At age 79, Stephen Sondheim has seen it all, from commercial successes like Sweeny Todd to underappreciated flops like Anyone Can Whistle. He’s been in Hollywood, on Broadway, off Broadway, studied under Oscar Hammerstein, collaborated with Richard Rodgers, served as president of the Director’s Guild, raked in royalties for “Send in the Clowns,” and now, at the end of it all, he rests. And talks. If Sondheim had only written the lyrics to West Side Story, he’d be a household name, but consider Gypsy, A Funny Thing Happened on the Way to the Forum, Into the Woods, A Little Night Music and the brilliant Assassins, and it all adds up. He is, without a doubt, a Broadway legend, and he appears in a conversation with acclaimed director Peter Stein to display his verbal genius and discuss a distinguished career on Saturday, Oct. 24, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. 8pm. $49–$69. 707.546.3600.Gabe Meline
FOLLOW US

What do you say if you’re an artist used to playing large places like the Fox Theater in Boulder, the Music Hall of Williamsburg in Brooklyn or the El Rey theater in Los Angeles when a Santa Rosa radio station asks if you want to play a free show on a one-foot high stage at a downtown brewpub? If you’re
I’ll reveal a little-known secret for all you new parents out there. Trying to keep your toddler occupied? Looking for a way to stop the screaming? The solution, whispered about among formerly frazzled parents in the know, is
Quick: What’s a way to make a Sean Lennon / Vincent Gallo double bill even stranger? At the Red Devil Lounge last month, none other than Bob Weir answered the question by hopping onstage and jamming with John Lennon’s son (Gallo had meandered offstage earlier in the night). Seemingly at ease in any configuration, the Grateful Dead alumnus joins up this weekend with bassist Rob Wasserman, drummer Jay Lane and special guest guitarist Jackie Greene for a to-die-for supergroup they’re calling
I’ve seen Tower of Power five times with almost as many different singers over the years, and I’ve always felt really sorry for whoever’s on vocal duties. After all, he’s got to live up to
If your first introduction to Nepal was the family hi-fi playing Cat Stevens’ flute-fluff song “Katmandu,” with lines like “The morning lake drinks up the sky,” you’re forgiven for not attending the
Two undisputed rulers of New Orleans music? On one bill? In a tiny, intimate theater? That’s exactly what’s in store when
He was a member of the Petaluma Jak’s skateboard team, a guitarist for the band Free Cowboy Hats, a constant presence behind the concession stand at the Phoenix Theater and a tireless supporter of local bands. More than this, Kristof “Goose” Gross was one of the most sincere and kind-hearted people I’ve known. His funeral in Mill Valley this year brought people together in beer salutes and songs, but what he really would have loved was knowing that
Fresh from a residency at Alasdair Fraser’s summer fiddle camp, fiddle maestro and instructor Darol Anger brings his 

