Matter(s) at Hand: An ontological split

The perennial wisdom, which discloses the same knowledge in different times and places, teaches that ultimate reality consists of the meeting of spirit and matter.

Think of the physical universe as deriving from a lump of clay and you’ve got matter. But before anything could be made from this unformed clay, an idea had to exist in the mind of an intelligent force that imposed its vision upon the primordial substance.

The oldest and simplest symbol for this act of creation-upon-clay is two intersection lines, commonly called a cross. The horizontal line stands for the realm of Becoming, of matter, life and death, and constant change. The vertical line stands for spirit or Being, and is a DNA-like spiral staircase up to ever higher and unified expressions of creative power and divine intelligence.

Human beings are living creatures who play out their lives in the cosmic drama at the intersection of the cross, made of biological matter but capable of understanding the One And All from which they sprung.

The wisdom tradition also teaches that while matter is necessary for us to face the trial of human life, spirit is the supreme reality. Material values—those based on matter—are contingent and impermanent, with some traditions going so far as to call them illusions. In contrast, spiritual values are the opposite of matter, which is why they are invisible.

Ontological refers to the nature of being, and is a crucial word to learn right now, as the moment of history you’re living through is a great ontological rupture in which the final contact with the vertical line of the cross is being severed.

Mankind is at the edge of a precipice, staring into a leaden pit of matter. Not the divinely created world of nature, the arena in which mankind was placed by the creator, but the manmade matter of computer code. Human beings no longer look to the sky and intuitively feel themselves part of an ordered cosmos, and instead stare downward into their device, which swallows their soul in a virtual reality of artificial intelligence.

Many will unwittingly follow this diabolical intelligent matter to the pit of hell, to anti-life, to the immense Void of Nothingness that feeds upon human consciousness like a carnivorous cancer. But others will stop at the edge and behold the beckoning abyss, which will shake them awake suddenly as if from a bad dream, and they will commence the long journey back towards the spirit.

Radio Daze: Steve Jaxon, ‘The Drive’ plan next moves

Avid listeners of KSRO will notice an unfamiliar sound coming through the drive-time airwaves this week.

As was announced last week and echoed in sundry local media outlets, the long-running radio show, The Drive with Steve Jaxon, has been unexpectedly discontinued by the station’s management. As of this writing, it’s unclear what will replace the show, but whatever it is, it won’t sound like Jaxon.

Jaxon and his longtime business partner, Cathy Ratto, have produced the show for the past 15 years. Last Friday’s 3 to 6pm slot was its final airing on KSRO. The team is currently in talks with another local broadcaster to continue delivering the show to its intensely loyal audience.

With many a misty eye among the dozen or more guests who dropped by during the farewell broadcast (some bearing bottles of chardonnay—Jaxon’s favorite wine varietal), the mood was emotional, especially as tributes to Jaxon and his on-air cohorts (including co-host Harry Duke, the theater critic for the Bohemian and Pacific Sun) began to pour in.

Among them was a heartfelt pre-recorded message from Jaxon’s former producer, Mike DeWald.

“I have to say, if you told me Steve Jaxon was being canceled in 2023, I would’ve thought something very different,” observed DeWald, who is now a reporter at KCBS. “The Drive is a Sonoma County institution, a one of a kind place for the community to gather on the radio. It’s something that never should have worked. It’s an insane idea. A late night show on the radio, news makers, comedians, live music, pop culture, a slice of life of what it means to live in Sonoma County, and yet it did. It worked because of the listeners. It worked because of the crew. It worked because of the guests. It worked because of Steve’s ability to be the glue that holds the whole thing together.”

Indeed, The Drive wasn’t just a local institution but an on-ramp to a slew of adventures across the nation. In his statement, DeWald cited time in the “kitchen with Jon Stewart,” visiting Chris Rock at the Comedy Cellar, the corner office of Lanny Davis and the Democratic National Convention among other highlights.

This is not the first attempt to take Jaxon and The Drive off air. In June 2010, when then station owner Maverick Media unceremoniously laid off Jaxon for three weeks, popular uproar led to his reinstatement and the rebirth of the show in the incarnation that endured until last Friday.

As former Bohemian editor Gabe Meline remarked at the time, “Jaxon just has a certain magnetism, a cool detachment which inspires guests to loosen up and talk freely.”

Among these guests, hailing from Jaxon’s extensive network of contacts who he referred to as “The Drive Hall-of-Famers,” is yours truly, who, with various Bohemian contributors, appeared in a weekly segment called “Boho Buzz.”

The Bohemian has had a fruitful relationship with The Drive and even once recognized Jaxon with a cheeky accolade: Best Damn Media Personality.

“And so it is, as both fan and friend, that I declare Steve Jaxon, the host of The Drive… the Best Damn Media Personality of the North Bay,” I wrote in March of 2021. “With both the personality and pipes—the best in the biz—Jaxon fills not just the ears of the North Bay, but also its hearts.”

Still true.

Haus Party: BROT is wunderbar

Life is full of odd little coincidences. The longer one lives, the more they seem less like coincidences and more like a glitch in the Matrix.

For example, for reasons known only to the vicissitudes of local advertising agendas, our burger and beer edition happens to also be our Pride edition. And since I can’t think about writing without first driving aimlessly for hours, I had made it as far as Guerneville before my car needed a charge.

I plugged in, strolled into Books & Letters, bought Berlin by Bea Setton, then asked my phone to find me a place to eat. It did, and an AI chatbot called a restaurant on my behalf before I could stop it. Fortunately, the restaurant in question hung up on the robo-call, which I applaud (I mean, why hasten the AI uprising?). Welcome to BROT, which proffers a “modern German concept serving delicious classics in a warm Bavarian atmosphere.”

To be clear, by “modern” we mean contemporary, not a glimpse of the future, which, as anyone who’s visited rural Guerneville knows, only arrives in the rivertown in carefully curated drips (i.e., the car charger). That said, it was there that I tasted the future of hamburgers, a.k.a. the BROT Burger.

Whereas, hamburgers served elsewhere in Sonoma and Napa adhere to the cultural hegemony of the American burger (American cheese, lettuce, pickles, ketchup), BROT makes an assured pivot. Sure they offer the American-style burger (ditto an Alpine-themed variation with Swiss cheese, grilled mushrooms and an aioli), but, as my affable waiter astutely observed when I hesitated, versions of the other burgers are available everywhere—but a BROT Burger is unique to BROT.

With Emmentaler cheese, two types of cabbage (in both sauerkraut and fresh iterations that glow like neon) and a special “haus” sauce, the burger is elegant in its simplicity and complex and powerful on the palate ($20). Served with fries, it pairs well with, frankly, any selection from BROT’s impressive “bier” menu.

I recommend having a liter or two of the Schneider Weisse, original style—a wheat beer that boasts a centuries-old beermaking pedigree, redolent of baked goods, nutmeg and clove.

It was during my second beer that I realized I was reading Berlin, drinking a Bavarian brew and enjoying my BROT Burger, on the eve of Pride in a town dubbed by Insider as a “unique, queer version of rural America.” Right place, right time, in just the right way—I’m definitely living in a simulation.

SoCo Pride: Local LGBTQ Event Comes of Age

Contingents representing towns, politicians, nonprofits, places of worship, hospitals and tech companies—along with children, dogs, people pushing wheelchairs and walkers, and even those blowing bubbles—all marched, danced, sang, performed gymnastics and waved rainbow flags, before a crowd of thousands at the June 3 Sonoma County Pride Parade.

Witnessing this exuberant event, and the crowd that it brings to downtown Santa Rosa each year, it is hard to believe that it all started 36 years ago with a simple potluck picnic at Spring Lake, organized by an intrepid little group of gays and lesbians—the LGBTQ terminology was to come later—that called itself Forward Together.

That’s when the newly formed organization decided its first campaign would be to ask the Sonoma County Board of Supervisors to declare a Gay Pride Week. Why not? It wouldn’t cost the county a penny, as one Forward Together founder, Magi Fedorka, recently pointed out. At the time, the county was already celebrating more frivolous things, like National Pickle Week.

But the supervisors refused to put a Pride Week on their agenda, so Forward Together declared its own Pride Week and threw itself a celebration. The group chose the concept of “pride” because it was non-threatening, unlike San Francisco’s Gay Freedom Day, and it also countered the stigma that gay men were experiencing during the HIV/AIDS epidemic of the 1980s.

So, people from various sectors of the gay and lesbian community brought their pride, their favorite dishes, their children and their dogs, to Jack Rabbit Meadows that happy day in June. Veterans Care, a gay veterans group, barbecued hot dogs and hamburgers, and people partied down, thumbing their noses at the county establishment that thought recognizing gays and lesbians was just going way too far.

Four years later, the Lesbian Voters Action Caucus brought the celebration to the streets of Santa Rosa. Without a permit, which required confining participants to the sidewalk, they held the county’s first ever Lesbian and Gay Pride March.

Finally, in 1992, a Pride Week resolution garnered the needed four-vote majority, and it became an official county celebration. But this was only the beginning of what has turned into two weeks of festivities that attract tens of thousands of lesbian, gay, bisexual, transgender and queer/questioning (LGBTQ) locals and their friends, as well as tourists and travel writers. Interestingly, the former Forward Together movers and shakers have mixed emotions about how the celebration of Pride Week has evolved over the years into this much bigger, and corporate-funded, experience.

“The sense of community is gone,” said Tina Dugan, who has put together a timeline of LGBTQ activism in Sonoma County, and hosts a class about LGBTQ history through Sonoma County Junior College.

“It seemed more robust earlier on,” is how Janet Zagoria put it. As a photographer, she has chronicled the flow of Sonoma County LGBTQ activism over the years.

While bemoaning that Pride is no longer the political statement that it was in the “old days,” Fedorka admitted that, “There’s an inclusivity in today’s Pride.”

And that is the game changer that a younger generation of activists sees as a new approach to bringing its community into the mainstream of Sonoma County, while also honoring the lives of people who are a little different than the heterosexual and cisgender majority. Cisgender refers to identifying as the same gender a person is biologically, but has nothing to do with sexual orientation.

From this new perspective, Pride made a giant leap forward this year when the Latino organization, Los Cien, co-sponsored Fiesta al Cien, with the local organization Trans Life. The main organizers of the event, Ramon Meraz and Chase Overholt, are both gay men and members of the Los Cien board of directors. They beamed with joy as they described how bringing the LGBTQ community together with the larger Latino community is a dream come true.

“When I went to the state of the Latino community address eight or nine years ago,” Meraz said, “there was no data about LGBTQ people within the Latino community. They didn’t realize that the LGBTQ community is invisible within the Latino community, and the trans community is doubly invisible.”

So this year, under the new leadership of Herman G. Hernandez, a young Latino activist who grew up in Guerneville, the Los Cien board took the courageous step, not only of acknowledging its own LGBTQ people, but also embracing the larger LGBTQ community.

“Herman is so committed to diversity and social justice,” Meraz said.

“It’s a new era,” said Overholt, joking that he has made a pink suit for Hernandez, a straight-but-not-narrow guy, to wear as co-emcee of the event.

While the Santa Rosa celebrations have come and gone, there is still another opportunity to enjoy a Pride event this coming Saturday, June 10, in Windsor. Oh my God, Windsor, a bastion of mom-and-pop, two-kids-and-a-dog families, or so thought Spencer Blank when he moved there a couple of years ago during the COVID-19 pandemic.

“I knew Windsor was family-oriented,” said Blank, “but I have never felt discriminated against here. So, I wanted to throw a party that would embrace the whole community. I wanted to come out of the pandemic better than when I came in.”

Blank describes Windsor Pride as the “next generation of Pride festivals… a celebration of identity for all.” And the definition seems to fit because the week of activities, which will culminate June 10 with a celebration in Windsor’s town green, definitely attracts more than the LGBTQ community. Last year, which was the first time for Windsor Pride, it actually drew more allies than LGBTQ folks, Blank said. To make the inclusivity of the event clear to everyone, the Windsor Pride committee calls it “Love Wins in Windsor.”

Nico Reilly Turner, the 16-year-old president of Windsor High School’s Gender and Sexuality Alliance, agrees that love is abundant there. Turner has identified as non-binary since eighth grade. Non-binary means the person does not identify exclusively as male or female.

“A lot of my straight and cis friends come (to Windsor Pride) to have fun with me,” Turner said. “It feels nice that you don’t have to be part of the LGBTQ community to go to one of these events. We love and respect each other, and I’m glad we can all be together.”

Last year, a very special young lady was the junior grand marshal for Windsor Pride. According to her mother, Andrea, Dina Nofi realized at the age of three and a half that she is a girl and not the boy she was born as biologically.

“She came into the room and asked us, ‘When am I going to become a girl?’ We knew it was time for us to start educating ourselves,” said Andrea Nofi.

Dina Nofi and her mother marched last year in the Santa Rosa parade, as part of the Windsor contingent. And Saturday she can be found at her Girl Scout troop’s Windsor Pride booth, where her mom will be offering mom hugs, especially for LGBTQ children who might not get that kind of acceptance in their own homes. Dina Nofi is a member of a Girl Scout troop for LGBTQ, special needs and medically fragile girls.

How did Dina Nofi feel about being a seven-year-old openly transgender girl at the Windsor festival last year?

“Happy,” she said, to be honored for being her true self, and for the fun of wearing her crown and holding her flowers.

El Mimoso: Big Banda in Sonoma County

This Friday’s concert at SOMO Concerts features the big sounds of a musical great. The show will be an exposition on the banda style of music. Tuba-driven songs about heartache and people power.

Luis Antonio López Flores, better known as “El Mimoso,” once sang before the American President as a vocalist for Don Cruz Lizárraga’s widely-adored Banda El Recodo. The group was one of recent memory’s most successful Mexican bands at home and internationally. Now the 44-year-old sings his own songs and renditions of the classics of banda and any of the various interrelated Mexican musical styles.

Always a singer confident in his ability, Lopez has incorporated elements of the regional styles Norteño, Ranchera, and Cumbia in his solo career. El Mimoso is known to be a passionate singer who takes connecting with the audience and his bandmates to rarely equaled levels of enthusiasm.

The crooner from Concordia, Sinaloa, is touring the States to support their current single “Tú Que La Tienes” and multiple album releases in recent years.

Also playing at the concert is Hijos de Barrón, also from Sinaloa. A newer band when compared with El Mimoso, band brothers José Iram Barrón Ramos and Jesús Iday Barrón Ramos are considered among the most influential musicians in the genre. David Alonso Leyva Gámez fills out the trio signed to the Universal Music Latin Entertainment record label. 

SOMO Concerts is an outdoor space at SOMO Village in Rohnert Park. It’s a beautiful location at the foot of Sonoma Mountain, where bands play under redwood trees to big outdoor audiences.

Doors open at 6 pm, Friday, June 2, SOMO Village, 1400 Valley House Dr, Rohnert Park. Tickets are available at the door and ticketon.com. $75.

Rufus Wainwright Plays Blue Note Napa Summer Sessions

Wainwrightland

The Blue Note Napa Summer Sessions has a wealth of big names in the lineup that runs through those warm months that are loosely referred to as “summer” here in Northern California. Perhaps none of those performers are more enigmatic and warm as our variable summers than Rufus Wainwright, the soul melting singer-songwriter who bangs piano keys to his own drum.

A music writer might often listen to a new work while working up an article on it. Let it be known that Wainwright’s oeuvre is too encompassing, too riveting—like an erratic dancer in slow motion, the day-long tilt of a flower following the sun across a fidgety time-lapse sky—to be work music.

Wainwright’s new album, Folkacracy, is in that vein, inviting collaborators into reworkings of folk standards that are clear and true, yet arresting. More obvious choices like John Legend and David Byrne contrast with names not easily associated with folk like Suzanna Hoffs (of Bangles fame) and club diva Chaka Khan. It works. Listening to the rendition of Neil Young’s “Harvest” nearly broke me.

We chatted by phone from his home in Laurel Canyon as he prepared to kick off the tour. 

“This is a very unique venture that I’m about to go on. I’m going to be singing mostly cover songs in a folk style, some folks songs but also other material that isn’t,” Wainwright told me. “And then all of the people in the band are dear friends. So this is just going to be fun. And very relaxed. And musically challenging, of course.”

“But yes, getting out there and performing is always a roller coaster. And probably now that I’m telling you that, in this way, I’ll be totally nervous and it’ll be a fucking nightmare,” he laughed.

Among the many collaborations on the album is the traditional lullaby “Hush, Little Baby,” with Lucy Wainwright Roche and Martha Wainwright, the singer’s sister and mother. Sister Lucy will be joining her brother on tour, along with her newborn baby girl, for which the Wainwright is thrilled: “[It] will be amazing [to] spend time with my new niece.”

I asked about working with my personal hero, David Byrne, who sings on the dark tune, “High on a Rocky Edge.” Indeed the magical power of Wainwright’s world class voice forms a wild infusion with Byrne’s wacky, pitch-perfect deadpan, perfect for covering a song by the quirky NYC musician known as Moondog.

“Yeah, [David] is what you would call in French a beau laid, a beautiful ugly,” said the Montreal-raised Wainwright. “He has what would conventionally not be thought of as a, you know, beautiful voice, but somehow all the elements inspire and it works and it makes it very unique, you know, very seductive. He is totally unique.”

Growing up in the 80s in the home of successful musicians brought awareness of his musical ambition at an early age. Along with a very age-appropriate rebellion against the mainstream.  

“I was brought up in a very unique and unusual kind of circumstance where my parents were both musicians more in the folk realm, but then I was brought up in Montreal in a completely bilingual household, where we spoke English and French, so we had the French and the English music in the home,” recalled Wainwright. “And then around 13, I became like an opera fanatic of my own volition.” 

That swing of mood and tones, the shout and mumble of voice that tells story through opera comes through in all of Wainwright’s work, lifted by his naturally big singing voice. Makes his style unlike any other.

“I think because hip hop was so popular [when I was starting out], I sort of went into these other areas to seek out my own path,” said Wainwright. “I was looking for melodies, I was looking for chord changes and songs with weird bridges and stuff. I’m always looking under rocks, I guess.”

Even when doing an album and tour in a “folk-style,” the wandering, bold, whimsical approach that has marked his career stands out.

“It’s just sort of started this kind of wild pattern of [searching] for the great melody. It’s really that, that ties all of my music together,” he lilted with a speaking voice as soft as his singing voice belts out.

After 25 years in the spotlight, Wainwright’s signature style has changed little, while continuing to evolve. That means the music on this tour will be familiar to fans, typically jaw dropping to newbies, while also being something new for the artist.

“The material itself is pretty top notch [of course, but] I don’t have much to prove on this round. It’s more about really celebrating my education in music which, you know, I started when I was very young,” said Wainwright, who has repeatedly emphasized his excitement at working with his folk-oriented family on the album, the eponymous Folkocracy. 

About kicking off the tour this weekend, he said, “My outlook for this tour is just to have fun, which I think is probably the best way to approach anything in life, just have as much fun as possible.”


Rufus Wainwright w/ special guest Lucy Wainwright Roche play 7 pm Sunday, June 4, at the Meritage Resort, 850 Bordeaux Way Napa. Tickets available at https://www.bluenotejazz.com/napa/shows/?eid=13015565

Pure Gold: Ancient Wisdom for modern times

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You really don’t understand why you’re unhappy, even though it’s right in front of you? Well then, let’s spell it out with this handy paraphrase of Pythagoras and his famous “Golden Verses.”

This guide to peace of mind dates from 2,500 years ago, making it the very definition of wisdom for the ages.

In order to sleep well, pause to reflect upon what you did in the light of the sun, taking stock of what was accomplished and noting anything left undone. Ask yourself if you wronged anyone, and note any mistakes made. Close out the day in your mind, and embrace your deserved rest.

Upon waking, calmly consider what you need to accomplish. Be tender to family members, make sure your friends have been chosen for the excellence of their character, and accept their advice and criticisms. Do not allow yourself to end a friendship over a trivial matter.

Develop your abilities, for what is possible is very close to what is necessary. It is within your power to overcome the odds against you. Start by working to eliminate the habits by which you defeat yourself.

First and foremost, respect yourself. Try to learn from your misfortunes, and bear your circumstances with patience and without complaint. Remember that financial success and the esteem of your peers are easily lost. When you see lies triumphant over truth, get out of the way and wait patiently for truth to right itself.

Engrave on your heart the following: Do not allow anyone to fool you into doing something that is not good for you. That includes yourself, for mindless speech and actions are the way to a life of misery. Most people bring misfortune upon themselves, and in their distress they seek salvation everywhere but where it can be found, which is within. They cannot rescue themselves because they are blind to the laws that rule them, the playthings of passions that make them run around in circles.

Meditate upon the virtuous life continually until you grow to love it, and always choose the good instinctively over the bad. This will put you on the path to becoming the strongest and wisest you can be.

And never undertake a project until you have prayed to the gods to help bring it to fruition. You must begin the work, but only the higher powers can bring it to completion. In this way, you will gradually come to understand the different beings and forces, and the bonds between humans and the immortals. You will also come to know the One who is the foundation of all, for He contains all within Himself.

Rosa Reborn: Santa Rosa Renaissance

Downtown Santa Rosa is experiencing a renaissance—offering more reasons to spend the evening downtown than ever before.

From craft breweries and a better-than-ever mix of restaurants and eateries to cozy coffee houses, patios perfect for cocktails and several live entertainment or theater options, downtown Santa Rosa is giving locals more reasons than ever to come downtown.

Dine

From casual taproom vibes to high-end bubbles and bites, sushi, gourmet ice cream and Puerto Rican flair, downtown Santa Rosa restaurants and eateries offer plenty of options to choose from.

On Mendocino Avenue and 5th Street, El Coqui brings the flavor to homestyle Puerto Rican dishes like Pollo al Horno and stuffed plantains, while Golden Bun’s steaming pho and vermicelli plates keep Vietnamese food lovers coming back for more.

On 4th Street, Belly Left Coast Kitchen and Taproom offers casual gourmet fare made with “left coast” sourced ingredients at their rustic, characterful taproom space, bar and patio. At the other end of the same street, Kancha Champagne Bar and Tapas proffers a substantial list of sparkling wines and Champagne, sparkling wine flights, and food and bubbly pairing experiences.

In the Railroad Square and Brickyard Center area, Americana and Grossman’s Noshery and Bar are hot spots for breakfast, lunch and weekend brunch, while Haku Sushi is the place for sashimi and sushi rolls. Grossman’s patio is also popular for evening bites and drinks and caters to business takeout lunch or morning bakery orders at their New York-Jewish inspired deli.

Coming Soon

Augie’s French will open this summer in the former Bollywood Bar and Bistro space on 4th Street. Augie’s will be the eighth restaurant to join the Stark Reality Restaurant group, owned and operated by Mark and Terri Stark.

Sip

On Mendocino Avenue, Civilization Brewing serves up freshly brewed craft beer and themed nights like vintage vinyl nights and movie nights. And on 4th Street, Belly Left Coast Kitchen and Taproom pours “left coast” made wine, beer and cider.

Meanwhile, further down 4th Street, Kancha Champagne Bar and Tapas offers a high-end sparkling wine flight and food pairing experience. Just a few blocks away, Russian River Brewing Co. discharges their award winning and iconic Sonoma County beers at the always busy and buzzy taproom.

Over at 1st Street and A, Shady Oak Barrel House carves out a name for itself with its barrel-aged sour beers, music and comedy nights, as well as rotating food trucks.

For craft cocktails, Perch and Plow (downtown off of 4th Street), Grossman’s (Railroad Square), Beer Baron (downtown 4th Street) and Jackson’s (Railroad Square) are the winners.

Coming Soon

3 Disciples Brewing’s long awaited new taproom in Santa Rosa Plaza is slated to open any day now, while Toad in the Hole will reopen under new ownership and a new name, Goose and Fern, this summer.

Entertainment

Barrel Proof Lounge, on Mendocino Avenue, brings entertainment to downtown Santa Rosa with comedy shows, open mic nights, karaoke nights, live music shows and more.

The California, located in the Brickyard Center, and home to Left Edge Theatre, also offers comedy shows in addition to plays, musicals, live music and more.

On West 6th Street, the 6th Street Playhouse is a North Bay live theater company with two theaters that hosts over 200 live drama, comedy and musical performances per year.

Summer on the Square is a downtown Santa Rosa event series organized by the Santa Rosa Metro Chamber that includes weekly Friday Live Music Nights and Monday Movie Nights all summer long. These events are free of charge, encouraging attendants to support downtown restaurants and businesses.

Stay

Between Railroad Square and the downtown 4th Street area, visitors have a handful of hotels within walking distance of downtown restaurants and entertainment to choose from.

Hotel E, the newest luxury boutique hotel addition to downtown Santa Rosa, located in a historic beaux-arts building, is conveniently situated in Courtyard Square, just steps from 4th Street’s bars and restaurants.

In Railroad Square, Hotel La Rose continues to offer a charming escape set in a majestic, historic building situated at the center of the district’s food, drink and entertainment offerings. The hotel will soon be under new management, who intend to update it while ensuring that it maintains its historic character and charm.

The Courtyard by Marriott and Hyatt Regency’s locations just steps from Railroad Square’s shops, restaurants and museums remain two convenient and relatively budget-friendly options for guests who want to be centrally located in wine country and also experience downtown Santa Rosa.

Art House: New gallery space features Sherrie Lovler

What’s in a name? Juliet didn’t think much, but developer Hugh Futrell does.

Hence the mandate that Art House Hotel, a mixed-use project built near the residential Cherry Street Historic District in Santa Rosa, should have some art in it.

The hotel opened its doors in the summer of 2021 and boasts dwellings that, at 825 square feet, are the largest in Sonoma County. However, being a locally-owned boutique hotel wasn’t the 7th Street property’s initial conception. The original plan was to offer long-term apartments specifically geared toward creative professionals.

But even the best-laid plans are subject to the whims of pandemics, not to mention the economic vicissitudes of the creative life. A reimagining of the venture ensued.

Despite the pivot, the company’s commitment to the creative community—and its branding—remained, which led to the advent of a gallery space.

“It was important for us to establish an artistic presence,” says Futrell Corporation’s marketing director Jane Vick, who previously worked with the Sonoma Valley Museum of Art and is a former arts contributor to Weeklys. Now she’s also Art House’s gallerist.

“This is our first of many exhibitions. We’re going to do four a year in the gallery lounge, all local artists. And it’s an opportunity for us to bolster Santa Rosa’s creative community. We’re really excited to showcase the talent that Santa Rosa has,” Vick says. “We’re an amazing city with incredible talent, and we’re really excited to have that in our gallery lounge. A—it matches the name, and B—it inspires the guests. That’s our goal. [It’s] an amazing added bonus that I get to curate these shows.”

The first Art House Hotel show under Vick’s curation is “Inner Work: The Art and Poetry of Sherrie Lovler.” It will hang in the hotel’s Gallery Lounge from June 1 to Aug. 31.

Vick became acquainted with Lovler’s work when the artist booked rooms at the hotel for her bridal party several months ago.

“When they booked, we found out that she was an artist, and I saw her work, which is gorgeous, super calligraphic—it’s sweeping, evocative work. It has this illuminated manuscript quality to it. It has an Asian influence. And then a lot of it is accompanied by poetry that is really introspective and reflective and dimensional,” Vick says. She immediately invited Lovler to be the hotel’s inaugural artist, with the exhibition timed to the artist’s nuptials.

“I got to show my work to my closest friends and family, which, otherwise, they wouldn’t have seen,” Lovler says. “Everyone took the time to look at my paintings and read my poems. It was thrilling for me. The people at the Art House have been so warm and welcoming. I feel totally at home there and honored to be their inaugural artist and show.”

She adds, “The Art House is such a beautiful setting for my paintings. It’s public, yet intimate, and my work fits so well there.”

‘Inner Work: The Art and Poetry of Sherrie Lovler’ has a public opening reception from 5 to 8pm, Friday, June 9 at Art House Hotel, 620 7th St., Santa Rosa. Wine, music and small bites will accompany the exhibit and some words from the artist.

Moral Panics, Then and Now

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For at least half a century, at least once every decade in the English-speaking democracies of the West there’s been a moral panic of some sort, usually related to progressive social change.

In the 1980s, it was the now almost forgotten “Satanic Panic,” which spread like a sociological wildfire in Canada and the United States, despite only extremely dubious anecdotal evidence to support it. People later exonerated by the legal system were tried in the court of public opinion and had their lives turned upside down, often on the basis of visibly coached testimony from supposed victims.

After the earlier hysteria around Satanism in daycare centers had passed, it was clear that at its core the panic was a sexist reaction to the growing participation of women in a workforce previously dominated by men, which led to an ever-greater need for childcare for working parents.

In our own time, QAnon and Pizzagate have recycled aspects of this debunked panic to accuse some well-known Democrats of doing similar and even more outrageous things to children.

That the Satanic panic was squarely aimed at women simply repeats a pattern that existed with witch trials. After the U.S. Supreme Court overturned Roe v. Wade and states began passing laws to further restrict the long-established (50 years for the nation, longer in some states) right to abortion in the country, many politicians on the American right began to target the right of women to use birth control to avoid an unwanted pregnancy.

All this is nothing more than an authoritarian ploy to take control of women’s lives and forcefully return them to their previous status as second-class citizens.

Helped along by the internet and a global pandemic that isolated most of us for almost three years, we are now seeing multiple moral panics at the same time, often grouped together under the nonsensical idea of “woke” ideology (and its close cousin, “cancel culture”) by a reactionary right that substitutes personal grievance and hatred of tiny marginalized groups like trans people for policy making.

Derek Royden is a Canadian journalist.

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Photo courtesy of WikiCommons
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Steve Jaxon - Photo by Daedalus Howell
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Photo courtesy of BROT
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Sonoma County Pride 2023
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Moral Panics, Then and Now

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