Mother’s Day and the Myth of the Perfect Mom

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Mother’s Day began with more ambition than a mere brunch reservation. 

According to the Smithsonian American Women’s History Museum, the holiday’s roots include Julia Ward Howe, who in 1870 proposed a Mother’s Day for Peace—an international gathering of women to oppose war after the carnage of the Civil War and the Franco-Prussian conflict. 

Later, Anna Jarvis championed the version now familiar to greeting-card aisles and prix fixe menus, only to later despise what it became: the commercialization of maternal devotion.

Which raises an uncomfortable modern question: If the holiday once asked society to honor mothers, why does contemporary motherhood often feel like an impossible performance review?

Dr. Angele Close, a clinical psychologist who works with mothers navigating stress, trauma and identity strain, says the demands of motherhood have not merely increased—they’ve migrated inward.

“From a psychological perspective, the role of motherhood hasn’t just expanded—it’s become internalized,” Close said. “Today’s mothers are expected to not only do more but to be more: more present, more patient, more attuned, more self-aware, while also maintaining careers, relationships and a sense of identity.”

That’s quite the to-do list. Raise children, remain professionally relevant, sustain romance, maintain abs, meal prep, volunteer, hydrate and smile through it all.

Close notes that previous generations faced plenty of hardship, but modern mothers are now measured against an ever-refreshing gallery of curated standards. 

Social media has transformed parenting into a spectator sport, where every milestone or family vacation can feel like evidence in a case against one’s adequacy.

“What I see clinically is that the pressure is no longer just external—it becomes an internal standard that mothers measure themselves against constantly,” she said. “Social media amplifies this, creating a sense that there is a ‘right’ way to mother, and that it should look both effortless and deeply fulfilling at the same time.”

The result, she says, is a near-constant cycle of self-appraisal. “Am I doing enough? Am I being enough?” becomes the background hum of daily life.

This erosion of self-worth can manifest as anxiety, burnout and the nagging sensation of failing despite being deeply committed and fully engaged. In other words: trying hard, caring deeply and still feeling behind.

Then there is the labor that rarely gets listed.

“One of the most overlooked aspects of modern motherhood is the invisible emotional labor,” Close noted, describing the work of anticipating needs, regulating children’s feelings, managing schedules and often stabilizing the emotional climate of the entire household.

Signs of strain may not look dramatic. They can arrive as irritability, withdrawal, self-criticism or losing any sense of identity outside caregiving. A mother doesn’t need to collapse on the kitchen floor to be overwhelmed. Sometimes she simply becomes unavailable to herself.

Close is particularly blunt about one popular coping mechanism. “We need to stop masking the challenges mothers face with a wine drinking culture that gaslights real struggles in coping, connection and competence,” she said.

That may sting in regions such as this where imbibing pinot noir is practically a civic duty, but the point lands: Numbing stress is not the same as addressing it.

What would healthier motherhood look like? Less branding, more humanity.

Close advocates moving away from perfection-based narratives toward what she calls “good enough” motherhood—an approach that allows for imperfection, repair and individuality. Not every mother experiences the role the same way. Not every day feels sacred. Ambivalence does not equal failure. Exhaustion is not moral weakness.

“Being a ‘good mom’ doesn’t look one way,” she pointed out. “Self-trust, not external comparison, is what ultimately supports both mothers and their children.”

More than a century after Mother’s Day drifted from protest to product line, perhaps the most meaningful tribute is neither flowers nor reservation apps. It may be giving mothers something rarer: permission to be human.

To learn more about Dr. Angele Close or her book, ‘Unburdening Motherhood: A Guide to Breaking Cycles, Healing Trauma, and Becoming a Self-led Mom,’ visit drangeleclose.com.

Eating My Alma Mater: A Vandy Grad Tries Vandy Crisps

Something no one mentions growing up is that attending a private college means a lifetime of being hounded for donations.

My alma mater, Vanderbilt University, Vandy for short, is no different in this regard. “Alumni donation weekend is just around the corner.” “Have you remembered us in your estate planning?” At least they’re nice enough to send me a magazine each quarter highlighting what’s new on the university’s Nashville campus. 

Still, “Vandy” has found a novel strategy to empty not only my pockets but those of unassuming readers. Last week, I turned a corner in Whole Foods and spotted packaging that stopped me dead in my tracks. The outline of an iron gate and Times New Roman font were unmistakable. 

Someone had turned my alma mater into a potato chip—Vandy Crisps.

I frantically picked up a bag to inspect it. Had my school actually debased itself by going into the snack food business? Was it a money-laundering scheme cooked up by the board of trust?

A little research uncovered that no official link exists between the two Vandys. The Vandy Crisps website details the 100% true—it never actually happened—story of how robber baron and Vanderbilt University benefactor Cornelius Vanderbilt “invented” potato chips in 1853 by complaining to a chef that his fried potatoes were too thick. 

Going further down the internet rabbit hole, I discovered that Vandy Crisps had become a social media darling in 2025, touted for containing only potatoes, beef tallow (RFK, Jr. must love these things) and “natural salt.” Instagram offered up images of women cradling chip bags like newborns, straight out of an issue of Southern Living

I’d seen enough. It was time to buy some. 

First off, I wasn’t surprised that a mere five-ounce bag cost $13. Vanderbilt University charges nearly $100,000 a year in tuition and fees, after all. And the packaging promised “A crunch worthy of a Vanderbilt…” But what about a Vanderbilt alum? 

I bit into one of the thick, crunchy chips and was immediately overwhelmed by the beef tallow. I felt like I was eating a crispy, buttery steak. A good flavor, but the aftertaste lingered for a while, even after cleansing my palate with an entire Pliny the Elder. Also, the chips needed a bit more salt. 

Was the flavor reminiscent of what robber barons like Cornelius usually ate? Nope, as I assume that would’ve been some now-extinct bird or turtle. Did I feel like a college student again, tromping between buildings constructed in the Soviet brutalist style? Not really, as the chips weren’t nearly as greasy as the food my friends and I usually ate. 

But do Vandy Crisps reflect the modern Vanderbilt University experience? Absofreakinglutely. Today, one can’t walk around campus without drowning in the money bleeding off the walls, the flurry of recent construction a mishmash of Eaton, Hogwarts and Mordor. Vandy Crisps would fit in perfectly alongside the $15 boba and $30 sushi. A group of culturally diverse friends sharing a bag on Alumni Lawn—the ads write themselves.

So, can this Vandy alum recommend Vandy Crisps? It’s a fun novelty, one perfect for a gift basket, but the taste doesn’t merit the price tag. However, if one should ever want to eat something unimaginably pretentious and financially questionable, Vandy Crisps is a safe bet and literally small potatoes compared to any alternative. 

Now, if I may be excused, I have to set up a potato chip payment plan on Klarna.

Thomas Broderick is a Santa Rosa-based freelance writer and author. More at broderickwriter.com.

Future Perfect: Black, White and Read All Over

I have spent my entire career weathering the vicissitudes of the media game—from classified ad-eating Craigslist in the early internet to paywall snafus (“information wants to be free—oops”) to the algorithmic siphonings of social media, Big Tech’s annexation of advertising and the ever-receding mirage of the creator economy.

Some will argue the future has never looked bleaker for the rag-and-bone shop of journalism. I’m not so sure.

One of the peculiar quirks of the alternative newsweekly trade is that our print day—Wednesday—arrives fashionably late to the party. By the time ink hits paper, the news cycle has already burned through several outrages, issued corrections or excoriations, and moved on to the next big thing.

Between this writing and your reading, something ridiculous and existentially irresponsible will have emanated from Washington. Ditto an apocalyptic innovation courtesy of Silicon Valley, whilst Hollywood laments and lauds its demise and rebirth in a single breath, and Wall Street makes fortunes for the few and mincemeat of the many. If it bled, it led, but come Wednesday, ’tis but a scab.

That said, freed from the tyranny of immediacy, we’re left to cover what endures a little longer: the band playing a bar down the street, the original play opening this weekend, the artist, the idea, the fleeting but tangible culture of a place that still stubbornly happens here in real time, all the time. It’s not the breaking story, but it’s ours.

I’ve accepted that I’m never going to shout, “Stop the presses” unless my tie gets caught or something. But that’s not why any of us get into this racket—I started as a paper carrier. That I grew up to be a newsperson delivering these stories to you, dear reader, points to either consistency of character or Newton’s first law of motion, the one about inertia. Either way, I’m still in the news delivery business—only now the news arrives a little late and, ideally, right on time.

Send press releases to dh*****@*****ys.com.

Daedalus Howell is editor of this paper, the writer-director of the feature film ‘Werewolf Serenade,’ author of the novel ‘Quantum Deadline’ and host of ‘The Drive’ on 95.5 FM.

Think Big: Nikko Kimzin of Kimzin Creative

The career of Nikko Kimzin zigs, zags and zips. If one attempts to cross him on a straight line path, they will miss him by a county mile.

So it was with our interview (excerpted here). I was expecting to have an important, if somewhat staid conversation, about art, politics and policy with the director of Kimzin Creative consultancy (2025 winner of North Bay Business Journal’s 40 under 40). Instead, our conversation centered on his newest work and oldest passion—orchestrating song and dance spectaculars (for Kimzin client Six Flags Mexico City—the only American-styled coaster theme park in all of Latin America).

Kimzin the policy consultant is indeed ex-Broadway gay. And even when talking about the political mechanics of social progress, he seems on the cusp of breaking into song. I here report a snatch of his tune.

Cincinnatus Hibbard: Tell me about joy.

Nikko Kimzin: My work, in my adult life, is ‘how do I protect that little joy-filled Nikko that still lives inside of me?’—in a world that fetishizes sadness. Yes, we must fight, but we must protect that joy for the world we hope to create.

Speaking of joyful children, what is the theme you have created for this year’s live entertainment at Six Flags Mexico City?

‘A year of wild imagination’— where the only thing that limits you is your ability to imagine. That theme manifests in a large-scale spectacle that transports you from your reality into a realm of radical imagination, beauty and wonder.

Some words to put on your parade banner. To get a sense of your logistical opps. How many shows do you stage a day? 

We serve on average 20 to 25 thousand guests a day with live entertainments on five stages and one parade with a hundred plus performers, with surround sound, confetti cannons, projection mapping, lasers, drones and pyrotechnics.

Wow, with new shows each season, that’s a lot of pressure.

The creative process is like the birthing process; sometimes you just need to scream. And when we do, we go on a roller coaster and just scream before heading back into the rehearsal studio refreshed and revived.

Now, perhaps for the first time, you are working with big budgets. Do you have any advice for us on how to create spectacle on the cheap?

Ask yourself what you are trying to say. Know that. Know that you don’t need every conceivable element of spectacle. Invest your limited resources in one that you feel passionate about, and make it high quality. What we are amazed by is craftsmanship. That will pull your audience’s heartstrings more than five half-assed elements. That’s my advice to the artists of the North Bay. Mediocre art will not change the world.

You’re a great believer in art’s capacity to change the world.

I am an “arts as…” policy guy. Arts as transformative spectacle, arts as heath, arts as education, art as social justice, art as data collection, arts as public infrastructure worth investment.

What is your goal with this new branch of Kimzin Creative?

LA 2028. It’s coming. All I want is to be part of the cultural festivities that coincide alongside the Olympic Games.

What would be your theme for the opening ceremonies parade?

Rough draft. Artists of LA as the voices of democracy. We are not a melting pot— we are a beautiful mosaic—all shapes, sizes, colors.

Learn more:kimzincreative.com presents contacts and a portfolio of projects. As does Nikko Kimzin’s personal instagram, @kimzincreative. With this article, our full podcast interview drops Wednesday, May 6 on ‘Sonoma County: A Community Portrait’ podcast.

Perfectly Paired, Chef Craig Wilmer and Auteur Wines

On March 1, chef Craig Wilmer officially stepped into a new role as executive estate chef at Auteur Wines. 

It’s a natural fit, bringing his Michelin-caliber culinary vision to align with Laura and Kenneth Juhasz’s terroir-driven, elegant wines. 

Wilmer’s résumé reflects both classical rigor and creative range. A Culinary Institute of America graduate, he honed his craft through culinary immersion across France, Spain and Denmark before joining the kitchens of celebrated Bay Area chefs Dominique Crenn and Erik Anderson. His leadership roles at Petit Crenn, COI, Barndiva and most recently Farmhouse Inn shaped a style that fuses global inspiration with a deep respect for local and foraged ingredients.

In this new position, Wilmer is crafting pairing menus designed to complement Auteur’s small-lot pinot noir and chardonnay, at both the Russian River Estate and Sonoma Square Bungalow locations, drawing on coastal influences and regional purveyors. 

Amber Turpin: How did you get into this work?

Craig Wilmer: Serendipitously? Accidentally? Arbitrarily? Not so sure myself. I reached a point, as all young people do, where you have to do something with your life… So I picked being a chef, because I wanted to be skilled at something that was immediately tangible. 

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

Chinato (a bittersweet, fortified Italian dessert wine) with chocolate. The combination helped me understand the height of where a wine pairing could actually go. It’s my gold standard of what to look for in a pairing, in the sense of how the food and wine change under each other’s influence.

As much as I would love my food pairings with wine to always be that good, at Auteur I start by looking to contrast with the wine first in terms of seasoning—think: a burger and coke, or Champagne and caviar—and making sure the flavors compliment each other. 

Finding those mirroring flavor profiles which then cancel each other, and thus hopefully revealing more, is the next step we are currently taking. It takes quite a bit of trial-and-error… Sometimes to really know, you just have to taste and see.

What is your favorite thing to drink at home?

Gin and tonics.

Where do you like to go out for a drink?

A small, beautiful restaurant where you can feel the care and craft. 

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Old Champagne and old scotch. Maybe some 1996 Salon and Lagavulin 25. 

Auteur Russian River Winery, 10520 Wohler Rd., Healdsburg, 707.766.0222, auteurwines.com.

All About Love, Songs for the Cause, The Heard Eye and 19 Voices

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Larkspur
All About Love

San Francisco jazz vocalist Paula West returns to Marin Jazz with a show that treats love as less a sentiment than a full-contact sport. The Paula West Show: All About Love moves fluidly from Bob Dylan and David Bowie to Irving Berlin and Kurt Weill, reflecting West’s reputation for bending genres without breaking them. Known for her rich contralto and exacting phrasing, she brings a cabaret sensibility that leans into the complicated business of romance—by turns tender, ferocious and quietly devastating. The performance is presented at the historic Lark Theater, an Art Deco mainstay that has evolved into a community arts venue. 7:30pm, Saturday, May 16, at Lark Theater, 549 Magnolia Ave., Larkspur. $70 general, $80 VIP. Tickets and more information at larktheater.net.

Sausalito
Songs for the Cause

Live music takes on a little extra purpose at an afternoon fundraiser for Mental Health Advocates of Marin, where the Alex Markels Quartet, joined by vocalist Karen Sudjian, delivers a set blending bossa nova, blues and jazz. Held at the waterfront haunt Sausalito Seahorse, the event supports the organization’s Enterprise Resource Center, a peer-run drop-in space offering free, no-barrier mental health support, from group programs to creative activities, seven days a week. The afternoon promises equal parts good times and goodwill, with dancing encouraged and donations welcomed at the door. 12:30–3pm, Saturday, May 16, at Sausalito Seahorse, 305 Harbor Dr. Donations accepted. More information at mhamarin.org.

Santa Rosa
The Heard Eye

The North Bay’s The Heard Eye returns to the stage with a fresh single in hand and something closer to a full-band reset in mind. Their new track, “Send Barron,” arrives alongside a video release, but the real action lands live at the Arlene Francis Center, where the group leans into its hybrid of funk, rock, jazz and global rhythms with the kind of loose, exploratory energy that rewards showing up in person. After eight months in the studio, this is less a release party than a reintroduction—tightened chops, expanded sound and a set built to groove. Malone Crew opens, setting the tone before the main event. 7:30pm, Saturday, May 9, at Arlene Francis Center, 99 6th St., Santa Rosa. $15 door. More information at theheardeye.com.

Santa Rosa
19 Voices

Music meets resolve at 19 Voices in Solidarity, a multi-artist fundraiser organized by songwriter Deborah Crooks and staged at The Lost Church. Now in its fifth iteration, the event draws its name from the 19th Amendment and assembles a wide-ranging lineup of Bay Area performers for an evening that blends folk, Americana and independent songwriting with a clear sense of purpose. Proceeds benefit the American Civil Liberties Union and the Peace and Justice Center of Sonoma County, with Mindi Levine serving as emcee. Expect a communal atmosphere where the songs carry both melody and message. 4:45–7:30pm, Saturday, May 16, at The Lost Church, 545 Mendocino Ave., Santa Rosa. $20. More information at tinyurl.com/19VoicesinSolidaritySR.

Your Letters, May 6

Don(t)ation

Recently, The New York Times reported that Fidelity Charitable and Vanguard Charitable, two of the largest donor advised fund providers in the country, blocked their donor account holders from making grants to the Southern Poverty Law Center (SPLC), citing a federal indictment brought by the Department of Justice. 

An indictment is an allegation. It is not a conviction. 

The SPLC has spent more than 50 years doing some of the most consequential civil rights work in American history. They won major legal battles against the Ku Klux Klan, virtually shutting down the largest white supremacy organization in the United States. 

They have tracked, named and fought violent hate groups when few others would. What Fidelity and Vanguard have done is like one of us accusing a restaurant of food poisoning before we order. Or asking for a ticket refund prior to a lopsided Giants loss at Oracle Park. Or returning a garment at Vuori in The Village before we actually buy it. Those kinds of things.

Craig J. Corsini
San Rafael

Standard x 2

Per the recent Open Mic column (‘Talk is Cheap,’ April 22, 2026), I want to comment on the unstated premise of the U.S. position on Iran’s nuclear program:

America is imposing a ridiculous double standard on Iran. Why did we even seek a “nuclear deal” with Iran in the first place? The reason is America believes it gets to dictate terms to countries that aren’t even in its sphere of influence, and Iranian nuclear deterrence complicates things for our good friends in Tel Aviv.

I’m going to voice the heterodox but more realistic approach: America’s sovereignty should end at its own borders, and Iran’s sovereignty should likewise be respected at its own borders. If we stop poking Iran and giving Israel what they want while they run roughshod over their neighbors, we avoid the oil shocks, we keep the aluminum and fertilizer flowing. Our maximalist American/Israeli demands are absurd, and we need to wake up and smell the coffee.

Donald F. Barrett
Santa Rosa

Free Will Astrology, May 6-12

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ARIES (March 21-April 19): Astronomers depend on instruments to collect the observations that fuel their work, but they don’t spend every night glued to the stars. On overcast nights, they turn to what they have already gathered, digging into past measurements and reworking the data. You’re in a comparable phase, Aries. For now, looking farther out into the glittering world won’t give you anything essential. The guidance you need is folded into what you’ve previously seen, felt and taken in. It’s waiting for you to sort through and understand it on a deeper level.

TAURUS (April 20-May 20): When lightning from a cloud hits sand or soil, the current travels down into the ground. It melts material along its path and forms tubular, branching glass structures that can penetrate deep below the surface. I believe that metaphorically similar phenomena will soon happen in your life, Taurus. Sudden insights or electrifying feelings will leave permanent traces in your psyche, creating new pathways for energy and information to flow. These disruptive inspirations and inspiring disruptions will rewire your internal circuitry, creating channels that will enhance your receptivity to future revelations. You’ll be able to absorb clues and hints from life that you weren’t tuned into before.

GEMINI (May 21-June 20): I invite you to ruminate on death not as the conclusion of physical life, but as a metaphor for discarding what’s stale and outmoded. In that light, what would be the best deaths you could generate during the coming weeks? Use your imagination with verve and vigor as you dream up scenarios in which you purge parts of your life that are not serving your strongest, most vital yearnings. Visualize how much fresh potency that will liberate. (P.S.: To reiterate: You are NOT in physical danger.)

CANCER (June 21-July 22): What part of you is too tame? Maybe your imagination is politely well-behaved, or maybe your voice edits itself before it dares to say what it really thinks. Can you inspire it to be wilder and freer? Not reckless or destructive, but more honest and experimental? Here’s a suggestion: Go on regular excursions with your wild side, maybe once every two weeks. Follow it as it chooses what to explore and create. This might ultimately teach your tamed self that it’s safe to let primal wisdom help steer you.

LEO (July 23-Aug. 22): According to quantum physics, particles can become “entangled,” which means they share a single connected quantum state. Observing and measuring one particle reveals information about the other, even if they’re not in close proximity. Einstein called this “spooky action at a distance.” I predict that different parts of your life will also interweave in unlikely ways during the coming weeks, Leo. Moves you make in one area will seem to produce mysterious effects in other domains. For example, adjusting your morning routine may boost your creative output. Healing an old alliance could unlock a professional opportunity. Everything will be more intermingled than the visible evidence suggests.

VIRGO (Aug. 23-Sept. 22): Your key power word for now is stretch. Speak it aloud multiple times every day, and write it on a card that you put in a place where you will keep seeing it. Also, make a point of physically and spiritually living out these three senses of stretch: 1. to lengthen, widen or expand without snapping or tearing; 2. to unfurl your body to its full reach, boosting circulation and warding off stiffness or cramps; 3. to take on challenging tasks that push you to amplify your abilities and move beyond what you previously believed you could do.

LIBRA (Sept. 23-Oct. 22): Four oracles for you, Libra: 1. You’re in possession of keys to doors that haven’t been built yet. Tuck those keys away somewhere safe. 2. You’re ready to dream up titles for stories your life hasn’t lived through yet. Write those titles down. 3. You are being granted sneak previews of your future, even though you can’t yet see the bridge that will carry you there. Imprint these glimpses on your memory. 4. You have everything required to grow a more muscular faith that’s grounded in real evidence, not in vague hopes and wishful thinking. Take advantage.

SCORPIO (Oct. 23-Nov. 21): At the ancient Library of Alexandria, editors did far more than copy manuscripts. They compared multiple versions of important works and produced editions that aimed at definitively reliable texts. Their efforts at preservation required active intervention rather than mere reproduction. In the coming weeks, Scorpio, I think it will be fun and transformative for you to make similar adjustments to your own life story. How might your memories of the past need to be corrected and refined? How could you make your personal mythology more accurate and liberating? I invite you to revise and revivify the tales you tell yourself about your magnificent journey from the moment you were born until now.

SAGITTARIUS (Nov. 22-Dec. 21): The speed of light is how fast it travels through a vacuum. When moving through water and other media, though, light’s swiftness decreases. The fastest possible speed in the universe only applies in emptiness. If you put anything in light’s way, it slows down. Let’s use this as a metaphor for your life. I suspect you may be frustrated by how incrementally things are moving. But you’re not in a vacuum. Your bright intelligence is traveling through the complex situations that life has brought you. So of course you’re not zipping along with maximum haste. My advice: Be grateful for the slowdowns. Learn all you can about how they are educating and transforming your brilliance. 

CAPRICORN (Dec. 22-Jan. 19): Cryptographer Claude Shannon (1916-2001) was the father of information theory. His achievements were comparable to those of Albert Einstein, Isaac Newton and Charles Darwin. Here’s one of his secrets: He kept his office filled with juggling equipment, unicycles and mechanical toys, which inspired him to solve abstract problems. His playful tinkering helped inspire breakthroughs that ultimately created the digital age. For him, recreation and innovation happened at the same time. I invite you to try a similar approach in the coming weeks, Capricorn. Blend “serious work” with “just messing around.” Be alert for key insights that emerge from improvisation and experimentation. Your diversions won’t be distractions from your purpose but rather pathways toward it.

AQUARIUS (Jan. 20-Feb. 18): Master calligrapher Yukimi Annand is an Aquarius. She teaches that beautiful letters emerge not just from the hand that holds the brush, but from the entire body and relaxed awareness. Breath, posture, centered weight and quiet mind all flow through the arm to create each stroke. Trying to control the outcome with arduous effort produces rigid, lifeless art. This is an excellent teaching for you right now, Aquarius. Whatever you’re striving to accomplish, I beg you to refrain from forcing results through grueling, overly laborious exertion. Instead, align your whole being so that graceful outcomes flow naturally from your soulful coherence.

PISCES (Feb. 19-March 20): The placebo effect is getting stronger over time. Placebos in drug trials are becoming increasingly effective, to the point where it’s sometimes becoming harder to prove that actual drugs work better than sugar pills. Are we getting better at healing ourselves through belief? That would be a problem for pharmaceutical companies but interesting for the rest of us. Dear Pisces, I believe your placebo response is exceptionally strong right now. In the coming weeks, use it deliberately. Be daring and exuberant in your efforts to heal yourself.

Homework: Visualize in detail that you’re living the life you want to. Newsletter.FreeWillAstrology.com

Celebrate Cinco de Mayo

Cinco de Mayo in the Bay Area is less a holiday than a roaming mood—part history lesson, part street party, part excuse to order something with fresh lime in it. While the date commemorates Mexico’s 1862 victory at the Battle of Puebla, around here it has evolved into a broader celebration of Mexican culture, music, food and community life. Which is to say: excellent.

Throughout the North Bay, the region is preparing for a long weekend of banda horns, folklórico skirts, tacos, lowriders and local joy. Here’s your curated list of celebrations:

Sonoma County

Santa Rosa’s Roseland Cinco de Mayo Festival remains one of the North Bay’s most spirited celebrations, filling Roseland Village Shopping Center with live music, dance groups, family activities and food vendors. It happens 4pm, Tuesday, May 5, and costs nothing but calories.

Earlier in the weekend, Sonoma Plaza hosts La Luz Center’s community celebration 1pm, Sunday, May 3, with mariachi, folklórico performances, crafts and food booths. It’s the sort of scene where children dance, grandparents beam and everyone suddenly remembers they love being outside.

Windsor joins in 2pm, Sunday, May 3, with a family-focused festival at Windsor Palms Plaza, while Petaluma offers a more modern interpretation via the Brunch Behavior Day Party at The Block. Translation: DJs, cocktails and a reminder that brunch has become a lifestyle category.

For those who prefer agave with ambiance, the Flamingo Resort in Santa Rosa hosts a mezcal-pairing dinner 6pm, Tuesday, May 5. If your Cinco requires a wisp of smoke, sophistication and plated courses, there you are.

Marin County

Marin approaches Cinco de Mayo with its usual mix of scenic beauty and tasteful restraint. The standout is the Cinco de Mayo Cruise aboard the Angel Island Ferry departing from Tiburon. Boarding begins 6:45pm, Tuesday, May 5, with a two-hour bay cruise featuring drink specials and tacos. Nothing says cultural celebration quite like watching the sun drop behind the Golden Gate while holding a margarita.

If laughter is preferred to sea spray, the Marin Comedy Festival: Cinco de Mayo! lands at the Playhouse in San Anselmo 8pm, Tuesday, May 5. Rising Bay Area comics take the stage for an 18+ showcase. A solid option for those who’d like to celebrate by laughing at someone else’s problems.

Napa County

Napa, naturally, has turned Cinco de Mayo into an elegant proposition. Mi Sueño Winery hosts a fiesta 1pm, Saturday, May 2, pairing Mexican cuisine with estate wines. This is Napa’s gift: taking anything festive and adding tannins.

More philanthropic is La Toque’s 12th Annual Cinco de Mayo Benefit Dinner 5:30pm, Sunday, May 3. Chef Ken Frank transforms the acclaimed restaurant into “El Toque” for a five-course Mexican-inspired dinner benefiting Puertas Abiertas. It is both charitable and delicious, the noblest of combinations.

For a younger, louder counterpoint, 1331 Cocktails hosts Love Language: Napa Day Party 3pm, Saturday, May 2, with R&B, Latin and hip-hop in the mix. Proof that Napa can occasionally remove its blazer.

The Bay Area’s Cinco de Mayo calendar reflects the region at its best: culturally alive, neighborhood-driven and hungry.

The Final Frontier: SRJC theater students present sci-fi/horror drama

Dramatic plays in the sci-fi/horror genre are few and far between. Whether it’s budgetary restraints or the difficulty in getting audiences to suspend their disbelief that much, folks interested in seeing that stripe of show usually have limited opportunities to do so. 6th Street Playhouse’s recent production of Marjorie Prime and the Spreckels Theatre Company premiere of David Templeton’s Galatea a few years back would be the most recent examples of locally done work in the genre. 

Leave it to the students of Santa Rosa Junior College Theatre Arts program to band together to produce something little seen. Their Theater Student Production Club is presenting Alastair McDowall’s X for a very limited run. I was able to attend the final dress rehearsal, but you can catch it in the SRJC’s Frank Chong Studio Theater for four performances only through May 3. 

It’s set on a research base on Pluto, where a skeleton crew of four awaits a ship to bring them back to Earth. They’ve received word that the ship’s arrival has been delayed, then they hear… nothing. 

Their repeated messages home never get a response, though indications are that they have been received. Is their communications equipment faulty or was it sabotaged? What has happened back on Earth? Have they been abandoned? Does Earth even exist anymore? 

As the isolation begins to take its toll, an even greater horror soon surfaces. Their system of time measurement used appears to be faulty. With no way to accurately measure time, does time have meaning anymore? How long have they been there? How long have they been waiting to be rescued? Hours? Days? Months? Years?

And then the crew starts to hear and see things…

This is a really interesting show, well produced and performed by a talented group of students.  Lizzy Bies plays Gilda, a geologist put in the Captain’s role. Justin Smith plays Ray, the one-time Captain now straining to stay connected to the Earth through photos and sounds. Rachel Wyne plays Cole, a meteorologist with a child back home to whom they are desperate to return. Director Moose Frank plays Clark, a mathematician who believes in the here and now and not much else. Maya Tuchband plays Mattie, a station engineer. Or is she?  Then there’s this girl (Naomi Roth)…

All give strong performances. 

Frank shows a strong hand as a director and has a team of designers who have executed his vision well on what I’m suspecting is a minimal budget. Designer Bridget Lustenberger’s set well reflects the sterility of space. Sound is a big element in this production and designer Dylan Mooney has it coming to the audience from all directions. Lighting by Anthony Newton is also very effective. Costumes by Reynalda Cruz are basic and believable. A shout out to stage manager Marsh Jackson and board operators Xitlalli Saldana and Noe Margulis for making the technical elements flow seamlessly.  

They all work together to bring a real sense of atmosphere (no pun intended) to McDowall’s space drama. It’s not the easiest show to follow but heaven forbid a show be produced that requires an audience’s full attention. The play is a bit of a puzzle and challenges the audience to put it together by its conclusion. 

Accept the challenge.

‘X’ runs through May 3 in the Frank Chong Studio Theatre in Santa Rosa Junior College’s Burbank Auditorium, 1501 Mendocino Ave., Santa Rosa. Fri & Sat, 7:30pm; Sat & Sun, 2pm. $15 suggested donation at door.

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