Rand About

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Rand About


Common ground: They may look mellow, but the Little Big Band plays with steely intensity.

Joanne Rand and her band puzzle it out

By Gretchen Giles

I USED TO BE this environmental radical–and I still am–but a lot of my new songs are more spiritual,” says singer/songwriter Joanne Rand softly. “The songs that I’m writing right now are much happier than those I wrote last winter.” Sitting outside a Sebastopol café, sharing a pizza with the musicians who compose her Little Big Band, Rand has a lot to be happy about. With a new disc out and two in the works, this Georgia native known for her vocal agility and political passions has just returned from a tour of the Southeast that she vigilantly takes each spring, and is looking forward to a full slate of performances well into the fall.

Still dressed for the Seattle chill of her new Northwest home, in a burgundy velvet beret, sprigged dress, and leather jacket embossed permanently with a red AIDS ribbon, Rand–who quit classical piano lessons because her instructor couldn’t teach her to play Pink Floyd’s “Dark Side of the Moon”–is relaxed, joking with band members Jeff Martin, Scott Deal, and Jack Springett.

Even if she hadn’t just spent the last two years helping her brother Jordan Rand through his losing battle with HIV-related illness, Rand doesn’t strike one as someone who would just pin a red ribbon on a party dress, like actors at the Academy Awards. When Rand takes up a cause, she does it with permanence.

“Two years ago, I moved to Seattle to be with my brother,” she remembers. “And I’d spend more time here than there, but gradually, as he got more ill, I’d spend more time there. Last June, I just basically buckled down and didn’t come down here at all. Now, I’m here once a month or so. It’s not an ideal situation. I really miss playing every single day. When we were making our album, we rehearsed every single night, and we would all like to be able to do that.

“I’ve never been in a band before,” she muses. “But it seems like once you gel, you gel. I mean, I can write a song, and they’ll just drop in. It’s just there. And, uh, that’s pretty neat,” she laughs.

Throughout her 13-year career, this 35-year-old singer has sung about love and friendship, common topics in folk-related music. But Rand–who appears with her band on June 8 at the Health and Harmony Festival–is also passionate about the earth and mankind’s uneasy relationship to its organic foundings.

In the self-produced The Monkey Puzzle, her first album with her 4-year-old Little Big Band, there are songs devoted to the devastation of the Chernobyl fallout (“Radiation on My Windshield”), and her thoughts on flying high above the vanishing rain forest (“Amazon Song”). There’s also a bit of eavesdropping, as with the screeching satire of “Stuffy,” whose lyrics include “Styrofoam is everywhere/ Processed music on the air/ Waitresses with died [sic] red hair/ Poodle in a blue Bellaire [sic]/ ‘Stuffy, come here, Stuffy.'”

“You don’t think that’s political?” Rand asks, amazed at the reporter’s apparent goof. “To me, ‘Stuffy’ is very political. It was written about our experiences in Phoenix, Arizona, on Easter morning, and all those stories are true.”

“But surreal,” bassist Jeff Martin adds.

“It’s all about modern life,” Rand continues. “Some of the other songs are more about love. Actually, I just wrote a love song, but it’s not to somebody. It’s a prayer,” she says with a smile. “There are so many different kinds of songs; what you strive for is simplicity.”

A beautiful example of Rand’s aim for simplicity is found on the offerings of The Monkey Puzzle, many of whose songs–including the title track–were written by Jordan. Rand doesn’t have a concrete handle for the kind of music–variously termed “psychedelic-folk-revival or “acoustic ritual”–she and her brother produced. “He’d write songs and I’d write songs, and the first four songs he wrote didn’t have tunes, so I came up with the tunes,” she says. “He decided that he’d had enough of that, so he wrote all the [rest of the] tunes. Basically, I’m just faithful to his songs. He sang them a cappella into a tape recorder–214 songs,” she says in wonderment.

“When we were living together, I’d bring him out to the studio, and put him in a chair, and play a song for him, and he’d sit there with his arms folded, and maybe he’d give me a suggestion, but we didn’t really write songs together.”

Later she says, “His philosophy about life was that–in spite of his pain–he embraced life and didn’t complain. And I figure that if he could do it, I can do it.”

Asked about this popular band’s future dreams, Jeff Martin takes a bite of pizza and thinks a moment. “This is really my family. I’ve been in countless bands, and this band has really survived the trials and tribulations. We’re always able to find a common ground and to work out our differences.”

“Music is the common ground,” Rand says with finality.

Joanne Rand and the Little Big Band take the stage at the Health and Harmony Festival on Saturday, June 8, at 2 p.m. Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. Admission to festival, $4-$10. 575-9355. Rand also makes a solo appearance at the Catz Roastery on Sunday, June 9, at 8 p.m. 6761 Sebastopol Ave., Sebastopol. $8. 829-6600.

From the June 6-12, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Events Listings

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For the Week of May 31-June 6

Events |Lectures | Field Trips | Film
For Kids | Meetings | Readings | Workshops

Events

Lectures

Field Trips

Film

For Kids

Meetings

Readings

Workshops

The Independent’s Calendar is produced as a service to readers and to the community. If you have an item for the Calendar, send it to The Sonoma County Independent, 540 Mendocino Ave, Santa Rosa, CA 95401. Please include an SASE for return of photo.

The Independent is not responsible for unsolicited photos or those submitted without a return envelope. Events costing more than $35 may be withheld. Deadline is one week prior to publication.

This page was designed and created by the Boulevards team.
Copyright &copy 1996 Metro Publishing and Virtual Valley, Inc.

Music Listings

0

[ | ]

For the Week of May 30-June 5

Music | Cafes & Clubs

Music

Cafes & Clubs

http://www.well.com/user/newgeos/. 415-457-1515. Tuesdays, Jessica Star. May 30, Harvey Mandel Band. May 31, Sy Klopps Blues Band, Jeff Jolly Band. June 1, Flanelhed, Graycoats. June 5, Bo Grumpus (ragtime).

The Independent’s Calendar is produced as a service to readers and to the community. If you have an item for the Calendar, send it to The Sonoma County Independent, 540 Mendocino Ave, Santa Rosa, CA 95401. Please include an SASE for return of photo.

The Independent is not responsible for unsolicited photos or those submitted without a return envelope. Events costing more than $35 may be withheld. Deadline is one week prior to publication.

This page was designed and created by the Boulevards team.
Copyright &copy 1996 Metro Publishing and Virtual Valley, Inc.

Summertime

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Livin’ Is Easy


JANET ORSI

Our guide to hot fun in the summertime

Summer keeps winking at us, taunting us with bawdy glances and lewd displays of flower-bringing heat. All of this between rainstorms, which dampen the giddiness of early-summer fever and ruin our garden strawberries. But just as we know–and we do know this, don’t we?–that tomorrow will dawn, we also know that summer will come. And with it will be the array of festivals, blowouts, and plain ole good times that make the three-quarters-of-the-year mundaneness of school, work, and carpools worthwhile. With a flourish and plenty of sunscreen, we herewith offer our guide to the not-to-be-missed moments of the summer of ’96.

June

Health and Harmony Festival

It’s been 18 years of psychics, natural foods, spiritual organizations, and alternative health booths. And in those 18 years, these New Age phenomena have become almost, well, mainstream. No one would bat an eyelash were Newt Gingrich to swear by echinacea to combat colds–not that we think he would. But as times have changed, modern society has finally caught up with what people hundreds of years already knew: that we’re healthier and happier living close to the earth and to those we love, trampling on no one and nothing. Accordingly, this year’s fest–by far the county’s most popular–is dedicated in theme and funding to honoring elders, community, and the planet, with donations earmarked for the Council on Aging and the Sonoma County Conservation Council.

But enough serious stuff–because H & H has always dedicated itself to mounting one heckuva party, and this year is no different, featuring music by the Jefferson Starship, Inka Inka, Pride & Joy, and Joanne Rand on June 8, with Narada Michael Walden, Maria Muldaur, and Hangman’s Daughter blasting out on June 9. In addition to the mainstage acts, there will be drum circles, a Carnaval dance exhibition, a Middle Eastern souk, a hemp market, the Rainbow Center for kids, and lectures by Native American elder Wallace Black Elk (June 8) and fat-free guru Dr. John McDougall (June 9). And if all of this makes you dizzy with desire, chill out in cyberspace at the Internet Pavilion. Saturday-Sunday, June 8-9, from 10 a.m. to 7 p.m. Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. $4-$10; kids under 6, free. 575-9355.

Pride Without Borders

The Sonoma County Lesbian and Gay Pride Parade celebrates diversity with a freedom march up Mendocino Avenue ending at SRJC with a freedom bash featuring some of the best live acts in the county, including the outstanding Earl Thomas and his Blues Ambassadors, the Slammin’ Babes, and the Sapphire Percussion Ensemble. Look for food, crafts, and children’s activities, as well as the kind of community feeling that’s created when community celebrates itself. Parade monitors are needed. Sunday, June 9. Parade begins at 11 a.m.; festival at noon. Free. 545-0365.

Vintage Race Car Festival

The Valley of the Moon Boys and Girls Club and the Sonoma Valley Visitors’ Bureau get some much-needed funding while you get to nosh and sip and slurp and stare as gourmet vittles and vintage cars become the stars at this annual benefit event. Participating wineries include Gundlach-Bundschu, Glen Ellen, Ravenswood, and Buena Vista. Saturday, June 8. at the Sebastiani Vineyards, 389 Fourth St. E., Sonoma. $25-$35. For complete details, call 938-8544.

Sonoma Sesquicentennial

Sonoma is planning to mount the oso grande of all state sesquicentennials, beginning on June 13 and extending–flag raisings, barbecues, ox roasts, receptions, and an original opera–well into July. Commemorating 150 years since the California republic gained independence, Sonoma will wave the flag high over the plaza, fete those individuals who were around to celebrate the centennial, and just generally make every weekend a dizzying round of parties, historical re-enactments, and grilled food. Kicking all of this off will be the June 13 raising of the Bear Flag at 11 a.m., with a grand procession from Broadway up to the Plaza, a barbecue, live music, and much hubbub. Gov. Pete Wilson has been invited and will attend if he’s able to take time off from his busy schedule of pinching welfare mothers and punishing poor kids. A reception for the governor is slated from 1 to 3 p.m. and costs $30 to attend. Other events are free or almost so. For a complete calendar and information, call 938-3681.

Cotati Jazz Festival

Now well into its 16th year, the Cotati Jazz Festival is an institution all unto itself, featuring hot live music in various venues spread thickly throughout the town. The theme this year honors women in music, with a great lineup of artists putting their lips together to blow. Because female contributions to jazz are expanding far beyond the traditional image of the gardenia-pinned diva singing about her man, women are found playing the field now, from tickling the ivories to swinging the sax. Event organizer Jud Snyder last dedicated his fest to women some 8 to 10 years ago, but saying that “women are playing such an prominent role these days,” he knew that it was time to do it again. Performers include Madeline Eastman, guitarist Joyce Cooling, Madeline Duran performing with Eddie Duran’s group, and instrumentalist Dottie Dodgion, as well as percussionist Benny Barth and drummer Bud Spangler. SSU musical director Mel Graves adds to the mix. June 15-16, 1 to 6 p.m. at various venues, headquartered at La Plaza Park, downtown Cotati. $12 one day; $20 both. Patrons receive badges enabling them to move freely from place to place. 523-8378.

Stumptown Daze Parade and Rodeo

Thirty years of rodeos, big breakfasts and barbecues, and wacky western parades haven’t dimmed the dust-and-leather gleam of this California Cowboys Professional Rodeo Association-sanctioned (whew) Father’s Day weekend event, June 15-16. The parade wends its way up Guerneville’s main street on Saturday at 11 a.m., with the rodeo commencing each day at 2 p.m. And plan to break your fast from 7 a.m. both morns. The rodeo grounds are located north of Main Street, on Armstrong Woods Road. $4-$9 for the rodeo; parade free; food separate; go figure. 869-1959.

Fort Ross VFD Music Festival

Sure, there’s glamour in saving children from burning buildings, but we hear that it’s a mite bit dangerous. A better way to glamour up yourself is to be a Fort Ross VFD member and to earn new hoses through the beneficence of hundreds of grateful folks who want to live in dance-heaven while they raise your funds. And so it is with the Fort Ross music fest, a real community celebration with special emphasis on kids, lots of food and drink, and great music from the likes of the African Rhythm Messengers, the Jazz Iguanas, and Family Soul. Having a good time for a good cause never felt so, well, good. Saturday, June 22, from noon to 11 p.m. Fort Ross Road, west of Cazadero; follow the signs and bumpers. Carpooling is encouraged. $15-$20; under 12 and over 65, free. 847-3730 or 847-3458.

Martin Luther King Festival

Now in its 26th year, this celebration of the life and work of Dr. Martin Luther King Jr. bears as its theme this year’s motto: “Knowledge Is Power.” With entertainment for the whole family, this informative and fun community event features a basketball tournament, music, and opening and closing ceremonies giving pause to celebrants in remembrance of times past and in contemplation of the future. Sponsored by the Redwood Empire Elks Club. Saturday, June 22, from 10 a.m. to 6 p.m. Martin Luther King Jr. Park, 167 Hendly St., Santa Rosa. For details, call 576-1206 or 576-7443.

Duncans Mills Festival of the Arts

Outgrowing its britches in Jenner, this arts festival shakes out anew in the bustling metropolis of Duncans Mills this year, featuring the traditional juried fine-art show and terrific food and music, just as it has for the last 12 years–but now with more parking. Saturday features the jazz of Convergence, followed by the beebop of Indigo Swing. Sunday finds the Sundogs doing their Cajun thang, and Planet Blues and the African Rhythm Messengers finishing the blast off. Downtown Duncans Mills, off Hwy. 116. June 22-23. Saturday, 10 a.m. to 6 p.m.; Sunday, 10 a.m. to 5 p.m. $2; benefits West County Community Services. 824-8404.

Sonoma-Marin Fair

Straddling the county border, this fair is neither as big nor as glitzy as its larger countified sisters, and we like it that way. Visiting the Sonoma-Marin Fair doesn’t exhaust you. You can leave and come back; you’re not overwhelmed by foot massagers and the hot gusts from the portable griddle-fry kitchens. Sure, they’re there–it wouldn’t be a fair without them–but there’s also a lot of small-town charm among the classic rock and country acts, the animal stalls, and the cotton candy. This year’s theme is “This One’s for Ewe!,” with a greater-than-ever emphasis on 4-H showings, as well as music by those disco denizens the Village People (June 21) and the soul sounds of the Drifters (June 22). A new addition this year is the talent show, starring you and yours singing and dancing your way to prizes. Of course, there’ll be auto racing and destruction derbies–this ain’t no fooling around. June 19 is Kids’ Day, with free admission for those under 12. Wednesday-Sunday, June 19-23, noon to midnight. Washington Street, just west of Hwy. 101, Petaluma. $3-$6.50. 763-0931.

Santa Rosa Symphony Summer Music Festivals

The Santa Rosa Symphony is taking it to the streets again this summer, playing its heart out in unusual and casual settings, beginning on June 23 with a pops concert that features Broadway soprano Lisa Vroman. Striding the stage in San Francisco as the Phantom’s tragic love Christine, Vroman will perform tunes from other musicals at this lakeside concert at SSU. Other highlights include two concerts at the Luther Burbank Center, featuring conductor Jeffrey Kahane on the piano. Joining Kahane on Aug. 11 will be pianist Jon Kimura Parker. The fest winds up with concerts at Santa Rosa’s Donald Mansion on Aug. 23-25, moving to the Schlumberger Benchland estate and the Sonoma Mission on Aug. 31 and Sept. 1. For complete details, call 54-MUSIC.

Russian River Blues Festival

The folks that have made Johnson’s Beach jump with jazz for the last 20 years are at last executing the very good idea of mounting a blues extravaganza on the very same sand. With the future looking bright, this is the “First Annual” festival, its originators cocksure that fans will return for more. And why not? This year’s lineup features such stellar acts as Etta James, Elvin Bishop, and Ronnie Earl on June 29, with Bobby Blue Bland, Junior Wells, and Otis Clay singing the Delta muddy on the 30th. The setup is the same as the jazz fest’s, so remember hot- and cold-weather clothes, extra sunblock, coolers, magazines, the Sunday paper, cold beer, river floaties, and low-slung chairs. But don’t worry, with a full crafts fair and many food booths, there’s just about nothing that you can’t buy on-site. Hey, no pets, taping devices, or glass, please. Saturday-Sunday, June 29-30, from 10 a.m. In advance, $27 per day or $49 for both days; at the gate, $30 or $55. 869-3940.

July

Kenwood Pillow Fights

The best thing about the Fourth of July (other than the fact that you don’t have to give presents) is that it’s one of the only days of the year when you can drink longnecks while eating chocolate cake in your bathing suit. We’ll take two of those, please. And the people in Kenwood know what goes best with beer and cake: pillows. More than 10,000 people converge on this tiny town on the nation’s birthday to watch their fellow citizens stoutly straddle a metal pole mounted over a mud pit as they fight to the filth with feather pillows. Other highlights include a foot race, chili cook-off, and parade. July 4, natch. For details, call 833-2440.

Rodney Strong-Piper Sonoma Summer Concerts

If you missed the Memorial Day opening concert of this series with the Rippingtons and Carlos Reyes, don’t despair, because this is one long summer. Look for Tuck & Patti to appear on July 6 with jazz pianist Ricardo Scales opening. July 20 brings jazz saxman Boney James, Avenue Blue, and Ann Dyer and the No Good Time Fairies to the vineyards. In August, look for jazz saxophonist Richard Elliot and guitarist Craig Chaquico on the 3rd, while the 10th sees our own Michael Bolivar teamed up with renowned Latin percussionist Poncho Sanchez. Labor Day finishes the series off with a cymbal-ic boom, with the Bobby Hutcherson Quartet, pianist Cedar Walton’s trio, and the Charlie Byrd Trio. 11455 Old Redwood Hwy., Healdsburg. Concerts are $25 each or $125 for the whole shebang. 433-0919.

Monte Rio Water Carnival

With all kinds of goofy activities like the light projections of the Statue of Liberty beamed from the Monte Rio bridge onto a 60-foot waterfall, and a nighttime torch-lit canoe parade, this event is all wet–and couldn’t be more fun. In addition to the dark-light activities, the beach comes alive by day with a water carnival featuring games and balls, canoe races, and firefighters encouraging fires (so they can cook your meat, sillies). July 7-8, from 10 a.m. Monte Rio Public Beach, off Hwy. 116. Free. 865-1533.

Summer Tea

The Sonoma County Museum returns to more genteel days when it hosts a fundraising summer tea out in the cool of the museum’s portico. This new event commences promptly at 4 p.m., offering a high tea you might have to take your gloves off to eat, and celebrates in part the museum’s exhibit of results of Elwin Millerick’s woodworking skills. July 14. 425 Seventh St., Santa Rosa. For details, call 579-1500.

Sonoma Salute to the Arts

Two days of wine, sun, art, food, and song can’t be all bad, which is why the Sonoma Salute to the Arts is happily into its 11th year. Food and wine by local vintners will be in abundance, as will original art. What we like most about this festival, however, is that they let writers out of their little darkened rooms into the bright sunlight by inviting local authors to appear. Yep–they’re easy to spot, pale and blinking wildly–but they’re happy to sign their works and have some actual conversations. This year’s event kicks off with a “Film Noir” black-and-white dinner at the Chateau St. Jean in Kenwood on July 19, and regular denim-clad folks can mix and mingle on July 20-21, from 10 a.m. to 6 p.m., on the Plaza in Sonoma. Daytime events are free; Noir is $50-$75. 938-1133.

Sonoma County Fair

The county fair has a funny effect on people: ordinary, upstanding citizens find themselves scarfing food that’s been dyed pink or red, oohing over the mysteries of sheep testicles, and riding around in circles til they’re woozy. But that’s the fair, it just does something to you. In addition to the animals, carnival rides, and other fair staples, highlights this year include a Science Olympiad and athletic events in honor of the 1996 Olympic Games, as well as a “Rollin’ on the River” theme for the annual flower show. Musical acts include Doug Supernaw (July 23), Lou Rawls (July 26), an oldies show with the Shirelles (July 31), Queen Ida and her Bon Temps Zydeco Band (Aug. 2), the popular blues fest (Aug. 3), and Ezequiel Peña (Aug. 4). The PRCA Rodeo bucks about July 26-27, and a special Mexican fiesta is planned for July 28. Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. July 23-Aug. 5, 10 a.m. to 10 p.m. $2-$5. 545-4200.

August

Petaluma Summer Music Fest

Light opera, world music, candlelight concerts, and the strains of live-performed music filling the grand old rooms of private Victorian homes–and we always advise an ersatz trip to the restrooms to peek around a bit–make up the diverse offerings of this annual festival produced by the Cinnabar Theater. It all begins on Aug. 2 and runs through the month, with highlights such as a comic opera called “Public Defender,” a Tango Tea, the Arlequin Quartet, and the new wave of Ancient Future. Details are still being settled and performers confirmed for this wonderfully diverse event. For details, give ’em a week or two, then call 763-8920.

Something’s Brewing!

The Sonoma County Museum raises glasses cheerily with its 11th annual salute to suds. Featuring potables from 35 microbreweries and swank pub grub to accompany, this event raised more than $20,000 last year. That’d buy a lot of Budweiser, eh? Brew and food tastings as usual; all that’s changed this year is the time, which is from the regulation hours of 5:05 to 8:08 p.m. on Aug. 16. 425 Seventh St., Santa Rosa. $20-$25. 579-1500.

River Appreciation Festival

Let the Russian River know that you love it when you help benefit the Friends of the Russian River and the Sonoma County Conservation Council in tending it even better. Last year’s keynote speaker, David Brower, became ill at the last moment and had to cancel, and event organizers are still settling on a keynote speaker for this year. Someone healthy, we hope, because there’s a lot to do, from major eats–cooked by Hop Kiln owner Marty Griffin and his family–to river hikes to hobnobbing. Aug. 17, from 4:30 to 7:30 p.m. Hop Kiln Winery, 6050 Westside Road, Healdsburg. $25-$30. 576-1791.

Petaluma River Festival

Rolling on the river has been lots more fun since downtown Petaluma merchants realized that hanging out by the river is, like, swell. The River Festival has known that for 11 years, and this year there will be races in all manner of river-bound vehicles, as well as good food, music, and an entire village dedicated to the little guys in the Golden Eagle Shopping Center on Washington Street. Aug. 17, from 7 a.m. to 11 p.m. Petaluma River Turning Basin, Washington Street at Water Street. $3; children free. 762-5331.

Santa Rosa DixieJazz Festival

If you like your jazz straight up, neat, and with no fusionlike frills, male perms, or the words soft or lite, you’ll love the annual DixieJazz Fest. Produced by the TRADJASS folks who bring you traditional Dixieland bands and jams each month, this is the growly ole momma of their year, featuring more than 12 bands, jams of all kinds, and a “pianorama.” Aug. 23-25. Red Lion Inn, 1 Red Lion Drive, Rohnert Park. $15 Friday and Sunday; $25 Saturday; $50 for all. 539-3494.

Cotati Accordion Fest

Look, it’s irresistible, and we’re not even going to begin to resist: Use an accordion, go to Cotati. The bumper stickers say it; we can do no better. And get thee to Cotati this year as event organizers have enlarged the polka floor–thus enlarging the polka party (another irresistible phrase). Heck, just about everything about accordions is irresistible, unless you grew up with Uncle Moe and his valiant attempts to play, cigar ash dropping onto his sluggish fingers. This year’s lineup includes polka guru Steve Balich, as well as Golden Bough, Sourdough Slim, Jim Boggio and his Swamp Dogs, Polkacide, Motodude Zydeco, the Zydeco Flames, and the Gospel Accordion to Women. Accordion puns, you can’t beat Å’em. There will also be workshops and the ever-popular Lady of Spain-a-Ring. Aug. 24-25, 9:30 a.m. to 7 p.m. La Plaza Park, downtown Cotati. $7-$12; kids under 12, free. Sorry, there aren’t accordion discounts for those with accordions. 664-0444.

Johnny Otis Red Beans and Rice

Mr. Otis and band will once again preside over this fest devoted to good times and the adoration of that most lowly protein staple, red beans and rice. Having begun the fest in Los Angeles, Otis brought the idea with him when he packed his vibes and moved to Sebastopol, and we are mighty glad he did. All kinds of special guests are bound to bound on the stage, and Johnny hates to end a show without one rendition of “Hand Jive.” Aug. 31, from noon. Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. For complete details, call 546-3600.

Gravenstein Apple Fair

Pommes neats might (just maybe) be the French translation for this two-day paean to the apple. It’s also the best place in the county to buy tie-dyed jockey shorts, but you may not need to know that. In any case, this sweetest little fair offers live music, kids’ stuff, animal demonstrations, swell crafts, and a bit o’ the food and drink. Ragle Ranch Park, Sebastopol. For complete details, call 996-2154.

Old Adobe Fiesta

If you haven’t been to Sonoma yet to celebrate the sesquicentennial, Petaluma offers you this chance to go back in time to the rugged 1840s, when men were men and grew their beards to enormous proportions (and won prizes in the Whiskerino contest), MTV hadn’t even been digitized, and microwaves were always on the fritz because there were no electrical outlets. Discover life as General Vallejo and his community lived it. 3325 Adobe Road, Petaluma. $2; children under 12 free. Call 762-4871 for details.

September

Russian River Jazz Fest

Now in it’s 20th year, the Jazz Fest just doesn’t get old. What could age a beautiful day in the sun with friends and family, floating in those big black inner tubes, diving into the cooler, sloshing microbrews all over your stomach, doing the crossword with a tapping foot, and swooping through the great crafts area? They even have portable sinks near the commodes! After 20 years, these people are organized. So get yourself organized and buy some tickets to this uniquely Sonoma County event. This year’s lineup includes Randy Crawford, George Howard, and the Yellowjackets on Sept. 7, with Lee Ritenour, Tower of Power, and John Handy commanding the stage on Sept. 8. This is truly one of the highlights of summer. Johnson’s Beach, Guerneville. $28, single; $50, both days (until June 16; prices rise after). For complete details, call 869-3940.

From the May 30-June 5, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Talking Pictures

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Off Key

‘Of Love and Shadows’ rings false

By David Templeton

Petaluma writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time around, he meets up with Grammy Award-winning musician David Harrington, founder of the internationally revered Kronos Quartet, to see the film adaptation of Isabel Allende’s novel Of Love and Shadows.

It is noisy outside. And bright. As we emerge from a darkened screening room, and from the dark, unnerving world displayed in the film Of Love and Shadows, David Harrington stands blinking before leading us along the sidewalk toward my car.

Neither of us has yet said anything about the film, concerning an aristocratic Chilean journalist (Jennifer Connelly) and a left-wing photographer (Antonio Banderas), and their mutual discovery of secret government atrocities. The book was wonderful.

Pausing at a crosswalk, Harrington suddenly offers, “Well . . . I don’t know. You probably see more movies than I do,” and steps into the street.

If I am translating him correctly, what Mr. Harrington means to say is, “I didn’t really like it. But perhaps I expect something different from movies than other people do.”

In that, I suspect he would be right.

Harrington is the founder of the Kronos Quartet, a musical foursome (including John Sherba, Hank Dutt, and Joan Jenrenaud) that has–since its inception in 1973–pursued its own unique expectations of what music is, and of where it can be taken.

“I’ve always used my ears to tell me when I was in touch with truth,” Harrington says on the way back to his studio. “For instance, in this film we saw, just the way [the lead actress] spoke rang so false to me. If I didn’t have to use my ears to hear what she said, I might have believed it.

“I met a woman once,” he continues, “Eleanor Petzell. She was in the Red Cross in Dresden during World War II. At the first part of the war, her boyfriend went out–he was a German soldier–and she never saw him again. I remember her telling me what that was like to be in that city, which had been the cultural capital of Germany, and probably Europe, and to watch it go up in flames.

“She was in her 70s when I met her. She’d never married, and she always had the feeling that her heart was still with that young man who’d never returned.

“Yet she was one of the warmest persons I’d ever met,” he says, smiling. “I still remember the quality of her voice. There was an incredible gentleness to her voice. It’s not a quality that is given to people. It is something that is found. And when you hear that, it’s like your ear just trusts this person.

“It’s so immediately recognizable as being truthful that you’d think an actor or actress would seek these kinds of people out and study them.” He laughs softly. “As a musician, my ear just goes out to that type of person.”

If Eleanor were a musician, I wonder, would that quality extend beyond her voice and enter her music?

“I trust that it would,” Harrington replies. “You know, these fingers and arms, they are just the things we use to find the sounds that we believe in.”

Our discussion wanders a bit, arriving at the matter of the film’s big love scene, which incongruously follows the discovery of a mass grave. Harrington laughs.

“Not to say that making love should not be done at every opportunity,” he says. “But the timing was definitely off here.

“A couple of weeks ago, we were performing in China,” he adds. “While I was there, I went to try out some gongs, and one of them sounded wrong right away. You could tell it had a crack in it. Well, watching this movie, at that scene right there, I thought, ‘Hmmmm. I think this gong has a crack in it.'”

From the May 30-June 5, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Summer Stage

0

Bard Binge

By Gretchen Giles

One of the dicey moments of last summer was having to drag my two small sons sobbing from Ives Park after dark. They were crying–nay, weeping–because it was cold and late and their bad damn mommy was making them leave the park before the sword fight.

They were crying over Hamlet. It gives a mother hope.

And while nothing may be rotten in Denmark this year, there will still be plenty to cry about. Make those tears of joy, because the lazy stretch of days into nights means picnics-and-pass-the-salt Shakespeare.

It seems that those of us who can’t stop squirming with nightmarish high school flashbacks when Will was served up straight just can’t seem to get enough of the guy when he’s mixed in with a little sultry night air, a nice picnic, some wine, and a bit of hand holding under the stars. And make it a comedy, please.

Which is almost exactly what local companies are doing, as summer Shakespeare swings onto the lawns, wineries, and parks of Sonoma County.

Kate Kennedy’s Avalon Players mark 16 years of summer Shakespeare with Much Ado About Nothing (beginning July 5). Kennedy–who uses a lack of available actors to her advantage by gender-bending to suit her devilish sense of humor, encouraging a certain amount of improv in her performers–chose this broad Messina love story because “it’s very light and airy.”

“It won’t be traditional,” she promises about her production at the Buena Vista Winery, “but we do discipline ourselves with the text. After that,” she chuckles, ‘I can’t control whose food they eat or wine they drink.”

Carl Hamilton, who runs the repertory-styled Sonoma Valley Shakespeare Festival at the Gundlach-Bundschu Winery, is opting for something different this year. He’s doing works only by the Bard. In previous years, Hamilton’s tried two Shakespeares and one musical or two Shakespeares and one modern comedy, trying to find a formula that added up. It turned out to be a subtraction problem. Audiences came flocking to the Shakespeare and stayed away from the others, so he’s subtracting the non-Elizabethan works from his play list. “That’s what people want,” he says simply. “Especially at this season.”

Hamilton’s choices for his fifth year of shows include the Merry Wives of Windsor (beginning June 15), As You Like It (June 28), and Romeo and Juliet (July 12). Wives will be set in the rough and tumble of the gold rush days, with local musician Jim Corbett penning “The Ballad of John Falstaff” to gravely accompany the piece. As You Like It has a commedia dell’arte tone, and Romeo and Juliet features a fantasy aspect, with actors dressed severely in black, throwing on costumes as set pieces to transform themselves. “We do Shakespeare in a very simple, stylized way,” Hamilton emphasizes.

The Valley of the Moon Shakespeare Company finds Ursuline High School drama instructor Eric Thompson–who was brilliant last year as a midsummer Puck–directing The Tempest (beginning Aug. 3) out among the oaks of Dunbar Elementary School. Kathleen Mason of VOM reports that Thompson is using an elemental approach to the piece, seeing Prospero as fire, Ariel as air, Caliban as earth, and Miranda as water–and directing his actors with that intelligence in mind. Thompson also reportedly plans to utilize the theme of colonialism in this rich play, highlighting the primal character of Caliban. And look for this fine actor to appear as Trinculo.

The storm in the teacup this summer is that Sebastopol’s Main Street Theatre will also produce The Tempest when it convenes in Ives Park (Aug. 16). Director Jim dePriest plans an extravagant set, complete with what is known in professional circles as a really big boat for the shipwreck scene. “Every time I get an idea,” he laughs, “the meter starts running.”

DePriest’s plans include strapping actress Terra Shelman (Ariel) into a harness and sailing her through the trees. As dePriest’s new tradition demands, he will move this large, fanciful production indoors to the Sonoma County Repertory Theatre after its outside run. Deciding to scrap most of the boat, he plans to light Ariel with a hologram so that she looks like a “fireball,” he chuckles, obviously very pleased with himself.

The shipwreck scene at VOM, with Prospero’s fairies wreaking destruction, will be choreographed by a professional dancer, utilizing a rhythmic musical score that crosses the upright of classical music with the undulation of North African sounds.

These two vastly different productions promise to be extremely entertaining, and certainly worth a double immersion in this tale of magic, maturity, sexuality, and wonder. All adjectives aside, see it twice.

The Avalon Players, Buena Vista Winery, 18000 Old Winery Road, Sonoma. For details, call 996-3264.

The Sonoma Valley Shakespeare Festival, Gundlach-Bundschu Winery, 2000 Denmark St., Sonoma. 584-1700 or 575-3854.

Valley of the Moon Shakespeare, 11700 Dunbar Road, Glen Ellen. 996-4802.Sebastopol Shakespeare Festival, Ives Park, Hill Street. 823-0177.

From the May 30-June 5, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Arts Listings

0

[ | ]

For the Week of May 31-June 6

The Independent’s Calendar is produced as a service to readers and to the community. If you have an item for the Calendar, send it to The Sonoma County Independent, 540 Mendocino Ave, Santa Rosa, CA 95401. Please include an SASE for return of photo.

The Independent is not responsible for unsolicited photos or those submitted without a return envelope. Events costing more than $35 may be withheld. Deadline is one week prior to publication.

This page was designed and created by the Boulevards team.
Copyright &copy 1996 Metro Publishing and Virtual Valley, Inc.

Stage Listings

0

[ | ]

For the Week of May 31-June 6

Dance

Theater

Comedy

The Independent’s Calendar is produced as a service to readers and to the community. If you have an item for the Calendar, send it to The Sonoma County Independent, 540 Mendocino Ave, Santa Rosa, CA 95401. Please include an SASE for return of photo.

The Independent is not responsible for unsolicited photos or those submitted without a return envelope. Events costing more than $35 may be withheld. Deadline is one week prior to publication.

This page was designed and created by the Boulevards team.
Copyright &copy 1996 Metro Publishing and Virtual Valley, Inc.

Usual Suspects

0

Blind Justice

Since before his election in 1994, local activist women’s rights groups have targeted Sonoma County District Attorney Mike Mullins for not being aggressive enough in prosecuting domestic violence cases. But the people on the other side of the courtroom in those cases, lawyers from the county Public Defender’s Office, contend that the opposite is true, that many of these cases are being pursued with unnecessary and counterproductive harshness.One central objection is that, since the adoption in January of tough new state laws and stringent spousal abuse protocols by the Sonoma County Law Enforcement Chiefs Association, most cases of domestic violence are being filed as felonies, regardless of the severity of the incident that sparked it. “There can be no mark on the complaining party, there can be nothing really substantial happening other than a verbal assault–maybe a threat, maybe a push–and it’s remaining a felony, as opposed to a misdemeanor or [case subject to] diversion,” says Deputy Public Defender Karen Silver.

“Frequently I’m having the experience of my clients accepting felony pleas in cases where there’s no injury and where this is going to affect them for the rest of their lives.”

The April 15 murder of Maria Teresa Macias–the 37-year-old Sonoma woman who had sought help repeatedly from the Sonoma County Sheriff’s Department and District Attorney’s Office before being gunned down by her estranged husband–has focused public attention on the need for even stricter enforcement of domestic violence laws. Sheriff Mark Ihde this week promised procedural reforms and asked state Attorney General Dan Lundgren to review his department’s handling of that case.

But public defenders say the courts already are clogged with alleged batterers and that, at least in some cases, justice is not being served by tougher sentencing.

A felony conviction can carry up to three years in state jail, although first offenders usually get lesser sentences. “We’re seeing the use of felonies as a terrible breakup pattern on the family,” says Sonoma County Public Defender Lou Haffner. “Something that might have been healed with diversion or treated differently now is a pry bar to crack the family apart.”

These days, everyone does some time, Haffner adds. In cases where there are no injuries, “you’re going to be guaranteed some jail time, not in a work program, usually 60 to 90 days,” he says. “As the injuries are more significant or if you’ve got a prior, you’re building up to a year. But I have not seen anybody not go to jail. Everybody’s going to jail. And that used to not be the way it was. It used to be work program, volunteer work, some respect for the person’s job.

“And now that’s not happening.”

Until the first of the year, first-time offenders could be sentenced to counseling instead of jail, a program known as diversion. That option was removed by the state Legislature in a decision that neither the local defenders nor the prosecutors favor. “I think it’s horrible,” Silver says bluntly. “I think it’s reasonable, especially when counseling is usually the thing that’s indicated for punishment, to allow the first-time offender to go through [counseling], which is a yearlong program that costs [the defendant] money and everything. If they successfully completed it, I think it was reasonable to have the case dismissed. That no longer will happen; they will always have a conviction now.”

Before the diversion program was eliminated five months ago, the Sonoma County Probation Department had one officer handling 350 diversion cases with no computerized records to gauge the success of the program.

Still, county prosecutors bemoan the loss of the diversion option. “I was sorry to see it go,” Mullins concurs mildly. “It was a tool that could be used, but I agree it could be abused. I can see why it was eliminated, and we’re dealing with it as best we can.”

But Marie De Santis of Women Against Rape sees that change as a major victory. “Domestic violence had been defined, up until Jan. 1, as a victimless crime, by virtue of being eligible for diversion,” she argues. “What kind of an insult is that?”

She scoffs at the complaints of overaggressive prosecution. “They’re just whining,” she says of the public defenders. “That just isn’t the case. I’ve never seen anyone ever get a conviction for just shoving.” As for the women who protest the prosecution of their partners, De Santis says, “I know that it exists, but let’s see some numbers. It’s a myth that has been exaggerated by the DA’s office as an excuse not to prosecute cases.”In 1994, the last year for which records are available, the District Attorney’s Office filed 703 domestic violence cases; 38 of those victims declined to prosecute.Regardless of vantage point, it is clear that the number of cases both county prosecutors and defenders must handle has increased significantly. Under the new countywide Domestic Violence Protocol, officers are obligated to make an arrest in any incident in which one party is injured, and the person arrested must go to jail. Moreover, all of these cases are now automatically forwarded to the district attorney for prosecution.

The result has been an estimated 50 percent increase in the number of cases being submitted to his office, Mullins says. “They’re sending us all the cases, not just the ones they feel are prosecutable,” he observes. “But even so, we’re still not rejecting a higher proportion of cases than we did before.”

One reason may be a new policy that does not require the victim in domestic violence cases to press charges before the case is filed. “We have a ‘no drop’ policy, which means that even if the victim wants a dismissal, we won’t drop it,” says Mullins.

This is a particularly sore point with the defenders. “We’re seeing a lot of victims, which we rarely see in other types of cases,” says Haffner. “A kidnap victim, a robbery victim, we don’t talk to them. But these kind of cases, the spouses or significant others come talk to us desperately.”

Prosecutors “are actively serving people with subpoenas, even though the victims or complaining parties have made it perfectly clear that Å’it’s all over, it just happened once, we don’t want it to go any further, it’s already been too much of a deal at this point.’ The district attorney is not respecting that,” Silver explains. “We’re seeing a lot of people, especially women, who feel victimized by the DA’s office because they’re not being heard.”

Indeed, the new laws are affecting the cases from beginning to end. “[Prosecutors] also are not listening to the complaining party in regard to what they want as the outcome of the case,” offers Deputy Public Defender Lynne Stark-Slater. “They could care less if this person is the working party in the household; they’re usually going to seek jail, regardless of what the complaining party says. So we’re seeing more and more victims come out of this whole thing feeling victimized and they wish they had never called the police.”The increase in domestic violence cases being prosecuted by the District Attorney’s Office means a corresponding surge in the workload at the defender’s office, a phenomenon that is having a profound impact on the local court system. Haffner says that 40 percent of his staff’s time is now spent on such cases, and the local courts are feeling the burden, too.

Although it has a certain amount of elasticity, “the system can only deal with so many cases,” he explains. “You can take a temporary surge, but if suddenly that becomes regular, then the system has to adjust. There are still no more judges. There are still no more courtrooms. With more cases coming in, if you label those cases ‘undealable,’ then some other cases that were previously labeled undealable suddenly become dealable.

“The market price of cases changes, because you can only deal with so many cases.”

Due-process laws require that anyone arrested must be arraigned within 10 working days, but cases that go to trial may not be heard for three months or longer while the defendant often remains incarcerated. That compounds the problems that brought the household into the criminal justice system in the first place, critics say.

“If a man is charged as a felon and can’t bail out, he is in jail for at least 90 days, until the case is resolved,” Haffner says, “and that has a terrible effect on the family. He loses his job, he can’t pay the rent, the whole family is wrenched apart. Under normal circumstances, there would be a way to bring them back together again.”

That is particularly true with clients at the Public Defender’s Office, which by definition handles indigent defendants who can’t afford a lawyer. “So you’re not even starting out with a stable economic situation.” says Stark-Slater. “You throw at least 90 days of jail into that, it really destroys things economically.”

The emotional toll can be equally devastating. “If the stresses are bad and the family is fortunate enough to stay together during the 90 days or however long it is, certainly the stressors are gong to be worse when that person is re-leased from custody,” she adds. “There’s very little domestic violence counseling that can go on in the jail or is provided in the jail. So absent that, they’re really released into a situation with more stressors than they had before, without the benefit of any classes to address the issues, which is what diversion used to provide.”

Counseling is what is really most needed for these offenders, says Silver. “Most of the ones I see need counseling, most of them have a substance-abuse problem. If those two areas are addressed, most of them seem to get their lives turned around, especially if they have a partner who is also committed to change.”

Of course, Mullins is familiar with the litany of objections that are raised during spousal abuse cases. But his perspective is quite different. “If violence is being perpetuated, that has an effect on the family, especially if children are present,” he counters. “If a boy sees his father being violent to his mother, he thinks that’s OK, and that just perpetuates violence. Maybe people should learn, if they have economic problems, to deal with those in another fashion. The answer to problems is not violence.”

The public defender agrees that deep-seated changes are needed, but still worries that the new rules are actually undermining families. “No one in this office is pro-domestic violence,” replies Haffner, who sees a societal shift in attitudes at work. “Drunk driving 20 years ago was considered no big deal and society has changed people’s attitudes about that, so that drunk driving is now morally not acceptable. If we can get violence against any of us to be morally not acceptable, that would be a great step forward.

“On the other hand,” he says ruefully, “everyone is locked into a system where they are just assembly-line punishing these people, regardless of the effect on the family.”

From the May 30-June 5 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Talking Pictures

0

Talking Pictures

Theologian Patricia Reilly digs the fem farm in ‘Antonia’s Line’

By David Templeton

Petaluma writer David Templeton takes interesting people to see interesting movies in an ongoing quest for the ultimate post-film conversation. This week, he takes Patricia Lynn Reilly, the iconoclastic “woman-centered” theologian and author of A God Who Looks Like Me, to see the fascinating, Oscar-winning feminist epic Antonia’s Line.

It is noontime in Berkeley. I am standing beneath the overhanging marquee of a multiplex, waiting for author Patricia Lynn Reilly, with whom I will be seeing , the little film from the Netherlands that was just awarded an Oscar for Best Foreign Film. I have been studying a poster on which is the image of a bound and gagged Cher, strapped to a wooden seat; her husband wants her dead, the caption reads, and she falls in love with the hit man. It’s a comedy.

I suddenly get that feeling people get when someone is watching them.

Glancing over my shoulder, I see Patricia Lynn Reilly, standing on the sidewalk, smiling at me. “David,” she announces, matter-of-factly, though we have not previously met. We (I affirm that I am he, she confirms that she is she) then peer up at the poster I’ve been studying. “It’s a comedy,” I inform her. “Hmmmm,” she replies, and we proceed into the theater.

Reilly is a theologian whose work with the concepts of the “Divine Feminine” have created a nice little stir among members of the traditional worldwide theological community. Her sensation-causing book, A God Who Looks Like Me: Discovering a Woman-Affirming Spirituality (Ballantine, 1995; just released as a trade paperback) is a compassionate exploration of the psychological and emotional limitations that many women have experienced as a result of being told that God is a man. These women’s stories, along with uplifting rituals and myths that Reilly has developed through the years, are presented here as a step-by-step “re-imagining” of religion; a compelling demonstration of practical spirituality, specifically focusing on the image of a creator with a woman’s face.

Antonia’s Line is a gentle epic told from a woman’s point of view. Beginning on what is explained as the last day of Antonia’s life, the story flashes back to the late 1940s, as Antonia and her daughter, Danielle, arrive in a small village, where they open up their home and lives as a kind of feminist alternative to the town’s patriarchal traditions. Love, in various forms, is allowed to bloom, and the tale continues, tracing the daughter-to-daughter birth line of Antonia’s spirited descendants as they experience the alternating tragedy and exultation of life.

“I love that movie,” Reilly tells me afterward as we settle into a coffee shop next door. “In a sense, Antonia is . . . ” She pauses, then produces a small booklet, which she lays on the table before me. “I don’t usually show this to interviewers,” she confides, “but I impulsively picked it up as I walked out the door, and watching the movie again, I understood why.” She has given me the text of a five-part, call-and-response group ritual, the same one that Reilly’s been performing in bookstores and churches across the country. As I flip through it, it is striking how much it parallels the themes of the film.

She points out the title of the first portion: The Mother of All Living. Other symbols follow, from the Divine Girl Child through to the Wise Old Woman.

“Antonia,” Reilly continues, “is, in a sense, the Mother of All Living. There were no religious rituals in the churches and synagogues of our childhood that celebrated the birthing powers of women. The world was brought into being by a male god. When our earliest ancestors got together to try and figure out where we came from, they didn’t say that a male god brought the world into being by a series of verbal commands–that was a much later mythology. They said, ‘It must have been the Big Mama.'”

So Antonia is the Big Mama?

“Yes,” Reilly laughs. “She’s the strong mother who protects, who isn’t the stereotypical mother who only nurtures and holds life. She also protects life, is an advocate for life. All the way through the movie she’s the one who, by the power of her presence, drew the injured ones to her, and through her acceptance and love, they just radiated with essence of who they were, as children of life.

“It was such a stunning contrast to the Father God, shown through the priest and the church, out of synch with the organic rhythms and cycles of life and the Earth.”

Among the adversities that these women endure is the presence in the village of a rapist, who first assaults his own sister before turning on a member of Antonia’s family. I mention that these scenes disturbed me, as on-screen rapes often do, and I question whether this subplot might have been left out. Reilly feels it belonged in the movie.

“There’s no way you can create a book or a movie or an experience that is focused on women’s lives without acknowledging our vulnerability to sexual violence,” she states bluntly. “There’s no way that it couldn’t be included.”

As for it making me uncomfortable, she laughs softly. “Oh, well, of course.” “The reality of a woman’s life is uncomfortable. In a society that worships a male god, we are vulnerable. ‘Boys will be boys,’ we are told. ‘You mustn’t arouse them.’ The threat is everywhere.” I think back to the poster outside the theater: a lighthearted comedy about spousal abuse.

“If you posit an exclusively male God,” she continues, “then that image of the Divine will affect which stories are told, and which stories are not told.”

She smiles. “When we bring in the Divine Feminine, with stories like Antonia’s, we bring balance, and with balance we all have greater access to our wholeness.”

From the May 23-29, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

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