Sorentinos

0

On the Air

By Zack Stenz

THE SHOCK of the familiar can come at the strangest times. Imagine sitting in front of the television set, having an enjoyable sleaze wallow watching the made-for-television movie Co-ed Call Girl, starring the one, the only, Tori Spelling as the eponymous university student of the night. Tori’s critical scene comes up–the moment when the innocent undergrad decides to take the plunge and become a (gasp!) prostitute. In the background, a haunting rock song, “Heaven Meets the Sky” plays softly.

Hey, wait a second. Isn’t that song on the soundtrack by the Sorentinos, a perennially favorite Sonoma County band and winners of the Best Band award in the Independent‘s 1996 Best of Sonoma County awards? “Yeah, that’s us,” says Sorentinos singer/rhythm guitarist Danny Sorentino, looking somewhat bemused.

So what’s a nice Santa Rosa band like the Sorentinos doing in an Aaron Spellingesque soap-a-thon like this? “Actually, it’s through our music publisher, BUG, who we made a deal with in 1995,” Danny says, sitting in the homey little practice space in a basement on Santa Rosa’s west side. “They’ve done a good job of getting us onto soundtracks.”

“We were also in the season finale of Melrose Place,” interjects bass player Rob Ruiz, looking every inch the experienced rocker in jeans and a CBGB tank top. Ruiz and Danny have played together since 1984 in one version or another of the Sorentinos, a band that has undergone more incarnations than the Dalai Lama.

“We’re on the jukebox in that bar where all the characters hang out [Shooters, for all you non-Melrose watchers out there],” adds Sorentino.

“And you even might have been able to hear us if Billy and Allison had shut their damn traps for a minute,” says Ruiz, only half-mockingly.

In person, Danny and Ruiz are much like their music–down-home and self-effacing, and not at all above admitting that they enjoy the occasional Cheap Trick video. “They’re a great live band,” says Ruiz by way of explanation.

Listening to the Sorentinos’ music, it isn’t hard to understand why soundtrack selecters are drawn to the band’s hook-filled, tuneful songs, which in turns evoke the Beatles, Bob Dylan, and even the jangly sounds of mid-’80s R.E.M. Danny’s songwriting earns special praise from music industry observers like KRSH’s Bill Bowker, who says: “They play well together, but I think that it’s Danny’s songwriting that will take them to the next level of success.”

Bowker says KRSH currently has two Sorentinos songs in rotation at the station, where they have been well received by Sonoma County listeners. Indeed, the Sorentinos’ heartfelt but non-abrasive music style would seem to go well with the current wave of “adult alternative” acts like Natalie Merchant, Hootie and the Blowfish, and the Dave Matthews Band that are so heavily played on rock stations nationwide.

“Yeah, ‘adult alternative’s’ popularity helped us to a certain degree,” Danny says, “but we’ve been through this a couple of times. When the adult country acts like Dwight Yoakum and Lyle Lovett emerged in the late 1980s, people thought we’d fit in well with them, but it didn’t do us any good. So we can’t pay attention to the cycles.”

Which isn’t to say they have a strong notion of where his music fits into the current popular music landscape. “I’m not interested in the Sorentinos being an underground band,” declares Danny. “We write pop music.”

So with money in pocket from the soundtrack gigs, a new self-produced album, Welcome to the Past, on local store shelves as of June 18, and a recently completed tour of the United Kingdom under their collective belt, things appear to be looking up for the Sorentinos. But Danny winces at any talk of his band being on the verge of success. “Please don’t say that,” he says. “Honestly, that perception has been a real pain in the ass. A lot of bands are predicated on a certain amount of success, and I’ve always had ambitions for this band to be successful. But each time it looks like we’re beginning to get somewhere, something bad will happen or we’ll have a lineup change.”

“We’ve had more guitarists than Bad Company and more drummers than Spinal Tap,” adds Ruiz, who, like Danny, is a founding member of the group.

Conversely, though, the group has also had enough tastes of success doled out over the years to encourage them to stay their present course. “Every time things look really discouraging, something good will come along, like the publishing deal, that helps keep us going,” Danny says.

“We’re so tired of reading these ‘they’re almost there’ stories about us being on the verge of success. The bottom line for us is that we’re here, and we’re making music.”

The Sorentinos’ new CD, Welcome to the Past, is available at local record stores, and the band will play a benefit for Sonoma County Conservation Action July 6, then open for Box Set at the Mystic Theatre July 26. Tickets for the benefit are $30; for the Mystic show, $3.

From the June 27-July 3, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Bodega Blues

0

Bodega Blues

By Bruce Robinson

A FEW COWS graze languidly on the lush grasses above Highway 1 while the light onshore breeze is colored by the briny scent of fish being smoked in a nearby roadside shack. Yet this bucolic hillside overlooking Bodega Bay is at the center of a heated battle that has lasted more than 10 years.

Even though the long-contested Harbor View subdivision finally won approval from county officials a year and a half ago, the debate isn’t over yet.

“I don’t know why they approved it. I sure wouldn’t have,” snorts Don Nielsen, a vocal member of Bodega Bay Concerned Citizens, a citizens’ group that has consistently fought the development. ‘We’re not anti-growth per se, but we want rational planned growth that is consistent with our infrastructure here, not [a project] that is going to dump 84 upscale houses in the middle of our town with a little road right in the busiest part of the community.”

As approved in December 1994 by county supervisors, the Harbor View project will feature 70 luxury homes and 14 affordable units on 27 acres of sloping pastureland that now separate the Inn at the Tides from the “old town,” where most longtime residents of the fishing village live. The 10 apartments and four townhouses are to be developed in cooperation with the Santa Rosa­based Burbank Housing Corp.

In addition, two lots have been set aside for environmental preservation: a 2.8-acre parcel, just above the highway, that houses a natural wetland; and a 1.3-acre lot, halfway up the hillside, that serves as a groundwater recharge for the wetlands. Another 4.2 acres, adjacent to the Inn at the Tides and originally proposed as a commercial site, are now identified only as a remainder parcel whose future use is unspecified.

Citing traffic, water, visual impacts, questions about soil stability on-site, and other issues, BBCC has launched a petition drive to try and interest the county’s Open Space Commission in acquiring the Harbor View property. In the few weeks since that effort began, the group has collected hundreds of signatures from residents and visitors.

But the grassroots campaign emphatically does not have the backing of Supervisor Ernie Carpenter, who says, “It’s not the purpose of the Open Space District to go into areas that are sewered and watered and to buy up subdivisions that have been approved.”

Carpenter argues that when he has mentioned the petition drive to his colleagues on the board, “jaws drop. It’s incredible that anyone would even ask,” he says.

The odds of an eventual purchase by the county, he says, are “one in 10 million. Heck, make that one in 20 million.”

IN THE 1980 COASTAL PLAN, the Harbor View property was identified as a future housing site with densities up to 10 houses per acre, so this less-intensive development shouldn’t upset anyone, contends influential Bodega Bay realtor Hazel Mitchell. “It’s an ideal place because it’s right in the center of town, which is the sensible [place to locate] so there would be no strip development,” she says, noting that the parcel is surrounded by lands already served by the town’s sewer and water systems.

Opponents, however, are skeptical about the ability of those systems to support 84 additional families, as well as the rest of the community. “Our infrastructure can’t handle it. There’s only so much water out here,” objects BBCC activist Bev Burton. “This isn’t the only project in town,” she continues. “There are a hundred-some-odd lots still to build on at Bodega Harbor, and there are other projects around town.

“We’re looking at a lot more homes coming in.”

With each new home comes additional traffic on two-lane Highway 1, a thoroughfare so narrow in places that there is barely room for a pedestrian to squeeze along the shoulder. The bumper-to-bumper creep through town on summer weekends is a fact of life and getting worse at other times, too. Traffic congestion is a nuisance to out-of-towners, a major inconvenience to residents, and a potentially fatal problem for the local fire department. County supes once considered requiring a traffic bypass around the center of Bodega Bay before development of Harbor View. An additional 65 units planned for a second portion of the property remain in limbo on that basis.

“We need a bypass so bad we can taste it, but nobody will do anything about it,” fumes Nielsen. “Maybe if we had a bypass and eliminated the traffic, it wouldn’t hurt so much if this stuff did get built. But it would still be ugly.”

Those 84 new families will have a big effect on other residents, especially those with children. The Shoreline Unified School District has an agreement with the developers to pay $100,000 in development fees over the first seven years of construction to help defray the cost of school improvements, says Superintendent Roberto Salinas. The lion’s share of those funds would most likely be used to construct a new classroom building at Bodega Bay School near the northeast corner of the Harbor View property.

But there is widespread doubt that the project will heavily impact the school because the price of the new homes–estimated at between $300,000 and $500,000 and up–is less likely to be within the means of families with young children. “If the town has any need, it’s really in the middle- to low-income range,” says Shoreline school board trustee Rich McCudden, echoing a point made by several members of Bodega Bay Concerned Citizens.

“The final development is not as attractive as it could have been,” says McCudden. “Bodega Harbor is already here, and that has a lot of amenities that [Harbor View] doesn’t, from the golf course to beach access. The town has a screaming need for some housing, but not in the $300,000 bracket.”

From the June 20-26, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Disabled Adults

0

Taking the Road to Freedom


Photos by Janet Orsi

A little help from his friends: With assistance from local advocates, Michael Pasquini, above, has gained the freedom to live on his own.

Developmentally disabled adults finally won the right to live on their own. But will federal budget cuts end hard-won freedoms?

By Trine Miller

MICHAEL PASQUINI’S day is like any one else’s–sort of. In the morning, he rides a bus to work in north Santa Rosa. In the afternoon, he returns to work at his own apartment. In between, he eats lunch with co-workers, maybe does a few errands.

Quite normal, and yet quite remarkable.

Just a few years ago, Pasquini, 48, spent his hours–along with hundreds of others–behind the walls of the Sonoma Developmental Center, playing games and watching TV, seldom leaving the 1,600-acre compound.

But, just a short while ago, he got a chance to leave and took it. A lifetime bout with cerebral palsy has left him in a wheelchair with limited arm movement and only partial control above the neck. He is also developmentally disabled. So the idea of living in the world was always just that–an idea–until he got help.

The North Bay Regional Center is part of a state system that oversees the needs of the developmentally disabled: people with autism, cerebral palsy, epilepsy, or mental retardation. Over the last few years, the center has helped about 2,000 people to leave SDC, part of a statewide trend that is allowing people like Pasquini–including those with more severe physical and developmental disabilities–to move into the community to live and work.

But these days, there is some fear that this tide is changing. If government Medicaid cutbacks continue and state control replaces federal guarantees, people like Pasquini may not have the chance to experience the simple things in life outside the walls of an institution.

Not My Brother’s Keeper: A personal story.

Wearing an earring in his left ear and a brand new pair of very chic wire-rimmed glasses, Pasquini doesn’t fit any mold. While his movements may reveal the involuntary effects of cerebral palsy, don’t let that fool you. When I interview him on his break from work, Pasquini is unequivocally clear about life on the outside. And he puts up with my invasive questions with a mixture of seriousness and jubilance. “I like it,” he says of living on his own. “The developmental center is too institutionalized. I had people breathing down my neck. . . . You have people watching you all the time.

“That bothers me.”

Formerly known as the state hospital, the developmental center had for a long time been the only option for people like Pasquini. The institutional nightmares of long ago, the horror stories of inhumane treatment, are gone. But they’ve given way to something equally frustrating, equally sad. There are still people there who don’t want to be.

Fortunately for Pasquini, his parents didn’t have conservatorship of him and couldn’t stop him from moving out on his own. “My parents didn’t swallow it very well, though, ‘cuz, you know how parents are,” he says. “My mother begged me not to do it. [But] she’s happier now. Finally.”

Even people who helped him leave SDC are surprised that Pasquini has been able to move from a group home into his own apartment. He’s what you’d call a frontiersman for people with developmental disabilities.

A great opera fan, Pasquini may now listen to Wagner’s Faust Overture whenever he likes. He touches his handsome salt-and-pepper beard as he reflects on the benefits of his new lifestyle. “My personal life is better,” he concludes.

PASQUINI and others had to work hard to get things changed. There’s a bureaucratic boundary that’s difficult to cross: Developmental centers get federal money that until recently couldn’t be transferred into the state-funded community along with the individual. Now just some of that money moves in the form of Medicaid waivers.

The irony is that it costs much more to keep someone in SDC than to keep them in the community. Try an average of $110,000 a year at SDC, compared to about $45,000 on the outside. That’s reason enough to support independent living.

But perhaps an even more compelling reason has to do with human rights.

“The benefit [of these programs] is the extension of the civil rights movement,” says John McCue, executive director of the Santa Rosa­based Becoming Independent. A longtime advocate of the developmentally disabled, McCue explains that rubbing elbows with our fellow man is as necessary for someone imprisoned by a physical or mental ailment as it is for anyone else. He feels it is an indisputable covenant between society and the individual.

That’s part of the argument that won a class-action lawsuit in 1994 against the state Department of Developmental Services. The Coffelt lawsuit–waged by Bill Coffelt, whose son is severely developmentally disabled–argued that Medicaid money going to developmental centers should be redirected to community resources. Coffelt had searched for a group home and other essential services for his son, but found few available. So he took the DDS to task and won.

The results of that suit are a crucible for future generations, as more and more people are released from SDC into community programs. DDS committed $334 million in Medicaid funds to the regional center system to move 2,000 people through the year 1997. They’ve unofficially vowed to continue beyond that time. But if cutbacks contained in the House Republicans’ Contract with America follow through, federal block grants could devastate the community system.

The funding breakdown for people with developmental disabilities goes like this: The individual gets federal Medicaid subsidies for health care, housing, and transportation; regional centers provide the rest. Five years ago, regional centers were almost entirely funded by the state. Now, federal Medicaid funds flowing from the Coffelt lawsuit account for 55 percent of the revenue. And the developmentally disabled have an entitlement from the state, meaning their funds are separated from, say, the impoverished or the elderly, and have no limit.

IN CALIFORNIA, that has meant no waiting lists for services, which is virtually unheard of in any other state. It has also meant that once someone is in the community, their needs are taken care of because there are a number of venders served by the regional center. But the Republican-controlled Congress is pushing for block grants to the states, whereby that state entitlement would disappear. As a result, the desiccated state budget will have money to allocate, and a lot of groups vying for it.

“The MediCal/Medicaid issue is really troubling to us,” says McCue, adding that all of the proposals on the table are cutbacks. “Under none of these decisions will there be the same level of funding. It would cause a mad rush for the same piece of pie.”

The moral dilemma continues because, while the regional centers fight for funds, their clients will become increasingly dependent on them as federal assistance to individuals diminishes.

It’s a catch-22.

People like Pasquini probably aren’t faced with being returned to SDC, but what emerges from funding cuts might not be much better. McCue says that if things get as bad as some predict, the developmentally disabled might be “gathered” into communal settings–a sort of one-stop mini-state center–not totally unlike the larger model. That would be the equivalent of putting people in a group-home bubble in the community, drastically reducing such hard-fought-for freedoms as apartments and work centers.

They’d see a glass wall instead of a glass ceiling.

“It might mean you stay home and receive no services . . . [which means] meals and a bed, but no training,” McCue warns.

JEAN WESTON is celebrating one year in her Santa Rosa apartment. She’s on the Governor’s Area IV Board for people with developmental disabilities; she works at Becoming Independent, an affiliated vender of the North Bay Regional Center; and she helps out with the Live Your Dream Program for people at developmental centers who want to leave. One of the Coffelt few, this active, animated woman has such a busy schedule that her BI case manager, Rita Gatens, has to plan far in advance just to see her.

A resident of institutional settings since she was a young girl, Weston says getting out of SDC is the best thing she’s ever done. “I wanted to get out of there a long time ago,” she recalls. Among the obvious benefits are time alone, privacy, just one roommate (her personal assistant, Lisa) instead of several, phone access–the list goes on.

“I meet people, do things,” she explains. “I wouldn’t trade this for nothing.”

Living in the “real” world can be scary, yes. “It’s very hard to get a good assistant,” says Weston, a youthful 58-year-old who is wheelchair-bound and needs help with various things around the house. “We joke around–you oughta hear us,” she laughs.

Of course, with so many more people helping out in her life, there’s the possibility of losing someone. Life becomes unpredictable. But the flipside is that it’s a life of her own making.

“Control. That’s what I wanted,” Weston answers long after I’d asked her why she left SDC. “I guess it all boiled down to that–personal freedom.

Nancy Gardner, director of the North Bay Regional Center, began work with the developmentally disabled in the mid-’70s. “Back then, they’d get four or five kids in a basement and that was the program,” she recalls. “It wasn’t until ’75 that people with disabilities had a right to a public education. That amazes me.”

Things have changed a lot since then. Through the regional center and affiliated venders like Becoming Independent, developmentally disabled “consumers,” as they are called, have access to day programs, residential opportunities, respite care, and behavioral consultants.

Individuals don’t just get the basic necessities, they also get valuable vocational training.

It’s a long way from SDC, as illustrated by one anecdote. “Someone in the developmental center wanted strawberries on their cereal,” Gardner says. “They had to spend six weeks to get approval. In the community, you just go buy ’em.”

BUT FEDERAL budget cuts threaten the very existence of the regional center system. “California stands to lose $10.8 billion in Medicaid,” Gardner points out. Any number of things could happen, including the complete dissolution of regional centers over time. Health care for the developmentally disabled in the state could remain managed like everywhere else, making it very difficult to find a dentist or doctor willing to work with the developmentally disabled, and mini-centers could hold all the services that are available to people.

Ironically, Gardner says, the state regional center system is very efficient, by public and private industry standards. With an overhead of less than 4 percent, Gardner says they’ve had cuts over the last few years while continuing to increase their consumer base, which is now somewhere around 4,700 people in Sonoma County. While she has nothing against SDC, it’s hard to see so much money go to a place that serves one fourth as many people. “They’re putting in sprinkler systems and I’m cutting services,” Gardner laments.

“What people don’t remember is a lot of these people are abandoned by their families,” she adds. “I’m afraid they’ll slip through the cracks without the regional center system.” Conceivably, she says, it could turn back the clock and make state developmental centers the only option.

A sad fact for many with developmental disabilities is that they have family in absentia, meaning family members either aren’t able–or willing–to visit. So people in their environment become extended family. Watching Weston and Gatens, it’s easy to see that theirs is more than merely a professional relationship. They see each other outside of work, for birthdays and special events, or for nothing extraordinary whatsoever. The opportunities for creating those relationships are exponentially higher out in the world than at SDC.

But community living does have its critics. They argue that life outside is too uncertain and has the potential to harm. A Press Democrat article recently cited reports of problems in group homes and day programs. Gardner points out that the article neglected to mention that those reports were from areas outside Sonoma County, where Coffelt money hasn’t gone to community resources.

But McCue asserts that a community-based system could be an enlightened alternative: both less expensive and more humane than developmental centers. With the right planning and backing, he says, there could be even more predictability and control. But these are moot points if Congress pulls Medicaid funds, a possibility that looks likely. Meanwhile, regional centers and their venders are trying to salvage what they can, and get the word out to the voters.

“Taxpayers would be supportive [of fewer cuts],” says Gardner, “if they knew how little we are spending.”

From the June 20-26, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Talking Pictures

0

Live on Arrival

Jay
McInerney
takes
an
alien
approach

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time around, he connects up with the controversial brat-pack novelist Jay McInerney (Bright Lights, Big City) to see the new aliens-are-among-us science-fiction thriller, The Arrival. A strange little man has attached himself to McInerney.

As the end credits for Charlie Sheen’s eerie new conspiracy-flick, The Arrival, roll across the screen, a short, trench-coated fellow, having recognized my guest as a famous author–though unable to recall his name–is now trailing him up the aisle, pummeling him with questions, speaking in hushed, clandestine tones as if he and McInerney were members of some secret underground cabal.

“You know the actor who played that guy who was talking to that guy?” he mutters, glancing about suspiciously, lowering his voice. “Didn’t he look kind of familiar?” The question hangs there like a tiny UFO, defying any logical response. We exit the theater.

He follows, chatting away, until we finally lose him by ducking into a diner a few blocks up the street.

“Man, is he gone yet?” McInerney laughs, peering out the window as he slips into a corner booth. “That was really weird.”

We are in San Francisco, where the New York­based author is spending a few days to promote his new novel, The Last of the Savages (Knopf, 1996). A strong, ambitious work, McInerney’s latest is sure to test those readers who know him for Bright Lights, Big City, the novel that established his career. Though Savages explores some of the same class-struggle issues as all of his work, this finely crafted tale of two friends who meet amid the social upheaval of the ’60s and take divergent paths through the next four decades, is funnier, sadder, and wiser by far than anything he has produced to date.

“I do watch the X-Files,” McInerney confesses, alluding to the subject of alien invasions explored in The Arrival.

“I like the general atmosphere of paranoia. It’s not so much that I believe in the paranormal, but the whole idea–and it’s actually a kind of ’60s idea–that you can’t trust the authorities, that there is a sort of authoritarian conspiracy from the top of the government on down. Something that was borne out, in a way, by Watergate.

“That’s exactly what my book is about,” he says, surprising himself by finding a connection between his novel and the movie. “The book is about the question of what happened to that alleged revolution of the ’60s. That’s when the seeds of distrust were sown. That was when paranoia began to be hip–not only becoming fashionable, but becoming general.”

But wasn’t the paranoia of the ’60s preceded by the Red Scare of the ’50s, with all of the McCarthyist, anti-communist witch hunts? “That was very different,” he replies. “That was a sort of an external threat, the fear of being infected by something from outside. But in the ’60s, the idea was not that the Communists were evil; it was our own people.

“I think that since then–particularly after Vietnam–the concept of distrusting the government, distrusting authority at all levels, has sort of spread out to the general population. It used to be sort of an elitist, countercultural idea, you know? Now it’s been taken over by the right wing. The most popular conspiracy theory is this one-world government led by the United Nations that’s supposedly about to take over. This is propounded by the extreme conservatives. They’ve co-opted the paranoia, and the anti-establishment language even, of the left in the ’60s.

“This is fun!” McInerney exclaims suddenly, immediately launching into a spirited exploration of how The Arrival would have been different had it been filmed in the ’50s.

“In the alien movies of the ’50s,” he suggests, “obviously, the aliens were all metaphorical communists.” Ah yes, the invasion from without. But by the mid-’70s, such peacemaking films as Close Encounters of the Third Kind were redefining the metaphor, going up against the remake of Invasion of the Body Snatchers and Alien. By the time E.T. flew in on his bicycle, Americans were ready to accept that communists and extraterrestrials alike were merely harmless, misunderstood fuzzballs. Now, at the end of the ’90s, X-Files reigns, and a whole spate of films about the good old alien invasions, from without and from within (Independence Day, Mars Invades, Men in Black), are about to be released.

Does McInerny think that cultural paranoia is a cyclical event?

“It might be a millennial event,” he responds. “There is all kinds of apocalyptic thinking that traditionally is associated with end of a century, and in this current case, the end of a millennium. It’s a big, scary birthday. There is a lot to be scared of.

“Last of the Savages, actually, was born out of my sense that we’re still playing out those battles of the ’60s. The so-called Republican Revolution of ’94 was kind of a battle to roll back the social and cultural advances of the last 30 years. Civil rights, social justice, artistic freedom: it’s the same old battles all over again.

“There’s a line in the book, ‘I don’t remember what the No. 1 song was that year, but paranoia was definitely the hit word.’

“That was true then, and you know what?” he shrugs, “It’s still true.”

From the June 20-26, 1996 issue of Metro Santa Cruz

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Spicy Tales

0

Spicy Tales

By Christina Waters

WE ARE TOLD that somewhere around the Renaissance, the search for a convenient route to the Spice Islands helped spawn global navigation, the discovery of the New World, and the rise of international economics. But nobody tells us why all those European men convinced kings and queens to buy them costly ships and then sailed to the ends of the earth to procure a steady supply of cloves, cinnamon, nutmeg, and ginger. My kingdom for a pumpkin pie? Well, something like that.

Simply put, Europe–in its formative stages–was mad for spices. Addicted, some say. From kings to serfs, everybody laced their meals with ridiculous amounts of it–especially pepper, cinnamon, and cloves, which were ingeniously incorporated into just about every dish most people ate. It went further. After dinner parties, well-heeled hosts intent on impressing their guests passed around little bowls of cinnamon and cloves, sort of like recreational cocaine. Some guests to French banquets in the 1600s–the zenith of spicemania–even brought their own nutmeg and nutmeg graters to banquets, just to make sure they got a large enough dose of this pungent flavor-enhancer.

Frankly, spice as used by our forebears in the Middle Ages had less to do with flavor enhancement than it did with gastronomic overload. And if that sensory bombardment came from a luxury item imported from a great distance–especially a place whose actual location remained a mystery–so much the better.

Engendering bloodshed, corporate greed, and colonial lust on a global scale, the quest for spice fueled Western history and culture for two millennia. As early as the Roman era, spices had attained such cachet and value that taxes were paid in kilos of cinnamon; before that, Pharaohs regularly paved their way to eternity with bonfires of the stuff.

In the medieval era, those who could afford it were passionate about pepper, whose exotic luster stemmed from its mythical proximity to Paradise itself. The full-bodied appetite for highly seasoned foods–pepper in every pot–linked Europe with a fabled East whose emissaries were the growing cadre of traders who set up fragile routes from Venice, through Syria and Egypt, to the source in India and the Molucca Islands (off the Malay coast).

Naturally, journeys that cross this many tens of thousands of miles were fraught with peril. Hence the celebrated romance and danger surrounding 15th- and 16th-century entrepreneurs all intent upon finding more direct routes to the East. That Christopher Columbus might have discovered an entire New World was purely accidental. What he was after was pepper.

AMERICA’S FAMILIAR holiday meals provide one-stop tasting of the history of recent European expansionism. The pepper in the mashed potatoes, the cloves stuck into the baked ham, the ginger in the candied yams, and the cinnamon and nutmeg in the pumpkin pie–ordinary but pungent flavors we’ve come to take for granted–are legacies of ancestral cravings and the ingenious ways in which they were satisfied. And while today (with the delicious exception of Indian and Asian cuisines) most of our use of spices is confined to sweets–pastries, pies, candies–Europeans from the Dark Ages to the Renaissance laced their every chicken, pork, and beef recipe with huge helpings of cinnamon, cloves, nutmeg, pepper, and ginger.

Cinnamon, the matriarch of spices, mentioned in the Bible and ancient Egyptian records, was the catalyst for a famous journey undertaken by the globe-trotting Polo family in the year 1271. After locating the source in Ceylon, the Venetians kept the secret well enough to have a monopoly on the cinnamon trade until the 16th century, when venture capitalists from England, Holland, and Portugal started getting into the act.

Black pepper (Piper nigrum) is a climbing vine long prized in its ancestral home, the tropics of India. Required eating by the time of Chaucer, it was a favored culinary condiment of the ancient Greeks, followed by the Romans, who bequeathed its joys to their European provinces.

So expensive that it was given as bonuses by emperors to their victorious generals and devoted bureaucrats, pepper enjoyed a mystique that far outran its power to spice up the menu. It seems that pepper’s aggressive flavor became psychologically linked to the idea of potency. Combined with sheer expense, pepper’s symbolic machismo soon ran neck and neck with its gastronomic properties. And while the perceived potency remained–even today it’s considered manly to be able to tolerate lots of pepper on your steak–the astronomical price of this crucial spice began to drop once the Portuguese opened up sailing routes to India in the late 15th century.

That strangely shaped tropical rhizome forming the business end of the ginger plant (Zingiber officinale) was already a critical ingredient of Indian curries by the time Europeans had learned how to dress themselves. Enterprising Persian traders were regularly importing it from India by the fifth century B.C.E.

Ginger’s rampant popularity in medieval cookery and pharmacopoeia stemmed from its manifold properties as a digestive, an aggressive flavor-enhancer, and an alleged aphrodisiac. Healthy doses of the stuff were long believed, by Europeans and Chinese alike, to extend procreative powers in aging lovers. It was popular combined with cinnamon in French cookery and considered a delicacy in its crystallized state–mixed with sugar–by Far Eastern hedonists who developed a brisk side business in porcelain ginger jars as a promotional spin-off.

By the time of the Renaissance, French and Italian cuisine had adopted a mellower approach to strong spices, but the use of ginger as a culinary ingredient remained in the recipes of England, Germany, and Scandinavia. Some of the old wisdom lingers in today’s commercially produced ginger ale, still touted for both its zippy flavor and its stomach-settling properties.

CLOVE, the dried, oil-intensive bud of the Eugenia caryophyllata tree, was especially beloved of Arabic gourmands, who blended it ubiquitously into grain dishes. The Chinese, who liked to sweeten their breath with the potent spice, already developed a brisk clove trade with East India by the second century B.C.E. European use of the intense flavoring evolved from Roman enthusiasm–during the early centuries of the Christian era, emperors regularly expressed official appreciation in kilos of cloves.

From the 17th to the late 18th centuries, the English, French, and Dutch–frustrated over high costs and a negative balance of trade–each set up their own East India Company and usurped one another in procuring a price-fixing monopoly on the clove trade. Eventually each nation transplanted clove seedlings into its own tropical colonies. Once everybody had a piece of the action, the trading corporations dissolved.

Pretty much the same saga surrounded the romance with nutmeg and cardamom, the smuggling of which during the European Renaissance was as dangerous and lucrative as modern-day drug trafficking. One of the building blocks of Indian curries, cardamom was first used in perfumes by the Greeks and Romans, and later was chewed after meals to help eradicate telltale garlic odor. Eventually, it was used in European cuisine, was especially popular with the English of Shakespeare’s time, and today is still used to flavor spirits and cookies in Scandinavia and coffee in Arab countries.

Was all this international profiteering, intrigue, and expense worth it? Think about it the next time you inhale the fragrance of mulled wine or fresh-baked cookies or a dish of curry. However much or little the costly ingredients that made and laid waste empires are used today, their unparalleled fragrances and tastes are still the spice of life.

Two fascinating sources were useful in creating this article: Wolfgang Schivelbusch’s Tastes of Paradise: A Social History of Spices, Stimulants, and Intoxicants and Maguelonne Toussaint-Samat’s encyclopedic History of Food.

From the June 20-26, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Funky Meters

0

Running Meters


Gemma La Mana

Big easy: With a new lineup and fresh material., the Funky Meters bring New Orleans Funk to the world.

Meters change names, but the funk remains the same

By Zack Stentz

SEEING A VETERAN music group perform with an altered lineup can often be a depressing experience. It conjures up images of a bunch of graying ponytails creaking onstage at the Konocti Harbor Inn, huddling wraithlike around the sputtering embers of their former glory.

Not so with the Funky Meters. Formed in 1967 under the name The Meters, the group earned a legendary status as Founding Fathers of New Orleans Funk, playing an infectious blend of blues, funk, and dance grooves to audiences worldwide, finally disbanding in 1979. After pursuing solo projects, the group reformed in the late 1980s around original members Art Neville (yes, one of those Nevilles) on keyboard and bass player George Porter Jr., and has been together ever since.

“We changed the name to Funky Meters to distinguish ourselves from the original band, because we have two new members,” says Porter, speaking by phone from his New Orleans home. “We don’t want people to come in expecting to see Zigaboo [Modeliste, the Meters’ original drummer] or [original guitarist] Leo Nocentelli, when they’re not with the group anymore,” explains Porter.

These days, Russell Batiste plays drums and Brian Stoltz handles guitar and vocal duties for the Funky Meters. And as far as the quality of their music goes, “though much is taken, much abides,” as that original funkmaster Lord Alfred Tennyson put it.

Porter shrugs. “We’re older, we play differently. But if the music is played correctly, it’s good forever.”

Audiences evidently agree, judging by the rapturous welcome the Funky Meters have received in gigs across the country. And in the proverbial sincerest form of flattery, a whole slew of rap and hip-hop artists have pillaged the group’s back catalog of recordings, looking for beats and grooves to build new songs from. “There’s been something like 78 samples of our work used by hip-hop artists over the years,” Porter says, “not counting the people selling tapes from the trunks of their cars, and we’ve finally been paid for most of them.”

Though Porter relishes the heightened exposure sampling has given the group’s music among a younger generation of music listeners, he still bristles at the acts that have appropriated grooves and beats without acknowledging (or paying) the source. “That’s just outright thievery,” he says, his anger tinged with a little fatalism. “But that’s the way this business works.”

But Porter isn’t content to rest on his laurels and let the whippersnappers plunder his old bass lines. While not touring or recording with the Funky Meters, he keeps busy playing with his solo group, Runnin’ Pardners, and doing session work for the likes of Harry Connick Jr., Tori Amos, and a variety of blues acts on the Blacktop label. “I’m sort of a gunslinger with a bass,” he says, with a deep, rumbling chuckle. “I always say: ‘He who pays, I will play.'”

Not that Porter never enjoys working as a hired musician for big-name acts. “Working with Tori was a lot of fun,” he recalls. “It was different, though. I’m used to being in on the creative process from the beginning, while she comes into the studio knowing what she wants everyone to do. It works for her, though.”

But don’t expect tinkling pianos and airy-fairy vocal stylings when the Funky Meters come to town. They lay down grooves specifically built for serious booty-shaking, a fact acknowledged by the Luther Burbank Center when managers there temporarily lifted the venue’s infamous no-dancing policy for the group’s appearance. “They made a great decision,” Porter laughs. “But I think they’d have had a hard time keeping people in their seats anyway. We don’t play sit-down concert music. Funk is made for dancing.”

Shake your bad self when the Funky Meters play the Luther Burbank Center on Saturday, June 29, at 8 p.m. 50 Mark West Springs Road, Santa Rosa. $21.50. 546-3600.

From the June 21-27, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Phantom Pop

0

Musical Arts Pop Music


Alan Pappe

Broadway baby: Lisa Vroman

‘Phantom’ star swings the Pops

By Gretchen Giles

CONTRARY to every creamy old movie you’ve ever seen, being at the top of the theatrical food chain isn’t all backstage intrigues and champagne cocktails tossed down gaily while one slinks around in ermine-lined satin robes during languorous dressing-room changes between scenes.

Just ask Lisa Vroman, the soprano star of the long-running San Francisco production of Phantom of the Opera. Playing Christine, the naive ingenue who unfortunately attracts the ardor of the sensitive madman living in the theater’s bowels, Vroman labors under high hair and 40-pound costumes, staggering off the stage to pound down Gatorade and Power Bars before struggling into yet another costume weighted like a mid-sized child, and then zooming back out to sing some more. While smiling.

This is the glamorous whimsy that Vroman performs six times a week. “Twice on Wednesdays,” she mock-groans. As for the big-happy-family concept that theater folks always stress, Vroman loves her colleagues, but she never sees them. “There are times when I just whiz by other cast members,” she admits, allowing that her extensive stage time limits her contacts to her dresser and her hair stylist, who must fuss during her brief offstage breathers. As for backstage intrigue, don’t ask Vroman where the love affairs are. But you could do her a favor and tell her. “Clueless,” she sighs. “I don’t get to hear any of it.”

While admitting to being just a tad bit this side of stressed (four years of brutishly beautiful costumes have just sent Vroman to the chiropractor, the doctor, and the bed), she is truly not complaining.

“I’d be lying to you if I said that I felt fresh every day,” she says emphatically by phone from San Francisco’s Davies Hall, where she is preparing a program of turn-of-the-century concerts to open the San Francisco Symphony’s American Festival.

“But jobs like this, with a lead role that suits me really well–they just don’t come along that often. And, there are thousands of people who want my job.”

Those thousands of panting aspirants are going to have to wait a while longer, because Vroman’s not going anywhere. But she is taking an unheard-of break: one glorious week. What’ll she do? Work.

Because this petite, ageless–as in, she won’t give her age–woman plans to spend her summer vacation singing by Sonoma State University’s lake with the Santa Rosa Symphony in its annual Pops concert. Conducted by grad school pal Asher Raboy (they were friends at Carnegie-Mellon), this concert of surprises, standards, and favorites has been planned by Vroman herself. “I haven’t done anything like this before,” she admits.

Planning a mélange of tunes by Irving Berlin, Stephen Sondheim, and other musical greats, Vroman is looking forward to an afternoon out of what she terms “Phantomland.”

“It’s going to be great to sing freely,” she asserts.

A working vacation sounds just about right for this performer, who spent years touring with such productions as Les Misérables before settling into the Phantom over two years ago. After all, she’s the one who notes that being home for Christmas in her field means that you’re unemployed, saying with a tart irony, “They call it show business. They don’t call it show fun.”

Meanwhile, the luxuries of a home-delivered pizza and falling asleep in front of a video confine the limits of Vroman’s expectations. Eventually, she would like to start a family, take weekend trips, and own a pet not traumatized by owner-absence. But she is content for now.

“It’s so great to live in San Francisco, sleep in my own bed, and have a job,” she says with satisfaction.

“Lisa Vroman at the Pops!” tunes up on Sunday, June 23. Picnicking from 1:30 p.m., music at 4 p.m. SSU, Lake, 1801 E. Cotati Ave., Rohnert Park. Table seating is sold out; lawn seating is $5 for youths; $12 for adults; $40 for families. 54-MUSIC.

From the June 20-26, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Spectral Sonoma

0

Spectral Sonoma


Photos by Janet Orsi

The truth is up there: This doorway at the Bartholomew Park Winery was found mysteriously locked from the inside.

One reporter’s long, strange trip among the formerly living residents of Sonoma County

By David Templeton

THE GHOSTS know that we’re coming,” Victoria Bullis comments as she bounds out of my car and stands facing a street lined with old Victorian houses. “The ghosts are waiting for us. And there are a lot of them in this neighborhood, a whole enclave of ghosts down here. I can feel them. They’re everywhere!”

“Good,” I bravely remark, tucking my notebook under my arm and gripping my tape recorder firmly. I join Bullis where she stands on the sidewalk. “Why are the ghosts waiting for us?”

“Well, you have been asking a lot of questions,” she replies. “And word gets around fast among ghosts. I get the sense that they’re eager to cooperate.” She grins and lowers her voice. “Ghosts like getting attention as much as anyone, you know.”

Bullis is a popular Bay Area spiritualist, a psychic to whom numerous clients have turned for mystical insights, glimpses of the future, and the occasional clearing of a ghost. Or two. Or three. She is regularly heard dispensing her clairvoyant circumspections to desperate and/or curious callers on a variety of different radio stations, including KZST-FM. Though she seldom discusses ghosts on her programs, a stray, on-air joke about “ghost hunting” led to my invitation to Bullis to join me in a daylong meander among the so-called spectral residents of Sonoma County.

And here we are. Westside Petaluma. The corner of A and Keller. Ready for anything. Surrounded by ghosts. “You don’t believe in ghosts, do you?” she asks, matter-of-factly. “Well,” I admit, “I don’t not believe. I’ve just never, actually, you know, seen one.”

In other words, I’m skeptical, but hey, I’m open to anything. “Fair enough,” Bullis smiles. “But don’t be surprised if you’re seeing ghosts by the end of the day.”

Local Ghosts:

The Ghost of the Cavenaugh Inn
The Tale of the Phantom Lights
The Haunted Winery
Another Haunted Winery

RIGHT THERE,” Bullis says, stopping in her tracks. We are standing before a beautifully cared-for Heritage Home, near the corner of Sixth Street and Western in Petaluma. “I’m getting a sense of some dark energy up there on the second floor of this house,” she says, pointing. “There’s a quaint little woman who lives up there. She’s looking out at us right now.”

I see nothing, but an eerie sensation has definitely taken hold of me. We have walked several blocks in our quest, and Bullis, obviously delighted, has described dozens of ghosts already. Ghosts in windows, ghosts on rooftops, ghosts turning somersaults on the lawn, ghosts that have come out to greet us and see what all the fuss is about. “It’s a regular ghost carnival,” Bullis joked earlier.

There is a Victorian-era gentleman in the upper left-hand corner of the McNear building. He’s sorely vexed; something about a fire. Walking past the Cavenaugh Inn, Bullis affirms that there is a presence within; she puts the total number of resident ghosts at four.

“They wander in and out,” she shrugs. “Ghosts visit each other just like we do.” Further down the street, she describes two ghosts who live in side-by-side houses, carrying on a feud that has lasted for years. “They can’t give it up,” Bullis says. “It’s their identity.”


J.K. Clark, University of California

It goes on: A Native American ghost, male, steadfastly maintains his place in a corner lot, now under construction. A crotchety fellow dwells in a rundown place across the street, still trying to add to the Coke-bottle collection he started in his youth. A playful youngster hangs out in the garden of a house on Western, amusing himself by trying to get the attention of children driving by.

With my mind as wide-open as certain readers’ mouths are likely to be at this point, I am still unable to detect anything beyond a general, goose-bumpy kind of feeling and the occasional tingle down my spine. Despite my inability to see ghosts, I am obviously getting into this.

“Look down there,” Bullis exuberantly exhorts. “Concentrate. What do you see?”

Traffic? A house with strangely manicured bushes? “That’s the house!” she shouts. “Now look closer. What else do you see?”

Well, my eye is drawn to a glimmering just to the right of the door. “You got it,” she smiles. “It’s an old woman with dirty shoes. She’s waving at us.”

She pauses a moment. “I’m sorry, I meant that in the nicest way,” she speaks toward the house. Turning back to me, she explains softly, “She didn’t like being called old.”

We continue, walking past Bill and Jay’s auto repair shop. “Okay,” Bullis nods. “Ghosts like this place. They sit in the cars behind the wheel. There’s one standing behind that green van. He’s not in a good mood.”

Jay Miller, co-owner of the shop, is amused at the suggestion that his garage might be occupied by otherworldly back-seat mechanics, though he’s never seen anything with his own eyes. “On the other hand,” he chuckles, “I will admit that I never feel alone here. Even when I am.”

“Ghosts can make themselves visible, if they choose,” Bullis says, back at the car. “But you don’t have to use your eyes to see them. I look for a certain energy. It’s second nature now. I tune into the vibration that allows me to see the astral dimension of the ghosts. It’s not hard. Half of the population, or more, could see ghosts.”

A GHOST is someone who hasn’t fully transcended the physical plane,” Bullis explains. “They’re still partly here on an energy level. Usually they’re afraid to go to the other side.”

We are back in the car. After closing her eyes briefly, testing the revenant waters, Bullis has directed me to head out on Lakeville Highway, in the general direction of the town of Sonoma.

“Ghosts are in denial,” she says, explaining how she uses her psychic knack to assist ghosts in moving on. “I just talk to them, like a therapist would. I help them see that it’s time to go. Turn left. Some ghosts are dangerous,” she continues. “They are not to be fooled around with, though most of them are harmless, or even helpful. But it’s inappropriate. They need to move on. Its like not paying your taxes or putting off doing your homework.

“It’ll catch up to them eventually.”

Inevitably, it seems, we end up pulling into the parking lot of Old Adobe Historic Park, the one-time home of Gen. Mariano Vallejo, the reportedly despotic landowner who enslaved hundreds of local natives. His adobe-brick mansion, now undergoing historic reconstruction, stands before us. “This doesn’t feel good,” Bullis nods. “There are only one or two ghosts living in the house, but they are very disturbed. The whole place is bad news.”

After a brief wander up to the imposing edifice, we beat a hasty retreat. “They’re out here,” she says, gesturing to the surrounding fields and hills as we drive away. She refers to the ghosts that we expected to find within the Old Adobe. “They’ve come out here instead of staying there.”


Janet Orsi

So what about General Vallejo himself? Any sense that he was still around? She checks in. “He’s here,” she nods. “Even he won’t stay in the house, though.” We drive past a small, disheveled farmhouse. Bullis stares at it curiously. “He hangs out there,” she says, almost in surprise. “But he’s getting ready to move on. He’s done a lot of work.”

“Has he come to terms with any atrocities he may have done to his fellow humans?” I ask.

“I don’t know and I’m not going to ask him,” she replies. “What are you trying to do, get me in trouble?”

WE ARE STANDING in the lobby of the Sebastiani Theatre in downtown Sebastopol, where there have been reports for years of a ghost that will come up behind workers late at night and startle them out of their skins before disappearing suddenly. “He hangs out in the lobby,” Bullis nods. “He likes to be outside when people are coming in and out. He’s nice.”

Not so nice is the fellow around the corner, who spends time alternating between two different bars. “He was an alcoholic,” she says. “He soaks up the energy of the bar and of some of the people there. It’s his way of getting a drink.”

Though not as packed as Petaluma, Sonoma has a pretty fair spectral population. There’s one in the bushes across from a deli. Two lounging on the grass at the Courthouse lawn. A few meandering about the mission.

As we stand facing the square, attempting to picture this other level of being, I imagine this landscape of wandering, waiting souls, unable or unsure of how to take the Big Leap into the world beyond, playing games, playing tricks, hanging out. Waiting.

There are those who believe and those who don’t. If ghosts are a fabrication of our collective unconscious, they serve as an eloquent metaphor for procrastination, and the reluctance many of us have to give up old ways and move on to the next phase. On the other hand, if ghosts do exist, then perhaps it is a reasonable and fair system in which they exist; you have lots of time to figure out where you’re going.

“But they need to spend their time here wisely,” Bullis insists, walking back to the car. “It’s long enough, but it isn’t unlimited. The sooner you do your work and get on with life, the better.

“We’ve got a hitchhiker,” she announces, standing beside the car. “He got in somewhere along the way, but didn’t want to get out of the car here.” She informs me that he has agreed to get out where he got in, if I will drop him off in the same place. I glance into the back seat, aware only of the broad stripes cast across the upholstery by the afternoon sun.

Just in case, I drive home the same way I came.

From the June 13-19, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Ghost Stories

0

The Haunted Winery

“We hear them singing,” admits Meg Scantlebury, promotions director at Bartholomew Park. “Late at night, sometimes in the afternoon. We will know, for certain, that no one is down there, and then they start. Hymns usually.”

The mood in the cellar, where the winery’s production department has been established, is certainly evocative of ethereal imaginings. Unlike the sunny lawns and gardens of Petaluma, this is exactly the kind of setting in which one would expect to run into ghosts, even musically inclined ones.

“I bring my boom box down here sometimes,” Scantlebury explains. “If I’m playing something really contemporary, they sometimes shut the music off. One time the boom box was suddenly flung right off of the counter.”

According to Scantlebury, one artist the ghosts can’t get enough of is evocative Celtic harpist Loreena McKennitt. “I was playing one of her tapes once,” Scantlebury describes. “She does ‘Greensleeves.’ Every time that song came to an end, it would suddenly rewind to the beginning of the song. Over and over.”

The employees of the winery have grown accustomed to such shenanigans, and are rather proud to be working alongside such esteemed company. The random visitor, however, has been known to become startled. In particular, the ghosts have an apparent fondness for spooking salespeople.

“One time this guy was trying to sell me something,” she says. “We were back in the production area, and I started telling him about the ghosts. I said, ‘Sometimes they even turn on my tape player,’ and right at that moment, way across the room, it turned on, all by itself.”

She laughs, and adds, proudly, “He suddenly had to leave.”

From the June 13-19, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Ghost Stories

0

Ghost Stories

The best friend of another friend once lived in a haunted house and every evening the living room light would flip on all by itself. That kind of thing. Then there are the first-person stories. You get the feeling that someone is watching you and you turn around but no one is there, and later you unexpectedly find the pair of glasses that have been missing for months and weren’t there on that bookshelf as early as this morning.

Or there are the ghost legends. There was this earthquake that smothered hundreds of Chinese workers in a cave where a rich man stored his wine, and now whenever there is a thunderstorm, you can hear the champagne corks popping as the dead workers throw themselves a party. These are all real stories, meaning that they have been recently related by real people eager to join in the centuries-old practice of telling spooky tales. Whether one believes in an afterlife per se or whether one questions the wisdom of trusting in superstitions, it is impossible to deny that such stories are fun, and that they can effectively turn a simple walk in the woods, or down a city street, into a mysterious romp with the unknown.

The Ghost of the Cavenaugh Inn

FOR JUST OVER A YEAR, Jeanne and Ray Farres have run a highly rated bed and breakfast inn within their historic old house on Keller Street in downtown Petaluma. Formerly owned by one Adelaide Cavenaugh, who raised numerous children there, the inn is beautifully restored, comfortably charming . . . and haunted.

“Someone walks back and forth in the Magnolia Room,” confirms Jeanne Farres. “We hear the footsteps. Sometimes we hear the closet open and shut. And that closet is always locked.” Healthy disbelief originally led them to think the noises were caused by a large magnolia tree that brushed up against the window. They recently trimmed the tree well back from the house, however. “We still hear the footsteps,” Farres laughs. “So we’ve just accepted that we have a ghost here.

“I think it’s Adelaide Cavenaugh,” she adds. “She must have been a very nice person, but I think she prefers men to women.” Male guests have reported that they have felt drafts against their face and arms, as if someone were brushing up against them.

Apparently, Adelaide is one flirtatious phantom.

Neither the Farreses nor their guests seem to object to the ghostly presence. In fact, she has proven to be good for business. “One woman from back east was staying here,” Farres relates. “Ray and I had just left for the evening and she was alone in the house. No sooner had we driven out of the driveway than she heard the footsteps outside her room. She opened her door and came out. She thought we’d forgotten something and had come back. But the house was still empty. She closed her door again, and the footsteps continued.”

Far from being frightened, the woman was charmed. A haunted bed and breakfast makes for great vacation stories back at home. “In fact,” the bemused innkeeper laughs, “that same woman just called and rebooked the room.”

From the June 13-19, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Sorentinos

On the AirBy Zack StenzTHE SHOCK of the familiar can come at the strangest times. Imagine sitting in front of the television set, having an enjoyable sleaze wallow watching the made-for-television movie Co-ed Call Girl, starring the one, the only, Tori Spelling as the eponymous university student of the night. Tori's critical scene comes up--the moment when the innocent...

Bodega Blues

Bodega Blues By Bruce RobinsonA FEW COWS graze languidly on the lush grasses above Highway 1 while the light onshore breeze is colored by the briny scent of fish being smoked in a nearby roadside shack. Yet this bucolic hillside overlooking Bodega Bay is at the center of a heated battle that has lasted more than 10 years. Even...

Disabled Adults

Taking the Road to FreedomPhotos by Janet Orsi A little help from his friends: With assistance from local advocates, Michael Pasquini, above, has gained the freedom to live on his own.Developmentally disabled adults finally won the right to live on their own. But will federal budget cuts end hard-won freedoms? By Trine MillerMICHAEL PASQUINI'S day is like any...

Talking Pictures

Live on ArrivalJayMcInerneytakesanalienapproachBy David TempletonWriter David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time around, he connects up with the controversial brat-pack novelist Jay McInerney (Bright Lights, Big City) to see the new aliens-are-among-us science-fiction thriller, The Arrival. A strange little man has attached himself to McInerney.As the end...

Spicy Tales

Spicy TalesBy Christina WatersWE ARE TOLD that somewhere around the Renaissance, the search for a convenient route to the Spice Islands helped spawn global navigation, the discovery of the New World, and the rise of international economics. But nobody tells us why all those European men convinced kings and queens to buy them costly ships and then sailed to...

Funky Meters

Running Meters Gemma La ManaBig easy: With a new lineup and fresh material., the Funky Meters bring New Orleans Funk to the world.Meters change names, but the funk remains the sameBy Zack StentzSEEING A VETERAN music group perform with an altered lineup can often be a depressing experience. It conjures up images of a bunch of graying ponytails...

Phantom Pop

Musical Arts Pop MusicAlan PappeBroadway baby: Lisa Vroman'Phantom' star swings the PopsBy Gretchen GilesCONTRARY to every creamy old movie you've ever seen, being at the top of the theatrical food chain isn't all backstage intrigues and champagne cocktails tossed down gaily while one slinks around in ermine-lined satin robes during languorous dressing-room changes between scenes. Just ask Lisa...

Spectral Sonoma

Spectral SonomaPhotos by Janet OrsiThe truth is up there: This doorway at the Bartholomew Park Winery was found mysteriously locked from the inside.One reporter's long, strange trip among the formerly living residents of Sonoma County By David TempletonTHE GHOSTS know that we're coming," Victoria Bullis comments as she bounds out of my car and stands facing a street...

Ghost Stories

The Haunted Winery"We hear them singing," admits Meg Scantlebury, promotions director at Bartholomew Park. "Late at night, sometimes in the afternoon. We will know, for certain, that no one is down there, and then they start. Hymns usually."The mood in the cellar, where the winery's production department has been established, is certainly evocative of ethereal imaginings. Unlike the sunny...

Ghost Stories

Ghost StoriesThe best friend of another friend once lived in a haunted house and every evening the living room light would flip on all by itself. That kind of thing. Then there are the first-person stories. You get the feeling that someone is watching you and you turn around but no one is there, and later you unexpectedly...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow