sublime

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Sublime Time

By Zack Stenz

IT STARTED OFF as just a joke,” recalls Bud Gaugh, speaking over the phone from his Orange County home. The drummer for sublime, a Southern California-based reggae-punk band so sublime that they don’t even bother with capital letters, is explaining why his band records on the mysterious Skunk Records label, and not with some better-known outfit.

“We were playing parties in L.A. back in ’87 and ’88, and we thought it’d look better if we were signed, so we called ourselves ‘Skunk recording artists sublime’ on our posters. Later, we actually started the label just to distribute our own record.”

But eight years, 250,000 albums, and a surprise radio hit later, no one’s laughing anymore. With an industriousness that belies the band’s laid-back, “party on, dude” image, the members of sublime set out to self-distribute their debut album 40 Oz. to Freedom, recorded in 1992 for a little over $1,000. “The first 30,000 we sold from the trunks of our cars at shows,” says Gaugh.

With the momentum built from the band’s incessant touring and the flogging of its album to every record shop in sight, 40 Oz. to Freedom went on to become a cult classic and a necessary audio accompaniment to many a pot-fueled dorm party.

But if their album’s success started the buzz surrounding sublime, the smash hit status achieved by their single “Date Rape” on radio stations across the nation made it louder than a swarm of angry killer bees. “It’s strange, because that’s one of our oldest songs,” says Gaugh. “An intern at KROQ [L.A.’s influential, ‘modern rock’ station] kept telling the people there about it, and they finally started playing it. It became their most requested song ever, and it just went from there.”

As a song, “Date Rape” matches a rollicking ska instrumental with a witty morality tale, evincing a pro-woman slant unusual for a party band from Orange County. Asked about the song’s peculiarly feminist perspective, Gaugh replies: “I suppose it’s just because I wouldn’t like to be violated in the way the song describes. A lot of people took that song the wrong way, but you’re right, it does have a very feminist message.”

For those who haven’t heard “Date Rape,” in it a young woman is assaulted by a handsome man she meets, then bashes his head with a rock and gets him arrested and sentenced to prison, where the rapist is forced to, er, take his own medicine. “You could say he gets it in the end,” Gaugh snickers.

With the success of “Date Rape” kicking their careers into high gear, sublime’s upcoming schedule looks to be a hectic one, with a new album nearing release, another one in the works, and the band hitting the road to play gigs first on the West Coast and then in Europe, opening for punk dynamos Pennywise.

In an age when giant corporate-owned record labels are rushing to sign every band with a body-pierced singer and “alternative” credibility, members of sublime are in no hurry to surrender their independence. “We’d really like to keep on putting out albums ourselves,” says Gaugh. “I mean, we don’t need to sell as many albums as Tupac Shakur. All we want is food on the table, a roof over our heads, and enough gas in our van so we can drive up and play a goddamn song for you all.”

Sublime play their goddamn songs on Friday, May 24, at the Phoenix Theatre. Fillibuster and Ziggens open. 21 Washington St., Petaluma. 8 p.m. $12. 762-3566 or 762-3565.

From the May 16-22, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
© 1996 Metro Publishing and Virtual Valley, Inc.

Summer Reading List

Pleasure Pages


JANET ORSI’Scam’ artist: Daedalus Howell, playwright and publisher of the irreverent, Petaluma-based Scam magazine, likes to play around in the summer.

Local writers share their picks for the best summertime reads

By Sara Peyton

SUMMERTIME READING evokes the remembered childhood pleasure of catching fireflies in the dark. It’s magical. And local writers–literary magicians spinning tales from words–indulge in summer reading just like the rest of us. We thought we’d take a peek into their literary closets to inspire our own summer reading lists.

With nose to computer screen and fingers affixed to the keys, finishing her next novel is uppermost in Dorothy Allison’s mind. Summer reading, though, means settling into something comforting. “I just re-read [Toni Morrison’s] Song of Solomon, which I do pretty regularly,” e-mails the acclaimed Guerneville author of Bastard out of Carolina and Two or Three Things I Know for Sure. “I also dipped into [Louise Erdrich’s] Love Medicine, which is what I do when I am overwhelmed–re-read favorite books I know I will love again.” For a great summer fix, Allison recommends Bernard Cooper’s Truth Serum. This coming-of-age gay memoir recently received glowing reviews in the New York Times Book Review. “These are wonderful essays that read like short stories,” Allison writes.

Occidental fiction writer Robin Beeman needs three different summer books. Dead Man Walking by Sister Helen Prejean–from which Tim Robbins made his award-winning film of the same name–satisfies her reading needs during StairMaster workouts. At home, this novella and short-story author is diving into a classic, Gustave Flaubert’s A Sentimental Education. Set in the Paris of the 1840s, Education chronicles the love of a young man for a much older woman. “It’s interesting because he puts his own life on hold so he can be around this woman and long for her,” sighs Beeman. One of the few writers to admit to a guilty pleasure or two, Beeman always reserves time for what she calls her summer “chewing gum” novel. “I’m looking forward to whatever Elmore Leonard book comes out in paperback,” Beeman says.

Sonoma State communications professor Jonah Raskin spent his boyhood summers lounging on Long Island beaches, his head in a book. Realizing midway through college that he wanted to study literature instead of history, he turned to even more serious reading. “That summer I read all the classics from [Defoe’s] Robinson Crusoe to [Forster’s] Passage to India. I took notes and by September I was an English major.” When this summer unfolds, Raskin–whose new book, For the Hell of It: The Life and Times of Abbie Hoffman, will be published this fall–plans to dive into Doris Lessing’s five-volume Children of Violence series.

“What’s nice about summer reading is that you have time to get involved in one big book and feel like you’ve lived with the characters for a long time,” he smiles.

Voracious readers will want to add these
tasty tomes to their summer reading list.

Petaluma playwright Daedalus Howell, 23, doesn’t remember reading much as a teen. “Back then, summer was for liquor and sun,” he cracks. His habits have changed, and now he recommends reading plays. Two summers back when Howell first tackled the genre, he read 300 plays. “You can sit on the porch with a glass of ice tea, read a play in an hour and a half, and get the same thrill you’d get from reading a novel,” he says, particularly recommending prolific playwright Tom Stoppard. Howell–a busy writer who publishes a satire tabloid called Scam and is never far from phone, e-mail, or beeper contact–is about to embark on a novel. His planned summer reading includes an old favorite. “I plan to completely deconstruct Kurt Vonnegut’s Cat’s Cradle for research and enjoyment.”

Howell’s close friend Trane DeVore, a Petaluma poet, keeps a stack of decidedly serious books by his bed. This summer he hopes to cozy up to Karl Marx and 20th-century German philosophers. For others not so philosophically inclined, he suggests books by Lorrie Moore. “I highly recommend Moore’s Who Will Run the Frog Hospital? It’s about childhood love, the kind of love that isn’t sexual. It’s pre-sexual, but a fierce love.”

Hard-working Cydney Chadwick, the Penngrove-based fiction and poetry writer who publishes Avec Books, has never “summered” anywhere and can’t recall the last time she went to the beach. Still, when it comes to the literary scene, she seems to be everywhere. “I read no more or less during the summer months, nor do I read any differently,” she says evenly. Once finished with a friend’s dissertation, Chadwick plans to open one of the nearly dozen still-unread books lining her bookshelf. Among them, Sherry Turkle’s Life on the Screen: Identity in the Age of the Internet, feminist theologian Helene Cixous’ Three Steps on the Ladder of Writing, and a biography of Heinrich von Kleist, a 19th-century German poet, playwright, short-story writer, and essayist.

Though not as long, Suzanne Lipsett’s list is equally intense. She’s the author of one of my personal favorites, Remember Me, an unusual novel about how a family copes with death of their young mother. This summer Lipsett is rereading Tolstoy’s Anna Karenina. “But if I wasn’t busy reading that I’d re-read Middlemarch,” she declares. “I recommend anything written by George Eliot.”

Sonoma State English professor J. J. Wilson, the co-founder of The Sitting Room in Cotati–a great place for air-conditioned summer reading comfort–has a list of books as tall as a redwood. At the top is Ernest Gaines’ A Lesson Before Dying. “This is one of the few novels nowadays that shows a black man taking responsibility,” says this non-fiction writer. “Sure, there are some great black grandmother types in the book nagging the hell out of him, but in the end the protagonist does what he needs to do himself, which I love.”

Jane Love juggles the careers of freelance editor, fiction writer, reading-group coordinator, and publicist for Copperfield’s bookstores while still savoring many kinds of reads. “When I was a girl, I liked to read the classics in the summer,” she remembers. “I was good-girl reader then. Later I kind of went through a period of gorging myself on the dark, psychological true-crime books by Ann Rule.”

These days, Love loves André Dubus. Published by Knopf, Dancing After Hours–the first short story collection by Dubus in nearly a decade–focuses on love, adultery, and sustaining a marriage. “He’s the greatest kept secrets of the literary word,” she reports, “a man that women and men alike resonate with.” It sounds almost too good to be true.

Summer reading. To some it means more time to nourish one’s literary soul, a lifelong pursuit. “By the time summer comes along, I’m reading books that won’t come out until fall,” says Andy Weinberger, co-owner of Readers’ Books and a dedicated but as yet unpublished fiction writer. “I don’t go in for light fare or beach books.

“Life is too short to furnish your mind with trash. That’s my view.”

From the May 16-22, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Mystery Couple

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Partners in Crime


JANET ORSI

Stronger than fiction: Bill Pronzini and Marcia Muller have found the write stuff in one another and in their 15-year relationship.

Married writers share the sweet mystery of life

By David Templeton

CLIMBING the Petaluma hill that leads to the striking, almost palatial home of mystery writers Marcia Muller and Bill Pronzini, it is hard to avoid getting little mental flashes of Nick and Nora Charles, those aristocratic, martini-sipping party sleuths of Dashiell Hammett’s The Thin Man novel, and the glorious black-and-white movies of the ’30s and ’40s based on it.

Starring Myrna Loy and William Powell, those films were a paean to the inescapable romantic notions inherent in the mystery genre. By literalizing the romance, in the form of cuddly, married crime-solvers, the films perpetrated the quaint idea that murder and mayhem, under proper circumstances, are good for the heart.

It’s certainly been good for Muller and Pronzini. As the writer of the long-standing Sharon McCone mysteries, Muller has written dozens of best-selling crime novels and is widely revered as the creator of the first contemporary female character to step into the formerly all-male shoes of detectives like Sam Spade and Easy Rawlins. Her latest McCone novel, The Broken Promise Land (Mysterious Press, 1996), will be released in June. Pronzini, with over 120 books bearing his name, is the man behind the boundlessly clever Nameless Detective series, the 23rd of which, Sentinels (Carroll & Graf, 1996), will be unveiled in August.

NOW, with 15 years of love between them, numerous literary awards apiece, and the financial rewards of authoring two popular series, Muller and Pronzini seem to be the very definition of success.

As for the idea that their life as mystery writers is tinged with romance, the mere suggestion is received with a mixture of amusement and amazement.

“I wish it was true!” Pronzini laughs, taking a seat across from Muller in their light-filled living room.

“Facing that blank page every day is not very romantic,” Muller smiles. “It’s hard work.”

“We treat it strictly like a business,” Pronzini admits. “We keep regular hours. This is a job. Yes, there are a lot of perks that go with this particular job, but is it romantic? Um . . . no.”

“The research part of it is one of the real positive elements,” Muller suggests. “We travel to a lot of places.”

Well, this sounds exciting. Just like Nick and Nora, traversing the globe in search of adventure in exotic locales.

“We’re taking a trip next week,” she offers. “We’re going to Minnesota.”

I see.

All further attempts at romanticizing the lives of Bill Pronzini and Marcia Muller are now formally dropped.

I’M AN OLD movie junkie,” Pronzini declares, naming some of the influences that led to his choice of occupation. “I grew up reading the old mystery writers. Chandler. Hammett.”

Inspired by their books and other genre fiction–Pronzini favoring the Ken Holt mystery series, and Muller the various mysteries written for girls–each wrote their first novels at the age of 12.

“We still have ’em, too,” Pronzini boasts.

Asked if the fledgling efforts were any good, they laugh merrily as if at some private joke.

“They are instant humility,” he says, quickly adding, “Hers is better than mine.”

“I illustrated mine,” Muller laughs. “Unfortunately, I am not an artist.”

Were these first novels mysteries? “Mine was,” Pronzini affirms. “It was called The Devil’s Island Mystery.”

“Mine was about my dog,” Muller smiles. “Though it did have mystery elements to it. I guess we both knew where we were going.”

PRONZINI’S TRANSITION from amateur writer to published author was fairly straightforward. Muller, however, suffered an early emotional setback when a college instructor lambasted her writing abilities.

“At the end of the course,” she recalls, “He told me I would never become a writer, because . . .”

She pauses to laugh, and Pronzini, knowing what comes next, laughs with her. “Because I, ‘had nothing to say.'”

“He got that wrong,” Pronzini grins.

TODAY it is hard to imagine the landscape of mystery fiction without the self-examining intellect of Sharon McCone, the private eye Muller first introduced to the world in the now-classic 1977 novel Edwin of the Iron Shoes.

Likewise, it is hard to fathom there never having been a Nameless Detective series, so called because of Pronzini’s ever-more-elaborate ways of avoiding the mention of his most famous character’s given name, an edgy device that works well with the author’s hard-edged, witty explorations of solitude, isolation, madness, and philosophical issues concerning personal identity.

“The Nameless Detective is essentially me,” Pronzini admits. “I’m fairly opinionated, and he tends to be pretty opinionated. It’s a nice way of getting my opinions out into the world. And all I’m doing,” he grins, “is writing a braver me in a different profession.”

Aside from the difference that Pronzini has a name, is there anything that separates the two? “Well, he’s older than me,” he chuckles. “Or he was. I’m starting to catch up to him.”

THIS PROLIFIC DUO, working together at home, manage to pound out the pages without pouncing on each other, a neat trick for any couple. How do they do it?

“Very cautiously,” Muller replies. They work at opposite ends of the house and meet throughout the day to read each other’s drafts and make suggestions. Using this alone-together approach, they’ve collaborated on three novels, and hope to do more.

“We like doing those,” Pronzini says. “We just sit down at the table with a bottle of wine and plot out sections together. Then we each go off and write our own sections. Then we meet, read them back and forth, and when we have something we’re satisfied with, we plot out the next section. It’s fun.”

But not without an undercurrent of danger.

“We unconsciously steal from each other,” he grins, confessing that character names and background details are occasionally lifted. “I stole the name of your bar that time,” Muller laughs. “He was reading through my pages, and said, ‘Wait a minute! You took my bar!’ Unconsciously, I’d registered the name, and then when I needed one, I thought it was my idea.”

“Some writers have enormous egos,” Pronzini says. “But we’re not like that. We respect each other’s opinion. We’re willing to take advice from each other.”

“It’s true. There’s nothing that can’t be improved,” Muller adds. Sounds like a healthy attitude.

“It’s worked for us,” he asserts. Locking gazes for a moment, they exchange smiles in apparent agreement.

Isn’t that romantic?

From the 16-22, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Cats & Dogs

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Pet Sounds

A real vet tells the truth of ‘Cats and Dogs’

By David Templeton

Petaluma writer David Templeton takes interesting people to interesting movies in an ongoing quest for the ultimate post-film conversation. This time out, David makes an appointment with renowned veterinary surgeon and best-selling author Terri McGinnis to see the much-hyped romantic fable The Truth About Cats and Dogs, a story of a talk-show veterinarian and the people who love her.

Terri McGinnis is all charged up and full of energy, chatting and laughing as she leads me from the movie theater and down a side street where, she recalls, there is “a pretty good coffee place.” The movie we’ve just seen, The Truth About Cats and Dogs, has apparently put her in a giddy mood. Or perhaps she’s always like this. After 25 years of practice as a vet, one would expect her to be skilled at building rapport with strange animals, even newspaper columnists.

McGinnis, a resident of Berkeley, is the author of two classic handbooks for pet owners: The Well Dog Book and The Well Cat Book (Random House, 1974, 1991), updated and recently released for the first time in softcover editions. Written in comforting, clear-cut language, these books have become the cat and dog Bibles for generations of panicky human pet owners. A frequent guest on television and radio programs around the country, McGinnis was herself the host of a call-in radio show in San Francisco, and found herself identifying with Dr. Abby (Janeane Garofalo), the vet in today’s movie. “Oh, I identified with her on a couple of different levels,” McGinnis explains, sliding her iced mocha onto the table and settling in for our talk. “As a veterinarian, of course, and as a talk-show host, but also as a woman who is aware of the ways in which people judge women.”

She is referring to the Cyrano-esque theme of the movie, wherein the smart and witty but physically insecure doctor coerces her beauteous, blond, not-so-bright neighbor, Noelle (Uma Thurman), to stand in for her when a grateful caller asks her out. As lightweight as Noelle’s IQ, the movie’s charm lies in it’s examination of the interplay between physical attraction and mental stimulation.

“I think it was sweet,” McGinnis pronounces. “There aren’t too many movies that say you don’t have to be exclusively attracted to stunning beauties. I know if I were a guy, I’d have been more attracted to Abby, but she was more my kind of person, the whole package, brains and all.”

How was she as a vet? “She was pretty good,” McGinnis smiles. “Though this thing of doing acupressure on a dog’s ears to calm him down, that’s not one I’ve heard about.”

I mention a scene involving a turtle. “The turtle!” she shouts, recalling the doctor’s advice that to get a turtle’s leg out of its shell to give it a shot, one must probe the amphibian’s rectum with a cellophane-wrapped finger. “That’s not how I’ve ever done it,” she laughs.

When I suggest that thousands of turtle owners may now be influenced into using this method, she cannot contain her laughter. “Oh, those poor turtles,” she gasps.

We regain our composure and return to the subject of attraction. “We can learn a lot by studying the animals,” she muses. “With dogs, it’s the female dog that chooses her mate. How does she choose? I’ll never know because I can’t become a female dog for 20 minutes to find out, but it’s really clear that when a female dog is in heat, and a pack of dogs appears, she will usually be very selective about which male she allows to mate with her.

“And it wouldn’t necessarily be the one that we, as human beings, might think is the most attractive,” she adds. “In a wolf pack, only the dominant male and female in the pack will breed. There are some parallels to humans, if you think about it. If you think of us back in the caves, well, who might be the most attractive male there? The one who can get the food and beat up all the other guys and protect the babies. And the attractive female is the one who can reproduce.

“In a domesticated situation, such as we’re in now,” she continues, “there are a lot more options, but we are still pretty driven by instinct. The attractive men are the ones with the money, and the attractive women are, you know . . . “

The ones that get a guy’s gonads going? “Exactly,” she affirms. “And I think we should acknowledge that and deal with it and get beyond it. If you’re a young, attractive woman and you don’t realize that there is this whole instinct thing going on, you’re going to get paired with a guy who doesn’t value you for a whole person. He values you for being a baby-maker, even though the guy doesn’t realize it’s his baby-maker drive that attracts him to you.”

She pauses, then bursts once more into peals of laughter. “See?” she asks. “See how much we can learn from cats and dogs?”

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Mike Henderson

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Paint It Black

By Gretchen Giles

I AM LOOKING for a painting that doesn’t really have an immediate impact,” says painter Mike Henderson quietly. “It slowly reveals to the viewer its story or secret, to sort of build up a conversation, you know, so that when you look at it in the morning it looks one way, and then if you look at it at night or under artificial light, or you light it one way, or you look at it from an angle that’s different, you notice different marks or brush strokes. And that’s something, too, that I have been trying to develop, this language of being able to speak secret messages that you can only see if you go to the left and look at this painting, or if you look at it in the morning.”

A fine arts professor at UC Davis, Henderson is also a filmmaker and a professional guitarist whose career has encompassed stints with such blues greats as Albert Collins. Henderson’s “Five-Year Survey” of works comprise one half of the California Museum of Art’s latest peek into the abstract. In the museum’s black back room, glass artist Gordon Huether’s “Uroboros Series,” painterly mangled slabs of glass, hang silently above a floor strewn with the glittering crushed diamonds of safety glass.

Painted on large, tactile canvases that at first appear to hold nothing but darkness with the surprise of small bright navels or explosions of paint piled up like desiccated balloons, Henderson’s work at first appears to be about nothing but the colors of black. Take a step closer, though, peer onto the heavily built-up canvas–alive as it is with mattes and glosses, scratches, and color revealed–and the work begins to demand an examination of its hues, hillocks, and gashes. Shine the light strong and the paintings jump with the irresistible sheen of an exotic beetle taken out in the sun.

“One of the things that I am focusing on at the basis of this is what happens in a dark room when the lights are turned off,” Henderson says thoughtfully, “and your retinas get adjusted to the darkness. Then all of a sudden you start seeing things in the room, and it’s not completely empty.

“I’m trying to set it up so that the mystery isn’t immediately revealed,” he continues. “Gradually, if you spend time with the paintings, I hope they’ll slowly keep growing and changing the way that nature does. They always keep evolving, and the light is a big part of the painting.”

Henderson, who was doing primarily representative work just five years ago, and who still sketches and draws with his classes, feels that his interest in the abstract is a natural progression. “You always have to start with something,” he says, sounding professorial. “You can’t abstract nothing. It takes a lifetime to be able to put one dot on the canvas. There’s always the joke when people talk about abstract painting. People are always saying ‘Oh, it’s just scribbles, my dog could do that,'” he chuckles. “But it takes a long time, and then you learn that less means more, and that has to do with when I began to want to move the paintings from the cadmium colors [of] red, green, yellow, blue, straight out of the tube. Looking for colors, I found the earth tones, and looking for a way to make them subtler, I saw that they slowly became dark, and then they became black, and then they slowly began to turn light again.

“The way that they became black was that there was something in me that was trying to make them white all the time,” he grins. “I was always trying to make a painting light, and it became dark. And at one point I thought, the answer to this problem is to make them all dark, and I started out that way and then the magic was gone. And then it’s ‘Uh oh, please forgive me, gods, I’m being too human here, I’m trying to outthink it,’ and luckily I got back on the right track.”

Henderson’s work is problematic, and he wouldn’t have it any other way. “I think that one of the biggest things that painting has taught me is that problems are very necessary,” he says, wiping the heat from his brow. “I’m not so eager to rush out to resolve all of my difficulties anymore. I’m sort of at a loss when I don’t have any, because I understand the importance of them. This whole thing of someday I’ll be at peace and I’ll be in a place where it’s all milk and honey,” he laughs, “would be boring as hell, I’m finding out the older I get. Maybe I want to be reborn in downtown New York or Calcutta or someplace, in the midst of the chaos.”

What is a problem for a painter? “A great example of a problem is when you have your favorite part–‘I did this! Wow!’–but it’s only at this corner of the painting,” Henderson answers with a grin. “Then you say, ‘Well, I’m afraid I’m going to ruin it.’ But is it about saving favorite parts, is it about making precious objects, or is it about something else?

“I always relate it to being a matador,” he continues. “It’s like you can’t be a great bullfighter unless you have vicious, big bulls, you know. You need that problem, you need that struggle. Sometimes we need a kick in the butt–it gives us incentive to get up. It’s a very complicated mystery.”

As a tenured professor who has been working with students for more than 20 years, Henderson feels that he’s just beginning to learn about the inside-deep part of his craft. His experience as a musician has helped. “I had an opportunity one time to be around Diz Gillespie for the whole day,” he remembers. “[It was] a lot of one-on-one, just me and him sitting around in his hotel room, all day long, just talking. And I asked him, ‘Hey, Diz, when you-all invented beebop . . . ,’ and he said, ‘Invented beebop? Man, that’s what they called it! We was just playing.’ And that’s the same thing that I’ve heard in art history classes.

“I’m just beginning to digest my first year at the San Francisco Art Institute,” Henderson says of the program where he earned his M.F.A. in 1970. “It takes a long time to learn–not regurgitate–but to learn, and I’m enjoying being a part of that.”

Mike Henderson’s “Five-Year Survey,” and Gordon Huether’s “Uroboros Series” will be on display through July 14. Reception, Friday, May 10, from 5 to 8 p.m. Artists give a gallery talk on May 16 at 7 p.m. California Museum of Art, LBC, East Mall, 50 Mark West Springs Road, Santa Rosa. $2, non-members. Hours: Wednesday-Sunday, 11 a.m. to 4 p.m. 527-0297.

From the May 9-15, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Small Wineries

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Vines Entwined

By Dwight Caswell

THEY’RE SHUTTING OUT small businesses,” says Rick Kasmier, “They just don’t care.” Kasmier is standing in the middle of his “Kaz” winery, a winery so small that it does not quite occupy the basement of his home in Kenwood. The “they” he is referring to are all the government agencies that regulate the wine industry. Rick, a commercial photographer, and his artist wife, Sandi, moved to Sonoma County to build a home and start a winery. They had no idea they would be stepping into a regulatory quagmire as well.

Wineries are regulated by, among others, the Bureau of Alcohol, Tobacco, and Firearms, the state Alcoholic Control Board, county health, planning, and agricultural agencies, and the alcohol regulators of every state in which a winery sells its wine. Regulations cover everything from farming to winemaking practices to tax regulations, and some winemakers say the cumulative plethora of regulations is beginning to take its toll.

“The bureaucracy sucks,” Kasmier says bluntly. “The permits are expensive and time consuming. My permit would have cost only $12 if I was making 500 cases, but since I make a little more, it cost me $2,000. I paid a penalty for my honesty.”

The San Francisco Bay Area Water Quality Control Board also became involved with Kaz, concerned that his gray water would pollute the soil and, eventually, San Francisco Bay. “I’m organic,” Kasmier complains. “I don’t add caustic stuff. All I’m doing is adding a little yeast to the soil, which is already there. I pollute more every time I flush the toilet.”

Small wineries have been hurt by changes in the rules; recently they lost business when the ABC declared a moratorium on the sale of Type 20 licenses. The state requires that everyone engaged in an alcohol-related business purchase some form of ABC license. The Type 20 was originally intended to regulate off-sale beer and wine in small retail stores, but it soon became the license used by telemarketing operations, and by vineyard owners having their grapes “custom crushed.” This is the practice by which a grower has another winery crush his grapes; the Type 20 allows him to retail the wine produced. Unfortunately for such growers, and the wineries who make their wine, stores with Type 20 licenses proliferated in Southern California, especially in high-crime areas. They were the target of the moratorium, put in place after the Los Angeles riots, but wineries suffered as well. Sen. Mike Thompson has found the ABC “very helpful” in preparing a bill to resolve the situation.

Bob Anderson, executive director of United Winegrowers for Sonoma County, notes that “the wine industry is one of the most regulated of all industries, both for growers and for wineries. Everyone feels that life has become more complicated in the last few years.” He points to required safety classes for workers, storm water permits, and the complexity of the tax structure. “There are a lot of players, each with a different structure and a different deadline.

“A concern I’ve heard voiced,” says Anderson, “is whether we’re just filling up file cabinets with completed forms, or anyone is benefiting.”

“I understand the value of most of the regulations,” says Rod Berglund, “but the sheer volume makes it difficult.” Rod is winemaker at Joseph Swan Vineyards, the winery founded by his late father-in-law. “If you’re a small operator, you’re not pruning your vines, or topping your barrels, or servicing your accounts, or doing the things that keep you in business. You’re shuffling papers instead.” Berglund suggests that there should be a production threshold, below which standards for small wineries would be relaxed.

This does not seem to be the direction regulators are taking. For instance, ABC regulations affect even winetastings, which in Sonoma County are a means for wineries to promote their product while raising money for worthwhile causes. Each event requires a temporary ABC license. One event manager says that she has had few problems, but tastings without a “track record” are subject to closer scrutiny: “They [the ABC] have an attitude, and they don’t have to give you a license.” Another organizer complains that she has had to get a different permit for each table at which wine is served.

Mike Naudon, district ABC administrator, maintains that “the majority of new regulations put in place in the last few years have been directed toward retail.” He believes there has been a lessening of regulation for wineries, at least as far as the ABC is concerned. As for regulations governing winetastings, the ABC is simply enforcing the law. Winery personnel can’t pour wine at non-profit events, since the non-profit holds the license; separate licenses are required for different locations at one event if the locations are widely separated.

“We’ve been in a business-friendly climate for some time,” Naudon says. “If wineries succeed, we succeed too. We just want people to operate within the confines of the law.” He is proud of the way in which his office has helped small wineries get into business by making it possible for them to rent space and equipment from larger wineries, a “symbiotic relationship” that helps both. He is sympathetic with small wineries, but questions how a regulatory threshold such as Berglund suggests would work. “I hear what they’re saying, but I don’t know how you would make that differentiation.”

From the May 9-15, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Vietnam by Bike

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On the Load

In which a bored Silicon Valley technical writer packs up his 18-speed clunker and finds himself on a freight train to Hanoi

By Andrew X. Pham

The last train of the day rumbled toward the way station as dusk crept out from the Vietnamese jungle. I fought down a surge of panic. I had $45 in my pocket and Hanoi, my destination, lay 1,000 miles due north. A Vietnamese acquaintance had informed me the ticket would cost $30 in U.S. currency, but station officials wanted $120 because I was a foreigner (a Vietnamese- American), the porters wanted $10 for handling my bicycle because it had heavy luggage panniers, and the constable wanted $40 because his salary was only $25 a month. “Passport cua Ong dau?” demanded a dour-faced Vietnamese constable.

I replied in Vietnamese: “I left it in the safe at my hotel in Saigon.” A street-savvy friend had warned me of the brisk black market in Vietnamese-American passports.

“Ho Chi Minh City, not Saigon,” he shot back. “Travel is not permitted without a passport. A photocopy is not acceptable.”

It was hot and dusty inside the decaying station. Rust scabbed the window’s metal grills. Door hinges dangled on doorless frames. Two deputies and four station conductors escorted me to a long bench. The head conductor, a short thick man with graying black hair, lounged behind a desk, one leg cocked on an open drawer. The constable leaned against the desk and eyed my bicycle and the loaded panniers, no doubt appraising their value. The others scowled, not buying my pleas of poverty. No one believed that I’d biked my way up the Pacific Coast from San Francisco and then around Japan, nor that I intended to take the train to Hanoi and bike another 1,100 miles to Saigon.

Three conductors went out to meet the train. Outside, the beggars, vendors and peasants stirred out of the shade onto the hot concrete, buzzing toward the ancient iron monster as it groaned to rest. Healthy beggars abruptly developed the gaits of cripples. Vendors shouted their wares, clawing at the passengers, jabbing sandwiches, bags of peanuts, pouches of sugarcane juice, T-shirts, straw mats, and tawdry gifts through the windows, pleading for a buyer. Peasants scurried, almost frantic to get their baskets of produce aboard before the whistle blew again.

Four laborers hauled pigs individually caged in woven baskets and dropped them on the concrete. The pigs squealed, pissing terror. The stench wafted into the room on a hot breeze and infected me with the animals’ fear.

“May I go now? That’s my train.” I managed a smile and inched to the edge of my seat. They had detained me in this room for two hours, causing me to miss one train already.

“Here, I’ll help you out: $140 US dollars,” said the head honcho.

I carefully explained again that I had only enough for the regular fare. The constable scowled, ordered me to stay in the room and exited, trailing the station manager, cursing the cheapness of foreigners.

Alone, I watched the ceiling boards hang precipitously over my head. I was hungry and weak from a recent bout of stomach flu. Minutes ticked by. The conductor poked his head into the room and asked, “The train’s leaving in two minutes. Changed your mind? Do you want to pay now?”

I lost my composure. “Go through my bags! If I’ve got any money in there, it’s yours!”

He shrugged and left. Two minutes. The whistle sounded twice. The train sighed and lumbered north without me. It was dark. I was practically broke and stranded in the middle of a jungle.

Not for the first time, I cursed myself for picking up the book which, nine months earlier, inspired me to make this trip.

MetroActive Goes Trippin’ . . .

Don’t Miss Saigon: Playing the Pacific Rim by bike requires stamina and good wheels.

Cruising Oblivion: Life aboard a cruise ship is a lesson in scheduling and snoozing.

On the Road: Traveling doesn’t have to mean planes and trains. Automobiles and thumbs can get you pretty far.

Southern Sunshine: Paradise found on Mexico’s tropical beaches.

Romancing the Romanesque: Scouring France in search Crusader ruins.

An Idiot’s Guide to the Universe: How to keep Europeans from thinking you’re completely hopeless.

Queer Across the World: Transcending homophobia in search of another buck.

Packing Heat: Paranoid or not, it’s always a good idea to keep an eye out for danger when you travel.

Virtual World: Armchair travelers can feed their wanderlust on the web.

Like most people who skulk around the travel sections of bookstores, I had neither money nor vacation time. But endless hours sitting at a desk and staring into a computer screen were making my days feel fuzzy around the edges. The weeks collapsed together, nothing to mark their passage. I was bored.

So the cover photo of the author wrestling her burdened bike through the street of a foreign country appealed to me. Something in her sun-bronzed face shouted contained agony. Her brazen expression spoke of the adventure of a lifetime. I bought the book, Miles from Nowhere by Barbara Savage, and read it that night.

The next day I decided to go on a bike tour–not around the world, just around the Pacific Rim: San Francisco to Seattle to Japan to Vietnam. It would take eight months, less if I ran out of funds. I wasn’t a cyclist and I had never been on a bike tour. Ten years had whispered past since I’d been “in the saddle.” My last serious ride ended with an ambulance carting me to the emergency room. Memento: one ugly scalp scar that never fails to make my barber shudder.

Still, it was so simple and irresistibly romantic to start an adventure from my front door with nothing more than a bike. There was nothing to learn. I could quit work and leave instantly! I gave myself 30 days. Any longer, and I feared the novel passion would dissipate.

Deep down, I wanted to know if an ordinary person could chuck it all and be swept up in the moment. I wanted to know if a person who knew nothing about bike touring could swallow his fears and roll out of his front door for the adventure of his life.

The logistics did not look good. My bike was an old entry-level 18-speed hybrid–not an ideal choice for touring, according to published experts. My account balance said I’d be traveling on a disintegrating shoestring budget. I splurged on two bike racks and panniers and stuffed them with my old camping gear. The few friends I told of my plan spewed fear and skepticism, compounding my doubts. By D-Day, I was a mess of nerves, high with adrenaline, sick with uncertainties, knotted with fear.

My brother Tim drove me to the Golden Gate Bridge and handed me a bag of Powerbars, the kind of food I normally avoid religiously. We snapped a few pictures. I mounted my bike and pedaled shakily across the bridge. It was the first time, I realized, my calves pumping, that I’d ridden the bike fully loaded.

Thin strokes of clouds scored a sky blue as a baby blanket. A brisk wind washed across the bridge. I wobbled through the throngs of pedestrians and cyclists with a ready grin for everyone I passed. A lightheadedness buoyed me, as if ambrosia coursed in my veins, intoxicating me with a feeling of rightness, a psychological snapping together of mating parts, a lucid moment of geometrical perfection. “Yes!” I shouted aloud again and again as I raced away from San Francisco.

The euphoria lasted until I cranked up the hills of Highway 1. The bliss dissipated with every merciless incline. My map showed an inland road that meandered some way from the coast and rejoined Highway 1 at Stinson Beach. Confident the Panoramic Road would spare me grueling coastal hills, I went huffing up the grade. I inched up the mountain, pulling over to breathe at every half mile.

At one turn of the road, I looked up and the peak of Mount Tam reared over me. Good God, I thought, I had been climbing the road that led to the highest peak in the area–on my first day! Stupid! Stupid!

That evening, drenched in sweat and shaking with fatigue, I squeaked into Pan Toll State Campground. My knee bled from a fall I’d taken a couple miles back when the road was too steep and I couldn’t uncleat my feet from the pedals fast enough. My odometer read a pathetic 18.7 miles.

The following days and weeks brimmed with excruciating pain. Every part of my body screamed agony. Mounting the saddle the first few mornings was hideous torture. My butt ached, my crotch was raw. My quads were so tight it hurt to crouch. Going over a bump in the road was like having a piece of hot coal jabbed up my groin. Even smiling was hard. I routinely cursed engineers for paving roads over mountains rather than blasting a ravine through anything taller than a mole hill. Still the thrill of the road lured me onward.

I went up the coast from Stinson Beach, then climbed the rolling hills over to Petaluma, zeroing in on the California wine valleys. After dallying in Sonoma and Napa Valley for a week, I pushed north through Mendocino, feeling very high with a tailwind. The road was flat with just enough gentle hills and curves to keep it interesting. It meandered over creeks, through oak forests, around farms with red barns, and along acres upon acres of vineyards that at a glance could have easily been mistaken for the hills of France. Late summer was gorgeous in the California wine country; no wonder the organized bicycle tours were so popular here.

After 400 miles, my muscles became accustomed to the pain of six-hour rides, but my bike started falling apart. The old thing needed a major overhaul that I couldn’t afford. So, just about every day I repaired broken spokes, tightened nuts, adjusted brakes and patched flats. I didn’t know much about bike repair, so the few pages I photocopied out of a bicycle handbook proved invaluable.

Barbara Savage, the author of my inspiration, biked up the Pacific Coast with her husband, Larry, in the late ’70s. I knew 20 years wouldn’t leave things untouched, but I didn’t expect the Pacific Coast bike route to have become the most popular ride in the world. Every year, 60,000 cyclists pedal south from Seattle to San Francisco. Going north against the prevailing wind and conventional wisdom, I met a gamut of cyclists coming from the opposite direction: senior couples on recumbent bikes, teenagers on guided tours, shirtless bodybuilders cruising as though they were on Venice Beach, neon LycraÐclad corporate executive types toting little more than a comprehensive set of gold credit cards, parents with toddlers in carriages, and solo cranky old men on cranky old bikes.

The most bizarre sight materialized while I was grinding up the mountains between the Pacific Coast and Leggett, perhaps the toughest climb on the entire coast route. I was moaning up the grade when a striking woman in her late 50s glided down the mountain. Her long, blonde hair waved behind her, bright halos in the sunlight angling through the trees. Her white blouse billowed in the breeze, beige Bermuda shorts crisp and pressed. A straw basket mounted on her handlebars cradled a bunch of wildflowers. She pedaled in white tennis shoes sans toe clips. Her gloves were strapped on the stem of the handlebar, an expensive helmet dangling from the rear panniers. Two magazines stuck out of the mesh pocket of her pannier: Good Housekeeping and Glamour.

Yes! Bike touring was for everyone, especially on this soul-wrenchingly beautiful coast. The sea girdled the horizon. The tidal pools gleamed turquoise. The white surf marched against the towering gray cliffs. The green pines receded up the brown mountains. The breeze sang with evergreen scents sharpened by a marine tanginess. The coastline stretched a thousand twisting, gorgeous miles.

It wasn’t exactly pristine on the road amid the crazy traffic of lumber trucks and the huge, gaping tracts clear-cut of trees, but there were still many ways of escaping the ugliness. Plenty of trails led off from the road into the woods or out to the beaches. Special state-run parks and campgrounds for hikers and bikers dotted the coast almost every 20 miles, some situated in the few remaining groves of redwoods.

I divided my nights among three types of accommodations: hiker-biker campgrounds, “unauthorized” campsites (i.e. farms, forests, creeks, churches, local parks, isolated beaches, abandoned train stations, large estates), and guest lodgings in the homes of strangers. The hiker-biker campgrounds were great for hot showers and hanging out with other bikers. “Unauthorized” sites, on the other hand, took a little getting used to because they involved some fence-hopping and sneaking around. Then there was the bogyman anxiety: irregular sounds in the night. After the first month, I realized all the bogymen that visited my camp were raccoons, deer and cattle.

The highlights of this leg of the trip were often the people I met along the way, particularly those who welcomed me home for the night. Meeting friendly folks on the road was far easier than I imagined. A loaded bicycle always evoked curiosity. Even when I just stood resting on the side of the road, people would come over and strike up a conversation. I met my hosts and friends in grocery stores, cafes, laundromats, bakeries, parks, sidewalks–just about any public place.

Once a hippie singer gave me a foot massage and a hammock to sleep on for a night. A student gave me dinner and lodging in her basement apartment. A retired CEO couple wined and dined me in their hilltop mansion. A homeless Vietnam vet shared his tequila, a smoke and a campfire with me. A New Age woman put me up in her apartment for a week and fed me homemade biscotti. A recently released patient from a psychiatric facility asked me at knifepoint whether I was a vegetarian, then put me up for the night. There were so many others who invited me into their lives and many more whose invitations I could not accept because I didn’t have enough time. That was the thing about bike touring. There was always something to see just around the bend and the urge to be on the road was as strong as lust.

A certain extravagance about bicycle touring makes it indelible in memory. A strong rhythm permeates it all: the hum of tires on asphalt, the whir of chain and bearings, the pounding of heart and muscles. Physical effort heightens every detail of the landscape. The flavors of bike touring are compellingly rich, the rush addictive.

By the time I got to Vietnam, memories from the West Coast seemed like ancient history and bike touring took on new dimensions.

“Yes, that’s what I said, you idiot!” the station conductor exploded into the phone receiver outside the station.

Squatting on their hams in the dirt, four junior conductors, deep in heated debate, didn’t even look up. They shuffled pebbles along a line drawn in the dirt. The station manager was testing them on train-cargo sequence management.

The conductor howled again: “It left 15 minutes ago, you idiot!”

A roar of curses and victory whoops rolled out from the room behind, where the laborers gambled with the rest of the station staff.

“Yeah, you come out here,” said the man, dripping each word into the receiver. “Come out here and I’ll cut off your balls.”

A baby wailed.

“Your mother!” He hammered the receiver into its cradle, lit a cigarette, and sauntered over to inspect my bike. Finally, his curiosity got the better of him. “Hey!” He turned to me. “Hungry? You want to go for coffee?”

I replied in the affirmative to both. It was the standard “I’d like to be your friend” gesture. After a brief verbal exchange with his boss and the constable, he took me to a kitchen shackÐdiner behind the station. We sat on low bamboo chairs under a thatch awning. A stray dog curled up at my feet and shared his fleas with my ankles.

He ordered each of us a liter of draft beer, rice, pork chops, vegetables and chicken squash soup. He wanted to hear about my travels because he had never been more than 200 miles from his home village. Between telling him my stories, I managed to learn that Hoang was 35, married with three children. He dreamed about faraway places, but his monthly salary amounted to about $30 U.S. Our meal was $2.

“So you really don’t have money?” he asked.

“Forty-five dollars is all I have until I get to the Vietcom Bank in Hanoi.”

He eyed me closely. “Well, there may be another way to get you north. I admire what you’re doing.” He grinned. “Leave it to me. I’ll get you north … eventually.”

It wasn’t the first time that stories of my travel won me an ally. Hoang confirmed my suspicions that the big men believed me when I failed to hock up the cash even when the last train rolled out. He explained that I couldn’t take the passenger train to Hanoi even if he sold me a civilian ticket because I didn’t look sufficiently native. The officials on the train were certain to give me trouble when I presented a civilian ticket. I’d already had several irksome encounters with hungry bureaucrats and policemen, uncooperative because I wouldn’t grease the meetings with bribes.

I spent the night at the station, in a dark room, on a broken divan. The shredded straw mat reeked of stale beer and sweat. The walls teemed with zigzagging geckoes. The air buzzed with crickets; one ricocheted off my forehead. The mosquitoes assaulted my hands and face. Fleas crawled underneath my pant legs and gnawed on my calves. I was raw with bites and crazy with itches.

At last, I gave up on sleep and took a stroll into the village. It was 11pm and nearly everyone was awake. In the shack-diner, a crowd gathered to watch Vietnamese soaps on a 19-inch Sony. Across the street, young men lounged on the verandah of a two-table billiards hall. At midnight, I squatted in the market square at one of the many single-basket food kiosks and ate a late supper of rice porridge cooked in chicken stock and scallions.

In the station rail yard were scores of broken and abandoned passenger cars. Walking down the dark tracks beside the railcars, I heard the snores and pillow-talks of the homeless and beggars who took shelter inside. Down the track from the main platform, beads of flames from vendors’ oil lamps dotted the dark cement islands between the tracks. Jungle sounds underscored muffled distant conversations and laughter.

A beggar boy and a white-haired man squatted on tiny plastic stools next to a girl who sold hot soy milk from a tin pot. They all smiled, inviting me into their circle.

“Try some hot milk,” the boy urged me. He was 10, naked save for a tattered pair of shorts and mismatched rubber thongs tied to his toeless feet.

I ordered a soy-milk eggnog. The girl grinned, then whipped an egg yolk and sugar in a cup briskly for five minutes with a fork and topped it off with a ladle of hot soy milk. It was foamy, sweet and warm.

The grandfather was on his way to see his grandchildren. He made $20 a month as a laborer, so train-hopping was the only way he could travel the 500 miles once every year to visit them. The beggar boy was waiting for a freight train to take him into Phan Thiet, where he planned to panhandle in the morning fish market. He explained that beggars were the only ones who rode the trains and buses for free; it was bad luck to turn beggars away. They all warned me of the “mean cops” who inspected the trains.

I stayed with them until near morning, when the girl’s sister came to relieve her. She had two sisters, and each of them took an eight-hour shift on the basket. Her sister brought a tin pot of soup with udon noodle, chopsticks, spoons and bowls. Yielding the baskets and clay stove to her sister, she sleepily stumbled home with her empty tin pot.

During the night, three freight trains passed through the station, but Hoang couldn’t secure me a passage. One look at me and the cargo supervisors all shook their heads; no one was willing to risk having a foreigner onboard.

At 7am, Hoang managed to press me on the cargo train of a reluctant friend. Hoang shook my hand and whispered, “Good luck. I wish I could go with you. Watch out for the cops.”

Hoang’s friend was the train’s cargo supervisor. He was 37 years old, rail-thin, with boiling-red drinker’s eyes and blackened smoker’s teeth. Tung showed me to the caboose and had my bike stored with the caged pigs and monkeys at the rear. The small car was already packed with 10 “unofficial passengers” and four cargo clerks who took an instant dislike to me because I was “imposed cargo.” I tried to introduce myself several times but received the cold shoulder from everyone.

After the train began to roll, I wondered if I had made a mistake. Red-eyed Tung showed me to a compartment reserved for the cargo clerks. It had six hard bunks, three on each side with just enough standing room in the middle. We sat down on the lower bunks and five other men filed in to join us.

I introduced myself. Redeyes summed up my predicament to his compatriots, who didn’t bother to reciprocate my introduction. In the absence of names, I resorted to nicknaming them. Bugsy was a short fortyish man with pudgy cheeks and two bunny teeth that pinned down his bottom lip. Scarface was a twentysomething punk with a foot-long scar on his face to prove it. Shyboy was a youthful thirtysomething man who spoke little and did most of the work. VC was a brawny and loud soldier, a stout military lifer in his late 40s, returning from one of his frequent joyrides carousing in liberal Saigon. Dealer was a paunchy hustler, card shark and cigarette smuggler.

They conferred and decided that they would take me to Hue for $10, and, perhaps, Hanoi for $20 more. Redeyes wasn’t sure he wanted to risk getting caught transporting a foreigner. They weren’t even supposed to carry luggage, animals or “unofficial” Vietnamese passengers in the caboose.

Redeyes told me to stay in the compartment for my “protection.” A couple of passengers were allowed to come in to talk to me. Most had questions about America and Europe. Some had favors to ask: “My uncle used to send us gifts and money, but he stopped and doesn’t answer our letters. Could you find him for me?”

A young woman named Mai stayed with me for several hours asking questions about the places I had seen. When we approached Mai’s village, she looked out the window at the rice fields and the huts squatting on the mud flats. “Do you really think it’s beautiful?” she asked, taking another hard look at the countryside, trying to fathom what was beautiful about poverty.

I reassured her that it was beautiful in its own way. Mai was 17, but malnutrition gave her the body of a 12-year-old. Her fingers and nails were brown from the dye of the leather factory outside of Saigon where she worked with her older sister. She spoke about her family’s poverty frankly, with no shame and just a touch of sadness that hinted at the Asian way of accepting life.

I asked her if the lifting of the American embargo was a good thing for Vietnam. She didn’t really know, but it couldn’t be bad since her boss was hiring more people, at $1.50 a day, to turn out more leather which would be sent to Korea, then to America. She hoped to get her 14-year-old sister a job at the factory. Sharecropping on poor land wasn’t enough to feed a family of eight.

“I hope they take you all the way to Hanoi,” said Mai as she left to help her sick mother off the train. Unaccustomed to traveling, they were all reeling with motion sickness. I was sick with the disparity between our lives.

This contrast was precisely the reason I’d bike-toured Japan before I flew to Vietnam. Vietnam dreams about America, but it pragmatically yearns to be Japan. To Vietnam, Japan doesn’t embody success, it is success. I wanted to see for myself the third link of this triangle.

When my plane landed in Tokyo’s Narita International Airport, it was dark and rainy. With no sleep in 38 hours, I reassembled my bike and panniers in the bus loading zone at the airport terminal. Then I realized I didn’t have the slightest idea how to get out of the airport, much less find affordable lodging. Besides a few phrases gleaned from a “Learn Japanese” cassette tape, I didn’t speak Japanese. Street signs were useless.

The people at the information booth couldn’t help either. According to one supervisor, foreigners had been seen toting bicycles out of baggage claim but no one had tried to ride out directly from the airport. I was about to be the first fool to try–at 9pm in the rain.

I bit my lips and plunged into traffic, maneuvering between buses and cars all traveling on the left side of the road. Somehow I avoided entering the freeway onramp. A bus nearly ran me down in the narrow lane. Shaking, I pulled over near a parking lot and spotted an old man on a bicycle. I tailed him and shouted questions in Japanese: How do I get out of this airport? Where can I find inexpensive lodging? Where’s the public restroom?

He looked at me as though I were crazy and pedaled harder to get away. I tailed him. It was late. He must be going home. And home certainly couldn’t be in the airport. The sight of me must have terrified him because he finally lost me.

I wandered around for half an hour and found what seemed to be an empty lot in a bamboo grove. But as soon as I set up my tent, a jet thundered overhead. The lot was near the end of the airfield. At 1am the ground shook and the place lit up. I peeked out of my tent and realized my camp was also at the edge of a parking lot for construction vehicles and earth-moving equipment.

This was the beginning of my seven-week tour of Japan. One week was spent marveling at the undercarriage of Tokyo, and I biked away from the largest and densest megalopolis in the world with dark visions and a hacking cough brought on by air pollution. In Yokohama, I camped in the reeds along a river, among the shanties of the Japanese homeless, and drank tea with my hosts. With no definite plans, I made a 1,200-mile loop from Narita to Kyoto and back.

Over and over, Japanese confided to me in near reverent tones, “I want to go to America. I want to see nature. No nature in Japan. Very little.” It was one sentiment that haunted me throughout my tour because it was true: there wasn’t much “nature” left in Japan.

There wasn’t much “nature” left in Vietnam either, I thought, looking out the windows of the caboose in which I was illegally riding. Every bit of land was farmed, seas of rice paddies from horizon to horizon. Land was scarce, so the peasants grazed their cattle near the tracks at their own risk.

Suddenly, a barrage of rocks showered the train. One rock struck the cabin wall near my head and ricocheted into the passage. I ducked beneath the window.

Scarface looked into the cabin at me cowering and laughed. “The cow herders are pissed. Last week we hit one of their cattle that got on the track. The herder wasn’t around so we hacked off enough beef to last us all the way up to Hanoi.”

At dusk, Bugsy escorted me to the front of the caboose where 15 people gathered for dinner. In the light of a single oil lamp, I joined them elbow to elbow, squatting on the rolling floor of the car.

The passengers had cooked a meal of pork stew, steamed vegetables, cabbage soup and rice. The man next to me handed over a large bowl of rice and a pair of bamboo chopsticks. Then, in a gesture of hospitality, everyone within reach put morsels of food into my bowl.

I tried a piece of pork and immediately fought down a fit of retching. Someone hadn’t bothered to shave the pig before butchering it. The prickly hair scraped the roof of my mouth. It felt as though I’d bitten a chunk off a live pig; I could almost hear it squealing in pain. I decided to be a vegetarian for the duration of the passage.

I avoided eating by regaling them with tales of Mexico, America, Europe, Japan, Hong Kong and Indonesia. Sharing a meager meal always seems to bind people on a common level. They believed I wasn’t a snotty foreigner. But they also believed I was a little crazy for doing this trip.

My vegetarianism lasted until 11 the next morning when my caboose mates began their drinking session and demanded my participation.

Redeyes declared, “We are all friends here. Our lives are simple. We don’t have much but we are friends. And friends drink and eat together. Are we your friends?”

He didn’t need to say the rest. They were still debating whether to take me all the way to Hanoi and risk running afoul of the cops at the inspection station just north of Hue. I needed their friendship more than they needed my $20.

At 30 cents a liter of rice wine, friendship went a long way–57 hours to be exact. Scarface, Bugsy, Redeyes, Shyboy, VC, Dealer and I cemented our friendship with murky rice wine. In an alcoholic stupor, I truthfully answered all their questions about the West.

“I heard eating rice makes some Westerners sick.”

“The average salary is $100,000, isn’t it?”

“Do you know O.J. Simpson?”

I also drank and ate all sorts of tidbits that went with cheap liquor: gizzards, snails, liver, goat testicles, fish heads, eel, goat blood pudding, intestines, stomach, pig brain, heart, ox tongue, ox tail, chicken feet, and unrecognizable stuff.

The toilet was a hole in a dark closet. The tracks blurred past beneath. And the thunderous noise of the old train punished a hangover like nothing on this side of Hell. I was groaning in my bunk when the train pulled into the inspection station. Scarface and Bugsy hurried into the cabin carrying luggage, fruit baskets and blankets. They covered me with several blankets, then piled the luggage and the baskets on me.

Bugsy said, “Don’t move. If the cops find you, pretend you’re too sick to talk.” I didn’t need to pretend.

The cops came onboard and began their inspection. I could see them through a hole in the blanket. They went from one end of the caboose to the other. One cop entered my compartment. Redeyes trailed him inside. The cop asked what was in the luggage that covered me. Redeyes said clothes and gifts for his family, then he slipped the cop several folded bills. They went out and I resumed breathing.

We arrived at the Hanoi cargo depot in the evening of the third day. I expressed my heartfelt thanks and said goodbye to everyone. We had a final round of rice wine. VC, Shyboy and Bugsy escorted me to the last barrier: the station police.

VC carried my panniers and walked beside me. Shyboy walked my bike. Bugsy went ahead to scout a path around the cops. We crossed the rail yard, ducked behind the parked trains, and tried to exit the station at the rear gate. The coast was clear. We made a break for it.

“Halt!”

Bugsy, who was in uniform, turned to greet the cop coming out of the nearest warehouse. Shyboy hopped on my bike and rode through the gate casually. VC leaned close to me and whispered, “Don’t say anything. Let me take care of everything.”

The cop brushed past Bugsy to me and demanded, “Where is your passport?”

I sat down on a crate and grinned. I’d made it to Hanoi. My bike was safe with Shyboy. I had new friends and 1,100 miles of adventure ahead of me. And no matter how this journey played out, I was glad I had surrendered to a moment of inspired madness so many months ago. As always, travel made me alive with possibilities.

Andrew Pham survived the train station in Hanoi, completed his journey and returned to San Jose at the end of February. He is a regular contributor to Metro, now working on a manuscript about his trip.

From the April 25-May 1, 1996 issue of Metro

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&copy 1996 Metro Publishing and Virtual Valley, Inc.

Cruising

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Sail of the Century


Don’t Fence Me In: A passenger relaxes above deck as the “Song of Norway” cuts through the azure blue waters toward Mexico. This week’s ports of call include Mazalán, Puerto Vallarta, and Cabo San Lucas.

Life aboard a cruise ship is a lesson in scheduling, snoozing and surfing the surreal opportunities to break out your “cruise card”

By Kelly Luker

This being the ’90s, many people have lost the concept of vacation. For them, vacation is a time to run a marathon, ski the Alps, save the rain forest–you know, accomplish something. The cruise experience is not for these vibrant young souls. It is for the rest of us, those down to their last nerve who must choose between taking a week away from it all or giving in to the voices that insist we purchase that MAC-10 and 5,000 rounds of ammunition.

Window-shopping at Markley’s Gun Store in Scotts Valley was my clue to pack my bags and book a cruise down the Mexican Riviera–which, by the way, resembles the French Riviera about as closely as Fresno resembles Paris, but that’s another travel story. With my friend Miss Susie in tow, we boarded Royal Caribbean’s Song of Norway in Los Angeles, ready to sail the ocean blue and hit the ports of Cabo San Lucas, Mazatlán and Puerto Vallarta.

For those not initiated to cruising (yeah, yeah, I can’t help but think of lowriding down Beach Street, either), it is admittedly an acquired taste. That is, if you think around-the-clock room service, crisp, clean sheets, tropical ocean breezes and nine meals a day take some getting used to. And for some ex-hippies who still romanticize the crashing on friends’ floors or sleeping under the stars with bugs and dirt, it could be a bummer.

MetroActive Goes Trippin’ . . .

Don’t Miss Saigon: Playing the Pacific Rim by bike requires stamina and good wheels.

On the Road: Traveling doesn’t have to mean planes and trains. Automobiles and thumbs can get you pretty far.

Southern Sunshine: Paradise found on Mexico’s tropical beaches.

Romancing the Romanesque: Scouring France in search Crusader ruins.

An Idiot’s Guide to the Universe: How to keep Europeans from thinking you’re completely hopeless.

Queer Across the World: Transcending homophobia in search of another buck.

Packing Heat: Paranoid or not, it’s always a good idea to keep an eye out for danger when you travel.

Virtual World: Armchair travelers can feed their wanderlust on the web.

But the rest of us will be pleased to know that ocean cruises have set their marketing sights on people just like you and me–the other ex-hippies who turned into Baby Boomers with jobs and money. Just like Oldsmobiles aren’t your father’s car anymore, neither is this form of R&R your granny’s shuffleboard-in-the-sunset scene. Yes, they are still floating binge-barges, with enough food to feed several Third World countries. And yes, they still have bad lounge singers, but these big boats have been dropping their prices and raising their fun quotient to get the pre-bluehaired set aboard.

Don’t roll your eyes at me, Mr. and Miss Twentysomething. Hardbodies like you are the bread and butter for cruise lines like Carnival, whose price tag is geared for your wallet. Rumor has it that Carnival cruises party like nobody’s business–just ask my travel agent, who now refuses to book grownups on that particular line out of fear for their safety.

Which is why Susie and I were at Song of Norway’s prow when it pushed off for first port of call–Cabo San Lucas–happily ensconced in a swirl of middle-aged paunch and receding hairlines. They no longer throw confetti over the side upon departure as they did in those great ’40s movies (ecologically incorrect), but it’s still de rigueur to lift a frosty piña colada as the engines kick over. Immediately afterward, we retired for the first of many, many naps.


Bridge Over Untroubled Waters: Miss Susie takes the helm with the help of the ship’s captain and first mate. Besides touring the bridge, guests can visit the galley to see where their nonstop meals are created.

Schedule Conflicts Horror

Some vibrant young souls apparently made their way onto the ship, because Song of Norway, like virtually every other ship, has found it necessary to book activities from morning to night. Line-dancing lessons, napkin-folding lessons, high tea, walkathons, skeet shooting–you name it, they got it. Unfortunately, about every activity except Big Bucks Bingorama conflicted with our nap schedule, tanning schedule or feeding schedule.

Which brings us to the food. We’re pretty sure the food is what sucks everybody aboard. Aerobics classes notwithstanding, cruise ships resemble waterborne feedlots with an abnormally high percentage of widely girthed customers. But forget what you hear on those dreamy TV ads, it ain’t gourmet. First of all, you have to give credit to any place that even thinks it can deliver about a thousand Epicurean delights at one sitting. It’s good, but not great. Trust me, institutional crème brûlée is a frightening thing. The secret is to stick with the high-priced basics–lobster, shrimp, filet mignon, etc.–and don’t be afraid to ask for seconds … and thirds. Remember, you’ll never see these people again.

Which leads us to the question of whether you will want to see these people again. Unless specifically themed as a singles cruise, forget about finding Mr. Right during your oceangoing experience. Both Miss Susie and I subscribe to the Anna Nicole Smith school of dating, and had hoped to find a couple of rich fossils amongst the bounding main, but alas, it was not to be. Clearly, our future was in Bingorama. And a good future it was, to the tune of more than 200 bucks one afternoon with our winning card.

Going Native

An average cruise trip includes at least two, usually more, ports of call. Know that these towns plan their livelihood around your boat’s arrival to the dock, so relieve yourself of any illusions that you will see how other people live, that you will find super shopping bargains–in short, that you will really be experiencing anything remotely foreign. We took a pass on Cabo San Lucas, and instead blew our unexpected bingo winnings on tourist trinkets and overpriced grub in Puerto Vallarta and Mazatlán.

And, speaking of blowing money you hadn’t planned on, the initial cost of the cruise is merely down payment–figure on spending at least that much again on bar tabs, shore excursions, gift-shop purchases, gambling tokens, you name it. Cruise ships understand well that if it don’t look like money, it don’t count, so cash is verboten on board. Instead, passengers are issued “cruise cards” (guaranteed by credit card) to use for purchases.

Like Las Vegas, reality aboard a cruise ship becomes eerily twisted. Time doesn’t exist. Money doesn’t exist. Taste doesn’t exist. One afternoon found me in the gift shop, ready to buy one, two–no, a dozen gaudy cocktail rings, recently reduced to $19.99. Thank God sanity and Miss Susie intervened.

The highlight for many is the evening entertainment. But not for those who start sawing logs by 8:30pm, the better to get an early start on the following day’s naps. Rumor has it that the Broadway-style shows are tacky, fun and sure to help passengers work up an appetite for the midnight buffet, which, needless to say, also missed our inspection.

Cruise planners know what they are doing when they make the average trip last a week. By Day 4, one starts feeling vague twinges of homesickness. By Day 5, deep meditation reveals that we really are nothing–useless protoplasm–without our job. Day 6 finds us promising to be nicer to co-workers, family and friends if we can only get away from this herd of grinning goons, midwestern yahoos and obsequious waiters.

Weeks after returning to dry land we will be scanning the travel section, looking to get away from it all once again. But for now, we’ll enjoy the best part of any vacation–being home, showing snapshots and telling lies.

From the April 25-May 1, 1996 issue of Metro Santa Cruz

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

France

Crosses to Bare


Jean-Cluade Dumont et Pierre Maerten

Romancing the Romanesque: At Les Hospitaliers, a historic resort hotel poised on the gateway to Provence, rugged fortress architecture conceals a heart of sheer culinary indulgence.

Scouring the Rhône Valley in search of Crusader ruins

By Christina Waters

Ever since we’d left Lyons, it seemed that the entire country of France had become a vineyard. Grapes to the left of us, grapes to the right of us, into the Valley of Grapes–well, actually the Rhône, which is the same thing–we went. Hugging the west bank of the mighty river that took Julius Caesar all the way up into the Alps two millennia earlier, we drove the unspeakably scenic D68, a well-maintained rural highway refreshingly free of billboards and convenience stores, all the way to Toulouse.

The central concept for this trip to southwest France emerged suddenly–and my companion Rosemary and I always travel with a concept firmly embedded in our American brainpans. Sometimes that concept can be as obvious as “Paris.” This time, the end of the trail was a region with the primeval name of Languedoc, and specifically a mountain hermitage started up in the year 800 by a nephew of Charlemagne: St. Guilhem-le-Désert. The very name enchanted me, conjuring visions of barefoot monks in hopsacking wandering the rocks in search of angelic visitations. But when I saw photographs of the 11th-century chapel wedged into sun-baked rocks high above the milky blue Hérault River, I knew that this was the version of the Romanesque I’d been after.

MetroActive Goes Trippin’ . . .

Don’t Miss Saigon: Playing the Pacific Rim by bike requires stamina and good wheels.

Cruising Oblivion: Life aboard a cruise ship is a lesson in scheduling and snoozing.

On the Road: Traveling doesn’t have to mean planes and trains. Automobiles and thumbs can get you pretty far.

Southern Sunshine: Paradise found on Mexico’s tropical beaches.

An Idiot’s Guide to the Universe: How to keep Europeans from thinking you’re completely hopeless.

Queer Across the World: Transcending homophobia in search of another buck.

Packing Heat: Paranoid or not, it’s always a good idea to keep an eye out for danger when you travel.

Virtual World: Armchair travelers can feed their wanderlust on the web.

The other piece of this Gallic pie materialized after one too many readings of Foucault’s Pendulum, in which Umberto Eco weaves a postmodern variation on the theme of Knights Templars and other secret, mystical societies. Well, the Templars had famously used the southwest of France, crowned by the port of Marseille, as a staging area for the Crusades. Churches that weren’t busy being used by pilgrims grinding their knees into steak tartare en route to the shrine of Santiago de Compostela were all agog about the prospect of looting, raping and pillaging–officially sanctioned as “saving Jerusalem from the Infidel”–in the Holy Land.

The landscape was, I hoped, littered with bits of crusader detritus. As the trip began to take shape, I ran into mention of a crusader fortress that had been transformed into a luxury hotel, a few hours south of Lyons and just a few miles east of the mighty Rhône. It was called, aptly, Les Hospitaliers, after the Templars’ rivals, the Hospitallers of St. John, another group of warrior monks who spent as much time building hospitals in a post-crusade mop-up operation as they had looting the coffers of Pharisees and sheiks.

It was these Knights of St. John–later the Knights of Malta–who acquired the ill-gotten wealth of the Templars after the French government (itself in hock up to its foie gras to the men of the rosy cross) declared the Templars outlaw and burned their grand master, one Jacques de Molay, at the holy stake.

The hotel is essentially a renovation of a 12th- to 13th-century chapel, fortress and military compound carved out of a glorious limestone promontory overlooking a fertile valley of the Drôme district. And while it wasn’t technically a Templar outpost, the Hospitallers had built it with Templar money, so it fit the trip’s concept beautifully.


Christina Waters

The Crusader Trail: The sun-soaked pathway winding through the ruins of the 13th-century fortress now houses artists’ studios.

Perfumed Views

The fields here at the very gateway to Provence were ablaze with red poppies and the afternoon temperature soared toward the mid-90s as I powered the trusty Audi up a gravel road (so narrow it looked like a footpath) into the parking lot of what looked like a Romanesque ruin on a mountaintop, which is exactly what this former Knights of St. John headquarters was. Below us, like a French country postcard, lay the vineyards and orchards of the Drôme, and beyond, the Italian Alps. The air was spectacularly clear.

Our room overlooked the atmospheric ruins of the fort’s chapel, gleaming pale yellow in the lowering light. The most expensive accommodation of our trip–$180 for a double–the room also was the most distinctive, equipped with handsome antiques, mirrored armoire, a modern bathroom complete with hair dryer and a view to kill for. (The guys who originally lived here probably did kill for it, but that’s another story.)

Touring the compound, we marveled at how the ruins–now protected by French National Historical Landmark status–had been seamlessly restored, concealing artists’ studios within its thick walls and towers, and hosting an annual outdoor music festival that we missed by a mere two weeks.

We were, however, just in time for the other secret weapon of this extraordinary place: dinner. Seated under a flowering almond tree on the great stone terrace that spills along the hilltop overlooking the property’s swimming pool and the vast valley below, we began with a huge, lusty cabernet blend from Jean Pierre Forge 1990 made from the vineyards just below the hotel.

I noted with glee the flared crusader cross motif on the house porcelain and silverware as we moved on to grilled zucchini and eggplant, carpaccio strewn with pink peppercorns and shallot confit, and poached lake trout with Pernod-infused tomato coulis. Gourmets from the nearby town of Montélimar had come up for dinner, a single seating that lasted until the stars came out over three hours later. A rack of lamb had been grilled in rosemary and was joined by tiny new potatoes and carrots. We consumed a spectacular cheese course of Reblochon, creamy St. Nectaire and a Roquefort as ripe as an X-rated movie.

Though we refused dessert, French kitchens simply don’t take no for an answer, and a profusion of small cakes and cookies accompanied our midnight espresso. And you wonder why I just didn’t hunt for crusader relics in Syria?

Les Hospitaliers Hotel-Restaurant, 26160 Le Poët-Laval, Rhône-Provençal, France. Tel: 75-46-22-32; fax: 75-46-49-99. Reservations graciously taken in English.

From the April 25-May 1, 1996 issue of Metro Santa Cruz

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Hitchhiking

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The Last Hitchhiker

By Jeffrey Perso

The summer after graduation from high school I walked with my chum Chris to the outskirts of our home town and stood, thumbs up, near an onramp leading to Interstate 94. A state highway ran past us to the south, the interstate to the north. We stood there, raising our thumbs to the cars as they passed in both directions. It did not matter to us which way we went. All that mattered was that we go. We had 40 bucks each and, having just completed 12 years of formal education, we were bored and hungry for adventure, young and ambitious and full of schemes and dreams.

Eventually we were offered a ride north, to Canada, which we accepted without a second thought. The hard highway miles rolled beneath us, and we steered west on Trans-Can 1, bathing in the clearest, coldest lakes we’d ever seen and staying in overcrowded youth hostels in gray Winnipeg and cowboy Calgary and effervescent Vancouver. Then we hitched back down into the States, to foggy Seattle and sunburnt L.A., then east to dusty Reno, sleeping under the stars or, when it rained, beneath train trestles and highway bridges.

We were often cold and wet and we were always hungry but it was of little concern. What occasionally intruded upon our otherwise peaceful minds was the politically polarized wheelmen who’d give us the finger, shout obscenities, call us communist pinko fags, and strongly advise us to cut our hair and get jobs. We heard this from the cops as well as from truck drivers, construction workers and farmers.

In Reno the police roughly shoved us into the back seat of a patrol car (“We don’t like your kind here in Reno,” the stern-faced men in blue said), and drove us to the city’s border, where we found that a group of similarly dressed, wandering youth had established a sort of drifters’ colony alongside the highway.

When looked back upon from today’s distance and perspective, I see about those days an innocence that is cause for amusing wonderment. Were we really that young, that audacious, that naive? Did we actually do all those things? Happily exposing ourselves to natural elements as well as the human-wrought dangers of the road? Certainly the thrill of absolute abandon, of forfeiting direction and control to the gods and to one’s fate was honest and authentic, the desire for raw experience a feverish and constant companion.

Even now, many years later, when reason and forethought often contraindicates acts of spontaneity, those moments in my personal hagiography still bring great pleasure. But would I do it again? Would I recommend that anyone do it? Today? These are not the 1960s and early 1970s, those raucous years of cultural upheaval and political dissent, when ideas of freedom were in the air and taking to the streets and to the roads of America was a natural occurrence.

During those decades, hitchhiking was a rite of passage, a way of breaking out of your parochial environs and into the larger world. You didn’t need to own a car or secure the price of a bus ticket; you could simply make a sign and hit the road, take off, embark upon a heady trip to The Coast or Canada or Mexico. To anywhere. Somehow, some way, you inherently knew it would all work out. You would find shelter, food, a community of like-minded souls. The world seemed a friendly place, and you were at home no matter where you landed.

MetroActive Goes Trippin’ . . .

Don’t Miss Saigon: Playing the Pacific Rim by bike requires stamina and good wheels.

Cruising Oblivion: Life aboard a cruise ship is a lesson in scheduling and snoozing.

On the Road: Traveling doesn’t have to mean planes and trains. Automobiles and thumbs can get you pretty far.

Southern Sunshine: Paradise found on Mexico’s tropical beaches.

Romancing the Romanesque: Scouring France in search Crusader ruins.

An Idiot’s Guide to the Universe: How to keep Europeans from thinking you’re completely hopeless.

Queer Across the World: Transcending homophobia in search of another buck.

Packing Heat: Paranoid or not, it’s always a good idea to keep an eye out for danger when you travel.

Virtual World: Armchair travelers can feed their wanderlust on the web.

Of course you also knew that it was a potentially dangerous world, too. Besides the racists, rednecks and yahoos who applauded the murder of Martin Luther King and supported the war in Vietnam, there were also the psychopaths and rapists who wanted to cut your hair or suck you off. But still you went, still you packed your knapsack and rolled your bag and raised your thumb. You were adventurous but you were careful. Because whether it was intended or not, hitchhiking helped create character, and after you had some experience, hitchhiking helped you test what you had become.

You learned courage and stamina and how to go without food or water for longer than you had ever had to endure before. You learned how to handle difficult, scary situations. You faced down danger and became a stronger, more mature person along the way. Sometimes your life depended on it. But today it is a different world. The screws have been tightened, the wire stretched taut. Nervousness dominates the national temper. The notion that “freedom is just another word for nothing left to lose” is reason to schedule a counseling session.

Out on the highways, it is easy to imagine that Ted Bundy and Jeffrey Dahmer have their acolytes, hungry for burnt offerings. When it comes to thumbing a ride, Jack Nicholson’s Easy Rider hippie paradigm has been replaced with Rutger Hauer’s demonic Hitcher. It is thought to be a nightmare on the road, and not even Jack Kerouac would give up the comfort of a double scotch in his mother’s kitchen for a visit with Neal Cassady.

At least that is the conventional wisdom, one shared by parents and cops as well as by the boys and girls who, instead of hoisting a rucksack on the open road, now journey to malls and spend their allowances at The Gap and The Limited. “It’s too dangerous,” they say. “You could get yourself killed.” That is also the assessment of many who once hitchhiked but no longer do so. A female friend, now in her 30s, married and professionally successful in the communications industry, hitchhiked regularly from her teenage years until late in her college career. Besides intra-city hops, she took several warm-weather cross-country trips, always with a female companion.

The mood on the road was quiet and calm, she recalls, indicative of more benign times. She never experienced any hassles, at least not the kind that would have made her stay home. “Usually we just stood there and put out our thumbs,” she remembers. “It was summer and we were wearing shorts, so maybe the ghosts of Claudette Colbert and Clark Gable, from It Happened One Night, were with us.”

She hitchhiked, she says, “because we weren’t bound by a car or anybody else’s schedule. There was a feeling of freedom. We could stay as long as we wanted. We weren’t hitching to get to anyplace in particular, we were just hitching to get somewhere.” To ensure safety, she only took rides with families or female drivers, never with lone males. “Sometimes a guy would pull over and say ‘I won’t hurt you,’ but we never took the offer.”

As much as she felt comfortable doing so, like many others she eventually stopped hitchhiking. Now 32 years old, she isn’t likely to do it again, either. “I might try with a male or with maybe two other females,” she admits, “but I don’t feel as reckless as I used to. It does seem harder now to get rides, whereas back then there were more people willing to stop.” That hesitancy “goes with the rest of the cultural climate,” she suggests, “where people feel less safe, for many reasons. People believe there is more danger out there now.”

Of course hitchhiking has always involved risk. You knowingly took your chances. Every ride could have ended badly. That they didn’t perhaps had as much to do with luck as anything involving the decline and fall of Western civilization. But what’s the likelihood of such unhappy endings now? Has the risk–to both hitcher and driver–dramatically increased?

James MacLaren has been hitchhiking for 30 years. He’s 45 now, so that means that for most of his adult life he’s traveled by thumb. He considers himself an expert on the subject. In fact, he’s written The Hitchhiker’s Handbook, published in paperback recently by Loompanics Unlimited.

“I’ve spent more than a quarter of a century researching this book,” he proudly asserts, “and I’ve discovered that there’s a lot more to hitchhiking than meets the eye.” When he’s not hitchhiking, MacLaren works as a desk clerk at a hotel in Coca Beach, Fla. He’s been laid off from his construction job building launch pads at Cape Canaveral, so during the slow times at the front desk he writes. That’s how he composed The Hitchhiker’s Handbook.

MacLaren says that among the many things his hitchhiking research has shown him, two things stand out. “What’s different from 1965,” he says, “is that there are not as many hitchhikers out there with you, and that is directly related to the increased number of assholes and brain police on television who have sufficiently terrified everyone into believing that you have to hide in the house. The media has done a wonderful piece of journeyman work frightening the populace.”

MacLaren takes the line that, counter to popular perception and media myth, hitchhiking is relatively safe. “If you look at a statistical abstract,” he says, “the risk assessment factors for hitchhiking are so vanishingly remote that information on hitchhiking is almost impossible to get, but statistics are there for falling off a roof.”

That doesn’t prevent MacLaren, however, from devoting a full page in his handbook to this terse hitchhiking advice for women: “DO NOT!” On the following page he amplifies. “This is one aspect of hitchhiking where the odds of getting in over your head aren’t so infinitesimal. There’s just too many fucking assholes out there who have this weird idea in their heads that if a girl’s out thumbing, then she’s asking for it.”

MacLaren admits that “the concept of hitchhiking seems to scare a lot of people.” Last summer, for instance, MacLaren hitched from Coca Beach to Chicago, where he promoted his book at the American Booksellers Association’s convention. Along the route he encountered just two other hitchhikers.

Besides the diminished number of fellow travelers, MacLaren also detected a change in attitude among those zipping past in late-model autos. While he notes that there is some sort of fundamental constant at work between hitchhikers and the type of people who will offer rides (and it is probably that those who once hitchhiked now stop for those who continue), there has been a chill in the welcome.

This has another effect: The number of those willing to provide rides has dropped proportionately with those seeking rides. It may be a zero-sum game. Still, MacLaren says, “Once you get them out of the chrome capsule, once you get them out of the Buick, people are nicer now than they used to be. Ironically, this may be a backlash to the fear-mongering climate we are in.”

“You can meet neat people,” MacLaren says. “The buttholes blow on by, and that leaves the characters, those with a bit of a slant on life, with wit. Those are the people I would prefer to ride with anyway.”

With the cultural signposts pointing down, someday there may be no one left to pick up the likes of MacLaren, no one to offer the back of a truck to a scraggly group of kids from the Midwest. They will be the last hitchhikers, the last things seen out a rear-view mirror as the streamlined power machines from Detroit speed over the mountain. We all may be safer, but there is danger in that, too.

From the April 25-May 1, 1996 issue of Metro

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

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The Last HitchhikerBy Jeffrey PersoThe summer after graduation from high school I walked with my chum Chris to the outskirts of our home town and stood, thumbs up, near an onramp leading to Interstate 94. A state highway ran past us to the south, the interstate to the north. We stood there, raising our thumbs to the cars as...
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