Hurry Home

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Best known for Dark Side of the Moonshine, an entirely bluegrass version of Pink Floyd’s Dark Side of the Moon, Poor Man’s Whiskey have now focused their considerable musical talent on Sonoma County folk godmother Kate Wolf.

On their latest album, Like a River, the band covers eight remarkable Wolf songs, including her biggest hit, the gorgeous “Across the Great Divide.” Jason Beard, in the album’s liner notes, credits Santa Barbara bluegrass band the Cache City Drifters for introducing him and band mate Josh Brough (at the time, students at UCSB) to the songs of Wolf back in the ’90s. “We felt an immediate connection to those tunes,” writes Beard. “It reminded us of our homes and lives in Northern California and Sonoma County.” Beard credits the beloved singer, who died of leukemia in 1986 at the age of 44, for helping to shape the Poor Man’s Whiskey Sound.

This year, PMW has made stops at quite a few Bay Area music festivals, including Hardly Strictly and EarleFest. Appropriately, they debuted Like a River at the annual Kate Wolf Music Festival last June. It’s all part of paying tribute to a woman who wrote and sang about the hills of Sonoma County like no other. Poor Man’s Whiskey open for Great American Taxi on Friday, Nov. 2, at the Mystic Theatre. 21 Petaluma Blvd., Petaluma. 9pm. $16. 707.765.2121.

Aladdin’s Castle

Stark-raving ingenuity makes the Disney 3-D animated Wreck It Ralph a rare treat, and to paraphrase Joe Bob Briggs, the fable it tells doesn’t get in the way of the story.

It walks a fine line between the cute and the uncanny. An ape-like 8-bit video-game heavy named Wreck It Ralph has been demolishing the same apartment house for some 30 years, quarter by quarter. Shunned by the other characters in the Fix It Felix Jr. video game, Ralph (voiced by John C. Reilly) sojourns into neighboring video games in hopes of distinguishing himself.

Through mishaps, he’s stranded in a sticky, fer-girls racetrack game called Sugar Rush, in which adorable candy princesses race in cookie cars. This increasingly sinister Candyland is ruled over by the bulbous-headed King Candy (Alan Tudyk voices, doing a sharp Ed Wynn imitation). A reject “glitch” girl longs to join the racers, but her participation may lead to the total destruction of the game. The metaphysics of how this arcade world works include a transit system, homeless characters from out-of-order games and graffiti (“All your base are belong to us” is scrawled on a wall by some vandal).

Yet Wreck It Ralph isn’t crushed by its own concept or by in-jokes, and its central fable transcends good-vs.-evil storytelling. It honors the balance between creation and destruction. You couldn’t improve the balance of the characters, a match-up of the put-upon Reilly and the bratty Sarah Silverman, who voices the candy-covered gamine Vanellope.

The opening cartoon is a similar jaw-drop: “Paperman” may introduce sugared-out kids to the glory of black-and-white, dialogue-free story-telling. Set in New York City shortly before the end of elevated-rail service (1955 or so), it follows the meeting between a young white-shirted salary-man and a large-eyed girl whose lipstick kiss is the only red in the movie. On the cusp between Billy Wilder and Yasujirô Ozu, this gorgeous short has one thing in common with Wreck It Ralph: both are examples of what can be done with animation through ideas that could only exist in the realm of cartoons.

‘Wreck it Ralph’ opens in wide release on Friday, Nov. 2.

By the Fire

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Petaluma’s Cinnabar Theater, celebrating its 40th season this year, has established a solid reputation as a creator of new works and premieres. And in celebration of their anniversary, they’ve done it again.

The world premiere of So Nice to Come Home To, by Richard B. Evans and Kate Hancock, is a commission by Cinnabar cofounder Jan Klebe. Based loosely on a pair of one-acts by J. M. Barrie, the setting has been moved from the First World War to the second. With 19 brand-new songs, written in a variety of styles, the show covers a lot of musical ground—perhaps a little too much ground.

Kate Downey (in a delightfully layered performance by Elly Lichenstein) is a middle-aged woman living in New York City in 1944. Desperate to feel as much a part of the war effort as those with sons fighting overseas, she’s invented a son named Kenneth and brags about him to her friend Jean (Valentine Osinski). When a real soldier named Kenneth Downey appears (Broadway veteran Michael McGurk, thoroughly charming), the two form an uneasy bond, each with their own reasons to pretend they are mother and son.

Director Ann Woodhead knows how to find all the colors and moods in a piece like this. She nicely paces the humor and sweetness of the play, without missing the underlying sadness and loss that underscores nearly every scene.

The production also benefits from the magnetic presence of Michael Van Why, as a stumbling butler and vivacious Broadway star; the stiff but strong-voiced Bill Neely as Kate’s businessman ex-husband; and an ebullient Stephan Walsh as a military organizer.

There is an appealing sense of historical perspective in the story, with plenty of rich subtext bubbling away beneath the surface. Still, it rambles a bit, and there are a few too many songs, some of which slow down the action instead up propelling it forward. Many lean toward the operatic, and melodically, these tend to be the least memorable.

The best songs here are those steeped in the sounds of the 1940s, from catchy pro-war jingles on the radio (“We’ll Never Give Up”) to USO novelty tunes (“The U.S. Army Band,” “Uncle Sam Wants You!”) to campy Broadway numbers (“Carmen Miranda,” “Rosie the Riveter”). The dialogue is straightforward and workmanlike, taking the characters through the scenes effectively enough, but a little too lacking in flash to equal the best of the songs. As far as premieres go, So Nice to Come Home To feels like a work-in-progress, which, of course, it is.

It’s All Greek to Me

The night before her new restaurant’s opening, Sofia Petridis-Lim realized she was short on pita bread, which is imported directly from Greece. Rather than serve an inauthentic substitute, the new restaurateur insisted on getting the real thing, even though it meant asking her husband, Andy, to drive to the nearest distributor—which happens to be in San Jose. Andy was on the road by 5 o’clock the next morning, just four hours before Taverna Sofia, Healdsburg’s newest Mediterranean restaurant, opened its bright blue doors for business.

And then the rain came.

Even though water is pelting the wooden tables on her outdoor patio, Petridis-Lim is all sunshine when we meet at 5pm that afternoon. “This is my dream,” she tells me, indicating both the patio and the cozy dining room, in which first-day customers sit on plush blue-and-white cushions. Andy reviews another shopping list, while their daughter, Cassandra, who’s made the drive up from Monterey State, works the takeout counter. As far as opening days go, it’s been a good one.

Though she only just graduated from the SRJC culinary arts program in July—the same month she signed the lease on the space, formerly Bovolo, inside Copperfield’s Books—Petridis-Lim’s dream has deep roots that go back to her childhood in Thessaloniki, Greece. It was there that she learned how to cook traditional Mediterranean cuisine from her grandmother, who raised her after her father died and her mother went back to work. “She taught me everything I know,” Petridis-Lim says.

But despite her affinity for the regional palate, she fled Greece at 21, restless to see the world and unwilling to “get married, stay home and breed,” as expected. After living in France and England, and earning a degree in administration management, Petridis-Lim began working as a flight attendant in Saudi Arabia, where she served everyone from the royal family to pilgrims on their way to Mecca to illegal immigrants being deported.

“It was extremely hard work,” she tells me, explaining that her duties ranged from taking inventory of the first-class gold cutlery to using blanket barricades to prevent misfired urine from leaking out of the bathroom during landing. Even more surprising: “The food was excellent,” Petridis-Lim insists, crediting the airline’s deep pockets. It was in the air that she met her future husband, Andy, a pilot from Hong Kong, who eventually asked her to move with him back to the United States.

Yet no matter where she lived (Phoenix, Taiwan, Novato) or what else she pursued (including a second degree in international studies and a second career managing psychotherapy clinics), cooking remained her first passion. So three years ago, when Petridis-Lim found herself jobless after over a year of searching, it seemed a natural step to enroll in the SRJC’s culinary school.

“I didn’t miss a single hour of class,” Petridis-Lim tells me. “I’d been cooking for so long, I thought I knew it all,” she laughs, “but there was still so much to learn.” She completed the two-year program in just 15 months, earning yet another degree and graduating with honors.

Echoes of the culinary arts program, which Petridis-Lim hails as “magnificent,” can be felt all over Taverna Sofia: in the spotless open kitchen (“I have nothing to hide”); in the handsome display cases featuring both sweet and savory pastries like spanakopita ($7.50), bougatsa ($6.50) and Sofia’s signature baklava ($6), made with pistachios, walnuts and almonds; even in the faces of her staff, many of whom hail directly from the program.

Petridis-Lim’s apparent calm on opening day belies the rocky journey it took to get here, which began with a four-month wait to meet with the landlord. After signing the lease, it took her another two months to convince the city of Healdsburg to allow an outdoor mural, by local artist Brooks Anderson, depicting the island of Santorini. “I wanted to create the feeling of a true Greek taverna,” she tells me, “where you sit outside and watch the fishermen bring in the fresh catch from the ocean.”

In addition to her pita bread, Petridis-Lim imports Kalamata olives, grape leaves, feta, yogurt and orzo directly from Greece because, she says, “I can taste the difference.” When it comes to produce, however, she sources locally. “Those are from my garden,” she tells me, pointing to the tomatoes in a bowl of giouvetsi ($14), which also contains orzo and juicy pork cubes oven baked in a clay dish. Other entrées include classics like the gyro sandwich ($14), souvlaki ($15-$17), and Petridis-Lim’s famous moussaka ($14). While she isn’t permitted to offer complementary Ouzo, wine (both local and Greek) is available.

“People tell me I’m crazy,” Petridis-Lim says, referring to her insistence on using mostly organic (read: more expensive) ingredients. So it’s even more impressive that no item on her menu exceeds $20. “My restaurant is not just for vacationers,” she says. “I want everyone to enjoy my food.”

Light Ahead

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One wouldn’t be remiss in expecting the music of a band calling itself Dark Dark Dark to contain a touch of gloom. Who Needs Who, the band’s third full-length album, finds singer Nona Marie Invie capturing the acute pain of love and loss, seeming to sing out of a cave of ice walls.

Invie cofounded Dark Dark Dark, who play the Arlene Francis Center on Nov. 1, with Marshall LaCount in 2006. The two had a romantic relationship until early 2011. “The breakup is hard,” admits Invie, on the phone from her home in Minneapolis. “But being together unhappy in the band was hard, too.”

Who Needs Who courses with the brittle nostalgia that comes of failed relationships. Lyrics like “I want to live in the time when you cherished me,” on the record’s gorgeous first single, “Tell Me,” convey that particular yearning. But, Invie adds, “people think all of the songs are about [LaCount], which isn’t the case.”

At the same time, she says, the songwriting process, which consists of sending demos to band members spread across the United States, was influenced by the experience.

“I was in such a writing mode when this was all happening,” she says, “before and after. It was about just letting it free flow without a filter.”

In the midst of this rawness, Invie’s singing style is surprisingly controlled, imbued with a knack for bringing deep emotion. This talent comes of a pure love for singing, which Invie says she does “constantly,” and from an early age, when she’d sing Joni Mitchell and Carole King songs with her mom in the car. “My mom was really into these ’70s strong ladies,” she says.

Invie, however, does put 10 years of classical piano training to work in her music. (On previous records, her main instrument was the accordion.) “I’ve always played, but I wasn’t performing or writing on it,” she says, regarding the piano’s prominence on the new recordings. “Then I started approaching it in a new way outside the classical spectrum, and it feels really good.”

Invie wrote all but two songs on the album, but she’s backed up by LaCount on electric banjo and clarinet, Walt McClements on accordion and trumpet, Adam Wozniak on bass and Mark Trecka on percussion.

The struggle toward realization, of finding light in darkness, is a strain that runs consistently through the avant-garde pop cabaret of Who Needs Who. Is this an album about growing up and facing the loss, either through physical or emotional death, that’s an inescapable part of being human?

“It feels like part of this record is about becoming more mature,” says Invie. “Maybe that’s the simple way of putting it.”

Life of Pi (Crust)

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America loves controversy. Just look at the popularity of sports, reality TV shows and the polarization of political ideals. It stands to reason, then, that the most American of foods, apple pie, is a hotbed of steamy, opinionated discussion.

Not the filling, mind you, so much as the crust, which most will agree is the real heart of a good pie. As a lazy patriot, I usually buy pre-made crust because (1) it’s cheap and (2) it’s hard to make. This might be why I don’t make pie very often. But a good crust can create a lingering sense of contentment, especially considering that it usually comes at the end of a good meal. With that in mind, Square Belly Food Theater is hosting a class with chef John Lyle called “The Secret Life of Pie (Crust).”

Lyle, the chef behind the popular Hardcore Farm to Face’s Chosen Spot Dinner series, discusses techniques and ingredients for this seemingly simple dough. Is shortening best? Or lard? What about butter? How long should it rest? And at what temperature? An informal poll in the Bohemian office yielded five different recipes by five different people, and all swore by them as the best. John Lyle attempts to put the controversy to rest on Tuesday, Nov. 6, at the Arlene Francis Center. 99 Sixth St., Santa Rosa. 6:30pm. $20, sliding scale. 707.528.3009.

Subtle Subterfuge

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Sebastopol, long known for its conscientious, progressive approach to sustainable growth, has become the target of a ruse by a new group calling itself Sustainable Sebastopol. This group of developers and investors are the “wolf in sheep’s clothing,” poised to make a fast return on shortsighted, high-impact developments like the proposed CVS/Chase project. It’s no surprise that this group has endorsed city council candidates Kathy Austin and Kathleen Shaffer, both of whom have received consistently low marks on their environmental scorecards by Sonoma County Conservation Action, the county’s oldest and largest conservation watchdog.

The campaign contribution reports, made public this month, show that development interests heavily funded both candidates’ campaigns, Austin topping Shaffer’s 34 percent with a whopping 57 percent! Included in this are contributions of $1,500 each from a Los Angeles real estate PAC.

In January of this year, long before the planning and review process was completed, Kathleen Shaffer revealed that she had already made a decision, through an email in which she stated she was “working under the radar” to get the CVS/Chase development project passed. Shaffer, now attempting to distance herself from her support of this problematic project, says she “supports the rule of law,” a ridiculous cover that implies her fellow council members do not follow the law.

The original Sustainable Sebastopol, formed in 2001, was truly an environmentally conscious group. Several of its founders recently sent a letter to the editor of Sonoma West exposing this new Sustainable Sebastopol as pro-development and pro–CVS/Chase, with no regard for environmental or local concerns. Signees of the letter included four former Sebastopol mayors.

Looking at the members of this new Sustainable Sebastopol confirms that their definition of “sustainable” means sustaining the high-end lifestyles of big developers. Vote this Tuesday for your best interests, not that of big developers.

Una Glass is president of Sonoma County Conservation Action and a longtime resident of Sebastopol. Open Mic is a weekly op/ed feature in the Bohemian. We welcome your contribution.

To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Day of the Good Dead Grape

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There’s a chill in the air, the flesh quakes under autumn’s cool breath, and the eye rests with increasing interest on the Land’s End selection of fleece-wear. In the vineyard, leaves blush crimson in rage against the coming night. Left behind by the harvester’s hand, orphaned clusters of grapes droop from the cane, wasps scour out their guts, and a cold rain feeds mold spores that pull a final, black shroud over their shoulders.

Good thing that yesteryear’s wines are tucked away safely in the cellar. Or are they? For many of us, our sub-optimal “cellar” is a wine rack on the kitchen counter or underneath the shoe rack in the closet. As temperatures rise, whether due to the heat of summer or the comfort-set heaters of winter, a wine’s life will eventually be shortened, its fleshy fruit slackened, leaving a tired, diminished wine on bony tannins. It is time, then, for a thinning of the samples that good folks from various wineries thoughtfully forwarded to the Bohemian for review.

Frank Family Vineyards 2011 Napa Valley Chardonnay ($34.75) Bright aromas of lemon and butterscotch, flavors of golden delicious apple marinated in lemon juice. This brand-new release is a bit tingly on the tongue and seems as if it can’t decide what it wants to be. Give it six months in any cool, dark cubbyhole.

Freestone Vineyards 2009 Sonoma Coast Chardonnay ($55) Gorgeous, rich aroma, like a caramel éclair fell asleep face down in lemon custard, with an oak spliff in its hand. The palate is lean; if a bit watery, it’s not flabby or sweet. Take note: styrofoam shippers (like the one that this sample was shipped with, including ice-cold gel packs), environmental hobgoblins that they are, are excellent insulators, smoothing out temperature swings if stored in the coolest room of the house.

Del Carlo 2008 Dry Creek Valley, Old Vine Zinfandel ($32) This Zin retains fresh, fruity aromas of hickory-smoked raspberries, and jammy, vanilla-raspberry flavor with fine tannins.

Martin Ray 2008 Howell Mountain Cabernet Sauvignon This wine tried to make an escape and was two-thirds of its way up the cork when I caught up with it. Dense aromas of coffee grounds, dried blackberry and butcher shop.

Kendall-Jackson 2008 Sonoma County, Grand Reserve Cabernet Sauvignon ($28) Vibrantly purple-tinged, yielding dark chocolate, blackberry, graham cracker and maple syrup aromas, with a nice balance of acidity. At this point, wine writers, like politicians, are supposed to promise better things in the next four years: cellar until 2016 and enjoy with osso buco. As for me, I can’t wait for the rosés of spring.

Treat Yo Self!

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Standup comedy tends to be a hit-or-miss prospect, but actor and comedian Aziz Ansari is a natural when it comes to seeing the ridiculous in life and turning it on its head. To see this in action, check out Dangerously Delicious, a live recording of one of his standup performances that came out last spring. One of the funniest moments comes when Ansari talks about seeing rapper 50 Cent order a grapefruit soda in a club and, when it’s delivered, ask why the drink isn’t purple. Ansari goes off on this premise, taking it to extreme heights, which is exactly why his comedy is hilarious.

As the clueless, ultra-consumerist, metrosexual, sometimes pathetic, sometimes golden-hearted city employee Tom Haverford on NBC’s Parks and Recreation, Ansari kills it pretty much every time he’s on the screen, whether he’s desperately trying to romance Rashida Jones or going on “Treat Yo Self” shopping sprees with the amazing Retta Sirleaf (as Donna Meagle). If you’ve ever seen him make the talk show rounds, you’ll see a quick, sarcastic wit in action.

Though Ansari was born to a Muslim family in South Carolina, race and religion rarely show up in his comedy. Instead, the 29-year-old focuses on the important issues facing today’s twenty-somethings: text flirting, bad dating advice and why 50 Cent could be driven to shoot up a posse of innocent grapefruits. Aziz Ansari talks smack on Sunday, Nov.4, at the Green Music Center. 1801 East Cotati Ave., Rohnert Park. 7pm. $39. 866.955.6040.

Letters to the Editor:October 31, 2012

Blood Money

In the letter “Maher’s Decision” (“Rhapsodies and Rants,” Oct. 17), I’m not sure exactly what Mr. Maher is being accused of specifically, but I know what the word “hypocrite” means.

While the letter fails to give real specifics about the exact “hypocrisy” being committed, the writer Steve R. Finnegan asks, “Doesn’t he know where the money comes from?” He further states, “The money has blood, sweat and tears on it.” I’m assuming he is referring to the $47 million public bond and the alleged “dirty” corporate money used to build the $150 million state-of-the-art facility called Weill Hall.

When we point a finger at someone’s hypocrisy, three fingers point back at us. So I would like to ask Mr. Finnegan (and everyone) a few questions: Do you buy gasoline or drive a car? Do you fly? Do you eat meat, fish, dairy or any food that is not local? Do you use any banking services at Wells Fargo, Bank of America or Chase? Do you shop at Safeway, Home Depot, Target or Wal-Mart? Are you connected to the grid of electricity and natural gas? Do you have an AT&T, Verizon or Comcast account?

So while you and others rail against Weill Hall and the evil money and power that built it, doesn’t your money have “blood, sweat and tears on it” as well?

Graton

Development Dismay

Angwin, with a permanent population of just 1,500, is an unincorporated area with limited infrastructure. Angwin’s wells are being dug deeper. PG&E says Angwin’s electrical is almost maxed out. Napa County has not budgeted road improvements for the one lane in and one lane out of Angwin.

Eight years ago, Angwin residents began fighting a Pacific Union College housing development. Pacific Union College’s board—18 of 21 live outside California—voted to sell their agricultural land for the college to expand. A large housing development on Howell Mountain would rip Angwin and the upper Napa Valley at the seams, and cost all taxpayers of Napa County.

Yes on Measure U, backed by Save Rural Angwin, believes the PUC has the right to sell its land. But does the college have the right to change the character of a community? Can this college cause an explosion in population, resources and way of life so they can have more money in the bank?

Vote yes on Measure U and preserve Angwin and Napa County ag land and open space. Protect Angwin from large-scale development that would ravage a community and tax its people’s resources—in more ways than one.

Angwin

One Crop Mind

Sixty thousand three hundred and two acres of Sonoma County are monocropped with vineyards. It’s bad for the soil, wildlife, ecological diversity and riparian zones of this region.

Sonoma County is prized for its high-quality wine production, but what often goes unnoticed are the environmental and social costs. The clear-cutting and removal of native grasses, which made these vineyards possible in the first place, erased the complex ecological workings between soil, plants, mushrooms and wildlife. Pesticides, herbicides and fertilizers used on vineyards run off into rivers and streams, poisoning everything in their path. The long-term effects of monocropping on the soil may also render it less fertile for future generations.

Additionally, almost all of the laborers that pick and take care of these grapes are people who don’t have citizenship, and for that reason are exploited relentlessly. Often, vineyard workers have no breaks all day, no safety regulations, are exposed to toxic chemicals and sometimes just don’t get paid and are deported at their boss’ will.

In all of these ways, the intensive monocropping of grapes in Sonoma county is unethical and reflects a general disregard for ancient ecological relationships, and by extension, a general disregard for the well-being of working people.

Santa Rosa

Dept. of Round

A letter last week in support of roundabouts was incorrectly attributed to Zal Moxis, who, incidentally, has expressed to us his irritation with roundabouts. The comments came from Chris Lyman. We regret the error.

Driving in Circles

Write to us at le*****@******an.com.

Hurry Home

Poor Man's Whiskey pay tribute to Kate Wolf

Aladdin’s Castle

'Wreck it Ralph' a consuming video-game fantasy world

By the Fire

'So Nice' sees song-packed premiere

It’s All Greek to Me

Taverna Sofia opens in Healdsburg

Light Ahead

Dark Dark Dark make beauty of a breakup

Life of Pi (Crust)

America loves controversy. Just look at the popularity of sports, reality TV shows and the polarization of political ideals. It stands to reason, then, that the most American of foods, apple pie, is a hotbed of steamy, opinionated discussion. Not the filling, mind you, so much as the crust, which most will agree is the real heart of a good...

Subtle Subterfuge

Not-so-Sustainable Sebastopol

Day of the Good Dead Grape

A thinning of the samples

Treat Yo Self!

Aziz Ansari's 'Buried Alive' tour comes to SSU

Letters to the Editor:October 31, 2012

Letters to the Editor:October 31, 2012
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