Meet Sonoma County’s First Youth Poet Laureate

Zoya Ahmed, an incoming senior at Maria Carrillo High School in Santa Rosa, has been named the first Youth Poet Laureate of Sonoma County. Nonprofit organization California Poets in Schools and Phyllis Meshulam, current Poet Laureate of Sonoma County, spearheaded the historical selection, and a local panel of poets and literary experts chose Ahmed from an esteemed pool of local student applicants.

Following in the footsteps of other California counties such as Alameda and Los Angeles counties, Sonoma County’s inaugural Youth Poet Laureate search began in March and aimed to recognize a local student who “achieved excellence in poetry” and who showed commitment to the arts through writing and engagement in clubs or afterschool activities.

The panel of judges tasked with selecting the youth poet laureate included Meshulam, outgoing Poet Laureate of Sonoma County Maya Khosla and other county poets and teachers.

“Zoya Ahmed is a brilliant performer,” Meshulam said, in a statement. “Empowering a young person with a microphone to reach out and address the many special concerns that others of her age may experience, is a very significant gift to the community.”

Before becoming Sonoma County Youth Poet Laureate, Ahmed was the 2019 winner of Sonoma County’s Poetry Out Loud recitation contest and went on to become a finalist in the California State Poetry Out Loud contest.

Ahmed’s one-year term as Sonoma County’s Youth Poet Laureate begins today, Monday, June 1. As the Youth Poet Laureate, Ahmed will lead or participate in at least five public appearances, including readings and workshops. While those events were originally planned to be in-person and ideally spread out over the county’s supervisorial districts, virtual events are now the likely and encouraged mode of engaging with the community until the Covid-19 pandemic retreats.

Ahmed’s first scheduled virtual appearance will be at the California Poets in the Schools Virtual Poetry Symposium happening June 26–28. Founded in 1964, California Poets in the Schools is one of the nation’s largest school literary programs and boasts over 100 trained, professional poet-teachers leading poetry sessions throughout the state.

Sonoma County schools and community organizations are encouraged to contact Ahmed through the California Poets in the Schools with inquiries about hosting her at a public event.

Along with the public and virtual events, Ahmed will be awarded a $500 prize and given the opportunity to publish a collection of her own poems or lead a similar youth-publication project of her choosing.

In a statement, Ahmed thanked her family and acknowledged poetry as her way of connecting to her heritage and staying resilient in difficult times. Read her full statement below:

“I embrace my diverse background as a first generation South Asian American, having both roots in Pakistan and India. This colorful heritage is my drive. Every day I am empowered to work hard towards achieving my goals, humbled by the opportunities I am given, and inspired to give back to the community.

My biggest motivators are my parents and my family, who encourage me each and every day. They are my muse; they symbolize the meaning of sacrifice in my life. Their stories, especially those of the women in my family, are what give my writing a spark of creativity and perspective.

My dad has really been one of my biggest supporters and has fueled my passion for poetry. Being a poet himself, he taught me Urdu as my first language along with Hindi, and that became the foundation of who I am as a desi American teen. Urdu is such a vibrant and poetic language as it embraces the rich tradition of poetry called shayari.

Having this background in poetry, I knew it was going to have a role in my life and thus I picked up writing a few verses in my free time. I find poetry to be a vehicle to connect with my own experiences and surroundings, a way to voice issues and topics that I want acknowledged. However, I never thought that I would have achieved as much as I have. Now, I am more motivated than ever to be resilient and persevere through my journey as a human being.”

Christo, Artist of ‘Running Fence,’ Dies at Age 84

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There are those in the North Bay who remember “Running Fence,” the 24-and-a-half-mile-long art installation that criss-crossed its way through the hills of Western Sonoma and Marin County for two weeks in 1976.

The massive temporary art installation was one of many monumental artworks conceived and created around the world by artist Christo Vladimirov Javacheff and his partner in life and art, Jeanne-Claude Denat de Guillebon; who together were simply known as Christo and Jean-Claude.

Christo died peacefully in his New York City home on May 31, at the age of 84. A statement from his estate noted that he died of natural causes.

While Christo and Jean-Claude (who died in 2009) are gone, their artworks-in-progress continue, with “L’Arc de Triomphe, Wrapped” in Paris, France, still on track for September–October 2021.

Moreover, their ambitious array of temporary installations such as “Running Fence”—which exceeded the boundaries of any one medium art by combining site-specific architecture, sculpture, assemblage and fabric art—are forever imprinted in the memories of those who witnessed them firsthand.

Born in Gabrovo, Bulgaria, in 1935, Christo first met Jeanne-Claude Denat de Guillebon in Paris in 1958 when he painted a commissioned portrait of her mother. Together, the two artists embarked upon a career in art marked by their “wrapped” aesthetic, in which they covered entire coastlines, valleys or skyscrapers in colorful fabric.

In 1969, Jeanne-Claude and Christo made an international splash with “Wrapped Coast,” in which they used erosion-control fabric and 35 miles of rope to literally wrap the cliff-lined coast of Little Bay, in Sydney, Australia. They followed that with “The Valley Curtain,” a 1,300-foot-long cloth stretched across Rifle Gap in the Rocky Mountains near Rifle, Colorado, in 1972.

Perhaps the couple’s most famous work was their North Bay installation, “Running Fence,” which is remembered not only for its massive scale, but for its four-year process of realization. The installation, inspired by a snow fence Christo and Jean-Claude saw while driving along the Continental Divide in 1972, was conceived as an 18-foot-high fence of white, billowing nylon snaking along the hills of Sonoma and Marin County west of Highway 101.

The idea was for the fence to highlight the hilly topography of the North Bay, though they had to convince ranchers and other locals to let them do it, an ordeal that took 18 public hearings and three sessions in California’s superior courts before reaching approval. The installation itself, which began in April 1976, included some 400 workers stretching the reported 240,000 square-yards of woven nylon canvas between more than 2,000 steel poles.

When completed in September of 1976, “Running Fence” drew visitors from around the world to the North Bay for its two-week duration. The fence’s route crossed 14 roads and 59 private ranches as it wound its way from near Highway 101 to the Pacific Ocean near Bodega Bay.

No real trace of “Running Fence” remains on those ranches and along the roads leading to the coast, though a piece of the nylon hangs in the Rio Theater in Monte Rio and historical markers commemorate the work in Valley Ford. For those who could not see the Fence when it was up, several photos of the work, along with sketches and other documents, are on display on Christo and Jean-Claude’s website.

Local fans included Charles Schulz, who praised Christo and Jean-Claude in his Peanuts comic strip in 1978 by showing Snoopy’s doghouse wrapped in the artist’s signature fabric. In 2003, Christo returned the favor by presenting a wrapped doghouse to the Charles M. Schulz Museum in Santa Rosa.

After “Running Fence,” Christo and Jean-Claude continued to make headlines with art installations such as “The Umbrellas,” in which yellow and blue umbrellas were placed in Southern California and Japan, respectively. Those umbrellas were in place from 1984–1991.

In 2005, the couple installed “The Gates” in New York City’s Central Park, featuring over 7,500 saffron-colored sheets of fabric placed overhead along the park’s walkways. After Jean-Claude’s death in 2009, the pair’s conceived works continued on, with “The Floating Piers” in Italy, 2016, and “The London Mastaba,” made up of 7,500 oil barrels in the shape of an ancient Mesopotamian bench, in 2018.

In reporting his death, Christo’s office offered the following statement: “Christo lived his life to the fullest, not only dreaming up what seemed impossible but realizing it. Christo and Jeanne-Claude’s artwork brought people together in shared experiences across the globe, and their work lives on in our hearts and memories.”

North Bay Bands Go Online for Weekend of Virtual Concerts

It’s Friday, and that usually means dozens of live events in the North Bay—especially concerts—are gearing up to rock audiences in Sonoma, Marin and Napa counties.

Of course, things are not usual right now, and while venues across the region remain closed and Covid-19 cases continue to mount, the best way to get that earful of local talent you’ve been craving is to go online with these live-streaming shows coming up May 29–31.

HopMonk Tavern’s three locations in Sebastopol, Sonoma and Novato usually host weekly concerts featuring local and touring stars. Yet, the Covid-19 sheltering has kept all three stages empty since mid-March. So for the last month, the folks at HopMonk have made do—in the absence of live events—with the online concert series, “In the Meantime.”

This weekend, the “In the Meantime” series packs in several virtual shows, beginning with a set by longtime North Bay–musician Buzzy Martin tonight, May 29, at 6pm. Martin’s beloved brand of “Baby Boomer Rock ’n’ Roll” has won him fans and friends around the country, and he has performed with members of the Doobie Brothers, Pablo Cruise, Journey, Santana, Les Claypool of Primus and Huey Lewis and the News. Martin is also known for his offstage acts of selfless citizenship—such as teaching music programs to at-risk youth in juvenile halls and inmates at San Quentin Prison—which have earned him official civic recognition.

Tomorrow, May 30, HopMonk presents a virtual concert at 4:30pm with Evan Fraser and Vir McCoy, accomplished multi-instrumentalists who have been recording and performing music together in bands like Dogon Lights, Dirtwire and others over the last 20 years.

On Sunday, May 31, HopMonk gives the virtual floor to North Bay singer-songwriter Stella Heath. Before the stay-at-home orders went into effect in March, Heath was one of the busiest musicians in the region, averaging four gigs a week with her bands the Billie Holiday Project, Bandjango Collectif and others.

Since the sheltering, Heath has remained busy, only this time online. In addition to her Sunday afternoon set for the “In the Meantime” series, Heath can be heard singing with Bandjango Collectif bandmate Skyler Stover on Saturday, May 30, with Spicy Vines Winery’s live streaming show at 6pm. The two will perform stripped-down versions of their band’s blended jazz-and-folk tunes for that Saturday evening stream.

Also on Saturday, the second episode of Living Room Live, the free online venture from the organizers of Rivertown Revival and Friends of the Petaluma River, continues to present all of the best parts of the canceled Rivertown Revival. Starting at 7pm on May 30, the streaming showcase, hosted by musician and music promoter Josh Windmiller, will feature performances by the purveyors of San Francisco soul Royal Jelly Jive, world music masters La Gente SF, the original North Bay bad boy Frankie Boots and Petaluma singer-songwriter Hannah Jern-Miller.

Finally, several North Bay stars come together this Sunday, May 31, at 11am, for the latest installment of UnderCovered, a concert series hosted by newly formed artist initiative Social Distance Live. The UnderCovered series so far has featured local musicians performing covers of their favorite songs by groups such as the Velvet Underground and artists such as Bob Dylan (specifically Dylan’s work from 1979–1989).

This weekend, UnderCovered sets its sights on the songs of Joni Mitchell, and scheduled artists include Alison Harris performing “Come in Out of the Cold,” Dawn Angelosante performing “River” and Gowdey Caitlin and Jeremy Lyon teaming up on the song “California.”

Safely Shop & Dine at These North Bay Markets

As stay-at-home and social distancing restrictions are slightly relaxing in parts of the North Bay, many are looking forward to returning to the shops and restaurants they love. Yet, a recent surge in Sonoma County cases of coronavirus has shown local leaders that we are not quite ready for a full re-opening just at this moment, meaning take-out and curbside shopping is still the norm going into this weekend.

If you’re itching to get out, the best way to do so and support local businesses is to visit the shops and eateries at local outdoor markets like the Barlow in Sebastopol, Oxbow Market in Napa and Marin Country Mart in Larkspur.

The Barlow
Situated on a 12-and-a-half acre district in downtown Sebastopol, The Barlow open-air “maker’s marketplace” features dozens of retail and dining spots with Sonoma County chefs, vintners and other artisans creating local products and experiences.

Since the March shelter-in-place orders closed the physical locations for these artisans, many have transitioned to online ordering with options for curbside pick-up and take-out. Recently, the Barlow announced that the marketplace’s restaurants and eateries are now open for outdoor dining.

Food and drink options in the Barlow currently includes Acre Pizza, Barrio Cocina Mexicana, Community Market, Crooked Goat Brewing, Fern Bar, Golden State Cider Pax Wines, Seismic Brewing, Spirit Works Distillery, Sushi Kosho, Taylor Lane Coffee, The Farmer’s Wife, The Nectary, Two Dog Night Creamery, WM Cofield Cheesemakers and Woodfour Brewing.

Shops in the Barlow include Barge North apparel and home goods store, California Sister floral arrangements, Elsie Green décor and gifts shop, JG Switzer textile and bedding shop, the Lori Austin Gallery, Rust Clothing Boutique and Scout West County gift and home accessories store.

Oxbow Public Market
In Napa County, where dine-in restaurants and retail are both seeing restrictions lifted in terms of social distancing, the Oxbow Public Market is reopening its spacious and recently remodeled outdoor Oxbow River Deck, which now includes retractable shade structures and lighting.

Beginning Saturday, May 30, open-air, socially distanced communal tables and seats will be available for visitors on the deck, and Oxbow merchants will continue to offer online and over-the-phone ordering and pickup options for guests. The market is soon creating a designated curbside delivery area in the parking lot east of the main market hall as a drive-thru option for those who want to dine at home.

For guests who want to shop at the Oxbow Public Market, the new deck is part of the market’s new set of health and safety protocols made in accordance with all state and Napa County health requirements. The market will continue to also track and regulate the number of customers on hand to comply with social distancing regulations.

Oxbow Public Market merchants that are open for dine-in, takeout and retail include Anette’s Chocolates, C Casa, Fatted Calf, Fieldwork Brewing Company, Five Dot Ranch, Gott’s Roadside, Hog Island Oyster Company, Hudson Greens & Goods, Kara’s Cupcakes, Kitchen Door, Live Fire Pizza, Model Bakery (re-opening May 30), Olive Press, Oxbow Cheese & Wine Merchant, Ritual Roasters and Whole Spice. Additional merchant re-openings will be announced soon.

Marin Country Mart
Located adjacent to the Ferry Terminal in Larkspur, Marin Country Mart’s assortment of organic eateries, boutique shops and other services are coming back online after closing down in March. The village-style shopping center’s new model, which it’s calling Dutch Door Shopping, allows for curbside and social distant services like online classes in lieu of in-person events.

Shops and services that are open for pick-up, take-out or local delivery at Marin Country Mart include Poppy Store children’s boutique, Clic women’s clothing store, Toy Crazy, George pet store, Hudson Grace décor shop, Sarah Shepard Gallery, Flora & Henri artisanal home and gift shop, Jenni Kayne wardrobe and home goods store, Hero Shop luxury women’s store and Copperfield’s Books.

To-go dining options at Marin Country Mart include Farmshop’s nightly dinner specials, Hog Island Oyster Company, Johnny Doughnuts, Pressed Juicery, Rustic Bakery, Shake Shack, Sushi Ko, the Siam and El Huarache Loco.

Visit each of these markets online first for full details.

Summer Guide Update

Napa Porchfest will not take place in July (“Lost Summer,” May 20). The committee will reevaluate the situation mid-July and decide whether we will be able to move forward with it at a later date.

Amy Lyons Linn

Via bohemian.com

Wanted: Isolation Experts

COVID-19 has given almost all Americans a lesson in how to deal with isolation, which you may want to add to your resume if you also speak Russian and meet other qualifications. Why? Because NASA is looking for 30-to-55-year-old men and women with experience in the practice of seclusion. They must also be fluent in English and Russian and have advanced degrees. The job will put those who qualify in isolation with a small international crew for eight months in Moscow. The purpose is “to study the effects of isolation and confinement as participants work to successfully complete their simulated space mission.” It will give the space agency an idea of what astronauts will experience on extended space missions.

John Grimaldi

Association of Mature American Citizens

Amazon Woes

Kudos to Tim Bray, a distinguished engineer formerly at Amazon. Mr. Bray, a vice president and veteran engineer with the company’s cloud-computing division, said in a post on his personal blog that he quit on May 1st “in dismay at Amazon firing whistleblowers who were making noise about warehouse employees frightened of Covid-19.”

Now, if Amazon “leadership” could release Jay Carney and David Zapolsky for their shameful plan to discredit and demonize whistleblowers and other warehouse workers, who are the true backbone of Amazon for, among other things, working conditions and worker safety.

Gary Sciford

Santa Rosa

Two takeaways from these trying times

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Sometimes it’s not easy to learn.     

I have been a refrigeration technician for 50 years. I had my own business servicing restaurants for 33 years. Learning was a constant. Not only the technical aspects of my trade, but the skills of being a business person. Learning by doing things correctly, looking at that in perspective to make improvements is easy. Making mistakes from not having thorough knowledge or not paying 100 percent attention in the moment is very painful. However, one learns from those mistakes.     

Now, here on the Earth, in this moment, pain, suffering, despair, sadness and grief are a part of almost everyone. This is not the event anyone would want to have as a learning experience, yet it is. Many facets of life, such as how people live their lives, are impacted. Changes after this disaster will happen.

Two important revelations and hopes for change as a result of these times that I have are as follows:

1. The United States of America is not united at all. The disarray, division and polarity are clogging the operation of the system. The United States of America was formed to be a country of the people, by the people, for the people. Now it is a country of the corporation, by the corporation, for the corporation. The people need to take our government back. Get unity as a way of operating the government in the people’s interest.       

2. Unity worldwide is vital for the survival of humanity. Climate change is not a catchy phrase. Climate change, hunger and disparity in wealth are the premier battles confronting every human. ONE EARTH … ONE PEOPLE. The path to peace on all the Earth is paved with free medical from birth to death and free education from nursery school through vocational school or college, for every human being.

May peace in good health be with you, your family and all your friends.

Happy Olives,

Don Landis

Don Landis lives in Sonoma County and is known as “The Olive Guy” on his site, donsolives.com.

Local arts groups coordinate online camps for kids

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Three Sonoma County arts and education organizations are coordinating their summer schedules this year to collectively provide North Bay students with seven weeks worth of virtual summer arts camps.

The Alexander Valley Film Society, Luther Burbank Center for the Arts and Transcendence Theatre Company are engaging local youth with online arts experiences in their respective disciplines this summer, running consecutively to keep the kids busy all season.

“The collaboration is in the scheduling,” says Ashleigh Worley, director of education and community engagement at Luther Burbank Center. “The camps are independently run, and we’re working together so kids can participate in all three.”

First, the AVFS Filmmaking Bootcamp, running June 22–26 and led by Sonoma County–based writer/director and film educator Malinalli Lopez, welcomes students grades 5–12 to learn the basics of filmmaking over Zoom, using smartphones to creatively capture their story. Students then continue to film the rest of the summer camps for the final Editing Bootcamp that happens in August.

“The reason the three of us collaborated was to give families a sure-fire schedule that they could put into their calendars now and count on in the months to come,” says Alexander Valley Film Society founder and executive director Kathryn Hecht. “We want kids to stay engaged, meet new people and try to prevent much of that learning slide that is supposed to happen in the summer anyways.”

After the initial AVFS bootcamp, students can participate in LBC’s Summer Arts Sampler Camp for students grades 5–12 that will explore music in the form of ukulele, percussion and hip-hop dance in three available sessions, June 29–July 3, July 6–10 and July 13–17. The center’s instrument lending library will be open for students who don’t have a ukulele, and there is no skill requirement to attend the virtual camps.

From there, students ages 7–12 can also choose to attend Transcendence Theatre Company’s virtual camp, July 27–31, that focuses on musical theater, improvisation, dance and movement. TTC is also hosting a Virtual Teen Intensive Camp for ages 13–18 a week earlier.

The AVFS and the LBC camps are free to attend. Transcendence Theatre Company is charging a modest fee, $35–$100, though TTC has several need-based scholarships available for students on their website.

“This is a collective mission of our arts organizations in the county,” says Transcendence Theatre Company director of education and community engagement Nikko Kimzin. “I think arts are sometimes viewed as the side dish and not the main meal. We are trying to band together to say, especially in this time, connection and creating things as a group is a necessity for the mental health of our youth. The arts can be a main meal when it comes to that.”

The Alexander Valley Film Society, Luther Burbank Center for the Arts and Transcendence Theatre Company virtual summer arts camps run June 22–Aug 7. Registration is required for each camp. Avfilmsociety.org; lutherburbankcenter.org; bestnightever.org.

Rivertown comes to you

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During the past 10 years, Petaluma’s Rivertown Revival has become one of the North Bay’s most beloved annual events of the summer.

The organizers of the festival, a benefit for the conservation and education group Friends of the Petaluma River, were planning this year’s Rivertown Revival when Sonoma County went into shelter-in-place mode to stop the spread of Covid-19.

Given the pandemic’s uncertain timeline, Rivertown Revival canceled the event this year in the name of public health and safety.

“It was going to be awesome,” says Rivertown Revival music-director Josh Windmiller. “Every year, it always is a mind-blowing event.”

Windmiller not only laments the loss of the festivities this summer, he realizes how the cancellation will impact Friends of the Petaluma River fiscally.

“It’s kind of a bleak summer for a lot of people,” he says. “So, we thought, ‘What could we do?’”

To answer that question, Windmiller and the other festival organizers asked themselves, what is Rivertown Revival besides that one-day festival each summer?

“It’s about celebrating the arts, celebrating the community and supporting our natural resources, our environment, through raising awareness and funds,” Windmiller says.

With those goals in mind, Rivertown Revival and Friends of the Petaluma River are teaming up for Living Room Live, which presents all of the best parts of the festival in a streaming weekly showcase on Rivertown Revival’s Facebook and YouTube pages.

Living Room Live kicked off last Saturday, May 23, and will run for three more weeks. Windmiller plays Johnny Carson for the show, and Living Room Live will feature musical performances, a family-oriented segment, “My Town Is Magical,” videos from visual artists, comedy segments and more.

“We’re trying to fit in what people love about Rivertown into something we can get right into their living rooms,” Windmiller says.

He hopes folks will also hit the donate button that will accompany the stream to support the Friends of the Petaluma River, which connects the community to the Petaluma watershed through educational activities and events such as Rivertown Revival.

“I’m really happy, and Rivertown is really happy, to provide another place where people and the artists can meet and build something stronger,” Windmiller says. “That’s what the event has always been, so this is the same thing. A different time, different conditions, but the same thing.”

Living Room Live streams online Saturdays, May 30–June 13, 7pm. Free, donations welcome. rivertownrevival.com.

Undocumented workers face tough circumstances amid pandemic

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Gervacio Peña, who has worked in agricultural fields in Wine Country and elsewhere for more than three decades, says fieldworkers’ lives during the coronavirus pandemic are grim.

“A majority do not receive any support from the government,” he says, in Spanish.

Peña is a founding member of the Graton Day Labor Center, a Sonoma County nonprofit which helps undocumented immigrants and others find work. The people the Graton Day Labor Center works with are always vulnerable, but during Covid-19, they are even more so.

“If they don’t work, don’t pay their bills, then they don’t have enough for food for their families,” Peña says.

The situation is made worse because although undocumented workers pay taxes, they don’t receive any of the unemployment benefits other unemployed workers are now relying on.

Undocumented workers in California pay $3,199,394,000 per year in state and local taxes, according to the Institute on Taxation and Economic Policy (ITEP). The Institute estimates that 26,100 undocumented Californians live in Sonoma County and contribute $16,400,600 into local coffers. In Marin, 8,100 undocumented people contribute $5,032,000 a year to the county, and in Napa, 9,800 individuals generate $5,357,000.

Furthermore, depending on their employer, some do not receive paid sick leave, and many may be discouraged from using even those services to which they have legal access.

As the Covid-19 pandemic has already shown, the supply chain is only as strong as the human hands holding it together.

In the North Bay, undocumented residents play an important role in growing and harvesting wine grapes, but also in a variety of other critical industries.

Undocumented workers can be found in restaurant kitchens, construction sites and offering home care for many of the North Bay’s elderly residents. And, as another fire season begins, undocumented landscape workers help to complete potentially life-saving, home-saving and business-saving fire-abatement projects.

As Sonoma County begins to reopen some businesses it’s worth noting that some essential workers never stopped working, and many undocumented workers could not afford to take time off due to a lack of any direct government aid.

Last week, Gov. Gavin Newsom’s administration launched a program to offer one-time aid to undocumented workers but, even on paper, the numbers fell short of providing meaningful help to all undocumented workers.

Newsom’s Disaster Relief Fund will distribute $75 million in state funds, along with an additional $50 million from nonprofits contributions. Under the program, undocumented workers will be eligible for a one-time payment of $500 with a $1,000 cap per household.

In the end, the $125 million package only pencils out to $500 for 250,000 undocumented people in a state that is home to an estimated 2 million-plus undocumented people.

On May 12, the Sonoma County Department of Health Services released figures broken down by race and ethnicity.

The numbers reveal stark inequality. Latinx residents comprise 26.6 percent of the total number of Sonoma County residents, but 69 percent of Covid-19 cases, as of Tuesday, May 26. By contrast, white people comprise 63.5 percent of the county’s population, but only 25 percent of Covid-19 cases.

Many things remain unclear based on the numbers the county has released. For instance, Sonoma County has yet to release data by zip code, a step that Santa Clara County took on May 18. The county has also not released data about Covid-19 patients’ income levels or immigration statuses.

The Sonoma County Department of Health Services did not respond to a request for comment on its plans to release additional data.

Salvador G. Sarmiento, campaign director of the National Day Laborer Organizing Network, spoke during an April 28 online meeting about immigrants’ concerns during the pandemic, focusing on the action—or inaction—of local governments as an important factor moving forward.

“The question for local officials is: What are you going to do?” Sarmiento said. “We know what Trump is going to do. The real question is what are the mayors going to do, what are the governors going to do?”

In February 2017, eight months ahead of the catastrophic wildfires, the Sonoma County Board of Supervisors passed a non-binding resolution committing the county, at least in theory, to “Providing essential services to all County residents regardless of immigration status” and “Developing solutions to ensure respect for the rights of all residents and to take actions to ensure the family unity, community security, dignity and due process for all residents of Sonoma County.”

Yet, in a May 14 interview, Sonoma County District 1 Supervisor Susan Gorin wasn’t able to point to activity on the board’s part to protect undocumented immigrants during the Covid-19 pandemic.

“We’ve been slow to really embrace worker conditions, or safeguards for undocumented workers,” Gorin acknowledged.

That lack of action was also pointed out by county residents and activists during a May 18 supervisors meeting, the supervisors’ first public meeting after the county released data about Covid-19 disproportionate impact on the county’s Latinx population. Several supervisors spoke in favor of ramping up efforts to support the county’s Latinx communities and, since then, the health department has ramped-up testing in some areas with large Latinx populations.

Asked how many constituents contact her about the health and welfare of the people who perform their fire abatement, care for their houses and children, tend their vineyards and pick their food, Gorin gave a quick answer: “Not many.”

She also says that some landlords are trying to evict undocumented tenants during the pandemic.

“They can’t complain loudly about living conditions, and they’re desperate for housing, and it’s impossible for them to get additional housing [if they’re evicted.],” Gorin says. “So they’re mostly the silent part of the equation.”

Sonoma County Legal Aid’s caseload is ever-increasing, Gorin says. But, despite passing a local eviction ordinance for the duration of the Covid-19 pandemic in late March, the county has not set aside substantial funding to provide legal assistance for renters, documented or not.

Graton Day Labor Center Executive Director Christy Lubin is a vocal critic of the county’s track record so far, saying, “I don’t know that our Board of Supervisors has made any commitment to protect our farmworkers.”

So, with no serious amount of financial aid on the horizon and local plans to reopen the economy rolling out day by day, the Graton Day Labor Center started sending workers out again in early May.

“Garden, landscape and construction jobs are legal now,” Lubin said on May 14. “No indoor jobs at this time, but everyone who can work is working. There’s a lot of grass to be cut; weed abatement and fire safety.”

But are the workers the Center sends out safe?

“I sure hope so,” Lubin says.


North Bay Students Curate Online Art Show on Theme of Belonging

Located on the grounds of the Veterans Home of California in Yountville, the Napa Valley Museum closed its doors in mid-March to help stop the spread of the Covid-19 pandemic. What’s more, due to the virus-vulnerable residents who live at the Veterans Home, it’s unlikely that the museum will be able to open on the same timeline as other venues.

“They haven’t had any (Covid-19) cases among the veterans which is wonderful, but they’re understandably very protective,“ says Laura Rafaty, Executive Director of Napa Valley Museum. “And then there’s a lot of (Covid-19 related) retrofitting that has to get done before we can reopen; things like the elevator, stairwells and the gift shop, we can’t have people touching things. It’s going to be a very different environment and we are going to work our way through that.”

The closure means the museum’s current exhibit of visual works by actor and activist Lucy Liu, “One of these things is not like the others,” is currently sitting in the dark until the museum reopens, at which time the exhibit will run through October.

The closure also means that the museum’s planned student-curated youth art exhibition in April was delayed until now; transformed into a virtual exhibit available to view on the Napa Valley Museum website.

“We had this student exhibition scheduled for April, but suddenly the kids were out of school and most of this artwork was stranded in the school building without a way to physically get at it,” Rafaty says. Once the museum could get the works in hand, the plan became to show the artwork virtually and, if possible, to display the pieces physically at the museum once it can reopen.

“The opportunity to have your work seen in a museum is so impactful for kids,” Rafaty says. “We don’t want to miss that, and at the same time, this is maybe a chance for people who would never physically get to our museum to see the work of these talented artists from the North Bay.”

The now-virtual exhibit, titled “Not From Around Here,” is the fourth annual youth art show that the museum presents in partnership with Napa’s Justin-Siena High School visual arts department.

The goal of the annual exhibit is to present diverse artwork centered on a timely or personal topic, and this year’s theme aims to raise questions within the student artists’ minds, “about our sense of belonging somewhere or to something.”

Nearly 30 student artists are participating in this year’s online exhibit, representing Justin-Siena High School, Vintage High School, The Oxbow School, Saint Helena High School, Marin Catholic High School and Novato High/Marin School of the Arts.

The works on display include paintings, photography, collage and assemblage and drawings that explicitly or abstractly tackle the topics of identity and society as it relates to the theme. In addition to the art, students write an accompanying artist statement that speaks to their intent.

“When you look at the statements, you get that sense of some of them asking, ‘Who am I?’” Rafaty says. “Being different, being out of place, that seems to be a theme that goes through this.”

Led by a panel of student jurors and curatorial teams, this is a youth exhibit through and through. The young artists even decide where to hang the work in the museum normally.

“Our team gets to work with the kids and see how they envision this, and sometimes they do things that we might not have thought to do that are really impactful,” Rafaty says. “We’re really missing that with the virtual exhibit.”

In addition to viewing the work online, virtual visitors are encouraged to vote online for the exhibit’s “People’s Choice” award and to donate to the museum’s efforts to reopen its galleries and educational programs.

Napa Valley Museum’s fourth annual student-curated exhibit, “Not from Around Here,” is on view virtually now through July 31 at napavalleymsuem.org.

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North Bay Students Curate Online Art Show on Theme of Belonging

Napa Valley Museum’s annual youth exhibit moves to the web.
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