Live Review: Dickey Betts Tears Up The Sweetwater

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Southern rock legend Dickey Betts and Great Southern made a rare Bay Area performance Sunday night at a sold out Sweetwater show in Mill Valley. His performance with his band Great Southern included his son Duane, named after the late Allman Brothers guitarist, on lead guitar. Duane’s band Brethren of the Coast warmed up the night. During Dickey’s set the relatively small stage was filled to the brim including two drummers on risers. With a packed house and stage the band ripped through classics such as In Memory of Elizabeth Reed, Ramblin Man, and Jessica, which Betts won a Grammy for in 1996. Dickey and the band played a phenomenal set heating up the room to a boiling point. Dickey’s signature style was on display throughout the night with the harmonizing octaves of the lead guitars bringing it back to where it all began.

Betts, despite being a founding member of the Rock and Roll Hall of Fame inductee The Allman Brothers Band, hasn’t performed a concert with them since 2000 after a turbulent departure from the band. This year The Allman Brothers announced they would be breaking up following a run at the Beacon Theater in NYC

Photos and Text by Jamie Soja – Soja Photography

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Live Review: Sharon Jones + The Dap Kings

Sharon Jones and The Dap Kings absolutely lit up the stage at the second-ever Sonoma Mountain Village concert on Thursday night. The concert series marked the end of a brief 2014 season, which also brought in the rock band Goo Goo Dolls in July. According to Petaluma’s Second Octave Talent agency, which books the bands for SOMO, some 1,100 people were in attendance and next year promises to bring 10 more outstanding festival-like shows to fill the 3,000-person venue.
Guatemalan singer, and 2014 Latin Grammy award winner, Gaby Moreno opened the evening with a blues-infused Southern folk set that showcased the powerfully sultry, and sweetly gruff, voice that has made her the darling of Latin American folk rock. Dressed in a Western dress and tiny heels, she rocked a vintage-style Gretsch guitar as if she were a country star on a Nashville stage. But tacking down Moreno’s style is like trying to stop a butterfly to ask about her favorite flower. To my ears, her sound falls somewhere in between the finger-picking melodies of Norah Jones and the whimsy of Patsy Cline, with the vocal dynamism of Etta James and a touch of Lilly Allen’s flare. Yet the songs she sings in Spanish are perfectly Latin; a bit of bossa nova, traces of Mexican banda, the alternative pop that defined many Latin females in the late 1990’s.

Gaby Moreno - author
Gaby Moreno – author

Gaby Moreno’s Guitar – author

Under Thursday’s setting sun, Moreno varied her set flawlessly. Tempos and moods switched between smoky jazz ballads like Blues del Mar, off her latest release “Postales” (2012, Metamorfosis), and groovy blues/rock tracks like “Greenhorned Man”, from her first album “Still the Unknown” (2008, indie release). It was a marvelous opening performance that surely garnered hundreds of new North American fans.
Between acts, the promoters gave ample time to get up and stretch, refill wine and beer glasses, and chat with neighbors sitting close enough to practically share blankets. A few vendor’s booths were set up to attract wanders, as well as a semi-stocked bar for general admission ticket holders. Food offerings were cafeteria-style, catered by the Sally Tomatoes restaurant inside. The interior venue is well-known in local comedy circles as being the go-to spot for great up-and-coming acts. While the wine was good and the service was friendly, the food got less than stellar reviews. VIP ticket holders on the other hand, were treated to a fully-stocked bar and outdoor seating area complete with tables and heating lamps. While the GA grassy area offers excellent views of the stage, it could be worthwhile to purchase VIP just so you don’t have to drag in chairs and blankets. The space is intimate, with two-story buildings bordering the lawn area, and giant redwood trees framing the stage. Yet, the adjacency adds to a close-nit community vibe. And once Sharon Jones got on stage, there wasn’t a warm body to be found in a sea of abandoned lawn chairs.
The Dap Kings band formed in the early aughts under the digs of Brooklyn’s Daptone Records. Their premise was to revive the tradition of analog recording and pressing vinyl records, while bringing back the funk/soul sounds of the 1960’s and 1970’s. Sharon Jones, who grew up singing gospel in her native Augusta, Georgia, was working a day job at Rikers Island prison when label owners discovered her singing backup vocals for various bands around New York City. Soon the Dap Kings became her backing band and she went on to record five studio albums with them. With incredibly successful performances at festivals across the country, a new album to be released, and European tours in place, Jones’ career was on the rise.
Sharon Jones + The Dap Kings
Sharon Jones + The Dap Kings

But in the spring of 2013, Jones was diagnosed with pancreatic cancer and spent the summer undergoing chemotherapy. The treatments would sideline her from nearly all musical activity and essentially threaten her life. New Year’s Eve 2014 was her last chemo treatment and she’s been cancer free ever since. On the SOMO stage last night, she belted out the tune “Get Up And Get Out” off her 2013 release Give The People What They Want (Daptone), exclaiming to the crowd “I told my cancer to get up and get out! And I told my cancer, if you ain’t gonna get out, I am gonna shout you out!” Needless to say, Sharon Jones is way beyond having cancer and it is obvious her immense energy and sheer passion for life are what got her through it all.
Sharon Jones - author
Sharon Jones – author

The performance opened with an instrumental introduction from the Dap Kings eight-member, tailored-suit-clad band before Jones’ fabulous backup singers came on to sing three groove-inciting numbers. When Sharon Jones finally came on stage, the audience exploded in applause. She opened with the super up-beat “Stranger To My Happiness,” then brought up 10 ladies from the crowd to dance on stage for “Keep On Looking,” which must have made those girls entire summer. Of all the shows I’ve seen this year, I have not experienced a performer so in love with her audience, so passionate about making every fan feel special. Jones’ went on to sing a slow, sexy rendition of “Long Time,” an afro-beat inspired “How Do You Let A Good Man Down,” and the dark, jazzy soul tune “I Learned The Hard Way.”
The second half of Jones’ set included some beautiful harmonies on “There Was A Time,” a wild impersonation of Tina Turner for “Making Up And Breaking Up,” and a 10 minute showcase of 1960’s dancehall moves like the boogaloo, the pony, and the swim—the crowd thought that was a riot and all kinds of people over 60 where swinging their arms and winding their hips without a care in the world.
Sharon Jones only did one song for her encore: a brilliant take on the original Woody Guthrie ballad, “This Land Is Your Land.”  It was the defining moment of the show, a stellar interpretation of an American classic. Jones ignites the spirit of American music’s golden age—the decades that challenged the cultural status quo, brought music to the heart of the civil rights movement, and blended the colors of society in a tangled-up mishmash of incredible musicianship, neighborly conviviality, and the love for an American art form. If anyone is going to remind us that American music is steeped in a rich, passionate history, it is going to be Sharon Jones and her Dap Kings.

Dogfight!

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It’s otherwise quiet this Friday afternoon as the neighborhood wolf howls its baleful howl up the block and there’s finally that moment where you can exhale and think a minute. Think about that big dogfight up here on the Big Mesa in wild and off-leash Bolinas. The big dogfight where you jumped in to try and keep your little guy from getting his head ripped off by a dog at least ten times his size and weight.

Scary stuff. And it only strikes a humor chord in the after-action report, once the bullet has been dodged more or less officially and you are counting the could-have-been-a-lot-worse blessings.

Oh, it was big news in tiny Bolinas, and you should have seen it. The male in my pair of Mexican hairless dogs, Telly Boy, got himself into a serious scrap the other night with one of the neighbors’ dogs.

It was quite a battle: A hairless and exotic nine-pound juggernaut of Joe Pesci fury versus a humongous and hairy behemoth with murder and menace in his eyes.

I’d like to say I was proud of my little guy for standing up to the big dog, but this is not time for that. It is rather a time for reflection. What can the dog teach the human when he is so tough that he would rather die than back down?

When the dust settled, Telly had a ruptured muscle in his ribcage, and these last few days have been a stressful whirlwind of vets, x-rays, vets bills, more x-rays and consults and the prospect of even more vets bills—and that awful question that any pet owner faces about their love for their animal versus their love for not having to pay a $5,000 surgical bill.

So, for a few days this week it was wait and see, wait and see, wait and see. The vet wrapped Telly up in a compression gauze with the news that it might come to surgery if the hole didn’t close up.

Dogs are quick healers, if you give them the chance. On Tuesday, I could sit and watch the air escape Telly’s lungs and puff his skin out—easy to see since he’s a hairless. By Thursday, the vet said the latest x-ray looked excellent—and I’ve locked him down a few days just to make sure there’s no decompensation.

Funny thing, just as I was going over this posting, I heard this crazy howling come from the crate. What’s up Telly Boy?

He’s not crying out in pain but in that dog anguish that says, “Let me run free, man!” Gonna be a little while, little brother, and don’t start thinking that you’re one of them wolves in the meantime.

Our regular walk takes us right by the house of the howling wolf. I’ve only seen the animal once, and it is a beautiful animal indeed, but he does let loose with his howl a few times a day and, if it’s at night, sometimes the coyotes chime in with that Theremin spook-yap of theirs.

The story goes that there used to be two wolves up on the Big Mesa, but one broke loose a couple years ago and tried to kill a calf at the nearby cattle ranch. Mama cow took umbrage and killed the wolf.

Which is to say: This is no place for wimpy animals, and Telly Boy is not a wimpy animal.

But he is a small animal, who, like his attacker, is romping around town fully intact, with a pair of outsized, swinging balls.

Telly Boy is not “broken,” and I have not “fixed” him, at least not yet. There is always this question about men, their dogs, and their dogs’ balls. There’s that man-dog reluctance to go in there and “fix” something that isn’t broken. If you don’t have the nuts yourself, you can’t possibly understand this dynamic and reluctance. And I know I’m not the first guy to have nut-snip reservations.

The neighbor’s been on the fence, too, but says the lesson for him is: Time to get the big dog’s nuts removed.

You first.

Schroeder Hall Grand Opening Preview

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schroeder_interior
The Green Music Center at Sonoma State University celebrates the opening of the brand new Schroeder Hall this weekend, August 23 and 24. The latest addition to the center that already boasts the acoustically perfect Weill Hall, this new, intimate recital space is ideal for choral performances and holds within it the stunning Brombaugh Opus 9 Organ. Named for the beloved piano playing character of “Peanuts” fame, Schroeder Hall opens to the public for a debut weekend that boasts 10 different free concert performances over the two days.
When Donald and Maureen Green first dreamt up the music center, they wanted a permanent home for the SSU Bach Choir. How fitting that the choir, now dubbed the Sonoma Bach Choir and still led by retired SSU music director Bob Worth, kicks off the celebratory Schroeder Hall opening with an 11am performance on Saturday, joined by organist David Parsons.
From there the Hall will show off its versatility, as the rounded stone walls and reverberating nature is tuned to performances from the SSU Faculty Jazz Ensemble at 2pm, local piano legend and Santa Rosa Symphony conductor laureate Jeffrey Kahane at 4pm, and Organist James David Christie of the Boston Symphony Orchestra at 5:30pm. Capping off the first day is contemporary Jazz pianist David Benoit at 8pm.
On Sunday, Schroeder Hall opens up once again to feature such diverse acts as Weill Hall’s own artists-in-residence, Trio Ariadne, at 1pm, SSU chamber music artists-in-residence, Trio Navarro, at 5pm, and faculty and alumni vocal recitals throughout. The curved look of the Hall makes it ideal for vocal chants and choral recitals, and Sunday’s performances will explore the space’s capacity for rich aural effects.
Though the weekend is completely free, the limited seating of Schroeder Hall means tickets are required. Each performance requires it’s own ticket, and many have already been claimed online. Still, there is hope, as the Green Music Center has said some tickets will be held at the door on a first come basis. Also, if you already have seats, get there early to claim them, as any unclaimed tickets will be given out 10 minutes before each performance. Details are online right here.

SSU’s Successful Organ Transplant

James David Christie at SSUs Brombaugh Opus 9 organ

  • James David Christie at SSU’s Brombaugh Opus 9 organ

The most fascinating aspect of the Green Music Center’s Schroeder Hall isn’t the building itself—it’s not even the incredible Brombaugh Opus 9 organ housed above the stage—it’s the way the two came together.

The 250-seat hall opening this weekend at Sonoma State University is designed for students. It serves doubly as a lecture space and a recital hall, with permanent wooden chairs and desktops that fold onto one’s lap from the side of the seat. But as much attention was paid to the acoustics of the space as the main hall, which has hosted internationally known superstars like Tony Bennett, Yo-Yo Ma and Allison Krauss.

During construction of Schroeder Hall, the university had a chance to purchase the Brombaugh organ, which Oberlin College music professor and organist James David Christie calls an “absolute masterpiece.” Since the purchase was made during the design phase, the hall was actually acoustically tailored to fit this one instrument. When Christie played a piece he wrote for his sister’s wedding at a media preview earlier this week, the marriage of the instrument and it’s new home proved to be a perfect union, indeed.

Christie says he chose the piece specifically because it showed off the full range of the instrument, which rang true. In Schroeder Hall, the low pedal bass of the organ was powerful but not overly so, and the midrange was present but not piercing. The highs were mellow, and the sound was crisp and clear through the nearly five-second reverberation of the stone, oval building. All frequencies are even and the timbre is unique and pleasing. “When playing this organ one immediately feels at one with the room,” Christie said after his performance.

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Keys to the kingdom

  • Keys to the kingdom

The Opus 9 tracker organ was designed and built by legendary American organ builder John Brombaugh as the ninth in a set of 66 instruments. The 1,248-pipe beauty was originally built in 1972 for a Baptist church in Toledo, Ohio. And holy Toledo, does it sound better in Schroeder Hall. “It sounds 100 percent better in this hall than the church it was in,” says Christie. “It was a great organ transplant.” It’s designed to sound closer to a 16th Century Renaissance organ, where as most made today aim more for a Baroque-era timbre. The result is a fatter sound with a less percussive effect.

What’s unique about this instrument is the attention to detail. It sits above the stage in the choir loft, with the audience facing it, and the visible pipes are hand-hammered. This is not common on organs because A) it’s difficult to do without destroying the sound; and B) it’s quite time consuming and only done for aesthetics. The result is absolute beauty for the eyes and ears. The completed project is the only one I’ve seen that looks like it jumped off the page of an architect’s rendering.

The organ was bought in 2005 through a gift from BJ and Bebe Cassin, Sonoma Bach Choir director Bob Worth and Margaret McCarthy, as well as Green Music Center namesakes Don and Maureen Green. It was housed in a Rochestor, NY church until its installation at SSU this year. While in New York, the organ was reportedly a favorite of music professors at the nearby Eastman School of Music.

The hall, named after the Beethoven-loving Peanuts character at the suggestion of major donor and Peanuts creator Charles Schulz’s wife, Jeanne, hosts a series of free opening-weekend concerts this weekend. See http://gmc.sonoma.edu for details.

View of the hall from the choir balcony

  • View of the hall from the choir balcony

Aug. 22: Locust Honey String Band at Studio 55

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Hailing from Asheville, N.C., the trio—Chloe Edmonstone, Meredith Watson and Hilary Hawke—who make up the Locust Honey String Band play a lively, old-timey mix of bluegrass and country fiddle tunes. Whether it’s traditional songs with exciting arrangements or their own original material, the group utilizes rotating acoustic instruments and pitch-perfect three-part harmonies. Formed in 2011, the group’s new album, Never Let Me Cross Your Mind, resonates with classic and modern elements. Locust Honey String Band perform on Friday, Aug. 22, at Studio 55 Marin, 1455 E Francisco Blvd., San Rafael. 8pm. $14—$17. 415.453.3161.

Aug. 22: Wild & Scenic Film Festival at Sebastopol Grange

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Presented by the Conservation Action Fund for Education, the Wild & Scenic Film Festival is a selection of films aimed effecting change. This year’s lineup revolves around the theme of “empowerment,” examining our energy needs and infrastructures and its impact on our ecology. The matinee feature, 2013 documentary Unacceptable Levels, looks at industrial chemicals in our everyday life. Other shorts and features include films that deal with climate change, wildlife wake-up calls and conservation. Food and drink packages and an environmental fair accompany the screenings. The Wild & Scenic Film Festival takes place on Friday, Aug. 22, at the Sebastopol Grange, 6000 Sebastopol Ave., Sebastopol. 4pm. $20—$40. 707.571.8566.

Aug. 23: The Filthies Drive-in in Valley Ford

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It’s an American tradition that has largely gone the way of the bellbottom, but the drive-in movie will always have a special place in our culture. This weekend, South of Heaven custom car shop presents a special gathering with their Filthies club that’s open to the public and boasts an array of cool rides and loads of entertainment. Live bands play through the afternoon, with local food and drink vendors dishing out tasty treats and two-dollar beers. Once the sun gets low, a classic drive-in movie plays for the convoy of cars out in the field. Hot rods and motorcycles get in free, and kids are welcome too. The Filthies drive-in happens on Saturday, Aug. 23, at 14375 School St., Valley Ford. 2pm. $5.

Aug. 24: Scott Pemberton at Goose & Gander

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Singer-songwriter Scott Pemberton is lucky to be alive. A few years ago, while cycling, Pemberton was hit by a car—an accident that left him a changed man. Defying doctors’ expectations, he bounced back from the incident, regained his faculties and retaught himself the guitar. Now the Portland native is back on the road, playing an electrifying mix of blues, rock and funk with his band the Scott Pemberton Trio. With uninhibited joy and appreciation, the band brings a truly freewheeling and infectious lust for life to the Napa Valley when the they perform on Sunday, Aug. 24, at Goose & Gander, 1245 Spring St., St. Helena. 1pm. Free. 707.967.8779.

Through the Cracks

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‘Your income is below the minimum level to qualify.”

I was confused. I had applied for a spot on a waiting list with one of Burbank Housing’s low-income apartments—and the box next to that response was checked off.

Wait a minute. I was turned down for low-income housing because my income was too low for low-income housing?

Yes, says Bonnie Maddox, a Burbank Housing Management Corporation employee who oversees the Santa Rosa complex. And it happens all the time.

“We have to see an income of two times the rent in the unit, or you’re not qualified,” says Maddox.

Does it matter that I’ve been a reliable tenant, even if I’ve never earned twice the total rent for the year in my life? It does not.

Maddox suggested I submit applications to other Burbank subsidized-housing properties. She noted that “every property has different guidelines,” and that food stamps or other assistance could also be counted toward income—though I did not know that at the time I applied.

“To get in, you just have to be persistent,” she says.

The income requirement is there so as to not “set somebody up for failure,” says Maddox.

This makes some sense. But inflexible housing policies that punish poverty also make it hard for anyone who’s trying to lift themselves up from between the cracks.

This is not my first time on the Sonoma County housing-go-round. My father and I were homeless here 10 years ago and ended up in a Ukiah trailer park.

I stayed on for a few years after he died and then took a short-term room rental in Santa Rosa in hopes that I’d find a stable place from which to relaunch my life and work as a freelance writer. I’ve managed to pay the rent on time every month.

But I was always shocked that no matter how desperate we were to find a place to live, my father and I couldn’t get any traction—even though he was a Korean War veteran and I was his de facto caregiver. We tried, and failed, to avoid an eventual fate: bouncing from campground to campground in Bodega Bay in a pair of matching $20 tents from Kmart.

But I wasn’t alone then, and I’m not alone now. Though it’s no comfort to hear it, many others are also caught in the too-low-income zone.

“We’re in a damage-control state right now,” says Cynthia Meiswinkel, a supervisor at the Sonoma County Housing Authority (SCHA).

Section 8 wait lists stretch four to six years because of high demand for the federally funded housing vouchers. And even after receiving the voucher, tenants often face landlords who are reluctant to take on Section 8 tenants. The vouchers carry a stigma, but tenants who accept them must also ensure units are inspected to meet federal health and safety standards. Given the choice, a landlord may prefer a no-strings-attached tenant.

At least I’ve got a couch for the time being. And a computer.

I emailed Georgia Berland, executive officer at the Sonoma County Task Force on the Homeless for her perspective. She said that though the task force has resources to help pay rent or otherwise get homeless persons established indoors, it doesn’t matter, since there’s “almost no actual housing available.”

This may change, as the
state has dedicated more than $200 million in this year’s budget to build affordable and supportive housing. At last count, she says, there are about 3,000 people living al fresco in Sonoma County and nowhere near the shelter capacity to hold them.

Meiswinkel offers a telling sigh when I ask her for advice on how I might find housing now. “That’s the question of the moment. It’s coming up a lot.”

Without the Section 8 vouchers at hand, the SCHA and Community Development Commission are referring people to the Burbank Housing runaround and, for those closer to the edge, to homeless advocacy organizations, which echo Meiswinkel’s advice: Contact the higher-ups and advocate for more funding and greater access to affordable housing.

I’m surprised, and only a little dismayed, that the best advice I’ve received is also the most succinct: “Vote.”

Of course, that’s hard to do without a permanent address.

Live Review: Dickey Betts Tears Up The Sweetwater

Southern rock legend Dickey Betts and Great Southern made a rare Bay Area performance Sunday night at a sold out Sweetwater show in Mill Valley. His performance with his band Great Southern included his son Duane, named after the late Allman Brothers guitarist, on lead guitar. Duane’s band Brethren of the Coast warmed up the night. During Dickey’s set...

Live Review: Sharon Jones + The Dap Kings

Sharon Jones and The Dap Kings absolutely lit up the stage at the second-ever Sonoma Mountain Village concert on Thursday night. The concert series marked the end of a brief 2014 season, which also brought in the rock band Goo Goo Dolls in July. According to Petaluma’s Second Octave Talent agency, which books the bands for SOMO, some 1,100...

Dogfight!

Dogfights test the mettle of men and beasts.

Schroeder Hall Grand Opening Preview

The Green Music Center at Sonoma State University celebrates the opening of the brand new Schroeder Hall this weekend, August 23 and 24. The latest addition to the center that already boasts the acoustically perfect Weill Hall, this new, intimate recital space is ideal for choral performances and holds within it the stunning Brombaugh Opus 9 Organ. Named for...

SSU’s Successful Organ Transplant

Schroeder Hall was acoustically designed around the sound of one unique instrument

Aug. 22: Locust Honey String Band at Studio 55

Hailing from Asheville, N.C., the trio—Chloe Edmonstone, Meredith Watson and Hilary Hawke—who make up the Locust Honey String Band play a lively, old-timey mix of bluegrass and country fiddle tunes. Whether it’s traditional songs with exciting arrangements or their own original material, the group utilizes rotating acoustic instruments and pitch-perfect three-part harmonies. Formed in 2011, the group’s new album,...

Aug. 22: Wild & Scenic Film Festival at Sebastopol Grange

Presented by the Conservation Action Fund for Education, the Wild & Scenic Film Festival is a selection of films aimed effecting change. This year’s lineup revolves around the theme of “empowerment,” examining our energy needs and infrastructures and its impact on our ecology. The matinee feature, 2013 documentary Unacceptable Levels, looks at industrial chemicals in our everyday life. Other...

Aug. 23: The Filthies Drive-in in Valley Ford

It’s an American tradition that has largely gone the way of the bellbottom, but the drive-in movie will always have a special place in our culture. This weekend, South of Heaven custom car shop presents a special gathering with their Filthies club that’s open to the public and boasts an array of cool rides and loads of entertainment. Live...

Aug. 24: Scott Pemberton at Goose & Gander

Singer-songwriter Scott Pemberton is lucky to be alive. A few years ago, while cycling, Pemberton was hit by a car—an accident that left him a changed man. Defying doctors’ expectations, he bounced back from the incident, regained his faculties and retaught himself the guitar. Now the Portland native is back on the road, playing an electrifying mix of blues,...

Through the Cracks

'Your income is below the minimum level to qualify." I was confused. I had applied for a spot on a waiting list with one of Burbank Housing's low-income apartments—and the box next to that response was checked off. Wait a minute. I was turned down for low-income housing because my income was too low for low-income housing? Yes, says Bonnie Maddox, a...
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