.

An earlier attempt to secure a private wastewater contract was emphatically shot down in 1991 by the state’s Public Utilities Commission, which ruled that the contract then under consideration was “decidedly in favor of the privatizer at the expense of the public interest.” The PUC also chastised city staff for failing to involve the public in the process, noting that the planning sessions for the sewer contracts “were private, if not secret.”

At the same time, the Fair Political Practices Commission also blasted City Manager John Sharer and Mayor Patti Hilligoss for owning stock in multinational garbage conglomerate Waste Management Inc., the parent company of the firm to which the privatization contract was being steered. They have since divested themselves of the shares, but a Waste Management subsidiary remains a leading contender to win the contract.

Four and a half years later, the renewed process has been somewhat more accountable, but Keller says it is still tilted away from the best interests of Petaluma residents. The fundamental structure of the basic contract documents “holds tremendous risk for the vendor,” such as making the vendor solely responsible for delays, change orders, and even acts of God, he notes. “The only way vendors can bid on this and hope to stay solvent over 30 years is to bid high. At best, we’ll get the lowest of the high bids.”

That’s also a concern for Petaluma City Councilman Matt Maguire. “We may wind up with five bids that are just outrageous, because we’ve tried to put too much risk on the vendor,” he offers. Supporters of the plan say that criticism is unfounded.

“Nobody can do any more than speculate at this point,” counters Bill White, chairman of the City Council-appointed Citizens’ Wastewater Advisory Committee. He believes privatization “is going to mean lower rates to the users, the residents, and the businesses in the community,” and White says the committee endorsed the plan on that basis.

“What we’re saying is that we believe that to be the case,” the real estate developer continues. “Now is the time to go out with our [Request for Proposals] and get the prices back from the contractors and see if we’re right. If we’re not right, we’ll know it.”

DRAFT CONTRACTS for the future operation of the yet-to-be-built sewer plant are part of the complex Request for Proposals that has been submitted to a short list of five “pre-qualified” bidders that includes Envirotech Operating Systems (EOS), the Waste Management subsidiary that has held the contract to run the existing Petaluma sewage plant since 1979.

The costs of building a new sewer treatment plant for Petaluma and operating it for the next 30 years are estimated at more than $460 million, but for the five companies vying for the job, the stakes are even higher. Numerous other cities–many of them larger than Petaluma–are also considering privatization, which was authorized under a state law passed in 1985, so capturing the first such contract is seen as an important key toward securing additional municipal business.

And EOS and Waste Management may have the inside track. They were the city’s sole choice in the aborted 1991 agreement, and, according to Keller, rival bidders reportedly are concerned that “the selection process can be distorted or manipulated behind the scenes.” In the November 1992 issue of PWFinancing, a utility trade magazine, Dennis Dandeneau, director of project development for Wheelabrator Clean Water Systems of Hampton, N.H., which owns EOS, confidently predicted his firm would prevail in the pending bidding. “If the others want to take us on our own turf, come and get us,” Dandeneau said.

Keller fears that the city is overmatched as it tries to negotiate a half-billion-dollar contract with huge international corporations. “The vendors have the consultants and the lawyers and the high-powered staff, and the city has zippo. Guess who’s going to win,” he warns. That grim prospect is likely, “unless the regulatory aspects for ratepayers are strengthened greatly, and unless the contract is cleaned up and put into standard terms, which it is not now.”

Should Petaluma wind up with a disadvantageous contract, it will be the city’s ratepayers who will bear the burden, critics say. But judging the fiscal outcome may prove difficult. “There’s no way to judge whether the ratepayers are being overcharged, and that’s because of the way the [proposed] contract is structured,” Keller complains.

“The contract and rate setting is based on the vendor providing a unit of service, which is changed annually based on various inflation factors,” he continues. “The problem is, there is no way of knowing if those charges accurately reflect the costs to the utility.” Adding to his fears is the fact that the 1985 state law that allows such privatization of public services also exempts them from review by the state PUC once the new system is in place.

As a means of addressing these concerns, Councilman Maguire and others have proposed that Petaluma create its own municipal rate-setting board. “I think we need to have an independent body, accountable to the ratepayers,” he argues, “one that is elected rather than appointed.”

Other council members are determined that authority should remain in their hands. “I don’t think it’s right for the council to give that away,” sniffs Mayor Patti Hilligoss. “That will be taken care of in the contract, that we will have the right to raise or lower rates.”

Maguire’s concept officially got the cold shoulder from his colleagues April 22, when none of the other council members voiced even conditional support for the idea.

This and other developments to date do not bode well for Petaluma, Keller says. “As long and complex and as onerous as Santa Rosa’s process has been, they’re doing a better job from many points than Petaluma in being thorough and straight with the ratepayers and the landowners,” he says disconsolately.

“And that’s not even a privately owned plant.”

From the May 2-8, 1996 issue of the Sonoma Independent

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&copy 1996 Metro Publishing and Virtual Valley, Inc.

Sonoma Theaters

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Land of the Loge

By Gretchen Giles

Forget all you’ve heard about cocooning, nesting, and the pleasures of being a homebody. In Sonoma County, people are going out in record numbers with seemingly only one thing (if you discount sex and groceries) on their minds: the movies. We are experiencing an unprecedented cinema-craze the likes of which would make the Lumière brothers light up like marquees in a power surge.

The county’s movie-house maven is Petaluma realtor Dave Corkill who, with cinemas already established in Sebastopol, Sonoma, and Petaluma’s Washington Square, has won final approval to build a multiplex with 16 screens in Rohnert Park, due to open next fall. What Corkill predicts will be the “nicest theater that Sonoma County has ever seen and probably ever will see” will have enough room for 3,000 patrons, but Rohnert Park is restricting actual attendance to a mere 2,560 per show to allow for parking and congestion problems.

Besides the cinematic spraw-ler–whose 15,000-square-foot lobby alone would comfortably house an entire United Artists polyplex–Corkill is adding four screens to his Sebastopol multiplex and two to his Sonoma operation.

Using an abacus and a calculator, even this writer can figure out that this amounts to a stunning 22 new screens.

“There are so many people in this county now, and there are so many different areas that are now large enough to be able to individually support theaters, that it’s a very viable enterprise,” says Corkill from his Petaluma office.

Already added to the market this year are the eight screens at Santa Rosa’s Airport Cinemas, while plans are still on hold to add an additional eight viewing-cubes to the torn-up mustard field adjacent to Petaluma’s Pacific Cine-ma. Figure in Monte Rio’s quonset hut, and the number of screens in the county will hover like a Bakersfield sweat in the high 90s.

But here’s the rub: count on most of them projecting the same images in duplicate, triplicate–heck, what’s 80-plicate?–as mainstream, first-run releases dominate county theaters like a celluloid Cyclops.

“We’re unsure as to whether we’ll be doing anything other than current releases, whether they be art, mainstream, or foreign titles,” says Corkill of his proposed 16-plex.

West county residents can gloat, as the revamping of the Sebastopol Cinemas will include one screen reserved for nothing but foreign and art films. “They’ve been beating our door down for art films ever since we opened,” Corkill admits. “We’re really looking forward to having the extra screens there to support the kinds of films they want to see.”

As for the rest of us poor fools, there is life after the many running prints of Dan Aykroyd’s Celtic Pride mercifully fade away to video heaven. The Sonoma Film Institute at Sonoma State University has done nothing for 22 years except show obscure subtitled flicks, American classics, and documentaries.

Ever reasonable about her filmgoing crowd, SFI director Eleanor Nichols was pleased to see a full house when she showed a Woody Allen print that had recently left commercial play. But she questions the wisdom in showing first-run refugees. “If you could go to a theater and see these films on a big, big screen,” she laughs about her schoolroom, “why would you come to Darwin 108 and see them? So we like to offer films that can’t be seen otherwise.”

The Raven Theater can be counted on to offer thinking (wo)man’s first-run releases, while the little Lakeside Cinemas in Santa Rosa will occasionally bloom with a Johnny Depp film, but the only all-the-time-we-mean-it art house in the county is Sonoma’s gorgeous old Sebastiani Theatre, which for five months has tried to commit itself to nothing but the likes of Jane Austen remakes and serio-documentaries about Gypsies.

“The people who enjoy these kinds of films enjoy the ambiance of the Sebastiani,” says owner Roger Rhoten. “And you just can’t find that at the multiplexes.” While less than ecstatically thrilled about the expansion of the Sonoma Cinemas, Rhoten can actually laugh in a western way. “I’m waiting for the cavalry charge to come over the hill,” he chuckles, noting that he has made a one-year commitment to an arthouse format. “I’m surrounded right now, and I’m just waiting for the bugle to blow.”

From the April 25-May 1, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

the Inn of the Beginning

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Begin Again

By Bruce Robinson

Return with us now to the days of yesteryear, when records were vinyl, rap was conversation, and music poured out into the street from a cozy, convivial club in downtown Cotati known as the Inn of the Beginning.

Once a thriving, essential part of the Bay Area music scene, the old Inn closed its doors in the mid-’70s. But the Inn has been purchased and revived by a trio of Occidental partners who hope to recapture the magic of the club’s legendary past.

“We don’t want to be just another club,” says Lisa Lawrence, who has joined forces with Gerard Nebesky, owner/chef at the popular Bohemian Cafe in Occidental, and Bill Perasso, the maker of Sweet William’s BBQ Sauce, to reinvent the Inn. While live music will remain a mainstay on the weekend evening, the bar and the kitchen will be in full swing seven days a week.

The menu of salads, specialty pizzas, and BBQ ribs and oysters echoes Nebesky’s bohemian fare, with such unusual items as a barbecue sauce-based pizza; another with pesto, smoked gouda, walnuts, and onions; and the Bo-hunk, which features pepperoni, ham, olives, artichoke hearts, and, ulp, jalapeños. Salads range from a basic Caesar to a Warmed Sesame Goat Cheese Salad and a Strawberry Spinach Walnut mixture. Patio and sidewalk dining will be available as the weather permits. And the 22 microbrews on tap at the bar may well be an attraction in their own right.

“We’re trying to get away from the reputation it had in the [recent] past–punk-rock bands, kids hanging around, graffiti,” Lawrence says.

Veteran DJ and blues promoter Bill Bowker is handling the live music bookings, and the first month alone features a promising mix of established local and Bay Area roots, blues, and semi-acoustic acts (Sundogs, Tommy Castro, Dan Hicks, Solid Air), with noteworthy national performers such as Alejandro Escovedo and Big Sandy and the Fly-Rite Boys.

Live broadcasts and special surprise shows by Bay Area stars will be phased over time, and Bowker expects the Inn to regain some of its historic cachet among touring artists.

While the stage remains centrally located in the spacious room, the surrounding decor has undergone some major changes. A new hardwood floor has been installed, flanked at the corners by striking full-size carved totem poles, the handiwork of Perasso’s father. The bookstore is gone, supplanted by an imposing new pool table and the box office and main entrance. And a new, compact, high-tech audio system will ensure that the sound is firmly grounded in the ’90s, even if the overall vibe is not.

For instance, the club’s old name remains emblazoned on the carved sign atop the quasi-Spanish exterior. “There’s so much history,” Lisa reflects. “It just seemed like it would be a shame to change the name.”

Since signing a 10-year lease in January, the new owners have merged a hands-on determination to do things just right with an keen eye on the costs. “The amazing thing is, we’re barely over budget,” marvels Perasso.

“Off and on over my life, I’ve wanted to do this, but it never felt right,” he adds. But now, “it just kinda fell into place.”

The Inn of the Beginning opens April 25 with Makka. 8201 Old Redwood Hwy., Cotati 9 p.m. $5. 664-1100.

From the April 25-May 1, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Port Wine

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Call of Port

By Broos Campbell

My brother has begun a family tradition that I like very well. For my birthday every year, he gives me a bottle or two of fine or unusual port. One year it was a 1985 that I made the mistake of opening after Christmas dinner. Had I waited until this year, or better yet, until the turn of the century, I would have truly enjoyed the subtleties of one of port’s exceptional vintages.

Briefly, port is wine fortified with brandy, and there are three basic kinds: ruby, tawny and white. The original port comes from Portugal–from the Douro Valley, to be exact, by way of the aging houses of Vila Nova de Gaia, across the river from Oporto, Portugal’s second largest city. Like many delicacies, port wine got its start as a substitute for something else. During England’s many troubles with France, French claret became difficult to get in England. As the English were usually on more-or-less good terms with the Portuguese, they began importing their wines. The vintners began adding brandy to stabilize the wine for its trip down the Douro to Oporto and over sea to England. Not only did the wine stay potable, but lo, it was delicious and packed a wallop.

The British love affair with port wine also gave rise to a port industry in Australia. “There’s much more of a tradition in making and drinking port in Australia than in the U.S.,” explains Mick Schroeter, an Australian winemaker who now makes ports and other wines for Geyserville’s Geyser Peak Winery. “Some of the Australian tawnies are quite old. And they make fantastic blending material.”

Nowadays the process is less haphazard, but more or less the same. The grapes are allowed to ferment only two or three days, and then neutral grain spirits are added. The infusion of alcohol kills the yeast, which normally would continue to eat the sugar and secrete alcohol. Hence the signature sweetness.

Adding to its snob appeal, port comes in vintages–which are declared about three times in a decade after the port houses seek the blessing of the Vila Nova de Gaia’s Port Wine Institute. Extraordinary vintages of recent times include 1963 and 1977.

A vintage is declared when the winemakers are convinced that the port from a particular year will age exceedingly well in the bottle, or at least remarkably well. They’re not always right. Sometimes non-vintage years are actually better.

At Geyser Peak, the winemakers turn out 400 to 500 cases per year of their Shiraz-style port. “For us, the main drive in making this was to have a port for ourselves,” says Schroeter. “It’s a unique and interesting product, and it’s fun for us to make.”

And according to Schroeter, port seems to be catching on in the United States. “It seems to have taken off,” he says. “We mainly sell 375-milliliter bottles through our tasting room, but we’ve seen an increase in sales recently.”

Only ruby ports can be vintage ports. Tawnies are blends of wines from several years. They get their golden-brown color from spending more time in the wooden cask before bottling, and tend to be drier and less fruity than rubies, leaning more to butterscotch or caramel.

A good tawny is the product of skillful blending, and the growers and winemakers of Portugal prize it highly. Vintages are expected to vary, but a winemaker’s skill and craft shines through in the ability to produce consistent tawnies from year to year. Because tawnies are filtered before they are bottled, further aging won’t change their taste.

Colheitas are blended from wines of a single year, but are aged in wood for at least seven years, and are also filtered before bottling. Because they are taken from a single year, they sometimes are confused with vintage ports, but it’s a harmless error; they’re good stuff.

Neither age nor cost is a reliable yardstick for deciding what tawny to select, by the way. In a recent issue of Wine Spectator, Niepoort’s 1983 tawny port colheita topped the charts with a rating of 95; price, $34. Trailing at No. 9 on the list with a rating of 90 was Ramos-Pinto’s 1937 tawny port colheita. Price: $200.

The tasters’ conclusion? “We discovered,” writes James Suckling, “that it made little sense in most cases to pay a premium for tawnies with more than 20 years of age.”

The quinta (Portuguese for “estate”) designation and year that some bottles carry indicates an unofficial vintage. The confusion with declared vintages is intentional, but, owing to the educated guesswork involved in declaring a vintage, sometimes the quintas are every bit as good, and sometimes better, than the official vintages.

“Late bottled vintages” are a less costly but potentially rewarding way to go. LBVs are aged in wood a few years before bottling. Most are filtered, making decanting unnecessary, and most are intended to be drunk as soon as they are put in the bottle. The time in the wood allows the wine to breathe, which allows it to be opened and closed without compromising the flavor.

I’m not convinced that that last advantage is an advantage at all. In the absence of airless storage, a good vintage port begins to lose its flavor almost immediately, and when one is opened it should be drunk up right away. Now, isn’t that a happy thought?

From the April 25-May 1, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Bill Moyers

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Stamps and Spit

By Gretchen Giles

It’s not easy being a celebrity, even if the celebrity you possess is the hard-earned and well-respected dignity of journalist Bill Moyers. In Sonoma to bestow the reward of himself–“I’m the prize,” he chuckles–on the community and on Readers’ Books for winning last summer’s nationwide poetry contest based on Moyers’ Language of Life series, Moyers pressed more flesh than a politician in the final desperate weeks of a fourth-year October.

“This has been an experience of a very high order,” says Moyers, seated comfortably alongside his wife and partner, Judith, in a back room of Readers’ Books. “I was just very, very touched,” he smiles, referring to the public lave of adoration that he and his wife had received the previous night at a private reception and poetry reading for boosters and volunteers of the 1995 Sonoma Valley Poetry Festival.

At a press conference the morning after the reception, the Moyerses talked with the charm of professional conversationalists about poetry, the mandate of television, Lyndon Johnson, and the importance of democracy.

“I said last night as I listened [to the poets] that poetry is at the heart of the democratic experience,” Moyers said, characteristically templing his fingertips. “Because a poem is someone’s own experience . . . and no one, no government, no corporation, no church, can own that. And it just hit me last night that democracy is much larger than government. We can’t all participate in government–though we can all vote–but we can all participate in the culture of democracy, and poetry is the most democratic of the arts.”

Democracy and interchange are two of the primary components of Moyers’ brand of journalistic art. “Our philosophy is that public television has a mandate to engage the public in the ideas that we are producing television programs about,” he says, looking to his wife.

“This is an effort to show that television is not a one-way street. It is not about us doing something for the people to watch. It is us collaborating with the viewers to try to create a dialogue about the subjects that we put forth.”

His next collaborative subject is Genesis: A Living Conversation. To be aired in 10 segments next October, the series features Moyers speaking with writers, philosophers, religious leaders, and artists about each book of Genesis. “In the beginning,” Moyers intones playfully, “there was sex, seduction, murder, and rivalry. It made a great book. Now it makes great television.”

Part of what makes great television is Moyers’ onscreen persona. Possessing a master’s degree in divinity, he posits himself as a seeker, one who is vulnerable to experience. “I’m honestly not aware of what you call my vulnerability,” he responds, when asked about this quality. Quoting the adage that a cynic knows the price of everything and the value of nothing, he continues, “I am aware of not being a cynic.

“Deep down I really believe that . . . what makes this country unique is the First Amendment, which gives us the right to climb up on the deck of the Titanic and grab the arm of the captain and say, ‘That’s an iceberg up there! You’ve got to turn the ship of state around before there’s a collision.’

“That keeps me hopeful even though, as a journalist and as a father, I’ve seen my children stumble, and fall, and get up again, and I know that human beings trip, but I also know that human beings can get up . [I have an] awareness of the dark, depraved corners of the human heart that flower into the Holocaust, genocide, [and] the horrors of Liberia and Rwanda, but I also know that we’re capable of the Gettysburg Address, Browning’s sonnets, and the Washington Monument. I can never see the human stage lighted only one way.

“That’s what I am; I’m just not aware that it comes out in my work.”

This man, who veritably speaks in poetry, has an affinity for poets. In addition to the Language of Life, his 1989 series The Power of the Written Word was extensively devoted to those who wrangle with rhythm and meter. “I would say that the one overwhelming realization that struck me while doing those series is that poets may be the last people in our society who truly speak the truth. They aren’t paid,” he smiles, “so they have no commercial stake in deception. Politicians have a stake in deception because they’re always trying to be exposed.

“All poets out there–without exception–are eager to speak from the heart,” he continues, “irrespective of critical res-ponse, irrespective of any commercial value, and that may be the last sanctuary for the honest person. Of course, not all that they tell you is true. But they don’t intend it to be a lie–it’s true to them, and that’s why it’s so valuable to me as a journalist. When I pass it on to you, I’m conscious that I’m giving you something that’s authentic, because with poets, I do not join the con game, like I do when I interview politicians.”

Moyers, who has won some 30 Emmy awards, acted as deputy director for the Peace Corps, published Newsday magazine, and worked as the senior news analyst for CBS before forming the Public Access Television company with Judith, has some experience with politicians.

One of his first jobs was with Lyndon Baines Johnson, the man who hired Moyers sight unseen in 1954 after the then-college sophomore wrote the senator a letter suggesting that he could help with Johnson’s appeal to the young people of Texas. “Lyndon Johnson felt that politics was 50 percent stamps and spit,” Moyers smiles.

In the equivalent of placing Moyers in a room piled high with straw and telling him to spin gold, Johnson escorted Moyers upon his arrival to the basement of the Senate, where he directed the young man to address envelopes–175,000 envelopes.

Using a foot-treadle machine, Moyers spent the night in that basement pressing on addresses to Texan constituents. Johnson approved. “Because I was willing to do that,” Moyers remembers, “he put me in his correspondence office.” Office policy dictated that Moyers’ initials appear at the bottom of each letter he penned, finally prompting LBJ to demand who the heck this BDM was that kept appearing at the end of his most important letters.

“He liked my letters; I guess it was my turn of phrase,” Moyers says self-effacingly. He eventually worked for the president from 1963 to 1967 as Johnson’s special assistant.

“Never underestimate the importance of representing yourself as someone who writes,” Moyers says, getting to the moral of the story.

From the April 25-May 1, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Urban Expansion

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Final Cut

By Bruce Robinson

“It seems to be the one issue that has galvanized people on one side or the other,” sighs Windsor Planning Commission member Laura Hall, reflecting on the ongoing debate over her town’s new General Plan. “I thought, perhaps naively, that good design could be where the two groups–the slow growth and the let’s-just-do-more-of-the-same–got together, that we could actually do some nice village neighborhoods, that we could all learn to love growth again and love our community.

“And it just didn’t happen.”

No kidding. When it came down to the final vote last month, the General Plan for the county’s newest town was adopted by the narrowest possible margin, a 3-2 vote, and the most hotly debated aspect of the plan still awaits ratification by the county’s Local Agency Formation Commission next week.

That five-member body has the ultimate authority to decide whether or not Windsor will be permitted to include a 250-acre area north of Arata Lane–now part of a lush greenbelt–in the town’s Sphere of Influence, the area outside of the present-day city limits into which the town is expected to expand over the next 20 years. “I know there is going to be controversy,” says LAFCO assistant executive officer Steve Sharp, “but I haven’t seen a real measure of it yet.”

The dispute may be gathering steam as the LAFCO date draws closer. The Sonoma County Farm Bureau has weighed in against the inclusion of the Arata Lane properties, and the Healdsburg city officials also have expressed concerns. “Windsor has no need to go north of Arata Lane at this time. None!” objects Christa Shaw, who heads the Santa Rosa office of Greenbelt Alliance. She argues that the road itself represents “this incredible political and psychological line that is a de facto urban growth boundary.”

“I have a question whether the citizens want this type of growth,” says Sam Salmon, one of the two Windsor Town Council members who voted against the General Plan’s adoption. “The larger the sphere, the more people we’re going to have. Anything that comes into the sphere is intended to be urbanized within the 20 years of the plan.

“We’re going to start casting shadows into areas that really should stay agriculture.”

As adopted, the Windsor General Plan anticipates that the town will nearly double from its present 18,900 residents to a population of 35,000 by 2015. But “a lot of that will depend on the growth management strategy we’re still working on,” comments Windsor Mayor Alan Rawland, a supporter of the document. He notes that the Sphere of Influence anticipated in the General Plan totals 900 acres of potential annexations, “compared to 3,000 acres in Cotati,” and says he is perplexed by the objections from Healdsburg, since more than four miles still separate the two communities.

“Even though it’s in the sphere, it has a long way to go before it can be developed,” Rawland says, but the Town Council, instead of the county, now has control over what happens on that land. “If we decide not to develop, it will serve as a nice visual boundary.”

Most of the disputed lands on the north edge of Windsor are slated to eventually hold large single-family homes, 660 of them on 267 acres for 1,881 new residents, which would make only a modest contribution to the expected population gains. “It’s really sad that a town would bring in that much land at such a low density,” laments planner Hall. “It just means that eventually we’re going to have to sprawl more and more into the greenbelt.”

“The citizens of the city have made it abundantly clear they don’t want that to happen,” states Mark Green, executive director of Sonoma County Conservation Action, the local environmental advocacy group that boasts a high concentration of members in Windsor. “The survey that the town sent out indicated that the citizens want extremely slow growth. It’s pretty obvious that the growth rate that’s being allowed in the General Plan is far in excess of what anybody in the city wants, other than a few financial interests.”

Among those interests, Green charges, is Windsor Town Council member Marjorie Smith, who owns an interest in some of the land now due to be included in the new municipal Sphere of Influence. “She stands to make more than $1 million if it is approved as is,” Green says. Once city services are extended and the land is available for development, “the value of her land skyrockets.”

Yet Smith cast the deciding vote to approve the General Plan, despite her apparent personal economic interest in the decision. The matter has been referred to the state Fair Political Practices Commission, but that “really doesn’t affect the vote, as far as I can see,” says Salmon.

In any event, LAFCO retains the final say, not just on the Sphere of Influence, but also on the eventual annexations, whenever they may be proposed. “Whatever LAFCO does, I don’t think they will lay it to rest,” observes Mayor Rawland. “It will continue to be a sensitive issue.”

Meanwhile, opponents of a proposed huge new Wal-Mart store who say the planning document fails to consider the traffic congestion and other problems the “big box” development would cause in the area, also are planning to challenge the General Plan. Last year, Windsor officials decided to consider the Wal-Mart proposal separately from the General Plan, which envisions a light industrial use of the site at Shiloh Road and 101 being eyed by the retail giant.

From the April 25-May 1, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Food Fight

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Food Fight

Cotati grocer mobilizes opposition to proposed huge new Lucky store

By Bruce Robinson

While large, modern box stores that formerly housed Kmart and Price Club stores stand vacant a few miles north in Rohnert Park, a mammoth new grocery outlet is being proposed near the freeway in Cotati–a 62,000-square-foot Lucky Food Center that, according to its leading detractor, threatens to change the face of this low-key central Sonoma County community.

“I think it is the antithesis of what Cotati is all about,” worries grocery owner Steve Maass. “Cotati has resisted these types of businesses in the past, has tried to distinguish itself by its quality of life rather than having those big businesses come in and take over things.”

As the co-owner of Oliver’s Market, the only major grocery store now operating in Cotati, Maass has a clear economic stake in the issue. The new corporate competitor would be nearly twice as big as Oliver’s. A store that size “needs to do $500,000 to $600,000 a week, just to break even. If they pull $100,000 from us, we’re going to be out of business.” Maass frets. “This would be the largest Lucky in Northern California, 18 percent larger than the one [on Lakeville Highway] in Petaluma, which is huge.”

Plans submitted to the city call for a single, hangar-sized building at the back of the seven-acre lot, which is slightly southwest of the intersection of Highway 116 and Old Redwood Highway. Most of the remaining land will be paved over for 274 parking spaces and a stand-alone fast-food drive-thru, but the city does require that 20 percent of the area be landscaped.

The new Lucky superstore would include its own pharmacy (Sav-On Drugs is a Lucky subsidiary), video store, bank, bakery, and other departments competing directly with existing local businesses. “This is typically what we have been building nowadays,” says Todd Skoro, the store’s project manager.

A division of American Food Stores, the largest grocery retailer in the country, Lucky stores operate throughout Northern and Southern California, including Sebastopol, Sonoma, and three locations in Santa Rosa. The Lakeville Highway store in Petaluma (one of two Luckys in that community), at approximately 52,000 square feet, is the largest of the existing local Luckys.

The proposed new store is slated for an area long designated for general commercial development. “For a long time, we thought there was going to be an Albertson’s going in there,” says Cotati Planning Director Dennis Dorch. The Lucky plans have been given a preliminary environmental review, which identified few major concerns. One Little League baseball field will be lost, and traffic on Old Redwood Highway will be markedly increased, but “there are no unknown impacts that we are aware of,” Dorch says.

To accommodate the increased traffic, a series of new stoplights is proposed to be installed, along with a center median strip in Old Redwood Highway. With these mitigation measures in place, Dorch says, the project could be approved without any further environmental studies. Economic analyses are not required as part of an environmental review, but projects that generate extensive controversy in the community are sometimes required to perform a full EIR because of the intense public concern. The first hearing on the proposed Lucky store is scheduled for May 6 before the Cotati Planning Commission.

Maass, however, is getting some additional input of his own. He has commissioned a review of the city’s traffic impact analysis, including the proposed mitigation measures, as well as an economic study to assess the impact the new Lucky store would have on surrounding businesses. And he has begun circulating petitions of opposition among his customers and other townsfolk. “Within a week, we had 3,000 signatures. Overwhelmingly, the people in town don’t want it,” Maass reports.

“I really wouldn’t object so much to Lucky coming in,” he continues, “but one of this size, such a superstore, it’s pretty devastating to any of the competing businesses and would change the complexion of the town. It really dictates to the community what things are going to be like, let alone what it’s going to do to traffic.”

He also argues that the city may be overestimating the fiscal benefits it would get by approving the project. “The politicians want to get the tax revenue, but if we go out of business, they’ll lose our revenue,” Maass contends.

According to Cotati Finance Director John Ellis, the sales tax income from a new grocery store is generally estimated at $30,000 per year, “although this [proposal] is probably above industry standards because it’s larger.” Food items are not subject to sales tax, but other goods are. Increased property tax revenues from the development would probably benefit local schools more than city government, Ellis adds.

But then there are those empty stores just up the road. “That’s a regional concern and I do share that concern,” says Dorch. “Unless you have population gains, retail in itself is a closed system” that gets divided up differently as new businesses open and close. That said, he adds, “I believe there will be a market for this particular Lucky store, and obviously they do, too, or they wouldn’t be investing this much in it.”

From the April 18-24, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Talking Pictures

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Bilko Bagged

Pop-culture maven unimpressed by Steve Martin remake

By David Templeton

David Templeton specializes in taking the world’s most interesting people to see interesting movies in an ongoing quest for the ultimate post-film conversation. This time out, Templeton persuades the eccentric collector/cultural observer Mickey McGowan to take a second look at the new comedy Sgt. Bilko, a movie McGowan has walked out of in disgust once already.

My agreement with Mickey McGowan is as follows: If, at any point during the film today, he is overcome with a desire to run out screaming, I will support his right to flee; in fact, I will be right behind him. “Fine,” he says, as we march side by side into the auditorium. “To be honest, though, I’m rather proud that I walked out of , but now I want to prove I can tough my way through it.”

Twenty-five minutes later, we have reached the moment of his first departure. A tank whirls crazily, bashes noisily into things. Actors leap about, silly expressions pasted on their mugs. I glance at McGowan; his resolve appears to be holding strong. “I’m going the distance,” he whispers. “I’m watching the audience instead of the film. It’s more interesting this way.”

McGowan, a legendary collector of records and “stuff” from the ’50s and ’60s, is best known as the curator of that state-of-the-mind, Bay Area phenomenon known as the Unknown Museum. An eye-popping collection of over 1 million pop-cultural doodads, the museum has stood as one of California’s leading underground tourist spots, though it currently exists “between homes” and is closed to the public. McGowan’s collection of weird LPs earned him a chapter in the book Incredibly Strange Music (RE:Search, 1993), and his crammed-to-the-rafters warehouse, in a business park in San Rafael, is a kind of mecca for collectors of offbeat music and 40-year-old castoff mementos.

Which brings us to Sgt. Bilko. Based on the classic, Emmy Award-winning ’50s TV show, Bilko stars Steve Martin as the military’s most industrious con man (played in the series by the great Phil Silvers). It’s not a fine film, though there are glimmers of the original’s straight-faced satire. This Bilko seems obsessed with finding ways to trip overweight people into mud puddles. The 10-year-olds in the audience were laughing hysterically. “You can’t compare the two, and I won’t even try,” McGowan shrugs later.

We have made our way back to the museum warehouse, where McGowan has just uncovered a videotape containing several episodes of the origin-al series. He plugs it in. “Oh, look at this,” he almost purrs, waving his arm at the TV. “Most people haven’t seen the poetic beauty of these early shows. Look at this black-and-white photography! You never see shows today that look as good as that. It’s fantastic! I miss the simplicity of black and white, I really do.”

How difficult is it to accurately adapt classic TV programs to the big screen? Is it simply impossible?

“Closer to impossible, though it’s been done. Flintstones was OK. The Fugitive was great, though that was a complete rethinking of the concept. The best adaptation of a TV show, by far, was The Brady Bunch Movie.

Really?

“Oh absolutely,” he laughs. “The only thing weird about it was seeing the Brady family standing around that kitchen and not hearing that incessant canned laughter. The Brady TV show was unbearable because of that laughter, and that was 1970s canned laughter. That was the worst decade for canned laughter, aside from the ’90s. It sounded especially fake.”

Wait. Can someone really become a connoisseur of laugh tracks, able to distinguish one decade from another? “Why not?” he responds. “I’m a seasoned viewer. And believe me, ’90s canned laughter is the worst. Have you seen Married with Children lately?”

He shudders. “There’s nothing worse than laughter when nothing is funny.”

From the April 18-24, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Howard Zinn

Mighty Zinn


Gemma La Mana

History’s bunk: Howard Zinn takes a “bottom-up” view of history.

Howard Zinn brings his passion for history to Sonoma County

By Zack Stenz

A proposed exhibit of the Enola Gay at the Smithsonian Air and Space Museum provokes a firestorm of criticism. The renaming of the Custer Memorial Battle-field becomes a political hot potato. The adoption of new national history standards in the nation’s high schools is bashed from the podium by presidential candidates. Who says Americans don’t care about history?

Not Howard Zinn. This professor, activist, and author has dedicated his life to the notion that the knowledge of history is important to people’s everyday lives, and can be a powerful force for social change. Zinn is a champion of the notion that historical change occurs more through mass movements of ordinary people than through the wisdom and insight of so-called Great Men. His best-known book, A People’s History of the United States, was one of the first major looks at American history from such a perspective, and has sold a phenomenal 400,000 copies. Zinn is coming to Sonoma County on Monday, April 22, to speak on the Cold War and its legacy for the 21st century, at Sonoma State University and Santa Rosa Junior College.

But despite his popularity, Zinn’s brand of “bottom-up” history has been reviled by political conservatives, and he confesses that he isn’t surprised by the level of passion in recent controversies like the one surrounding the Smithsonian’s portrayal of the dark role the Enola Gay played in the bombing of Hiroshima. “Whenever you introduce a new view of historical events, the guardians of the old order will spring to the attack,” Zinn says. “And a lot of people feel threatened by the idea that our side also committed atrocities in the Second World War. I’m actually encouraged by the controversy, though. It wouldn’t exist if changes were not taking place in the way history is being taught.”

If anything, Zinn sees the recent attacks by the right on the “New History” taught by himself and others as a perverse vindication of his own belief in history’s importance. “If history weren’t so important, people wouldn’t get so upset by it,” he says. George Orwell said, ‘Whoever controls the past controls the future,’ by which he meant that history is incredibly important in shaping the world view of the next generation of people.”

Zinn hasn’t been content to merely write about historical change, but has often been active in movements for civil rights and academic freedom, working against the Vietnam and Persian Gulf wars. “I’ve tried to join my writing with social issues,” he says. “It was really my experiences in the South, teaching at Spelman College and getting involved with the Student Nonviolent Coordinating Com-mittee, that spurred me to write A People’s History. I could see history being made before my eyes by ordinary people who are never written about in the history books.”

It’s Zinn’s fierce compassion for and belief in the power of ordinary people that has characterized his work, turning A People’s History into a celebration of heroism rather than merely the litany of government atrocities conservatives often accuse it of being. “One of the right-wing groups, [Reed Irvine’s] Accuracy in Media, characterized A People’s History as a ‘Hate America’ book,” Zinn says. “But the supposition there is that America consists of the people on top. And while it’s true that I take a very critical view of the United States government in history, I take a very positive view toward the mass movements of people in America who have fought to make the country a better place.

“And that’s where the left hasn’t balanced its act very well, either,” he adds. “They’ve done a very good job of illuminating the various bad policies of the American government, but they haven’t shown what people have done to resist these policies, often successfully. And that’s a critical thing to do, to show people in the present day that they can fight back and win.”

Zinn admits that the current American landscape of temporary workers, multinational corporations, and citizens’ increasing isolation from one another hinders the formation of his cherished mass movements. “Building a movement is difficult, given the fragmentation and isolation of people today and just the very diverse nature of the United States,” says Zinn. “But when people’s outrage is felt strongly enough, a new social movement will be born.”

So despite a conservative political climate that has left many longtime progressive activists depressed and demoralized, Zinn’s reading of history keeps him optimistic about America’s future. “I am hopeful,” he says. “But hope rests on doing something. If you’re not doing anything to change things, you have no right to be hopeful.”

Howard Zinn speaks on Monday, April 22, at noon at SRJC, Burbank Auditorium, 1501 Mendocino Ave. (527-4327); and at 4 p.m. at SSU, Ives Hall 119, 1801 E Cotati Ave., Rohnert Park (664-2382). Both events are free and open to the public.

From the April 18-24, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Battles Brewing

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Coffee Wars

Is the increase in local Starbucks Coffee joints an alien invasion?

By David Templeton

At 5:58 A.M. on Thursday, April 11, a spanking new Starbucks Coffee bar opened its doors in historic downtown Petaluma. Seconds later, local chiropractor Steve Jette walked boldly up to the gleaming front doors and stepped inside, becoming the new location’s first official customer, or its first corporate casualty, depending on your point of view.

“It’s old Petaluma vs. new Petaluma,” Jette cheerfully observed later. After describing the autographed Starbucks commuter mug he received for being their first paying coffee consumer, he summed up the general mood of downtown coffeehouses. “It’s a war. A friendly war.”

Perhaps not so friendly.

As Jette explored the interior of the immaculate, beautifully redesigned store, the newest of 828 Starbucks locations in North America, one apron-clad “barista” (an espresso bar-tender) described having had “nasty things” shouted at her from a passing car just that morning. Someone had egged the front window as well.

For months before the store opened, there were a growing number of bumper stickers seen around the county, saying “Friends Don’t Let Friends Go to Starbucks.” At various coffeehouses around the town, it has become something of a sport to invent new ways to make fun of the Seattle-based operation.

“Oooh, Starbucks,” laughed one downtown waitress. “The S-word!” Her boss jokingly called them, “The Kmart of coffees,” while across town another bartender took it even further. “Kmart, nothing. More like the Wal-Mart of coffees.”

So why is everyone so wired up about Starbucks, already established in Sonoma County with branches in Santa Rosa and Windsor? Is Starbucks truly a predatory monster, invading the county with a plan to drive all the locally based competitors out of business, or is it merely a popular, growing food-service chain answering the public’s call for easier access to its products? And are the anti-Starbucks forces a bunch of paranoid, corporate-hating fearmongers, or are they simply businesspeople pragmatically guarding their share of the hot-steaming-beverage market?

Ron Salisbury, the owner of Petaluma’s immensely popular Deaf Dog Coffee, is the man behind those aforementioned bumper stickers. He stands with the pragmatists.

“I have a background in business, and all those classes are now coming to fruition,” Salisbury grins. “This is commercial war, and if you don’t believe it, you shouldn’t be in this business. I can’t sit back and whine about the big, bad corporate giants. I have to go after them, to protect my share of the market.

“My drinks are bigger than Starbucks’,” he says, describing his defense. “All of ours are double-shot. And it’s a better-tasting drink. I’ve got as much market research behind my store as Starbucks has in theirs, and this is what my customers want, from the drinks we serve to the urban-distress look of the place.

“But I promise you,” he adds, “if my business drops off because of them, this place will look like a Starbucks tomorrow.”

Jeff Sacher, owner/operator of three Copperfield’s Cafes in Sebastopol, Santa Rosa, and Petaluma, is equally pragmatic. “I’ve had experience with them already,” he says, “since they opened up across the street from me in Santa Rosa. And yeah, I was worried, but it’s been a positive experience for us. I’m busier than ever. The only thing that bums me out is that in an area of small, local businesspeople, we now have this corporate giant sending our business dollars up to Seattle. That doesn’t appeal to me. On the other hand, their presence has helped spruce up a decrepit part of the downtown area.” Which means increased downtown traffic, and potential increases for everyone.

Ross Blau, of Cotati, is the manager of the Petaluma Starbucks. He declined to even acknowledge the controversy surrounding his store, pointing instead to the positive contributions Starbucks makes to the communities it sets up shop in.

Unsold goods are donated to local charities. Used coffee grounds are given for free to local gardeners. Employees wander the neighborhood picking up trash. There is an aggressive recycling program, plus enticements to customers who bring their own coffee mugs, and a corporate policy of sending monetary aid to impoverished coffee-growing regions of the world. Starbucks’ workers are unusually well compensated, with starting wages well above minimum wage, and medical/dental benefits for part-time workers. Clearly, these programs are nothing to throw beans at.

Yet in spite of such efforts–some of which even the most pro-community businesses aren’t making–Starbucks’ presence in the county, and certainly in Petaluma, has many folks worrying about their own survival.

The Apple Box, Café Passport, Aram’s Café, and especially the Brickhouse, directly across from Starbucks, are hoping that after locals satisfy their curiosity with the new kid on the block, they will return to the cappuccino makers they know and love.

And what about Jette, the celebrated first customer of Starbucks, and a daily customer of the Brickhouse? How does he find the coffee at the new place?

“Coffee’s coffee,” he states sensibly. “But people are people. If you have wonderful people behind your counter, then that’s where customers are going to go.”

From the April 18-24, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Wastewater Privatization

Sewer Stink By Bruce RobinsonWHILE SANTA ROSA is routinely bashed for taking more than a decade to devise a workable solution to its need for more wastewater storage, neighboring Petaluma is being criticized for moving too fast in its bid to privatize that city's aging sewage treatment system. "The facility we have now is old and is at...

Sonoma Theaters

Land of the LogeBy Gretchen GilesForget all you've heard about cocooning, nesting, and the pleasures of being a homebody. In Sonoma County, people are going out in record numbers with seemingly only one thing (if you discount sex and groceries) on their minds: the movies. We are experiencing an unprecedented cinema-craze the likes of which would make...

the Inn of the Beginning

Begin AgainBy Bruce RobinsonReturn with us now to the days of yesteryear, when records were vinyl, rap was conversation, and music poured out into the street from a cozy, convivial club in downtown Cotati known as the Inn of the Beginning.Once a thriving, essential part of the Bay Area music scene, the old Inn closed its doors in the...

Port Wine

Call of PortBy Broos CampbellMy brother has begun a family tradition that I like very well. For my birthday every year, he gives me a bottle or two of fine or unusual port. One year it was a 1985 that I made the mistake of opening after Christmas dinner. Had I waited until this year, or better yet, until...

Bill Moyers

Stamps and SpitBy Gretchen GilesIt's not easy being a celebrity, even if the celebrity you possess is the hard-earned and well-respected dignity of journalist Bill Moyers. In Sonoma to bestow the reward of himself--"I'm the prize," he chuckles--on the community and on Readers' Books for winning last summer's nationwide poetry contest based on Moyers' Language of Life series,...

Urban Expansion

Final Cut By Bruce Robinson"It seems to be the one issue that has galvanized people on one side or the other," sighs Windsor Planning Commission member Laura Hall, reflecting on the ongoing debate over her town's new General Plan. "I thought, perhaps naively, that good design could be where the two groups--the slow growth and the let's-just-do-more-of-the-same--got together, that...

Food Fight

Food FightCotati grocer mobilizes opposition to proposed huge new Lucky storeBy Bruce RobinsonWhile large, modern box stores that formerly housed Kmart and Price Club stores stand vacant a few miles north in Rohnert Park, a mammoth new grocery outlet is being proposed near the freeway in Cotati--a 62,000-square-foot Lucky Food Center that, according to its leading detractor, threatens...

Talking Pictures

Bilko BaggedPop-culture maven unimpressed by Steve Martin remakeBy David TempletonDavid Templeton specializes in taking the world's most interesting people to see interesting movies in an ongoing quest for the ultimate post-film conversation. This time out, Templeton persuades the eccentric collector/cultural observer Mickey McGowan to take a second look at the new comedy Sgt. Bilko, a movie McGowan has walked...

Howard Zinn

Mighty ZinnGemma La ManaHistory's bunk: Howard Zinn takes a "bottom-up" view of history.Howard Zinn brings his passion for history to Sonoma CountyBy Zack StenzA proposed exhibit of the Enola Gay at the Smithsonian Air and Space Museum provokes a firestorm of criticism. The renaming of the Custer Memorial Battle-field becomes a political hot potato. The adoption of new...

Battles Brewing

Coffee WarsIs the increase in local Starbucks Coffee joints an alien invasion?By David TempletonAt 5:58 A.M. on Thursday, April 11, a spanking new Starbucks Coffee bar opened its doors in historic downtown Petaluma. Seconds later, local chiropractor Steve Jette walked boldly up to the gleaming front doors and stepped inside, becoming the new location's first official customer, or its...
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