Banding Together

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There I was, in Whole Foods about six years ago, standing in the checkout line near a small handful of Putumayo and Norah Jones CDs on an impulse rack, when I heard the guy in front of me ask the checker, “Hey, do you know any record stores in town that sell CDs?”

“Uh, probably Best Buy,” the checker replied, to my astonishment. The bag boy also suggested Best Buy—as did a nearby customer.

I guess I was naïve. I assumed the average Whole Foods employee, and customer, might be more in tune with the local community, and would have at the time been able to name several independent mom-and-pop record stores.

Which makes the local music program at Oliver’s Market, spearheaded by vice president Tom Scott, all the more welcome.

“Tom Scott had a meeting,” says Last Record Store owner Doug Jayne, “and said he was in a Whole Foods and saw people buying Lady Gaga and Elton John CDs. He said, ‘Wouldn’t it be cool if we had local artists in our stores?'”

Thus, Oliver’s, in a partnership with the Last Record Store, began selling local bands’ CDs at their checkout lines. Additionally, Jayne, who’d released several local-music compilations on his Jackalope Records imprint, suggested that Oliver’s do the same. The Real Music series, an incredible, wide-ranging document of the Sonoma County local music scene with proceeds going to the Redwood Empire Food Bank, was born.

Frank Hayhurst, who most local musicians know from Zone Music, administrates the local-music program at Oliver’s, which is gearing up to release the third volume of Real Music with a record-release show on June 7 at the Sebastopol Community Center featuring a whopping 25 bands.

Twenty-five bands may sound big, and going big is all Hayhurst’s doing; so far there have been 99 bands represented in the Real Music series, with double-CD packages and long run times. Yet even those who suggested that Hayhurst keep the CDs shorter now concede that the community inclusion has been successful.

Real Music Vol. 3 features 33 Sonoma County artists on new and old tracks. Included are local Americana staples—the piano of John Allair, the harmonica of Charlie Musselwhite, the guitar of Nick Gravenites—alongside newer groups like Girls in Suede, Little Lost Boys, the Brothers Comatose, the Steve Pile Band, Dan Imhoff & Cahoots and many others.

“Tom Scott and Steve Moss, I think the reason they’re doing so well is they really have a sense of being part of our community and contributing to it in a way where everyone starts wining,” says Hayhurst.

As for the local artists on consignment at Oliver’s, sales have been brisk—last month, the stores sold over 50 CDs. Incredibly, Oliver’s takes no cut whatsoever of the profits. Let’s see Whole Foods try that one, shall we?

The record-release show for ‘Real Music Vol. 3’ features 25 bands on Friday, June 7, at the Sebastopol Community Center. 390 Morris St., Sebastopol. 6-11pm. Admission is $10 plus a can of food. 707.823.1511.

Lady in Red

Georges Bizet’s Carmen is one of the most popular operas ever written. Why then has Petaluma’s Cinnabar Theater, known for 40 years as the primary North Bay presenter of chamber opera, never once staged it? Audiences have clearly been waiting for it; the current three-weekend run was sold out before opening night (prompting the addition of one Wednesday-night performance on June 12).

Perhaps Cinnabar’s cozy theater space made the character-heavy Carmen seem like too ambitious an undertaking. If so, director Elly Lichenstein, along with musical director Mary Chun, has ably met that challenge, presenting a nicely crammed but cleverly realized, emotionally rich—and super sexy—staging of the 1875 opera that once shocked audiences with its provocative images (females smoking cigarettes! soldiers cavorting with “loose women”!) and morally questionable subject matter: seduction, sexual obsession, jealousy, madness and murder.

With a strong central cast and a veritable army of ensemble players, the stage overflows with energy and action, sometimes quite literally, and Lichenstein, whose work here represents some of her finest ever, packs every scene with eye-popping visuals and clever details.

The beautiful and asymmetrical set by David Lear works upon ominous collapsing slabs with gaping holes in a rock-like facade. This gives the stage a suitably chameleon-like quality, rapidly shifting with the addition of a piece or two of furniture to become a smuggler’s lair, the interior of a lively tavern or the bustling village square where women from the local cigarette factory cavort with soldiers stationed in town.

One of those factory workers is Carmen (played with plenty of fire and voracious confidence by mezzo-soprano Rebecca Krouner, magnificent!). A Victorian-era force of nature, Carmen is “a naughty girl and a gypsy too,” as she describes herself early on. She knows she can have any man she wants, and since most men want her, she sets her eyes on the straight-laced, duty-obsessed soldier Don José (Mark Andrew Kratz, whose glorious tenor has been featured at the Kennedy Center in Washington).

Carmen uses men before they have a chance to use and abuse her, and once José has given up everything for her, she shifts her affections to a handsome bullfighter (Jason Detwiler).

The result, set to some of the most memorable music ever written for the stage, well played by Chun’s first-rate chamber orchestra, is an emotionally complex tragedy. As staged at Cinnabar, it’s also one of the best shows, opera or otherwise, of 2013.

Rating (out of 5): ★★★★½

Quality Spending

There’s no stopping Sonoma County’s former hip-hop collective Sonicbloom. The band-turned-label has become a cornerstone for artists to pursue independent careers in rapping and beat production.

Now a full-on label exec, founding member Spencer Williams, aka Spends Quality, has been promoting CFO Recordings artists, as well as his own music, through synergetic album releases. Time Piece showcases Sonicbloom beat master Mr. Tay, whose complexity and melodic risk-taking proves polished and appealing. Alongside that is the debut solo album of Sonicbloom saxophonist-vocalist J. Kendall, whose Maxwell-esque neo-soul jams on Moving Forward are kept fresh with hip-hop bass lines. Featured artists include N8 the Gr8 and Maryann, keeping the energy high on an album doused in Kendall’s velvet delivery.

Tripling down for full effect, Williams’ own Flight Music is a self-produced sophomore album, less rhythmically varied but equally proficient in showcasing his talent as a quick-witted lyricist. “After collaborating in the group dynamic for so long,” he says, “it was nice to be able to take ownership and say, ‘I produced this whole record.'”

All three albums are solid reflections of CFO’s maturing productivity. And while the threefold drop is ambitious, it should earn the label some hype for its hard work. CFO Records presents their triple album release party with Spends Quality, J. Kendall and friends at on Friday, June 7, at Hopmonk Tavern. 230 Petaluma Ave., Sebastopol. 9pm. $10–$15. 707.829.7300.

St. Anne’s Crossing

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St. Anne’s Crossing: does it make you think of Australia, too? Lots of this-or-that’s “crossing” Down Under. I’m thinking Shiraz, but no, it’s got nothing to do with that. This Sonoma Valley tasting room is focused almost exclusively on Zinfandel. Dry Creek Valley Zinfandel. And don’t you mind that bright, blue sign screaming “Naked Wines” beneath the staid St. Anne’s sign. It’s got nothing whatsoever to do with that, either.

Loving the dissonance? Then let me sell you a little more on this joint. Inside, music from different sources clashes in that special, audio/video store way—remember those? Now, this isn’t the normal state of affairs. This particular evening, the tasting-room roommate, Naked Wines, is hosting an industry mixer, complete with trendy banh mi truck, although I’m told that when members of some St. Anne’s parish or other wander in, tickled to buy a so-labeled bottle of the good old sacrament, they don’t mind sharing the room with the “Naked.”

Here’s what is known: owner Ken Wilson had a grandmother named Anne. But why “crossing,” nobody here knows, besides offering that Ken Wilson is a man of mystery.

The staff I meet at St. Anne’s on a random weekday afternoon just before closing are well-informed and downright personable. And there are only four of them—five including St. Anne’s-dedicated winemaker Chris Barrett. In barrel at Pezzi King, a Sonoma Valley Zin will soon join 15 other Zins. But let’s start with white.

If you’re familiar with this vineyard, the 2011 Ritchie Vineyard Sauvignon Blanc ($24) may seem a little wild—rich caramel, supercharged lychee fruit. You want to know if it’s more “New Zealand” or more “Sancerre”? Try Willy Wonka. The 2010 Alexander Valley Chardonnay ($28) is not buttery, but creamy—apple pie milkshake.

Blushing with raspberry perfume, beckoning with multigrain toast aromas, the 2010 Serracino Dry Creek Valley Zinfandel ($50) slathers the palate with tart plum. Nothing wrong with the 2010 Old Vine DCV Zinfandel ($32), it’s just the kind of big, woody, blackberry syrupy Zin that had me going “ho hum” the first time I breezed through here during their opening. I’m glad I gave them another chance.

Top pick: 2010 Kettleby DCV Zinfandel ($60), which goes down like warm red cherries and ice cream. You want to pay more, you get the 2010 “Kennethwood” DCV Zinfandel ($150), packing extra cracked pepper and Mexican chocolate with the raspberry jam. Yeah, some of these Zins are a bit high, but they do make such sweet music for the mouth.

St. Anne’s Crossing, 8450 Sonoma Hwy., Kenwood. Daily, 11am–5pm. Tasting fee, $10. 707.598.5200.

Party People and Electronic Dance Music

How the music scene saved Las Vegas casinos from certain doom

Vegas casinos may remain to be the epitome of grandeur and lavish lifestyles, but many people are unaware of the fact that most of the city’s gaming establishments had already closed down several years ago.
An article posted on The Kong List revealed that many casinos in Vegas have already experienced a slump, with annual revenue losses climbing from 5% in 2007 to 20% by the end of 2010. These figures had also been set to increase, if casino operators hadn’t decided to bring something new to the table. Thankfully, two casinos – the Encore and the Wynn – have taken the risk of reinventing their facilities, and serving as examples to other casinos in Sin City who were struggling to get back on their feet.
A report by The Press of Atlantic City revealed that a growing crowd of younger guests had been seen coming to the casinos not to play per se, but instead, to party. Gone are the days when senior citizens dominated casinos, as hordes of young and energetic guests have begun flocking to the gaming establishments’ nightclubs. With EDM being one of the most popular genres for younger people, Encore and Wynn have decided to play the music in their nightclubs, and lure even more young guests through their doors.
Bringing in the younger demographic is a tactic that many gaming operators are currently adhering to. Recognizing the sudden appeal that zombies have had on young adults, even InterCasino, the longest running online casino website, has released a zombie-themed slot game called Zombie Rush. Online casinos, having the option to alter their games as they see fit, have built a presented a noticeable challenge to land-based casinos, with the industry becoming worth more than $21 billion in 2008. This has prompted casinos to begin looking at other avenues to lure in more patrons, and music seems to be doing a great job of keeping them entertained.
Both the Encore and Wynn casinos seem to have become quite successful from their venture, with their inclusion of EDM allowing the two casinos to garner around $200 million in revenue from their nightclubs. With the success of EDM nightclubs, operators seem optimistic about the future of their casinos. And with the rising popularity of many international EDM DJs, casinos will be able to capitalize more on this venture in the coming years.

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Extended Play: What’s the deal with private utilities?

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Our news story this week dives into the world of private utility Cal Water, which, in Dillon Beach, charges around four times the going rate of the neighboring public utility.

Recently the excellent Grist.org looked at some of the bigger picture issues alluded to by our article.

California Roots Festival Highlights: Day 1

Like most up-and-coming writers, our day jobs often get in the way of multi-day festivals. We write all week to get in free, drowning at our crappy jobs to pay the way once we get there. We spend the entire weekend running between bands, posting iPhone photos to social media, and trying to finagle free meals. We do it for the love of live music. We do it because we wouldn’t have lives if we stayed home all weekend. So it was nothing new that a crisis at the office resulted in missing most of Friday. But rolling into Monterey County just after 9pm, I was able to park and get to will call before headliners, Rebelution, even took the stage. At least I’d made it for that.
Unfortunately, Murphy’s Law always lays it down in the most critical of situations. The girl in the ticket booth had no idea who I was, much less who the media organizers were. So there I was, with a line of pre-party-drunk VIP ticket holders waiting behind me while I frantically searched my emails for phone numbers. Thankfully, and one of many reasons why Moore Media shined all weekend, the head organizer returned my text to confirm we’d meet at the artist gate in five minutes. Sort of running along Fairgrounds Blvd., and without wanting to show up sweaty and out of breath, I paused for a few seconds to pull myself together. Luckily I had my two trusted travel partners, Jameson and his lady Ginger, who proved once again essential allies as I journeyed clear across the 20 acre property.
By the time I arrived at the gate, Rebelution was already on stage. Looking out on the crowd, there was no way I was gonna mash through nearly 10,000 fans already up against the railings. It was literally a sea of bouncing heads and puffs of smoke. Fortunately, for those who can afford it, music festivals have turned to offering VIP ticket holders access to backstage areas. For an extra $100, you can hang out with artists and media and stand in side-stage balcony boxes high over the crowds. It can be an awesome opportunity to enjoy the bands while keeping a drink in your hand, but nothing beats being smashed up against railings watching your favorite singer drip sweat down the mic cord. [Read more after the break]

Rebelution - Photo by James LeDeau Photography - www.facebook.com/jamesledeauphotography

June 3: George Packer at Book Passage

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In the latest New Yorker, staff writer George Packer asks why the huge profits made in Silicon Valley’s tech world have grown as big as the massive gap between America’s rich and poor. He uses a wider lens his new book, The Unwinding: An Inner History of the New America, taking on the last 35 years of U.S. history in a nation that’s in steady economic decline. Hear Packer read on Monday, June 3, at Book Passage. 51 Tamal Vista Blvd., Corte Madera. 7pm. 415.927.0960.

June 2: Matt Costa at Long Meadow Ranch

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Matt Costa is everything you’d expect from an artist on Brushfire Records, the label run by ambassador of chill Jack Johnson. His catchy, toned-down songs provide the perfect background for an afternoon of wine tasting and sunbathing in the Napa Valley. This weekend, Costa plays the opening concert of the Long Meadow Ranch Summer series, with upcoming performances by Nicki Bluhm and the Gramblers, Langhorne Slim, Mother Hips and Sean Hayes. See him on Sunday, June 2, at Long Meadow Ranch. 738 Main St., St. Helena. 2pm. $30. 707.963.4555.

June 1: Cheryl Strayed at the Petaluma Sheraton

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Cheryl Strayed’s fame is well deserved; she happened to write Wild, a memoir about her cathartic, months-long solo hike along the Pacific Crest Trail, and one of the best-selling books of 2012. She’s also the force behind the fabulous Dear Sugar columns over at The Rumpus. See the Oprah Book Club alumni for a writing workshop, craft talk and reading on Saturday, June 1, at the Petaluma Sheraton. 745 Baywood Drive, Petaluma. 9am-5pm. $197-$245, includes lunch and workshop materials. www.cherylstrayedevent.com.

Banding Together

'Real Music' at Oliver's Markets

Lady in Red

Cinnabar gets 'Carmen' right

Quality Spending

Sebastopol label celebrates triple album release

St. Anne’s Crossing

Yet another Zin label from Wilson empire—oh, wait, yum

Party People and Electronic Dance Music

How the music scene saved Las Vegas casinos from certain doom Vegas casinos may remain to be the epitome of grandeur and lavish lifestyles, but many people are unaware of the fact that most of the city’s gaming establishments had already closed down several years ago. An article posted on The Kong List revealed that many casinos in Vegas have already...

Extended Play: What’s the deal with private utilities?

Our news story this week dives into the world of private utility Cal Water, which, in Dillon Beach, charges around four times the going rate of the neighboring public utility. Recently the excellent Grist.org looked at some of the bigger picture issues alluded to by our article.

California Roots Festival Highlights: Day 1

Like most up-and-coming writers, our day jobs often get in the way of multi-day festivals. We write all week to get in free, drowning at our crappy jobs to pay the way once we get there. We spend the entire weekend running between bands, posting iPhone photos to social media, and trying to finagle free meals. We do it...

June 3: George Packer at Book Passage

In the latest New Yorker, staff writer George Packer asks why the huge profits made in Silicon Valley’s tech world have grown as big as the massive gap between America’s rich and poor. He uses a wider lens his new book, The Unwinding: An Inner History of the New America, taking on the last 35 years of U.S. history...

June 2: Matt Costa at Long Meadow Ranch

Matt Costa is everything you’d expect from an artist on Brushfire Records, the label run by ambassador of chill Jack Johnson. His catchy, toned-down songs provide the perfect background for an afternoon of wine tasting and sunbathing in the Napa Valley. This weekend, Costa plays the opening concert of the Long Meadow Ranch Summer series, with upcoming performances by...

June 1: Cheryl Strayed at the Petaluma Sheraton

Cheryl Strayed’s fame is well deserved; she happened to write Wild, a memoir about her cathartic, months-long solo hike along the Pacific Crest Trail, and one of the best-selling books of 2012. She’s also the force behind the fabulous Dear Sugar columns over at The Rumpus. See the Oprah Book Club alumni for a writing workshop, craft talk and...
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