Record Store Day lands on Black Friday

One of the most clever inventions of the modern shopping era is Record Store Day.

It signals the release of hundreds of special editions and new material on the same day to draw people into record stores, with a special emphasis on the local shops that hold it down for independent music.

The week of this year’s first RSD saw the fourth-largest week for vinyl album sales since 1991, according to data tracking firm Luminate. Adding an RSD Black Friday event to the calendar is a perfect progression.

While some records will be released to additional sellers in the future, many of the records released to record shops on the big day are exclusive to indie shops, with many limited regional releases.

The regional organization of the event means that, since each indie record store makes its own buying decisions, some titles will be in some stores rather than others. Other titles will be available in one part of the country rather than in another. All this helps build the excitement of going into a store and picking a new rare gem.

Intended as a coming together of friends and community, there are rules to minimize eBay poaching. According to the collaborative Record Store Day website, “The titles on the RSD Black Friday list are limited in number, as are most things created for special time periods or exclusive to certain retailers.”

It’s a brilliant idea to spur sales in a reviving market niche and to guide those sales to the mom-and-pop operators behind independent record stores. Chief among those stores in the North Bay is the Next Record Store in Santa Rosa.

“So we kind of make it an all-day party, you know,” says Gerry Stumbaugh of The Next Record Store.

The store opens early, as most are doing, at 8am. In the afternoon, the DJ Max Wordlow is in the house spinning classic sold gold 45 sets laced with hip-hop.

“And yeah, like, hundreds of used records only come out that day,” says Stumbaugh knowingly.

Red Devil Records in San Rafael puts out special records too.

“I stockpile holiday records all year. I have 150 used holiday records that I’ll be putting out,” says Red Devil proprietor Barry Lazarus.

Watts Music in Novato is staying on theme.

“We have many used records that we’ve had set aside for a while now that [have never] been put out,” says Darin Chace of Watts Music. “So, we will be putting out a nice collection of used records that haven’t gone out yet.”

Chace runs down a list of favorites coming out. One that stands out to me is ​​Lee Perry with Keith Richards, a new addition to the now famous collaboration.

“There’s a Charles Mingus one that looks really good, stuff from 1960,” says Chace. “Tons of good jazz.”

“Obviously the Grateful Dead and Jerry Garcia pieces always do well here in Marin,” Chase observes. “Me personally though, I’m looking forward to the Faces album,” he adds, audibly perking up, “I love the Faces.” Dope.

Hannah Jensen, at recently opened Paradise Found Records in Petaluma, is interested in some metal releases.

“There’s some metal albums that I don’t think anybody’s going to even know about purchasing,” she says. Soundgarden drummer Matt Cameron is releasing an album playing with members of Seattle sound pioneers Melvins.

“And then there’s some Mexican, like, post-rock kind of jazz instrumental thing called Dungeon,” says Jensen. “And, the other one that I’m excited about is called Virulence, which is the guys that became the band Fu Manchu before they formed the band. It’s like a hardcore punk album,” she continues. And as she goes on, I realize I need to guard some of these gems for myself.

Check for stores near you at recordstoreday.com/stores and visit these local favorites:

Next Record Store
1899 Mendocino Ave., Santa Rosa

Watts Music
1211 Grant Ave., Novato

Red Devil Records
894 4th St., San Rafael

Rain Dog Records
1010 Petaluma Blvd. N, Petaluma

Paradise Found Records
316 B St., Petaluma

The Record Mill
6566 Front St., Forestville

‘A Christmas Carol’…The Musical at SRJC

A cranky member of the 1% spends years exploiting the labor of his employee by paying a sub-standard wage and forcing him to work unregulated hours in an unsafe work environment. Spectral social activists attempt to persuade the capitalist exploiter to see the error of his ways, but it takes the threat of death for him to make meaningful changes and offer the employee a health plan that covers dependents.

That, more-or-less, is the plot to Charles Dickens’ A Christmas Carol, which since its original publication in 1843 has been adapted for the stage, screen and television innumerable times. The Santa Rosa Junior College Theatre Arts Department is presenting the 1994 musical version by Alan Menken (Little Shop of Horrors, The Little Mermaid) and Lynn Ahrens (Ragtime, Seussical). The James Newman-directed show runs in the Burbank Main Theatre on the Santa Rosa campus through Dec. 3.

The book of the show by Mike Ockrent and Ahrens tweaks the familiar tale just a bit, with some additional backstory on Scrooge’s upbringing. Much of the tale is told through song, of course. And while not one of Menken’s best efforts, the score does the job.

Scrooge is played by SRJC production manager Justin Smith while local theater artists Alanna Weatherby and Ezra Hernandez play the Ghost of Christmas Past and Present. Students and community members fill out the rest of the roles, leading to the usual challenges in a scholastic production of age-appropriate casting. Bob Cratchit (Jayce Kaldunski) appears to be only about five years older than Tiny Tim (Finn Williams).

Musical highlights included “Link by Link,” in which Jacob Marley (Ethan White) forecasts Scrooge’s fate. I believe it is the only version of Carol I‘ve seen with a dancing headless corpse. In “Fezziwig’s Annual Christmas Ball,” the ensemble does nice work with Tamara Grose’s choreography. All the group numbers came off well, as did the vocal work of Weatherby and Hernadez.

This is as costume-heavy a show as I’ve seen in a while, and designer Coleen Scott Trivett had her hands full dressing (and re-dressing) the cast of 22. They looked great occupying a multi-level scenic design by Austin Mueck and under lighting by John DiGiorgio/Desired Effects.

Go ahead and keep Christmas in your heart by occupying one of the vacant seats in the SRJC house.

‘A Christmas Carol’ runs Weds–Sun through Dec. 3 in the Santa Rosa Junior College Burbank Auditorium Main Theatre, 1501 Mendocino Ave., Santa Rosa. Weds–Sat, 7:30pm; Sat & Sun, 2pm. $15–$25. 707.527.4307. theatrearts.santarosa.edu.

Fire Season Is Over

Santa Rosa’s fire chief says that the heavy rains that hit the region this year probably contributed to a relatively tame fire season, and his department officially declared the end of it last week.

By calling an end to the season, any weed abatement orders for residents are now suspended, and in the coming weeks, burn permits may be issued if conditions are satisfactory.

“Our community benefited from significant rainfall this year,” said Fire Chief Scott Westrope. “Although we responded to several vegetation fires this year, the activity locally was minimal, and we have the weather and our community to thank.”

The Santa Rosa Fire Department first announced the start of wildfire season on June 5 based on local conditions and later than the previous year, due to late spring rains, the city said.

Westrope said this year’s rains kept heavy brush, trees and timber somewhat moist, but he also gave some credit to residents who created “defensible space” around their property and kept seasonal grass cut.

Weed abatement inspections were halted as of last week. The fire department anticipates that pile burning will be permissible starting soon in permitted locations within the City of Santa Rosa, provided regional fire agencies are on board as well.

The pile burning ordinance allows property owners to burn vegetative debris as a limited method to reduce the threat of wildfires, the city said.

The state’s regional fire service, Cal Fire Sonoma-Lake-Napa, agrees that the wet weather this year made a significant dent in their normal calls to stop big blazes. This year, there were 340 wildfires that burned 657 acres, a “significant” reduction in fire activity for a third year in a row.

For comparison, Cal Fire LNU said that between 2015 and 2020, an average of 172,827 acres burned in the region per year.

For additional information on pile burning and what preparedness measures are recommended for property owners before the next fire season, view the Santa Rosa Fire Department’s Wildfire Ready online information center at SRCity.org/WildfireReady.

State seeks eco rollback on cannabis rules

Legalizing recreational cannabis in California was supposed to bring illegal growers out of the shadows and into a robust, safe and regulated market. When voters approved Proposition 64 in 2016, the measure promised to end the damage to our lands and water that had long been part of the illegal marijuana industry.

Instead, while some of the small growers who characterized the illegal business have been licensed, the new market has quickly become dominated by a handful of huge corporate farmers. Hoping to save the small growers from extinction, the California Legislature is considering rolling back some of the very environmental guardrails that were supposed to make the legal industry more sustainable.

This is a big mistake. While the intent of proposals like Senate Bill 508 may be laudable, removing environmental safeguards would set a bad precedent, and it won’t save the beleaguered growers who are struggling to survive in the new market.

In fact, it will probably hasten their demise.

The state’s environmental regulations are not to blame for the struggles of small farmers. County permitting decisions, the local political climate in places where there is opposition to the industry and the inability of law enforcement to completely eradicate illicit cultivation have been much bigger hurdles.

But the largest obstacle has been simple economics.

Cannabis prices have fallen rapidly since the product became legal, and that shouldn’t be a surprise. Prior to legalization, about 80% of the cost of producing weed came from trying to avoid law enforcement, according to a RAND Corporation report. With that huge cost of production gone, larger growers entered the market and were able to use technology and other efficiencies to lower their costs.

The result is a glut of supply that has driven down the price, making it nearly impossible for small farmers in the remote forested mountains of Northern California, who once dominated the industry, to compete.

Changing the environmental rules wouldn’t change this economic reality. Instead, it would punish the small growers who navigated the permitting system and are playing by the rules. And it would give still another advantage to the large corporate farmers who have had little trouble creating and expanding their operations.

The state should focus on changes that would actually help small growers. Increasing law enforcement spending against illicit producers for at least five years would send a clear message.

Limiting the size of farms, which would give small growers a chance to compete while they establish their businesses, would also help. This was part of the original intent of Prop. 64, but the state created a loophole that allowed larger farms to be created and dominate the market.

California needs to make it easier for small growers to reach their customers. Large farmers have the resources to build vertically integrated businesses where cultivation, processing and distribution are all under one umbrella, while small growers currently lose much of their revenue to middlemen.

Providing more economic aid, including low-interest loans and grants to small farmers in general—just as we do for other small businesses—would ensure that this integral part of our state ecosystem can compete more effectively with large farmers who have much greater resources.

When voters agreed to legalize marijuana for recreational use, they were told they were helping both small farmers and the environment. The state can and should continue to pursue each of these goals, instead of retreating on both.

Climate change and depression in high schoolers

New research found natural disasters and pollution linked to climate change are contributing factors to high rates of anxiety and depression among young people.

Researchers from San Francisco-based Hopelab consulted experts and interviewed youth climate activists to determine how climate effects like wildfire, extreme heat, drought, flooding and air pollution are affecting young people’s mental health.

Emma Bruehlman-Senecal, research lead for Hopelab, is the author of the group’s Climate Generation blog.

“We are focusing on climate change because Hopelab’s mission is to support the mental well-being of young people, particularly those from communities that have been underinvested in,” Bruehlman-Senecal explained. “It’s clear that climate change is deeply impacting youth mental health, particularly the well-being of youth of color.”

Hopelab’s findings recommended more funding for youth-led activism but also to make mental health services more accessible by locating them in places where young people spend time, such as schools and community centers.

Another Bay Area nonprofit, YouthTruth, paired up with the Sonoma County Office of Education to survey students over the past eight years.

Jessica Progulske, YouthTruth lead for the county, said after 2017, when thousands of homes burned down in a series of wildfires, reports of depression and anxiety shot up.

“Some of the early research around resiliency indicates that the ability to do something about it, as a student, has the potential to offset some of the later health risks associated with childhood adversity,” Progulske noted. “In spite of climate change and climate anxiety and dread that comes with it.”

Jimmy Simpson Jr., director of partnerships for YouthTruth, said the disruption of the wildfires, followed by Covid, took a toll early on.

“There was a definite correlation between students significantly impacted, relating to less positive perceptions around engagement in school,” Simpson reported. “As well as their sense of belonging, and academics.”

More recent surveys showed while the immediate effects of the firestorm have lessened, episodes of anxiety and depression continue to affect school performance.

Wreckless Strangers release new EP

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Thursday, Dec. 7, marks the return of Bay Area Americana and blues band Wreckless Strangers to the iconic Sweetwater Music Hall in Mill Valley.

The band will celebrate the release of their latest album, an EP titled Orange Sky Dream, by co-headlining the show with Mark Karan’s Buds, another local favorite.

The EP, released on all music platforms on Sept. 29, features six songs and comes a year after their debut album, the 14-track When the Sun and a Blue Star Collide.

Vocalist and lead guitarist David Noble—who also plays with local bands Poor Man’s Whiskey and Pardon The Interruption—and frontperson Amber Morris said they were looking for a larger “rock” sound with this album. This led them to enlist the production skills of four-time Grammy winner Dave Way. Their impressive track record includes mixing work with Whitney Houston, Foo Fighters, Phoebe Bridgers and Macy Gray, just to name a few of his numerous collaborators.

Of all the big names on Way’s list, Morris said his work with Macy Gray attracted her to him. “His working with Macy Gray on that first album was just kind of organic to me in terms of what I understand [musically], so that was very appealing,” said Morris. “When we first met with him, there was a lot of interviewing going on because we wanted to make sure we had a good fit and that there was somebody willing to be that other band member in a way.”

Noble echoed this sentiment, saying that working with Way was a true collaboration and that the producer wasn’t “afraid to push back” regarding song arrangements, notes and chords. He said that he likes “the fact that he listens to the band; he’s not trying to be like, ‘OK, here’s my vision, and I’m gonna jam it down your throat.’” Added Noble, “And sometimes he would be like, yeah, we’re going to go with your idea, and other times it was more like, may the best idea in the room win.”

Wreckless Strangers started out in 2016 as an informal jam session among friends. A six-piece band, in addition to Noble and Morris, they feature Joshua Zucker (The Jones Gang, Rowan Brothers) on bass, Austin de Lone (Nick Lowe, Elvis Costello, The Fabulous Thunderbirds) on keys and vocals, Mick Hellman (The Go To Hell Man Band) on drums, vocals and Rob Anderson on guitar. As one might think, bringing together six disparate musicians into one band might create a unique sound, and that’s another thing that makes Wreckless Strangers so intriguing.

Orange Sky Dream takes its name from a day back in October of 2020 when the skies over San Francisco and the Bay Area turned orange due to wildfire. Some of the songs on the album have an environmental theme, which, while a bit of a bummer, Noble said he feels like “are things that need to be talked about.”

Kicking off the EP is the grooving “Break the Line,” which has shades of Big Star mixed with an ’80s pop-music vibe before veering into the more contemplative and layered “Roses of War.” The band also recently released a video for their song “Fast Girls,” which leans into a twangier, Texas sound—think Billy Joe Shaver—with a chorus sure to be stuck in one’s head for days.

Morris says these musical styles are intentional and leaned into on this album, as the band seeks to capture the members’ diverse musicality into a “Bay Area gumbo” sound.

For more information, visit wrecklessstrangers.com.

Merchants of Death

Hatem Ahmad Hatem Al-Hissi aged 2, Jenna Hamed Naser Al-Asatal aged 1, Esraa Mu’ayyad Yousef Abu Marzouq aged 12, Hayat Abdullah Musa Al-Asatal aged 6.

This is just a tiny fraction of the names and ages of children who have been killed in Gaza by weapons stamped “Made in USA.”

They were read on the sidewalk outside of the Raytheon corporate offices in Arlington, VA, during the run up to the opening session of Merchants of Death War Crimes Tribunal on Nov. 12. This was a people’s tribunal, which tried several large corporations for war crimes. These corporations produce weapons that our government uses to cause death and destruction all over the world, but especially in the Middle East. These corporations profit through the suffering of innocent people.

The organizers of the tribunal have spent the last couple of years gathering evidence through interviews with victims, analysts, lawyers and stakeholders. A series of videos are being released weekly over the next four months that will show how Raytheon, General Atomics, Boeing and Lockheed Martin are complicit in crimes against humanity.

These compelling videos will expose these corporations’ need to be held accountable for their crimes. More than 1,700 people worldwide registered for the opening session (watch the videos at merchantsofdeath.org).

The sidewalk outside of Raytheon has been privatized. What is usually a public place for citizens to exercise their First Amendment rights has been sold to this private corporation by Arlington County. Nonetheless, that did not deter us. We had a large Merchants of Death banner and many other signs. We read names of children who were killed in conflict. After asking us to leave [and we refused], we were put under arrest. We are from several states, and our ages ranged from 28-77 years old.

As a grandmother, it is the suffering of the children that inspires and motivates me to take action. When we know what is happening and we accept responsibility as Americans, we have no choice but to act. Some lobby, some write, some offer nonviolent direct action. All of us can participate and, when we do, we make a difference.

Joy First is a grandmother and long-time peace activist.

Merry Music: Holiday Album Guide

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As the temperatures begin to drop, holiday albums start landing, and 2023 has brought its share of these releases. Here are some choices from this year’s arrivals.

Cher: Christmas – Cher’s first-ever holiday album, not surprisingly, touches plenty of stylistic bases. There’s modern dance-pop (“Angels In The Snow”); Motown/soul/pop on “Christmas, Baby Please Come Home (with Darlene Love, who sang the original Phil Spector-produced version); acoustic balladry (with Michael Buble joining Cher on “Home”); modern R&B/hip-hop (with Tyga adding a forced-sounding rap on “Drop Top Sleigh Ride”); rock (“Run Rudolph Run”); and a touch of blues on “I Like Christmas.” Depending on one’s perspective, Cher has something for everyone here, or Christmas is stylistically scattered. Either way, it’s unmistakably Cher.

Jon Pardi: Merry Christmas From Jon Pardi – The country star’s first holiday album is highlighted by its originals, including the rocking “Beer For Santa” and the swinging “400 Horsepower Sleigh.” Pardi also does a few standards on a fun effort that’s more adventurous than the usual holiday album.

Halley Neal & Sam Robbins: You and Me on Christmas Eve – These two solo artists harmonize nicely on one of the season’s best albums. It features several strong originals, including “Christmas is Coming Soon,” an easy-going melodic folk-rock tune, and the pretty pop-leaning title track.

Michelle Malone & the Hot Toddies: Toddie Time – Malone finds a sweet spot between bluegrass-tinged roots rock and swinging jazz on this refreshing acoustic-centric set of Christmas covers.

The Burrito Brothers: Christmas – The current lineup of the band that began in 1971 as the Flying Burrito Brothers brings their familiar ’70s-rooted country sound to a set made up almost entirely of original holiday songs. It’s a pleasant, if a bit uneven, effort.

Gregory Porter: Christmas Wish – The Grammy-winning jazz singer brings together some inspired song choices (Stevie Wonder’s “Someday at Christmas” and Marvin Gaye’s “Purple Snowflakes”), a few standards and three solid originals, “Everything’s Not Lost,” “Christmas Wish” and “Heart For Christmas,” on this classy effort.

Johnny Mathis: Christmas Time Is Here – The singing legend remains in good voice on this tasteful 10-song set consisting mostly of seasonal standards. It should become a perennial favorite for fans of classic Christmas albums.

Mark Tremonti: Christmas Classics New & Old – Tremonti is best known as the guitarist for hard rockers Alter Bridge and Creed, but he’s also carving out a niche as a Frank Sinatra-styled singer. That’s the Tremonti we hear on this set of familiar holiday fare. His smooth baritone can stand alongside the likes of Michael Buble, and Tremonti’s versions of these classics—with full orchestral arrangements—make for a timeless Christmas album.

Amber Lawrence: A Very Aussie Aussie Christmas – This family Christmas album comes with a down-under twist, courtesy of Lawrence, a popular country artist in Australia. Originally released in her home country in 2017, its songs (mostly originals) blend sprightly pop and country and will appeal to kids and adults alike.

Nils Landgren: Christmas with My Friends VIII – The veteran trombonist and jazz artist returns with his eighth seasonal set. Mixing familiar holiday standards and lesser-known selections, it’s another tasteful effort that unites jazz and pop.

Tarja: Dark Christmas – This selection of gothy, classical-leaning versions of Christmas standards is plenty unique. But including tunes with light lyrics (“Jingle Bells,” “Jingle Bell Rock” and “Frosty The Snowman”) is a misstep on an otherwise intriguing album.

Matt Rogers: Have You Heard of Christmas – This comedian/singer brings together his skewed sense of humor and a taste for modern pop/R&B on this album. “Every Christmas Eve (Mrs. Claus’ Theme)” finds the jolly guy’s wife getting suspicious of her hubby’s Christmas Eve adventures, while the silky ballad “Have You Heard of Christmas” has some sneaky commentary and thoughtful observations.

Brandy: Christmas with Brandy – The popular R&B singer returns with her first holiday outing. The original material (including the sexy, silky ballad “Christmas Party For Two” and the bouncy “Christmas Gift”) makes Christmas with Brandy an album worth noticing.

Adam Blackstone: A Legacy Christmas – This multifaceted artist successfully crafts a jazzy set that also weaves in touches of R&B, hip-hop, gospel and pop over a selection of originals and freshly reinterpreted holiday favorites.

Seth MacFarlane: We Wish You The Merriest Christmas – Best known for his animated series, Family Guy and American Dad, McFarlane has also been making music rooted in the Great American Songbook. This collection of familiar holiday standards, also featuring his frequent singing partner, Liz Gillies, works well for MacFarlane and his rich baritone.

Kings Return: We Four Kings – The genre-spanning a cappella group gets plenty of vocal and sonic variety out of having just four vocalists, and the accomplished performances on “Jingle Bell Rock,” “The Kings’ Nutcracker Suite,” “Jesus Is The Reason For the Season” and others suggest Kings Return are among the best in their genre.

Philly Special: A Philly Special Christmas Special – Yes, Jason Kelce, Lane Johnson and Jordan Mailata shouldn’t quit their day jobs playing for the Philadelphia Eagles, but this trio’s second charity album is another credible effort, with a few surprise song choices (“Dominick The Donkey” and “Pretty Paper”) and notable guests (including Patti LaBelle and Amos Lee).

Joe Mullins & The Radio Ramblers: Because It’s Christmas Time – The bluegrass-rooted string band led by acclaimed banjo player Mullins gifts us a fine album of originals and not-obvious covers that are at turns frisky (“Reindeer Boogie,” “Christmas At the Old Home Place”) and gentle and melodic (“From My Broken Heart To You,” “There Once Was A Time On Earth”).

A Winter Union: Sooner After Solstice: A Transatlantic Folk Christmas – This UK folk supergroup convenes for a set of melodic originals and covers that lean toward easy-going ballads, but occasionally kick up the energy (“Boxing Day” and “Ring Out, Solstice Bells”).

George Perris: The Most Wonderful Time of the Year! – The PBS favorite makes a typical orchestral holiday album, repeating some tunes in different languages.

The Browns: Christmas in Prague – Here’s a holiday album for fans of Lawrence Welk.

A Few Other Worthy Holiday Albums

Straight No Chaser: Stocking Stuffer (an a cappella treat with humor); Michael Bolton: Christmas Time (holiday favorites with booming vocals, epic arrangements); George Gee Swing Orchestra: Winter Wonderland (a jazzy big-band-styled take on 10 standards); Christian Sands: Christmas Stories (the pianist brings jazzy accents to five classics and five original tunes); Hauser: Christmas (the Croatian cellist takes the lead on an orchestral set of Christmas classics); and The Gothard Sisters: A Celtic Christmas (the guitar/violin/flute trio puts an Irish folk accent on a dozen tunes).

Your Letters, Nov. 22

Congress Mess

Until recently, Congress was the laughing stock of American democracy. That honor has been transferred to the Supreme Court, which has recently chosen to rebuild its image of corruption and favoritism with a new internally developed code of ethics and conduct.

Sorry, boys and girls, it will take a generation or more to overcome such a monumental lack of trust in a single branch of government, with or without full disclosure on the parts of all justices of exactly what “benefits” they have received and from whom, since their respective appointments to the Supreme Court.

It is an immeasurable loss of respect, integrity and dignity for our country, an international embarrassment on a massive scale.

Craig J. Corsini

San Rafael

News Nod

Pro-peace and responsible journalism are two ideals this world needs!

Yes, it’s tragic and yes, we’re heartbroken—so many of us for both cultures and all innocent people who have been killed in the war in Israel/Palestine.

Dan Pulcrano did an excellent job of summarizing the story (“Pro-Peace Piece,” Nov. 15 Bohemian and Pacific Sun). I so appreciate when journalists do not lead me into their bias, but present a full and complete picture and allow me, as a reader, to come to my own conclusion.

This is also sorely missing, by the way, in mainstream media whenever the former president is interviewed or covered by the press.

Research. Fact check. Find a credible counterpoint. News coverage is not ranting.

Jodi Selene

Sebastopol

Olio Nuovo: Gold Ridge Organic Farms

Each year, olive oil lovers worldwide eagerly await that special first taste of olio nuovo, or new olive oil, from the new harvest.

What’s so special about olio nuovo?

Immediately after harvest, new oils are at their absolute freshest, spiciest, highest polyphenol levels and even more brilliantly hued. The sediments in olio nuovo—fresh from the press—haven’t yet had the time to settle, nor the flavors to mellow in the bottle.

There is just a short window during which these oils can be tasted and enjoyed at their most potent, raw and unfiltered finest. This window is within a couple to a few months of harvest—depending on several factors, including the climate in the region where the olives are harvested and how an oil is stored after being pressed/before being bottled.

Wellness enthusiasts prize olio nuovo for its health benefits, as antioxidants and polyphenols are highest in olive oils immediately after harvest.

In Italy, olio nuovo is revered for its potency and is poured liberally on simple dishes and foods to highlight its flavor and character best. The release of the harvest’s first new oils is also considered to signal late fall and the many events surrounding the harvest in agriculturally focused regions.

But North Bay olive oil lovers don’t need to travel to Italy to taste stunningly fresh, quality olio nuovo made from organic olives grown in their own backyard. They only need to travel the short distance to Sebastopol in west Sonoma County, where Gold Ridge Organic Farms releases their much-awaited olio nuovo blends every fall between mid to late November and early to late December.

Due to the cooler temperatures in the hills of west Sonoma County, harvest occurs later in the year than in warmer climate areas such as Tuscany or California’s Central Valley. This means that Gold Ridge Organic Farms’ olio nuovo release is usually during the holiday season.

Upcoming Events

The farm is opening its gates for the olive harvest season in November and December on Fridays and Saturdays. On two upcoming Saturdays, Nov. 25 and Dec. 9, the farm is hosting tastings of their freshly pressed olio nuovo, along with complimentary hot mulled cider, seasonal focaccia and apple cider donuts (for purchase) made especially for the holiday season by chef Bruce Hill, featuring the farm’s Honeycrisp-Fuji Apple Cider Syrup and Tuscan Blend Olive Oil.

Guests visiting the farm on days they are pressing olives can view the olive oil pressing cycle from the Farm Shop just feet from the state-of-the-art Rapanelli Oil Mill and smell the green, fresh olives in the air.

One may sample Gold Ridge Organic Farms’ four award-winning estate-grown olive oils, house-made popcorn with olive oil toppings, an array of edible goods from local makers and collaborative partners, and seasonal heirloom apples and citrus from the organic orchards for sale.

A range of gift baskets, locally produced artisan goods and curated products produced by the farm, such as olive oils, vinegars, citrus shrubs and apple cider syrup, are available for purchase.

The farm will acknowledge Small Business Saturday (10am to 4pm, Saturday, Nov. 25) by serving complimentary hot mulled cider and offering apple cider donuts (for purchase), baked fresh by chef Bruce Hill.

Two weeks later, the farm hosts its Open House at the Farm Shop (10am to 4pm, Saturday, Dec. 9), which will see much of the above plus seasonal focaccia made on the farm, with a selection of olive oils and herbs from the farm. Donuts are available while supplies last. And, of course, Holidays Along the Farm Trails runs Fridays and Saturdays through Dec. 23.

Gold Ridge Organic Farms, 3387 Canfield Rd., Sebastopol. 707.823.3110. goldridgeorganicfarms.com.

Record Store Day lands on Black Friday

One of the most clever inventions of the modern shopping era is Record Store Day. It signals the release of hundreds of special editions and new material on the same day to draw people into record stores, with a special emphasis on the local shops that hold it down for independent music. The week of this year’s first RSD saw the...

‘A Christmas Carol’…The Musical at SRJC

A cranky member of the 1% spends years exploiting the labor of his employee by paying a sub-standard wage and forcing him to work unregulated hours in an unsafe work environment. Spectral social activists attempt to persuade the capitalist exploiter to see the error of his ways, but it takes the threat of death for him to make meaningful...

Fire Season Is Over

Santa Rosa's fire chief says that the heavy rains that hit the region this year probably contributed to a relatively tame fire season, and his department officially declared the end of it last week. By calling an end to the season, any weed abatement orders for residents are now suspended, and in the coming weeks, burn permits may be issued...

State seeks eco rollback on cannabis rules

Legalizing recreational cannabis in California was supposed to bring illegal growers out of the shadows and into a robust, safe and regulated market. When voters approved Proposition 64 in 2016, the measure promised to end the damage to our lands and water that had long been part of the illegal marijuana industry. Instead, while some of the small growers who...

Climate change and depression in high schoolers

New research found natural disasters and pollution linked to climate change are contributing factors to high rates of anxiety and depression among young people. Researchers from San Francisco-based Hopelab consulted experts and interviewed youth climate activists to determine how climate effects like wildfire, extreme heat, drought, flooding and air pollution are affecting young people's mental health. Emma Bruehlman-Senecal, research lead for...

Wreckless Strangers release new EP

Thursday, Dec. 7, marks the return of Bay Area Americana and blues band Wreckless Strangers to the iconic Sweetwater Music Hall in Mill Valley. The band will celebrate the release of their latest album, an EP titled Orange Sky Dream, by co-headlining the show with Mark Karan’s Buds, another local favorite. The EP, released on all music platforms on Sept. 29,...

Merchants of Death

Click to read
Hatem Ahmad Hatem Al-Hissi aged 2, Jenna Hamed Naser Al-Asatal aged 1, Esraa Mu’ayyad Yousef Abu Marzouq aged 12, Hayat Abdullah Musa Al-Asatal aged 6. This is just a tiny fraction of the names and ages of children who have been killed in Gaza by weapons stamped “Made in USA.” They were read on the sidewalk outside of the Raytheon corporate...

Merry Music: Holiday Album Guide

As the temperatures begin to drop, holiday albums start landing, and 2023 has brought its share of these releases. Here are some choices from this year’s arrivals. Cher: Christmas – Cher’s first-ever holiday album, not surprisingly, touches plenty of stylistic bases. There’s modern dance-pop (“Angels In The Snow”); Motown/soul/pop on “Christmas, Baby Please Come Home (with Darlene Love, who sang...

Your Letters, Nov. 22

Congress Mess Until recently, Congress was the laughing stock of American democracy. That honor has been transferred to the Supreme Court, which has recently chosen to rebuild its image of corruption and favoritism with a new internally developed code of ethics and conduct. Sorry, boys and girls, it will take a generation or more to overcome such a monumental lack of...

Olio Nuovo: Gold Ridge Organic Farms

Each year, olive oil lovers worldwide eagerly await that special first taste of olio nuovo, or new olive oil, from the new harvest. What’s so special about olio nuovo? Immediately after harvest, new oils are at their absolute freshest, spiciest, highest polyphenol levels and even more brilliantly hued. The sediments in olio nuovo—fresh from the press—haven’t yet had the time...
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