Borrow Art, Authors Fest, and Shemekia Copeland

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Marin County

On the Wall

Has that “Chat Noir” print got you down? Kinda done with that Sutro Baths poster everyone seems to have? The Marin County Free Library is here to help. They’ll loan out some art, just like a book. County officials announced last week that library card holders can use its new On the Wall program to borrow art by a Marin artist. The South Novato, Point Reyes Station, Inverness, Corte Madera and Marin City branches will each have six pieces of art to loan, which can be borrowed for your walls. Each branch invites the public to celebrate the program and meet the artists. The first events were held recently at the Point Reyes and Marin City libraries, followed by ones from noon to 1pm, April 13, at the South Novato Library (with art-making for children next door in The Shop from 1 to 3pm); from 6 to 7:30pm, April 17, at the Corte Madera Library; and from 11am to 1pm, April 27, at the Inverness Library. For library locations, visit marinlibrary.org.

Sonoma Valley

Author! Author!

The annual Sonoma Valley Authors Festival returns to Sonoma for its seventh consecutive year, redefining what it means to “get lit” in wine country. Hosted at the Fairmont Sonoma Mission Inn & Spa, this three-day event is an immersive experience into the world of books and ideas from April 26 to April 28. Featuring a diverse lineup of accomplished authors and speakers, the fest includes Pulitzer Prize-winning biographer Doris Kearns Goodwin, known for her insightful historical narratives; David Grann, a New Yorker staff writer with bestselling titles like Killers of the Flower Moon; and Amy Tan, whose novels such as The Joy Luck Club have touched millions. The event will also spotlight rising literary star Anita Gail Jones, alongside acclaimed journalist Hampton Sides, celebrated Irish author Colm Tóibín and former NATO supreme allied commander in Europe, Adm. James Stavridis, among others. For information and tickets, visit svauthorsfest.org.

Rohnert Park & Sebastopol

Give Blood

During National Donate Life Month this April, Vitalant, a nonprofit blood service provider, is calling on locals for blood donations. Maintaining a robust blood supply is essential, and donors of all blood types are urged to step forward, especially those with type O, the most frequently transfused blood type. Residents of Sebastopol and Rohnert Park have a unique opportunity to make a difference at local blood drives. Sebastopol’s event is scheduled from 1 to 5pm, Tuesday, April 16 at the Sebastopol Fire Department, 7425 Bodega Ave. In Rohnert Park, donors are welcome from 11am to 2:30pm, Friday, April 26 at Reed Between the Lines, located at 5800 Redwood Dr. Eligible donors are encouraged to learn more and schedule an appointment by visiting vitalant.org or calling 877.258.4825. A donation can save lives.

Napa

Shemekia Copeland

Music venue Blue Note Napa hosts the indomitable Shemekia Copeland for two sets on Friday, April 19. The evening promises a journey through blues, soul and Americana as Copeland takes the stage at 6:30 and 9pm. “Shemekia Copeland provides a soundtrack for contemporary America…powerful, ferocious, clear-eyed and hopeful,” writes Living Blues magazine. Likewise, The Chicago Tribune’s jazz critic Howard Reich observed, “Shemekia Copeland is the greatest female blues vocalist working today. She pushes the genre forward, confronting racism, hate, xenophobia and other perils of our time… There’s no mistaking the majesty of Copeland’s instrument nor the ferocity of her delivery. Copeland reaffirms the relevance of the blues.” Tickets for this all-ages show range from $35 to $65 and are available online at bit.ly/copeland-napa. Blue Note Napa is located at 1030 Main St.

Film Review: ‘Kim’s Video’

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The late, lamented video store culture and its fanatics always make good copy for whimsical news coverage. Even the most hidebound, no-nonsense media outlet seemingly harbors a contributor who once upon a time toiled—like Quentin Tarantino—in a grubby urban hole-in-the-wall stuffed to the rafters with the most arcane film offerings in existence, usually in outmoded home-video formats.

One such temple of obscure thrills was Kim’s Video, a New York City mini-chain of shops that grew out of proprietor Yongman Kim’s obsession with classic motion pictures. In Kim’s case, “classic” didn’t connote only such film-school stalwarts as Chaplin, Eisenstein, Kurosawa, Renoir, Hitchcock, Ford and their ilk. The Korean immigrant businessman’s interest in marketing cinematic art, which grew out of the small display spaces he set up in some of his dry-cleaning establishments, took in a ridiculously wide range of onscreen entertainment.

The satisfyingly “termitic”—as defined by critical avatar Manny Farber—documentary Kim’s Video points out that Yongman Kim’s seven metropolitan video rental locations specialized in the most outré titles, the sort of ephemera that inspired former Kim’s customer David Redmon and his collaborator Ashley Sabin to make this doc in the first place.

Kim’s stores were a hipster fixture in Manhattan’s East Village. Beginning at the height of Lower East Side chic in the 1980s, Kim’s Video & Music stocked some 55,000 film titles on VHS, everything from Poltergeist to Robert Downey Sr.’s Chafed Elbows to muckraking feminist Lizzie Borden’s art-house agitprop fantasy Born in Flames. Film-nerd customers flocked in from around the world. The Coen Brothers, Joel and Ethan, were evidently such regulars that when the store finally closed in 2014, they owed hundreds of dollars in late fees.

In his zeal to round up esoteric videos, Kim supposedly dealt in bootlegs as well as hard-to-find foreign releases. Police reportedly investigated those bootlegs, but the rise of the internet and streaming video turned out to be the final insults to the “physical media” business model. In the late 1980s customers began moving online. Kim faced a challenge: how to establish his collection as a permanent archive and gathering place for Kim’s Video subscribers. Redmon and Sabin’s doc discloses that New York University was discussed as a potential home for the horde of tapes. 

However, in 2008 Kim bypassed that plan to make a deal instead with a shadowy group of local officials in the far-off town of Salemi, Sicily. In addition to storage space, arrangements supposedly included screening rooms and digitization of the entire archive, plus such hard-to-believe accoutrements as hotel rooms for visiting film fans. All Kim and his staff had to do was box up the huge stash of vids, ship it to Salemi, and the Italians would do the rest. Yeah, right. Kim and his group should have gone with NYU.

At this point the documentary enters its fuzzy middle third, with numerous comings and goings of bigwigs from Milan and Rome, trailed by Redmon and his camera. The filmmakers, at the behest of former Alamo Drafthouse honcho and erstwhile Kim’s customer Tim League—Drafthouse Films is the doc’s releaser—visit Salemi to see for themselves, and meet a colorful cast of characters reminiscent of the con men in John Huston’s Beat the Devil.

Many of the reference points in the doc are illustrated by vintage film clips. A large chunk of time is taken up with scenes from old movies, perhaps to distract from the lack of deeper investigative reporting. Curious audiences will probably come away with more questions than answers about the Kim collection’s 12-year stay in Sicily—which ended with the store’s reopening in 2022, back in the East Village, with “rescued” vids. The store is now closed. 

Redmon and Sabin’s doc claims the story of the Kim’s Video diaspora is an “overlap of art, crime and cinema.” It lives up to that description, in an amiably sloppy way. 

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In theaters

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Free Will Astrology: Week of April 10

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ARIES (March 21-April 19): Now is a favorable time to make initial inquiries, ask for free samples and enjoy window shopping. But it’s not an opportune time to seal final decisions or sign binding contracts. Have fun haggling and exploring, even as you avoid making permanent promises. Follow the inklings of your heart more than the speculations of your head, but refrain from pledging your heart until lots of evidence is available. You are in a prime position to attract and consider an array of possibilities, and for best results you should remain noncommittal for the foreseeable future.

TAURUS (April 20-May 20): Author Betty Bender said, “Anything I’ve ever done that ultimately was worthwhile initially scared me to death.” Painter Georgia O’Keeffe confessed she always harbored chronic anxiety—yet that never stopped her from doing what she loved. Philosopher Ralph Waldo Emerson said, “Anyone who is not every day conquering some fear has not learned the secret of life.” I hope these testimonials inspire you to bolster your grit, Taurus. In the coming days, you may not have any more or less fear than usual. But you will be able to summon extra courage and willpower as you render the fear at least semi-irrelevant.

GEMINI (May 21-June 20): Richard the Lionheart (1157–1199) was a medieval king of England. How did he get his nickname? Scholars say it was because of his skill as a military leader. But legend tells an additional story. As a young man, Richard was imprisoned by an enemy who arranged for a hungry lion to be brought into his cell. As the beast opened its maw to maul the future king, Richard thrust his arm down its throat and tore out its heart, killing it. What does this tale have to do with you, Gemini? I predict you will soon encounter a test that’s less extreme than Richard’s but equally solvable by bursts of creative ingenuity. Though there will be no physical danger, you will be wise to call on similar boldness. Drawing on the element of surprise may also serve you well.

CANCER (June 21-July 22): Will the adventures heading your way be unusual, amusing and even unprecedented? I bet they will have at least some of those elements. You could encounter plot twists you’ve never witnessed or imagined. You may be inspired to dream up creative adjustments unlike any you’ve tried. These would be very positive developments. They suggest you’re becoming more comfortable with expressing your authentic self and less susceptible to the influence of people’s expectations. Every one of us is a unique genius in some ways, and you’re getting closer to inhabiting the fullness of yours.

LEO (July 23-Aug. 22): At least for now, help may not be available from the usual sources. Is the doctor sick? Does mommy need mothering? Is the therapist feeling depressed? My advice is to not worry about the deficiencies, but rather shift your attention to skillful surrogates and substitutes. They may give you what you need—and even more. I’m reminded of The Crystal Cave, a novel about the Arthurian legend. The king, Ambrosius Aurelianus, advises the magician Merlin, “Take power where it is offered.” In other words: not where you think or wish power would be, but from sources that are unexpected or outside your customary parameters.

VIRGO (Aug. 23-Sept. 22): The rest of the story is not yet ready to emerge, but it will be soon. Be patient just a while longer. When full disclosure arrives, you will no longer have to guess about hidden agendas and simmering subtexts. Adventures in the underworld will move above ground. Missing links will finally appear, and perplexing ambiguities will be clarified. Here’s how you can expedite these developments: Make sure you are thoroughly receptive to knowing the rest of the story. Assert your strong desire to dissolve ignorance.

LIBRA (Sept. 23-Oct. 22): In the coming weeks, you can ask for and receive more blessings than usual. So please be aggressive and imaginative about asking! Here are suggestions about what gifts to seek out: 1. vigorous support as you transform two oppositional forces into complementary influences; 2. extra money, time and spaciousness as you convert a drawback into an asset; 3. kindness and understanding as you ripen an unripe aspect of yourself; 4. inspiration and advice as you make new connections that will serve your future goals.

SCORPIO (Oct. 23-Nov. 21): Read the two help-wanted ads below. Meditate on which appeals to you more, and treat this choice as a metaphor for a personal decision you face. 1. “Pedestrian, predictable organization seeks humdrum people with low-grade ambitions for tasks that perform marginally useful services. Interested in exploring mild passions and learning more about the art of spiritual bypassing?” 2. “Our high-octane conclave values the arts of playing while you work and working while you play. Are you ready and able to provide your creative input? Are you interested in exploring the privilege and responsibility of forever reinventing yourself? We love restless seekers who are never bored.”

SAGITTARIUS (Nov. 22-Dec. 21): What is a gourmet bargain? What is a discount marvel? How about an inspiring breakthrough that incurs no debt? Themes like those are weaving their way into your destiny. So be alert for the likelihood that cheap thrills will be superior to the expensive kind. Search for elegance and beauty in earthy locations that aren’t sleek and polished. Be receptive to the possibility that splendor and awe may be available to you at a low cost. Now may be one of those rare times when imperfect things are more sublime than the so-called perfect stuff.

CAPRICORN (Dec. 22-Jan. 19): “There is always one moment in childhood when the door opens and lets the future in,” wrote novelist Graham Greene. For me, it was three days near the end of third grade when I wrote a fairy tale about the unruly adventures of a fictional kid named Polly. Her wildness was infused with kindness. Her rebellions were assertive but friendly. For the first time, as I told Polly’s story, I realized I wanted to be an unconventional writer when I grew up. What about you, Capricorn? When you were young, was there a comparable opening to your future? If so, now is a good phase to revisit it, commune with your memories of it, and invite it to inspire the next stage of its evolution in you.

AQUARIUS (Jan. 20-Feb. 18): Even when you are your regular, ordinary self, you have a knack and fondness for irregularity and originality. And these days, your affinity for what’s unprecedented and uncommon is even higher than usual. I am happy about that. I am cheering you on. So please enjoy yourself profoundly as you experiment with nonstandard approaches. Be as idiosyncratic as you dare! Even downright weird! But also try to avoid direct conflicts with the Guardians of How Things Have Always Been Done. Don’t allow Change Haters to interfere with your fun or obstruct the enhancements you want to instigate. Be a slippery innovator. Be an irrepressible instigator.

PISCES (Feb. 19-March 20): Below are truths I hope you will ripen and deepen in the coming months. 1. Negative feelings are not necessarily truer and more profound than positive ones. 2. Cynical opinions are not automatically more intelligent or well-founded than optimistic opinions. 3. Criticizing and berating yourself is not a more robust sign of self-awareness than praising and appreciating yourself. 4. Any paranoia you feel may be a stunted emotion resulting from psychic skills you have neglected to develop. 5. Agitation and anxiety can almost always be converted into creative energy.

Homework: What’s your best method for dissolving bad habits? Tell me so I can benefit from your wisdom! Newsletter.FreeWillAstrology.com

Uli Jon Roth at Vintage Space

Ex-Scorpions guitarist in SoCo April 7

69-year-old Uli Jon Roth may have only played guitar with Scorpions for only four years, but his songs have aged considerably well.

Longtime fans still consider his work on “Fly To The Rainbow,” “Taken By Force,” “In Trance,” and “Virgin Killer’” some of the band’s finest moments.

And while “Tokyo Tapes” — arguably the best live hard rock album ever – would signal Roth’s inevitable exit, it was songs like ‘Sails Of Charon,” “We’ll Burn The Sky,” “All Night Long,” and “Dark Lady” (to name just a few) that would make his catalog a cult favorite many decades later.

For the uninitiated, Uli formed his own Electric Sun project which would eventually issue three fantastic records: ‘Earthquake’ (1979) steeped in the tradition of the late Jimi Hendrix, ‘Fire Wind’ (1981), and ‘Beyond the Astral Skies’ (1985) dedicated to the late Martin Luther King Jr..

It wasn’t long until Roth found a new calling which found the guitarist composing four symphonies and two concertos with a smattering of live performances with / for symphony orchestras throughout greater Europe. Consequently, Uli adopted the moniker Uli Jon Roth for every release thereafter.

Dubbed the ‘Interstellar Sky Guitar’ North American 2024 tour, Uli and his six-piece band kicks off their run on April 2nd in Mesa, Arizona and follows with a a whopping seven California shows while inevitably ending on May 18th in Houston, Texas.

UJR’s three-hour multi-media show will be split into two parts with an intermission featuring new and old pieces, excerpts from Vivaldi’s Four Seasons, and Uli’s Metamorphosis Concerto. He will also be speaking about his new (er) book, ‘In Search of the Alpha Law.’ The second half of the show will see Roth revisiting his own Electric Sun records, also recently released on vinyl, along with his highly influential Scorpions fare.

Said Uli about his mission statement for his upcoming tour, “We are only temporary thoughts in the Mind of the Universe. If we want to survive and evolve as a species, we need to become better human beings first and strive towards World Peace with all our hearts. We can only do this together.”

We caught up with promoter Christine Lommori aka Lommori Productions who already has a rich history promoting Uli Jon Roth’s area concerts.

Bohemian: When did you initially start promoting concerts?

Lommori: I started some 30 years ago at a small club called Hobie’s in Concord. I loved music and was a fan that eventually turned my obsession into a business.

Bohemian: How many times have you presented Uli?

Lommori: I’ve done about 16 UJR shows throughout the years.

Bohemian: What does his music mean for you?

Lommori: I am a huge Scorpions fan and also love Uli’s beautiful guitar work. He is quite a magical person and a really nice guy.

Bohemian: Will Lommori Productions be doing more concerts in Sonoma County?

Lommori: Definitely. The North Bay is special to me as I lived in Sonoma and went Sonoma High School.

Bohemian: Why the Flamingo Resort?

Lommori: I have a working relationship with Vintage Space and the new owners who did the remodel. It’s a beautiful resort and has that retro vibe I love.

Bohemian: Are these the same shows you booked originally in 2020 before Covid?

Lommori: No. These are shows are a re-booking from a few months ago when Uli had to postpone for personal reasons.

Bohemian: Will we be seeing more from Lommori Productions in 2024?

Lommori: Yes. This year will be quite busy and many more shows are in the works.

Lommori Productions presents an evening with Uli Jon Roth at Vintage Space inside the Flamingo Resort located at 2777 4th Street in Santa Rosa. Tickets are $25 advance and $30 day of show and can be purchased at https://www.eventbrite.com/e/uli-jon-roth-tickets-599708332767. Doors open at 7pm and the show kicks off at 8pm. 21 and over patrons only.

‘Last Quiz Night’ at Left Edge

If an asteroid were headed straight for Earth and the total destruction of the planet imminent, would you:

a. Head for home and the family

b. Head for a place of worship and prayer

c. Head for a bar and a trivia contest

If you answered “c,” then Santa Rosa’s Left Edge Theatre has a show for you. Alison Carr’s The Last Quiz Night on Earth runs at The California through April 13.

The bar area of the California has been transformed into The Four Horsemen pub, where proprietor Kathy (Serena Elize Flores) has decided the best way to face the impending apocalypse is to just keep on keeping on, which means Quiz Night at the pub will go on. Genial host Rav (Danny Bañales) has five rounds of trivia ready to go, and the bartender is ready to serve you the drink of your choice (at regular prices, just in case the asteroid doesn’t hit).

Audience members are encouraged to form teams and compete. Questions are along the lines of “What is the coldest planet in our solar system?”, “Globophobia is the fear of what?” and “What actress has received the most Oscar nominations but zero wins?”

Amongst the five rounds of trivia, two other visitors arrive at the bar. Bobby (Mike Schaeffer) appears to have a strained relationship with Kathy. Fran (Nora Summers) seems to want to have a relationship with Rav. These personal dramas play out as the audience plays trivia.

Will the interpersonal conflicts be resolved? Will the Earth be pulverized?

SPOILER ALERT: Yes and yes.

Directors Jenny Hollingworth and Argo Thompson bring a uniquely immersive/interactive experience to the North Bay that works better from the trivia perspective than it does as theater. Anyone who’s ever gone to a trivia night knows how engaged the teams can be. A good deal of the first act’s drama gets lost amongst the chatter.

“Drama” per se is pretty perfunctory, but the actors handle it well and get more of an opportunity to shine in the second act simply because there’s less trivia to steal focus.

The bar stays open after the performance concludes, and audiences can stay for karaoke after the Friday night shows. The show is scheduled to continue on as a monthly event as long as audiences continue to show up.

The Last Quiz Night on Earth is a pleasant little theatrical diversion.

Oh. Neptune, balloons and Glenn Close. Don’t worry. The questions change weekly.

Left Edge Theatre’s ‘The Last Quiz Night on Earth’ runs through April 13 at The California Theatre, 528 7th St., Santa Rosa. Thu–Fri, 7:30pm; Sat., 1pm. $20–$29. 707.664.7529. leftedgetheatre.com.

National Libary Week Coming Up

Come celebrate National Library Week at Sonoma County Library from April 7-13. The theme this year is “Ready, Set, Library!”

National Library Week honors the invaluable contributions of libraries and library workers in communities across the nation and serves as a reminder of the essential role libraries play in fostering literacy, promoting lifelong learning and serving as centers for knowledge dissemination and cultural enrichment.

One of the core themes of National Library Week is inclusivity. Libraries serve as democratic institutions that welcome people from all ways of life, regardless of age, background or socioeconomic status. They provide a safe and welcoming environment where anyone can access information, pursue their passions and be inspired.

Sonoma County Library is committed to the idea that libraries are for everyone. We demonstrate this in the robust array of program offerings that we provide every week, as well as our diverse physical and digital collections.

National Library Week reminds us that libraries are at the forefront of efforts to promote literacy and reading; we serve as hubs for books, magazines, newspapers and digital resources.

Also, National Library Week celebrates the vital role of library staff as information specialists and community leaders. Librarians are passionate advocates for intellectual freedom and access to information, helping the public navigate a sea of resources. They curate collections, provide research assistance and teach information literacy skills that are essential in today’s digital age. National Library Week is an opportunity to recognize and appreciate the dedication and expertise of library workers who serve their communities.

Furthermore, National Library Week is a time to celebrate the enduring importance of libraries as vibrant community hubs that foster literacy, promote inclusivity and empower people to pursue their educational and intellectual goals.

Get ready to explore, be inspired and connect during National Library Week. We’d love to hear from you—tell us your favorite thing about the library or about a positive experience you’ve had recently, by emailing ne**@***********ry.org. We hope to see you at your local library!

Erika Thibault is the Sonoma County Library director.

Raises Arrive for Some Fast Food Workers

Say someone works at a fast food restaurant or coffee shop that bears the name of a national chain. Under California law, they’re entitled to be paid at least $20 an hour starting this week.

And say someone works at one of those stores inside a grocery store. The grocery store, their employer, is exempt under the law. They’ll keep getting their current wages.

But say someone assembles burgers, scoops ice cream or prepares Frappuccinos at one of those stores, and it’s inside another store, but the bigger store isn’t a “grocery” because less than half of its revenues are made off groceries. What then?

According to the state of California, the store should be paying them at least $20 an hour, but

only for the hours they work in the fast food portion of the store. If they spend part of their shift checking out customers or stocking the shelves in the rest of the store, they’re only entitled to the regular minimum wage of $16 for those hours.

That’s according to an 18-item FAQ the Department of Industrial Relations published in March as California businesses prepared for the fast food minimum wage to kick in this week.

It’s not the only situation that is confusing employers and workers alike.

To raise wages for fast food workers, the Service Employees International Union struck a deal last year with the International Franchise Association and California Restaurant Association that included owners of fast food chain locations but exempted those who operate independent restaurants.

The law covers all fast food restaurants that belong to chains with 60 or more locations nationally, roping in the unions’ targets: McDonald’s or Burger King and their franchise owners. More than 500,000 Californians—primarily women, immigrants and people of color—work in what’s known in the industry as “limited service restaurants.” Earlier this year, SEIU estimated the law will apply to roughly 3,000 employees.

“The vast majority of fast-food locations in California operate under the most profitable brands in the world,” Joseph Bryant, SEIU’s executive vice president and a member of a new statewide fast food regulatory council, said in a statement last week. “Those corporations need to pay their fair share and provide their operators with the resources they need to pay their workers a living wage without cutting jobs or passing the cost to consumers.”

But outside those national chains are numerous other food sellers and business arrangements, not all of which are directly addressed in the new law. Grocery stores and some bakeries are exempt, and last week, Gov. Gavin Newsom signed into law a carve-out for fast food places at airports, convention centers and hotels.

According to emails obtained in response to a public records request, a range of employers have been trying to figure out if they must pay $20 ever since the law was signed late last September.

In October, the Department of Industrial Relations received two inquiries from franchise owners asking whether they must comply with the law. One employer owned an Auntie Anne’s and a Cinnabon and believed selling pretzels and cinnamon rolls qualified them for the controversial bakery exemption. The other owned an ice cream parlor.

“This clarification is imperative as to whether or not we will be financially able to open more locations at the proposed wage increase to $20 an hour,” the ice cream store owner wrote.

Both were forwarded to the department with a request for legal guidance by a staffer for Assemblymember Chris Holden, the law’s author.

In recent weeks, Holden has been unable to answer reporters’ questions about why certain exemptions—such a carveout for some bakeries—were included in the law. The department redacted responses to those emails under a public records exemption for attorney-client communications.

The ice cream store owner, Gabriela Campbell, was featured last week in a KCRA report detailing how she contacted multiple state offices and still isn’t sure if the law applies to her.

By December, employers were lawyering up. Attorneys for the Honey Baked Ham chain asked whether it would qualify. They described the stores as “retail meat stores” where customers primarily buy cooked hams and other “bulk proteins” and sides to eat at home, but acknowledged they also sell sandwiches that customers can eat at the restaurants or take to-go.

Attorneys also sought clarification over whether their clients would have to pay $20 if they own a chain of Papa Murphy’s “take and bake” pizza shops.

In late December, attorneys for an unnamed retail chain asked the department whether they would have to pay $20 in the fast food restaurants or cafes that are inside some of its stores. The attorneys noted the company’s stores sometimes sell groceries, but not primarily, and employees who work the fast food counters are often also assigned to other parts of the store.

Department attorney Ehud Appel said it did not respond to individual inquiries, instead answering to the companies with the FAQ this month.

In the FAQ, the state said: Businesses are not exempt for selling ice cream, even though a national industry classification system excludes some ice cream shops from the definition of fast food, or “limited service” restaurants. To count as a bakery, the state said, the bread sold must weigh at least half a pound. And workers at a “store within a store” must be paid $20 for the hours they work in the restaurant portions of the stores.

The answers apparently created new questions. The FAQ stated fast food managers can only be exempt from California’s overtime pay laws if they make more than twice the minimum wage—a threshold that is now higher for fast food employees. But attorneys for the retailer wrote in another letter to the department in mid-March that the stores’ managers only manage the fast food counters part time.

It’s unclear how the state will handle the confusion going forward. Its FAQ directs workers who believe they’re wrongly being denied $20 an hour to file a wage theft claim with the Labor Commissioner’s Office—a process that is so backlogged amid a staffing crisis for the office that complaints can take years to resolve. The department did not immediately respond last week when asked for further clarification.

The new fast food council may also take up the concerns, or they could end up in the courts to decide.

Forbidden Fantasies: Author Scarlett West

I had a question for local paranormal romance author, Scarlett West—a question about monsters. Not, why we want to fight monsters—that’s natural enough, but why we want to uhh… you know, with monsters.

It’s a question with relevance for our dating lives, and for the toxic attraction our society has to dominance and power. West is the author of multiple romance series that star sexy wolfmen, sexy fae and sexier vampires. Despite being fantasy, her books are getting at something very grounded and very real.

CH: Scarlett. Why do we want to, uhh… date monsters?

SW: It’s a very layered question.

CH: Like a delectable cake!

SW: Definitely like a cake! We humans have a part of our psyche that is fascinated with “the forbidden.” Things for which old taboos were put into place to “protect us.” We fear the forbidden, but still there is the desire to transgress. Combine that with the dominance and power that monsters have over us, and you have something that we can’t help being attracted to. It’s very human. Beginning with Dracula, 19th century Victorian literature began to reflect that tension with humanized portrayals of traditional monsters that were charismatic and sexually dominant.

CH: I’m getting a bit heated here! Bram Stoker’s Dracula seems to have set a template for paranormal romance then?

SW: Yes! Another element laid down there was the universal fantasy of being whisked out of a ho-hum life. The young woman in Dracula did have money, so it wasn’t quite a Cinderella story, but she was suddenly taken out of her ordinary repressed life by the arrival of this supernatural being.

CH: The dark stranger. A PG version of that would be what happened in Harry Potter. A sad and drab, abused little boy received a magical letter informing him he is actually a rich, wizard-saver and set free.

SW: It’s a master trope of fantasies. We are no longer Victorian, but we are still largely puritanical, and much of our sexual fantasy remains forbidden. Books are a safe place for people to explore sexuality and dark fantasies. Although it’s imaginative, the catharsis people feel while reading is very real. It’s healing and whole making. It’s also sexy and fun!

Continue the conversation with us—this interview is taken from a longer audio interview available at ‘Sonoma County : A Community Portrait’ on Apple, Google and Spotify podcasts. linktr.ee/cincinnatushibbard.

State of North Bay Literary Arts

The existential threats to what writer Terry Southern called “the quality lit game” are real but ephemeral.

Epochal shifts in media monetization, algorithmic mishegoss and the alleged death (and apparent rebirth of print) all portended the death of Writing as we knew it, yet it persists.

From primordial narratives grunted around campfires to the proliferation of Substack newsletters proving that email (also once thought dead) is still a viable medium, storytelling will never die. The current literary boogeyman, generative artificial intelligence, will prove no more a threat to creative writing than the printing press was to the oral tradition. Different styles, different tools, different times. There will always be a place for 100% organic, human storytelling—and one of those places is the North Bay.

To wit, what follows is an informal, idiosyncratic survey of literary happenings that reached my fine-tuned cultural antennae (by which I mean my inbox). Each suggests, in its way, that the making of literature is alive and well in Sonoma and Napa counties—at least for the coming weeks.

Accordingly, this is not your typical “round-up” article that dutifully lists a bunch of shit happening in the scene. Rather, it’s a mosaic of moments that prove to me at least that the Quality Lit Game is still on.

For example, Riley O’Hara, a Sonoma Valley High School sophomore, is this year’s California Poetry Out Loud statewide champion. The annual competition, which encourages youth to learn about poetry through memorization and performance, was held March 17 and 18 in Sacramento, where the 16-year-old O’Hara took first place. He competed against high school students representing 51 California counties at the event.

Next, he’s onto representing the state of California (let alone Sonoma County and the future of poetry recitation itself) at the Poetry Out Loud National Recitation Contest beginning April 29 in Washington, D.C.

On the docket? O’Hara performed three poems at the California statewide finals: “Sonnet #29” by William Shakespeare, “1969” by Alex Dimitrov and “We Are Not Responsible” by Harryette Mullen.

“I have always had a strong passion for creating things, especially things that can make others happy,” says O’Hara. “Poetry Out Loud has shown me that I’m able to go places I didn’t think I could, like how I did not expect to make it this far in the competition.”

As poet T. S. Eliot famously wrote in The Wasteland, “April is the cruelest month.” It’s also National Poetry Month. I’m not sure how that squares, but I do know that since the Academy of American Poets launched the annual celebration back in 1996, National Poetry Month has inspired tens of millions of readers, students, K–12 teachers, librarians, booksellers, literary event planners, curators and publishers to participate in 30 consecutive days of poetry.

To that end, Sebastopol’s North Bay Letterpress Arts (NBLA) is stepping up to the mic and hosting a reading featuring the laudable Laura Moriarty, Elizabeth Herron and youth poet Athena Ryan as part of its inaugural reading in a series highlighting literary and print arts.

San Francisco State University alumni like me might recognize Moriarty as the former director of the American Poetry Archives at the Poetry Center at SFSU. Likewise, locals will recognize Herron as the current poet laureate of Sonoma County. All this is to say that emerging voice Ryan is in good company.

The reading commences at 5pm, Sunday, April 7, at NBLA, 925-d Gravenstein Highway South, Sebastopol. The event is free to the public, though reservations are encouraged at bit.ly/nbla-poetry.

Meanwhile, in Petaluma, writer Matt Reischling is teeing up his latest offering, Transmissions From a Restless Soul: More Essays on Life. The Bohemian asked him: What compels you to commit and share your thoughts as an essayist and writer?

“I love the question. My first answer is, I don’t know, as in, there’s never been a master plan to present myself as an essayist. However, over the years, I’ve discovered that it’s a style of writing I find challenging and ultimately, liberating. Now, almost anyone can write an essay (remember junior high?), but the real art of it is finding the thread or arc and finishing somewhere with a new level of understanding about yourself and the world. And it should carry some emotional weight, even if it’s lighthearted in nature. Otherwise, what’s the point?” says Reischling.

He adds, “For me, it’s all in the rewriting. I don’t even start until I know there’s a precious metal in there somewhere, and then I grab my pickaxe and dig, like Daniel Day-Lewis at the start of There Will Be Blood. It’s a deeply frustrating process, but once you uncover (or discover, really) what you were trying to say in the first place, the sky clears up, and you finally feel the sun on your face.”

Another motivating factor, says Reischling, is proving to himself that his first essay collection, Almost Weightless: Essays on the Journey to Myself, wasn’t a fluke.

“I was also deeply moved by the emotional reactions some people were sharing with me about it, as some approached me, often quietly and privately, and cited specific scenes or passages that affected them,” recalls Reischling. “From that point on, I was hooked and immediately started the first essay of the new book, which (as mentioned) completely changed shape over time until it revealed what it wanted to be. Then, I started the next essay. Rinse, repeat.”

Transmissions From a Restless Soul will be released in mid-April and will be available wherever quality books are sold. Next up, Reischling will be shifting to fiction and revisiting a film project.

I trust you’re familiar with the concept of a pub crawl. To the uninitiated, it’s a Grand Tour of pubs, imbibing one or more drinks at each, eventually leading to questionable ambulatory skills. A “lit crawl” is the same thing, but with literature either substituting or supplementing the booze.

I’m unclear on Lit Crawl Sebastopol’s official position on this point, but its website touts four hours of “literary mayhem,” which sounds promising. Ditto the fact that over 119 authors from around the Bay Area will be featured, drawing hundreds of readers and revelers who will take over downtown Sebastopol as they listen to readings celebrating Sonoma County’s “spirited and diverse literary community.” The free-for-all is free to all, from 2 to 6pm, on Saturday, April 13. You may recognize some names on the bill. The schedule and locations can be found at sebarts.org/litcrawl.

And if literary mayhem is your jam, consider the unique blend of spoken word, humor, hip-hop, theater and storytelling proffered by traveling performers Scott Raven, Mikumari Caiyhe and Mason Granger. The trio operates under the collective moniker of… Mayhem Poets.

bit.ly/mayhem-poets-yountville. ’Nuff said.

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