‘On Land’ On Exhibit

Novato

On Land

Marin Museum of Contemporary Art’s latest exhibition, “On Land,” guest curated by Chris Kerr, runs through August and explores the dynamism and fragility of our relationship with the planet. The exhibit features the work of 11 Northern Californian emerging and established artists, including Cynthia Brannvall, Victor Cartagena, Ocean Escalanti, Don Hankins, Claudia Huenchuleo Paquien, Hughen/Starkweather, Colter Jacobsen, Vanessa Norton, Rachelle Reichert and Angelica Trimble-Yanu. The museum is located at 500 Palm Dr., Novato. For more information, visit marinmoca.org.

Petaluma

Life by Design

Petaluma’s own experiential content curation practice, Place Matters, continues its monthly “Life by Design” series with Tali Bouskila, owner of Petaluma’s Flower Casita, speaking about “Flowers and Form: Nature by Design,” and Paul Siri exploring “Design, Danger and Delight at Depth: Custom Aquaria for All People and Species.” The event starts at 7pm, Tuesday, July 11, at Griffo Distillery, 1320 Scott St., Suite A, Petaluma. Tickets $20 at the door or can be purchased in advance at placematters-sonoma.com.

Petaluma

Art Books

Petaluma Arts Center (PAC) hosts an Art Book Fundraiser from noon to 4pm, Friday, July 14 and Saturday, July 15. This event is a fundraiser for the center, which welcomes donations of books about antiques, architecture, art, cooking, crafts, dance, fashion, music and photography, as well as graphic novels. Donations of books can be made from 10am to 1pm, Monday, July 10, and from from 2 to 5 pm, Tuesday, July 11. Book prices for the fundraiser will range from $5 to $100. Bring reusable bags for carrying selections. The arts center is located at 230 Lakeville St.

Mill Valley

Awesome ’80s

San Francisco native DJ Troubleman returns to Marin with his records and positive vibes in tow, for another “Best Of The 80’s” night at Sweetwater Music Hall this weekend. The free, all-ages show is family-friendly and will spin you right round back to the future of Gen X musical must-haves. Doors open at 8pm, with dancing commencing at 9pm, Saturday, July 8 at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. No tickets required, dude. More info at sweetwatermusichall.com.

Real Astrology, Week of July 5

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ARIES (March 21-April 19): Genius physicist Albert Einstein said, “The formulation of a problem is often more essential than its solution, which may be merely a matter of mathematical or experimental skill. To raise new questions, new possibilities, to regard old questions from new angles, requires creative imagination and makes real advances.” What he said here applies to our personal dilemmas, too. When we figure out the right questions to ask, we are more than halfway toward a clear resolution. This is always true, of course, but it will be an especially crucial principle for you in the coming weeks.

TAURUS (April 20-May 20): “Every great advance in natural knowledge has involved the absolute rejection of authority.” So said Taurus biologist and anthropologist Thomas Huxley (1825-1895). I don’t think you will have to be quite so forceful as that in the coming weeks. But I hope you’re willing to further your education by rebelling against what you already know. And I hope you will be boisterously skeptical about conventional wisdom and trendy ideas. Have fun cultivating a feisty approach to learning! The more time you spend exploring beyond the borders of your familiar world, the better.

GEMINI (May 21-June 20): Hooray and hallelujah! You’ve been experimenting with the perks of being pragmatic and well-grounded. You have been extra intent on translating your ideals into effective actions. I’m not sure I’ve ever seen you so dedicated to enjoying the simple pleasures. I love that you’re investigating the wonders of being as down-to-earth as you dare. Congratulations! Keep doing this honorable work.

CANCER (June 21-July 22): I wrote my horoscope column for over 10 years before it began to get widely syndicated. What changed? I became a better writer and oracle, for one thing. My tenacity was inexhaustible. I was always striving to improve my craft, even when the rewards were meager. Another important factor in my eventual success was my persistence in marketing. I did a lot of hard work to ensure the right publications knew about me. I suspect, fellow Cancerian, that 2024 is likely to bring you a comparable breakthrough in a labor of love you have been cultivating for a long time. And the coming months of 2023 will be key in setting the stage for that breakthrough.

LEO (July 23-Aug. 22): Maybe you wished you cared more deeply about a certain situation. Your lack of empathy and passion may feel like a hole in your soul. If so, I have good news. The coming weeks will be a favorable time to find the missing power, to tap into the warm, wet feelings that could motivate your quest for greater connection. Here’s a good way to begin the process: Forget everything you think you know about the situation with which you want more engagement. Arrive at an empty, still point that enables you to observe the situation as if you were seeing it for the first time.

VIRGO (Aug. 23-Sept. 22): You are in an astrological phase when you’ll be wise to wrangle with puzzles and enigmas. Whether or not you come up with crisp solutions isn’t as crucial as your earnest efforts to limber up your mind. For best results, don’t worry and sweat about it; have fun! Now I’ll provide a sample riddle to get you in the mood. It’s adapted from a text by David Wallechinsky and Irving Wallace. You are standing before two identical closed doors, one leading to grime and confusion, the other to revelation and joy. Before the doors stand two figures: an angel who always tells the truth and a demon who always lies. But they look alike, and you may ask only one question to help you choose what door to take. What do you do? (Possible answer: Ask either character what the other would say if you asked which door to take, then open the opposite door.)

LIBRA (Sept. 23-Oct. 22): I found a study that concluded just 6.1% of online horoscopes provide legitimate predictions about the future. Furthermore, the research indicated, 62.3% of them consist of bland, generic pabulum of no value to the recipient. I disagree with these assessments. Chani Nicholas, Michael Lutin, Susan Miller and Jessica Shepherd are a few of many regular horoscope writers whose work I find interesting. My own astrological oracles are useful, too. And by the way, how can anyone have the hubris to decide which horoscopes are helpful and which are not? This thing we do is a highly subjective art, not an objective science. In the spirit of my comments here, Libra, and in accordance with astrological omens, I urge you to declare your independence from so-called experts and authorities who tell you they know what’s valid and worthwhile for you. Here’s your motto: “I’m the authoritative boss of my own truth.”

SCORPIO (Oct. 23-Nov. 21): Is it a fact that our bodies are made of stardust? Absolutely true, says planetary scientist Dr. Ashley King. Nearly all the elements comprising our flesh, nerves, bones and blood were originally forged in at least one star, maybe more. Some of the stuff we are made of lived a very long time in a star that eventually exploded: a supernova. Here’s another amazing revelation about you: You are composed of atoms that have existed for almost 14 billion years. I bring these startling realities to your attention, Scorpio, in honor of the most expansive phase of your astrological cycle. You have a mandate to deepen and broaden and enlarge your understanding of who you are and where you came from.

SAGITTARIUS (Nov. 22-Dec. 21): I foresee that August will be a time of experiments and explorations. Life will be in a generous mood toward you, tempting and teasing you with opportunities from beyond your circle of expectations. But let’s not get carried away until it makes cosmic sense to do so. I don’t want to urge you to embrace wild hope prematurely. Between now and the end of July, I advise you to enjoy sensible gambles and measured adventures. It’s OK to go deep and be rigorous, but save the full intensity for later.

CAPRICORN (Dec. 22-Jan. 19): Is there a crucial half-conscious question lurking in the underside of your mind? A smoldering doubt or muffled perplexity that’s important for you to address? I suspect there is. Now it’s time to coax it up to the surface of your awareness so you may deal with it forthrightly. You must not let it smolder there in its hiding place. Here’s the good news, Capricorn: If you bring the dilemma or confusion or worry into the full light of your consciousness, it will ultimately lead you to unexpected treasure. Be brave!

AQUARIUS (Jan. 20-Feb. 18): In Larry McMurtry’s novel, Duane’s Depressed, the life of the main character has come to a standstill. He no longer enjoys his job. The fates of his kids are too complicated for him to know how to respond. He has a lot of feelings, but has little skill in expressing them. At a loss about how to change his circumstances, he takes a small and basic step: He stops driving his pickup truck and instead walks everywhere he needs to go. Your current stasis is nowhere near as dire as Duane’s, Aquarius. But I do recommend you consider his approach to initiating transformation: Start small and basic.

PISCES (Feb. 19-March 20): Author K. V. Patel writes, “As children, we laugh fully with the whole body. We laugh with everything we have.” In the coming weeks, Pisces, I would love for you to regularly indulge in just that: total delight and release. Furthermore, I predict you will be more able than usual to summon uproarious life-affirming amusement from the depths of your enchanted soul. Further furthermore, I believe you will have more reasons than ever before to throw your head back and unleash your entire self in rippling bursts of healing hysterical hilarity. To get started, practice chuckling, giggling and chortling for one minute right now.

Norman Solomon reveals America’s ‘invisible’ war machine

When he announced the end of America’s war in Afghanistan in August 2021, President Joe Biden promised that America would continue its “fight against terrorism” worldwide.

“We just don’t need to fight a ground war to do it,” Biden added. “We have what’s called the over-the-horizon capabilities which means we can strike terrorists or targets without American boots on the ground—or very few, if needed.”

The speech offered a concise pitch for a new era of America’s overseas wars, according to Norman Solomon, a longtime media critic and Marin County resident. In his latest book, War Made Invisible: How America Hides the Human Toll of Its Military Machine, Solomon argues that skewed news coverage of the country’s distant wars, along with pliant politicians, make ever-increasing military budgets seem almost inevitable.

The United States has 750 military bases around the world and is conducting counterterror operations in 85 countries around the globe. In 2022, the country’s military bill accounted for 51% of its federal discretionary budget while many Americans’ standards of living continued to fall.

“What happens at the other end of American weaponry has remained almost entirely a mystery, with only occasional brief glimpses before the curtain falls back into its usual place. Meanwhile, the results at home fester in the shadows. Overall, America has been conditioned to accept ongoing wars without ever really knowing what they’re doing to people we’ll never see,” Solomon writes in the book’s introduction.

The author of 12 books since 1982, Solomon has taken on America’s war industry before. However, his last book, Made Love, Got War: Close Encounters with America’s Warfare State, was published just over 15 years ago.

Asked why he revisited the topic now, Solomon said, “Our society has become numbed, desensitized and, in many ways, dehumanized to what’s being done in our names with our tax dollars. So, War Made Invisible is a book that flushes out into the open what’s hidden in plain sight.”

As referenced in Biden’s 2021 speech, technology is one factor at play. Over the past 15 years, drones and other tools of remote warfare have become more common, reducing one of the domestic political repercussions of past wars: dead American soldiers.

Another theme of War Made Invisible is the comparison between the media treatment of different victims of wars.

“[After 9/11] America’s dead and bereaved were vastly and appropriately important. In contrast, the deaths and bereavements of equally innocent people, due to U.S. military actions overseas, were devalued to such an extent that domestic politics perpetuated two tiers of grief: momentous and close to meaningless; ours and theirs,” Solomon writes.

During the first two decades of America’s “war on terror,” 7,050 U.S. soldiers and over 387,000 civilians were killed in direct violence by all parties involved in various conflicts, according to Brown University’s Costs of War project. Over the same period, an estimated 38 million people have been displaced by the post-9/11 wars in Afghanistan, Pakistan, Iraq, Syria, Libya, Yemen, Somalia and the Philippines.

Those civilian deaths are the unintended, but predictable, result of American policies, argues Solomon. He compares the problem to what would happen if an American city allowed its police force to shoot their guns into storefronts and homes while pursuing a suspect. Innocent bystanders would be killed even if they weren’t intentionally targeted.

Solomon also compares the coverage of the United States’ recent military actions and Russia’s 2022 invasion of Ukraine.

“When American armed forces are inflicting the carnage, the chances of deeply sympathetic coverage of the killed, wounded and bereaved are greatly diminished—but when the killers are adversaries of the U.S. government, the media floodgates of compassion and human connection open wide. Such selective empathy was on display as Ukraine withstood the barbaric Russian assault,” Solomon writes.

“Setting aside the double standards of political coverage of the Ukraine invasion and refusal to really go into the history of NATO expansion militarily up to the Russian border, the U.S. media coverage of the Ukraine war on the ground, I think, has been very good,” Solomon said in an interview. “It has poignantly, often powerfully, brought forward the human suffering as a result of an invasion by one country against another. The flipside, though, is that that quality coverage was inconceivable from major U.S. media outlets during the invasions and occupations of Afghanistan and Iraq by the U.S.”

Since the publication of his last book in 2007, Solomon has spent much of his time attempting to push the Democratic party left. In 2008, Solomon was a delegate for Barack Obama (a subject of critique in War Made Invisible), and later served as a delegate for Bernie Sanders during his two presidential runs.

In 2012, Solomon ran for a seat in Congress representing California’s second district, which stretches from Marin County all the way to the Oregon border. After 18 months of campaigning, Solomon won 14.9% of the vote in a primary election, narrowly losing second place to a Republican candidate.

Jared Huffman, then a state Assemblymember, won the Democratic party’s endorsement and, later, the election by a wide margin. He has held the seat ever since.

Last year, RootsAction.org, a progressive organization Solomon co-founded in 2011, launched the “Don’t Run Joe” campaign, an effort to discourage President Joe Biden from running for re-election due to his policies and low poll numbers, particularly among younger voters.

The “Don’t Run Joe” effort did not work—Biden announced his 2024 campaign this April—and the campaign was renamed “Step Aside Joe” in late June.

“As the 2024 election has neared, Biden has tacked increasingly to the right and toward corporate donors in pursuit of mythologized swing voters, while alienating the younger voters, people of color and working-class voters who defeated Donald Trump in 2020. Biden said he would be a steward of the environment, but he has repeatedly given the green light to fossil fuel drilling and pipeline construction, among several new projects in recent months. Biden said he would be a champion for working Americans, but has sided with corporations over workers in labor disputes,” the campaign said in a statement last week.

Now, with Trump also a declared candidate, the country is facing a bitter rehash of the 2020 presidential election.

Solomon is one of the many Americans left without a candidate they are passionate about. Despite participating in many of the contentious struggles between progressive and moderate elements of the Democratic party over the past decade plus, Solomon is opposed to third party runs and says he is not a fan of either of the Democratic candidates opposing Biden—Robert F. Kennedy, Jr. and Marianne Williamson.

Solomon has two upcoming virtual book events. The first will be hosted by Pt. Reyes Books on Tuesday, July 11 at 5pm. More information is available at ptreyesbooks.com/event/norman-solomon-virtual.

San Francisco’s City Lights Books is hosting another virtual event on Monday, Aug. 14 at 6pm. More information is available at citylights.com/events/norman-solomon.

Jurassic Jubilee Lets Visitors Embark on a Dinosaur Adventure at the 2023 Sonoma County Fair

Sponsored content by Sonoma County Fair

Sonoma County, CA— 6.30.23 The Sonoma County Fair is gearing up to transport visitors back in time with its highly anticipated “Jurassic Jubilee.” From Aug. 3-13, fairgoers of all ages will have the opportunity to immerse themselves in a prehistoric world filled with lifelike animatronic dinosaurs and an array of thrilling activities. This year’s fair promises to be an unforgettable experience for the whole family.

One of the highlights of the “Jurassic Jubilee” is the mesmerizing Flower Show, where attendees will find themselves surrounded by 10 awe-inspiring, life-size animatronic dinosaurs. Taking inspiration from the Cretaceous period, each professionally landscaped garden will feature dinosaurs measuring up to a remarkable 45 feet in length. Witness cascading waterfalls, erupting volcanoes and even visit a unique fossil fuel bar. The best part? Admission to the Flower Show is free with fair admission, ensuring everyone can marvel at these incredible creatures.

sonoma county fair, jurassic jubilee, spinosaurus, animatronic dinosaurs, free activities for kids in sonoma county
Ten life-size animatronic dinosaurs will be present at the Sonoma County Fair.

Dinosaur enthusiasts and curious minds will find themselves drawn to the Jurassic Adventure Zone, where a multitude of exciting and educational activities await. Younger fairgoers can hop on the Jurassic racetrack and experience the thrill of driving toy dinosaur vehicles, available in both battery-powered and foot-powered options. Budding paleontologists can join in the excitement by participating in a fossil excavation, uncovering a remarkable 20-foot dinosaur fossil. Additionally, visitors can unleash their artistic talents by contributing to a captivating dinosaur-themed mural.

Throughout the fairgrounds, dinosaurs will be omnipresent, popping up in exhibits, parade floats and presenting various photo opportunities. The Sonoma County Fair encourages attendees to capture these enchanting moments and share them on social media using the hashtag #JurassicJubilee@sonocofair, adding to the collective excitement and buzz surrounding the event.

Discount Days to Maximize the Fun:

Kids’ Day: Thursdays, Aug. 3 and 10—Children 12 and younger receive free General Admission to the Fair.

Seniors’ Day: Friday, Aug. 4th and 11—Seniors 60-plus only pay $1 General Admission to the Fair every Friday.

Elvis Look-alike Day: Friday, Aug. 4—Show up to the fair dressed in your finest Elvis Presley suit to get in for $5.

Food Bank Day: Monday, Aug. 7 until 6 p.m.—Bring at least three nonperishable (unexpired) food items to donate to the Redwood Empire Food Bank to receive $1 General Admission. (No glass please!)

For more information, including ticket prices, special events and a detailed schedule of the Jurassic Jubilee, visit the official Sonoma County Fair website at www.sonomacountyfair.com and explore the dedicated page for the “Dinosaurs at the Fair.” Get ready to embark on a prehistoric adventure filled with wonder, excitement and the joy of discovery.

For a complete calendar of events at the Sonoma County Fair, including concerts, rodeo, horse racing, monster trucks and other exciting entertainment, visit Sonoma County Fair Calendar. Explore the diverse lineup of events that will keep fairgoers entertained throughout the entire duration of the fair.

sonoma county fair, facepainting for kids, family activities in sonoma county

The Sonoma County Fair invites families, dinosaur enthusiasts and adventure seekers alike to save the dates and join the “Jurassic Jubilee.” Complete with an array of captivating exhibits, interactive activities and memorable experiences, this event promises to transport attendees to a time when dinosaurs ruled.

Pixar Pivot: Bay Area studio prime for change

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Once a bouncing, bright lamp, Luxo Jr., the mascot for Pixar Animation Studio, has dimmed. The studio’s latest film, Elemental, released this month, had the lowest box-office opening weekend of any Pixar film: a $29 million return on a $200 million budget. It’s the latest blow to the company’s status as one of Hollywood’s premier studios, making the path forward no longer as luminous.

Perhaps it was an anomalously brilliant run the studio had, starting with Toy Story in 1995 and ending with Up in 2009. And now expectations for its films need to be adjusted. Perhaps there is currently not a healthy appetite for adult films in American cinemas, and Pixar’s children’s movies are too heady. Still, the studio’s first layoffs in a decade are a window into what has been its primary challenge: a deteriorating brand and ethos.

The Disney Corporation purchased Pixar in 2006. Success for both Disney and Pixar has been astronomical since. But right now Hollywood is struggling and the company is in upheaval. CEO Bob Iger’s stated goals for the company in 2023 are to eliminate thousands of jobs and cut billions of dollars in costs. Pixar’s recent layoffs included the departures of: Angus MacLane, a 26-year animator and member of the senior creative teams for Toy Story 4 and Coco, and 28-year veteran Galyn Susman, who was responsible for saving Toy Story 2 when she had an extra copy of the film after its data accidentally was deleted in studio.

Both were involved in last year’s box office dud, Lightyear, with Maclane directing and Susman producing. But that film was a product of the Disney imperative, which demands Pixar deliver films that earn a billion dollars and throw off theme parks, televisions shows, merchandise and more sequels. Their firings verged from Pixar’s founding principles, which made it the jewel of the industry: telling original, creative stories with innovative technologies and fostering community among its employees in an environment where they could trial and err with confidence.

The artistic vision of a progressive production company like Pixar, and the commercial goals of a media giant like Disney, were always going to grind at one another. While both want to reach audiences, one hopes that people leave in conversation, while the other wants to sell out concessions. Their partnership has been successful according to every metric that matters. However, consider that since 2010, Pixar has released seven sequels to eight originals. Of those originals, only Inside Out (2015) and Coco (2017) have been major box-office successes comparable in ROI to those sequels and in quality to earlier originals.

Pixar’s creative work has clearly suffered these last 13 years. It’s fair to wonder if the company can ever recapture its storied past.

Unless Disney and Iger prioritize film over finance, the original Pixar brand and process will continue to erode. By paring down operations to save on expenses, while simultaneously continuing to pursue scalable, lucrative features and TV, Disney has set a nearly impossible standard for all of its creative studios to accomplish.

For this fan, the best path forward would be for Disney to recalibrate its relationship with Pixar to what it was immediately post-acquisition, when Disney supported Pixar with its resources and reach, but Pixar retained its creative autonomy.

The three year stretch of Ratatouille (2007), Walle-E (2008) and Up (2009) was remarkable and represents the high watermark point in the company’s relationship: delivering huge box-office returns, award recognition and cultural resonance. All the while, the films also broke new ground in animated storytelling and felt incredibly fresh. There have been exceptions and successes since, but the can’t-miss quality and reputation of Pixar has consistently slipped.

If Disney continues to push Pixar this same direction to remain competitive, fans won’t ever say goodbye to Woody but will to what made the studio special.

‘War of the Wills,’ locally-made a dark comedy now streaming

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It’s become abundantly clear that the differences in people are under a microscope more than ever, and more and more, they lead to rather angry public displays against one another.

Sonoma County-based filmmaker George Dondero has sort of concentrated this notion into War of the Wills, a dark comedy about a fraught relationship between a young man and his distant, absentee father. The film chronicles who can earn each a multimillion-dollar inheritance if they can spend a month together in a house without leaving the space or committing bodily harm to one another. Co-written alongside Donedero’s partner, Bethany Browning, and directed by Dondero, the film was made in Sonoma County for a mere $20,000 and is now available to stream on Amazon Prime.

When asked how the seeds for the story germinated, Healdsburg High grad Dondero says, “A lot of this movie was autobiographical, the idea that we all take on things from our parents. Circular things. And then the question of how to break these cycles.” He also notes inspiration sprang from “an idea about what would it be like if I had to spend a month in a house with just my dad.”

As is often the case with trying to manage a very personal story, the outline and script became a bit lengthy, which was where Browning came in. “Bethany is a professional copywriter, and I’m a much more visual person, so I needed someone to come in and help me round it out, structure-wise,” Dondero says.

War of the Wills is a solid indie film that’s clever in that there’s a built-in clock in terms of the time the men, who genuinely dislike one another, must spend together to gain their inheritance. But as the film goes on, layers are introduced where viewers learn more about father and son, many of which are unexpected.

Dondero says he and his team were initially going to make a much larger movie, both in the story and in the cast, but then the COVID lockdown happened. Still wanting to shoot something, the filmmaker decided a more scaled-down approach with very few actors in fewer locations was the way to go. Luckily, they found a beautiful Victorian home in Petaluma, which serves as the major setting throughout the film and becomes a character in its own right.

In the film, Kot Takahashi plays William Hadeon III, who is a young man riddled with a variety of issues, including anxiety and anger that he blames on never getting to know his father, played by Steven David Martin. Martin also serves as Healdsburg’s Raven Players’ artistic director.

Dondero found his cast locally, having worked with Martin previously. “Steven and I met about 15 years ago on a commercial project and just kind of hit it off. We’ve been talking about making something together since then,” he recalls.

Interestingly, Dondero met Takahashi while shooting a project for Creative Sonoma, where victims of the 2017 Coffey Park Fire spoke about their experiences. “Kot had pulled his family out [of the fires], and when I was interviewing him on camera, I just saw his charisma and strength and the way he held himself,” notes Dondero.

As War of the Wills progresses, the film reveals more about father and son, who have more in common than either would like to believe. The two men are an almost literal yin and yang, with young, toned and dark-skinned Takahashi squaring off mentally and sometimes physically with his older, thinner white father.

When asked about shooting films in Sonoma County, Dondero says he can’t think of a better place. “Aside from a strong urban setting with big buildings and alleyways, Sonoma County has everything you could want,” he says. After leaving the area to earn a film degree with an emphasis in animation from San Francisco State, Dondero recalls, “I left and came back because I recognized what I was missing.”

As ‘War of the Wills’ eases its way onto TV screens locally and abroad, upcoming projects, both cinematic and written, can be followed at Dondero and Browning’s website, SonomaFilmWorks.com.

Psyched: Doc recounts when The Cramps and The Mutants played Napa State

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Forty-five years before Red Hot Chili Peppers headlined BottleRock, Napa hosted a legendary rock concert with a very different flavor.

We Were There to Be There, a new documentary, looks at when punk icons The Cramps and The Mutants played a free concert in June 1978 for psychiatric patients at the Napa State Hospital.

Directors Mike Plante and Jason Willis share archival footage from the show alongside new interviews with band members, promoters and Joe Rees, the videographer who documented the concert. The riveting film raises as many questions as it answers while chronicling how the concert came to be, how it was filmed and who the audience was.

Opening with a look at the political and social climate of the Bay Area in the 1970s, Rees and Target Video collaborator Jill Hoffman-Kowal talk about meeting at California College of the Arts. San Francisco’s punk music scene arose in tandem with its performance art scene. As a student, Rees could borrow state-of-the-art video cameras, which he used to document performances.

“The [National Endowment for the Arts] was giving a lot of grant money to people with good proposals for alternative art spaces,” Hoffman-Kowal said.

For art-punk band The Mutants, this meant playing concerts in popular clubs like The Mabuhay Gardens, but also for deaf children at the Oakland School for the Deaf and at The Temple, a former synagogue next door to Jim Jones’ Peoples Temple.

Punk promoter Howie Klein said he wanted The Mutants to play Napa State Hospital because everyone had a good time at their shows and got on stage with the band to sing and dance. Klein also invited The Cramps, who regularly performed at CBGB and came from New York to play the free concert.

The film never explains who at the hospital greenlit the concert or who allowed it to be filmed, but Alan Gill, a former psychiatric technician for the facility said it was an anomalous show. Rees released his black and white footage of the show as a Target Video VHS called Live at Napa State Mental Hospital, which went a sort of analog version of viral for its day.

“Somebody told me you people are crazy, but I’m not so sure about that,” Cramps vocalist Lux Interior says to the crowd. “You seem to be alright to me.”

Plante remembers buying the tape from a skate shop as a teenager. Growing up, the infamous performance seemed dangerous to him.

When he began interviewing sources for We Were There to Be There, Plante says that what came through was how much love and perceived fellowship the bands felt with the patients in the audience. The footage of the concert is wild and energetic, with band members jumping into the crowd and audience members walking on stage to scream into the mic.

Plante said that one of the people in the film who is often thought to be a patient of the hospital was actually a friend of The Mutants who had just come for the show.

The bands and promoters insist the show was never intended to be ironic. Rees says it was one of the best things he’s ever been a part of, and Sally Webster, then a member of The Mutants, says it was an adventure for everyone. Multiple people called it life-changing.

Gill, who worked with paranoid patients, says the people he brought had a good time.

Less than six months after the concert, San Francisco was rocked by Harvey Milk’s assassination and the Jonestown massacre, which might have happened in the city, had Jones not moved his followers away to evade media investigation. Within a couple years of the concert, Ronald Reagan was elected president.

We Were There to Be There closes with an indictment of Reagan’s impact on mental healthcare in California and the country. At the time of the concert, people could commit themselves to state hospitals. Reagan’s budget cuts as California governor and later as president resulted in program closures that Gill says pushed many psychiatric patients with no safety net onto the street.

‘We Were There to Be There’ can be streamed at fieldofvision.org/shorts/we-were-there-to-be-there.

Your Letters, June 28

Keeping Receipts

Happiness it is not. Walking up to an ATM machine, and seeing that the previous user has left the paper receipt sticking out of the machine, showing an available balance of $74,000. Stop with the “I am so happy for them.”

Neil Davis

Sebastopol

Pence-ive

So far, I love all of the “alt” Republican candidates for president. As a group, they have all the requisite qualifications for high office, except for courage, honesty, integrity, good judgment, belief in democracy and respect for the rule of law, and native intelligence. But, Mike Pence, man, you have to admit, that guy is a hoot.

Craig J. Corsini

San Rafael

Censure-ship

The House and leader Kevin McCarthy have voted to censure Adam Schiff but not George Santos. The cult of personality—Donald Trump—has overtaken responsible government as the rabid far right continues to polarize cult personality over policy, to the extent that one can lie their way into Congress, but following the rule of law is something to be ashamed of.

What will McCarthy and his managers do when the former president is convicted of the more serious charges?

Gary Sciford

Santa Rosa

Real Astrology, June 28

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ARIES (March 21-April 19): Visionary author Peter McWilliams wrote, “One of the most enjoyable aspects of solitude is doing what you want when you want to do it, with the absolute freedom to change what you’re doing at will. Solitude removes all the ‘negotiating’ we need to do when we’re with others.” I’ll add a caveat: Some of us have more to learn about enjoying solitude. We may experience it as a loss or deprivation. But here’s the good news, Aries: In the coming weeks, you will be extra inspired to cultivate the benefits that come from being alone.

TAURUS (April 20-May 20): The 18th-century French engineer Étienne Bottineau invented nauscopy, the art of detecting sailing ships at a great distance, well beyond the horizon. This was before the invention of radar. Bottineau said his skill was not rooted in sorcery or luck, but from his careful study of changes in the atmosphere, wind and sea. Did you guess that Bottineau was a Taurus? Your tribe has a special capacity for arriving at seemingly magical understandings by harnessing your sensitivity to natural signals. Your intuition thrives as you closely observe the practical details of how the world works. This superpower will be at a peak in the coming weeks.

GEMINI (May 21-June 20): According to a Welsh proverb, “Three fears weaken the heart: fear of the truth; fear of the devil; fear of poverty.” I suspect the first of those three is most likely to worm its way into your awareness during the coming weeks. So let’s see what we can do to diminish its power over you. Here’s one possibility: Believe me when I tell you that even if the truth’s arrival is initially disturbing or disruptive, it will ultimately be healing and liberating. It should be welcomed, not feared.

CANCER (June 21-July 22): Hexes nullified! Jinxes abolished! Demons banished! Adversaries outwitted! Liabilities diminished! Bad habits replaced with good habits! These are some of the glorious developments possible for you in the coming months, Cancerian. Am I exaggerating? Maybe a little. But if so, not much. In my vision of your future, you will be the embodiment of a lucky charm and a repository of blessed mojo. You are embarking on a phase when it will make logical sense to be an optimist. Can you sweep all the dross and mess out of your sphere? No, but I bet you can do at least 80%.

LEO (July 23-Aug. 22): In the book, Curious Facts in the History of Insects, Frank Cowan tells a perhaps legendary story about how mayors were selected in the medieval Swedish town of Hurdenburg. The candidates would set their chins on a table with their long beards spread out in front of them. A louse, a tiny parasitic insect, would be put in the middle of the table. Whichever beard the creature crawled to and chose as its new landing spot would reveal the man who would become the town’s new leader. I beg you not to do anything like this, Leo. The decisions you and your allies make should be grounded in good evidence and sound reason, not blind chance. And please avoid parasitical influences completely.

VIRGO (Aug. 23-Sept. 22): I rebel against the gurus and teachers who tell us our stories are delusional indulgences that interfere with our enlightenment. I reject their insistence that our personal tales are distractions from our spiritual work. Virgo author A.S. Byatt speaks for me: “Narration is as much a part of human nature as breath and the circulation of the blood.” I love and honor the stories of my own destiny, and I encourage you to love and honor yours. Having said that, I will let you know that now is an excellent time to jettison the stories that feel demoralizing and draining—even as you celebrate the stories that embody your genuine beauty. For extra credit: Tell the soulful stories of your life to anyone who is receptive.

LIBRA (Sept. 23-Oct. 22): In the Mayan calendar, each of the 20 day names is associated with a natural phenomenon. The day called Kawak is paired with rainstorms. Ik’ is connected with wind and breath. Kab’an is earth, Manik’ is deer and Chikchan is the snake. Now would be a great time for you to engage in an imaginative exercise inspired by the Mayans. Why? Because this is an ideal phase of your cycle to break up your routine, to reinvent the regular rhythm, to introduce innovations in how you experience the flow of the time. Just for fun, why not give each of the next 14 days a playful nickname or descriptor? This Friday could be Crescent Moon, for example. Saturday might be Wonderment, Sunday can be Dazzle Sweet and Monday Good Darkness.

SCORPIO (Oct. 23-Nov. 21): From 998 till 1030, Scorpio-born leader Mahmud Ghaznavi ruled the vast Ghaznavid empire, which stretched from current-day Iran to central Asia and northwestern India. Like so many of history’s strong men, he was obsessed with military conquest. Unlike many others, though, he treasured culture and learning. You’ve heard of poet laureates? He had 400 of them. According to some tales, he rewarded one wordsmith with a mouthful of pearls. In accordance with astrological omens, I encourage you to be more like the Mahmud who loved beauty and art and less like the Mahmud who enjoyed fighting. The coming weeks will be a favorable time to fill your world with grace and elegance and magnificence.

SAGITTARIUS (Nov. 22-Dec. 21): About 1,740 years ago, before she became a Catholic saint, Margaret of Antioch got swallowed whole by Satan, who was disguised as a dragon. Or so the old story goes. But Margaret was undaunted. There in the beast’s innards, Margaret calmly made the sign of the cross over and over with her right hand. Meanwhile, the wooden cross in her left hand magically swelled to an enormous size that ruptured the beast, enabling her to escape. After that, because of her triumph, expectant mothers and women in labor regarded Margaret as their patron saint. Your upcoming test won’t be anywhere near as demanding as hers, Sagittarius, but I bet you will ace it—and ultimately garner sweet rewards.

CAPRICORN (Dec. 22-Jan. 19): Capricorn-born Johannes Kepler (1571–1630) was an astronomer and mathematician who was an instrumental innovator in the Scientific Revolution. Among his many breakthrough accomplishments were his insights about the laws of planetary motion. Books he wrote were crucial forerunners of Isaac Newton’s theories about gravitation. But here’s an unexpected twist: Kepler was also a practicing astrologer who interpreted the charts of many people, including three emperors of the Holy Roman Empire. In the spirit of Kepler’s ability to bridge seemingly opposing perspectives, Capricorn, I invite you to be a paragon of mediation and conciliation in the coming weeks. Always be looking for ways to heal splits and forge connections. Assume you have an extraordinary power to blend elements that no one can else can.

AQUARIUS (Jan. 20-Feb. 18): Dear Restless Runaway: During the next 10 months, life will offer you these invitations: 1. Identify the land that excites you and stabilizes you. 2. Spend lots of relaxing time on that land. 3. Define the exact nature of the niche or situation where your talents and desires will be most gracefully expressed. 4. Take steps to create or gather the family you want. 5. Take steps to create or gather the community you want.

PISCES (Feb. 19-March 20): I’d love you to be a deep-feeling, free-thinker in the coming weeks. I will cheer you on if you nurture your emotional intelligence as you liberate yourself from outmoded beliefs and opinions. Celebrate your precious sensitivity, dear Pisces, even as you use your fine mind to reevaluate your vision of what the future holds. It’s a perfect time to glory in rich sentiments and exult in creative ideas.

Dance ‘Beat’: Transcendence in Kenwood

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Transcendence Theater Company opens their 2023 season with The Beat Goes On. Titled after the 1967 Sonny and Cher song, there are no surprises in this musical revue of the ’60s, ’70s and ’80s, especially for those familiar with Transcendence’s style. Conceived and directed by Susan Draus, the show runs in Kenwood through July 2.

Essentially a baby boomer sing-a-long, it’s hard not to like the well-orchestrated, high-energy covers of some well-known songs. The cast features a diverse group of multi-talented performers who are obviously having fun. Based on their interactions with fans, they seem to be genuinely gracious people as well.

While there are few familiar Transcendence faces—most notably long-time company member David R. Gordon, serving as the charismatic clipboard-toting host—most of the cast is making their debut or only second appearance with the company. The fresh blood has injected the show with the vitality needed to make it engaging to a broad audience.

There are great singers and dancers on stage. Aaron LaVigne’s vocals make for a breathtaking second act. Courtney Kristen Liu and Cory Lingner are highly trained, mesmerizing dancers. Ariel Neydavoud is a natural clown, and Erin Maya’s experience as the lead singer for a rock band is instantly evident. However, it is not the show that makes this worth the ticket price; it’s the setting.

Transcendence has long tied its company identity to the Jack London State Historic Park. Due to various challenges, it was discovered that the park would not be available in time for The Beat Goes On. This development left Transcendence scrambling to find a venue.

Enter Belos Cavalos and its founder/director Dr. Charlyn Belluzzo. Belos Cavalos is a non-profit that uses equine therapy to help process trauma and healing. They do extensive work with children but offer adult group building and private wellness programs as well.

With the help of Belluzzo and multiple Rotary Clubs in the Sonoma Valley, an outdoor venue was installed that surpasses the state park’s natural beauty. The space allows for more food trucks, substantial parking and easier access without the stigma of London’s increasingly troublesome legacy. A portion of each ticket is being donated back to Belos Cavalos to support their healing programs for kids and adults.

So grab a warm coat and come out to enjoy great food, wine and a fun uplifting trip down memory lane, knowing that kids and the performing arts are being helped.

Transcendence Theatre Company’s ‘The Beat Goes On’ runs Fri-Sun through July 2 at Belos Cavalos Ranch. 687 Campagna La., Kenwood. Ranch opens at 5pm, show starts at 7:30pm. $35–$170. 877.424.1414. bestnightever.org.

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ARIES (March 21-April 19): Visionary author Peter McWilliams wrote, "One of the most enjoyable aspects of solitude is doing what you want when you want to do it, with the absolute freedom to change what you're doing at will. Solitude removes all the ‘negotiating’ we need to do when we're with others." I’ll add a caveat: Some of us...

Dance ‘Beat’: Transcendence in Kenwood

Transcendence Theater Company opens their 2023 season with The Beat Goes On. Titled after the 1967 Sonny and Cher song, there are no surprises in this musical revue of the ’60s, ’70s and ’80s, especially for those familiar with Transcendence’s style. Conceived and directed by Susan Draus, the show runs in Kenwood through July 2. Essentially a baby boomer sing-a-long,...
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