Homeless Front

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Anthony Tate had been homeless in states and cities all across America, adrift for decades under the unrelenting thumb of post-traumatic stress disorder from his service in Vietnam, when he arrived in the Bay Area three years ago for yet another chance to get it right.

Before long, the veteran had found himself a place to live with the help of a local veterans organization. With the stability came a purpose, and a profound one at that: Tate devoted himself to trying to make sure veterans from the wars in Iraq and Afghanistan didn’t wind up on the streets as he did.

Tate’s efforts on behalf of homeless vets comes as Californians will be asked, on June 3, to vote on Proposition 41, the Veterans Housing and Homeless Prevention Bond Act of 2014. The proposition would jump-start a veterans housing program that could see numerous multifamily supportive housing units for veterans sprout up throughout the North Bay in coming years.

“I got the support and the help I needed,” says Tate, who now lives in Santa Rosa’s Bethlemem Towers, and has no intention of leaving. The stability gave Tate the grounding necessary to deal with the ongoing fallout from his deployment. And then he could start the work of helping others.

Tate was a desk-bound clerk in the storied 82nd Airborne Division when he was deployed to Vietnam in 1969. It was a big surprise, he says, and one that took him 40 years to get over. “They gave me an M16, a clip of ammo, a canteen, and said, ‘Stand over there,'” he recalls.

“That’s when reality set in. They told me, if you survive 365 days, you can go home.”

Tate survived.

He was 17 when he went to Vietnam and 19 when he returned to America. He subsequently bounced around for decades and ticks off the states he passed through over the decades: Maryland, Ohio, Michigan, Colorado, Mississippi, Illinois, Indiana and elsewhere.

No matter where he was, Tate says he was haunted by the sound of chopper rotors whenever he heard civilian helicopters stateside. “It kept taking me back,” he says. When he arrived in San Francisco, he says “Little Saigon” was off limits because of the PTSD triggers there.

Nowadays, Tate and other vets set up shop outside the Department of Veterans Affairs building in Santa Rosa on weekday mornings to dispense coffee and pastries to veterans. He was hired as a volunteer with the Sonoma Housing Authority board, and he sells baseball caps affixed with military logos to raise money for a local veteran who was grievously injured by an improvised explosive device.

“Never again will one generation of veterans abandon another,” says Tate as he greets a cross-generational group of vets coming in and out of the VA building on Airport Boulevard. His first piece of advice to returning veterans who need help: “Don’t wait 40 years to get it,” he says with a slight laugh.

The second: “The first challenge is housing.”

The news is filled with numbing reports about the challenges facing returning vets—challenges that haven’t abated, even as the post-9-11 wars have wound down. Ghastly rates of suicide and post-traumatic stress disorder among Iraq and Afghanistan veterans remain in the headlines, along with the usual and unfortunate accompaniments to mental illness: alcoholism and drug abuse, crime and violence, family problems and homelessness.

“We work hard to say, ‘Look man, you need help,'” says Tate. “These guys are trained to be independent, so we have to say, ‘Hey, that pride—put it in your back pocket. You need help.'”

But in a tight economy where the concept of “affordable housing” is less an achievable goal for many than a mocking oxymoron, Iraq and Afghanistan veterans have slipped into homelessness even faster than their fellow veterans from the Vietnam conflict. “There have been lots of suicides,” Tate says sadly, “and we want to stop that cycle—and we want to stop the homelessness cycle.”

According to the U.S. Department of Veterans Affairs, about 20 Iraq and Afghanistan veterans take their own life every day. About 63,000 are homeless.

Tate is at the tip of a new post-war effort, spearheaded by President Barack Obama, to end homelessness among veterans by the end of 2015. It’s a laudable goal and a fight worth having. “It’s unrealistic,” says Tate, “but it is offered.”

Even if the country’s most recent wars aren’t popular among many Americans—especially the invasion of Iraq—the soldiers themselves have not faced the degree of animosity greeted upon those returning from Vietnam, notes Tate, an African American who grew up in yet another war zone, the notorious Chicago housing projects.

“We knew not to expect anything when we got home,” he recalls, “but these guys—they are heroes when they come back.”

Tate says doing this work with returning Iraq and Afghanistan vets is how he “started to feel proud to be a Vietnam veteran.”

California has set the stage to do its part for homeless vets by retooling a housing program for them.

The state’s putting a referendum measure on the June ballot that would, according to the Sacramento Legislative Analyst’s Office, “sell $600 million in general obligation bonds to fund affordable multifamily housing for low-income and homeless veterans,” from an undersubscribed $1 billion veterans home-loan program. The $600 million would be used to build housing more in line with the needs of modern-day veterans, many of whom are single, male and afflicted with one war-related disorder or another.

The original program was created decades ago and stipulates that the loans are for family homes or farms—$400 million would remain untouched for these loans.

California voters have to agree to do it, which raises the NIMBY-ism issue, always at hand in the North Bay.

If voters approve it, the referendum would pave the way for building housing for veterans that would include on-site social service programs, the hallmark of the “supportive housing” movement, which takes a page from addiction-therapy models when it strives to “meet people where they are,” even if where they are is poor, addicted and otherwise homeless.

The question for North Bay progressives and others is a thorny one that will play out at the ballot box: Will public support for Iraq and Afghanistan veterans translate into public support for housing that’s not the typical state-run facility for vets? Will support for veterans eclipse concerns about property values?

“We have to start somewhere,” says Tate with a chuckle as he grapples the question. “We’ve had developers who wanted to rehab a home for six or seven vets,” he says. Those developers were told, “You can’t do that here.”

The traditional model for veterans services in California has been provided at a handful of state-run facilities around the state.

One such facility in the North Bay has come under intense fire by state auditors. A recent report from the California auditor blasted the Yountville Veterans Home in Napa County for spending over $650,000 in taxpayer money on high-end frivolities of little use to troubled returning veterans; Yountville’s now-former top brass, for example, approved the construction of recreational zip-lines and an in-house tavern.

All returning veterans deserve respect (and many would argue even a fully stocked bar), but the Yountville audit highlighted a major disconnect in state-provided services for veterans: the state veterans facilities around California do not means-test veterans, so returning wounded warriors of limited means aren’t given special consideration when they come on hard times.

For those troubled men, a highway underpass in Napa Valley or a tucked-away hillside in Marin may have to do for the night—or for longer.

“We’re not going to bring everyone out of the woods, the creeks, the railroad tracks,” says Tate. As he speaks, a man emerges from the rear of the Santa Rosa VA building and gives a wave of hello to Tate.

“He’s a wilderness guy,” says Tate. “He lives out behind the VA.”

The man gets a cup of coffee and disappears.

The New Bohemians

It is an honor to introduce myself as the Bohemian‘s new editor, a position that feels like a homecoming and a new beginning.

Most recently, I was a senior editor at Sebastopol-based MAKE magazine. But before coming to MAKE, I was food editor for many years at Metro Silicon Valley, the Bohemian‘s sister paper. Previous to that, I was a reporter for various daily and weekly newspapers. In the latter part of my time at Metro, I moved to Sebastopol and wrote for the Bohemian, too, splitting my time between Silicon Valley and the North Bay. It feels good to be back.

Since moving here more than three years ago, I’ve developed a real love for the North Bay, and the opportunity to explore the region in the pages of the Bohemian is a thrill and a privilege. I’m the beneficiary of the great job done by my predecessor, Gabe Meline. I’m committed to building on that work and delivering what I hope will be essential reading for North Bay residents and visitors alike.

What will that look like? We will break news and deliver compelling investigative stories that hold the powerful accountable. We will reflect what it’s like to live, work, eat and play here, with lively coverage of the region’s most important asset, its people. We will enhance and expand our digital offerings. And we will continue to be the go-to source for event listings, so you don’t miss any of what’s going on.

I’m lucky to have a badass staff to help me. Tom Gogola is an award-winning investigative journalist, and was just named the Bohemian‘s news editor, a newly created position that reflects our commitment to news. He was the 2013 recipient of the Press Club of New Orleans’ first and second place awards for his reporting on the Orleans Parish Sheriff’s Office. Over the course of a 25-year career, Tom worked at Connecticut alt weeklies and the Lens, an online investigative website in New Orleans.

Nicolas Grizzle is our staff writer. He writes about food, music and news with equal aplomb. He grew up in Sonoma County and maintains strong roots here.

Calendar editor Charlie Swanson is another Sonoma County local devoted to the North Bay’s music and cultural scene. He spent the past decade writing about music and art, beginning with an internship at the Bohemian in 2006.

Defending the King’s English and protecting us from dangling participles is veteran copy editor Gary Brandt.

The Northern California-based company we are part of, Metronews, recently expanded its holdings with the purchase of Good Times weekly in Santa Cruz and weeklies in Hollister and Gilroy, the latter of which is establishing a wine trail this spring to celebrate its nascent cluster of wineries.

What’s that mean for Bohemian readers? It means we’re part of a growing, independently owned, local company committed to community-based journalism that’s equal parts fearless and fun-loving. Please let me know how we’re doing at le*****@******an.com.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Panties & Cheap Cologne (Not the Ol’ Dirty Bastard album)

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Out of all the things to steal from Corte Madera’s Village shopping center, two suspects were busted with $1,200 worth of panties and cheap cologne.

The Marin Independent Journal reports Florence Berry, 34, and Tonette McClain, 28, were arrested after a search of their vehicle revealed suspected stolen merchandise. That merchandise was nine bottles of Abercrombie & Fitch “Fierce” cologne and 70 pairs of panties from Victoria’s Secret. Looks like someone’s Cuddle Party is going to be a lot less intimate this weekend.

April 3: Napa Valley Collects at Napa Valley Museum

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April equals art in Napa Valley, and all month the region celebrates with private collections open to public viewing and exclusive events at dozens of venues. For its part, the Napa Valley Museum presents Napa Valley Collects, displaying significant works from various Napa Valley collections, and featuring works by Joan Brown, Marc Chagall and Pablo Picasso. This week, the museum kicks off the festivities with the Napa Valley Collects Preview Gala. Live music and fine wines accompany the outstanding art, and proceeds benefit the Arts Council Napa Valley. The Gala takes place on April 3, at the Napa Valley Museum, 55 Presidents Cir., Yountville. 6pm. $50-$60. 707.944.0500.

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April 3: Alonzo King Lines Ballet at Sonoma State University

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For more than 30 years, San Francisco dance company Alonzo King LINES Ballet has re-imagined the essence of ballet with challenging choreography and spectacular talent. Formed by Alonzo King in 1982, the company has toured the world while maintaining a residency at the Yerba Buena Center for the Arts, garnering universal acclaim year after year. In advance of the company’s upcoming Spring 2014 season, Alonzo King LINES Ballet previews their new, still untitled, work—followed by a talk with King —on April 3, at the Evert Person Theater at Sonoma State University, 1801 E Cotati Ave., Rohnert Park. 7:30pm. Free (advanced ticket required). 707.664.4246.

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April 6: Annabella Lwin at Hopmonk Tavern

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Singer Annabella Lwin stunned the world when she debuted, at the age of 13, with New Wave band Bow Wow Wow in 1980. After three albums and a number of chart-topping hits, Lwin left the band and embarked on a solo career that continues today. In between, Lwin formed her own band, the Naked Experience, and has collaborated with everyone from the Go-Go’s to Billy Corgan. Still writing material and often lending her talent to disaster relief efforts and charity benefits, Annabella appears on April 6, at Hopmonk Tavern, 230 Petaluma Ave., Sebastopol. 8pm. $15. 707.829.7300.

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April 6: Willie Wonka at the Lark Theater

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There’s no earthly way of knowing which direction we are going. There’s no knowing where we’re rowing, or which way the river’s flowing. Is it raining? Is it snowing? Is a hurricane a-blowing? Not a speck of light is showing, so the danger must be growing. Are the fires of Hell a-glowing? Is the grisly reaper mowing? Yes! The danger must be growing! For the rowers keep on rowing! And they’re certainly not showing any signs that they are slowing! AAAAAAAAAAAAAAAAUUUUUUUUGHHHH! The original Willie Wonka & the Chocolate Factory , starring Gene Wilder, screens April 6, at Lark Theater, 549 Magnolia Ave., Larkspur. 3pm.

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Live Review: John Legend at the Wells Fargo Center


John Legend is a hard working performer. His two-hour concert at the Wells Fargo Center in Santa Rosa last night showed off not only his work ethic, but showcased his velvety voice and storytelling prowess in an intimate setting that was designed to feel like his living room. The only difference being, as the exquisitely dressed singer said during the show, “I don’t normally wear a suit in my living room.”
He really hammed it up at times for the crowd, who ate up his every word—except the gaff toward the end, when he said, “I mean, this is the Napa Valley, right?” This led to applause, briefly (because he was so charming, everything he said resulted in applause), but soon turned to boos. That’s right, Sonomans are so passionate about terrior they booed John Legend for making a minor geographical error. When he corrected his error with an embarrassed smile, “Oh, Sonoma Valley, right?” the applause resumed.
He mostly sat at the Yamaha grand piano, tickling the ivories with a young string quartet on the right of the stage and a guitarist to the left. When he brought the mic downstage and perched on a stool to serenade the crowd, women—and men—started squirming in their seats. Every John Legend song is a recipe for “making little tax breaks,” as he says, and though he doesn’t guarantee anything at the end of the night, “ya know…” he trails off before a knowing shrug, “you know.”
The intimate evening was staged with five loveseats occupied by couples who won tickets through radio promotions, with huge Hollywood movie lights towering above, lighting Legend from the back. Lighting against the back wall changed colors, and was especially useful during “Green Light,” one of his best songs of the night. The sound in the newly renovated space was crisp and loud. It felt like a larger space, but we were so close we could see the lack of sweat on Legend’s face. (Prince also lacks sweat glands, maybe they went to the same voodoo doctor for their musical talent.)
Women did a lot of the hooting and hollering through the night, but the fellas were cheering especially boisterously after a powerful solo piano cover of Bruce Springsteen’s “Dancing in the Dark.” He told a aw-shucks story about performing it on Late Night with Jimmy Fallon at the behest of that show’s musical director, the drummer ?uestlove, but never hearing if the Boss liked it or not. Months later, he says, he received a hand-signed letter asking him to play it at an awards gala. “I guess he liked it,” Legend said with a smile.
He paced the show perfectly, with some segments featuring three or four songs back to back, and some getting breaks between while he told stories. My favorite was when he met President Obama last year. After getting married to supermodel Christine Teigen earlier in the year, he asked Obama for marriage advice. Michelle chimed in, “How long had you been together before you got married?” He said about five years. “What took you so long?” the President asked, which earned Legend a glare from his new wife. Legend turned to the chuckling crowd, deadpan, and said, “Thanks, President Obama.”

Star Eclipse

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The Grateful Dead played 2,318 official concerts over a 30-year run that started in San Francisco in 1965. That’s pretty impressive.

The Dark Star Orchestra—the premier Grateful Dead tribute band—has been together 16 years and will soon surpass the Dead in number of shows played, in about half the time. That’s very impressive.

The Orchestra are playing a couple of shows at Grateful Dead bassist Phil Lesh’s club, Terrapin Station, as a lead-up to a much-anticipated 2,319th show at the Great American Music Hall in San Francisco.

Like the Dead, the Dark Star Orchestra have toured coast-to-coast in an obsessive and nomadic fashion, offering lots of improvisation to fans along the way. The band performs a repertoire of Dead jams and puts together shows that are recreated from the band’s actual set lists. The Orchestra have averaged one show every two-and-a-half nights over those 16 years, and show no signs that they’re crashing anytime soon, or will pour their light into ashes, or anything like that (the Orchestra is named after the early Dead tune “Dark Star”).

Quantity aside, the Orchestra are renowned among Deadheads for the interpretative and improvisational spirit that captures the Dead concerts that inspire them. The band’s two North Bay appearances at Lesh’s joint mark the eve of their milestone achievement, and we’re wondering if Phil will bake a cake for them. Shall we go, you and I while we can? Through the transitive nightfall of diamonds?

Irie Power

As the sun set on the Reggae on the River Festival last August, the towering figure of Jamaican roots artist Prezident Brown could be seen walking down a path among the Humboldt County redwoods.

Reggae music filled the expanse of a river not yet parched by drought, and huge Jamaican flags waved in the breeze as Brown came into view, his gentle smile reflecting the early evening light.

It was a compelling image. At 6-foot-3, the reggae singer has a striking nature that exudes mindfulness, a characteristic he is pleased to share with fans stopping him when on the road. And whenever he parts ways with his fans, Brown stands at attention with fists pressed together in front of his heart and exclaims, “Towerful!”

It’s a symbolic gesture from Brown that leaves fans shouting, “There goes the Towerman!”

The underlying philosophy is more than just a handshake. “Tower” stands for “thinking, overstanding, working, enlightening and reasoning.” Each word represents a spiritual and pragmatic tool for making one’s way through the chaos and materialism of our fast-paced world.

Prezident Brown’s career spans three decades. Often hailed as Jamaica’s best-kept secret, Brown is now working with Kingston producer Rivah Jordan and says he’s been dipping into a pool of artists to collaborate with on an album due this fall. He’s mum on whom he might be teaming up with.

Even if he’s keeping his collaborators a secret for now, Brown does wear his political message on his sleeve. His current West Coast tour is called the “No-GMO Tour.”

“The issue of food is very important to speak on, as an artist,” he says via telephone, “for the human beings that might not know or understand what is happening. I am using my platform to raise the awareness of what is happening with food.”

But what if GMOs are not all bad?

“There is no scientific proof,” says Brown, “but what does that mean? That we should go ahead with this experiment? The population is going to be the experiment. It is big money and the control of profits—food being controlled by profit.”

Music fans promote food sovereignty when they align with artists like Brown. The solution to GMOs lies with the masses—so dance and be Towerful.

Homeless Front

Anthony Tate had been homeless in states and cities all across America, adrift for decades under the unrelenting thumb of post-traumatic stress disorder from his service in Vietnam, when he arrived in the Bay Area three years ago for yet another chance to get it right. Before long, the veteran had found himself a place to live with the...

The New Bohemians

It is an honor to introduce myself as the Bohemian's new editor, a position that feels like a homecoming and a new beginning. Most recently, I was a senior editor at Sebastopol-based MAKE magazine. But before coming to MAKE, I was food editor for many years at Metro Silicon Valley, the Bohemian's sister paper. Previous to that, I was a...

April 3: Napa Valley Collects at Napa Valley Museum

April equals art in Napa Valley, and all month the region celebrates with private collections open to public viewing and exclusive events at dozens of venues. For its part, the Napa Valley Museum presents Napa Valley Collects, displaying significant works from various Napa Valley collections, and featuring works by Joan Brown, Marc Chagall and Pablo Picasso. This week, the...

April 3: Alonzo King Lines Ballet at Sonoma State University

For more than 30 years, San Francisco dance company Alonzo King LINES Ballet has re-imagined the essence of ballet with challenging choreography and spectacular talent. Formed by Alonzo King in 1982, the company has toured the world while maintaining a residency at the Yerba Buena Center for the Arts, garnering universal acclaim year after year. In advance of the...

April 6: Annabella Lwin at Hopmonk Tavern

Singer Annabella Lwin stunned the world when she debuted, at the age of 13, with New Wave band Bow Wow Wow in 1980. After three albums and a number of chart-topping hits, Lwin left the band and embarked on a solo career that continues today. In between, Lwin formed her own band, the Naked Experience, and has collaborated with...

April 6: Willie Wonka at the Lark Theater

There's no earthly way of knowing which direction we are going. There's no knowing where we're rowing, or which way the river's flowing. Is it raining? Is it snowing? Is a hurricane a-blowing? Not a speck of light is showing, so the danger must be growing. Are the fires of Hell a-glowing? Is the grisly reaper mowing? Yes! The...

Live Review: John Legend at the Wells Fargo Center

John Legend is a hard working performer. His two-hour concert at the Wells Fargo Center in Santa Rosa last night showed off not only his work ethic, but showcased his velvety voice and storytelling prowess in an intimate setting that was designed to feel like his living room. The only difference being, as the exquisitely dressed singer said during...

Star Eclipse

The Grateful Dead played 2,318 official concerts over a 30-year run that started in San Francisco in 1965. That's pretty impressive. The Dark Star Orchestra—the premier Grateful Dead tribute band—has been together 16 years and will soon surpass the Dead in number of shows played, in about half the time. That's very impressive. The Orchestra are playing a couple of shows...

Irie Power

As the sun set on the Reggae on the River Festival last August, the towering figure of Jamaican roots artist Prezident Brown could be seen walking down a path among the Humboldt County redwoods. Reggae music filled the expanse of a river not yet parched by drought, and huge Jamaican flags waved in the breeze as Brown came into view,...
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