Your Letters, Week of Feb. 1

For the Elk

Thank you for your presentation of the land and park management questions in the “Fenced In” article and issue cover published recently. I personally had no idea about this lingering (and appalling) question impacting the Tule elk in the park grounds, and I appreciate that the Bohemian chose to cover this topic in such a way.  

Giving this issue a spotlight allows more community members to become alerted and engaged (like myself!)…No matter which direction majority opinions may ultimately lean, communities can’t effectively highlight and resolve decision points like this one if the issue at hand isn’t widely known to begin with. In Defense of Animals (IDA) petition signed, and eagerly following from here on out!

Molly Cohen

Petaluma

Where’s the Beef?

Regarding the conflict over beef and dairy cattle in Point Reyes National Seashore (PRNS): It seems that protests, lawsuits and acts of vandalism are not achieving the desired result of mooving (sic) the cows out and freeing the elk from their enclosure. What has yet to be discussed, let alone acted upon, is a consumer boycott of the beef and dairy products that originate in whole or in part from the ranches located in PRNS.

If ranching opponents could convince people not to buy the ranches’ products, and/or convince retailers not to stock them, that would convince the ranches to leave PRNS faster than any protest or lawsuit ever will.

Chris Wenmoth

Santa Rosa

Culture Crush, Week of Feb. 1

Mill Valley

Chamber Music Marin

How does one commemorate 50 years of providing chamber music to Marin? With more chamber music, obviously. Such is the policy for Chamber Music Marin (formerly the Mill Valley Chamber Music Society), which is marking its half century (and apparent rebranding) with a season of specifically curated concerts courtesy of artistic director and classical music enthusiast Bill Horne. Kicking off the the year-long program is Trio Con Brio Copenhagen, a virtuosic, tripartite ensemble founded in Vienna in 1999 and featuring South Korean sisters—violinist Soo-Jin Hong and cellist Soo-Kyung Hong, who is married to Jens Elvekjaer, their pianist. They’re performing new work by (a living!) Danish composer, Per Nǿrgård. The music begins at 5pm Sunday, Feb. 12 at  Mt. Tamalpais United Methodist Church, 410 Sycamore Ave, Mill Valley. Tickets start at $40. chambermusicmarin.org

Yountville

Short Film Fest

Briefs or shorts? Forget briefs—what is this TIkTok? No! It’s the Yountville International Short Film Festival (YISFF), featuring over 100 world class short films paired with wine. And lest one think this is amateur hour on the festival circuit, be assured this is not their first rodeo—it’s number six. Expect pop-screenings and filmmaker Q&As at the Yountville Community Center’s Heritage Room and Bardessono Hotel & Spa. “We’re looking forward to the return of our VIP wine-tasting events and screenings. These events include Cuvée Cinema, Cabernet Cinema, Jessup Cellars Gourmet Popcorn & Wine Pairing Screening and Sunday’s Bubbles & Brunch Cinema,” said YISFF co-founder and co-producer Bill Hargreaves. “New for 2023 is our A Taste of Cinema screening, presented by Lloyd Cellars and Prescription Vineyards on Friday evening, with all the films having culinary themes. YISFF Opening Night is at 7pm on Thursday, Feb. 2 at the Heritage Room in downtown Yountville.” Passes start at $15 and work their way up. Visit yisff.com.

Napa

Walkabout With Wine

Mark Davidson, head of education for Wine Australia, is hosting an evening “walkabout tasting.” “Wine,” one knows, but “walkabout” has an array of meanings for Aussies—from a ritual rite of passage amongst the continent’s Indigenous population to other nuanced periods of “wandering bush life,” as Merriam-Webster describes it. Davidson’s presumably entails a wine glass and won’t venture too much further than the tasting room. According to Wine Australia’s PR, “There will be classic wines—as well as a few from the fringe that challenge your ideas about Australian wine.” You had me at “fringe.” The tasting (accompanied with music and the company of wine industry folk) runs from 6:30 to 8pm, Wednesday, Feb. 15 at Compline Wine Shop, 1300 First St., #319, Napa. The fee is $40, and participants must be 21 or over. Also, don’t Google “Monty Python Australian Table Wines Sketch.” 

Sonoma County

Black History Month

February is Black History Month, which Sonoma County Library will recognize with events and highlighting books, movies, music and resources available through its branches. “We are excited to offer a variety of programs in celebration of Black History Month, when we formally honor the contributions of Black Americans to our society,” said Sonoma County Library interim director Erika Thibault. The Sonoma County Library Commission adopted a public statement on racism and social equity on Feb. 7, 2022 that confirms that the library stands with the Black Lives Matter movement and the community in calling for peaceful, yet powerful action to turn the tide of systemic racism and begin the transition to a just and sustainable society.

Those in need of a library card can get one for free at any branch. To create a library eCard online, visit at sonomalibrary.org/get-a-library-card. It’s better than a credit card since the only interest is one’s own.

— Daedalus Howell, editor

Disney’s Descendants: The Musical: Villainous offspring get a second chance

To be or not to be… evil.

Lucky Penny and first-time director Kirstin Pieschke have opened a portal to magic with their production of Disney’s Descendants: The Musical. Based on the series of Disney Channel movies, the show runs in Napa through Feb. 12.

Don’t let the title deceive, Descendants is not a typical fairy tale. Set in the starkly different worlds of “good” (The Kingdom of Auradon) and “evil” (The Isle of the Lost), the story of seemingly star-crossed lovers Ben (Samuel Schneider) and Mal (Emma Sutherland) is complicated.

Ben, the son of Belle (Larissa Kelloway) and Beast (Brad Fisher), is about to be crowned King of Auradon. His first decree is to give the children of the lost a second chance.

Mal is Maleficent’s (Andrea Dennison-Laufer) daughter. She and fellow “Evils” Evie (Pilar Gonzalez), whose mother, Queen Grimhilde, is Snow White’s evil stepmother; Jay (No’Eau Kahalekulu), Jafar’s child; and Carlos (Alex Corey), the son of Cruella De Vil (Staci Arriaga), are chosen to join classes at the school for fairy tale children and invited to Ben’s coronation.

When Maleficent learns of the plan, she decides to make her daughter steal Fairy Godmother’s magic wand. But Maleficent is not the only malice with which the four have to contend. Self-important Audrey (Sheccid Donatt), Sleeping Beauty’s daughter, and pretentious Chad (Atticus Fisher), Cinderella’s son, make life miserable for the newcomers, eventually turning the entire school against them, forcing the “Evils” to make the impossible choice: legacy or self-identity.

Schneider plays Ben with earnestness and grounded idealism that is matched well by Sutherland’s seriousness and presence as Mal. Gonzalez and Kahalekulu play truthful, fleshed-out versions of what could have been one-dimensional characters, and Corey’s Carlos, though a little unsteady at first, settled into an enjoyable performance. Though not helped by inconsistent mics and the use of unforgiving pre-recorded music tracks, the ensemble brings so much energy onto Lucky Penny’s tiny stage that it is hard not to feel their infectious joy.

Though the production often falls into the trap of musical delivery given priority over dramatic performance, this play is a good bet for the whole family. Teens will enjoy the nostalgia of the piece, and younglings will like the colorful costumes (designed by Ashley Hammons) and fun dances (choreographed by Staci Arriaga). Older audiences will appreciate the deeper message of the show.

Any play that has the ability to engage the whole family is worth catching.

‘Disney’s Descendants: The Musical’ runs through Feb.12 at the Lucky Penny Community Arts Center. 1758 Industrial Way, Napa. Thur–Sat, 7pm; Sun, 2pm. $20–$43. 707.266.6305. luckypennynapa.com.

Stars of Petaluma Gap Wines

Located in southern Sonoma County, extending into northern Marin County, the Petaluma Gap AVA covers over 200,000 acres.

Four thousand of these acres are planted with vineyards. To the west of the region lies the Pacific Ocean.

Defined by the wind that allows direct access to cool Pacific coast breezes and fog, thanks to a gap or dip in coastal mountain ranges that sit between the region and the ocean, the vineyards in the Petaluma Gap are affected to a higher degree by wind than surrounding regions.

Additionally, the area is unique in that the elevation of the rolling hills that run from north (near Bodega Bay) to south (Tomales Bay) within the approximately 18 miles remains at 600 feet or lower throughout the region, setting it apart from surrounding regions with much higher elevation or no elevation/hills.

Whereas the fog and lower number of high temperature days or hours, as well as coastal influences, may more greatly affect the vineyards in a region like Green Valley, and the proximity to the ocean, elevation and exposure may be the factors that most greatly affect vineyards in the West Sonoma Coast AVA, it is the wind and the topography that are more prevalent when looking at factors that affect the ripening of grapes in the Petaluma Gap.

During a recent tasting of more than 20 wines from the Petaluma Gap, the three wines below stood out as stars, as they paint a distinct picture of the unique terroir, sites and cool climate conditions they hail from, while also being incredibly excellent and elegant wines.

2019 Dutton-Goldfield Chileno Valley Riesling

This riesling is grown just over the Marin County line in the Chileno Valley region of the Petaluma Gap AVA. The conditions in this chilly, windswept vineyard site are perfect for riesling, which loves a longer, cooler growing season and overall colder temperatures. The result? A fresh, bone dry riesling with a nervy tension; brilliant acidity; nuanced layers of white peach, apricot, and lychee aromatics and flavors; and low alcohol.

2018 Gary Farrell Petaluma Gap Pinot Noir, Terra de Promissio Vineyard

This pinot noir from Gary Farrell hails from the Terra de Promissio Vineyard, which is known for producing wines that display both elegance and purity of place. With its proximity to the San Pablo Bay, southwest exposure (which allows both sun exposure and access to the wind and fog of the Petaluma Gap) and excellent soils, this is considered to be one of the best sites for pinot noir in the Petaluma Gap.

On the nose, this wine displays fresh red and black fruit notes and baking spices. On the palate, it’s fresh and lean with the fruit at the forefront, leading to more earthy notes and a silky blue/black fruit finish, and continuing to open up in the glass to show its rounder, juicier side.

2018 Keller Estate Rotie

This syrah from Keller Estate is co-fermented with viognier, as is traditional in the Cote-Rôtie AOC of the Northern Rhone. The syrah grapes are grown in the mineral-rich, clay soils of Keller Estate’s La Cruz Vineyard, which lies at a lower elevation and remains protected from the Gap’s cold, high-speed winds. This wine is soft, elegant and balanced with red fruit (strawberries or strawberry compote), baking spices, and slight earthy and floral notes on the nose and palate, with underlying blue fruit tones.

Free Will Astrology, Week of Feb. 1

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ARIES (March 21-April 19): Theoretically, you could offer to help a person who doesn’t like you. You could bring a gourmet vegan meal to a meat-eater or pay a compliment to a bigot. I suppose you could even sing beautiful love songs to annoyed passersby or recite passages from great literature to an eight year old immersed in his video game. But there are better ways to express your talents and dispense your gifts—especially now, when it’s crucial for your long-term mental health that you offer your blessings to recipients who will use them best and appreciate them most.

TAURUS (April 20-May 20): In esoteric astrology, Taurus rules the third eye. Poetically speaking, this is a subtle organ of perception, a sixth sense that sees through mere appearances and discerns the secret or hidden nature of things. Some people are surprised to learn about this theory. Doesn’t traditional astrology say that you Bulls are sober and well-grounded? Here’s the bigger view: The penetrating vision of an evolved Taurus is potent because it peels away superficial truths and uncovers deeper truths. Would you like to tap into more of this potential superpower? The coming weeks will be a good time to do so.

GEMINI (May 21-June 20): The ingredient you would need to fulfill the next stage of a fun dream is behind door #1. Behind door #2 is a vision of a creative twist you could do but haven’t managed yet. Behind door #3 is a clue that might help you achieve more disciplined freedom than you’ve known before. Do you think I’m exaggerating? I’m not. Here’s the catch: You may be able to open only one door before the magic spell wears off—unless you enlist the services of a consultant, ally, witch or guardian angel to help you bargain with fate to provide even more of the luck that may be available.

CANCER (June 21-July 22): I trust you are mostly ready for the educational adventures and experiments that are possible. The uncertainties that accompany them, whether real or imagined, will bring out the best in you. For optimal results, you should apply your nighttime thinking to daytime activities, and vice versa. Wiggle free of responsibilities unless they teach you noble truths. And finally, summon the intuitive powers that will sustain you and guide you through the brilliant shadow initiations. (PS: Take the wildest rides you dare, as long as they are safe.)

LEO (July 23-Aug. 22): Fate has decreed, “Leos must be wanderers for a while.” You are under no obligation to obey this mandate, of course. Theoretically, you could resist it. But if you do indeed rebel, be sure your willpower is very strong. You will get away with outsmarting or revising fate only if your discipline is fierce and your determination is intense. OK? So let’s imagine that you will indeed bend fate’s decree to suit your needs. What would that look like? Here’s one possibility: The “wandering” you undertake can be done in the name of focused exploration rather than aimless meandering.

VIRGO (Aug. 23-Sept. 22): I wish I could help you understand and manage a situation that has confused you. I’d love to bolster your strength to deal with substitutes that have been dissipating your commitment to the Real Things. In a perfect world, I could emancipate you from yearnings that are out of sync with your highest good. And maybe I’d be able to teach you to dissolve a habit that has weakened your willpower. And why can’t I be of full service to you in these ways? Because, according to my assessment, you have not completely acknowledged your need for this help. So neither I nor anyone else can provide it. But now that you’ve read this horoscope, I’m hoping you will make yourself more receptive to the necessary support and favors and relief.

LIBRA (Sept. 23-Oct. 22): I can’t definitively predict you will receive an influx of cash in the next three weeks. It’s possible, though. And I’m not able to guarantee you’ll be the beneficiary of free lunches and unexpected gifts. But who knows? They could very well appear. Torrents of praise and appreciation may flow, too, though trickles are more likely. And there is a small chance of solicitous gestures coming your way from sexy angels and cute maestros. What I can promise you for sure, however, are fresh eruptions of savvy in your brain and sagacity in your heart. Here’s your keynote, as expressed by the Queen of Sheba 700 years ago: “Wisdom is sweeter than honey, brings more joy than wine, illuminates more than the sun, is more precious than jewels.”

SCORPIO (Oct. 23-Nov. 21): Your assignment, Scorpio, is to cultivate a closer relationship with the cells that comprise your body. They are alive! Speak to them as you would to a beloved child or animal. In your meditations and fantasies, bless them with tender wishes. Let them know how grateful you are for the grand collaboration you have going, and affectionately urge them to do what’s best for all concerned. For you Scorpios, February is Love and Care for Your Inner Creatures Month.

SAGITTARIUS (Nov. 22-Dec. 21): Revamped and refurbished things are coming back for another look. Retreads and redemption-seekers are headed in your direction. I think you should consider giving them an audience. They are likely to be more fun or interesting or useful during their second time around. Dear Sagittarius, I suspect that the imminent future may also invite you to consider the possibility of accepting stand-ins and substitutes and imitators. They may turn out to be better than the so-called real things they replace. In conclusion, be receptive to Plan Bs, second choices and alternate routes. They could lead you to the exact opportunities you didn’t know you needed.

CAPRICORN (Dec. 22-Jan. 19): Author Neil Gaiman declared, “I’ve never known anyone who was what he or she seemed.” While that may be generally accurate, it will be far less true about you Capricorns in the coming weeks. By my astrological reckoning, you will be very close to what you seem to be. The harmony between your deep inner self and your outer persona will be at record-breaking levels. No one will have to wonder if they must be wary of hidden agendas lurking below your surface. Everyone can be confident that what they see in you is what they will get from you. This is an amazing accomplishment! Congrats!

AQUARIUS (Jan. 20-Feb. 18): “I want to raise up the magic world all round me and live strongly and quietly there,” wrote Aquarian author Virginia Woolf in her diary. What do you think she meant by “raise up the magic world all round me”? More importantly, how would you raise up the magic world around you? Meditate fiercely and generously on that tantalizing project. The coming weeks will be an ideal time to attend to such a wondrous possibility. You now have extra power to conjure up healing, protection, inspiration and mojo for yourself.

PISCES (Feb. 19-March 20): Before going to sleep, I asked my subconscious mind to bring a dream that would be helpful for you. Here’s what it gave me: In my dream, I was reading a comic book titled Zoe Stardust Quells Her Demon. On the first page, Zoe was facing a purple monster whose body was beastly but whose face looked a bit like hers. On page two, the monster chased Zoe down the street, but Zoe escaped. In the third scene, the monster was alone, licking its fur. In the fourth scene, Zoe sneaked up behind the monster and shot it with a blow dart that delivered a sedative, knocking it unconscious. In the final panel, Zoe had arranged for the monster to be transported to a lush uninhabited island where it could enjoy its life without bothering her. Now here’s my dream interpretation, Pisces: Don’t directly confront your inner foe or nagging demon. Approach stealthily and render it inert. Then banish it from your sphere, preferably forever.

Spiritual Jelly: Royal Jelly Jive evolves

Anyone who was at the Mystic Theatre in Petaluma on New Year’s Eve for the Royal Jelly Jive show knew it was the place to be.

A bouncing, grooving time that an authority none-other-than RJJ frontperson Jaleh Lauren Bjelde declared “sexy,” it felt from the crowd like the highlight of 2022 might be in its final moments.

The Mystic, always ready for a party, vibrated with the synergy of RJJ’s core, namely Jaleh and longtime partner in music and love, Jesse Lemme Adams. Adams’ wicked keys swirled around my wife and me as Jaleh’s sultry vox pulled our dancing bodies ever-tighter together. In short, this band resonates.

“Got to make the keyboards rock and roll. You got to make them unexpected and fun,” said Adams when reminiscing about the show recently. “I always, like, try to throw it on the ground at some point if I can, just [to] make it feel dangerous and exciting.”

Now that’s what I’m talking about. Yet the gestalt of this power couple of local music is about more than the energy of sex and funk. Like so many artists have since the pandemic lockdown put them at home with nothing to save themselves but making art, RJJ is evolving.

“We’re not just a little jive band anymore,” Jaleh explained.

“We’re going into a deeper place, a fusion of the Jaleh mysticism, and the Royal Jelly rocking fun dance party,” she said, referring to her solo musical project called simply, “Jaleh.” “[Music for us is] like going to church. It’s our ceremony, it’s our expression.”

The Shift

RJJ has been one of those can’t miss bands that brings people out for a guaranteed good time, not just in the North Bay but around the country. That reputation and the hard work groove that has sustained the band through years of touring made music a full time profession for Adams and Jaleh. No doubt the hustle to make ends meet and bring music to the party people will continue. But in the inner light ignited by the pandemic, now the band feels the calling for more.

Musically, this shows up in the new Jaleh EP, Roses. Written by Jaleh with Adams and released under the band name “Jaleh,” these mellow, mystical tunes are evidence of the artists “mining the muses,” as Jaleh put it.

This mystical shift comes into the music from a shift in Jaleh’s own life toward physical and spiritual health.

“If there’s anything we’re gonna mine for, mine for muses to just bring out into the world [our] creative expression,” said Jaleh. Putting her right to create first during the pandemic liberated her way of thinking about the purpose of RJJ.

Jaleh shared the image of a Buddhist metaphor called Indira’s Web. Imagine “a spider web and on every point of the spider web, there’s a drop of water. And in that drop, the entire web is reflected. The whole thing 360 degrees around,” she explained. Humans are the droplets, and what they do in themselves reflects out to all the other droplets.

“If we can make each of our own little drops beautiful, that will be reflected in every other drop on the web. And so it’s up to each one of us to really work from home, work from the heart, work in our community,” she said. It’s an ancient story that I have rarely heard told so beautifully, so succinctly.

For Jaleh, starting at home means inviting in the ancient wisdoms of the world that are continually subverted, their benefits kept away from people who need it here in the “developed” world.

“Communities around the entire world are protecting this knowledge,” said Jaleh, who has a degree in anthropology. “This tradition of expression [shows up in] Meshika Aztec dancing, in the wisdom from the plant master teachers [like mushrooms and ayahuasca] and in the temazcal sweat lodge.” These are ancient practices and plant medicine that science is only now starting to catch up with.

For Adams, the recognition that the spirit moves through music might sound a little more practical to some, but it is no less rich.

“We are dropping a new song every full moon this year,” said Adams. The couple’s record label, Moonshade Records, was created just for this purpose. “It forced us to start releasing things every month, instead of holding on to stuff,” he continued.

The rhythm of the cosmos can be a hard taskmaster. “It made a sort of scramble because like you’re just looking up at the moon and fuck it’s like, ‘It’s like already halfway there,’” reflected Adams. He takes it as a gift of the natural world to help bring his offering of music to the world.

The Background

Like any great couple, these two musicians bring different magical ingredients to the relationship. It has been that way since they first connected down in San Francisco back in the aughts.

“She had a band called The Sufis, which had a cool Turkish guitar player who had a ’60s psych-rock kind of vibe. They were singing songs in Farsi,” said Adams. “[I thought,] I would love to be in that band. And she was always a glittering personality.” When the Sufis disassembled, Adams started to sit in with Jaleh.

“Even before we met, there was always this musical connection. We were crossing paths,” said Jaleh. They did shows together while in different bands, watching and admiring each other’s work.

The connection between the two became undeniable, eventually with them deciding that “we should both jump ship to each other’s ship and become part of this journey,” said Adams. “It was super amazing and exciting.”

The Direction

In Jaleh’s spiritual journeys of the last couple of years, she has come to an epiphany that expresses itself through music.

“I feel like we’re gonna bring hundreds of people together for a night, so, what are we doing with this energy? Let’s be mindful about where it goes and what we’re doing with it,” said Jaleh. “I’d love to do a tree planting tour for instance, where we’re playing music outside in the sun. We’re nourishing ourselves [and our audience] with the light of day,” not just in the dark of a club, when many of the crowd might be served better by sleep.

“I do want to continue playing in the awesome majestic music clubs,” she noted, laughing. “I’m not trying to get rid of the fun. It’s just kind of a new chapter for us, a new feeling.”

One may check out the ‘Roses’ EP by Jaleh and watch the skies for the monthly full moon Royal Jelly Jive Mystic singles from Moonshade Records. Both are streaming everywhere.

Raising the Roof on Debt Ceiling Blues

By Wim Laven

Our country reached its debt limit, $31.4 trillion, on Jan. 19. This debt is all past spending, and we should be asking tough questions.

According to a study from Brown University, $5.85 trillion has been spent on U.S. post-9/11 war spending through 2022 and another $2.2 trillion is already spent in future obligations. So-called defense spending accounts for more than half of all discretionary spending. Interest payments on U.S. debt may eclipse the defense budget by 2025 or 2026, high costs to waging wars this country could not afford to fight.

I wonder why I haven’t heard mention of military spending, the cost of running military bases all over the globe, the cost and inadequacy of our combat operations, or anything else about our failed military policy.

It is a triple whammy: The U.S. spends more on these campaigns than anything else (as a percent of discretionary spending), they are not working—the dramatic failures have been painful to watch—and challenging the status quo on military spending is frowned upon. What will it take to honestly talk about the military industrial complex in America?

The true costs of war are rarely told; families are killed or driven from their wrecked homes; soldiers and civilians die; nature is polluted and infrastructure is destroyed—and the debt ceiling is hit.

Perhaps it is time to review the rich history of nonviolence, the ability of peacebuilding and the efficacy of peacemaking operations in achieving mutually beneficial outcomes. Violent destructive conflicts could be avoided and constructive conflicts with the potential for enduring positive change could be identified. The debt ceiling is proof that war is not working. The U.S. cannot afford it. This country has the capacity for complex problem solving; let’s finally prove it.

And by the way, refusing to raise the debt ceiling when Congress already authorized all the spending that caused that debt ceiling to be hit is not the same as Congress suddenly deciding to order a less expensive meal at a modest diner. It’s actually exactly like eating a large expensive meal at a pricey restaurant and then leaving without paying.

Wim Laven, Ph.D., syndicated by PeaceVoice, teaches courses in political science and conflict resolution.

Being Brave: Elizabeth Herron returns to Occidental Center for the Arts

Sonoma County Poet Laureate Elizabeth Herron bonded with nature at a young age while wandering in the woods in her free time, but it was witnessing firsthand the devastating environmental damage wrought by the Dunsmuir Spill in 1991 that galvanized her to dedicate years of her life and work to the study of certain aspects of the environment and, later, climate change. “I became conscious about what was happening to the natural environment,” she says of the experience.

Born in Chicago and raised in Hawaii, Herron earned a master’s in counseling at San Francisco State University, then studied biopoetics, earning a doctorate in psychology from the University for Integrative Learning. After a brief stint at San Francisco State University, she worked at Sonoma State University, first at the counseling center and later in the creative writing department.

By 1991 she was living in West County. That was the year of the Dunsmuir Spill, which pushed her to devote a decade of her work to the study of wild trout and salmon and threats to their survival. Today the topic of climate crisis infuses her work, and she tirelessly advocates for nature through her essays, poems and readings.

As local Poet Laureate for the 2022–24 term, Herron initiated the Being Brave Poetry Project. She writes, “As Poet Laureate I offer workshops to foster the writing of being brave poems where people who may never have written a poem before can find words for what being brave means in their lives. The workshops include conversation about what our poems tell us of what it means to live courageously. Along with each workshop a reading can be arranged.”

“What does living bravely look like in a time of radical climate change, war, inflation – flood and famine, and violence that invades our churches, our schools, our local grocery and even our neighbor’s house?” she asks, adding, “Aldo Leopold, father of the modern environmental writing, famously observed we take care of what we feel affection for, and Toni Morrison says that, ‘Beauty makes the unbearable bearable.’ My own poetry is always an effort to find the beauty that compels affection, even when the subject is otherwise unbearable. We want our hearts awakened, and poetry is about the heart.”

Her three-hour workshops are designed for groups of 5 to 25 people and include an introduction with samples of being brave poems, time for writing, time for sharing and facilitated conversations. Herron holds the workshops anywhere she is invited, be it a cafe, a house, a church or a community center. Contact her directly with questions or requests via her websites at www.elizabethherron.net or www.elizabeth-herron.com.

“Being Poet Laureate for me is an act of service; it’s a way of giving back and it’s a way of expanding the role of poetry in our lives,” she tells me.

When I ask her if she has any advice for young writers, she pauses before answering. “Write every day. Ten minutes, five minutes, so that writing is a habit so that when you are ready for the graced material that comes to you from the muse or outer space you are ready, you have your chops,” she says at length. “I write first for myself. Some of us writers, we’re led first to writing to find something in ourselves we wouldn’t find any other way.”

Her latest book, In the Cities of Sleep (Fernwood Press), is her contribution to EXTRACTION: Art on the Edge of the Abyss, a global creative project dedicated to exposing all forms of extractive industry and consisting of 50 intertwined exhibitions and events throughout 2021 and beyond. A collection of climate-crisis poems, her book addresses the bigger picture of dwindling resources and resulting discord in our rapidly warming world, pushing us, as humans, to look for more viable alternatives to our present path.

Join Herron for her In the Cities of Sleep book launch at Occidental Center for the Arts on Sunday, Jan. 29 at noon. Admission is free and all donations will be graciously received. The talk and readings will be followed by a Q&A, book sales & signing. Refreshments, including wine, beer, coffee and tea, will be available.

Herron’s own involvement with OCA stretches back decades, to when she first moved to Sonoma County. “The volunteers there have been fantastic,” she says. “Suze has been fantastic. She works so hard for the center. I have huge respect for that. And much appreciation.”

“I’ve maintained that very strong sense of ‘these are my people,'” she says of Occidental itself, though with her current title she now seeks a more encompassing, county-wide identity. “I’m reaching for parts of the county I’ve not had so much to do with, beyond Santa Rosa, Petaluma, Sebastopol.”

What’s next for Herron, after her sojourn as Sonoma County Poet Laureate ends, in the summer of 2024? Perhaps a return to simplicity and nature is in order. “I’ll write, keep writing. And I’d like to expand the animal household,” she tells me. “Right now we are down to one cat. And maybe there will be some time for me to wander through the woods, to gather Hawthorne berries to make heart tincture for my friends. I will probably want more solitary wandering.”

Sunday, Jan. 29 at 2–4 pm, Occidental Center for the Arts presents a Celebration of Elizabeth Herron, our new Sonoma County Poet Laureate, and a book launch for her recently published book, In the Cities of Sleep. OCA, 3850 Doris Murphy Way, Occidental. 707.874.9392. Occidentalcenterforthearts.org

Mark Fernquest lives and writes in West County. He spends his free time communing with his friends in a post-apocalyptic town with no name in Arizona’s magical Painted Desert.

Gauging aging: ‘maturity’ isn’t for amateurs

For most of my adult life, I had the good fortune of looking younger than my age. Until now.

I’m not going to tell you how old I am, but it begins with a six and ends with a zero. Healthwise, no complaints. Yet, I suffer—from wrinkles and zits at the same time.

Unbeknownst to me, this phenomenon probably started a while back, although I only realized it a couple of weeks ago, after I picked up my new eyeglasses with a much stronger prescription. With my newly discerning eye(s), I noticed that many of my girlfriends seem to be weathering the sexagenarian tsunami better than me. 

Enter Dr. Faye Jamali, of Belle Marin Aesthetic Medicine in Mill Valley, who enlightens me about some of the non-surgical treatments that my friends might be having. Of course, there’s Botox, a muscle relaxant used to soften lines and wrinkles. But Jamali’s anti-aging tool kit contains far more than that old standby.

Jamali describes a smorgasbord of services available, including injectable fillers to replenish lost facial volume; microneedling, which stimulates new collagen and elastin production to address hollowing and sagging; and laser therapies to improve skin tone and texture.

Maintenance visits are required to keep what Jamali calls a “better rested and more youthful appearance,” because the measures are temporary. Still, Jamali emphasizes that she’s performing medical procedures.

“This isn’t a makeup counter,” Jamali said. “You don’t want to go for a Groupon for these treatments.”

Hmm. Now that I give this more thought, it is my more affluent friends who look decidedly unaged. So, can a reporter afford to look younger?

The price for Botox and dermal fillers depends on the number of units needed. For example, to treat frown lines, the forehead and crow’s feet with Botox, Jamali estimates the cost at $600 to $750. That investment lasts about three months.

Maybe what I need here is an attitude adjustment, so I call my friend who is brutally truthful, Rachel De La Montanya. Also, she’s a hair stylist, and I need to tell her about the new feral gray hairs sticking out from my head at right angles. And my mane is thinning. Double whammy.

First, De La Montanya reassures me that gray hair is a marker of genetics, not age. Hair loss, on the other hand, could indicate an underlying medical condition or simply that I’m old. Off to Kaiser I go.

The good doctor, a man half my age, orders blood work. The following day, he calls to cheerfully provide the diagnosis for my thinning hair: “maturity.” 

Speaking of mature hair, De La Montanya says, “A lot of women are choosing to let their gray hair come in, and they have way less maintenance.” She adds, “Women can achieve that balance of looking good for themselves and feeling comfortable. I honestly don’t understand how women spend as much time as they do in a hair salon. It’s my business, but it’s not my value.”

I could go kicking and screaming into the process of growing old, but where will that get me? My sage father was delighted to age. “It beats the alternative,” he always said.

Sherri Franklin, the founder and director of Muttville, is well-known to dog lovers. In 2007, Franklin, 67, founded the Bay Area nonprofit, which is devoted to rescuing and finding homes for dogs seven years old and up. When it comes to matching senior dogs with people 62 +, she’s the expert.

One of Franklin’s first “senior for senior adoptions” was for a grandfather with early-stage dementia who had to move into a senior living community, where he had become agoraphobic. His family decided to adopt Rocky, a 10-year-old Pomeranian, for the grandfather.

Suddenly, the grandfather was taking Rocky out on walks every morning and getting to know the neighbors by name. By virtue of socializing again, his dementia seemed to diminish, according to the family.

“This is not a one-off,” Franklin says. “I hear stories like this all the time. There is science behind it.”

Indeed, there is. Studies show that having a pooch companion boosts a person’s mood and helps those who are isolated, according to the American Heart Association. In fact, the organization’s website lists more than a dozen other health benefits, including that dog owners are 31% less likely to die from a heart attack or stroke than non-dog owners.

Check. I have a dog. A senior dog, I might add. And with this info, I always will.

Oops. I apologize for using the word “senior,” which sets Dotty LeMieux’s “teeth on edge.”

“I’m on a campaign to get rid of it for anyone not about to graduate—and I don’t mean from this world into the next,” LeMieux, a 74-year-old firecracker, wrote on my Facebook page.

It’s not only LeMieux who’s particular about the terms used to describe humans of a certain age. Pamela Weintraub, an award-winning author, chimed in, too. “Older people” is correct, while “elderly and senior” are both bad.

“What is an “older person?” asks Marcia Thomas, a local artist. “To a teenager, it can be someone over 40. To someone 80, that number could be very different.”

Thomas is decidedly against using subjective words, preferring to identify a specific age range, such as “people over the age of 65.” 

I’m OK with that for the time being. But when I turn 65 and a young person lumps me in with centenarians, I’ll probably whack them with my walker.

Linda Wosskow, spunky and fiercely independent at age 76, has no fear of dying.

“It’s going to come sooner or later,” Wosskow says. “My only concern is that I want to die peacefully and quickly. I don’t want to be dependent and need medical attention.”

Wosskow’s outlook on aging is absolutely refreshing. She travels alone, won’t go out sans lipstick, loves her “silver” hair and has no regrets about her life, although the former dancer sounds wistful when she mentions that she used to have great legs. I’ll bet her gams still look gorgeous.

While there’s a plethora of perspectives about moving into the last decades of life, I’ll close with wisdom from Bay Area sailor Jim Rohrsson, 65, who prefers to stay active and optimistic.

“I get up in the morning and I’m like, ‘Wow. Another day!’” Rohrsson says. “Killing time or being bored? I’m going to wait until I’m dead to do that.” 

‘Cesar Died Today’ moves to Cloverdale

Mounting a production of a little-known play in these pandemic and inflationary-influenced times is something of a risk for most theater companies. Audiences have yet to return in full-force to live theater, so a significant leap of faith is required to produce material that has little to no track record.

Healdsburg’s Raven Players and the Cloverdale Performing Arts Center have joined together to take that leap with a co-production of Gabriel and John Fraire’s Cesar Died Today. The show recently ran for four performances at the Raven Performing Arts Theater and now moves on to the Cloverdale Performing Arts Center for performances on Jan. 28 and 29.

The play isn’t completely unfamiliar to local audiences, as it had a staged reading one year ago as part of the Raven’s ScripTease program. Originally produced in 1996 by the New Latino Visions Company at New York’s Brooklyn College, Oz Montelongo Medina directs the Raven/CPAC West Coast premiere.

Labor leader and civil rights activist Cesar Chavez has passed away on the day Mother Guerrero (Rosa Reynoza) has asked her family to gather for a special announcement. Daughter Gracie (Sky Hernandez-Simard) was once a part of the Chavez movement, but marriage and a career in nursing now occupy her time. Son Robert (Ignacio Ayala Aguilar) sees assimilation as the way to success at a financial services firm, but that success is being threatened. Youngest son Cesar (Evan Espinoza) finds his indecisiveness in everything (including on how to pronounce his name) has put his college scholarships in jeopardy.

Mother’s announcement that they are to be featured as “Hispanic Family of the Year” in a national magazine sets off a series of family arguments and debates (including whether they’re Hispanic at all), and none of them wish to participate with the article. What’s a mother to do? She must rely on her faith and an impish spirit (Paloma Victoria Rodriguez Irizarry) to set things straight.

Playwrights Gabriel and John Fraire try to cover a lot of material in their 80-minute family dramedy. The script affirms its college origins, with a heavy reliance on expositional material that comes off as more of a lecture than a theatrical piece. But there’s also some good-natured humor and laugh-out-loud moments. The play’s best moments are when the family is allowed to be a family, with Reynosa’s Mother the warm center of a lovingly bickering unit.

It’s also nice to see more progress in increasing the diversity of voices on local stages.

‘Cesar Died Today’ runs through Jan. 29 at the Cloverdale Performing Arts Center, 209 N. Cloverdale Blvd. Saturday, 7:30pm; Sunday, 2pm. $25. 707.894.2219. Masking is strongly encouraged. cloverdaleperformingarts.com.

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