24-Hour Mania!

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Keith Garriott walked to the center of the stage, assumed a half-squat, tilted his guitar skyward and let loose on a lightning-fast solo. Artemis, in red leather hot pants and lace, stood up from her chair and mangled her cello’s strings while yelling along. While Alex Kouninos laid down the bass and Matthew Wilson played ukulele, singer Jeremy McCarten drew out a final “Come ahhhn!” with his head tilted back. Behind the kit, Devon Rumrill thundered out a massive drum roll and clobbered the cymbals, bringing the whole thing to a crashing halt.

In that glorious finale, who would have believed the band had only been together for 24 hours? Up went the judges scores, all 9s and 10s, and with that, a new champion of the Bohemian‘s 24-Hour Band Contest was crowned.

That was just one of the many high points in the packed Arlene Francis Center last Saturday night, as we carried on last year’s crazy idea—to assemble musicians into random bands with other strangers and force them to write two original songs and learn one cover song in just one day. Each performance was like opening a living, breathing Christmas present. A trombone-fueled version of “Psycho Killer.” A Spanish-English hybrid of “Rebel Yell,” complete with hubcap percussion. A “Taxman” sing-along. Hell, the energy was so high that at the end of the night, people started breakdancing. Ultimately, the panel of judges—comprising Bill Bowker, Leilani Clark, Heather Irwin, Steve Jaxon and Jacquelynne Ocaña—chose the band cheekily calling themselves Wonder Wench as most worthy of top honors.

Making their success even more special was the fact that McCarten, in hospital scrubs, was called in to work at the emergency room the night before; he’d missed five hours of rehearsal. (The “special circumstances” award, though, goes to bassist Huck Reason, from a different band, whose five-day-old daughter Nyah Willow watched from the crowd, wrapped in blankets and held by her mother.)

Not to be outdone, our ninth annual NorBay Awards conferred plenty of honors throughout the night, too. Your voting made it happen—we had 1,047 preliminary write-in voters, and 3,411 finalist voters! Gold record awards were given, speeches both touching and funny delivered, and our commitment to supporting and cultivating local music was strengthened yet again.

The award was especially timely for Lester Chambers, winner in the Blues / R&B category. In accepting the award on behalf of his father, Chambers’ son Dylan explained that Lester had been assaulted onstage by a woman earlier that same day at the Hayward-Russell City Blues Festival after dedicating “People Get Ready” to Trayvon Martin. (Video later released showed Dinalynn Andrews Potter climbing onstage, shoving the 73-year-old Chambers to the ground; she was arrested for battery, and Chambers was taken to the hospital.) “I can’t tell you how proud he’ll be having this,” Dylan said, clutching the award. “He works very, very hard at what he does.”

Without further ado, the winners of the 2013 NorBays:

Blues / R&B: Lester Chambers

Country / Americana: Frankie Boots & the County Line

DJ: DJ Lazyboy

Folk / Acoustic: Foxes in the Henhouse

Indie: Grace in the Woods

Jazz: The Gypsy Trio

Hip-Hop / Electronic: Smoov-E

Punk / Metal: Boo Radley’s House

Rock: Highway Poets

World / Reggae: Midnight Sun

24hourb.jpg

Burning Token Media was on the scene to document the 24-Hour Band Contest—the choosing of the bands on Friday, the rehearsals on Saturday, and of course, the mighty performances.

Watch the results in playlist form here, or see individual performances below.

Band #1: PSYCHO SANDWICH!

Band #2: WONDER WENCH!

Band #3: FIVE BRIDGES!

Band #4: ROSE!

Band #5: GROUP THERAPY!

And… who won? See below:

Letters to the Editor: July 17, 2013

Carrillo Should Resign

Let me be among the first to call for Efren Carrillo’s immediate resignation as Fifth District Supervisor. Speaking for many of us in West County, we have had it. Carrillo no longer represents us. The last time he exhibited antisocial behavior like this all we got from him was a stone wall. Now his pal Erik Koenigshofer says that Carrillo is really a nice guy and just has a “drinking problem.” Well, he may have a drinking problem, but a drinking problem does not excuse his behavior, especially from a person in county government. I call for a coalition of county civic groups to come together to nominate a replacement for Carrillo as soon as possible.

Occidental

Women Targeted

While I certainly share the upset and outrage being expressed over the verdict in the Zimmerman trial, I am puzzled by the silence over similar crimes that occur daily across the country. Thousands of victims are stalked, raped and murdered, targeted as belonging to an oppressed class in our culture.

Yes, I’m taking about women. Violence against women is such an ingrained aspect of American life that it goes almost unnoticed, yet it goes on day after day. Women who resist and kill their attackers can be convicted and sent to prison. As a man who’s enjoyed an unconscious sense of entitlement over women from birth, I’m struggling to wake up to this bias and begin to resist the omnipresent messages to objectify and target women: “sexy” advertising, misogyny in “entertainment” and, of course, pornography. Where’s the outrage against this lethal profiling?

Via online

Tale of Two Chesters

I really enjoyed this article, especially for the attention to the situation of California artists (“Gone West,” July 3). There’s a typo in the caption for one of the photos—that’s not Sonoma County’s wonderful author and garlic-grower Chester Aaron (who is also worthy of a profile in your paper) but more likely the person you are quoting in the article, Chester Arnold.

Via online

Subtle Metal

Boo Radley’s House delivers uncompromised attack on this album (“North Bay Noise,” July 10). As an ex–sound engineer for a few record labels, I find Eye to I to be one of the best pieces of work I’ve heard in a long time. Although it may not find its way into the mind of the masses due to its highly intelligent metal infrastructure, I encourage those with an appreciation for deviation from the norm to give this album a solid listen. It has so many time changes, explosive dynamics and subtle nuances, all seamlessly executed, that listeners will find themselves wanting to study each “chapter.”

Via online

BottleRock Disaster

Wow, this has to be one for the business books as a freeway pile up of the worst business practices in recent memory (“Empty Bottle,” July 10). Why on Earth would any business (much less practically all of the vendors) give credit to a concert promoter on the first year out? Why would a concert promoter allow a primary source of revenue to be managed by a contractor? Lord help any investor suckers lurking nearby.

Via online

Bohemian Wins AAN Award

At the annual convention on July 13 of the Association of Alternative Newsmedia in Miami, Fla., photographer Sara Sanger was awarded a third-place award for her work in the Bohemian throughout the calendar year 2012.

AAN is comprised of 142 newspapers nationwide. This is the eighth national award that the Bohemian has received in the past five years. In April, the Bohemian won two CNPA awards from the California Newspaper Publisher’s Association.

To Sara, we triumphantly raise a tall can of Modelo and a pair of the best gardening shears money can buy.

Humbled as Ever

Write to us at le*****@******an.com.

Pop-Up Veggies

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At first, I was drawn to the Handlebar Farm stand for the beautiful, fresh-looking summer veggies—carrots, tomatoes, green beans—displayed in smart-looking fashion. But I return each week for the low prices and consistent high quality of the no-spray lettuce and other greens produced on the Sebastopol-based farm, run by Emily Mendell and her husband, Ian Healy. The couple started the farm in 2012, a process documented on their lively Handlebar Farm blog; the young couple recently extended their reach from farmers markets to a pop-up veggie stand in Santa Rosa’s Courthouse Square.

“There aren’t really any places in downtown to find fresh produce,” Healy says. “We wanted to create a place where people could buy vegetables after they get off of work.” Located on the northeast side of the square, the cart is chock-full of the farm’s bounty and provides a nice alternative to picking up a slice of pizza or a hamburger after work.

Handlebar Farm can be found at the West End Farmers Market on Sundays from 10am to 20pm, at the Forestville Farmers Market on Tuesdays from 3pm to 7pm, and at their Downtown Santa Rosa Veggie Cart every Thursday from 2:30pm to 6:30pm.

Deep Listening

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Noam Lemish was sitting on the floor of his unfurnished apartment in Bhutan eating dinner when the text message arrived on his simple, cheap cell phone. “The king really enjoys listening to your radio show,” it read.

Needless to say, Lemish was taken aback. “It came out of nowhere,” he says today, recalling the news. “I was quite thrilled.”

Having started his life and musical career in Israel, continuing in the Bay Area at Sonoma State University and then teaching and performing in Bhutan for a year before moving to Toronto, Lemish has certainly been around in his 31 years. The global traveler shows the same kind of range in his music, and Lemish, a tremendous jazz pianist, is about to release his second album of original compositions with drummer and SSU music professor George Marsh.

But saying Lemish is a jazz pianist is like saying a multi-function Swiss army knife is just a knife. Lemish has credits as an arranger, a composer for film, theater and dance, and a performer in styles ranging from jazz to classical to the eclectic style of the San Francisco Mime Troupe, with whom he toured in 2003.

When he was not yet 30 years old, Lemish was asked to teach at the landlocked Himalayan country’s only music school in 2010 (there are now two). After a few months, Lemish had his own radio show playing classical, world and jazz music. The text message about the king’s appreciation came from one of the station’s owners, and in the conversations that followed, Lemish was asked to compose a piece for the king’s upcoming 30th birthday.

Lemish’s reaction, he says today, was “Why didn’t I think of that?” The only problem was that after only a few months in the country, Lemish wasn’t intimately familiar with the culture, let alone the native music. And he certainly didn’t want to offend the king.

“I decided to make it an homage to Bhutanese culture and share a part of myself,” says Lemish. Limiting himself to the five-note pentatonic scale, a staple of Bhutanese music, Lemish awoke each morning and wrote down the first tune that popped into his head every day for two weeks. He used those melodies to sketch a five-movement, 30-minute suite. The result is The People’s King, combining a little Western flavor with Bhutanese tradition, using four traditional Bhutanese instruments and a recording of monks chanting a mantra for long life. He’s since rearranged it into a jazzy version, which debuted at the Healdsburg Jazz Festival in 2011.

‘Wherever you go in Bhutan, you hear music,” says Lemish, sitting at Flying Goat in Santa Rosa and groggily sipping coffee in the morning hours. It’s early, the caffeine is taking time to work its magic, and particular phrases from Lemish require a minute to chew to reveal their depth—just like his music.

Nightfall, his second album with Marsh, is just the right mix of avant-garde, time-free jazz with structured melody and form. Some songs feature mallet percussion ostinato punctuated by gong crashes and ominous piano chords at odd intervals, such as “Cosmic Pulse.” Some, like “Cape Town,” are catchy melodies wrapped in drum phrases that feel like a Fred Astaire dance number. Even with music jumping, sidestepping, twirling and sliding around, everything stays together; it’s a dance that is at once choreographed to perfection while improvised on the spot by two minds with one vision.

“Waltz for Pamela” is the album’s only song not written by Marsh or Lemish, composed by former SSU jazz professor and bassist Mel Graves. When it’s brought up, Lemish begins rummaging through his backpack. “I went to visit him, a couple months before he passed away,” he says, pulling out a photocopy of a hand-written piece of music. “This was on the piano at his house, and he asked me to play it. It’s stunningly beautiful.” It was also the last piece Graves ever wrote. Lemish and Marsh recorded it in 2009, just months after Graves’ death. Fittingly, the album is dedicated to his memory.

The duo began playing together while Lemish was still a student at Sonoma State. Their first album, Yes And, came out in 2008. Nightfall is more mature, structured and polished, even though most of it was recorded four years ago. “Collaborating with George has been a huge blessing and a gift,” says Lemish. “I learn so much playing music with him.” The ability to listen is the mark of a great musician. Listening to this album amplifies that truth.

Marsh and Lemish exist musically as ageless beings. When they’re playing together, the only time that exists is the present. “Musical connection has nothing to do with age,” says Lemish. “It has everything to do with the kind of listening and presence a person brings.”

Butter Heaven

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And so it was revealed to us that a new restaurant had opened in Healdsburg, but Leon and I had not yet dined there. Skipping such niceties as reservations, Leon donned his new silk and linen togs, I dusted off my “good” flip-flops, and into the car we went, headed north for an early meal.

Our destination was Chalkboard, the latest incarnation of the space that once reverently held Cyrus, in the Hotel Les Mars.

Cyrus, where the staff was hushed and the tables clothed. Cyrus, where the kitchen staff did gently spy on guests as their meals progressed, the better to prepare the next course. Cyrus, where there would never be a dirt-filled plant on a bare four-top or a community table or a merciless fruit fly . . .

To the very good Chalkboard where milk fat regularly moistens cheeks and lips and tongues and laps. Where we learned that gigli is not only a terrible Ben Affleck/J. Lo vehicle, but also a lily-shaped pasta that this kitchen likes to brighten with saffron. Chalkboard, where gnudi is not a spangled suit worn onstage by such deceased chaps as country star Porter Wagoner, but rather ravioli that’s lost its coat. Where radishes are stuffed with homemade butter, baby carrots are to be dredged through a wonderful concoction known as “leek dip,” and where dark rye bread crumbs are crushed into “soil.” Where puny dietary vows die softly and the steak comes wrapped with bacon.

To Chalkboard, where they tried to seat the reservationless in the back, in a corner by the kitchen. But the room was empty at 5pm on a Thursday evening, and we wanted to be by the bright summer windows and sip a Hendrick’s and tonic ($10), which you can damn well bet we did.

Listening to a recording of this meal—which I did so that you never, ever think of doing this yourself (the pop of your lips greased and floppy, your awful timbre escalating with wine . . . )—I hear our sober delight as we settle in by the windows, order our drinks and immediately request a tray of crab tater tots ($9) and that veggie plate ($8) which would reveal the butter-stuffed and the leek-dipped nestled amid rye soil with a side of duck-fat-fried frites. (I shudder to learn that I evidently chanted “butter-stuffed-radishes” in a cheerleader’s rah, but a cheerleader would never have eaten them.)

Chalkboard is a small-plate place with nothing priced over $17, as chef Shane McAnelly’s invitation to indulge. We didn’t need the invite, ordering the fresh corn ($7) immediately upon spying it as a special. Roasted on the cob, the kernels are sheared off and married in a bowl with cilantro, feta and a chipotle crema that is washed with a squeeze of roasted lime. The server invited us to mix it up. Mix it we did.

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We gobbled three plates before even deciding upon our main meal or wine. (The tater tots—formed into cubes, fried and topped with crème fraîche, chives and fresh crab lumps—were greedily consumed but needn’t be mentioned again.) We duly perused, learning that many of the veggies come from the restaurant’s dedicated three-acre patch situated on the Chalk Hill Estate Vineyards.

Perhaps it was the Hendrick’s, but Leon promptly lost all geographic bearings, wondering aloud how they could serve fresh seafood so far inland. While the man has actually heard tales of air travel, a different type fortunately distracted him, as a single, manic Drosophila chose our human forms for repeated personal inspection. Doing his best Obama, Leon felled him in a swoop.

Talking with my mouth grossly smacking full, I settled upon the wild nettle and ricotta gnudi ($12), followed by the plate of buttermilk-fried quail ($15) that Leon had rejected as being too “tedious” to eat. I chose a glass of the ballsy (yes, it appears that I later amused myself by using that descriptor to the poor server) Chalk Hill Chardonnay ($12), while Leon opted for the gigli with crab and zucchini ($15) and the local king salmon ($15) with a glass of Fruilano ($8) to start.

Momentarily not eating, we surveyed the room, opened up and simplified since Cyrus, replete with the de rigueur community table, handsome wood chairs and small potted succulents on each table. More guests arrived, the servers were swift and graceful, the place quickly hummed.

My gnudi was vibrantly green, larded with maitake mushrooms, and swimming in a sauce that could only be described as butter. Truffle butter, all the better. Leon’s gigli were crocus-yellow and ethereal with a slight heat from calabrian chiles. The wine, as has been noted, was ballsy.

I am pleased to report that we discussed abstract painting and the death of print journalism but soon moved shamefully on to kitchen products and why that friend we don’t like didn’t invite us to her party.

With our next course came two glasses of Bluxome Street Pinot Noir ($12) recommended by our server and just right for my emphatically nontedious quail, dressed as it was with nasturtium greens, and Leon’s perfectly prepared three ounces of salmon. (He no longer wondered how it had made its way from the sea.)

We mellowed, we flushed, my voice growing louder in inverse proportion to the excellence of my jokes.

Of course we’d like dessert! Good God, man. We soon spooned up the creamy cold goodness of a salted balsamic vinegar and caramel gelato ($6). Over two hours had passed, and we knew Chalkboard.

We forgave the friend we don’t like, we settled upon the kitchen items to buy, we didn’t say another word about painting or papers. We took a long walk around the evening-stained streets and into the car we went, headed south for an early night home.

We’ll soon go north to that spot again.

Chalkboard, 29 North St., Healdsburg. Open daily for dinner; lunch, Friday–Sunday. 707.473.8030.

Yuks, Sir?

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Anyone allergic to silliness should stay clear of Sebastopol’s Ives Park for the next couple of weeks. There, a 260-year-old comedy has landed, packed with pop-culture references (The Wizard of Oz, The Princess Bride), outrageous plot twists (a man dies after falling on a chopstick—13 times), and ridiculous, slightly raunchy dialogue (a woman, disguised as a man, asks for money by saying, “I’m flat busted—so to speak”).

The 18th-century Italian playwright Carlo Goldoni wrote over 150 plays during his lifetime, the most popular being Servant of Two Masters. Kicking off this year’s Sebastopol Shakespeare Festival is a new version by Thomas Chapman of the Oregon Shakespeare Festival. Loosely based on the 1928 English translation by Edward Dent, Chapman’s approach (he also directs) resembles the more-is-less, cram-it-to-the-max, no-laugh-is-too-cheap comedy of the Reduced Shakespeare Company, Saturday Night Live and, most definitely, Monty Python’s Flying Circus.

The convoluted, twisty-turny plot involves a hungry servant named Truffaldino (David Yen, for whom Chapman fashioned the role), who accidentally ends up employed by two different people at once. Unbeknownst to him (and everyone else), his first employer, the presumed-dead aristocrat Federigo Rasponi, is actually Beatrice (Allison Rae Baker), Federigo’s sister, in disguise as her dead brother. Truffaldino’s other master is the fugitive Florindo (Peter Warden), Beatrice’s secret lover, who’s been wrongly accused of Federigo’s murder.

To raise the money for Florindo’s defense, Beatrice, in disguise, hopes to claim the dowry promised to her brother by Pantalone (Larry Williams), whose daughter, Clarice (Jessica Wysocky), was engaged to Federigo, but actually wants to marry Silvio (Chris Sword), the son of the quackish Dr. Lombardi (Nancy Prebilich), alarmed to learn that Federigo is no longer dead (cue zombie jokes). Adding spice to the mix is the potentially cannibalistic innkeeper Brighella (Brandon Wilson) and the love-hungry maid Smeraldina (Denise Elia-Yen), with whom Truffaldino is instantly smitten.

In Chapman’s hands, the raucous plot is a mere conveyance for a series of outlandish jokes, bits, inspired wordplay and supremely goofy lines (“I don’t like being frightened! It scares me!”), with each and every member of the clownish, committed cast pitching their highly physical performances at maximum over-the-topness. Though a tad overlong and a bit overstuffed, this Servant keeps the laughs coming—with plenty of pratfalls, funny faces and snot jokes—right to the giddy, ridiculous end.

Rating (out of 5): ★★★½

My Neighbor, Myself

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I am one of those people who tends to attract crazy folks on the street. I make the mistake of making eye contact and being present as they babble about the voices in their head. I am still interested in my fellow humans after all these years of disappointment.

On Tuesday, as I was about to enter a grocery store, a woman came toward me burdened by her grocery bags and a cane. She was unsteady on her feet, well-dressed and skinny, like me, pinched face looking down, shoulders hunched forward as if she carried the weight of the world. I asked her if I could help her with her groceries, and at first, she said no.

I asked her if she was sure and she began to cry, still walking forward on legs that barely carried her. I joined her, and we moved toward her car. I listened as we walked and her pain, her grief, her trauma and her pasted-together self came spilling out. I had read about her family’s suffering in the Bohemian. Her pain was and is very real. Her story needs airing because it is her painful reality, tangible and the heart a family’s grief, not just the facts.

I breathed and I listened and I offered a present, loving few moments of time. It did not take that much of me to offer compassion, understanding, presence or kindness to a stranger in my path. She needed someone, just someone in her community to listen. Just that.

Listen and witness and offer kindness. A human connection without iPads, iPhones, emails, texts or any other distractions. Simple and loving.

If we’re here together, in this moment, in this community and we cannot just look up and get off the damn phone, why are we even bothering to leave the house? I am honored to have crossed paths with someone for whom I could offer and receive the truth of human suffering with genuine concern. My neighbor, myself.

Get off the phone, look up, and offer help. You’ll be amazed how good that feels.

Molly Wolf is a dog walker, runner, writer and seeker living in Santa Rosa.

Open Mic is a weekly op/ed feature in the Bohemian. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Sucka Free

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In my spare time, I play a game called “What If E-40 Wrote It?”

Take the Second Amendment, for example. In E-40’s hands, it’d turn into something like: “A booliyooni militia of regulatorial necessariness brangin’ the hurryupness to the security of states in the free box, no locks, frocks or stocks, the right-hand trippin’ of the pop-you-lace scarlet drippin’ in armchair armoires shall not, like skirtastic hemslastic, be infringed. Smell me?”

The king of slang from Vallejo, born Earl Stevens, is now 45. He should be slowing down. Instead, he released five albums last year, filled with dizzying linguistics and hard-slapping hooks. Live and onstage, he’s been rocking the same set list for the last seven years, but not without impeccable style and plenty of humorous touches. (Last time he was in town, his manager got paid in cash, onstage, and openly counted thousands of dollars in front of everybody.)

A headlining bill this week also boasts Oakland legend Too $hort, who’s put out 20 albums and continues to go strong. E-40 and Too $hort appearing onstage together is basically the Bay Area rap game version of Monk and Coltrane at the Five Spot, a rare teaming of two innovators. Or, as 40 might say, bossalinis and fooliyonis get ballin’ and sprinklin’ on Saturday, July 20, at the Phoenix Theater. 201 E. Washington St., Petaluma. 8pm. $35. 707.762.3565.

Political Scandals and Electability

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With the arrest and subsequent entrance into rehab of Supervisor Efren Carrillo, Sonoma County has its own political scandal.

As reported in the Press Democrat
, Carrillo was arrested in his socks and underwear allegedly attempting to break into a neighbor’s house. He had previously been arrested in San Diego for getting into a fight, and these two incidents along with admitted overuse of alcohol inspired him to, according to the most recent Press Democrat article, take a month off and check into rehab.

Is this the end of his political career?

While this is happening in Sonoma County, New York papers have had a field day with the announcement of Eliot Spitzer and Anthony Weiner’s reemergence into the political scene. Spitzer resigned as Governor of New York in 2008 after it came out he had spent up to $80,000 on prostitutes in the previous years. Weiner resigned from Congress in 2011 after “sexting” photos of his nether regions (how apropos given his name) to at least one woman he met online.

However, these two fallen politicians have come back with a vengeance. Weiner is running for mayor and Spitzer for controller. And they are doing well in the polls.

Are the American people so forgiving that prostitution and sexting are forgivable sins and just a few years out of sight and a lot of apologies render these men electable again? It appears so and Carrillo should be very happy to hear it.

“I Have You Now,” Mark Hamill Presents SF Symphony at GMC

mark_hamill.jpg

My reaction to the news that Mark Hamill will be hosting the San Francisco Symphony pops concert was disbelief. No, it can’t be, that’s impossible! But it’s true. The actor known best for his role as Luke Skywalker in the Star Wars saga will present the afternoon of “Music at the Movies” on Sunday, Aug. 4 at 4pm at the Green Music Center. Tickets are $25 to $100.

My editor told me the news, and at first it was hard to believe. But when he lifted me out of my chair from across the room by simply raising his hand in a choking motion, saying in a disappointed tone, ”I find your lack of faith disturbing,” I quickly changed my tune. Hamill will try to help the symphony to stay on target through pieces by John Williams, Danny Elfman and others. No, he will do it, because there is no try. Shut up, Grizzle, my editor says. Fine, I tell him, this is boring conversation anyway.

But will Hamill be conducting a piece? If he takes the stage, the audience might get a very bad feeling about this. But it might all be a clever rouse to cover up the real conductor, Sarah Hicks, who has served as Principal Conductor of Pops and Specials Presentations with the Minnesota Orchestra since 2009. Those 16th notes, too accurate for Hamill, one might think. Only imperial conductors are so precise.

Don’t get stressed on the way to the concert—if some big galoot in a tree crushing SUV cuts you off in the parking lot, just let the wookie win. And dress nicely—you don’t want to be called a scruffy-looking nerf herder, do you? But don’t get cocky. And as always, may the Force be with you.

24-Hour Mania!

Keith Garriott walked to the center of the stage, assumed a half-squat, tilted his guitar skyward and let loose on a lightning-fast solo. Artemis, in red leather hot pants and lace, stood up from her chair and mangled her cello's strings while yelling along. While Alex Kouninos laid down the bass and Matthew Wilson played ukulele, singer Jeremy McCarten...

Letters to the Editor: July 17, 2013

Letters to the Editor: July 17, 2013

Pop-Up Veggies

At first, I was drawn to the Handlebar Farm stand for the beautiful, fresh-looking summer veggies—carrots, tomatoes, green beans—displayed in smart-looking fashion. But I return each week for the low prices and consistent high quality of the no-spray lettuce and other greens produced on the Sebastopol-based farm, run by Emily Mendell and her husband, Ian Healy. The couple started...

Deep Listening

Noam Lemish was sitting on the floor of his unfurnished apartment in Bhutan eating dinner when the text message arrived on his simple, cheap cell phone. "The king really enjoys listening to your radio show," it read. Needless to say, Lemish was taken aback. "It came out of nowhere," he says today, recalling the news. "I was quite thrilled." Having started...

Butter Heaven

And so it was revealed to us that a new restaurant had opened in Healdsburg, but Leon and I had not yet dined there. Skipping such niceties as reservations, Leon donned his new silk and linen togs, I dusted off my "good" flip-flops, and into the car we went, headed north for an early meal. Our destination was Chalkboard, the...

Yuks, Sir?

Anyone allergic to silliness should stay clear of Sebastopol's Ives Park for the next couple of weeks. There, a 260-year-old comedy has landed, packed with pop-culture references (The Wizard of Oz, The Princess Bride), outrageous plot twists (a man dies after falling on a chopstick—13 times), and ridiculous, slightly raunchy dialogue (a woman, disguised as a man, asks for...

My Neighbor, Myself

I am one of those people who tends to attract crazy folks on the street. I make the mistake of making eye contact and being present as they babble about the voices in their head. I am still interested in my fellow humans after all these years of disappointment. On Tuesday, as I was about to enter a grocery store,...

Sucka Free

In my spare time, I play a game called "What If E-40 Wrote It?" Take the Second Amendment, for example. In E-40's hands, it'd turn into something like: "A booliyooni militia of regulatorial necessariness brangin' the hurryupness to the security of states in the free box, no locks, frocks or stocks, the right-hand trippin' of the pop-you-lace scarlet drippin' in...

Political Scandals and Electability

Once fallen politicians tend to rise again

“I Have You Now,” Mark Hamill Presents SF Symphony at GMC

My reaction to the news that Mark Hamill will be hosting the San Francisco Symphony pops concert was disbelief. No, it can’t be, that’s impossible! But it’s true. The actor known best for his role as Luke Skywalker in the Star Wars saga will present the afternoon of “Music at the Movies” on Sunday, Aug. 4 at 4pm at...
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