March 5: Jon Jang at Newman Auditorium

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Composer, jazz pianist and scholar Jon Jang has given musical voice to a silent history. Devoting his studies to Asian-American music, Jang comes to the Santa Rosa Junior College on March 5 for a one-time performance that pays tribute to the many individuals and groups that shaped Chinese-American relations. Duke Ellington, the Shaoxing opera, Joni Mitchell and his own compositions highlight Jang’s eclectic concert selections. Earlier in the afternoon, Jang will present a talk on the college campus titled “One Day American, One Day Alien: Artists of Color Who Changed the National Anthem.” Jang performs March 5, at Newman Auditorium, Santa Rosa Junior College, 1501 Mendocino Ave., Santa Rosa. 7pm. Free.

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March 7: The Punk Singer at the Arlene Francis Center

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Celebrating this year’s International Women’s Day, local radio wild cards KWTF are screening the 2013 documentary film The Punk Singer. The film, directed by Sini Anderson, follows the rise and career of outspoken innovator Kathleen Hanna, lead singer of the punk band Bikini Kill and the dance-rock outfit Le Tigre. As a leading voice in a newly empowered feminist movement in punk music, Hanna became the face of the “riot grrrl” movement. The Punk Singer premiered at the South by Southwest music festival and garnered wide ranging acclaim for its frank and challenging look at Hanna’s lightning rod of a life. The Punk Singer screens Friday, March 7, at the Arlene Francis Center. 99 W. Sixth St., Santa Rosa. 7pm. $10.

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  • image courtesy of Allison Michael Orenstein

March 8-April 13: Emerging Artists of the Bay Area at Marin MOCA

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Twenty-foot murals, drawings that span two rooms, installations that respond to the history of the space itself—such are the works in “Emerging Artists of the Bay Area,” the new exhibit at the Marin Museum of Modern Art. Artists Justine Frischmann, Al Grumet, Carl Heyward, Phillip Hua and Jennifer Kaufman are as varied in approach as they are in message, from found objects commenting on the human condition to imaginative musings on structure. “Emerging Artists of the Bay Area” opens March 8, with a reception at 5pm, and runs through April 13 at the Marin Museum of Contemporary Art, 500 Palm Drive, Novato. Wednesday—Friday, 11am—4pm; Saturday—Sunday, 11am—5pm. Free. 415.506.0137.

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March 8: Miró Quartet at Occidental Center for the Arts

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Vibrant and thoughtful, the Miró Quartet are an acclaimed classical string ensemble who travel the world over, and are hailed as one of the most enthralling and refined string quartets performing today. Formed in 1995, the four current members of the Miró Quartet have been together for over 20 years, interpreting classic works and composing with a grace and ease that defers to their other role as instructors at the prestigious Butler School of Music. The quartet is currently touring a captivating new program, including works by Haydn and Schubert. They perform Saturday, March 8, at the Occidental Center for the Arts, 3850 Doris Murphy Court, Occidental. 8pm. $30. 707.874.9392.

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Shades of Lisa Lampanelli

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She’s the “Queen of Mean,” a term of affection for one of the most successful insult comedians since Don Rickles practically invented the term over 40 years ago.

Known for her hilarious and politically incorrect viewpoint and uproarious jabs, Lisa Lampanelli conquered all as a comic, selling out iconic venues like Radio City Music Hall and appearing in her own television specials. Then she faced an unexpected problem—there wasn’t any ground left to cover.

“I had done it all,” Lampanelli says in a phone interview with the Bohemian. “Comedy-wise, it was like, ‘What else is there?’ I was going to retire.”

After seeing Carrie Fisher’s one-woman show exploring personal issues with addiction, Lampanelli was inspired to turn her humor inward. “I thought, ‘That’s some story.’ I had stories like that, history that a lot of other people go through.” And with that, Lampanelli’s new theatrical production,Fat Girl Interrupted, was conceived.

Intimately set and intensely personal, Fat Girl Interrupted is a complete departure from Lampanelli’s well-known standup work. The show is currently touring as a developmental piece before its eventual Broadway debut. Lampanelli returns March 7 and 8 to the Wells Fargo Center for the Arts in Santa Rosa, where she recorded her last HBO special.

The road to this rich and revealing show began several years back, when Lampanelli had a fortuitous lunch meeting with prolific comedy writer Alan Zweibel (Saturday Night Live,
It’s Garry Shandling’s Show). “It was at a Friars Club, one of those big round tables,” recounts Lampanelli. “As a total joke, I said to him we should do a show called Co-Dependence: The Musical. We kind of laughed about it, but he said, ‘If you’re serious, I would work with you. You’ve got a one-woman show in you.'”

Propelled by Zweibel’s encouragement, Lampanelli turned her lifelong issues with food, men and body image into a show that is by turns funny and poignant.

At the request of her agent, Lampanelli met with Broadway director John Rando, a Tony Award winner for his direction of the satirical farce Urinetown:
The Musical
. “We shared an agent, so at first I thought this guy’s just going to be some douchebag they’re trying to set me up with. But he’s the nicest, most capable guy in the world. Brilliant. I call him the gayest straight man I know, because he’s so caring and sensitive. It was the easiest decision I ever made.”

The topics of the show are universal, Lampanelli says. “It’s something that doesn’t end till the day we die. I’m just trying to say, ‘Come on, don’t give up.'” If this is all sounding a little too Tony Robbins, fear not—Lampanelli is a professional comedian, after all. The Celebrity Apprentice bit is worth the ticket price alone, and the whole show runs with a comedic streak throughout.

Fly the Miyazaki Skies

If anyone could make an appealing full-length animated film about a slide-rule jockey, Hiyao Miyazaki (Princess Mononoke, Spirited Away) is that artist.

The flaws in The Wind Rises, which has been announced as Miyazaki’s last film, weren’t in the conception. It’s a fictionalized biopic of engineer Jiro Horikoshi, who developed the A6M Zero fighter plane. As we see it here, this plane’s excellence was derived both from Jiro’s dreams and the directly observed biology of wings and bones.

To Miyazaki’s credit, there are passing acknowledgements here of the self-deception found wherever engineers toil. The problem at hand always outweighs the purpose of the finished project, and the next thing you know, there are dead bodies everywhere.

Miyazaki could have easily anticipated that we, the grandchildren and nephews and nieces of the Zero’s many victims, would have commented on his choice of subject. It’s the carrying out of that story—the dull mechanics of it—that makes The Wind Rises Miyazaki’s least picture as well as his last. And I’ll add that, like any of his fans, I don’t want this film to be his last.

In the name of accessibility, Joseph Gordon-Levitt and Emily Blunt have dubbed The Wind Rises for the American audience. While I didn’t see the dubbed version, it’s hard to imagine English dialogue improving what was already a staid and static account of an engineer’s life.

The relevance of Jiro to Miyazaki is perhaps autobiographical (take a guess why Miyazaki would make a film about someone whose life consisted of sitting at a desk and trying to excel in his field). And the master’s hand is visible in the clip-worthy moment depicting the great quake of 1923, presented as a terrifying ocean-like roll of the land. The injuries from that great disaster become a premonition of the aerial war to come, and that’s thematically more interesting than the movie itself. Here was the first stage of the leveling of that green, pre-war Japan, the land Miyazaki knows, loves, misses and tries so hard to recreate in his incomparable jewel-box colors.

‘The Wind Rises’ is now screening in select theaters.

Letters to the Editor, March 5, 2014

Unsafe Soy

My wife and I are anti-GMO, and would caution readers of Mr. Alderson’s letter (Foxes in the Henhouse, Feb. 26), in that while it is important for all of us to be food safety-conscious, promoting soy as the safe alternative merely plays into the hands of the “soy fiefdoms” of Monsanto and DuPont.

Non-GMO is the way to go—always!

Cloverdale

Noise in Apple Town

As a resident of this community, I am amazed by what businesses can get away with. For years, my neighborhood has suffered from unbearable and excessive noise generated in downtown Sebastopol.

My husband and I chose to buy a house downtown because we love to live in the middle of this wonderful community, where we can reach everything by foot. Nevertheless, the ideal of Sebastopol as a people-friendly, green and attractive town has not been met for us.

Sebastopol

Sonoma County supervisors get raises (Top 5, Feb. 26), yet all our county library branches except Santa Rosa Central remain closed two days a week. (Whisper it: permanently?)

Sebastopol

Vegans Live Longer

This week’s Time magazine cites several reasons for vegetarians living longer. The article was prompted by a report in the American Medical Association’s Internal Medicine that a vegetarian diet lowers blood pressure, a key factor in the risk of heart failure and stroke.

The Mayo Clinic notes that vegetarians are at lower risk for developing diabetes, another factor in heart disease. Indeed, an Oxford University study of 45,000 adults in last year’s American Journal of Clinical Nutrition found that vegetarians were 32 percent less likely to suffer from heart disease.

Moreover, researchers at California’s Loma Linda University, examining records of 70,000 patients, concluded last year that a vegetarian diet protects against colorectal and other types of cancer.

It’s no wonder, then, that a 2012 Harvard University study of 120,000 people concluded that meat consumption raises the risk of death by heart disease or cancer. A more recent six-year study of 70,000 patients at Loma Linda found that vegetarians have a 12 percent lower risk of death.

The good news: each of us can find our own fountain of youth by adopting a meat and dairy-free diet. An internet search on “vegan recipes” or “live vegan” provi des ample resources.

Santa Rosa

Banana Republic

Regarding Efren Carrillo (“Wait for It,” Feb. 26): just more proof that it is good to be politically connected in the California Banana Republic.

Via Facebook

Subject:
Green Tips

With all this recent rain, it may seem like we’ve averted the drought, but we have not. According to the California Department of Water Resources, the “calendar year 2013 closed as the driest year in recorded history for many areas of California, and current conditions suggest no changes in sight for 2014.” Many of us have already put water conservation practices in place, and that’s great; reducing water usage is something everyone can do to care for this precious resource, and everything you do helps.

We can all do our part to help ensure that we are conscientious stewards of our water. For more information on water-saving ideas, look at the websites of your local, state and federal water departments. They post updates and have links to other resources, too.

Sebastopol

Write to us at le*****@******an.com.

Pan-Asian Encounters

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Foodie noun (informal)
1. A person with a particular interest in food; a gourmet.
2. The demographic for whom Sonoma County Restaurant Week was created.

In this issue, we take a trip to Asia, showcasing the diversity of flavors of Sonoma County Restaurant Week, from Thailand, China, Vietnam and Japan, even adding American and French twists in places. At times the food and atmosphere at these restaurants feels so authentic, it’s like taking a mini vacation. One half expects to see Anthony Bourdain chatting with a fellow chef while a film crew awkwardly careens in for a close-up of glistening fat globules floating atop a bowl of piping hot beef noodle soup.

But, no, these places are all within reasonable driving distance, and the only cameras will probably be part of a smartphone, destined for Instagram. Hashtag delicious. Hashtag foodporn. Hashtag—OK, you get the picture.

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But there was a time when food wasn’t about “likes” but about taste and presentation. These restaurants are a prime example of that. Pongo’s Kitchen and Tap Room in Petaluma offers Thai-inspired plates and local brews; Eight, in Sebastopol, combines Cantonese, French and American styles for a unique Asian fusion flavor; Kettle’s in Santa Rosa brings Vietnamese cuisine to the table, including the messy and wonderful Vietnamese crepe; Iconic Santa Rosa Chinese restaurant Gary Chu’s is still a top-notch favorite; and Windsor’s Ume makes elegant Japanese dishes that are as beautiful as they are tasty.

By the end of the week, you might wish it were Sonoma County Restaurant Month, because there are far more prix fixe options at all three price points—$19, $29 and $39—than allotted meal times in the week. But, hey, take it as a challenge to try as many new places as possible, revisit some old favorites offering a good deal and make a list for next year’s event. As Mae West said, “Too much of a good thing can be wonderful.”

Sonoma County Restaurant Week runs
March 10–16. For more information and a
full list of participating restaurants, visit
www.sonomacountyrestaurantweek.org.

—Nicolas Grizzle

Tried and True Comes Through: Gary Chu’s Chinese Cuisine

Say the words “Chinese food,” and the name “Gary Chu” probably comes to mind. Chu’s flagship restaurant on Fifth Street in Santa Rosa wasn’t the first in the North Bay to serve wonton soup, spare ribs and chow mein, but it was the first to serve innovative California-style Chinese cuisine, rather than plain old Chinese cooking.

With his brother, Christopher, Gary crafted a stunning menu that includes steamed sea bass, rib eye steak, tea-smoked duck and lobster with scallions and ginger. These days, Christopher does most of the cooking at Gary Chu’s on Fifth, while Gary slices fresh fish with the sharpest of knives at Osake, his popular Japanese restaurant near Montgomery Village.

I first ate at his Chinese restaurant in the 1980s, when he greeted everyone who walked through the front door. Now, more than 30 years later, his hair is whiter, though he still has youthful energy, an infectious laugh and he’s as articulate as ever on the subject of food.

“When I started out in this business, there was very little competition from other Asian restaurants,” he tells me. “Now, Thai and Vietnamese are all over the place, and we have to hustle more.”

The other major challenge, he explains, was to balance the old with the new. “Almost everything we do, we do according to American taste buds,” he says. “Americans like things sweeter than the Chinese. I do my best to respect tradition, even as I give customers what they want.”

For those who demand authentic Chinese food, Chu goes out of his way to make dishes using ingredients like dry scallops and pork belly. “I don’t have secrets,” he says. “But I’ll tell you this, my Chinese cuisine is unique.”

At his downtown restaurant, I enjoy the pork pot stickers doused with hot sauce. I then devour the fresh pea leaves sautéed in garlic, the imperial fried rice with pork and the seafood chow fun. For special occasions, I have made it a point to call in ahead of time and ask for Peking duck; a 24-hour notice is required, but it’s worth it. Tried and true, Gary Chu comes through.

“I’m not retiring anytime soon,” he says. “I have kids in college, and, besides, I love doing what I do.”—Jonah Raskin

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We Eight the Whole Thing: Eight Cuisine & Wine

“Eight is a super-lucky number in Asian culture,” says general manager Michelle Speakes as she explains the genesis of Eight Cuisine & Wine, the latest culinary outpost from restaurateur Steven Zhao. “In Shanghai, if your car has a license plate number with three consecutive 8s, you’ll never get a ticket.”

But it’s not just the lucky signifier—the numeral also represents the regions represented on the Eight Cuisine menu. The Sebastopol pan-Asian newcomer—it’s been in business about a year—offers classic Cantonese Chinese dishes (orange sesame chicken, pork spare-ribs) alongside Shanghai noodles and other French-classical dishes, prepared, as it were, with an Asian twist.

Two chefs help Eight Cuisine hold down the span-Asian offerings, says Speakes. Michael Ly (shown) is the wok-master trained in classical Cantonese cooking. The other, Ryan McDonald is “a young white boy who’s worked with Scott Howard and others,” she says.

McDonald is responsible for what Speakes describes as the “elevated higher-end side of the menu,” whose tantalizing offerings include a grilled Australian lamb with red curry lentils, bacon, coconut milk, cauliflower and mint chutney. Duck confit is served with baby kale salad, carrots, honshimeji mushrooms, hearts of palm and mandarins. A filet mignon is served with Korean bulgogi sauce.

There’s a burger, too, from Montana. That’s not quite in Asia, but the burger does feature Sriracha-based ketchup and Korean kimchi, along with the old-fashioned American fries (or your choice of a salad).

The signature “Incredible Eight Cuisine Noodles” is a noteworthy and recommended option on the lunch menu (there’s also brown and jasmine rice, and the noodles are also offered as a side dish). Incredible, indeed: monstrously thick and chewy chow mein noodles are prepared very simply with minced garlic, basil and butter. Call it Asian-Italian, or call it whatever you want—just order it.

A lunch plate called the Triple Green Jade features a basic, fresh-green-and-crunchy preparation of wok-fried snow peas, broccoli and green beans, cooked in a white wine sauce and featuring fried tofu rectangles peppered throughout the verdant victuals. It goes well with a side of noodles. A preliminary bowl of hot and sour soup reveals itself as a salty and jumbo portion of the classic Chinese offering, with a thick but never gummy broth. On a cold and rainy day in Northern California, it’s the perfect soul warmer.

Speakes says everything at Eight Cuisine is made fresh in-house every day, with high-quality ingredients rounded up from a who’s who of local purveyors of note, including Andy’s Produce, Golden Gate Meat, Rosie’s Organic Chicken and others.

The restaurant’s décor and general outlook wholly befits the casual elegance of Sebastopol itself: tablecloths are cream-colored, and service is all smiles and ease. “We don’t like stuffy service here,” says Speakes. “And we tried white tablecloths, but they were way too bright.”—Tom Gogola

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Pho Real: Kettles Vietnamese Bistro

“It’s been quite a ride,” says Kettles Vietnamese Bistro owner Cat Do, who opened her Santa Rosa restaurant almost two years ago after bailing out on an accounting career. “I didn’t want to sit behind a desk all day,” says the 35-year-old Sonoma State University graduate. “I wanted to be my own boss.”

Do, who moved to Santa Rosa from her hometown of San Diego 15 years ago, oversees a menu that spans Vietnamese food choices from classic pho to various curries and noodle-based lovelies, including specialty items such as the iron pot rice combo, a tantalizing offering of free-range chicken, pork sausages, barbecue pork and various things called “vegetables.”

Spring and summer rolls and dumplings make their de rigueur appearance on the starters menu, which also features my all-time favorite Asian appetizer, sugar cane shrimp (chao tom), which is exactly that: minced shrimp grilled on sugar cane sticks.

Do was busily putting together Kettles’ updated menu of vegan fare during my recent weekday visit. The crowd was heavy on lawyers and judges from nearby Sonoma County outposts of justice, along with various other worker bees out for a fresh and filling lunch. The vegan-friendly update, says Do, came about after customers approached her asking for modifications to dishes such as the bánh mì, which has a pepper-mayonnaise spread that’s off-limits to vegans.

The menu also notes, with pride, that Kettles’ dishes are 90 percent gluten free. “I noticed a lot of people approached us saying they are becoming more and more allergic to gluten as well,” says Do. “It’s been really fun to try and cater to this niche,” she says, adding that it’s “not fully emphasized in a lot of restaurants, at least not in Asian restaurants.” Another menu tweak that bespeaks the regional tongue: most dishes come with a suggested wine pairing.

The bánh mì is a hit. The classic Vietnamese sandwich is loaded with pickled carrots and daikon, cucumber, fresh jalapenos, cilantro and soy, all served on a crunchy-chewy French baguette. I ordered it with barbecue pork (other options include braised beef oxtail and lemongrass tofu), and doused it with numerous mega-squirts of the blessedly hot Sriracha sauce, which appeared in a tableside condiment rack, as if in a dream.

We passed on the suggested Barrique Chardonnay pairing, but the house-made limeade was a welcome accompaniment to the sandwich as we wept tears of hot-sauce bliss while devouring the super-fresh sandwich.

“We focus on a lot of things here,” Do says, “fresh, healthy and—I know it’s an abused word—natural ingredients that focus on good health.”

By all means, keep up the abuse. —Tom Gogola

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Quest for Freshness: Pongo’s Kitchen & Tap

Tucked away in an unassuming strip mall in Petaluma, Pongo’s bright, colorful interior creates a welcoming, tropical dining experience for its fresh Pan-Asian food. In fact, “fresh” and “local” are chef Pongo Pleinnikul’s keywords for inspiration at his eponymously named restaurant.

In their quest for the freshest ingredients, Pleinnikul and his family planted a garden to supply the restaurant with homegrown vegetables and herbs, adding a just-picked freshness to the dishes. Pleinnikul also searches markets for the latest seasonal ingredients, coming up with cool and spicy combinations that include Thai, Vietnamese and even Mexican flavors.

One recent special included pork belly, marinated overnight in sea salt and black pepper then pan-fried. “It’s like bacon on steroids,” Pleinnikul chuckles. Traditional Thai curries share the menu with creative fusion dishes, such as chicken satay wrap or barbecued beef with a chili lime sauce. Lettuce cups, soup bowls, rice dishes, burgers and all kinds of noodles round out the menu. The most popular menu item at the moment is Nick’s Special, created by Pleinnikul’s son, Nick. “He was hungry, and pan-fried some noodles then added vegetables and topped it with our peanut sauce,” Pleinnikul says. “Now it has become the most ordered dish.” The peanut sauce is a velvety concoction made with house-roasted peanuts and coconut milk, adding an addictive richness to whatever it’s served with.

The atmosphere at Pongo’s is cozy, though it gets pretty happening at times, especially Thursday nights when live music is featured. “We get bands that are local acts that folks know,” Pleinnikul says. Bands from Petaluma and Sonoma like Alec Fuhrman, the Messengers and Granular are a few of the acts coming up in the near future. Karaoke on Friday and Saturday nights is another popular draw.

In keeping with the local theme, the taps are filled with beers from Sonoma and Marin, including 101 North Brewing and Lagunitas. A full complement of local wines rounds out the bar, giving diners lots of options to pair with the spicy food. —Brooke Jackson

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Passion for the Ocean: Ume Japanese Bistro

Like a bright urchin glistening in a tidepool, Windsor’s Ume Japanese Bistro waits to be discovered by the curious ocean lover looking for the beauty of the natural world.

The uni, delivered fresh from Fort Bragg, tastes as if it had been plucked from the rocks that morning. The creamy, oceanic richness overwhelms my senses as I struggle to find words to show my appreciation to chef Eduardo Tejeda for making this simple yet complexly flavored dish so perfectly. But words aren’t necessary—the veteran sushi chef knows everything I’m trying to say simply by reading my face.

“Some customers come in and ask for something special, just for them,” he says. “I look at how they look at the fish. Reading the customers is a challenge, but that’s why it’s fun.”

Tejeda has been a sushi chef for 21 years, five of them at Ume. The restaurant focuses on simplicity to achieve its elegant look, both on the plate and in the dining room. “It’s like a painting,” says Tejeda about the plating of his dishes. “I start with the background, then vocalize the colors.”

And, as owner Kelly Shu chimes in, the visual aspect is a complement to the taste. Her husband, Chang Liow, is a certified sommelier, and Ume offers hand-selected sakes and wines to accompany their dishes, which can rotate on a monthly basis. Shu says Ume’s style is at times experimental, thought it sticks mostly to classic sushi and sashimi, with “a twist to traditional Japanese dishes.”

There are plenty of customers that don’t even look at the menu, “They say, ‘Just make me something,'” says Shu. Most are regulars, but some travel from as far away as Petaluma and Ukiah for the omakase, a dish that translates roughly to “trust the chef.” It’s a good bet that in a place like Ume that will be the best selection, even if it’s a complete surprise. Tejeda takes immense pride in his work. Having studied in San Francisco’s Japantown and being offered a job at Iron Chef Matsumoto’s eponymously named restaurant in Napa, he chooses to work closer to home, in Windsor.

Tejeda says a key to the restaurant’s success is teamwork. He is quick to praise his fellow chefs, saying he teaches them as much as he can. “That makes the restaurant better,” he says. And, of course, all new dishes have to pass the Shu test.

Restaurant week is a testing ground for dishes that have become menu staples, says Shu, and every dish on the tasting menu is a new, off-menu item.—Nicolas Grizzle

The Katt Man Do

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The career of veteran character actor William Katt spans over 40 years of television and film roles.

Beginning with small one-off parts in iconic 1970s TV series like M*A*S*H* and Kojack, Katt first got noticed for his role in the 1976 cult classic horror film Carrie as actress Sissy Spacek‘s prom date Tommy Ross. While things in that film turned out particularly bad for Katt’s character, the actor continued to excel in countless smaller roles.

In 1981, Katt landed his most well-known role, in the titular part of The Greatest American Hero, a quirky superhero show that ran on TV for five seasons. Since then, Katt has remained active on television while appearing in small roles for independent films voiceover parts for animated fare.

One of Katt’s most recent film roles, as the villainous Matanza in Sparks, finds him acting alongside other notable underground favorites Clint Howard (Apollo 13), Jake Busey (Starship Troopers) and Clancy Brown (The Shawshank Redemption). It’s a darkly humorous tale of superheroes that plays like a ’40s noir caper—with actual capes.

This week, Katt takes questions from the audience for two nights at Santa Rosa’s Roxy Theater, first at a screening of Carrie as part of the theater’s Cult Film Series on March 6, and the next night alongside Howard, Busey and other cast and crew members for a special screening of Sparks, which runs throughout the week. Roxy Stadium 14, 85 Santa Rosa Ave., Santa Rosa. $10. 707.522.0330.

Bourbon Outfitter

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Are you trying to pull a fast one, Prohibition Spirits? First of all, you’ve named your booze company after a law that bans alcohol, and now you’re making bourbon, a uniquely Kentucky product, in Sonoma?

It’s true, but fear not, bourbon aficionados—the spirit is born in Kentucky before being shipped to California and double-barreled in Pinot Noir barrels from Schug Winery in Sonoma. As far as taste goes, it’s a spot-on, 100 proof bourbon, with hints of fruit unique to Northern California. There’s a rye with similar characteristics and a white corn whiskey that’s clear, perfect for mixing in drinks that require a certain color but beg for that brown liquor flavor.

Hooker’s Reserve, as the whiskey line is called, is named after Union Civil War general Joseph Hooker, a feisty fighter who lived for a time in Sonoma. If he were alive today (and that would be pretty scary, actually), he’d probably stock his hand-carved liquor cabinet with General’s Reserve 21-year bourbon.

The Sonoma company says it “stumbled onto something fabulous” in an old rick house in Kentucky. “What the angels left behind was amazingly complex old bourbon that can stand up to any bourbon out there,” they say. Well, if it’s good enough for the general, it’s probably good enough for anyone.

March 5: Jon Jang at Newman Auditorium

Composer, jazz pianist and scholar Jon Jang has given musical voice to a silent history. Devoting his studies to Asian-American music, Jang comes to the Santa Rosa Junior College on March 5 for a one-time performance that pays tribute to the many individuals and groups that shaped Chinese-American relations. Duke Ellington, the Shaoxing opera, Joni Mitchell and his own...

March 7: The Punk Singer at the Arlene Francis Center

Celebrating this year's International Women’s Day, local radio wild cards KWTF are screening the 2013 documentary film The Punk Singer. The film, directed by Sini Anderson, follows the rise and career of outspoken innovator Kathleen Hanna, lead singer of the punk band Bikini Kill and the dance-rock outfit Le Tigre. As a leading voice in a newly empowered feminist...

March 8-April 13: Emerging Artists of the Bay Area at Marin MOCA

Twenty-foot murals, drawings that span two rooms, installations that respond to the history of the space itself—such are the works in “Emerging Artists of the Bay Area,” the new exhibit at the Marin Museum of Modern Art. Artists Justine Frischmann, Al Grumet, Carl Heyward, Phillip Hua and Jennifer Kaufman are as varied in approach as they are in message,...

March 8: Miró Quartet at Occidental Center for the Arts

Vibrant and thoughtful, the Miró Quartet are an acclaimed classical string ensemble who travel the world over, and are hailed as one of the most enthralling and refined string quartets performing today. Formed in 1995, the four current members of the Miró Quartet have been together for over 20 years, interpreting classic works and composing with a grace and...

Shades of Lisa Lampanelli

She's the "Queen of Mean," a term of affection for one of the most successful insult comedians since Don Rickles practically invented the term over 40 years ago. Known for her hilarious and politically incorrect viewpoint and uproarious jabs, Lisa Lampanelli conquered all as a comic, selling out iconic venues like Radio City Music Hall and appearing in her own...

Fly the Miyazaki Skies

If anyone could make an appealing full-length animated film about a slide-rule jockey, Hiyao Miyazaki (Princess Mononoke, Spirited Away) is that artist. The flaws in The Wind Rises, which has been announced as Miyazaki's last film, weren't in the conception. It's a fictionalized biopic of engineer Jiro Horikoshi, who developed the A6M Zero fighter plane. As we see it here,...

Letters to the Editor, March 5, 2014

Unsafe Soy My wife and I are anti-GMO, and would caution readers of Mr. Alderson's letter (Foxes in the Henhouse, Feb. 26), in that while it is important for all of us to be food safety-conscious, promoting soy as the safe alternative merely plays into the hands of the "soy fiefdoms" of Monsanto and DuPont. Non-GMO is the way to go—always! —Will...

Pan-Asian Encounters

Foodie noun (informal) 1. A person with a particular interest in food; a gourmet. 2. The demographic for whom Sonoma County Restaurant Week was created. In this issue, we take a trip to Asia, showcasing the diversity of flavors of Sonoma County Restaurant Week, from Thailand, China, Vietnam and Japan, even adding American and French twists in places. At times...

The Katt Man Do

The career of veteran character actor William Katt spans over 40 years of television and film roles. Beginning with small one-off parts in iconic 1970s TV series like M*A*S*H* and Kojack, Katt first got noticed for his role in the 1976 cult classic horror film Carrie as actress Sissy Spacek's prom date Tommy Ross. While things in that film turned...

Bourbon Outfitter

Are you trying to pull a fast one, Prohibition Spirits? First of all, you've named your booze company after a law that bans alcohol, and now you're making bourbon, a uniquely Kentucky product, in Sonoma? It's true, but fear not, bourbon aficionados—the spirit is born in Kentucky before being shipped to California and double-barreled in Pinot Noir barrels from Schug...
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