March 15-16: Poor Man’s Whiskey at Hopmonk Tavern

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This week, Poor Man’s Whiskey take a break from their Dark Side of the Moonshine tour—in which the band performs a bluegrass interpretation of Pink Floyd’s Dark Side of the Moon dressed in costumes from The Wizard of Oz—to grace their hometown with a two-night stand in order to record a new live album. Each night offers three sets and starts with an acoustic performance, followed by the band’s “high octane hootenanny.” There’s never any telling what this kooky band has up their sleeve—see them Friday and Saturday, March 15—16, at the Hopmonk Tavern, 230 Petaluma Ave., Sebastopol. $15. 8pm. 707.829.7300.

March 14: Richard Buckner at Sweetwater Music Hall

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The last time Richard Buckner made a record, he was held up in a murder investigation when a headless body was dumped in his car. On top of that, Buckner’s laptop containing his music was stolen. Fans were forced to wait five years for Buckner’s album Our Blood—but not this time. Surrounded, Buckner’s new record, is almost complete. To celebrate, the gothic-tinged folksinger will be playing a few shows. Catch him on Thursday, March 14, at the Sweetwater Music Hall. 19 Corte Madera Ave., Mill Valley. $20. 8pm. 415.388.3850.

March 14 and 17: ‘Rhythm of the Dance’ and ‘Celtic Fire’

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What’s lightning fast with thunder to match? Irish step dancing, that’s what! The Napa Valley Opera House and Wells Fargo Center both celebrate Saint Patty’s day with modern interpretations of the classic Irish tradition, brought to popularity with Riverdance. ‘Celtic Fire’ offers traditional Irish music by Michael Londra along with a performance by world-class Irish dancers on Sunday, March 17 (Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa; 3pm; $30—$50; 707.546.3600), and ‘Rhythm of the Dance’ provides a two-act, 23-song show on Thursday, March 14 (Napa Valley Opera House, 1030 Main St., Napa; 8pm; $40—$45; 707.266.7372).

March 16: Texas Hold ‘Em at Laguna Environmental Center

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Who knew gambling, beer and a good poker face could benefit the environment? The Laguna de Santa Rosa Foundation is holding the Texas Hold’em Poker Tournament, a fundraiser for the largest area for wildlife in Sonoma County. The foundation works to preserve, restore and enhance the Laguna de Santa Rosa, which is also a part of the cities of Windsor, Rohnert Park, Cotati, Sebastopol and Forestville. First prize is $2,000; admission includes $10,000 in chips, plus sandwich bar and free soft drinks. Go all in on Saturday, March 16, at the Laguna Environmental Center. 900 Sanford Road, Santa Rosa. 1—8pm. $125—$225. 707.527.9277.

Musical Chairs

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Activism is a popular hobby in Cotati. On March 13, one new member will be chosen out of nine applicants for an open seat on the city council of Cotati, a city of 7,330. Contrast that with last year’s Santa Rosa City Council race, which featured nine candidates for four spots on the city council of a city of 169,292.

The new appointee will serve until December 2014 in replacement of longtime council member Pat Gilardi, who left in January to take a position on newly elected Sonoma County Supervisor Susan Gorin’s staff. The four-member council will interview applicants and make the appointment at its regular meeting this evening.

The group includes some familiar names and some new faces: George Barich, Isaac Freed, Linell Hardy, Ed Hirsch, Sky Matula, John Moore, Ashley Veach, Eris Weaver and Alan Wintermeyer. Former council member Barich was recalled in a special election in 2009, one year after being elected. He had run for council previously and has run for council every opportunity since then. Hardy, a former Cotati planning commissioner, was fined by the Fair Political Practices Commission for her role as former council member John Guardino’s treasurer in a 2010 campaign finance scandal. And John Moore’s wife Lisa served on the council from 2002 to 2006, holding the position as mayor in 2005.

Two of the current council members, Mayor Mark Landman and Vice Mayor John Dell’osso, originally found their seats by special appointment.

Spirit Animal

During the summer of 2009 in Chicago, musician Andrew Bird had been touring for years at such a constant pace that he’d literally made himself sick, “either sweating bullets or freezing cold,” as he put it. He was approaching his 165th and final show of the year with a band he probably wouldn’t ever play with again, and he wanted it documented.

So Bird asked his friend, the filmmaker and producer Xan Aranda, to make a movie about him. But even though they’d been friends for several years and had already collaborated on two animated videos and live show projections, Aranda said no.

“I was busy and afraid,” she tells me over the phone recently. After her conversation with Bird, though, she hopped on her bike, and before even getting halfway home, she says, “I had a flood of ideas. I called him up and said, ‘Let’s talk about it.'”

The result is Fever Year, a film so viscerally beautiful and sonically precise that it will delight the cult follower and the Andrew Bird newcomer alike. Part documentary, part concert film, Fever Year is as much about the creative process as it is about Bird, whose latest album, Break It Yourself, was released in 2012. “Have I simply been ill this year,” Bird wonders, “or am I turning into another type of animal?”

Fever Year is Aranda’s directorial debut. “I wanted something that would challenge me almost to the death,” she says of making the film, which she likens to getting a master’s degree. “It was expensive and I’m still paying for it,” she says, “but afterward, I knew I’d walk away a director.”

Racking up praise, awards and air miles, Aranda has traveled to screenings all over the world, from Copenhagen to Cleveland. But the Illinois native is particularly excited to return to Sonoma County where she lived for a year and a half, attending the California School of Herbal Studies in Forestville just after high school. (“I knew I was going to film school,” she explains, “but I wanted to get a handle on my body first.”)

Aranda’s corporeal fascination is evident in Fever Year, which captures the fluid physicality of everything Bird does, from whistling to swimming to bowing his violin. “Imagine the worst year of your life, physically, emotionally and romantically,” Aranda says of the film, “and there is now a permanent record of it.”

Perhaps that explains why Bird, who approved of each edit along the way, unexpectedly pulled the plug at the point of release. No DVDs and no theatrical release, he decided. Just film festivals.

Aranda is characteristically blunt and resilient about this drastic change of plans. “It’s definitely a shit sandwich,” she says, laughing. “But the lemonade of it is this: people who see it are supporting their own local arts organizations. And they see it as close to my intentions sonically and visually as I could want.”

Despite all of her unpaid hard work, Aranda has no regrets about making Fever Year.

“It’s like a big musical hot tub,” she says, “and who wouldn’t want to get into a big musical hot tub with Andrew Bird?”

‘Fever Year’ screens with Xan Aranda in attendance on Friday, March 22, as part of the Sebastopol Documentary Film Festival. Rialto Cinemas, 6868 McKinley St., Sebastopol. 7:15pm. $10. 707.829.4797. www.sebastopolfilmfestival.org.

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PROGRAMMER’S PICKS

Don’t-miss films selected by artistic director Jason Perdue

La Source Opening night in the new home of the Sebastopol Documentary Film Festival, Sebastopol Center for the Arts at the Sebastopol Veterans Building. Thursday, March 21, at 7pm.

The Lost Bird Project Special screening at the Laguna Foundation’s new Heron Hall. Story of an artist’s quest to honor species of extinct birds, followed on Saturday morning by a bird-watching tour through the Laguna. Friday, March 22, 7pm.

Lost Landscapes of San Francisco Special interactive presentation of lost and never-before-seen films of historic San Francisco with archivist Rick Prelinger. Audience participation is encouraged. Saturday, March 23, 1:30pm.

Where Heaven Meets Hell Beautifully shot story of the back-breaking work involved in mining sulfur on the side of an Indonesian volcano. Saturday, March 23, 2pm.

Informant Story of celebrated activist-turned-FBI-informant Brandon Darby. Winner of the Grand Jury Prize at the DOC NYC festival. Saturday, March 23, 7pm.

The Invisible Men Following three courageous gay Palestinian men as they flee their families and threats of death to go undercover in Israel. Filmmaker Yariv Mozer will be in attendance from Tel Aviv, Israel. Sunday, March 24, 1:15pm.

Betting the Farm Following film, Slow Food Russian River hosts dairy-themed tasting to close festival. Sunday, March 24, 6pm.

Tickets available through www.sebastopolfilmfestival.org or the Sebastopol Center for the Arts, 282 S. High St., Sebastopol. 707.829.4797.

For more information about films, venues and prices, visit www.sebastopolfilmfestival.org.

Tabletop Talent

If you’re like us, you’ve combed the couch for change at least twice in the last month. You eye your shelves looking for books or records to sell, you scour the Craigslist “free” section and you save all those 15 percent–off coupons that show up in the mail.

You also like to go out to dinner every once in a while.

Enter Sonoma County Restaurant Week, which annually provides the more economically minded among us an excuse to splurge on a nice night out. With over a hundred restaurants taking part, local diners have plenty of choices for special prix fixe menus at one of three discounted price tiers—just $19, $29 and $39—with each level buying a three-course dinner.

Running from March 18–24, Sonoma County Restaurant Week has a full restaurant list up at sonomacountyrestaurantweek.org. For us, it’s a chance to shine a light on some of our local chefs participating in Restaurant Week: John Franchetti from Rosso, Tim Bodell from Rustic, Jack Mitchell from Jack & Tony’s, Arturo Cardenas from Caffe Portofino and Claudio Capetta from Cafe Claudio.

Read on and eat away—because this week, you might not even have to raid the couch for it.”—Gabe Meline

CURDLED CURIOSITY

John Franchetti, Rosso Pizzeria & Mozzarella Bar

Quick, think of pizza. The first things that come to mind are dough and cheese, right? Since they’ve already perfected the dough, when Santa Rosa’s Rosso Pizzeria opened a second location in Petaluma, it was time to get cheesy. Inspired by a visit to a cheese bar in Rome, Rosso chef and owner John Franchetti has now brought a little piece of Italy back to Sonoma County.

“I was tasting the different burratas available for purchase, and being the chef that I am, I said, ‘I could make this,'” says Franchetti. So, with little training outside of YouTube, and with a lot of curd from water buffalos in Two Rock, Franchetti crafted his own buffalo burrata. The result is an extremely creamy, spreadable cheese with flavor that lingers and teases the tongue long after it’s been devoured—a staple of Rosso Pizzeria & Mozzarella Bar in Petaluma.

A recent special of buffalo burrata with a poached egg and black truffle shavings was almost too good, making the trio of traditional burrata, stracciatella and goat cheese with mint ($9) seem almost pedestrian in comparison. Like a big, meaty red wine, it’s best to work up to the buffalo flavor monster.

There’s nothing wrong with eating only cheese for dinner—especially this cheese. But it would behoove hungry diners to try the new additions to Rosso, which opened its Petaluma location about a year ago. Dinner entrées, formerly rotating specials, are now menu staples. Hearty plates like fried chicken with smashed potatoes ($15) and forever roasted pig with pappardelle ($13.50) are satisfying with or without appetizers.

Rosso shines brightest, of course, with its pizza. “I really try to emulate what happens in Naples,” says Franchetti. “The difference is, Naples is really rustic; they just throw their ingredients on there. Americans are used to placed ingredients.” It is difficult to find anything wrong with the traditional margherita, made with red sauce, mozzarella, basil and olive oil. More adventurous diners might lean toward the Moto Guzzi, made with smoked mozzarella, Caggiano Italian sausage, smoked olive oil, Swiss chard and slow roasted onions. After a few tries and a little advice, Franchetti started smoking the water used to make the cheese instead of just cold-smoking the cheese itself; the result is a strong flavor that’s not overpowering but definitely in charge.

But for a chef who can make just about anything he sets his mind to, Franchetti keeps things fairly simple when it comes to his own preference. “If I need to eat a pizza,” he says, “I’m having the pepperoni pizza.”—Nicolas Grizzle

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THE DIRECTOR’S CHAIR

Tim Bodell, Rustic

From dishwasher to line cook to culinary manager and chef, Tim Bodell believes that every station not only deserves respect, but presents a potential learning opportunity. “I tell the people that I mentor that you can learn something from everybody, every day,” Bodell says. “And if you’re not learning something, you’re not doing something right. You’re not having an open mind.”

That’s no mere kitchen homily coming from Bodell, who’s worked them all, from the bottom up. Growing up in the Philadelphia area, his earliest memories were cooking with his mother. “I always loved food, always loved to cook,” he recalls. He wasted no time getting started in the restaurant business as a dishwasher in his early teens. When just 18, he worked with his first “real chef,” and after attending culinary school at Johnson & Wales University in Providence, R.I., Bodell led the itinerant life of a young chef on the move.

“For me, in my 20s, my thing was to always stay for exactly one year and move on. There’s only so much you can learn form a mentor, and the learning curve is so dramatic. Every chef has different things to teach you. I wanted to diversify my knowledge.”

In 2000, Bodell moved west to work at high-end golf communities, where his openness to learning new things led to a pastime that he didn’t know he’d ever even considered: getting in touch with his inner outdoorsman. “I had never hunted until I moved to Oregon and became great friends with a ‘good old boy,’ a ‘redneck,'” he says with a laugh, “who showed me the way.”

When he’s not spending time with his wife and 14-month-old son, he takes his yellow lab duck hunting or foraging for mushrooms. “For me, there’s nothing as gourmet as traipsing around in the mud, coming home and preparing [mushrooms]. It’s really something I enjoy.”

Meanwhile at Rustic, the restaurant at Francis Ford Coppola Winery inspired by the director’s favorite food from both his travels and his memories at the family table, Bodell fine-tunes small-plate wine and food pairings, makes fresh pasta and oversees two sous chefs and “an army” of line cooks, prep cooks and dishwashers. This January, he had the privilege of cooking at the James Beard House in New York City for the second time, representing the winery.

Bodell confirms that Coppola is very involved in Rustic. “I really enjoy working with Francis himself. He’s a storyteller, so I really have the pleasure of learning about him, his family and his family recipes.”

Naturally, all of this makes Bodell a busy man. On a recent Saturday, the chef was taking a break from a 400-seat lunch rush, plus a wine club event serving 600 members. He had 220 reservations for dinner. “I’ve been here since 6:30,” Bodell says, without a hint of exhaustion. “I’ll be here a few more hours. I’m looking forward to that first cold beer, that’s for sure!”—James Knight

WHO’S TONY?

Jack Mitchell, Jack and Tony’s

A few years ago, the owners of a building in Santa Rosa’s Railroad Square approached chef Jack Mitchell to open a restaurant. He declined. Though interested in a new endeavor, he was still running the popular restaurant Sassafras and had other plans in the works.

“Then I had a dream,” Mitchell tells me recently, “and the entire concept came to me. Even the name.” And thus was born Jack and Tony’s Restaurant and Whisky Bar, named after the chef-owner himself—and his alter-ego.

While Tony’s function is mainly auxiliary—the staff enjoys making up stories about him—he does have his own email address and business cards. (Neither of which, apparently, came in handy during his latest kerfuffle, in which he was kidnapped and whisked off to Cancun).

“Tony” may be getting into trouble south of the border, but Jack grew up way north of it, in St. Paul, Minn., where his interest in food started young. “My mom wasn’t a great cook,” he tells me, “so I’d sneak over to Grandma’s house to eat lunch with her.” He paid his way through college by working in restaurants, and by the time graduation rolled around, he was cooking in a four-star hotel. So instead of pursuing further education (“Culinary school,” he says, “is for people who don’t know how to cook”), he continued to move through kitchens around the country.

For eight years, Mitchell cooked fancy French cuisine in Arizona, but, as he puts it, “I was cooking for tourists; I could get away with anything.” San Francisco, with its promise of a more “informed clientele,” beckoned. In addition to working for the Real Restaurant Group and the Lark Creek Inn, he ran the kitchen at San Francisco’s Beach Chalet, which served a thousand tables a day. “It was a great experience,” he says, “but ultimately not fulfilling.”

Drawn by abundant local produce, Mitchell moved to Santa Rosa. “The last thing this town needed,” he recognizes, “was another wine bar.” Whiskey might not drive the entire menu at Jack and Tony’s, but it certainly has a grip on the wheel. The apple tart, lox, oysters—all of them pair nicely with various gradations of the amber liquor.

With a seasonally shifting menu, the industrious chef—he’s cooking a BLT and a cheeseburger, medium well, as we talk on the phone—is unabashed about the quality of his food. “We didn’t invent the caesar salad,” he says, “but we perfected it.”

As for Tony? “We tried to raise the $50,000 ransom,” Mitchell deadpans, “but only managed to get about 15 bucks.”—Jessica Dur Taylor

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FOURTH STREET FINESSE

Arturo Cardenas, Caffe Portofino

Arturo Cardenas never imagined he’d be head chef at a popular Italian restaurant in downtown Santa Rosa. He grew up in Michoacan, Mexico, and came to California for the first time in the ’80s to pick apples and grapes. But he found work in the off-season in the kitchen at Caffe Portofino, and 23 years later, he’s got a whole staff calling him “chef.”

After learning from the prior chef how to prepare the menu’s staples, Cardenas was surprised when the owners wanted to send him to culinary school in San Francisco. (“I didn’t even know it was a career,” he says. “I just love what I do.”) He became sous chef and then, 10 years ago, under new ownership, head chef. “I was free to create new dishes,” he says.

Not that the downtown Italian joint has changed much since then. The décor still looks much like it did when Cardenas began his career, and the menu, much to the relief of its fans, hasn’t seen too many new additions. Customers enjoy the old favorites so much that Cardenas says he gets complaints when something isn’t available. Dishes like penne pasta with chicken and fettuccine pescatore are staples at Portofino—and by all accounts, will always be.

Cardenas brings work home, too, as his nine children enjoy many of the recipes he makes for diners at the crowded restaurant. The oldest, now 23, helps out cooking for the other kids, the youngest of whom is just three. “I leave them instructions on what we’re having for dinner,” he says. “They make my life a lot easier.”

Mom’s old saying “This isn’t a restaurant, you’ll eat what I make” doesn’t quite apply in the Cardenas household. The kids can be picky eaters, and the chef, trained in pleasing the customer’s palate, often obliges: “People say I spoil my kids because I make them three or four dishes.”

The Caffe Portofino model follows the sage advice “If it ain’t broke, don’t fix it.” The place is still packed most nights of the week, with homemade pasta, reliable favorites and a friendly staff (bar manager Su Wolfard has been there 25 years). Toss in a prime downtown location, and it’s a recipe for success.—Nicolas Grizzle

CLAUDIO’S WAY

Claudio Capetta, Cafe Claudio

When I call chef Claudio Capetta on a recent Saturday, he’s just made some tiramisu, asparagus-stuffed tortoloni and gnocchi in anticipation of the evening’s dinner guests. I ask about his signature menu items, and he ticks off dish after dish—veal topped with prosciutto and pepperoni, spaghetti alla carbonara, gnocchi with creamy pesto, risotto del giorno, scampi fra diavolo—and then says, “Nothing major. I just try to cover the whole spectrum of Italian food.”

Such nonchalance is befitting of the 72 year-old-chef, who had no qualms about opening a restaurant in a location that’s seen more turnover than a rookie basketball game. In less than a decade, the roadhouse bistro at 9890 Bodega Hwy. has been home to such promising eateries as P/30, Cafe Saint Rose and Two Crows—all of which turned off the oven sooner than expected.

“The location doesn’t make the restaurant,” Capetta tells me, “the person running it makes the restaurant. You can’t just open a restaurant because you have the money. You must love it, too.”

Capetta obviously loves it. Cafe Claudio is his fourth restaurant in Sonoma County alone. “I used to call my restaurants Claudio’s Trattoria or Claudio’s L’Osteria, and then my daughter said I must modernize,” he says, laughing. “And so I called this one Cafe Claudio. And I got on Facebook and Instagram.”

Originally from Liguria on the Genoa Coast of Italy, Capetta ran Claudio’s Trattoria in Sebastopol (where Sushi Tozai is now) for a few years before selling it to move down to Santa Barbara. The occasion? His daughter was going off to college.

“My wife and I wanted to be near her,” he says matter-of-factly, as though parents routinely follow their kids to college. Years later, he’s doing it again, moving to Santa Rosa to be closer to his daughter and two grandchildren. As for Cafe Claudio, it remains as rooted as the patio herb garden and homegrown tomatoes planted out front 20 months after opening.

“I’m not a spring chicken anymore,” says Capetta, who is nonetheless embracing the 21st century with aplomb. “But you can find me on Facebook!”—Jessica Dur Taylor

Horn of Plenty

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Sax, drugs and rock ‘n’ roll—the Seattle-born saxophonist Skerik has done it all. Trying to label Skerik’s sound, be it jazz, punk, punk-jazz or metal, is like handling the keys on a greased saxophone: it keeps slipping through your fingers.

Skerik (born Eric Walton) picked up the sax in the fifth grade and was influenced early by the Rolling Stones and Pink Floyd, bands that incorporated saxophone into rock music. But like a human sponge, Skerik continued to soak up any possible kind of music, from classical to African soukous, and incorporated it into his own.

For Skerik, music is more about the concept than the skill. This philosophy has landed him gigs like playing as a member of local hero and bass legend Les Claypool’s Fancy Band and Frog Brigade and touring with the likes of Pearl Jam, R.E.M., Bonnie Raitt and Roger Waters. Through his career, he’s been a member of Critters Buggin, Garage a Trois, Crack Sabbath and the Dead Kenny G’s. Skerik performs with another one of his many bands, Bandalabra, on Wednesday, March 13, at the Sweetwater Music Hall (19 Corte Madera Ave, Mill Valley; 8pm; $12; 415.388.1100) and on Saturday, March 16, at the Forestville Club (6250 Front St., Forestville; 8pm; $5; 707.887.2594).

Goliath Meets David

Some days, you think you know the world and the way it works. Other days, the wife of the CEO of Amazon.com is going on a book tour of small independent bookstores.

You read that right: Mackenzie Bezos, wife of Amazon CEO Jeff Bezos, has written a novel. Cute idea, right? After all, when the family business model is based on suffocating and killing small bookstores, spending millions lobbying to keep from paying sales tax on those loss-leader books and maintaining sweatshop-like conditions at distribution warehouses to send those books out all over the country for maximum profit, it’s only a matter of time before one thinks, “Gee, these ‘authors’ must be on to something. I’ll try it, too! Maybe I can go around to talk about it at some quaint little bookstores, if there are any left.”

Mackenzie Bezos’ book, Traps, is the story of four women whose lives intersect, transforming them forever, etc., etc. What you really want to know is: how does Copperfield’s feel about this?

“We try to look at the author independent of whom they are married to,” says Copperfield’s spokesperson Vicki D’Arman, adding: “Bezos himself—not happening.”

Anyway, see the wife of Amazon’s CEO appearing at the very type of small independent bookstore that Amazon has so successfully squashed on Monday, March 18, at Copperfield’s Books. 775 Village Court, Montgomery Village, Santa Rosa. 7pm. Free. 707.578.8938.—Gabe Meline

Letters to the Editor: March 13, 2013

Scientology Slam

A thought does occur that the usual location for picking up a copy of the Bohemian at the Station in downtown Mill Valley had no copies. Could the Scientologists be collecting stacks to minimize publicity of DeWolf’s appearance at the North Bay Poetry Slam?

Via online

I Don’t Like Tom Tomorrow

I’m just wondering why you feature Tom Tomorrow. Most political cartoons extend false logic to a familiar scenario in order to illustrate how ridiculous the logic is. His cartoons distort the logic and apply it to equally ridiculous scenarios for who knows what end. I’m almost always left understanding his point but being neither intellectually nor comically amused. Which begs the question: Why the illustration and punch line, if you’re just providing droll, trite commentary?

Via email

Hi Jonathan, thanks for writing. Not everyone gets the ending of ‘La Dolce Vita,’ either. Marcello on the beach, with the dead, bulbous carcass of a sea creature? Paola trying to yell to him from across the estuary, her words drowned out by the waves? Boy, is it ever weird.—The Ed.

Proof of Intent?

I was very disappointed in your choice of Tom Tomorrow’s twisted cartoon on the Second Amendment (Feb. 20). In these difficult times, let us not be distracted and confused by propagandistic manipulations which are the antithesis of mindful thinking, and look at the original intention of the Second Amendment: “The strongest reason for a people to retain the right to keep and bear arms is, as a last resort, to protect themselves against tyranny in government.” (Thomas Jefferson.)

As Obama enlarges his drone assassination list of robotic death from above and the criminal banker elite rob many American families openly for fun and profit, this quote from the principal author of the Declaration of Independence and the third president of the United States speaks far better to us on the subject than Mr. Tomorrow’s cartoon.

Santa Cruz

Hi Drew, thanks for writing. But—whoops—Thomas Jefferson never actually said those words. The quote first showed up in an op-ed piece in 1989, and no one knows where the author got it. It’s been floating around since, despite no record of it in any of Jefferson’s speeches, papers or letters. Talk about “propagandistic manipulation”! In the meantime, a six-month-old baby girl named Jonylah Watkins was shot five times with a gun and died last week in Chicago. Have a fun day!—The Ed.

Fee-and-Dividend

The level of contaminants released into the atmosphere from the burning of fossil fuels is threatening our air, food, water and health. The rising ocean from the melting polar ice is slowly inundating the coastal land.

The transition to clean-energy technologies is the best way to curb greenhouse gas and other pollutants released into the atmosphere. A dozen countries in Europe have succeeded in reducing emissions by employing carbon tax to encourage cleaner energy. Among several carbon bills that have been introduced in the Congress, fee-and-dividend has the best chance of promoting job growth, encouraging conservation and, with household income from the dividend, stimulating the economy.

The fee-and-dividend proposes that the revenue from the fee-on-carbon be paid out equally to every citizen. With the current CO2 emissions of 6 billion tons, the proposed $15/ton fee for the first year would be approximately $750/year per capita.

For the Pacific West, where hydroelectric power is abundant, the impact on heating, cooling and transportation cost is insignificant. Higher oil cost brought on by the $15/ton fee is expected to add $0.10 to a gallon of gas. An average driver who drives 12,000 miles per year would pay roughly $40 more a year at the pump, assuming the car gets 30 mpg.

Santa Rosa

Write to us at le*****@******an.com.

March 15-16: Poor Man’s Whiskey at Hopmonk Tavern

This week, Poor Man’s Whiskey take a break from their Dark Side of the Moonshine tour—in which the band performs a bluegrass interpretation of Pink Floyd’s Dark Side of the Moon dressed in costumes from The Wizard of Oz—to grace their hometown with a two-night stand in order to record a new live album. Each night offers three sets...

March 14: Richard Buckner at Sweetwater Music Hall

The last time Richard Buckner made a record, he was held up in a murder investigation when a headless body was dumped in his car. On top of that, Buckner’s laptop containing his music was stolen. Fans were forced to wait five years for Buckner’s album Our Blood—but not this time. Surrounded, Buckner’s new record, is almost complete. To...

March 14 and 17: ‘Rhythm of the Dance’ and ‘Celtic Fire’

What’s lightning fast with thunder to match? Irish step dancing, that’s what! The Napa Valley Opera House and Wells Fargo Center both celebrate Saint Patty’s day with modern interpretations of the classic Irish tradition, brought to popularity with Riverdance. ‘Celtic Fire’ offers traditional Irish music by Michael Londra along with a performance by world-class Irish dancers on Sunday, March...

March 16: Texas Hold ‘Em at Laguna Environmental Center

Who knew gambling, beer and a good poker face could benefit the environment? The Laguna de Santa Rosa Foundation is holding the Texas Hold’em Poker Tournament, a fundraiser for the largest area for wildlife in Sonoma County. The foundation works to preserve, restore and enhance the Laguna de Santa Rosa, which is also a part of the cities of...

Musical Chairs

Activism is a popular hobby in Cotati. On March 13, one new member will be chosen out of nine applicants for an open seat on the city council of Cotati, a city of 7,330. Contrast that with last year's Santa Rosa City Council race, which featured nine candidates for four spots on the city council of a city of...

Spirit Animal

Andrew Bird documentary 'Fever Year' at the Sebastopol Documentary Film Festival

Tabletop Talent

Local chefs offer deals with Sonoma County Restaurant Week

Horn of Plenty

Skerik's anything-goes saxophone playing

Goliath Meets David

Some days, you think you know the world and the way it works. Other days, the wife of the CEO of Amazon.com is going on a book tour of small independent bookstores. You read that right: Mackenzie Bezos, wife of Amazon CEO Jeff Bezos, has written a novel. Cute idea, right? After all, when the family business model is based...

Letters to the Editor: March 13, 2013

Letters to the Editor: March 13, 2013
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