Raven Players present ‘Betty and Edith and Sue’

Shepherding a play from an idea to a fully-staged production is a long and sometimes arduous process. It’s also a bit of a financial risk for theaters because audiences tend to want to see things they know. Any theater that’s willing to stage new works should be commended and supported.

The Raven Players’ effort to bring resident playwright Tony Sciullo’s Betty and Edith and Sue from their ScriptTease New Works series to a fully staged production is no exception. The show, directed by Neva Hutchinson, runs in Healdsburg through Nov. 19.

The script is an enjoyable, if somewhat predictable, story about three Italian-American godsisters and lifelong friends. Set in Pittsburgh, PA, it centers around the women’s relationship with their godmother and how that relationship influences their lives and the lives of their daughters. The action alternates between the early 1960s and modern times. Think of it as the Italian-American version of The Divine Secrets of the Ya-Ya Sisterhood.

What the set by Jenny Brazell lacks in storytelling ability is made up for in the use of projections designed by artistic director Steven David Martin. It is rare to see projections used effectively and appropriately, and Martin has done both with this show.

The costumes by Jeanine Gray were somewhat handicapped by required quick character changes. When allowed to costume a character fully, such as Crystal Wilson’s “Young Betty,” the costumes were stunning. But quick change-induced oddities like an E.R. doctor in a pair of heels somewhat lessened Gray’s effective contribution.

A good script, a talented technical team and actors who can do a role justice are not always enough to mount a successful production. Sciullo’s script deserved better direction. After casting, timing is arguably a director’s most important job. Timing, as they say, is everything, and this show lacks it. Poor timing can lead to many issues, such as an inability to build chemistry, make consistent character choices or be fully present in the moment. Compounding the issue of timing was the inability to hear half the cast.

Directing is hard, stressful and exhausting. One must always be focused on the big picture and the nuances. Directing oneself, as Hutchinson does here, creates a conflict of interest which rarely works and, disappointingly, in this case it does not.

Like all new works, this script deserves a fighting chance, and it’s hard to win a fight without a dedicated leader.

‘Betty and Edith and Sue’ runs through Nov. 19 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Thursday–Saturday, 7:30 pm; Sunday, 2 pm. $10–$25. 707.433.6335. raventheater.org.

Well Framed: Visiting the Napa Valley’s Setting Inn

I am a sucker for conceptual art. Draw a mustache on the Mona Lisa or sign a pseudonym onto a men’s room fixture (looking at you, Duchamp), and I’m there for it.

This is why Napa Valley’s The Setting Inn made such an immediate (and joyfully abstract) impression on me. It starts with a frame—an empty picture frame, to be precise, which is the leitmotif of the venture’s branding.

From wine labels to the Instagrammable outside edifice—a massive picture frame where one can frame oneself in a selfie—the frame, by virtue of its emptiness, contains everything.

And yes, I read like an art school dropout who drank too much wine—you caught me. But I’m also someone who appreciates understated luxury, clean lines and thoughtful design. If you do as well, this historic boutique hotel is the place for you.

It starts with the location. Though technically Yountville, the inn is situated off Highway 29 (the valley’s main drag), equidistant from most local attractions. That is to say, guests feel like they’re visiting the platonic ideal of Napa Valley, in addition to being in one of the finest burgs that makes up the area.

Realized from a rebuilt 1901 farmhouse, The Setting Inn reopened in June 2019 after renovating and rebranding. The main building has spacious Signature Queen and Deluxe guest rooms, all with private terraces and views of the vineyards and the Mayacamas Mountains. Likewise, a two-bedroom, two-bathroom cottage is also available.

REST The rooms boast private terraces with vineyard views. Photos courtesy of The Setting Inn

Each accommodation is well-appointed with fireplaces and handsome soaking tubs, heated bathroom floors, Nespresso coffee makers (or Napa Valley Roasting Company custom blend coffee if you prefer), LATHER Bath amenities, and robes and slippers. Did I mention the Bouchon Bakery pastries that are delivered to your door each morning? And, of course, the interior decor boasts at least one wall with a signature empty frame.

Other amenities include complimentary on-site parking, WiFi, a boutique-sized fitness center replete with Peloton bike, lawn games and electric bicycles for cruising the bike paths that run parallel to the frontage roads lining the highway and transverse the valley.

The highlight of a recent stay was an evening experiencing pure Napa Valley hospitality—a private tasting in “The Barn,” a hip, on-site tasting room that trades pretense for casual comfort.

Naturally, The Setting Wines portfolio is superb—a pantheon of beautifully crafted Bordeaux-style wines by acclaimed winemaker Jesse Katz, including high-scoring cabernet sauvignons (as one might expect from Napa), as well as finely-hewn pinot noir and chardonnay and sauvignon blanc offerings.

In short, The Setting Inn is serene, pastoral and private. It invites visitors to experience Napa Valley on their terms without the crowds, lines or pressure, which makes for a restful and refreshing stay sure to improve your frame of mind.

The Setting Inn, 1205 Hillview Lane, Napa. thesettinginn.com. 707.927.3909.

Native American Heritage Month in the North Bay

Every year, the nation spends the month of November acknowledging and honoring the Native American heritage and history intrinsically tied to the land that every United States citizen calls home.

But very few who live in modern America can trace their family roots any further back than a few centuries. And though centuries might sound like a lot of time to some, consider this context: Scientific evidence places the existence of early human settlements in what we now call California as far back as 130,000 years ago.

For further context and to help frame the timeline of Native American civilization, consider Christopher Columbus, who infamously sailed the ocean blue in 1492…only 531 years ago. That math implies that, for nearly 129,500 years, through ice ages and evolution and the discovery of agriculture itself, the original inhabitants of the Americas lived (almost entirely) uninterrupted.

Until, of course, (audacious and entitled) European explorers brought disease and genocide to the shores of these United States.

In the North Bay, all across the sweeping hills and valleys, along the riverbanks and up and down every part of the abundant California coast, it is impossible to take a step in any direction without following in the footsteps of those who lived here long before Europeans even knew of the concept of a “new world.” Which was actually an old, nigh ancient and already well-established landscape of complex, ever-changing and evolving civilizations.

The counties of Marin, Napa and Sonoma boast a rich history of Native American heritage. And, in that, the North Bay bears the burden of having played a critical role in the events that led up to the cruel eradication of an entire group of people. And it all began when privateer, Sir Francis Drake, first landed in Point Reyes in 1579 at the behest of Queen Elizabeth I—there he was met with the Coastal Miwok, and the rest is history.

But in recent years, small changes to incrementally improve the circumstances of Indigenous Americans have come, especially since the establishment of November as Native American Heritage Month, as well as the reparative efforts for and of the remaining representatives of the first people of this place north of the Golden Gate. But these changes are slow to come and can never truly encompass or compensate for the effects of European exploration and colonization.

This November, the North Bay has some opportunities in store for those who want to learn about and experience what life looked like as a Native American, both throughout history and through the lens of the remaining few true Indigenous individuals from this area.

One such opportunity is none other than the grand reopening of Marin’s Museum of the American Indian, which temporarily closed its doors during the COVID-19 pandemic. The president and chair of the board of directors for the Museum of the American Indian, Dean Hoaglin, Tamal’ko Coast Miwok, wrote in the press release for the museum’s grand re-opening:

“We are committed to revitalizing our cultural space, restoring it to its full glory, and bringing back the heart and soul of our institution. And we invite you to play a pivotal role in this inspiring journey. Your donations will directly fund exciting enhancements, such as interactive exhibits, captivating displays, and educational programs that will leave a lasting impact on our visitors. Your commitment to our cause will enable us to preserve and celebrate history, culture, and art in an even more remarkable way.”

In honor of November being Native American Heritage month, the Museum of the American Indian in Marin has officially announced its impending re-opening, which is set to take place in early 2024. There, curious individuals can come alone or with family, friends or fellow classmates to experience carefully curated, rotating exhibits showcasing collections of artistic works, highlighting the culture and creative skillset of Novato’s early Native American inhabitants.

Alongside art exhibits, the Museum of the American Indian also provides opportunities for education through programs that include lessons about local tribes’ history, identity and knowledge of the ecological systems around them. The museum also hosts events all year round, with opportunities to attend lectures, readings, workshops and cultural events.

The Museum of the American Indian is an excellent venue to visit for those who want to know more about not only the Native American heritage and history of the North Bay, but also for those who wish to join in celebrating the preservation of creativity, tradition and a continued spirit of community support that can still be found in the North Bay to this day.

Although it is located in Novato at 2200 Novato Blvd., it is asked that all mail be sent to their PO Box 864, also in Novato. For more information about the Museum of the American Indian and its mission or to provide support in the form of a donation, visit the website at marinindian.com or call 415.897.4064.

Alongside the news of Marin’s museum re-opening, the North Bay’s Native American Heritage Month has equally exciting events across the culturally diverse cities that comprise Sonoma and Napa as well. The Sonoma County Library, for instance, has excellent resources to learn more about Native American Heritage Month. Visit the library website at sonomalibrary.org/index.php/stayinformed/librarynews/nativeamerican to learn more.

Another example can be found in Petaluma, which made historical waves on Veteran’s Day weekend by combining the annual Veteran’s Day Parade with the inclusion of Native American representatives in a tradition that has held firm since 1991. In order to show support of America’s veterans as well as represent the Native American veterans, the American Indian Preservation Fund (AIPF) annually joins the Petaluma parade and marches with a ceremonial redwood dugout canoe (or two).

“Native American veterans from Oregon and Nevada are joining us,” said chairperson of the AIPF and U.S. Marine, Terrance “Chitcus” Brown, in his press release. “From California, they’re coming in from Susanville, Sacramento, and San Jose to march in honor of those that served and those that are serving today. God Bless our Veterans. Blessings for ALL that have lost loved ones. We march to Honor those that have fallen on foreign soil. We Pray for those MIA, POWs, and Agent Orange Veterans who have been abandoned,” Brown continued.

So, whether or not it is the month of November, remember to consider the impact of the Native American heritage all along the idyllic coastal landscape of today’s North Bay. And, when possible, make it a priority to learn about, support and preserve the legacy of California’s first people.

Flavorful Finds at Falafel Hut

But what a beginning. One bite and I knew it was probably the best falafel I had ever eaten. Perfectly crispy on the outside and light as the proverbial feather on the inside, laced with green from an abundance of herbs.

Of course I dunked it in the accompanying tahini and hot sauce, but it would have been flavorful and delicious on its own.

Fresh bright flavor is the keynote of the food at the Falafel Hut on Santa Rosa’s Fourth Street. After eating the falafel, and then discovering the owners of the restaurant were from Gaza, I had to return to taste everything and talk with them about their homeland.

As I approached the restaurant for my return trip a few days later, I saw a friend lunching on the outdoor patio. We exchanged greetings and she commented, “This mint lemonade is just like in Palestine.” And her companion said, “You’ve only eaten the falafel? An adventure awaits you.”

And he was right. When I announced to the young man waiting on tables, Mohammed al Shawwa, he brought an assortment of little dishes filled with appetizers—hummus, baba ganoush, dolmas, olives, little pickles and bits of fuchsia-colored turnip, yogurt with mint, cucumber and garlic, falafel and tabbouleh.

The baba ganoush is a standout, so smokey wonderful that I wanted to lick the plate clean.

“We make 95% of the food here, fresh every day,” al Shawwa said, noting that he and his father, Asem, begin their prep at 7am. “Even the baklava and other desserts. We only purchase the nut and chocolate-covered halvah,” he added.

While I ate my way through the appetizers, al Shawwa waited on dining-in and take-out customers with lightning speed. When I asked for more things to sample, he brought me an assortment of kebabs on yellow rice, the most delicious of which was kefta kebab, ground lamb and beef, tender and permeated with spices. There was also a large salad, full of various vegetables, chickpeas, olives and mint, and dressed simply with olive oil and lemon juice.

Once the lunch rush was over, al Shawwa sat down with me and we talked over little cups of Turkish coffee. I learned that his father, Asem, had immigrated to the U.S. in 2016 and began working at the original Falafel Hut in San Rafael, which is owned by Mohammed al Shawwa’s uncle. Two years ago, Asem al Shawwa opened the Santa Rosa spin-off. And then Mohammed al Shawwa, his mother and his four sisters and brothers were able to leave Gaza just weeks before the war erupted.

“It was the hardest thing I ever tried in my life,” he said.

First the family had to get permits to enter Israel, where they could possibly obtain visas to leave Gaza for America. Things went smoothly for all of them except Mohammed al Shawwa, who wasn’t able to get his Jerusalem permit until the morning they were scheduled to leave. Finally, at about 5am, he got a text saying he could enter Jerusalem, where he received a visa.

That day, they left Palestine through the Egyptian border crossing, traveled from there to Turkey and eventually reached Sonoma County. Although their entire family is now safely back together, they left behind many relatives—uncles, aunts and cousins. For 10 days, they lost contact with family back in Gaza, during which time his uncle’s apartment in an upscale neighborhood of Gaza City was reduced to rubble. Now that they are once again able to communicate, they have learned that their displaced relatives are still alive in southern Gaza.

So life goes on, and Mohammed al Shawwa cheerfully greets a stream of customers who appear to return again and again. The menu is extensive and varied—lamb or chicken shawarma served in pita bread or as entrees, house-made beverages, soft drinks, a small selection of wines by the glass or bottle and much more. As my friend’s dining partner said, “An adventure awaits you.”

Falafel Hut is located at 701 4th St., Santa Rosa, and 1115 4th St., San Rafael. For more information, visit falafel hut.co.

M.F.K. Fisher Doc at Rialto

Sebastopol

Celebrate Living

“There might be one lamb chop left. It would not be good by noon. I would eat it cold for a secret breakfast, with a glass of red wine, after the family had scattered.” So was the world of venerated 20th century food writer M.F.K. Fisher. The new documentary film, The Art of Eating: The Life of M.F.K. Fisher, explores the thrilling life of the California native who elevated food writing to fine art. Special event screens at 4pm and 6:30pm, Wednesday, Nov. 15. Rialto Cinemas Sebastopol, 6868 McKinley St. Post film discussion with Sonoma County food writer Michelle Anna Jordan, director Greg Bezat and producer Gary Meyer. $15.

Occidental

Write Bravely

Sonoma County poet laureate Elizabeth C. Herron will be hosting a poetry workshop called “Being Brave” in Occidental. The workshop pays special “attention to acceptance and affirmation” as Herron facilitates community through a series of exercises in the rawest of creative acts, putting one’s own words out into the world. The workshop is inspired by—and a vital part of—the current era’s growing awareness of poetry and its power. Two and a half hours, the workshop is ideal for those who have written little or no poetry before. 1pm, Sunday, Nov. 19. Occidental Center for the Arts, 3850 Doris Murphy Ct. Advance reservations required. occidentalcenterforthearts.org/upcoming-events.

 
Petaluma

Scrumptious Holidays

First dreamed up as a way to support local producers after the fires of 2017 by the community-minded Barber Cellars, the Petaluma Holiday Food Fair has become a new tradition anchored the way all beloved traditions are, in food. There is no shortage of it in Sonoma County. Vendors will be offering food and beverages for purchase in the courtyard of the Hotel Petaluma. Required free tickets in half-hour increments to reduce lines. Kids do not require tickets, and Santa will be on site for photos. 3:30 to 7:30pm, Tuesday, Nov. 21. Hotel Petaluma, 205 Kentucky St. Reserve spot at holidayfoodfair.com.

 
Point Reyes

Opening to Art

Every year on Thanksgiving weekend, local artists in Point Reyes Station, Inverness Park, Inverness, Olema and Marshall open their studios to the public. The featured artists include ceramicists, photographers, sculptors in stone and wood, painters, printmakers, fiber artists, glass artists, jewelry-makers and more. Created by the Point Reyes Open Studios Group as a way to feature the distinct art of west Marin, the biannual Point Reyes Open Studios is bound to surprise visitors with its wide range of styles and themes. 11am to 5pm, Friday to Sunday on Thanksgiving weekend, Nov. 24-26. Find studios at pointreyesart.com/map.

‘May December’

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In director Todd Haynes’ difficult-to-admire May December, the characters inhabit the upscale surroundings of Savannah, Georgia. And yet the dramatic atmosphere is so brittle, the personalities might as well be acting out their frustrations in a rehearsal diagram, or even on a giant chessboard.

Actor Elizabeth Berry (played by Natalie Portman) visits the comfortable home of the woman she’s scheduled to portray in a TV drama, Gracie Atherton-Yoo (Julianne Moore), with the task of preparing for the upcoming role by living with Gracie for a few days; getting to know her subject and prying into her story. It is established that Gracie is a scandalous figure. She’s the matron who, a few years earlier, dumped her husband and children after falling in love with Joe Yoo (Charles Melton), a seventh-grade schoolboy she met in a pet shop. Their ill-starred romance and ultimate marriage triggered criminal charges, plus instant froth on the covers of supermarket gossip magazines.

And now, as the hasty-looking screenplay—by writers Samy Burch (The Hunger Games) and Alex Mechanik (Ant-Man)—would have it, the nervous, easily distracted Gracie is seemingly basking in the sort of gaudy, middle-aged notoriety that pretty much guarantees a future of heartbreak and court appearances.

In other words, veteran filmmaker Haynes (Carol, Mildred Pierce, I’m Not There, The Karen Carpenter Story) is back in the dumpster again, sorting through the “celebrity” trash in search of vicarious cheap thrills with unreliable protagonists. In that respect, May December stirs up a witches’ cauldron of prurient possibilities salted with ironic laughs. But there’s not quite enough of the latter.

Haynes and his cast don’t seem to enjoy the experience. Gracie and Elizabeth’s slo-mo, would-be catfight might be better served with a more generous sprinkling of humor to decorate its grim discoveries. Instead, the two women circle each other warily, walking on eggshells while preening themselves in the nearest mirror.

Gracie attends a gardening workshop and talks endlessly about herself. Elizabeth essentially follows suit, and her wandering eye temporarily settles on poor Joe—at this stage an insecure young man who appears to have been relegated to hired-help status in Gracie’s pecking order, misplaced amid her loony entourage and content to spend his time raising Monarch butterflies. The prevailing tone is one of artificial conviviality and manufactured cable TV-style family togetherness. The net effect is airless and suffocating.

Actors Moore and Portman play types they’re very familiar with—from previous work in more inspired projects—but here with no special spark of enthusiasm, aside from Elizabeth’s subdued sexuality and Gracie’s frantic quest for emotional reinforcement. In their tight little sphere of operations, makeup qualifies as a character trait.

Meanwhile the bedraggled members of Gracie’s extended family pass in review: her horrid son Georgie (Cory Michael Smith), disappointed daughter Honor Atherton-Yoo (Piper Curda), the reticent adopted immigrant twins (Gabriel Chung, Elizabeth Yu) and Joe’s taciturn father (Kelvin Han Yee), quietly holding onto his meal ticket. Nobody at all to either cheer or feel sorry for, just a standard-brand collection of entitled hangers-on in a pathetic, ingrown environment. The added-on wrinkle concerning rumors that Gracie has had incestuous longings for family members is thankfully glossed over in a short bit of dialogue.

Audiences with an established taste for campy female-centric entertainment may be faintly reminded of Valley of the Dolls, The Big Cube or even the far reaches of Rainer Werner Fassbinder (The Bitter Tears of Petra von Kant) or Fassbinder’s avatar Douglas Sirk (particularly All that Heaven Allows and Written on the Wind).

But as May December peters out, it’s inescapable that filmmaker Haynes, ordinarily a competent stylist with a flair for stressed-out heroines, went shopping for the wrong story in the wrong place. It’s hard to imagine how an audience could develop even the most casual interest in Gracie and Elizabeth’s nervous little dance. Skip May December and catch up on the John Waters catalog instead—particularly Female Trouble

In theaters and on Netflix.

Free Will Astrology: Week of November 15

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ARIES (March 21-April 19): In accordance with astrological omens, I would love you to experiment with blending the sacred and mundane. Bring your deep self into the daily routine and imbue ordinary rhythms with tender care. Here are a few fun rituals to get you in the groove: 1. Say prayers or chant ecstatic poems while you’re shopping. 2. Build a shrine in a parking lot. 3. Stir up an inspired epiphany while doing housework. 4. If you find yourself in a confusing or awkward situation, dance like a holy person to conjure a blessing. 5. Commune with the Divine Creator during crazy-good sex.

TAURUS (April 20-May 20): I’ve met many people who feel their love lives are jinxed. Often, they believe this nonsense because a creepy fortune-teller declared they will forever be denied a satisfying intimate relationship. I hate that! Any astrologer who delivers such crippling bewitchments should be outed as a charlatan. The good news for you, Taurus, is that you are in a grace period for all matters regarding romance, intimacy and togetherness. If you have ever worried there is a curse, obstruction or bad habit inhibiting your love life, the coming weeks will be a favorable time to free yourself from it.

GEMINI (May 21-June 20): Gemini comedian Drew Carey says, “If I didn’t run from my fears, I wouldn’t get any exercise at all.” Let’s discuss his approach in relation to you. After analyzing the astrological omens, I believe that as 2023 draws to a close and 2024 unfolds, you will feel less and less motivated to run from your fears. In part, that’s because you will face them with more courage and poise; they won’t have the same power over you. In addition, I suspect your fears will become objectively less scary. They will be less likely to come to pass. More and more, your fine mind will see how they trick you into imagining they’re more threatening than they truly are. Congratulations in advance, Gemini!

CANCER (June 21-July 22): I would love to see you intensify your devotion to your masterpiece—however you understand “masterpiece.” It could be a work of art or an innovation in your job or business. It could be a new baby, an adopted pet, a redefinition of what family means or an invigorated community. Might even be a beautiful alliance or enhanced connection with the divine or a refinement of the best gift you give the world. Life will conspire to help you in unexpected ways during the coming months if you rededicate yourself to this treasure.

LEO (July 23-Aug. 22): Dear Sun, our one and only star: We love you and appreciate you! It’s amazing that you consume five million tons of yourself every second to generate the colossal energy you send in our direction. Thank you, beloved Sun! Is it OK with you if we think of you as a god? You are a superpowered genius of nourishment! And by the way, do you know who adores you the best? I’ll tell you: the Leo people here on Earth. They comprehend your grandeur and majesty better than anyone else. Would you consider giving them extra rewards in the coming weeks? They need and deserve a massive delivery of your bounty. Please fill them up with even more charisma, personal magnetism, vitality and generosity of spirit than usual. I promise they will use it wisely.

VIRGO (Aug. 23-Sept. 22): Virgo musician and actor Shirley Manson has a message for you. She testifies, “I say embrace the total geek in yourself and just enjoy it. Life is too short to be cool.” This will be especially helpful and inspirational counsel for you in the coming months, dear Virgo. The wish to appear chic or trendy or hip should be so far down on your list of priorities that it drops off the list entirely. Your assignment is to be passionately devoted to your deepest truths, unique desires and imaginative experiments. 

LIBRA (Sept. 23-Oct. 22): If you’re given a choice to advocate for either a dull, mediocre truth or a beautiful, invigorating truth, give your love to the latter. If you wonder whether you should ask a polite question that engenders harmony or a provocative question that pries loose agendas that have been half hidden, opt for the latter. If you feel nostalgic about an old tradition that stirs up little passion or fresh insight, let it go. Instead, dream up a new tradition that moves you emotionally and excites your mind.

SCORPIO (Oct. 23-Nov. 21): Icelandic singer Bjork is a triple Scorpio, with sun, moon and ascendant in your sign. Neptune is there, too, giving her even more Scorpionic intensity. It’s not surprising that she describes her daily practice like this: “I have to re-create the universe every morning when I wake up and kill it in the evening.” In another quote, she places greater emphasis on the rebirth: “To wake up in the morning and actually find the day exciting is the biggest victory you can have.” In accordance with current astrological omens, I invite you to exalt and celebrate the post-resurrection aspects of your life’s work. It’s time for you to shine and sparkle and shimmer and bedazzle.

SAGITTARIUS (Nov. 22-Dec. 21): At the risk of sounding melodramatic, I prophesy that what has been lost will be found. What was last may not catapult all the way into the first spot, but it might—and will at least be close to the first. Here are more zingers for you as you move into the climactic stages of the Season of Turnarounds and Switcheroos: A difficult test will boost your intelligence; a rut will be disrupted, freeing you to find a smooth new groove; an unsettling twist will ultimately bring you delightful support. To get the best out of the upcoming challenges, Sagittarius, welcome them as opportunities to expand your understanding of how the world works.

CAPRICORN (Dec. 22-Jan. 19): Many cultures throughout history have staged rites of passage to mark the transformation from childhood to puberty. In ancient Greece, for example, kids formally relinquished their toys, symbolizing the intention to move into a new phase of their destinies. In accordance with astrological omens, I want to tweak this custom for your use, Capricorn. I propose that you embrace your second childhood. Fantasize about how you might refurbish your innocence, curiosity, playfulness and spontaneous joy. Then select an object that embodies a burdensome or unpleasant aspect of adulthood. Discard it. Find an object that signifies the fresh young spirit you’d like to awaken within you. Kiss it, sing to it and keep it in a prominent place.

AQUARIUS (Jan. 20-Feb. 18): For advice about money, I talk with a banker who sometimes analyzes financial trends using Tarot cards. To keep abreast of politics on the ground level, I consult with a courtesan who has a Ph.D. in political science and cultivates intimate relations with governmental leaders. For guidance about rowdy ethics and etiquette, I seek input from an activist singer in an all-women punk band. How about you, Aquarius? Now is a favorable time to take an inventory of your posse of teachers, helpers and counselors. Make sure it’s serving you well and providing maximum inspiration and support. Hot tip: It may be time to add a new facilitator or two to your entourage.

PISCES (Feb. 19-March 20): Now and then, you glide through a phase I describe as Freedom from Cosmic Compulsion. During these grace periods, fate has a reduced role in shaping your destiny. Your past doesn’t have its typical power to limit you or entrance you. According to my astrological analysis, you are now enjoying such a chapter. That’s why I predict that an infertile status quo will soon crumble. A boring, inflexible rule will become irrelevant. These and other breakthrough developments will give you extra leeway to innovate and invent. You will have a big, bright emptiness to work and play around in.

Homework: My new book, Astrology Is Real, is available: https://bit.ly/AstrologyReal.

Loneliness Epidemic: Help for Seniors Just a Call Away

The U.S. Surgeon General recently issued an 82-page advisory about an epidemic that’s not talked about much—loneliness. 

Approximately half the adults in this country report feeling lonely, and the phenomenon began before the COVID pandemic.

“Loneliness is far more than just a bad feeling—it harms both individual and societal health,” Surgeon General Dr. Vivek H. Murthy said.

It makes sense that loneliness can lead to anxiety and depression, which is cited throughout the advisory. Yet, it also negatively impacts health in many other ways. A combination of data from 16 independent studies reveals that loneliness substantially increases the risk of heart disease, stroke, type 2 diabetes, dementia and more.

Researchers reached the bleak conclusion that a lack of social connection is as dangerous as smoking 15 cigarettes a day, according to a 2017 study, Advancing Social Connection as a Public Health Priority in the United States, published by American Psychology. And it’s worse than consuming six alcoholic drinks daily.

In his advisory, Murthy called upon the public to build connections and relationships to help reduce loneliness and isolation. Although that might be relatively easy for some folks, it’s certainly more challenging for others. For example, how does an older person, who may be homebound because of a disability or isolated after losing a spouse, meet new acquaintances?

Anja Gibson, a Mill Valley preteen, aimed to answer that question for her Junior Girl Scout project. The project’s goal was to identify a problem in the community and find ways to address it. Because Gibson, 12, enjoys a close relationship with her “Nana,” she decided to help seniors.

Carol Brooklier, Gibson’s grandmother, and her neighbor, Sandra Otanez, live in the Rotary Valley Senior Village in San Rafael. Gibson sat down with the two women to ask about issues they face on a regular basis. Both agreed that everyone in their village feels loneliness and isolation to a degree, with some residents rarely leaving their cottages.

While Brooklier, 77, and Otanez, 85, live alone, the two friends are outgoing and enjoy socializing. They’re not necessarily isolated, but loneliness still creeps in.

“Mainly, I feel lonely in the evening,” Brooklier, who is a widow, said. “In the day, I go to the YMCA and take Hawaiian dance and strengthening classes, so I’m around people. Sometimes, when I’m driving, a song will come on the radio that my husband and I liked, and all of a sudden, I’ll get a sense of loneliness.”

Otanez, like Brooklier, spends time visiting with nearby family. And she joins the activities at the community center in her village, such as the recent Halloween party and the occasional happy hours.

“It is hard to be alone,” Otanez said. “But I have Mike, my cat, which certainly helps. I talk to him.”

Brooklier and Otanez are fortunate to have solid relationships to keep loneliness at bay most of the time. However, they expressed to Gibson their concerns for neighbors who stay isolated in their homes, only venturing out to retrieve the mail.

The summer meeting with the two women had a profound impact on Gibson, giving the Girl Scout project a new importance. She became determined to help her grandmother’s neighbors alleviate their loneliness.

“These are problems that won’t go away on their own,” Gibson said. “The main one was feeling isolated. A lot of people there are living alone and don’t have contact with their family members.”

After the meeting, Gibson began the research phase of her Girl Scout project. Some ideas seemed a bit complicated, such as establishing a cooking club, enabling neighbors to prepare and eat meals together. And perhaps the people most in need wouldn’t participate.

Then Gibson discovered Friendship Line, a free statewide service for people 60 and older and adults living with disabilities who want to have a conversation. The line is answered by extensively trained, compassionate volunteers and staff who listen and provide emotional support to callers.

“It’s not just a warm line,” Katy Spence, senior director of Friendship Line, said. “It’s also a crisis line, offering interventions for people feeling hopeless. We’re here 24/7, 365 days a year.”

Friendship Line, in existence for 50 years, receives an average of 7000 to 9000 calls a month. Call volume jumps 20% to 25% during the holiday season.

The holidays can be a difficult time, particularly for people with ambulatory issues who can’t travel to family gatherings. Others must contend with bittersweet memories of past celebrations with loved ones now gone. Winter’s shorter days offer less sunlight, which plays a role in feelings of loneliness and depression, according to Spence.

“Sometimes, we all need a friend,” Spence said. “That’s the basis of the Friendship Line. Our connection to others is what binds us to life.”

Friendship Line, Gibson knew, could provide her grandmother’s neighbors and others with a respite from loneliness. Now, she had to get the word out. She created and printed flyers with information about the service and ordered magnets with Friendship Line’s phone number.

Gibson delivered the information to her grandmother’s village, where the materials remain posted next to the mailboxes. Brooklier asks everyone to take a magnet, saying that even if they don’t need Friendship Line’s services, they should give it to someone who does.

Next, Gibson visited Varenna, a luxurious independent living community for seniors in Santa Rosa. At first blush, it might seem that residents of the upscale property, which offers numerous amenities, fitness classes and social activities, wouldn’t be interested in calling Friendship Line.

Yet, loneliness is still an issue.

“We have a pretty robust group here, but activities that we take for granted, like carrying in the groceries, become challenging as we get older,” Jenny Latourette, Varenna’s life enrichment director, said. “A big part of mental well-being is maintaining independence.”

Varenna staff was greatly appreciative when Gibson reached out with Friendship Line flyers and magnets. The info is prominently displayed in the activities room, which receives foot traffic all day.

“When residents are in crisis, it’s one of the first resources we give them,” Latourette said. “Money can’t buy happiness. It’s all about your optimistic outlook and meaningful connections with other people.”

Last month, Gibson earned the Bronze Award, the highest honor in Junior Girl Scouts, for her project that has helped lessen loneliness for seniors in Marin and Sonoma counties.

Inspired by Gibson, I set out to find a nonprofit that assists Napa County seniors, especially those who are homebound, in building relationships with people. Molly’s Angels fit the bill.

This remarkable organization provides folks, age 60 and older, with a variety of free services. The Hello Molly Care Calls program matches each senior with a volunteer who calls them once a week to help reduce feelings of loneliness.

“These calls are a friendly chat to see how they’re doing, but more importantly, a connection to the community and reassurance someone is there,” said Jill Jorgensen, program director at Molly’s Angels. “For some, the care calls are the only people they hear from. Beyond a phone call, the weekly chat provides a safety check-in by trained volunteers.”

The relationship between the senior and volunteer sometimes becomes more than a check-in. A 97-year-old woman with a wide repertoire of songs sings to her volunteer. Another senior and volunteer exchange vegetables from their gardens. Yet another pair regularly swaps books.

Friendship Line and Hello Molly Care Calls offer just what the U.S. surgeon general ordered—the power of social connection. 

Give them a call.

Friendship Line may be reached at 888.670.1360 and Molly’s Angels of Napa Valley at 707.224.8971.

Y&T at the Mystic

One of the Bay Area’s longest-running hard rock acts return for another mayhem-filled weekend at their favorite Petaluma haunt

While many argue which classic hard rock band still sounds and performs like their heyday, few argue that Y & T would certainly either top the list or be a front-runner. What started in Oakland, California, in 1972 eventually bloomed into a veritable headliner seemingly overnight, with its core line-up intact by 1974 and its first record in 1976. 

First conceived as Yesterday & Today, that moniker would only last for two albums before settling on Y&T for good with the release of ‘Earthshaker’ in 1981. And while many much larger acts opened for Y&T before achieving superstardom, there was little doubt who got the hard rock ball rolling in California. 

Although the band may not have been as prolific as its fans would have liked, they still managed to release 12 full-lengths in addition to several live and compilation records. In that time, they’ve also managed to sell over 4 million albums and have never relinquished their headliner status except when opening arena dates for Rush and Dio, as well as high placement on massive festivals on US soil and abroad. 

Led by original and founding member Dave Meniketti (lead guitar/lead vocals), the band today is rounded out by longtime mainstays John Nymann (guitar/vocals), Aaron Leigh (bass/vocals), and Mike Vanderhule (drums/vocals). 

We caught up with Dave Meniketti before their upcoming Petaluma gigs and let him remind us why he and the band are standing tall an astounding 49 years later. 

Bohemian: Y&T lost its core members (Joey Alves, Phil Kennemore, and Leonard Haze) many years ago yet the current line-up is still drawing sell-out numbers virtually everywhere. What do you attribute the band’s staying power to aside from the songs?

Meniketti: It’s numerous things. The performances and the commitment— the band gives their all at every show. When the fans come to a Y&T show, they know the band will bring it. 

Year after year, decade after decade, no matter the members, there is an enthusiasm the band has that can’t be faked. It’s contagious, and the fans pick up on this and know they will get more than their money’s worth. 

Bohemian: Your last studio album was 2010’s “Facemelter.” Do you think it’s plausible there will be a new album in 2024?

Meniketti: Always a possibility for a new record. Whether that is a full album or even 3 or 4 new songs. No time frame for when that will happen as of yet.

Bohemian: Do you have any anniversary shows planned in 2024 for “In Rock We Trust,” which was released in 1984?

Meniketti: Being that 2024 is the band’s 50th anniversary, that will likely take precedence over working up an entire album to play live. Though we’ve not committed yet to any specifics, I believe the basic idea will be to play tunes from every studio record we’ve ever recorded.

Bohemian: Has the band done any full album shows celebrating ‘Earthshaker’ or ‘ Black Tiger’ in recent years?

Meniketti: Yes, over the last few decades, we’ve done shows where we played albums in their entirety within the set. We’ve had occasions where we have done either one or two entire albums at a show or tour. The records we’ve done that for are ‘Mean Streak,’ ‘Black Tiger,’ ‘In Rock We Trust,’ and ‘Earthshaker.’

Bohemian: The band seems to play mainly West Coast shows these days. Any plans to do a longer run of shows?

Meniketti: Though the band is well known in our hometown Bay Area, Y&T has been one of the hardest-working bands since the 1970’s, touring the free world for a lot of our career. The US, Canada, Japan, Europe, and the UK have been seeing the band for decades. Y&T toured the entire US in the 70’s and 80’s, and then again, yearly from 2010 through 2020, including many years with partial tours in various markets. The band has been touring Europe, the UK, and Japan since 1982, playing major tours, & festivals with bands such as AC/DC, Ozzy Osbourne, etc. And after a break away from touring in the ’90s, the band has been back to headlining overseas tours yearly from 2003 through 2019. Next year, we’ll be in Japan in January and then touring Europe & the UK in the Fall of 2024.
   
Bohemian: The outpouring of love and good blessings during your semi-recent health scare was overwhelming. That must have been really emotional.

Meniketti: Yes, it was very emotional and inspirational to hear such a positive outpouring from the fans when I announced my prostate cancer diagnosis. You could feel the love and support that was so important to me and my family, as well as my close friends to experience. Luckily, I was on top of it, diagnosed early, and after all the treatments, the result was a complete success. My cancer has been gone for about a year now, and is looking to likely be a non-issue going forward. Luckily prostate cancer, if found early enough and treated correctly, is a totally survivable cancer. I’m thankful to have been diligent with keeping up on my health most of my life. It’s helped make a difference.

Bohemian: The band plays regularly every year at The Mystic Theater in addition to other South Bay haunts. Do you remember your shows at The Cotati Cabaret? As a fan, those were some of your craziest shows. What do you remember about the Sonoma County venue?

Meniketti: Cotati Cabaret was a unique place, and one of the fun “different” venues we frequented over the years. One of those up close and personal venues I’ll always remember. Especially all the wood inside the venue, which you don’t always see, plus the great enthusiastic crowds in the North Bay that have continued to be with us going forward. And of course, the Mystic Theatre weekend in November every year for since 2002, except 2020 because of the pandemic. This has been a special weekend for fans and band members alike. There’s something about the Mystic & Y&T that just can’t be easily described in a short and concise way, except to say it’s magic! Because of the talk online over the years about these performances, it’s taken on a life of its own. Y&T fans have been coming out to get the vibe from the “Y&T Mystic Weekend” experience from all over the world, making this quite the happening. We hope to keep this up for a long time to come, no matter where it may land on the calendar.

Bohemian: During your days signed to A&M, do you feel like the label took care of in all departments (marketing, sales, radio, etc)?

Meniketti: A&M Europe and Japan did a much better job than the US company in understanding and marketing the band correctly. Though we have had classic recordings those days in the early to late ’80s, I would say it was a struggle to get the attention we had hoped to get from a major label. If there was one of those “What would you have done differently?” questions posed, one thing would have been to wait out for a more complimentary label for us in the ’80s. Be that as it may, we had amazing times during 1981 through 1985 and regardless of the milling support we received from them in the US, we made things happen during that time that have allowed us through to today. We are certainly not unique in that, as many bands have had similar experiences with their labels. I moved on decades ago and just look at all the positives we’ve had since we started in 1974, and there have been a ton.

Bohemian: Do you have any plans to stop playing live and retire or is the current pace of playing a handful of shows the perfect balance?

Meniketti: Have no plans to retire at this time, and the pacing will likely change from year to year as we transition back into a fairly heavier touring schedule next year, since the pandemic repercussions slowed everyone down for a few years. We will take stock after the 2024 shows and look to find the perfect balance of shows we will feel comfortable playing each year going forward. It’s in the blood, we’re lifetime musicians and stopping seems highly unlikely as long as the band can continue to play at its current capacity. Stay tuned.

Y&T plays two nights at The Mystic Theatre: Friday, November 17, with support from Aaron Leigh, and Saturday, November 18 with support from John Nymann. 

Doors open at 7 pm and the show kicks off at 8 pm. Tickets range from $42 to $55 and are largely sold out, but a few may be released day of show at mystictheatre.com. The Mystic Theatre is located at 23 Petaluma Blvd. North in downtown Petaluma. 21 and over only.

Exec Editor Responds to False Accusations That a Story Was ‘Spiked’

As a journalist, I have spent time in all parts of Israel and Palestine, including Gaza more than once, to see the reality and hear the stories of Jews and Arabs who live amidst a horrifically tragic conflict. 

Over the years, the hopes for a Palestinian state that could live in peace with Israel and build a prosperous future have turned into a distant dream, as extremists on both sides fought for control of all the territory in Israel and Palestine, rather than share a land.

Both the Hamas leadership, which is committed to replacing Israel with an Islamic Palestinian state—and ultranationalists in the Israeli government—contributed to the impasse. Both camps undermined progress towards peaceful co-existence that had been made through the Camp David and Oslo Accords, and towards normalization of regional relations through the Abraham Accords.

The hopes for peace have not been advanced by the Biden administration either. It has been unable to temper the Israeli government’s military counter-reaction to Hamas’ terrorist attacks. Similarly, when Free Palestine protests employ language like “from the river to the sea” or make other statements that clearly oppose the very existence of the state of Israel, it stokes Israel’s security fears and promotes a scenario—elimination of the world’s only Jewish state—that puts the lives of its 9 million Jewish and Palestinian citizens at grave risk. The chants are arguably anti-Semitic, since they hold Israel to a standard to which other international players get a pass. An upsurge in antisemitism is causing American Jews to worry about their safety, and many are fearful to speak up.

As I explored the Middle East conflict with an open mind some years ago, I realized that both peoples have a genuine connection to one land. This deep sense of belonging is historic, religious, personal and familial. Each narrative is equally compelling and just. Neither’s can be allowed to triumph at the expense of the other, which would result in a human disaster of cataclysmic proportions. Lives, be they Jewish, Palestinian or others caught in the crossfire, are precious. Reducing the likelihood for the loss of lives is an imperative for thinking, caring people.

Informed by this view, it is the Bohemian’s editorial policy to cover these current events in an evenhanded and fair way that gives voice to all sides. Last week, we received a piece by a longtime freelance journalist that we believe did not meet the balance test. Because it was turned in less than 24 hours before our press deadline, we decided to hold the story for a week, and asked for additional reporting to provide balance to the story.

The 1000-word story submitted as a reportorial news piece was, in our view, colored by opinion. It described Israeli actions no less than 11 times as “genocide” without providing countervailing perspectives. It quoted only Israel’s critics, except for a quote from Israel’s defense minister—three days after the massacre in Israel—describing Hamas fighters as “human animals.”

After reading the piece, I wrote our editor: “This piece is one-sided and does not place the war in context of factors such as the hostages, the massacre, the tunnels, the use of civilians, hospitals & ambulances as human shields, the explosions caused by stored explosives in Gaza, the unreliability of statistics, etc. Our coverage of the war needs to have some evenhandedness given that there is much pain and emotion on both sides.”

The piece’s author has accused the Bohemian of “spiking” or “censoring” the story. This is not the case, as we planned to run the piece the following week, with additional reporting, and discussed this with the writer. There is a normal process in which editors work with writers to improve stories and provide honest and fair coverage of important issues. Our readers deserve thoughtful, intelligent writing about complex subjects, and we will always strive to provide that.

It is disconcerting to see the divisions in the Middle East creating conflict here in the United States. We are saddened to see relationships with colleagues we have worked with for years ripped apart over this issue. 

We are heartbroken to read that a six-year-old Palestinian-American boy in Illinois was fatally stabbed by his landlord.  And, as we debated this submitted story, a 69-year-old Jewish American died in Ventura County after a confrontation between pro-Israel and pro-Palestinian demonstrators. It was a reminder that passions are too high and need to be dialed back a bit, so that we can just live together.

We take full responsibility for the decision to not rush an article to print without reflection, and we believe that that call was prudent. Others are free to disagree. Editing decisions are not censorship, something which a government does, and there are many other venues where opinions can be published.

We call upon Israel to stop the bombing of civilian areas and to allow food, water and supplies to enter Gaza. A humanitarian disaster will not bring security, only a new generation of PTSD-impacted haters with weapons. Hamas must release the hostages. And it must stop firing missiles into Israel’s neighborhoods, cease building tunnels of death with money that should be used to build a better life for Gazans and not turn Gaza’s schools, hospitals and religious centers into military sites.

After that, both sides must make concessions to coexist. War sucks. Human life is precious. We don’t build a better planet or improve our lives by demonizing and killing one another. 

Dan Pulcrano is the executive editor of the Weeklys publishing group, which publishes the North Bay Bohemian. This article was updated on November 14.

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Y&T at the Mystic

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