Letters to the Editor

August 8-14, 2007

Tell us more!

I read (Letters, June 27) and I am in responding in kind.

[Regarding water issues surrounding the Green Music Center construction at Sonoma State University], the permit was not drawn for the shallow “de-watering” wells until after we had gone to the Water Quality Control Board and issued a complaint. A hearing was held and an after-the-fact permit was issued.

I did not make a claim that “no permits were issued,” only that the work was started before the permit was issued. And perhaps if the permit process had been done correctly, there would have been a denial of the permit based on the usual things that would be contained in an EIR.

Ms. Grossi’s 500-foot-deep well had its casing collapse at the stated 210 feet.

There is much more about the acquisition of the Green Music Center’s land.

Paul D. Stutrud, Rohnert Park

Le beurre chaud

I read in Petaluma (First Bite, July 25). I ate there 19 years ago and and again in 2007. Both times the chef used salted butter for cooking. Very un-French and a no-no in chef circles. I mentioned this both times to the owner, and he was very curt with me. I will never return.

Pat Goddard, Petaluma

Failure and folly

Now is the time to begin finding candidates to replace California legislators, not extend term limits ( Aug. 1). Our state senators and assemblymembers failed to gather sufficient support to enact a timely budget. Their failure had a domino effect on all of California’s counties, cities and districts, delaying many budgets. Hardships were created for individuals awaiting payments.

These legislators failed to accomplish any competitive re-districting. These legislators failed to adopt or maintain a governmental agency as the single-payer of all Californan’s medical and dental bills. These legislators failed to adopt meaningful corporation reforms. These legislators failed to make eco-fuel available for their eco-friendly government vehicles.

We need to find and elect replacements who also just say no to campaign donations from lobbyists political action committees and unrestrained corporation CEOs.

John Bauer, Martinez

Conspiracy theory

Does anyone else find it strange that traffic camera video of the Minneapolis bridge collapse was made available within hours, yet the traffic-cam videos of the plane striking or flying toward the Pentagon have not been made available for six years?

Willie Davis, Johnstown, Penn.

Back to Us

(June 20) was such a pleasure to put together and was so nicely received by you lovely folks that, hey, we got an actual idea.

Now that green is the new black and we’re all kinda thinking a little tiny bit about not entirely wrecking the planet, it seems like a good time to introduce .

We’ve cleverly titled it the Green Zone–one idea pretty much exhausts us; two is a veritable burden–and it debuts this week by writer Gianna de Persiis Vona. The Green Zone will highlight North Bay people, businesses and organizations that are doing right by the planet. Send notice of all eco-fabulousness to ed****@******an.com, and Gianna will consider its shout-out potential.

In other news, our Ask Sydney column officially retires this week. Not to apply guilt like extra frosting on a 12-layer cake, but Sydney just didn’t get enough letters. We loved Sydney and are sorry to see her go; there are few other places in print where sex and parenting frolicked together so openly.

And in a final flourish, it thrills us to announce that Gabe Meline joins us on staff this week as music editor, taking the dearly missed Brett Ascarelli’s in-house writing gig. Change, as the rumor goes, remains the only constant. Good fun!

The Ed., Entirely Clad in Bamboo


Earth Tones

August 8-14, 2007


The sea around Antarctica sounds otherworldly, full of the trill of penguins, the gulps and rumbles of seals and the rubbery bumps of glaciers hitting up against each other. The sound of a sunrise at Sugarloaf State Park near Kenwood, on the other hand, is more familiar; even without seeing the sunrise, the singing birds sound like they are welcoming in the new day. In a rainforest in Indonesia, the birds sound spooky as they echo in the distance over the steady quaver of insects.

These are some of the recordings by Sonoman Bernie Krause, a specialist in bio-acoustics who has been recording natural sounds all over the globe for the last 40 years. He owns the largest private collection of these biological symphonies in the world–more than 3,500 hours of it.

Now, his company, Wild Sanctuary, in Glen Ellen is working with Google Maps and Google Earth to allow people to hear sounds from anywhere in the world.

Google Maps is a website that lets users plot out points on a map. Google Earth is a 3D globe that uses satellite imagery and aerial photography to let users zoom close up to any part of the world. With Krause’s sound layering technology, people will not only be able to look at other parts of the globe, they would be able to hear them, too.

“It’s almost scary how Google Earth can evoke the physicality of a place,” says Jim Cummings, executive director of the Acoustic Ecology Institute in New Mexico. “To add an overlay of the voice of a place makes it nearly palpable. My hope is that the sound layer will open people up to the ways different habitats connect to each other.”

So far, Krause has developed a beta version of the layer, which can be tried out at www.wildsanctuary.com. Krause does not yet have an official agreement with Google on the project, although he has their permission to develop his content. If it proves successful, Google may invest in adding a more in-depth sound layer to Google Earth and Google Maps.

“We have no paper contract with them, no formal agreement,” Krause says. “If what we’re doing proves itself and there is visitor interest in this particular component, Google may spend the time and effort to develop the layer to support the audio.”

Krause is also planning to add historical recordings of areas to show how they have changed over time, in part to demonstrate the impact of human behavior on the environment. The soundscape is as much an indicator of environmental damage as the landscape.

“You can record an area for a long period of time and hear the human impact on those environments,” says Krause. “You can hear the difference in an area where there is a lot of selective logging, like the Amazon rainforests, or the before and after of pollution on places like a coral reef.”

Sound can even reveal changes in an area that sight cannot. Take Lincoln Meadow near Truckee, which has been surrounded by logging for the last 15 years. Although it looks roughly the same today as it did before the logging started, the difference in sound is dramatic. Krause’s recording of Lincoln Meadow from 1988 is full of birdcalls and insects. Some 15 years later, all you can hear is water running. The difference shows what the eye does not.

“Through acoustics, you can show how healthy a habitat is,” says Krause. “It’s partly instinctive, but if you really want to crunch numbers, you can do some scientific comparisons having to do with density and diversity. It really does help.”

Scientists are just starting to understand how sound pollution affects nature. One growing concern is how noisy the ocean has become. With the Navy using sonar and all the sounds related to oil and gas exploration, the overall background noise in the ocean is doubling roughly every 20 to 30 years. And while some experts don’t think that it is anything to worry about, others believe the change is affecting sea life. Many creatures use sound to communicate and find their homes–especially whales.

“Whales use sound to navigate,” says Cummings. “They need to be able to hear faint sound. When background noise rises even modestly, it shrinks their communication range significantly. There is a lot of concern among biologists that we are changing the social dynamics of the whales this way.”

It’s not just the environment that’s suffering. As the soundscape get increasingly shrill, humans suffer too, often without realizing it. Most people learn to ignore the constant sounds around them–the TV, the traffic, the phone, the mp3 player. Tuning this noise out may become a matter of habit, but it still increases stress and disturbs our sense of peace.

This is especially true in the United States. North America, Krause says, is the noisiest place on the globe. In his 40 years of collecting sound, some 40 percent of the natural soundscapes he has recorded have gone extinct, replaced by more urban sounds.

Krause hopes is that by adding soundscapes to Google Earth, people will become more aware of the noises around them, and may even seek out some of the natural sounds that we can so easily ignore.

“All the noise we create obliterates the sounds that can really make us feel good about being here,” Krause says. “All the insects, birds and mammals–things that are life-supporting instead of stress-creating.

“No culture is as noisy as North America, and no culture has as many prescriptions for Prozac as North America.”

Listen up at www.wildsanctuary.com.


Tough Row to Hoe

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August 1-7, 2007

From the crest of a small incline at the edge of a field, verdant rows of radicchio, spinach, cilantro and kale line up, knitting the fertile earth with their tender roots. Beyond this field are groves of trees, and then more acres of farmland, which stop only at the edge of the expanse of the Pacific Ocean. Here at Route 1 Farms, where due reverence is given to harmony and diversity, it is hard to imagine a life more peaceful or purposeful. But it is a life of service and dedication, and a hard life for many.

In his 26 years as a farmer, Jeff Larkey has scrimped, sweated and performed virtual magic to make Route 1’s finances work each year. He’s never received the kind of government assistance that, say, corn farmers in Iowa get; the Farm Bill, a $200 billion&–plus piece of legislation that lumbers through Congress every five years, has bypassed fruit and vegetable farmers like him each time while doling out billions to commodities growers. So Larkey’s managed on his own.

Self-sufficiency is an admirable trait, but over the years advocates of small family farms and “specialty crops”—bureaucratese for fruits and vegetables—have begun pushing for changes in the Farm Bill and the food system overall, arguing that the current system is unfair not just to small farmers or growers from California but to everyone who eats.

This year, for the first time, the change could start to happen. In the coming days, the House of Representatives will take up the 2007 Farm Bill, a version of which passed in committee last month. The $280 billion bill approved last week by the House includes a lot of big-ticket items, including the food stamp program, but tucked into it is a provision that never before existed: $1.6 billion worth of mandated government spending on the promotion, marketing, research and growing of fruits and vegetables over the next five years.

The bulk of farming subsidies—$40 billion in the version passed last week—goes to commodity growers who farm just five crops: corn, soy, wheat, rice and cotton, with corn being the largest. The effect these have on the environment and human health is serious and getting worse. In the aisles of the grocery chains, one finds that the majority of food offered is highly processed, preserved, high in fats, sugars and calories, and endowed with scant nutritive value—and most contains some form of commodity byproduct such as corn syrup. Ultimately, the people who end up eating the most of these government-subsidized commodity crop byproducts are children and the poor.

Ironically, while the USDA places a heavy emphasis on fruits and vegetables in the diet, and California produces over 50 percent of the nation’s specialty crops, the state’s growers have typically received less than 5 percent of all agricultural subsidies.

In response to a growing sense of crisis in public health and in farming, a number of advocacy groups—including the Community Alliance for Family Farmers (CAFF)—banded together under the umbrella of the California Coalition for Food and Farming (CCFF). The CCFF has been pressing for fundamental changes in the Farm Bill to address such concerns as conservation, support of local food movements, nutrition programs, organic farming support and subsidy reform. So far, progress looks mixed on the group’s ambitious agenda.

Kari Hamerschlag, a policy analyst for the CCFF, says that while this version of the Farm Bill is an improvement over previous iterations, any reports of victory are highly exaggerated.

“A lot of headlines are touting what a great thing this is for California, and it’s overstated,” she says. “Specialty crop groups and legislators are trying to paint this as a big win for California, but it’s just a drop in the bucket. If you look at the overall Farm Bill, where the bulk of it is going, we have $40 billion that is still going to commodity payments. And so when you put that in perspective, it’s still incredibly imbalanced.”

Hamerschlag rattles off some other disappointing outcomes: The CCFF asked for $25 million in mandatory funding each year to promote farmers markets; the committee mandated $5 million, with a bump to $10 million in a few years. The group wanted $60 million for a value-added producer grant program to help small farmers turn their peaches into peach jam, for example; the program got $20 million. The Organic Transition Program, which helps conventional growers make the move into organics, got no mandated funding at all; neither did the Community Food Project Grant Program, in which fresh foods are delivered door-to-door in low-income communities to improve nutrition and give small farmers a new market.

And the list goes on.

Many remain very disappointed by one aspect of the Farm Bill headed now for the Senate: its approach to conservation. Good ecological practices all require more labor and therefore a financial commitment that many farmers are not able to meet. Stewardship programs designed to compensate farmers for good practices have been written into the Farm Bill since 1985. But without mandatory funding, they’re susceptible to cuts each year.

Stewardship programs are not just underfunded; they’re oversubscribed. In 2004, three out of every four farmers and ranchers applying to participate in Farm Bill conservation programs were rejected due to lack of funds, according to the Sustainable Agriculture Coalition.

The demand is clearly there, so the current version of the Farm Bill retains conservation programs. But it shifts resources to big livestock farmers and away from specialty crop farmers.

Judith Redmond, co-owner of Full Belly Farm in Yolo County and president of the CAFF, sees something she likes in this Farm Bill, and it’s not what one might expect to hear from an organic farmer with sterling lefty credentials. She likes the fact that it relies on market forces.

“You could look at this as one step away from those traditional subsidies where the check goes directly to the farmer, and instead what they’re trying to do is encourage the public to perhaps eat more California fruits and vegetables using various mechanisms,” Redmond says. “The important programs in this $1.5 billion try to build the market for those crops, which is in some ways a much healthier way to support those fruit and vegetable farmers. It’s indirect, but it doesn’t make those farmers welfare recipients. Those farms have to sink or swim on the basis of their quality.”

Quick dining snapshots by Bohemian staffers.

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Food-related comings and goings, openings and closings, and other essays for those who love the kitchen and what it produces.

Recipes for food that you can actually make.

Wine Tasting

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This is a tale of two tasting rooms. To say that the Marin County wine industry is the underdog of the North Bay is to overstate both industry and underdog. It’s less than fledgling ’round Fallon; only nascent in Nicasio. A few winemakers are enticed by the limited quantity of cool climate Pinot Noir, but the county’s cows won’t give up turf to grapes any time soon. Good news for cheese eaters. Just two tasting rooms have regular business hours, and to continue last week’s discussion, Marin is two for two in the “just folks” column. One’s in town, the other in the country–for tasting-on-the-fly during either a 101 corridor drive-through or a Tomales Bay joyride.

Ross Valley Winery is in a vintage building in downtown San Anselmo. Proprietor Paul Kreider is a Bay Area native, apt to point out the water line from the last big flood, and not a hard seller for his collection of eclectic wines. He runs the winery as a local community of sorts, holding winemaker dinners and wine classes, and bottling and picking parties. Grapes are sourced mainly from outside the county, with exceptions like the unoaked, lemon-lime-butterscotchy 2004 Stubbs Vineyard Chardonnay ($20). His Red Hill Blend ($12.95) is a simple, cherry-berry thirst-slaker for tonight’s pasta. He’ll cautiously dig up a Marin Cab from under the counter, while his 2003 Carneros Cabernet Sauvignon Reserve ($45), made from 53-year-old vines–yeah, Carneros Cab–is pretty soft, with blackberry and dried cherry notes.

All it takes to find Pt. Reyes Vineyard, apparently, is a vague recollection that it should be around here somewhere, and wouldn’t it be a nice bookend to the afternoon drive? Somewhere between Pt. Reyes Station and Marshall, up it pops on Highway 1. Old barrels and Champagne racks line the drive up; two sleepy hunting dogs half-waggingly welcome visitors. The display of Grateful Dead-themed wines on the back wall are more for collecting than for quaffing.

It was a good call for owners Steve and Sharon Doughty to focus on making sparkling wine. After all, they’ve only been able to make estate Pinot Noir still wine twice in 11 years. The property also encompasses the Pt. Reyes Vineyard Inn, currently closed for renovation. What at first appeared to be a hot tub–Marin, baby–in the midst of the complex turns out to harbor a few koi in its cool green water.

The nonvintage Marin County Blanc de Blanc ($24) is a methode champeniose-style sparkler made from estate grapes. The 1992 Late Disgorged Brut Cuvée ($40) shows more unique character, containing an earthy, cheese bouquet–pair it with blue cheese made by their next door neighbors? If you’re curious about hard-to-find Marin Pinot, they’ve got a 2002 Estate Pinot Noir ($40) and 2002 Marin County Pinot Noir ($30). Also: 10 vintages of Cabernet Sauvignon from a warm spot in Terra Linda.

If continuing on north along Highway 1, consider this: What might go best with fresh oysters? Or barbecued-on-the-half-shell oysters with garlic, butter and herbs? Oysters and Champagne, now you’re living. Fire up the hot tub if you’ve got it.

The Ross Valley Winery, 343 San Anselmo Ave., San Anselmo. Open 1pm to 7pm, Tuesday-Sunday. 415.457.5157. Pt. Reyes Vineyard, 12700 Hwy. 1. Tasting room open 9am to 5pm, Saturday-Sunday. 415.663.1011.



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News of the Food

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“Ninety-eight percent of what’s built today, my colleagues and I wouldn’t consider architecture,” said Frank Gehry, looking seriously up through his glasses. “I’m making an honest attempt to build something that is uplifting and that contributes to the well-being of society. Something you can learn from.” Dressed all in black and seated on a chair in a cavernous industrial building at St. Helena’s Hall Winery last Friday, Gehry, 78, didn’t look a day over 58 and certainly didn’t seem to mind the electronica music of the rave-style party simmering around him at 10:30 in the morning. Winery staff poured rosé while black-clad waiters passed canapes. The party was to celebrate Gehry’s contribution to the Hall Winery, a new tasting room and public area that the Halls hope will be complete by 2010.

Most renowned for his Museo Guggenheim Bilbao and for L.A.’s Disney Concert Hall, Gehry chuckled when reminded of all the fuss that Craig and Kathryn Hall’s neighbors along Highway 29 have kicked up over his proposed design. “They launched a fatwa against me in the press,” he smiles, referring to the Spanish opposition to his curvy design for Bilbao. “And now I have a key to the city.” In deference to the neighbors, however, Gehry’s proposed buildings have been moved farther onto the Hall’s property to dissuade driving gawkers. The visitor center and tasting room, the models for which the Halls are displaying to the public while construction commences, is a glass box replete with an indoor glass elevator and a second-floor glass tasting balcony. The reporter squinted outside. By 11am, it was a good 90 degrees at the Hall Winery on this late July day. How to keep such an incinerator cool for guests?

“The trellis,” Gehry said shortly, clearly tired of repeatedly explaining his vision to those less acute. Indeed, the lattices are the distinctive feature of Gehry’s design, which he says is intended to mimic the natural swoop of the surrounding landscape. To be made of either wood or a new-fangled concrete–tests on the concrete are still underway–the trellis will cover the glass box of the tasting room like the lattice top of a berry pie that the chef was too hasty to fully pat down.

Ground was broken, more wine was drunk, Margrit Mondavi exerted her considerable charm and the Halls thanked the 300 or so people gathered for coming. Clasping her hands together, Kathryn Hall movingly related what a thrill it is to have the world’s most famous architect create a building for her family. As an ending note, Gehry praised Napa Valley’s natural beauty. “I just don’t want,” he grinned, “to screw it up.”



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Telling It Like It Is

Road Shows

August 1-7, 2007

OK, this is real obscure, but do you remember the kerfuffle over Craig Bierko’s portrayal of Max Baer as an evil murderous boxer in Ron Howard’s Cinderella Man? What about the blink-and-you’ll-miss-it way that Howard tipped us off that Baer used to fight wearing a Mogen David on his trunks? Well, once upon a time there were more than a few Jewish Brooklyn and Lower East Side boys who went in for boxing. The San Francisco Jewish Film Festival brings in one of them in for the fest’s local stand at the Rafael Film Center.

Orthodox Stance (screening Aug. 4 at 12:15pm) concerns the real-life junior welterweight Dmitriy “Star of David” Salita, a Russian immigrant and Orthodox Jew. “Religion was not created for people not to take advantage of their talents,” Salita told Haaretz.com. “I have the talent of boxing, and the fact that I’m an observant Jew does not diminish that.” Observing the Sabbath, Salita has been known to say, “Anyone who wants a good whuppin’ from me is just going to have to wait until sundown.”

Orthodox Stance—along with an ancient Edgar Ulmer/Slapsie Maxie Rosenbloom picture retrieved from the vaults and screened at the Castro during the main part of the festival—made the press go for the two-fisted angle when writing up this year’s SFJFF. But by the time this road-show fest gets to San Rafael, it will include a more hard-hitting roster of women’s pictures.

Take the three-day fest’s closer, Three Mothers (screening Aug. 6 at 6:30pm), about Jewish triplets from Alexandria. Named for flowers, their ways have gone wayward ever since the key moment of their life, when they were blessed in their cradles by King Farouk himself. (That kleptomaniac. If Farouk counted the baby’s toes, they should have counted them again after he left.) Much Israeli 1960s pop singing (great) and mama-drama (not so much so) leavens this crowd-pleaser, which was nominated for nine Israeli Academy Awards and has been knocking around the local film-fest circuit with the persistence of a bill collector.

By contrast, Gorgeous! (screening Aug. 4 at 6:30pm), following a group of glamorous Sephardic women in modern-day Paris, sounds trifle-icious and awfully much like a Parisian-Jewish version of Sex and the City. Aviva My Love (Aug. 4 at 8:30pm) is Shemi Zarhin’s Israeli hit about the sorrows of Aviva (Asi Levi), who has an unemployed husband, a nagging mom, a demanding job, two adolescent kids and the longing to write on top of it all. When her talent is nurtured by a professional writer, Aviva begins to suspect that his interest may be in more than what she puts to the page.

Sweet Mud (Aug. 6 at 6:30pm)—vey iz mir, that title. It must be much better than it sounds, since it happened to win this year’s Grand Jury Prize at Sundance, where writer and director Dror Shaul was first invited to develop the project at the institute’s prestigious directors and screenwriters lab. Shaul’s memory piece is like many Israeli memoirs today, a reaction to the conformity and coldness of the kibbutz—in particular, the problem of a traumatized widowed mom, trying to hold her own against the social pressure of the Utopians around her.

Director Rachel Talbot, who produced the film version of the ’70s Hollywood survey Easy Riders, Raging Bulls, makes her directorial debut in Making Trouble (Aug. 5 at 4:30pm). This is a study of female Jewish comics that begins with still-remembered Yiddish film star Molly Picon as well as Streisand avatar Fanny Brice, Sophie Tucker and Joan Rivers. Talbot studies entertainers who died too young, such as Wendy Wasserstein (The Heidi Chronicles) and Gilda Radner, as well as the up-and-coming female comedians Judy Gold, Jackie Hoffman, Cory Kahaney and Jessica Kirson have lived to fight another day.

The 27th annual San Francisco Jewish Film Festival lands at the Christopher B. Smith Rafael Film Center Saturday-Monday, Aug. 4-6. Other films Aug. 4 include ‘Knowledge Is the Beginning’ (2pm) and ‘Hot House’ (4:30pm). Aug. 5, ‘So Long Are You Young’ and ‘Ezekiel’s Wheels’ (12:15pm), ‘The Longing: The Forgotten Jews of South America’ (2:15pm), ‘My Fuehrer: The Truly Truest Truth About Adolf Hitler’ (6:30pm) and ‘Bad Faith’ and ‘A Kiss Is a Kiss Is a Kiss’ (8:30pm). 1118 Fourth St., San Rafael. 415.454.1222. www.sfjff.com.


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SlowComa

The Sonoma Valley is in many ways a land unto itself, with its own traditions and its own pace of life. Locals often jokingly refer to it as the island of Sonoma. Teens and others who yearn for a more exciting existence term it SlowNoma; a young woman recently visiting from L.A. dubbed it SlowComa. For those who prefer life lived in the slow lane, the Island of SlowComa offers several special places where the emphasis is on good food, good service and laid-back comfort.

First up is the Place de Pyrenees, a narrow, brick and stone tiled alleyway just off the east side of the Sonoma Plaza. Recently under new ownership–longtime owners Rose and Larry Murphy retired and sold the place to two loyal customers who plan few changes–Murphy’s Irish Pub (464 First St. E., Sonoma; 707.935.0660) is a great hangout spot whether it’s just to kick back with a draft of Guinness at one of the more than a dozen outdoor tables, grab a group of friends to compete in one of the pub’s weekly trivia contests or tuck into a plate of first-class fish and chips, nibble some popcorn chicken, imbibe one of a variety of international beers or savor some shepherd’s pie. Like the Irish pubs it’s modeled after, this place is a community focal point, offering comforting pub grub for lunch or dinner, lively conversations, literary events, live music Thursday-Sunday evenings and more.

Just across the Place de Pyrenees’ cobbled alleyway is Taste of the Himalayas (464 First St. E., Sonoma; 707.996.1161). This tiny spot was Murphy’s original home, but several years back when Murphy’s moved to larger digs across the alley, Taste of the Himalayas moved in. Since then locals and lucky tourists who discover the place have been enjoying its fresh naan bread, momo dumplings, samosas, curries, tandoori and other delicious examples of the cuisine of Nepal and Tibet.

It’s well and good to talk about hidden gems, but sometimes hiding in plain sight works best. Witness the Breakaway Cafe (19101 Sonoma Highway, Sonoma; 707.996.5949), housed in a former big-chain coffee shop in the front of Maxwell Farms shopping center on Highway 12, at the edge of town of Sonoma. One of the owners of a Sonoma Plaza retail store cheerfully refers inquiring tourists to all sorts of restaurants around the Plaza, but she never mentions the Breakaway. That’s because it’s for locals, and she doesn’t want to share. The emphasis is on home-style food in a relaxed atmosphere, with great service and reasonable prices. A popular morning favorite is La Bamba: eggs scrambled with jack cheese and tortilla chips, served on black beans and salsa ranchera. And there’re always the specials. On a recent morning, these included prawn quesadillas or upside-down banana and blueberry pancakes.

Welcome to some of the hidden gems on the island of SlowComa–getaways inside a getaway.



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Letters to the Editor

August 1-7, 2007

Fair Unfair?

Each year, Sonoma County Democrats sponsor a booth at the Sonoma County fair to register citizens to vote, provide information about candidates for public office and share our political beliefs with anyone interested. Volunteers from our party travel from throughout the county to staff the booth in Grace Pavilion and have open and honest communications with fairgoers.

But each year, these volunteers are harassed or intimidated by certain fair employees who disagree with our opinions. They are often subjected to demands to remove certain bumper stickers from view or to not hand out bumper stickers at all. Some fair managers have personally threatened to remove self-deemed objectionable bumper stickers or even close down our booth should we not comply.

However, our Republican counterparts seem free to display and distribute controversial material with such offensive slogans as “Ted Kennedy’s Car Has Killed More People Than My Gun” at their booth just two rows over from the Democratic Party site.

Democrats alone should not be subjected to the thought police of the county fair and their hypocritical application of rules to exhibitors. Fair officials need to apply these standards equally to all exhibitors, and not favor one political affiliation or set of beliefs over another.

Terry Allan Elverum, Sonoma County Democratic Central Committee

Let the Fur Fly

Our agency has a front row seat to see the revolving door of recidivism and its effects on the community. Hence, our mission statement: “To break the cycle of crime, violence and delinquency in our community.”

Two local children are accused of having set a trapped kitten on fire. The kitten was given a second chance and a name, Adam. The two children have names, faces and life stories—just like Adam does. We do not know what the two children’s stories are, and yet we imagine they could be trapped in difficult circumstances themselves. Picture what might be the hurts, frustrations and disappointments that underscore the lives of any young people who cause lethal harm to innocent and helpless victims.

Clearly, here is an opportunity for our partnerships to offer healing for the cause of the condition rather than seek vengeance for its symptoms. Our community has the tools to train these children to see themselves and other beings in a nonviolent, more compassionate light. It does not make sense to bind ourselves to the concept of retribution when, in truth, rehabilitation can be more productive. The children should be given a second chance, also.

Kate Jenkins, executive director, Friends Outside In Sonoma County

Yow

When was the last time Sara Bir actually wrote about something relevant to the North Bay? More and more I feel like I’m reading a 14-year-old girl’s Myspace blog ( July 18). I hear more about her boyfriend or eating habits than about anything going on locally. Does this belong in the local arts and entertainment category? What a waste.

Gerry Stumbaugh, Santa Rosa

Double Yow

I rarely write to a publication, but you bring out the critic in me. Your article about Barry Eisler ( July 18) was the poorest excuse for front-page coverage I have ever read. When you choose a topic or personage, think about the many people who will pick up the paper for no other reason than to learn something. It seemed like an interesting article to me, one at least warranting the paper I would be disposing afterward, but I was wrong. Not only was the article boring, but the last line said it all: “If I hadn’t been born, these books would never have been written. And that’s a great feeling.”

What, Barry? To have been born? I wouldn’t call this printable. At least not in my book!

Carolyn Robbins, San Rafael

Strangely, we welcome letters extolling all the many different ways in which we suck, particularly when we agree upon the odoriferous whiff of suckiness. Close readers saw that we apologized for in the July 18 issue (Table of Contents). Summer doldrums and took their terrible toll that week. We’ll try not to suck so bad in the future!


Hits and Miss

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August 1-7, 2007

Every Tuesday marks not only the arrival of new releases in record stores, but the arrival of the weekly All Music new releases e-newsletter. As a music critic, I enjoy looking over this list of new albums because it reminds me of how many current bands I’ve never heard of, as well as how many long-established artists I know nothing about.

But the list is inevitably frustrating, because half of the new releases are, upon closer examination, actually reissues of old albums or repackaged anthologies of once-obscure recordings or anticlimactic greatest hits collections. Dabblers, rejoice: this summer, your wait for Lil’ O’s Greatest Hits, the Monster Magnet 20th Century Masters: Millennium Collection and yet another The Best of Air Supply is over.

Knowing that Monster Magnet have been around long enough to earn a greatest hits package by default makes me feel old, which generates the majority of my greatest hits resentment. Otherwise, I like greatest hits collections; they are the single-serving cereal box variety packs of the music world—colorful samplers for day-trippers, toe-dippers and the generally clueless, and they make life easier, though not necessarily more rewarding.

Sooner or later, musicians ranging from massively influential to marginally successful come out with greatest hits discs. These releases create not only another way for record companies to make money from music that’s just sitting around fully formed; it’s also a handy way for unsure would-be fans to get a feel for a band without getting overwhelmed, plunking down $100 to acquire a box set or risking the crapshoot of blindly selecting a dud of an album (imagine exploring a curiosity about Neil Young by purchasing, say, Trans).

What is a hit, anyway? The most severe definition is a song whose massive popularity was such that it scored a spot on the Billboard chart. Thus, Foghat’s Greatest Hits could conceivably be a single with “Slow Ride” on one side and “Slow Ride” on the other.

Just for fun, I counted the number of greatest hits packages in my collection of CDs; their percentage was far from small. I currently own two greatest hits each by Loretta Lynn and the Monkees, and three by Gordon Lightfoot. The majority, though, are long gone, cassette tapes that are either mildewing in Mom and Dad’s basement or just plain evaporated into the ether of youth. Ownership of such collections are (or, by now, were) nearly rites of passage; how else do you account for The Eagles: Their Greatest Hits (1971-1975) being the third bestselling album of all time?

(Ramones Mania is likewise indispensable. I own all of the albums the Ramones ever recorded, but I still enjoy listening to Ramones Mania, which, in 30 songs arranged in seemingly random order, tidily outperforms other, more inclusive Ramones collections.)

The weakness of greatest hits is that they inevitably wind up under-representing at least one aspect of a musician’s career. The trusty All Music e-newsletter announced Social Distortion’s Greatest Hits several weeks ago, an event that made me simultaneously nostalgic and miffed. Social Distortion have been around for nearly 30 years, and the band’s Greatest Hits collection offers 10 songs. That’s a paltry 3.33 songs per decade! And there’s only one selection from their career opus, Somewhere Between Heaven and Hell, one of the best rock albums of the 1990s. This is not a matter of opinion. By law, a greatest hits collection by any nonsucky band should have at least 20 songs on it.

Greatest hits do well for artists whose careers were built on the strength of singles rather than albums, which was rather typical of pop music before the late 1960s. Despite my own great fondness for Herman’s Hermits, I must admit that owning their greatest hits and nothing else will get you by in life just fine—unless there’s a life-altering forgotten fluke of a song buried far too deep in the Herman’s Hermits canon for a casual, barely committed half-fan to discover.

And that’s the rub of greatest hits—you never know what you are missing. An obsessive collector might see greatest hits as a populist waste of time, but if you think about it, it’s the greatest hits that are elitist—they only include the hits! And how can you have a greatest hits of Elvis? The Beatles? Billie Holiday? Johnny Cash? And, by now, Mariah Carey? These people are just too damn popular, with too much longevity, to whittle down to 10 or 12 or even 20 songs. Monster Magnet, maybe not so, but they are all now neighbors in the land of greatest hits—and as long as people still buy recorded music and a Billboard chart still exists, they will have plenty of company.


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August 1-7, 2007 Every Tuesday marks not only the arrival of new releases in record stores, but the arrival of the weekly All Music new releases e-newsletter. As a music critic, I enjoy looking over this list of new albums because it reminds me of how many current bands I've never heard of, as well as how many long-established artists...
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