North Bay Author Offers Guide to ‘Dying Well’

The inevitability of death has always been a source of dread and anxiety, across all ages and human societies. But the modern age has produced a new, very particular dimension to that primal fear.

Many of us fear not so much death itself, but rather the chaotic, disorienting and often extremely expensive process of dying made common by modern medicine.

But if dying is still inevitable, a messy and inhumane death it does not have to be. That’s the message behind journalist Katy Butler’s recent book The Art of Dying Well: A Practical Guide to a Good End of Life (Scribner).

Butler, who discusses the book online in a virtual event hosted by Napa Bookmine and the Yountville Community Center on Friday, July 31, has crossed this terrain before. Her 2013 book Knocking on Heaven’s Door: The Path to a Better Way of Death was part memoir and part investigation, offering the story of her father’s death as an illustration of what she calls “the Gray Zone,” the suspended state between an active life and clinical death largely created by modern medical technology.

“I felt I had laid out a problem in the first book,” says Butler, a long-time Bay Area reporter and writer. “I felt there was a need for a book that was about solutions, and that’s really the difference—this book says, OK, granted we have a broken medical system that is very fragmented toward the end of life, and we are afraid of death anyway. So given these problems, here are the workarounds—stories of people who have actually risen to the occasion and trusted their own best instincts to create a death that was less bad, or maybe even really good.”

The Art of Dying Well works best as a kind of handbook. Its seven chapters are determined by the particular stages of life, from “Resilience,” when you’re still active and healthy, all the way to “Active Dying,” the moment when it’s time to say goodbye. Along the way, each chapter outlines the attitudes and methods of preparation that can lead to a dignified and emotionally fulfilling end of life. The book’s format, says Butler, allows readers to return to it at different times in their lives.

“If you’re in the ‘Resilience’ part of life,” she says, “where you can still reverse a lot of health conditions, then you might want to read that chapter and call it a day, and put it away until you’re in some very different stage of life. And, if you’re in crisis, if there’s someone in your house who is dying, then skip the early parts and turn to the last two chapters and you’ll get a lot out of that.”

Butler’s inspiration was an antique text called Ars Moriendi, translated from the Latin as The Art of Dying. The text dates back to the 1400s and is a kind of medieval guidebook on the best way to meet death. She calls it one of the first bestselling self-help books. “It framed dying as a spiritual ordeal, and it named five different sorts of temptations and emotional struggles at the end of life, and how your attendants or friends could reassure you and help you through that.”

Though the fact of dying hasn’t changed, the circumstances of death have been upended since the Middle Ages. Butler started the writing process mindful of what links ancient ideas of death with contemporary ones.

“I do think there’s some commonality to what people think of as a good death. Clean and comfortable and relatively free from pain, having people that you love around you, being spiritually at peace,” she says. “Those things are still the same.”

The new book also offers up practical policy ideas to address what she calls a “technology-rich but relationship-poor” health care system. One such idea is a Medicare program known as PACE, which keeps ailing seniors out of hospitals and nursing-care facilities when it’s practical to do so, while still meeting their needs for home care, therapy and medication. The problem is, PACE is limited in its capacities and its funding. Still, there are many more down-to-earth approaches people can adopt to make a fulfilling end of life better for everyone—approaches that previous generations knew something about.

“You look at the ‘Greatest Generation,’” Butler says, referring to those who lived through the Great Depression and World War II. “They had stronger social networks and more of an understanding to bring a covered dish when someone has a major health crisis. We need to relearn some of those more rural or red-state values of neighborliness and being part of community groups. That stuff matters.”

Katy Butler discusses ‘The Art of Dying Well’ on Friday, July 31, online at 5pm. Free; $5 donation suggested. RSVP required at Napabookmine.com.

Original article by Wallace Baine, with additional reporting by Charlie Swanson.

Virtually Attend These North Bay Music Festivals

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New cases of Covid-19 continue to rise in the Bay Area, and social gatherings remain off-limits for many venues and organizations that annually host major music festivals in Sonoma and Napa County each summer.

Some events, including BottleRock Napa Valley, have delayed the festivities until 2021. Other productions, such as the Broadway Under the Stars theatrical series in Glen Ellen, are moving online, with virtual versions of their popular performances.

As summer moves into August and sheltering orders stay in effect, several events planned for the late-summer season are opting to stream their festivals in place of presenting live events.

Founded in 2011, the Napa Porchfest lives by the mantra of taking the music “out of the garage and onto the porch.” The summer showcase takes over several blocks of downtown Napa, with dozens of bands and artists turning the historic neighborhood’s porches, lawns and public spaces into stages.

Back in May, the organizers of the festival, which always takes place on the last Saturday of July, canceled the event, writing on Facebook that, “We love Porchfest and think it’s a great local event, but the health and safety of our community is much more important.”

Now, the festival is effectively moving “out of the porch and onto the internet,” as Napa Porchfest hosts several artists in a livestream event this weekend. On Saturday, July 25, Bay Area party band Sweet HayaH and others will stream live at 7pm. On Sunday, July 26, Napa Porchfest presents a full day of virtual sets from local bands including Skunk Funk and Midnight Crush. Visit Napa Porchfest’s website for the full schedule. Bands can also register to add their live stream to the schedule.

In Sebastopol, the summer traditionally brings with it the beloved weekly concert series Peacetown, which attracts local bands and music lovers to Ives Park each Wednesday for a joyous celebration of music and positivity.

In the wake of Covid-19, the North Bay could use a little more positivity this summer, and in lieu of live concerts, the Virtual Peacetown Concert series is instead presenting engaging videos of past performers streaming every Wednesday evening through the summer season.

The weekly videos also feature interviews with local businesses and restaurants, keeping the community connected in times of crisis. The Virtual Peacetown Concert series continues next week, on July 29, with video performances by local Beatles cover act Pepperland and veteran Sebastopol rock group Bohemian Highway. Other bands scheduled to appear this summer include reggae rockers Sol Horizon, Americana outfit Laughing Gravy, dance band New Copasetics, zydeco masters Gator Nation and more local favorites. Find the full schedule and tune in Wednesdays at 7pm on Peacetown’s Facebook page.

In Petaluma, the summer is not complete without the Petaluma Music Festival, which annually presents local and internationally touring acts on five stages at the Sonoma-Marin Fairgrounds. Founded by Petaluma High School music director Cliff Eveland, the nonprofit event raises tens of thousands of dollars each summer for music programs in local schools, and the festival always puts on a fun and engaging day of live music and local flavor.

This year’s planned 13th annual event was scheduled to take place on Saturday, Aug. 1, though the organizers canceled the festival a month ago when it became apparent that Covid-19 would still be around in August.

In place of the live festival, the organizers are now offering the first-ever Online Petaluma Music Festival, which will feature live-streamed and/or archived video performances by many of the headline artists that were a part of this year’s lineup, plus past performers and surprise special guests.

The online festival takes place Aug. 1, and confirmed bands on the virtual bill include Denver funk outfit The Motet, New Jersey Americana act Railroad Earth, Hawaii soul guitarist Ron Artis II, Nashville folk-rock band the Wood Brothers and Bay Area bands including Royal Jelly Jive, T Sisters, Chris Robinson Brotherhood, David Nelson Band, the Mother Hips and dozens of others. Watch the Online Petaluma Music Festival on the fest’s website.

Later this summer, the Cotati Accordion Virtual Festival will replace the planned 30th annual Cotati Accordion Festival. Instead of happening at La Plaza Park, the virtual festival will take place online Aug. 22 and 23 with internationally acclaimed virtuosos from nine different countries, such as Cory Pesaturo, Alex Meixner, Pietro Adragna and Gary Blair, performing live. Details on the event’s streaming platform and more are still forthcoming.

“The world premiere of the Cotati Accordion Virtual Festival will give the viewers a chance to see the accordion played at artistic levels never imagined by the uninitiated,” festival organizers write in a statement. “Whether you are an accordion aficionado or just curious, the performances will be unforgettable.”

Talking Heads’ drummer releases memoir

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Chris Frantz goes deep behind the scenes of his bands Talking Heads and Tom Tom Club in his new memoir, Remain in Love, which came out July 21. But one thing the drummer for two of the most influential bands to come out of New York’s celebrated punk and New Wave scene in the late ’70s and early ’80s doesn’t write much about in the book is his own drumming.

It’s an especially odd omission considering Frantz’s idiosyncratic style of interjecting loudly and often into Tom Tom Club songs, as immortalized in the greatest concert film of all time, 1984’s Stop Making Sense. Frantz’s excited growling of “James Brown! James Brown! James Brown! James Brown!” is part of what made “Genius of Love” such a rock and hip-hop touchstone, but his added live vocalizations in the film—“The girls can do it too, y’all!” “Psychedelic and Funkadelic!” “Feels good to me!” and of course, “Check it out!”—take it to a whole other level.

Talking to him about it now though, it’s clear he didn’t write a lot about his wild, live style because … well, he doesn’t know exactly what to think about it himself.

“Man, I don’t know,” he says, when asked what inspired it. “All I know is I wish I could have been a little more relaxed. I guess it comes from the hype men that bands would have come out, like Bobby Byrd for James Brown. It sprung up with Tom Tom Club—the mistake was putting a microphone in front of me. If I didn’t have a microphone, at least nobody could hear it.”

For those who only remember the stories about acrimony among the members of Talking Heads after the band broke up, the scenes of sweetness, camaraderie and creative bursts during the band’s time together are exciting and, in a certain way, almost reassuring. 

Even though he is even-handed in his memoir, Frantz isn’t sure how it will be received in some circles.

“I thought about this book for eight years before I actually sat down to write it,” he says. “At first I was afraid that, ‘Well, it might clear any chance of a Talking Heads reunion, I don’t want to do that.’ Because I know there are people who love David Byrne so much they want to be David Byrne; I’ve met a lot of them along the way. So I’m prepared for some people to react badly to anecdotes I told about David in the book. But the fact is that they’re all true—and the fact also is that I didn’t tell all of the anecdotes.”

However, considering the band’s buttoned-up reputation (especially in the early years), the anecdotes about partying and drugs and even Byrne shitting on a hotel bed might actually enhance their rock ’n’ roll reputation.

“We might have had a touch of nerd in us,” says Frantz, “but we weren’t completely nerdy.”

Chris Frantz will do a virtual book event for ‘Remain in Love’ on July 28 at 6pm, in conversation with Jeff Garlin. Go to booksoup.com/event to reserve a spot.

Letters: Dark Age

We are still in the dark regarding the implications (of the fact) that the greatest machine known has more than 10 million endocannabinoid receptor cells within and on the surface of the human body that are specific to absorb the healing molecules of marijuana. (“Wanting MORE,” Rolling Papers, July 15).

The main effect is to ameliorate irritation and inflammation including the mind. Cannabis has a plethora of other potential benefits that reverse erectile dysfunction, improving appetite and opening up a new, but related, vision of life itself! But it is not for everyone. Dictators decide for others. Normal took more than half a century to obtain non-stoppable legalization. This is not acceptable but I was not there to notify normal to lead with the positives rather than projecting a defense as though we are guilty. Marijuana is a peace plant and, “war is law, love is almost illegal.”

The deceit of fear and Terror around marijuana may not be unrelated to the fear and Terror of a pandemic that is not a pandemic according to the public health textbooks I studied!

Before kissing put on your mask!

Dr. Joel Taylor, D.C.

Via PacificSun.com.

SCOTUS Push

President Donald Trump and Senate Majority Leader Mitch McConnell have tried to make it clear: Given the chance, they would push through a Supreme Court nominee should a vacancy occur before Election Day.

Interesting, Moscow Mitch used J. Biden’s earlier challenge to block M. Garland’s nomination. Now, he and this Administration want to go back against their earlier challenge and push through another nominee. Moscow and this Administration should leave the status quo and give the winner the opportunity to nominate a candidate to the Court. 

Gary Sciford

Santa Rosa

Join This Weekend’s Socially Distant Cleanup on the Petaluma River

Each spring, the Petaluma River usually gets a revitalizing and refreshing environmental facelift courtesy of the stewardship and educational community organization Friends of the Petaluma River, who annually host a major river cleanup project on the first Saturday in May.

Yet, the trash and debris is piling up in the Petaluma River this summer after concerns over the Covid-19 pandemic cancelled the planned 2020 iteration of the Spring Petaluma River Cleanup scheduled for two months ago.

Now, organizers at Friends of the Petaluma River are ready to roll up their sleeves and get back to work, and the organization welcomes the public back to the river for a socially distant river cleanup event taking place on Saturday, July 25. Volunteers are invited to sign up online and choose one of several creek locations where small groups will meet to pick up trash from 8am to noon.

“While we can’t have our big gathering and BBQ, we can still work together to protect the Petaluma River,” Friends of the Petaluma River executive director Stephanie Bastianon says in a statement. “People are eager for a way to do good in our community and our annual river cleanup is a safe way people can come together outside, from a distance, and support our local waterways.”

The cleanup event, dubbed “Protect Our River from Six Feet Apart,” is meant to be a day of environmental volunteerism that will also keep participants as safe as possible during the pandemic. Organizers urge volunteers to bring their own water bottle and gloves and to wear sturdy shoes. Trash pickers will be provided, along with buckets, bags, sanitation wipes and gloves as needed. Registration and safety waivers are online now, and it is requested that volunteers sign up in advance to receive their preferred creek assignment.

The annual Spring Petaluma River Cleanup normally removes approximately 3,000–5,000 pounds of trash from the river and surrounding watershed each year. While this socially-distant event is expected to be smaller than the annual spring cleanup, which often includes many student and civic groups participating, the Friends of the Petaluma River still anticipates the removal of hundreds of pounds of trash from the river.

“The trash in our river impairs water quality and pollutes sensitive habitat,” Bastianon says. “It will also ultimately contribute to the astounding amount of trash that ends up in our oceans. With researchers predicting the plastic in our oceans to outweigh fish by 2050, we really need to act now to stop trash from reaching out oceans.”

In partnership with the City of Petaluma, Friends of the Petaluma River was formed in 2005 to celebrate and conserve the Petaluma River Watershed through education and stewardship activities.

The group manages Steamer Landing Park and the David Yearsley River Heritage Center where it hosts educational programs. Throughout the North Bay, the group’s educational reach includes a watershed classroom that travels to local schools as well as youth nature camps like the award-winning Green Heron Nature Camp; an ‘Adopt A Creek’ initiative; the twice annual river cleanups; weekly ‘Boating at the Barn’ outings and the new after-school nature program, Friends’ Flickers.

In addition to the canceled spring cleanup, the Friends of the Petaluma River have also had to cancel several other community events and fundraising festivals, including the immensely popular Rivertown Revival this month. That event, which takes place at the David Yearsley River Heritage Center each July, was instead presented as a virtual variety show series on Facebook. Other planned events that have been canceled or postponed include the Transhumance Festival and the Wine & Whiskey for the Wetlands benefit event. As the Friends of the Petaluma River work to reschedule these events, the organization also invites the public to support the river through an online Clean Water Pledge.

The Socially-Distant Petaluma River Cleanup takes place Saturday, July 25, throughout Petaluma’s watershed area. 8am to Noon. Registration and additional information can be found at FriendsofthePetalumaRiver.org.

LGBTQ Connection Seeks Nominees for Youth Leadership Teams

Since forming in the spring of 2011, LGBTQ Connection has grown from a small support group into a comprehensive, multi-county initiative fostering healthy, diverse and inclusive communities in the North Bay.

From the beginning, young emerging leaders have driven the organization, which annually engages 3,500 LGBTQ people, their families and their community and trains providers from local organizations across Northern California to increase the safety, visibility and wellbeing of LGBTQ residents.

This fall, LGBTQ Connection invites the public to nominate individuals age 14 to 24 to join the organization’s youth leadership teams and continue the community-wide work to create positive change in Sonoma and Napa counties.

Each semester, LGBTQ Connection recruits interested and motivated youth to work with the youth leadership teams in five- or six-month cycles in Napa, Santa Rosa, Calistoga or Sonoma.

This upcoming semester, these teams will be meeting virtually to maintain social-distancing practices in the wake of Covid-19. Without any transportation barrier, LGBTQ Connection plans to connect these once-separate cross-county teams into one virtual ensemble.

This past spring and summer, LGBTQ Connection was forced to cancel all in-person events when the shelter-in-place orders went into effect in Napa and Sonoma counties last March. In place of those events, the organization has transitioned into online programming via video or telephone services.

This programming includes weekly online meet-ups for youth and young adults, twice-monthly video check-in meetings for older adults, free online counseling appointments with LGBTQ-friendly therapists, wellness calls for youth and seniors, LGBTQ information and referrals for all ages and much more. All of these services are offered in English and Spanish, serving the entire community.

Together, this fall’s youth leadership teams are responsible for creating more virtual events and internet-based initiatives that advocate for increased awareness, visibility and wellness of North Bay LGBTQ youth.

In partnership with LGBTQ Connection, these teams give young people the opportunity to learn how to be a part of a team and to be community leaders. Each team meets once a week for five intensive months.

“That intensity is what we’ve found that it takes to come together as a team and organize impactful projects and events for our community,” LGBTQ Connection organizers write in a statement. “These projects bring people together across generations and cultures to build a stronger, more vibrant, and more inclusive LGBTQ community.”

This fall, the youth leaders chosen to participate in LGBTQ Connection’s cross-county teams will work on one of two initiatives. First, a community connection team will work on a project centered around community building and creating inclusive spaces; in addition, a community change team will work on a project centered around advocacy and systems change. In response to current events regarding police protests and the Black Lives Matter movement, both team’s projects will include racial justice as a primary focus.

“The modern LGBTQ movement erupted through uprisings against police brutality led by Black and Brown transgender women. We will work to remain connected to their legacy … throughout the many months ahead,” LGBTQ Connection organizers wrote in a statement last month. “LGBTQ Connection was founded with the goal of listening to and lifting up underrepresented LGBTQ voices, changing unjust systems, and investing in community leadership—especially with our youth, people of color, elders, transgender people, and people from rural areas. Today, we recommit ourselves to those values, to continue to be in relationship with our communities, and to let our actions speak as loud as our words.”

LGBTQ Connection is a program of On The Move, a nonprofit that partners with communities and mobilizes emerging leaders to take action in pursuit of social equity. Those interested in learning about becoming a Fall 2020 youth leadership team member can attend an information meeting hosted by LGBTQ Connection via Zoom on Tuesday, Aug. 4, at 3pm. If you know a youth that would benefit from being on this team, nominate them. If you’re a youth, apply now.

lgbtqconnection.org

Petaluma Speedway Sells ‘Pit Passes’ Amid Pandemic

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In Sonoma County outdoor spectator sports are shut down because crowds are vectors for the spread of the deadly Covid-19 virus. But some people and businesses believe themselves to be exceptions to the public health rules made to protect us all.

On Saturday night, the Petaluma Speedway hosted the West Coast Stock Car Hall of Fame Classic, and the Bohemian was on the scene at the fairgrounds, observing. Citing Covid-19 public health order restrictions, the Speedway has closed the main grandstand where generations of fans once cheered the raucous machine circuses. Racing fans can now safely watch the exciting contests online. But some diehards are putting themselves into harm’s way, paying three times the regular ticket price of $16 to physically attend the races by purchasing tickets disguised as “pit passes.” Many of these attendees were not wearing masks, nor keeping safe distances from each other—exhibiting the kind of behavior which is blasting the flames of Covid-19, nationwide.

Speedway managers are trying to skirt the public health ban on crowd spectating by charging fans $45 for viewing the races from a smaller, benched viewing area across from the main grandstand, accessed through the pit area. Trying to cover its potential liabilities for spreading Covid-19, the Speedway requires all who enter to sign a blanket liability waiver  in case they are infected with Covid-19 whilst on the premises of the racetrack.

Legal experts opine that these Covid-19 waivers are not worth the paper they are printed on. (Adults are required to sign away a child’s right to sue for negligence). For one thing, the Speedway is not consistently enforcing all of the mandated safety precautions it claims to be abiding by on the Covid-19 protection signage it is compelled by law to display. Rather, the Speedway is putting everyone in Sonoma County and beyond who, during the next two weeks, comes into contact with a fan or driver or official who was infected there at risk of illness and death. Are we all agreed that watching stock cars race is worth dying for? Of course not.

On Saturday, the Bohemian observed, and took photos of, unmasked staff selling the $45 “pit passes” to non-mask-wearing fans who were paying to watch. A handful of people roaming the pit, and a few of the spectators watching the races, wore masks, but most did not. Even the racing officials lining up the cars to enter the track were not wearing masks as they leaned in to talk to unmasked drivers.

The Speedway manager, Rick Faeth, said in a telephone interview that 300 people attended the race on Saturday, including drivers and their crews and Speedway staff of eight and the pit-pass-purchasing spectators. Although Speedway staff is required to take the temperature of all those entering the racing pit, the Bohemian did not see any one having their temperature taken as they strolled through the gates past a not-masked security guard who monitored the entrance for those bearing pit pass wristbands while sitting in a golf cart.

Faeth said he did not have enough staff to “play mask monitor,” but that in the future he would ask the EMTs staffing the Fire Department ambulance that is on hand for car accidents to help discipline the crowd. He commented that the racetrack’s insurer requires that all those who enter to sign the Covid-19 waiver form and that he cannot speak to its legality.

The Speedway’s Covid-19 waiver format was created by California Fair Services Authority, which insures fairs and racetracks in California. The waiver that all who enter the racetrack are required to sign acknowledges, “I am aware that I could be infected, seriously injured or even die due to Covid-19. … I am voluntarily participating in these activities with knowledge of the danger involved and agree to assume any and all risks of bodily injury, death or property damage, whether those risks are known or unknown.”

The densely worded waiver forever indemnifies the Speedway operators, the Sonoma-Marin Fairgrounds, Sonoma County, the state of California and unnamed contractors from “any and all liabilities,” not just for contacting Covid-19, but for any type of harm that occurs to them on the premises. Remarkably, that blanket indemnification includes any acts of negligence by all of the above. And even your heirs and survivors are not allowed to sue if you are killed by Covid-19 contracted at the Speedway. Or so says the waiver, which does not mean it is legally valid.

Legal expert Allison Zieve, with the Public Citizen Litigation Group, reviewed the Speedway’s Covid-19 waiver. She said, “The waiver sounds way overbroad. I am skeptical that any court would enforce it as written, certainly not as to many or most of the claims that it purports to waive.” Its signers are not informed that, in actuality, they really cannot sign away all of their rights to sue. They are just encouraged to believe that the waiver is binding on them and their heirs in perpetuity—but it is not, so the Speedway is not telling the truth to those who are entrusting it with their safety and well being.

While it is not uncommon for skydiving and other businesses selling dangerous experiences to require liability waivers, they cannot escape liability for negligence, which is what the Speedway and its insurer are trying to do—pretending that people can sign away rights to sue for damages under all circumstances. Attorney Zieve asks, “I wonder if the waiver was drafted so broadly just to discourage people from filing lawsuits in the first place, because they assume that they can’t?”

Writing in the legal profession’s ABA JOURNAL, Tyler T. Rasmussen, a litigation partner with Fisher Phillips in Irvine, California asserts, “To be the most enforceable, you have to have a [Covid-19] contract that is narrowly tailored to your business. It has to be clear and unambiguous and easily understandable by the individual who is reading it.”

There is a larger question to ask, though. The Speedway appears to be violating the state and county requirements that it take the temperature of all those who enter and enforce physical distancing and mask wearing. Since it takes a person infected with Covid-19 two weeks to show symptoms, proving that the virus was contracted at a specific time and place by a specific person is extraordinarily difficult. Why is the Speedway requiring its drivers and the spectators to sign away their right to sue if it is really operating its business according to the public health rules that are designed to protect everyone? California law explicitly protects Speedway employees from signing away their right to sue for negligence. But the fans are told otherwise—and we are all at risk of being victimized by what looks like legal jabber covering for potential negligence.

With new infections sharply rising, Sonoma County Health Officer Dr. Sundari Mase has issued a public warning, “Even gatherings over 10 people are fueling rising infections. Your social bubble should really consist of your household members at this time.” That applies to stock car racers and their pit pass holding fans, too.

Seghesio Family Vineyards Selects Artist for Anniversary Mural

Founded five generations ago, Sonoma County’s historic Seghesio Family Vineyards is preparing to celebrate its 125th anniversary this fall, and in addition to planned parties and events, the winery’s tasting room in Healdsburg will receive an artistic commemoration courtesy of acclaimed artist Angie Mattson.

Mattson is the winner of the Seghesio Family Vineyards’ recent online Anniversary Mural Contest, and her design, “Night in Zinfandel,” won out over hundreds of entries submitted by artists from across the country. Mattson will turn her design into a large-scale art mural at the tasting room later this year.

Mattson’s design is a monochromatic illustration of grape-picking with symbols of nature interwoven throughout. She says it reflects the people, places and values of Seghesio Family Vineyards.

“Since Seghesio is so well-known for Zinfandel, I did a lot of research to get the shape of the leaves and the grapes just right,” Mattson says in a statement. “I also did a lot of research into the flavors of Zinfandel and tried to incorporate those elements into the design. I love the idea that wine is influenced by the land it comes from—the mountains and the sea, the wild herbs, flowers, and plants that grow in and around a vineyard. I wanted to capture the way it feels when you’re in a vineyard and especially at night under the stars when it’s very peaceful but there is still a lot happening—that’s when the animals are coming out and there is some mischief.”

Seghesio Family Vineyards launched the online mural contest in April, and received over 100 submissions from artists of all backgrounds. The entries were viewable online, and visitors were encouraged to comment on their favorite designs, with each comment counting as a vote. The votes were considered when choosing the finalists, along with input from a panel assembled by Seghesio Family Vineyards.

“We were humbled by the outpouring of interest by talented artists across the country who desired to participate in our 125th-anniversary celebration with a mural design inspired by Seghesio’s incredible wines and story,” Stephanie Wycoff, estate director of Seghesio Family Vineyards, says in a statement. “There were many stunning designs, but Angie Mattson’s submission was visually striking and captured the essence of our charm and history with many thoughtful details.”

Contest finalists included acclaimed artists such as Amanda Lynn for her design, “Taste of Life,” Monica Tiulescu for her design, “Zen of Zin,” ELLE for her submission “Vineyards Poetry” and Kimberly Yaeger for her unnamed design. All works can be viewed on the contest website.

Mattson, who also goes by her artist moniker Uto X, is based in Grand Rapids, Michigan. Her art has increasingly been defined as a minimalist folk-art style for the past several years. Also a musician, Mattson began making art by designing merchandise for her band, In The Valley Below, splitting her creative time between music and visual art inspired by her life on the road.

The Seghesio family has been a part of the North Bay’s wine culture ever since Edoardo Seghesio planted his first Zinfandel vineyard in Sonoma County’s Alexander Valley in 1895. Today, the winery’s 400 acres of vineyards in Alexander, Dry Creek and Russian River Valleys produce award-winning Zinfandel and Italian varietals under the direction of winemaker Ted Seghesio.

Due to Covid-19 health and safety restrictions, Seghesio Family Vineyards’s tasting room in Healdsburg is currently opening up its adjacent grove for outdoor wine tastings Thursday through Sunday. Reservations are required and are available on Seghesio.com.

Gov. Gavin Newsom Announces New Guidelines for Schools

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As educators across the state finalize back-to-school plans, Gov. Gavin Newsom today announced new criteria on how schools should operate amid the Covid-19 pandemic.

“Learning in the state of California [is] simply non-negotiable,” the governor said during a virtual press conference. “Schools must provide meaningful instruction during the pandemic whether they are physically open or not. We all prefer in classroom instructions for all the obvious reasons … but only if it can be done safely.”

Criteria 1: In-person school is based on local health data

In order for schools to have in-person classes this fall, Newsom said that the county in which the school is located must be off the state’s monitoring list for 14 consecutive days.

“Schools that don’t meet this requirement, they must begin the school year this fall through distance learning,” Newsom said.

The state Department of Public Health maintains a list of counties seeing an increase in transmission and hospitalization and have limited ICU and ventilator capacity.

Criteria 2: Mask requirements

All staff and students in the third grade and up must wear a mask at all times. Students in the second grade and below are encouraged to wear either a mask or a face shield.

Criteria 3: Physical distancing

All staff must maintain a six-foot distance between each other and students at all times. Schools will be required to have daily temperature checks and hand-washing stations.

Newsom said deep sanitation and disinfection must also be a priority and that schools are required to create quarantine protocols if students or staff contract COVID-19.

Criteria 4: Testing and contact tracing

School staff will be required to get tested for COVID-19 on a regular basis and the state contact tracing workforce will be directed to prioritize schools.

Criteria 5: Rigorous distance learning

For schools that can’t return to in-person classes, teachers will be required to have live daily interactions with their students. Teachers must assign work equivalent to that done during in-person classes. English language learners and special education students should have adapted lessons.

Access to internet and devices has also been marked a high priority, with the state investing $5.3 billion in additional funding to make learning more equitable.

According to the state Board of Education, 20 percent of California students—1.2 million—can’t access the internet at home. The digital divide is even worse in rural areas, according to a 2019 analysis by EdSource which found only a third of California households in rural areas have internet compared to 78 percent in urban areas.

Newsom also announced guidelines for what schools should do in the event of an outbreak. The governor said that if 5 percent of a school tests positive for COVID-19, then the school must close. If 25 percent of schools in a district have positive cases that reach that 5 percent threshold, then the district must be closed within a 14-day period.

“None of us want to see education virtualized—at least I don’t,” Newsom said. “The one thing we have the power to do to get our kids back into school is look at this list again: wear a mask, physical distance, wash your hands, minimize the mixing. The more we do on this list and we do it at scale, the quicker … we’re going to mitigate the spread of this virus and kids are back in school.”

In a statement released on Friday afternoon, Dr. Steve Herrington, the Sonoma County Superintendent of Schools, addressed Newsom’s announcement.

“(The Sonoma County Office of Education) SCOE will now work closely with local school leaders and our public health department to interpret these state directives and how they impact the plans that schools have been diligently creating throughout the summer. Additionally, SCOE will work with our public health partners to ensure that Sonoma County has adequate testing and contact tracing capacity to ensure a safe return to school once Sonoma County is off the watch list,” Herrington said.

“I will meet with Sonoma County’s 38 superintendents, as well as charter school and private school leaders, early next week to discuss this new guidance in detail. SCOE has been and will continue to provide professional development and other supports to assist districts in building robust distance learning options for all students. Sonoma County schools are committed to serving families with high-quality instruction and supports, regardless of the current conditions under COVID-19,” Herrington continued.

‘Living Room Live’ Concludes Online Run This Weekend

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Over the course of a decade, Petaluma’s Rivertown Revival­—dubbed the Greatest Slough on Earth—has become one of the North Bay’s most beloved annual summer events.

The planned 11th annual Rivertown Revival was originally scheduled to happen this summer on Saturday, July 18, on the Petaluma River to benefit the conservation and education organization Friends of the Petaluma River. But Covid-19 and the North Bay’s shelter-in-place orders forced the one-day festival to cancel the show in the name of public health and safety.

In place of the one-day event, organizers instead took to the internet to present a free online venture, Living Room Live, which has showcased all of the best parts of the festival over the course of four streaming weekly concerts since late May.

This weekend, on July 18—the date Rivertown Revival was scheduled to take place—Living Room Live concludes it’s online run with its biggest and best show of the summer, a 3-hour virtual variety show headlined by popular North Bay singer-songwriter David Luning.

“The concert series has been a lot of fun and a way to create community when both things are needed so badly right now,” Friends of the Petaluma River executive director Stephanie Bastianon says, in a statement. “With the original date for the Rivertown Revival festival coming up on July 18th, we wanted to mark this day of celebration for Petaluma with one last show.”

“The Rivertown Revival festival has always been about more than one sunny day in July,” says Rivertown Revival music director Josh Windmiller. “It is an ongoing effort from within the community to celebrate life, support the arts and raise awareness and funds for environmental protection and education.”

To that effect, the Living Room Live series embraces Rivertown Revival’s fundraising mindset, and has raised almost $10,000 for Friends of the Petaluma River to support their conservation and education work in the Petaluma Watershed.

For this final showcase, Windmiller will once again play Johnny Carson by hosting and interviewing musicians, artists and others from the comfort of his living-room couch.

This weekend’s show boasts a stellar lineup, headlined by North Bay singer-songwriter David Luning, who has climbed the ranks from open mics to headlining gigs and major festival appearances over the past decade. The Forestville native performs with a passionate streak, offering up Americana music that both kicks out the lights and tugs at the heartstrings.

Other performers appearing online as part of the upcoming variety show include Maya Leon, a Santa Rosa singer-songwriter who was a contestant on the Spanish-language television talent show Tengo Talento, Mucho Talento. Eclectic blues-rock ensemble Lee Vandeveer Band, energetic folk-punk trio Snaps for Sinners, North Bay hip-hop artist Kayatta and blues singer-songwriter Layla Musselwhite—daughter of blues legend Charlie Musselwhite—are all scheduled to appear as well.

In addition to the music, Living Room Live’s final showcase encapsulates the whimsical and fun-loving spirit of the Rivertown Revival festival with non-musical interludes such as “Our Town is Magical” with Gio Bennedetti, a show-within-a-show journey through the weird and magical happenings in the Bay Area. The variety show also invites Bonnie Cromwell of the educational outreach program ‘Classroom Safari’ to share her lemurs, sloths and bobcats, and will feature additional visual arts and family-friendly fun.

Windmiller hopes folks will continue to hit the donate button on the live stream this weekend to support the Friends of the Petaluma River.

“Stuff like Rivertown, it’s these crossroads, these meeting points, where you get to encounter your own community, and we still want to be that,” Windmiller says. “I’m really happy, and Rivertown is really happy, to provide another place where people and the artists can meet and build something stronger. That’s what the event has always been, so this is the same thing. A different time, different conditions, but the same thing.”

Living Room Live streams online this Saturday, July 18, at 6pm. Facebook.com/rivertownrevival.

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‘Living Room Live’ Concludes Online Run This Weekend

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