Trivia

QUESTIONS:

1 California’s longest highway has what route number?

2 What animal was named “eight feet” in Greek and Latin?

3 What is the Inuit word for house?

4 What popular appetizer was invented in 1964 at the Anchor Bar in a city of upstate New York, after which it was named?

5 What two chemical elements comprise 99% of the air we breathe?

6  We’re looking for four countries whose names begin with M: Two are located in the southeast of Africa, as well as two island nations that lie off the southeast coast of Africa.

7 This original singer has over 45 million YouTube subscribers and over 100 million Instagram followers. She has won multiple Grammys and one Academy Award and some Billboard Music awards, and was one of the youngest entertainers to ever top the Billboard Hot 100 chart. Who is she?

8 Name the two major league baseball players who’ve been on the All-Star team roster the most: One played mostly for Milwaukee/Atlanta Braves and was on the All Star Roster 21 seasons from 1954 to 1976, and the other played mostly for the New York/San Francisco Giants, and made the team 20 times from 1948 through 1973.

9 What company involved in the beverage business is named for Captain Ahab’s first mate?

10 What movie characters sing, “Heigh ho, heigh ho, it’s off to work we go,” in what 1938 movie?

BONUS QUESTION: France’s biggest holiday, Bastille Day, is celebrated on July 14 of every year, in memory of what events?

Want more live trivia? You’re invited to our next Trivia Cafe team contest at the Sweetwater Music Hall in Mill Valley on Sunday, July 24 at 5pm, hosted by Howard Rachelson.  Free admission, with a food menu and full bar available. Contact ho*****@********fe.com.

ANSWERS:

1 Route 101

2 Octopus: Octo=eight + pous=foot

3 Igloo or iglu

4 Buffalo wings

5 78% nitrogen, 21.5% oxygen

6 Mozambique and Malawi on the mainland, and the islands of Madagascar (shown in photo) and Mauritius in the Indian Ocean

7 Billie Eilish

8 Hank Aaron, Willie Mays

9 Starbucks—he was a shipmate in the novel Moby Dick.

10 Seven Dwarfs, in the movie Snow White and the Seven Dwarfs

BONUS ANSWER: The holiday commemorates the storming of the Bastille prison on July 14, 1789 by the common people, which began the French Revolution and ended the “ancien régime.”

Bastille Day: American Reflections on Liberty

I was running on the beach like my life depended on it, and that’s because it did. 

The urge to take off my shoes and run wind sprints beside the ocean on a cold April afternoon, carefully leaping over broken clam shells lest I tear my foot open, had suddenly possessed me at the start of Covid. I christened my new creation “free running,” for I was still free to run, and I was running in order to feel free. 

There was panic in those first few weeks in 2020, which you likely recall all too well. I was alone on an island—Newport, RI, to be precise—fueled by the quixotic desire to live in a colonial New England town after a decade in New York. But no sooner had I arrived than the pandemic struck, everything shut  down and there was talk of home confinement.

I doom-thought a prison for myself of worst-case-scenarios without end, and the autonomous act of free running helped me think clearly during the unfolding of what’s been euphemistically called our new normal.

The two sides of the cavernous abyss dividing Americans have one thing in common: Both believe their freedoms are eroding. It was inevitable, since the rallying cry of the French Revolution—liberty, equality and fraternity—is based on cognitive dissonance, or two concepts that contradict each other. Eliphas Levi, father of the 19th-century French occult revival, wrote in 1852, “Liberty, Equality, Fraternity! Three truths which, in coming together, form a triple lie, for they destroy one another.” Liberty creates inequality, Levi explains, while equality’s leveling process prevents liberty. And attempting to establish them together produces “an interminable struggle that makes fraternity impossible.” 

That doesn’t mean we can’t celebrate Bastille Day with wine, cheese and bread from our local Franco-American bakery. And as we stare into our empty glass, at the ruddy sediment left behind by a well-aged Burgundy, we can ponder the notion of liberty, whose etymology comes to us from Old French via Latin, and is based on the word “liber,” meaning free, and what it means at the present moment in the course of human events. 

If you feel like your phone is a tool rather than a tyrannical taskmaster, and that your elected officials are working on your behalf; if you look forward to having a social credit score or a microchip implanted into your arm—or your brain—and are excited about the possibilities offered by the metaverse, then congratulations; you are a model citizen of the new normal. You sleep better at night imagining a facial recognition and GPS tracking system, because if they can do it in Australia, then why not here. Then there’s China’s zero-Covid policy—which it recently announced will continue for at least five years—that saw 25 million Shanghai residents reduced to near starvation in their high-rise apartment-prisons, while circling drones told them to stop being selfish by wanting to be free. Toss in cancel culture—the modern West’s latest way to incinerate blasphemers—and The New Normal will soon know everything you say and do, as well as everything you’ve said and done before. For the few who still refer to themselves—albeit with growing self-conscious irony—as “free spirits,” life in the United States in 2022 is not something that guarantees you liberty, but instead something to be liberated from.

Last year, in a cover story entitled “The Great Escape,” I wrote about how to liberate yourself from 2021 through the time-tested paths of art, nature, spirit and time travel. 2022 has everything last year had, plus war, inflation, food shortage and monkeypox. A shocking new Gallup Poll revealed that the world is more unhappy and stressed out than ever before, and yet no one seems to be able to see the prison they’ve constructed for themselves, probably because it’s disguised as a phone. 

Shortly after the poll came out, the guy who invented the mobile phone said, “Put it down and get a life.” Perhaps he knows that we’re supposed to be spirit beings having an earthly experience, not earthly beings having a digital experience. 

“Man is born free,” said Rousseau in the days leading up to the French Revolution, “yet is everywhere in chains.”

* * *

Liberation is the goal of many of the world’s spiritual paths—Buddhism and Hinduism, notably—but what exactly are we trying to liberate? For starters, we might say we are trying to liberate untapped potentialities within ourselves, while also trying to liberate ourselves from ourselves—that is, from all our faults, including illusions about ourselves and the world. This is the paradox known to ascetics, who practice self-discipline as a means to liberation from the mind-chains that imprison us in dungeons of our own making. The Roman orator Cicero said that the highest power one can achieve is mastery over oneself.

India in the time of the Vedas and Upanishads (beginning circa 1,500 BC) was arguably the most metaphysically advanced civilization the world has ever known, and its doctrines were largely based on reaching a level of knowledge in which the physical world was seen as “maya,” which is typically translated as illusion. The Bhagavad Gita explicates the difference between what in the human experience is supreme and immutable—namely the world of spirit—and what is fleeting, impermanent and ultimately illusory. 

Two millennia later, in the fifth century AD, India went through a winter period. The temples of the mysteries were overrun with weeds, forcing spirit-seekers to search for divine knowledge through direct experience. Tantra emerged as a path suitable for an age of dissolution, and the temple in which knowledge was to be found was nothing less than the body itself, viewed throughout the ancient world as a microcosm of the universe, and hiding within it innumerable secrets. 

Yoga revealed to the adept that consciousness resides not in the tissues of the brain, but in a subtle electro-magnetic field running through and around the body, or what we call an aura. Kundalini, the primordial life energy, was likened to a dual-polarized serpent that lies sleeping in the abdomen, capable of releasing hidden creative, sexual and metaphysical powers. Ultimately, however, the Tantric adept seeks the liberation that comes from a neutral attitude towards every conflict and antithesis, including wealth and poverty, success and failure, hope and fear. 

Most of us cannot completely sever ties with the world we find ourselves in, one based entirely on money, technology and politics, which does not recognize the existence of the individual soul, nor anything that doesn’t serve the needs of the collective. Which is why, in addition to liberation within ourselves, there is the perennial need to liberate ourselves from others, since hell, as Jean-Paul Sartre aptly put it, “is other people.” It’s easy to place a “zero fucks given” bumper sticker on your car, but quite another to reach the state where you can say these words attributed to The Awakened One in one of the oldest Buddhist texts: “I have overcome the bramble of opinions, I have gained mastery over myself, I have followed the path, I possess the knowledge and I have no one else as my guide.” 

* * *

The forces presently ascendant in this year 2022 are dangerously regressive. The individual—without understanding what they are doing, which is why it’s so insidious—is all but commanded to abdicate qualitative personal distinctions and assume their place as a soulless atomized servant of the greater social dis-organization. In extreme though increasingly common cases, the individual personality disintegrates to the point where it begins to “identify” with cats and other furry creatures, because why be limited by 140 genders to choose from, when there are 2 million animal species? In an age of chaos and crisis, the need to bind oneself to a transcendent principle reasserts itself, but announcing to your friends and family that you now identify as a dog transcends the human condition not by rising to a higher level of consciousness, but by descending to a lower form of being. Thinking that’s crazy, but allowing yourself to gradually become a cyborg is no different. Robots don’t have souls, and there are no messiahs in the metaverse. Just smiling demons urging you to never leave. 

In Shadow is a 15-minute animated short made in 2017 by Lubomir Arsov that has amassed over five million views on YouTube. The film is told entirely through visuals, and grotesquely caricatures modern life as a nihilistic techno-consumerist hellscape—or everything we built over the past two centuries in order to be “free.” When the imagery becomes so dreary it’s almost nauseating, one character suddenly seeks escape, and the visuals shift from dystopian to metaphysical. The sick world of mankind’s creation is transcended, and the soaring soul finds its way back to the primordial cosmic world-tree and the womb of creation. 

I had the honor of interviewing the filmmaker two years ago, and asked about his inspiration for the film. 

“I wished to express the idea that we live in a limited state of awareness, disconnected from the dark causality that energizes our world,” Arsov told me, “and to suggest through evocative imagery that despite the anguish, deception and darkness, we have a choice to break through and claim the sovereignty of our souls. If we don’t evolve our sense-making capacity and reach a level of sound judgment, we inevitably fall prey to the power of manufactured narratives, which leave us stranded in a desert of materialistic meaninglessness. To navigate this trap effectively, we must awaken to the parts of our inner world that prevent us from seeing clearly, and reform them to a higher order.” 

* * *

The first impulse that grabbed me when Covid struck, besides free running, was to ruthlessly prune my possessions, and I’ve worked at it consistently the past two years. I know everything I own and where it’s located, and all the mementos and photos and manuscripts have all been organized. The computer, likewise, has only the music that really means something to me, since anything else at present just strikes me as noise. 

My bookcase, likewise, has been pruned down to only what I need to read right now. If I ever feel like reading Hamlet again someday, I’m sure I’ll be able to find a copy. Needless to say, the organizing of physical possessions, the refining of movies and music down to only what I rate a 10 out of 10, brings about a feeling of liberation from the mediocre and inconsequential. The sense of dominion over as much of life as possible breeds potency, the feeling of cold inner flame that can break forth at any moment in a simple act of spontaneity. 

I call these micro-liberations: sudden whims, caprices and idiosyncratic expressions of free will, spontaneous play and creativity. Buddhists are some of the most actively liberation-seeking people on the planet, and monks can spend hours methodically raking a rock garden no one else will ever see. A fool will not understand the point of it, but the very definition of a fool is someone who doesn’t know what they don’t know. 

The meaning of life cannot be found within life, but only that which is prior and superior to life, in the part of life that is more than life. The escape ladder leading to liberation is vertical, and has nothing to do with American society in 2022. Free your soul, and the rest of you will follow. 

Culture Crush—Environment Art in Marin, Bastille Day in Larkspur, and More

Larkspur

Bastille Day Celebration 

Vive la France! Join the celebrations at Left Bank Brasserie this Thursday through Sunday, in the spirit of Bastille Day. The celebratory vibes will be in full swing with rustic, authentic French additions to the restaurant’s lunch, dinner and beverage menus, plus festive bleu, blanc and rouge decorations. There will be live music, a stilt walker, a mime, a magician, and staff ensembles and costumes. Francophiles seeking food, Champagne and an all-around entertaining time need look no further. Bastille Day is hosted at Left Bank Brasserie, 507 Magnolia Ave., Larkspur. Visit www.leftbank.com for more information. 

Santa Rosa

Wreckless Strangers on Tour 

The Krush 95.9 Backyard Concerts are in full swing. This Thursday, see Wreckless Strangers and check out their new album, When the Sun and a Blue Star Collide, produced by Grammy Award-winner Colin Linden, who has produced such names as Bruce Cockburn, Alison Krauss and Bob Dylan. The first single, “Sun State,” is currently making waves on AAA and Americana Radio and stars blues legend Charlie Musselwhite on harmonica. The band features Amber Morris (premier vocal coach noted for her work with members of Journey and Mr. Big) on vocals; David Noble (Poor Man’s Whiskey, Pardon the Interruption) on lead guitar and vocals; Joshua Zucker (The Jones Gang, Rowan Brothers) on bass; Austin de Lone (Nick Lowe, Elvis Costello, The Fabulous Thunderbirds) on keys; Mick Hellman (The Go to Hell Man Band) on drums and vocals; and Rob Anderson (repeat world champion cyclist) on guitar. Wreckless Strangers is playing Thursday, July 14 at 3565 Standish Ave., Santa Rosa. Doors at 5:30pm; music starts at 6pm. Free. 

Marin

Reflections on Climate Change 

Join the Marin Art and Garden Center for Confluence: Reflections on Our Shifting Environment. In this climate-focused exhibition, artist Laura Corallo-Titus presents multi-media paintings addressing how the historic expectations of landscape painting have been hijacked by a more chaotic and disrupted visual conclusion. Cindy Stokes’ installation and wall sculpture urge one to contemplate the now ever-present threat of wildfire while acknowledging our dependence on and enjoyment of fire’s domesticated form. Arminée Chahbazian creates large multi-media imagery on paper to explore how recent environmental shifts modulate our desires for nature’s beauty and drama, leading to a sense of displacement. The thread tying these artists’ work together is an intentional examination of humankind’s evolving perceptions about our responsibility to care for the planet. Confluence: Reflections on our Shifting Environment is at Marin Art and Garden Center, 30 Sir Francis Drake Blvd, Ross. The opening reception is Sunday, July 24, 1pm-3pm. Free. Registration required. www.maringarden.org 

Sebastopol

Jerry’s Middle Finger 

Step out this Saturday for a night of rocking rock and roll at Hopmonk Tavern in Sebastopol with Jerry’s Middle Finger (JMF).  It’s generally undisputed that JMF delivers the best Jerry Garcia Band tribute experience in the world. Conceived in 2015 by a group of professional musicians passionate about Jerry Garcia and the Grateful Dead, JMF has graced Los Angeles speakeasies and beachside dive bars for the last seven years, honing their signature sound and getting the party started. JMF has played all along the West Coast, packing legendary venues like Sweetwater Music Hall, Terrapin Crossroads and Pappy & Harriet’s—dazzling new fans on the scene and pulling even the most discerning Jerry fanatics out of their seats for the first time in decades. Come rock out this Saturday night! JMF plays at Hopmonk Tavern, 230 Petaluma Ave., Sebastopol. Doors 8pm; show starts at 9pm. Tickets $30. www.hopmonk.com 

—Jane Vick

SRJC Digital Filmmaking Grad Wins $50,000 to Produce Feature Film

On June 10, filmmaker and Santa Rosa Junior College graduate Miles Levin pitched his film, Under the Lights, to AT&T’s Untold Stories judges at the Tribeca Film Festival, and in a sweeping of fan votes, was awarded $50,000. 

Untold Stories is an inclusive film program in collaboration with the Tribeca Festival, that awards $1 million, mentorship and distribution support to help systemically underrepresented 

filmmakers produce films.   

Levin’s idea was selected from the year’s submissions as one of the five finalists. It landed the Fan Award of $40,000 during a live voting process, along with $10,000 from Untold Stories to further the film’s reach and production opportunity.

Under the Lights tells the story of Sam, a 17-year-old boy with epilepsy who, desperately seeking to feel normal, attends his high school prom, even though he knows the lights will trigger a seizure. 

Levin, who both wrote and directed the film, lives with epilepsy. He is one of 60 million people in the world who live with this condition. Levin sits on the board of the The Cameron Boyce Foundation and the Epilepsy Foundation of Northern California. His work as a filmmaker is inspired by his goal of raising awareness around epilepsy and creating more inclusivity in contemporary society for those living with the disorder. 

Levin came to the Santa Rosa Junior College (SRJC) in 2013 and began taking digital filmmaking classes with instructor Brian Antonson. 

“Miles stood out almost immediately as someone who was very passionate about filmmaking, very into the technology and the mechanics of storytelling,” said Antonson. “All of his projects he worked on with high levels of enthusiasm. He had already made a feature film when he was in high school. He was very ambitious.”  

While at SRJC, Levin took almost every production class offered and became Antonson’s PAL—Peer Assistance and Leadership, the equivalent of a teacher’s assistant at SRJC—for a term. 

“Miles was constantly pushing himself to make more films, to make them better and better. In retrospect, you can see him building up these skills which got him to the point where he is today.  Filmmaking is so incredibly difficult—it requires an understanding and a mastery of so many different art forms, and it requires the participation of big groups of people (cast and crew) and resources (both financial and technical). To be successful, one needs to put in this kind of long-term investment of your time and focused attention,” said Antonson.

Not only is filmmaking extremely rigorous, it’s also generally inhospitable to those living with a disability. Levin has spent the last 10 years curating sets that accommodate his disability and don’t compromise his filmmaking. 

But it wasn’t always easy to be an advocate for epilepsy. Levin, like many who live with the condition, spent the first part of his life endeavoring to feel normal. The highly-stigmatized nature of epilepsy made him fearful of sharing his story and facing negative consequences. 

“Epilepsy very much stole my childhood. I didn’t get to be a kid,” Levin writes in his 2022 Untold Stories pitch. “So I wasn’t sure if I wanted to come out in front of the internet with my story, and maybe have it limit my adulthood.” 

Then, Levin was approached by a 15-year-old boy with epilepsy, who told him he had never made a friend before. It was a shocking wake up call for Levin. 

“I became a filmmaker at 15 because I believed in the power of movies to put a person in another person’s shoes and that that act builds a better world. It took me 10 years of making movies to realize that in putting my feelings first, and hiding my story, I was ignoring the reason I became a filmmaker in the first place,” Levin said.  

Under the Lights, the short film was released in 2020, starring Pearce Joza and Alyssa Jirrels and running 11 minutes and 27 seconds. Almost immediately, it became a symbol of hope and representation to the epileptic community. 

International fan art was sent daily to Levin and his crew; people living with epilepsy used the film to come out; and one organization sent Under the Lights prom kits to kids who were unable to attend. Levin also received significant video responses from those with epilepsy, thanking him for his work and sharing how much the short film had changed their lives. 

The film has received multiple awards and selections, including Best Humanitarian Short from Sedona Film Festival in 2021; Best Alternative Film, Nominated Best Short Film and Best Director from the New Hope Festival in 2020; and Best Short at SCAD Savannah Film Festival. 

This is perhaps the first film of its kind, representing the epileptic community in contemporary media. 

“The journey of his protagonist is one that lots of people are identifying with,” said Antonson. “And the epilepsy community is getting behind Miles’ film in a big way. So, in a way, Miles is on a mission, trying to affect real change and help other people with epilepsy.” 

The purpose of this film, along with affecting change in the lives of those with epilepsy, is to highlight the value of an often unheard perspective. 

Films like Under the Lights and directors like Miles Levin invite reality into the film sphere, using cinema as a tool for information, inclusivity and acceptance, as opposed to a vehicle conveying hyper-perfectionism. 

This film is an invitation to traditionally non-disabled people to deepen their knowledge and empathy. It’s an invitation to those with epilepsy to be the main character, the protagonist. It’s an invitation to anyone struggling with a disability, physically, mentally or emotionally, to know that they are not alone. 

Levin’s directing is paving the way for those with disabilities to make their mark on a world that is long overdue to hear their voices in contemporary media. Levin’s belief is that a widely-accessible film about epilepsy could do more to end the stigma than any campaign in history. Under the Lights is the beginning. 

“I want to make the things that I’ve been through worthwhile. And that’s my path,” said Levin. Watch ‘Under the Lights,’ the short and learn more about the feature film at www.underthelightsfilm.com.

Santa Rosa Considers Ballot Measure to Increase Councilmembers’ Pay

After 17 years without a raise, the Santa Rosa City Council is considering asking residents to tie council members’ salaries to Sonoma County’s median income.

In June, a council subcommittee tasked with studying the city’s charter—functionally the city’s rule book—recommended that the full council debate adding a ballot measure to the Nov. 8, 2022 election to significantly increase councilmembers’ pay. The full council did so at a meeting on Tuesday, July 12, after the Bohemian’s print deadline. (You can watch the meeting online here.)

Santa Rosa has seven elected city council members, one of whom serves as mayor. Currently, council members are paid $9,600 per year, while the mayor earns $17,000. Council members also receive benefits, including healthcare and retirement, that are valued at between $19,400 and $33,700 per year, according to a city staff report. 

Even with the benefits, it would be nearly impossible for an individual to pay for housing and other life expenses on a council member’s current salary alone. 

The proposal recommended by the subcommittee would match the mayor’s pay to the median income of a family of three in Sonoma County, currently $101,500. Councilmembers would be paid two-thirds of the median income, or approximately $67,000. 

A staff report estimates that the change in salary would cost the city an additional $426,000 in the first year, plus unknown changes to benefits. As a percentage of the city’s overall budget, the increase would be relatively small—accounting for an increase of 0.34%, according to city staff. 

Backers of the wage increase argue that the low pay means that members need to either be independently wealthy or work a separate job, cutting into the time they can dedicate to managing the city. Under the current system, homeowners, retirees and successful business owners are more likely to afford a term on the council, while renters and younger, more diverse candidates are less likely to be able to take on a council member’s workload, estimated to eat up between 20 and 30 hours per week.

“The Committee heard evidence of the workload of the Mayor and Council members, of the difficulties of balancing private employment, child care, family and the responsibilities of Council membership,” the staff report states.

Recent resignations of local elected officials seem to bear out that logic. With the cost of living continuing to climb, some recently-elected officials have left public office, often citing cost of living as one consideration. 

After studying the issue, the Charter Review Committee concluded that the council’s wages should be increased to “enable a greater diversity of membership (including those with young families, those with lower paying occupations and those without independent means of wealth)… ensure continued strong commitment and professionalism, and… as a matter of fairness and respect for the extensive work performed by Council members.”

Still, if it’s added to the ballot, Santa Rosa’s measure may face an uphill battle. The optics of politicians giving themselves raises are never great, even though, in this case, they’re paid poverty wages. In 2002, Santa Rosa voters rejected a ballot measure to increase council members’ wages. While members could vote to give themselves incremental raises, they have not done so since 2005, according to a city staff report.

But the tides could be turning. In 2020, Berkeley voters passed Measure JJ, after which Santa Rosa’s new proposal is modeled.

Perhaps of note: Berkeley has a population of around 120,000, while Santa Rosa’s hovers near 180,000.

Petaluma Receives $13 Million for New Rail Station, Bus Improvements

The City of Petaluma and the Sonoma-Marin Area Rail Transit District plan to deliver a second rail station and electrify buses after receiving a $13 million grant on Friday, July 8.

The funds, which are provided by the California State Transportation Agency’s State Transit and Intercity Rail Capital Program, will mostly go towards the Petaluma North infill station and North McDowell Boulevard crossing upgrades. Petaluma Transit will use $3 million to electrify and improve its bus fleet, as well as renovate bus stops.

SMART board of directors chair David Rabbitt said the city will see “greatly enhanced transportation options” with the new station and 4.4 miles of new SMART pathway from Penngrove to Downtown Petaluma.

“We are grateful for the State of California’s support, and we are thrilled to begin building Petaluma’s transportation network of the future,” Rabbitt stated.

Petaluma Mayor Teresa Barrett said the grant money marks a “significant milestone,” one that the city has been waiting for since SMART service began.

“Not only will this funding deliver our eastside station but will substantially bolster our transit fleet electrification efforts, helping us reach our 2030 climate neutrality goal,” Barrett stated. “This successful regional partnership delivers for our community, our region and our future.”

Debate over Petaluma’s second SMART station has dragged on for years, with the city at odds with SMART over past development proposals. 

In January 2021, for instance, the Petaluma City Council effectively killed a complicated and controversial proposal to finance the development of the second station. The proposal involved multiple properties and agreements between private developers, SMART and the city.

The $13 million grant for the Petaluma projects came as part of a $800 million investment by the California State Transportation Agency, split between 23 projects across the state. The funds are meant to expand intercity rail service, improve public transportation options and reduce greenhouse gas emissions.

Call for Art and Poetry

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Petaluma Arts Center is calling for submissions of poetry and art for an upcoming exhibition called Agri-CULTURED: Reflections on our Local Food’ by Land and by Hand.

This new exhibition and tandem lecture series explore cross-cultural intersections of food and farming in our region.

The project brings together food producers, purveyors, and artists who work locally and align with global concerns of sustainable practice and cultural memory.

It not only bridges art, science, and agriculture but also engages the spheres of hospitality, tourism, and the economy of Sonoma
County.

Call for Art

The center invites works from Petaluma and surrounding Sonoma County communities that respond to at least one of the following:

  • Food and the environment: through the lenses of drought, wildfires.
    and climate change
  • Food and culture: as an expression of family, community, and ritual.
  • Food and the economy: exploring labor issues, distribution, and ethical practice.

The center reminds artists that all artwork must be ready for installation. All framed, wall-hung work must be securely wired for hanging. Likewise, all work must have a label attached to the back of the piece that includes artist information, title, medium, year, price, and any special installation instructions. Wall-hung work must not be over 50 lbs. All work must be original (and the artist receives 60% of the sales price for any works sold).

Call for Poetry

The center is also seeking poetry themed on food and memory—all forms of poetry accepted.

The deadline for both art and poetry is July 15. Artists will be notified of selected works by July 22. Only two submissions per artist. Submission fees are $15 for arts center members and $25 for non-members.

Links to submit work online can be found here.

This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities, and from Creative Sonoma.

Burn This: Archival survival

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By Daedalus Howell

I went to my safe deposit box in search of a backup hard drive that contained material I needed to share with a business associate. I turned the key and I pulled the box from the wall. Inside? Redundant copies of some legal papers and an allegedly rare Star Wars action figure with a snaggle-toothed grin—so happy he was to be liberated from this high-security sarcophagus.

I had never bothered to stash the hard drive in the box as planned. Instead, I found it under my desk, under a sheaf of unfiled, “important” papers. This baleful state of affairs is not unique to me; this is the way of the world, particularly when it comes to the fate of our cultural artifacts and, you know, the end of the world.

Attempts have been made. There are salt mines in Hutchinson, KS, where reels of studio-made celluloid are stowed in perfect atmospheric conditions. It’s a seed bank of cinema and it’s comforting to think that when the planet finally explodes, at least a few frames of Casablanca might someday rain upon another celestial body (“We will always have Venus”).

A Noah’s Ark chock-a-block with all of our art rocketed off this crowded little heat trap appeals to me. I’m sure I have some extraterrestrial colleagues that would get a kick out of what’s happened since Roswell. Otherwise, they’ve only had our broadcast TV waves, and those take a while to reach deep space. We’ve basically been sending Nick at Nite reruns into space. That and the Arecibo message make early Atari look like Da Vinci. 

I often think of the Voyager-1 satellite leaving our solar system as its 12-inch Golden Record crammed with Earth’s greatest hits played Blind Willie Johnson’s “Dark is the Night.” Good for Blind Willie. I know I have no purchase on posterity. A wiser person might dwell on the evanescent ever-present and not the far-off future, but that’s not me. Instead, I embrace the inevitable bonfire of my vanities. And everyone else’s too. Destroy the evidence while we can because, frankly, our story has never been that great. You can’t paper over what we’ve done to each other and our world with Hamlet. So, let it burn.

Prior to the advent of fire season, I would recommend tearing out this page, folding it into a paper airplane and flicking your Bic to really send a message. But times have (climate) changed, so instead, fold one sheet into a paper hat and roll another into a “telescope” so you can peer into the starry heavens and let’s hope the future both forgives and forget us.

Glory Bound: Woody Guthrie musical to play Plaza

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The Raven Players bring live outdoor entertainment to Healdsburg’s Downtown Plaza with their production of Woody Guthrie’s American Song: A Truly American Musical. Peter Glazer’s adaptation of the writings and songs of “America’s premiere folk poet” runs this weekend, through July 10.

Raven Players founder Joe Gellura is directing the production, which is not a traditional musical biography or “jukebox musical.” “Guthrie wasn’t much of a musician,” said Gellura, “He admitted that he stole liberally from old Appalachian and Irish tunes of his youth. The power is in what he said. He was writing in a time of turmoil that makes today’s headlines seem like tired whining. Some of his song lyrics read like an investigative article from the Press Democrat. He wrote about people who were trying to achieve or keep a place in the great middle class that drove the engine of our economic successes.”

No single actor plays Guthrie. Instead, three performers (Matthew Witthaus, Tim Shippey and Hans Grin) provide the voice of the folk poet at various stages in his life. Five other performers (Cecelia Brenner, Molly Larsen-Shine, Grace Warden, Lindsay John and Tika Moon) play various hobos, Okies, saloon keepers and others that Guthrie met along the way.

Several of the cast do double duty as musicians and join Karl Byrn, Carolyn Dixon and Kendra Levitan to bring such familiar Guthrie tunes as “Bound for Glory,” “Pastures of Plenty” and “This Land is Your Land” to life. The instrumentation is folk—harmonicas, banjo, mandolin, guitar, bass, fiddle.

After two pandemic-related postponements from its original planned November 2020 opening, Martin still feels that the current political environment adds to the show’s relevancy. “As we see the rich, the powerful, the old boys’ network continue to curtail, or just blatantly steal our rights, it’s important to remember that this land really is our land, that it does belong to you and me, no matter our color, religion, political beliefs, gender or sexual identity. And in the true Guthrie spirit, freedom and equality is always worth fighting for.”

‘Woody Guthrie’s American Song: A Truly American Musical’ runs through July 10 in Healdsburg Plaza, Matheson St and Healdsburg Ave, Healdsburg. Fri- Sun, 7:30pm. Free general admission (bring your own chair/blanket). $25 VIP seating available. 707.433.6335. raventheater.org

Trivia – Week of 07/06/2022

0

QUESTIONS:

1 The national headquarters of the Guide Dogs for the Blind is located where in Marin County?

2 Abe Lincoln said, “You can fool some of the people all of the time, and all of the people some of the time, but you” … what …?

3a. The leading Tour de France bicyclist, the one with the lowest overall time, rides with a jersey of what color?

3b. This year’s Tour began in what capital city whose name begins with C, more than 700 miles from Paris?

4 The six strongest earthquakes in the U.S. all occurred in what state?

5 Each of these tennis tournaments is played on a different kind of surface (grass, clay, etc.). Identify each one:

a. Wimbledon b. U.S. Open c. French Open

6 The Gobi Desert stretches primarily through what two countries?

7a. What 33-year-old man wrote the original draft of America’s historic Declaration of Independence?

7b. In what city was this document signed?

8 What German automotive engineer, who worked on the original Volkswagen Beetle, later established a line of very expensive cars that he named after himself, and still exists today?

9 Give the titles of these biographical movies about the lives of these musical super performers:

a. Queen, 2018 

b. Elton John, 2019

c. Elvis Presley, 2022

10 Try to name four four-letter words that start with “F,” have only one vowel and contain a double consonant.

BONUS QUESTION: Walt Disney once said, “I loved ______ more than any woman I’ve ever known.” Fill in the blank with a name.

Want more live trivia?  You’re invited to the next Trivia Cafe team contest at the Sweetwater Music Hall in Mill Valley on Sunday, July 24 at 5pm, hosted by Howard Rachelson. Free admission, and food and drinks are available. ho*****@********fe.com

ANSWERS:

1 In San Rafael, Terra Linda

2 “… can not fool all of the people all of the time.”

3 Yellow/Copenhagen, Denmark

4 Alaska

5a. Grass 5b. Acrylic hard court  5c. Clay

6 China and Mongolia

7a. Thomas Jefferson 

7b. Philadelphia

8 Dr. Ferdinand Porsche

9a. Bohemian Rhapsody 5b. Rocketman  5c. Elvis

10 Fall, fess, full, fuss… (others?)

BONUS ANSWER:

Mickey Mouse

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Trivia – Week of 07/06/2022

QUESTIONS: 1 The national headquarters of the Guide Dogs for the Blind is located where in Marin County? 2 Abe Lincoln said, "You can fool some of the people all of the time, and all of the people some of the time, but you” ... what ...? 3a. The leading Tour de France bicyclist, the one with the lowest overall time, rides...
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