Palm Drive 2.0

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Sebastopol’s Palm Drive Hospital and emergency room have been closed for about a month and after much discussion, its elected district board has put the hospital’s future in the hands of a hotly debated, doctor-led plan.

“We selected the [Palm Drive] Foundation as the one to negotiate with,” says board member James Maresca, referring to a proposal by members of the Palm Drive Foundation.

But there are still big challenges — state and federal regulations at every turn, and broader questions of financial sustainability that are being faced by small hospitals around the country.

And, of course: Can the Palm Drive emergency room reopen or are West County residents looking at the prospect of an “urgent care center”?

Meanwhile, Dr. Jim Gude, a driving force behind the doctor-driven plan now under consideration, is no longer the foundation’s top administrator.

“I’m stepping back,” says Gude, whose new role, he says, is to help Palm Drive staff-up on doctors and nurses in its new guise.

“I’m not going to be doing what I did earlier, which was doing everything I could to prevent the closing of this hospital,” says Gude.

Also out of the picture: Tom Harlan, the hospital’s embattled CEO, who resigned late last week. Prior to his departure, Harlan told the Bohemian, “I am supportive of an objective review of any and all serious proposals that will allow our board to reimagine and reinvent this hospital.”

West County residents are being offered the promise of local hospital, streamlined of bureaucratic fat, that would point the way forward in the new, post-Affordable Care Act world of health-care delivery.

The hospital is not alone in struggling to gain purchase in the new normal of Obamacare.

According to the industry journal Becker’s Hospital Review, seven small hospitals around the country either filed for bankruptcy or closed in the first quarter of 2014 – “a tipping point for many financially beleaguered hospitals and health systems,” Becker’s noted.

The shuttered hospitals included community health centers in rural areas and localized health networks, and their eventual fates range from outright closure to buyouts from larger health providers and insurers. For example, a regional hospital in Casa Grande, Ariz., filed for bankruptcy to complete a sale to Banner Healthcare.

A Long Beach, New York hospital was absorbed by a larger area health system. The fate of others is in limbo.

The challenges faced by smaller hospitals like Palm Drive is systemic. Much of the pressures facing all hospitals – but especially smaller ones – are tied up in cost-saving, healthy-living efforts to reduce in-patient care and rely on outpatient services and treatment.

Another hurdle: Medicare regulations designed to excise fraud have essentially outlawed doctor-run hospitals.

Board member James Maresca says federal Medicare officials have overreached in their anti-fraud efforts, which was the upshot of a recent U.S. House of Representatives hearing two weeks ago that criticized the Centers for Medicare & Medicaid Service along those same lines.

“It is possible to have physician-run hospitals without having fraud,” says Maresca.

Even still, Palm Drive isn’t taking any chances: Exit Dr. Jim Gude, enter as-yet-unnamed hospital administrator.

“We will have a hospital director who is not a physician,” Gude says.

Yet Medicare remains linchpin for success at Palm Drive. And, ironically, the foundation plan basically flips the Obamacare model on its head and emphasizes elder care as a key component to financial viability for the hospital.

By contrast, the Affordable Care Act’s success hinges on buy-in from younger people to subsidize high-use consumers.

Over half the people who used Palm Drive were Medicare patients, says Maresca, and the foundation plan would enhance services of special benefit to seniors, ramping up Alzheimer’s treatments, for example.

“If we don’t have Medicare on board, nothing is viable,” says Maresca.

Board members also hope to engage in some sort of general services contract with the physician-led effort, which would keep Palm Drive operating within state law.

The elephant in the room is the fate of the emergency room, which reopens under the foundation’s proposal, even as the same proposal notes the facility needs an upgrade.

Harlan summed up the ER dilemma facing the hospital: State regs require any hospital with an emergency room to also provide acute care beds – which Palm Drive had a hard time filling.

Given the proximity of three major hospitals to Palm Drive, Harlan notes, operating “a full service inpatient acute care hospital with less than nine occupied beds…is financially unsustainable without significantly augmented funding sources.”

The rub? “Without acute care beds, a ‘stand-alone’ emergency department may not be operated in the State of California,” Harlan said.

But Gude says not to get caught up in talk over a separate “urgent care center” to solve the acute-bed dilemma: “Ambulances don’t go to urgent care centers,” he says. “Our goal is to provide a true emergency room. We think it’s economically viable.”

Baby Boom Bits

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Bay Area comic Will Durst was born in 1952, making him a card-carrying member of the baby boom generation. And yes, he really does carry a card.

“I do,” he says with a wry laugh. “I’m now officially old enough to have had my AARP card for 12 years.”

Durst has a new one-man-show, BoomeRaging: From LSD to OMG, that’s coming to Petaluma’s Cinnabar Theater next week. “A few years ago, I was doing this really funny one-man-show about the upcoming 2012 election,” says Durst, one of the Bay Area’s best-known comics and political satirists. “It was called ‘Elect to Laugh.’ It was a hit. And then the election happened, and it all evaporated.”

Durst wanted to create a show that wasn’t dependent on the instantaneous twists and turns of politics or the 24-hour news cycle. After some personal reflection, the 62-year-old veteran of comedy clubs and theaters decided to write a show about being a baby boomer.

“I am a baby boomer,” he says. “I will always be a baby boomer. That’s not going to change every four years. I decided to call it ‘BoomeRaging‘—and it’s very, very funny—and I also keep writing new political stuff, some of which works its way into the show, so I’m able to keep my hand in that, too.”

Durst says that, unlike the one-man-shows of fellow Bay Area comic Brian Copeland, BoomeRaging isn’t autobiographical.

“Everybody loves the autobiographical thing, but I don’t want to do that,” he says. “I really don’t care about me. I’m not that interesting. What BoomeRaging is, is my observations about being a boomer. I like to call it a celebration of the maturation of the boomer nation, a theatrical experience with stand-up timing, and not less than a modicum of poetry.”

Durst believes BoomeRaging contains some of the best material he’s written.

The show includes an inspired section where he finds himself waxing nostalgic. “I talk about the poor kids who will never be able to experience the taste of Green Stamps, or the joys of slamming down a phone in frustration,” he says. “There’s another section where I talk about how I no longer know where the nearest 24-hour-restaurant to my house is, but I have memorized the precise location of every public restroom within a two-mile radius.”

There’s even a happy ending.

“I explain the meaning of life,” he says. “It’s uplifting—and pretty hilarious.”

‘Boomer-aging’ runs Thursday, June 5 and Sunday, June 8 at Cinnabar Theater, 3333 Petaluma Blvd. N., Petaluma. Both shows 8:00 p.m. $20. 707.763.8920

Live Review: Charlie Hunter & Scott Amendola Duo at Sweetwater

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Charlie Hunter, man of 1,000 faces

Charlie Hunter and Scott Amendola Duo have released vinyl records, a series of cover tunes on CD, and even their own lip balm. Maybe their next release should be a coffee table book—you know, one of those oversized ones with really nice photography—of the faces they make while playing live.
Watching the two is only half the fun, though, of their live show. The music is always going to be different from the recordings, and they’ll throw in jams, unexpected cover tunes, and jaw dropping solos, to boot. Watching the pair together at Mill Valley’s Sweetwater Music Hall on Wednesday was like seeing a finely polished, but largely improvised, comedy duo. After performing together for over 20 years, they know each other pretty well. They’re both so talented, that they’ll make little musical jokes inside solo sections, just to make each other laugh. And the crowd laughed along with them, because the jokes translate to non-musicians, too.
Plenty of covers dotted the evening, and each was in their own style. The thing about cover bands is that it is tempting to just be a karaoke cover band—that is, playing the song exactly as it was recorded, with maybe a couple twists for live performance. But these guys take them apart and leave only the melody, the memorable hook and some chords underneath, and make the tunes completely their own. When the crowd realized the refrain they were playing during “Walk On By” was the hook from “California Love” by 2Pac Shakur, some giggles broke out from the back of the intimate room. The mashup was so well put together that it took about six turns through to realize they were two very different songs.
Although they play instrumental music, there was a bit of singing. Before the Cars’ classic, “Let the Good Times Roll,” Hunter urged the crowd to sing along, especially during the chorus. They did so, with rising enthusiasm, and when the duo was ready to wrap up the song, Hunter proclaimed to the crowd, “Ladies and gentleman, let’s tag that shit!” Not one to disappoint, the crowd continued its sing-along three more times, holding the last note while Hunter and Amendola played out the ending. Hunter was quite pleased.
They played two sets, allowing the crowd to buy records, order fancy drinks from the bar or dinner from the cafe (I suggest the pork posole and fried calamari). Just before the break, they played a blazing bop tune, with Amendola leading on the hi-hats, grabbing them with his left hand to open and close. His fills in the two-minute jam were even faster—faster than I could even think.
It is often said that musicians speak in a different language than “regular” people. Hunter spoke to the crowd without a mic (in English), and since Sweetwater is so small it was perfectly audible. But these two musicians have refined that to their own musical language, and other musicians may be able to discern what they’re saying but cannot speak it back to them. That’s fine, because I wouldn’t be able to top the poetry of their language, anyway.

May 22: Jarekus Singleton at KRSH Station House

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Twenty-nine-year-old Jarekus Singleton is changing the rules of blues music, invigorating the genre for a new generation of fans. Singleton was born in the heart of the blues, Mississippi, and raised on gospel, where he first cut his chops playing bass. Growing up in the ’80s, Singleton was also influenced by hip-hop and rap, and now on his latest release, Refuse to Lose, the guitarist combines all those influences for a rhythmically tight and lyrically honest album. Singleton plays live on Thursday, May 22, as part of the Backyard Concert Series at the KRSH Station House, 3565 Standish Ave., Santa Rosa. 6pm. Free. 707.588.0707.

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May 23: Melanie Devaney at Hopmonk Novato

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Singer and songwriter Melanie Devaney writes what she knows. The small-town talent from Epworth, Iowa, brought her guitar and expressive folk styling to Los Angeles in 2009, but she still looks to the pastures of her home on her latest solo release, Single Subject Notebook. The performer has come into her own on this third album, guiding the listener through relatable tales with a sound that expands on her folk rock with elements of Americana and pop. As part of her latest round of touring, Devaney makes two appearances in the North Bay when she plays on Friday, May 23, at the Pear (720 Main St., Napa; 6pm; 707.256.3900) and on Sunday, May 25, at Hopmonk Novato (224 Vintage Way, Novato;1pm; 415.892.6200).

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May 24: Stellamara at Marin Center

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World music goes electric in the latest project from acclaimed ensemble Stellamara. A collective of multi-instrumental musicians with diverse cultural influences, the group collaborates onstage with other artists to blend Eastern melodies and traditional tribal rhythms with contemporary elements. Their newest production is “Unfolding and Becoming,” featuring vocalist Sonja Drakulich and Stellamara teaming up with dancer Colleena Shakti, Zoe Jakes from Oakland performance art group Beats Antique, and others in a performance that blends classical devotion and modern expression. Stellamara takes the stage Saturday, May 24, at the Marin Center Showcase Theater, 10 Avenue of the Flags, San Rafael. 8pm. $22—$28. 415.499.6800.

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May 25: Larkspur Flower & Food Festival

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It’s been a tradition for 25 years, but 2014 likely marks the last Flower & Food Festival in downtown Larkspur. The festival is under financial constraints, so this year the popular, largely volunteer-run community event gets a final sendoff with live music, delicious delectables and vibrant colors in the day-long gathering. Performances by Doc Kraft, Reckless in Vegas and others highlight an afternoon of gourmet vendors and family-friendly activities. The Larkspur Flower & Food Festival takes place on Sunday, May 25, along Magnolia Avenue in downtown Larkspur. 11am—6pm. Free. 415.924.3803.

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Letters to the Editor: May 21, 2014

Carrillo Must Go

There have been many opinions voiced regarding Sonoma County Supervisor Efren Carrillo, his actions and his behavior. As a citizen and taxpaying resident of Sonoma County, I am also an observer of elected officials and the system of justice they are charged with administering, and the fact that Carrillo is still a county supervisor is appalling to me.

Although he was found “not guilty” by a jury, in his own words Carrillo admittedly violated laws and a woman’s rights. His unacceptable criminal acts have accelerated, as this was not his first arrest. Were he not a political flunky and running dog for the big-money barons of Sonoma County, he would have been found guilty on charges of attempted breaking and entering, attempted sexual battery, public drunkenness, lewd behavior and being a “peeping Tom.” He would have been sitting in prison and not conducting business as usual.

All these violations of the law—as well as violations of the public trust, requests for him to step down, and public condemnations—have failed to get the board of supervisors to remove him. With Carrillo still carrying on as a supervisor, this says to the taxpayers of this county, “We are just fine with a public servant doing whatever the hell he wants, to whomever he wants, no matter what it is, including criminal behavior, because observing the law does not apply to him.”

Doesn’t “Jane Doe” deserve equal protection under the law? When a woman, despite calls to 911 for assistance, is not safe from being terrorized by a drunk, sexually perverted politician, it is time to practice self-defense. Law enforcement officers in this county are very quick to shoot down an innocent child but slow to act to protect community members who are in danger.

Carrillo should be removed from his position, be it by vote, by censure, or by whatever means necessary. Besides the irrefutable fact that he committed these disgusting acts which he has admitted to, he is an embarrassment to the entire community, including the Latino community in the district he is supposed to represent.

The struggle for civil rights and equal representation without discrimination has been and continues to be a long one and a hard one. Carrillo was given a wonderful opportunity to represent and be a role model for young people of all colors and ethnicities. Yet he chose to act and behave like the oppressive ruling class. Efren Carrillo should be removed at once!

Santa Rosa

Editor’s note: Elbert Howard is a founding member of the Black Panther Party, and an author, lecturer and community activist in Sonoma County.

One Shot

In “The One Shot Solution” (May 7), it is very confusing to hear all of this conversation on the apparent extreme difficulty of coming up with a way to carry out humane executions. I’m not endorsing the act of killing somebody to show them how dreadfully wrong it was to kill somebody; I’m only addressing the tons of media exposure about which chemical cocktail to use. What with our ability to come up with drugs that will do just about anything we desire, why is this seemingly simple thing such a challenge?

Every veterinarian has the chemicals and skill to humanely put down any kind of domestic animal. Why does humanely “putting down” a human animal have to be any different? Every day we hear about people who died of accidental overdoses of various drugs. If these drugs are so effective when used accidentally, why not apply them where needed in this case?

When I had an operation many years ago, the anesthesiologist explained to me the importance of care in administering the general anesthetic. He said that a little too much would put me to sleep permanently. Isn’t this what we’re looking for? Instead of a complicated, three-component “cocktail,” why not a single injection that simply induces a gentle but permanent sleep?

Will somebody please explain this in simple terms, without filtering the discussion through the usual bureaucratic and political nonsense? I bet I’m not the only one wondering.

Forestville

Bad Match

I was one of several candidates for the Assembly two years ago. I endorsed Marc Levine in the general election because I foolishly resented Michael Allen being “superimposed” on Marin by the assembly leadership, although he reflected my issues near perfectly. My mistake.

Marc Levine went on to represent big agriculture and big oil, and turned out to be a bad match for the people of Marin and Sonoma. Conservatives might cheer Levine’s corporate clients, but fracking and shipping Northern California water to huge corporate farms in Central California are not truly conservative positions; they are the hopes of a greedy few.

I am voting for Diana Conti because we need a State Legislature that really cares about the needs of California’s people, not an extension of the U.S. Congress which openly disdains working people and downright hates the poor.

Lagunitas

Write to us at le*****@******an.com.

Blues Come Alive at Healdsburg Jazz Festival

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‘The blues is still alive and well,” says Charlie Musselwhite.

The beloved harmonica player and singer ought to know. He has lived the blues for more than 50 years, and now the Sonoma County resident and recent Blues Hall of Fame inductee appears as the guest of honor at the 16th annual Healdsburg Jazz Festival starting May 31.

Musselwhite reflected recently on his move to Sonoma County, his storied career and the creative pairings that have led to his immense success.

“I came out from Chicago. That’s a long trip—Mississippi to Memphis to Chicago to California,” recounts Musselwhite. “I came in ’67 to play some gigs and thought that I would just be going back to Chicago when I got through, but I had never been to California and didn’t know anything about it, really. And when I came out here, I just saw how wonderful it was, how nice the people were and how there was work all up and down the coast. When I got off the plane in California for the first time, it took me about 10 minutes to think, ‘I ain’t going back to Chicago.’

“It seemed like people really liked blues. They seemed to think it was something exotic, where back in the South and Chicago, it’s just an everyday thing. All the hippies were playing me on the radio. They weren’t playing me on the radio anywhere else.”

After living all around the Bay Area, Musselwhite moved to Sonoma County more than 20 years ago. “There’s just a long list of things that are wonderful about Sonoma County. Pick one of ’em,” he laughs. “I love the people, I love the food. I love the consciousness of the people. You go to the farmers market and get to buy the food you eat from the guy who grew it.”

This year, Musselwhite headlines the Healdsburg Jazz Festival, which opens with the weekend-long Blues Bash. “I’m glad to see that blues will be at the festival. Seems like back in the day, all jazz festivals had a blues day or a blues stage, but somehow it dropped off,” says Musselwhite. “I’m glad to see that blues will be at the festival, ’cause jazz came from blues. If we haven’t got blues, we haven’t got jazz.”

Musselwhite launches the festival with a performance alongside guitar legend Elvin Bishop and country crooner Guy Davis. “They’re both friends of mine. I’ve known Elvin—we both lived in Chicago a long time,” recalls Musselwhite. “He came to Chicago from Tulsa and I came from Memphis; we met in Chicago way back in the early ’60s and have been friends 50 or more years. And we still look exactly the same! To be onstage playing with an old friend, that’s real special,” he says. “I mean, a lot of people we started out with are no longer here. We’re both healthy, doing good. It’s almost like a celebration of life or something.”

Following this, Musselwhite switches gears with a blues-meets-Latin-jazz performance based on his acclaimed 1999 album, Continental Drifter. Musselwhite says the album and his fascination with Cuban standards started all the way back in Memphis.

“When I was a kid in Memphis, I was really interested in blues. I was going all around to junk stores and used furniture stores—any place that had old records. And I was looking for blues records, but anything else I found that looked interesting, I’d get that too,” he says .

“Along the way there I discovered other music from around the world, like flamenco, rebetiko music from Greece, and I discovered a lot of Latin music too. I got the feeling, or the opinion, that every culture had some kind of music that was from the heart, music of lament, like blues. If you translate the lyrics from all these different styles of music from around the world, they’re all singing the same thing—’My baby left me.’ Hard times, and good times too. It’s really music from and of the people.”

He discovered a Cuban band called Cuarteto Patria and became a big fan. At a music festival in Norway, he met a promoter who also loved the band; he later invited Cuarteto Patria and Musselwhite to the following year’s festival. Musselwhite thought it would be great to sit in with the band and record it. He found a local studio to do it, and the Continental Drifter album was born.

“So now I’ll be able to recreate that [album] with the John Santos Group, and they’re great musicians, and he’s a great guy; we have a good time. We’ll have so much fun performing this, the audience can’t help but have fun.”

Musselwhite will also appear in two other performances with saxophonist Joshua Redman, sitting in with Redman’s jazz quartet and inviting Redman to sit in with his own ensemble, all while intertwining jazz and blues elements that speak in the universal language of life’s joys and laments.

In 2010, Musselwhite was honored with an induction into the Blues Hall of Fame, and earlier this year he won a Grammy for Best Blues Album for his collaboration with singer-songwriter Ben Harper on Get Up!

“I met Ben a long time ago when he opened for John Lee Hooker. John Lee was an old friend, and he’d often call me up to say, ‘Come on down and play with us tonight.’ Our paths just kept crossing here and there, and we just got to know each other better and better, and then we also backed up John Lee on a recording in the studio, and that’s where we really locked in and realized how well we played together. We had a rapport musically. Even John Lee said, ‘You guys ought to do more recording together.'”

Musselwhite says there is already talk of another record with Harper.

After all these years playing the blues, Musselwhite’s love for music still burns bright, and the harmonica master still has too many irons in the fire to say for sure what’s next. In the meantime, he’s honored to be a part of the upcoming Healdsburg Jazz Festival and to share his passion with his local community.

“Don’t let the term ‘blues’ fool you,” he says. “This isn’t sad music; this gets rid of that feeling. This is uplifting music. You can dance or you can listen, and if you’re really talented, you can do both. It’s all about having a good time.”

Double Take

Keep repeating the phrase “Characters in existentialist fiction are not supposed to be realistic,” but perhaps you’ll still lose rapport with the attenuated Double, Richard Ayoade’s often-inspired paraphrase of the Dostoyevsky novelette in which a man encounters the more perfect version of himself. But Ayoade can’t wrap it up as succinctly; maybe the tale has been ripped off so many times that there’s no good original way to finish it.

Simon (Jesse Eisenberg) encounters a new kid on his block, socially adept, able to climb the rungs of his job and better at charming the pants off Hannah (Mia Wasikowska ), the girl Simon can only peer at from his window via telescope, as if she were a heavenly body. As Hannah, Wasikowska has the advantage of being the glowing spot of beauty in a realm of ruin and constant aggressiveness—viciousness from the top (the smiling overlord played by James Fox) all the way down to a harsh waitress (Cathy Moriarity) and a useless male nurse (Chris O’Dowd)

If Ayoade’s main aim was to create a visually fascinating realm, consider it done. Visually, the movie honors the memory of Welles’ Trial, with David Crank’s production design being especially impressive. The two Eisenbergs work in an office laden with obsolete, dysfunctional equipment, including malicious elevator doors that bite and squawk a red alert if you kick them back.

The lighting makes everyone look jaundiced or cancerous, and transportation is provided by a rattle-trap subway. The quaking, quacking Simon is under constant assault, falsely promised happiness from fulsome Japanese pop hits, even as his ass is thoroughly kicked by all around him. As he’s told at one point, “You’re pretty unnoticeable, even for a nonperson.”

The Double comes off as being more admirable than likable. Maybe part of the problem is that Eisenberg has two personalities when the rest of the cast barely have one each.

‘The Double’ is now screening at the Rialto Cinemas, 6868 McKinley Ave., Sebastopol. 707.525.4840.

Palm Drive 2.0

Sebastopol's Palm Drive Hospital and emergency room have been closed for about a month and after much discussion, its elected district board has put the hospital's future in the hands of a hotly debated, doctor-led plan. "We selected the Foundation as the one to negotiate with," says board member James Maresca, referring to a proposal by members of the...

Baby Boom Bits

Bay Area comic Will Durst was born in 1952, making him a card-carrying member of the baby boom generation. And yes, he really does carry a card. "I do," he says with a wry laugh. "I'm now officially old enough to have had my AARP card for 12 years." Durst has a new one-man-show, BoomeRaging: From LSD to OMG, that's coming...

Live Review: Charlie Hunter & Scott Amendola Duo at Sweetwater

Charlie Hunter and Scott Amendola Duo have released vinyl records, a series of cover tunes on CD, and even their own lip balm. Maybe their next release should be a coffee table book—you know, one of those oversized ones with really nice photography—of the faces they make while playing live. Watching the two is only half the fun, though, of...

May 22: Jarekus Singleton at KRSH Station House

Twenty-nine-year-old Jarekus Singleton is changing the rules of blues music, invigorating the genre for a new generation of fans. Singleton was born in the heart of the blues, Mississippi, and raised on gospel, where he first cut his chops playing bass. Growing up in the ’80s, Singleton was also influenced by hip-hop and rap, and now on his latest...

May 23: Melanie Devaney at Hopmonk Novato

Singer and songwriter Melanie Devaney writes what she knows. The small-town talent from Epworth, Iowa, brought her guitar and expressive folk styling to Los Angeles in 2009, but she still looks to the pastures of her home on her latest solo release, Single Subject Notebook. The performer has come into her own on this third album, guiding the listener...

May 24: Stellamara at Marin Center

World music goes electric in the latest project from acclaimed ensemble Stellamara. A collective of multi-instrumental musicians with diverse cultural influences, the group collaborates onstage with other artists to blend Eastern melodies and traditional tribal rhythms with contemporary elements. Their newest production is “Unfolding and Becoming,” featuring vocalist Sonja Drakulich and Stellamara teaming up with dancer Colleena Shakti, Zoe...

May 25: Larkspur Flower & Food Festival

It’s been a tradition for 25 years, but 2014 likely marks the last Flower & Food Festival in downtown Larkspur. The festival is under financial constraints, so this year the popular, largely volunteer-run community event gets a final sendoff with live music, delicious delectables and vibrant colors in the day-long gathering. Performances by Doc Kraft, Reckless in Vegas and...

Letters to the Editor: May 21, 2014

Carrillo Must Go There have been many opinions voiced regarding Sonoma County Supervisor Efren Carrillo, his actions and his behavior. As a citizen and taxpaying resident of Sonoma County, I am also an observer of elected officials and the system of justice they are charged with administering, and the fact that Carrillo is still a county supervisor is appalling to...

Blues Come Alive at Healdsburg Jazz Festival

'The blues is still alive and well," says Charlie Musselwhite. The beloved harmonica player and singer ought to know. He has lived the blues for more than 50 years, and now the Sonoma County resident and recent Blues Hall of Fame inductee appears as the guest of honor at the 16th annual Healdsburg Jazz Festival starting May 31. Musselwhite reflected recently...

Double Take

Keep repeating the phrase "Characters in existentialist fiction are not supposed to be realistic," but perhaps you'll still lose rapport with the attenuated Double, Richard Ayoade's often-inspired paraphrase of the Dostoyevsky novelette in which a man encounters the more perfect version of himself. But Ayoade can't wrap it up as succinctly; maybe the tale has been ripped off so...
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