Behind the Wine

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There are more than a hundred wineries in Sonoma Valley, with 13,00 acres of grapes spanning 17 miles, and several generations worth of experience crafting diverse, delicious wine.

It can be almost too much to keep track of. This weekend, our region’s winegrowers offer an array of excursions that take you behind the scenes of many of these celebrated wineries during the Reserve Sonoma Valley event.

Set for Nov. 1, Reserve Sonoma Valley is an eclectic day of memorable wine country experiences. There are eight different excursions to choose from, each visiting four acclaimed wineries and each with a special focus and story to tell. “Harvest in Sonoma Valley” shows off the lively harvest atmosphere and tells the story of the journey from vine to bottle. “Generations of Sonoma Valley” travels to some of the oldest wineries, highlighting the traditions behind these family wines. The “Sommelier Tour” is a full day of professional perspectives on the best wines of the valley.

There are also several “Discover” tours tracking various micro-regions within the valley, from the highland views of the Moon Mountain District to the coastal climate of Carneros. Each excursion includes chauffeured transportation and lunch, making for a worry free day.

Reserve Sonoma Valley takes place on Saturday, Nov. 1, departing from 2000 Broadway, Sonoma. 9:30am. $110. www.sonomavalleywine.com.

Acting Lessons

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‘What would you rather see?” a colleague once asked. “A strong performance in a weak play? Or a weak performance in a great play?”

Easy. The most brilliant script cannot survive performances that aren’t up to snuff. But nothing beats a great performance.

Which brings us to Alfred Uhry’s Pulitzer-winning Driving Miss Daisy, a groundbreaking play staged so often it hardly feels groundbreaking anymore. But in a pristine production at Petaluma’s Cinnabar Theater, some exceptionally good acting makes the show well worth seeing (or seeing again).

Directed with thrift and polish by Nathan Cummings, Daisy is the tale of an elderly Southern matron (Laura Jorgensen, pitch-perfect) forced, after one too many car accidents, to hire an amiable chauffer (the splendid Dorian Lockett). Told in a series of vignettes spanning 25 years, the play (with solid support from John Browning as Miss Daisy’s steady son Booly) sails on a slipstream of actorly assurance.

Rating (out of 5): ★★★★

Christopher Durang’s Vanya & Sonia & Masha & Spike, now playing at Main Stage West, won the Tony award for best play in 2013. Revolving around three middle-aged siblings whose Chekhov-loving parents have recently died, the appealingly offbeat comedy employs masterfully complex language, blended with sharp one-liners and crackpot characterizations.

Vanya (a gently sad-sack Eric Thompson) is a cranky curmudgeon who lives with sister Sonia (marvelously played by Madeleine Ashe). Both are lonely and resentful after years of caring for their parents while sister Masha (Elly Lichenstein) pursues her career as a movie star.

Housecleaner Cassandra (Naomi Sample, a joy to watch) claims to be clairvoyant, warning of coming changes at the hands of someone named Nina. After Masha arrives with dim actor boy-toy Spike in tow (Tyler Costin, hilarious), the prophesied Nina arrives (Ivy Rose Miller, practically glowing with star-struck innocence), a neighbor and longtime fan of Masha.

Beautifully directed by Sheri Lee Miller, with as much attention paid to the characters’ underlying emotions as to the comedic elements in Durang’s loopy and literate script, this one proves that strong acting is a play’s heart and soul.

Rating (out of 5): ★★★★

Caught Looking

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For young Brazilian Leonardo, burgeoning adolescence is more difficult than it is for others. Leo has never been kissed; Leo is also blind. Daniel Ribeiro’s film The Way He Looks follows Leonardo’s interactions with jeering classmates and overbearing parents—and his dawning realization that he’s gay.

Leonardo strives to pull away from the constant supervision of his helicopter parents but doesn’t quite know how. Regardless of the friendship with his best friend, Giovana, the introduction of new student Gabriel provides him with an individual who aids in his escape from the confines of routine, and shows him the way to the life of acceptance and freedom that he’s always craved. The classic “twist” on this story of adolescent awakening? A love triangle between the three main characters where each encounters jealously, insecurity and companionship, and tentative attempts to find a place in each other’s lives.

Unquestionably an art film, the cinematography and sets supplement the youthfulness of the story. Pastel colors and lots of light accentuate the innocence of the characters and their situation, and the featured music of indie pop band Belle and Sebastian, representing the changes in Leonardo’s life, lends to the upbeat tone. Still, the film is deeper than its candy-coated exterior; a serious conversation about the pressures of adolescence is present just beneath the surface.

The film is based on Ribeiro’s 2010 award-winning short film I Don’t Want to Go Back Alone, and uses the same actors to flesh out an already intriguing story of vulnerability, breaking routine and desire. The Way He Looks touches the same themes but with more focus on dialogue and acting, and takes advantage of the longer format to flesh out the characters.

In an interview, Ribeiro says he “wanted to create a universal story that, gay or straight, blind or not, everyone would be able to relate to,” a sentiment that shines through in a film that addresses tolerance and acceptance.

The Way He Looks is a commentary on attraction without sight, our definitions of sexual orientation and the prejudices society places on both of these factors. Ribeiro’s vision was to remove homosexuality as an obstacle or problem in plot, and instead “prove to society, friends and family that being gay is ‘normal.'” Leonardo’s sexual orientation is not the focal point of the film; instead, it’s the desires and experiences of first love that we all recognize.

The Way He Looks is the official Brazilian entry for the Academy Awards, and has already won the FIPRESCI Prize and Teddy Award from the Berlin International Film Festival, the Audience Award at the Frameline Film Festival, and is an official selection at the Cannes Film Festival.

‘The Way He Looks’ opens Nov. 14 at Rialto Cinemas, 6868 McKinley St., Sebastopol. In Portuguese with English subtitles.

The Middleman

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You’d have sworn it was an Onion story: Why is there a pink-hued fracking drill bit jutting out from my Facebook newsfeed?

It was crazy, but it was no satire. The Susan G. Komen Foundation made headlines last month when it linked up with the fracking industry to promote its annual Race for the Cure against breast cancer. The image they decided on was the pink-hued drill bit, and it was weird.

This was “cause marketing” gone sideways, and not the first time Komen’s dalliance with corporate donors raised eyebrows among veterans in the nonprofit community.

Marin author-entrepreneur Bruce Burtch was recently holding court in a San Rafael coffee shop and recalled another Komen snafu from 2010. Burtch is the author of Win-Win for the Greater Good, and self-described coiner of the phrases “cause marketing” and “do well by doing good.” The high-energy San Rafael resident matches big-pocket investors with altruistic nonprofits, and has been at it since the 1970s.

In 2010, Burtch recalled, Kentucky Fried Chicken got with the Komen Foundation and offered customers pink-hued buckets of wings, thighs and breasts. It was an unmitigated public relations disaster for Komen. Why would the company accept money from purveyors of fried, factory-farmed fast food that might give you cancer?

“They thought they were doing the right thing,” says Burtch. Speaking generally, he adds, “A mismatched cause can destroy in five minutes a 20-year effort.”

Burtch has matched nonprofits with for-profits since he brokered a mutually beneficial liaison between Marriott theme parks and the March of Dimes in the late 1970s. Love them or hate them—and many progressives hate them—these alliances are here to stay. Ideally, they are “partners working for the greater good,” says Burtch.

He says the landscape between giver and receiver has shifted in recent years, as corporations work to maximize the public relations appeal to consumers—and contribute to employee satisfaction in the bargain, Burtch says. This is not just about sending the money and then taking the feel-good photograph for the annual report to investors.

These days, he says, “if you just put your hand out, it’s not happening. More corporations now take the approach of, ‘We want to give the money but we also want to work with the nonprofit.'”

According to the Marin County Nonprofit Landscape Study 2013, there are more than 1,500 nonprofits in Marin County alone, the highest, per capita, in the state and maybe the country.

That shouldn’t surprise anyone, given the outsized levels of social concern and commitment on display in much of the enlightened North Bay, not to mention its proximity to lots of money.

The nonprofits here range from Point Reyes Station’s Environmental Action Committee to Marin Fair Housing, to the Jackson Café in San Rafael (see Dining this week, page 13, for more on the Jackson Café), and beyond.

Nowadays investors in nonprofits like these will put an emphasis on employee volunteering, pro bono work for the organization and other activities where the nonprofits can leverage the “brain power” of their investors to the greater good, says Burtch.

A 2009 study on cause marketing from Stanford University’s Social Innovation Review set the bar even higher for concerned corporations in search of a nonprofit: “Rather than tying charity to profits, corporations should focus on their own responsibility to their employees (through means such as fair wages and healthy, satisfying work conditions), the environment (through means such as greener and more sustainable practices), and the global society (through means such as Fair Trade practices and loyalty to communities of operation). Corporations might also join other foundations and donors in funding grassroots efforts to improve communities.”

“Anyone with a good idea can start a nonprofit,” Burtch says, and that’s not always such a good idea.

With the big number of nonprofits comes big competition for donor money—and, says Burtch, duplicated efforts that aren’t necessarily serving the people who are supposed to be served.

The nonprofit is not the cause, Burtch says: “I think a lot of the nonprofits take their eyes off the prizes, in my opinion.”

For example, Burtch notes that there used to be two food banks serving Marin County. Everyone thought they were doing the right thing, but the result was duplication of services, waste and possible confusion among clients who rely on food banks for nutrition.

The problem was solved, says Burtch, once the nonprofit administrators got involved. “Marin Community Foundation said to merge, and they did. They have the money.”

The latest Komen controversy highlighted why there’s often public skepticism over such liasions. And, there’s often mistrust between organizations even after they’ve teamed up.

It’s a “huge” issue, says Burtch, and the trick to closing the chasm is to “bridge the cultural divide between for- and nonprofits, first by not having any surprises or hidden agendas,” he says.

“The first question I have for a corporation is, why are you doing this? Is there an ulterior motive for giving? Get the agenda out there, put that on the table, because this is about trust.”

The difficulty is selling that trust to the public. Chevron, which operates a refinery in Richmond, participated in a workforce development program with Catholic Charities in 2009.

The idea, says Burtch, was for Chevron to pay to train men and women, “and maybe provide a better workforce for Chevron.”

But many in the hyper-progressive region could not get past “Oh my God, you’re taking money from Chevron,” says Burtch—as he also admits the obvious: “Sometimes companies are looking to burnish their image by developing cause marketing. Good faith is the key.”

Good faith is good; better still are built-in corporate values that reflect the cause being promoted. In some cases, says Burtch, the corporation will offer a product connected to the cause or, in the case of Patagonia or Salesforce.com, will “build ’cause consciousness’ into the [investment] plan. For them, it’s not about the money—it’s about the messaging.”

Investors, he says, “are looking for a social return on their investment. This is a business-value proposition to for-profits.”

Regardless of the motive or the investor, says Burtch, the bottom line in any link-up between for-profits and the nons has to be: “Where’s the public benefit?”

Yes on Measure H

Santa Rosa Junior College is a vital community resource and must stay current. Half of our local high school graduates rely on SRJC for affordable higher education right here in Sonoma County. Measure H will upgrade the college, address overcrowding and prepare students to attend four-year universities and to succeed in 21st-century careers.

As the cost of attending a university in California has skyrocketed, more students are relying on community colleges for some or all of their education. Measure H will help provide local high school graduates access to high-quality, affordable college options.

Students who want to take courses toward a four-year college degree need a modern, local resource. Stronger collaboration with California State University, University of California and other colleges will allow students to take university courses at SRJC. By making upgrades to classrooms, labs and campus facilities for 21st-century instruction Measure H will reinforce these partnerships.

Today, as our beloved and well-used institution nears 100 years old, our reputation as a top community college remains, but classrooms and laboratories are overcrowded and out of date. Measure H will make critical upgrades to outdated classrooms, laboratories and school facilities that need important health and safety updates, like science and math buildings constructed in 1955. Without Measure H, these problems will only get worse and more expensive to fix.

Measure H will also expand SRJC’s ability to offer more courses at all campus locations, from Santa Rosa to Petaluma, North County to West County. Measure H will support training in public safety, nursing and healthcare, manufacturing and engineering, science, information and communication, technology agriculture, automotive and diesel mechanics, and many other fields.

Measure H has tough accountability requirements to protect taxpayers. All of the funds from Measure H will be spent to improve SRJC—not one penny can be taken by the state. Annual financial audit and independent citizen oversight will ensure funds are used as promised. Visit friendsofsrjc.org for more information.

Dr. Frank Chong is superintendent and president of Santa Rosa Junior College.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Fresh Starts

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There are places in San Rafael and Marin County where you can go for high-minded ethnic cuisine, but the Jackson Café is not one of them. You’re here for lunch, and lunch is a square deal, available five affordable days a week.

The cafe is located within the Whistlestop nonprofit service center in San Rafael, a sprawling building across from the bustling San Rafael transit center. The Whistlestop is run by the Marin Senior Coordinating Council, a nonprofit that assists the elderly and disabled of Marin County. There’s a library and other services in half of the building, which has been helping folks out for 60 years.

The Jackson Café is operated in a partnership with the nonprofit Homeward Bound of Marin and its Fresh Starts Culinary Academy, in Novato. The program offers job training and a safe-kitchen certification for students who were once homeless and perhaps wandering around the San Rafael transit center looking to catch a break, if not the bus.

This is truly the wandering-eyeball part of town, where on any given morning you’ll see a variety of folks waiting and wheezing in the bustle of exhaust fumes, doing variations on the pathos hustle. They’re waiting for the bus or are otherwise caught in the transient thrum of adjacent Highway 101, with its road stank and all the down-and-out fixings: overstuffed backpacks and smelly shoes, cigarette ends plucked from the trash, you got a quarter?

“The Jackson Café is oftentimes their first work experience,” says Amanda Denny, marketing and communications specialist at Whistlestop. “This really offers that bridge from being homeless, from being unemployed—to being educated and having some work experience that you can demonstrate on a résumé.”

The Jackson Café is where you go to rest them weary dogs, to unload yourself of a mere $7 (for nonmembers) and have a solid lunch before getting on with the business of the day. The ceiling is kind of low and you feel like you’re maybe in a Sarajevo Holiday Inn conference room, circa 1992. But the vibe is one of rampant humility and human concern. And at any moment you expect someone to jump up and shout “Bingo!”

The Friday special was poached salmon with garden beurre blanc, but let the Catholics have that. I went for the baked chicken—a seasoned thigh and a drumstick baked skin-crisp and topped with lime-macerated red onion slices, served with a dollop of rice and a thick slurry of black beans, with a few fried shekels of plantain thrown in. Bingo! That’s a $6.95 special—and it comes with a cuppa joe or some ruggedly unsweetened iced tea. A scant side salad is less an afterthought than a welcome, if fleeting gesture at these prices

A typical week at the Jackson Café might find Moroccon chicken on Monday; some spinach ravioli on Tuesday, a plank of whitefish on Wednesday. This month there was an Oktoberfest bratwurst one Thursday and a poached salmon for the Friday crowd. Regular menu items include grilled ham-and-cheese sammiches, burgers, $5 soup-sandwich combos and a $2 fruit cup.

Jackson Cafe, 930 Tamalpais Ave., San Rafael. 415.454.0964.

Shock and Roll

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This year, with Halloween falling on a Friday, there’s no scarcity of lively shows going on around the North Bay. Our clubs and venues listing is packed with fun holiday offerings, but here’s a few that caught our eye and screamed good times.

In Marin County, most every venue is throwing down with music and costumed fun, and two in particular feature popular S.F. bands. In Mill Valley, the Mother Hips play Sweetwater Music Hall, with openers Lazyman. Out in Bolinas, S.F. jam band New Monsoon play an eclectic world-music show with High Tide Collective at the Bolinas Community Center.

In Napa County, the monsters will party at Copia when the Monsters Ball goes down. Sci-fi punk rockers the Phenomenauts (shown) and the Pulsators perform, with DJs, burlesque and plenty of wine. For a truly trippy Halloween, it’s got to be the House of Floyd Halloween show at Silo’s in Napa, an immersive tribute show that explores the adventurous live experience of the band’s namesake.

In Sonoma County, there’s a plethora of bashes to choose from. For folk fans, All Hallow’s Eve at the Arlene Francis Center in Santa Rosa boasts a hootenanny of music from the Crux, live theater by the Imaginists and more. Out in Guerneville, the River Theater hosts its Halloween Ball with Melvin Seals & JGB and live painting by Stanley Mouse and others.

Check Calendar for a full list of Halloween events and details.

Hey Whitey

It’s a very good thing Dear White People was made—it gets in there where the dirt is.

At the lily-white Whitman College, Samantha White’s show on the college radio station is chafing a lot of nerves. In the proud tradition of fraternity-row movies, the administration is up in arms about her broadcasts. The worried dean of students is played by Dennis Haysbert, who gets to give full weight as an actor when telling off his legacy-student son Troy (Brandon P. Bell.)

The talented cast includes Tyler James Williams as Lionel, a wary underdog with a sky-high afro who’s seduced to the Light Side by the college newspaper, seeking an exposé of racism on campus. Samantha’s opposite, Coco (Teyonah Parris), is a vlogger (neologism shudder) who seeks popularity at all costs even if it means acting girly, self-deprecating and YouTube-friendly.

You can be in favor of Dear White People and still notice that it’s a Harvard movie about Harvard problems. Because of the tight budget, Whitman is shot to look like an Everycollege. The Twitterish notes in Samantha’s broadcasts sometimes offer little distinction between serious racism and etiquette breaches. Simien’s characters are all flawed, troubled and almost all duplicitous—the Latin motto of Whitman is “Know Thyself,” but nobody does here. That’s a sign of mature filmmaking. Yet Samantha’s pronouncement “Dear white people: don’t dance” is, ultimately, supposed to be funny. It exemplifies this film’s tendency to double-dip: decrying prejudice while celebrating exceptionalism.

Dear White People wisely ridicules the assertion that America is post-racial after Obama’s twin victories. The film’s bravery and open ending is credible, despite the dead spots, and that woeful self-seriousness that poxes student wit. You can hit the nail on the head a hundred times and still have a rickety structure.

‘Dear White People’ is playing at the Century Regency, 280 Smith Road,
San Rafael. 415.479.6496.

Healing Music

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For fans around the globe, San Francisco–based songwriter Michael Franti is beloved for his generous spirit and great music. The frontman of Spearhead for 20 years, Franti effortlessly moves musically between hip-hop, funk and soul, and his live shows are moving communal experiences.

The last year has also shown the philanthropic side of Franti, who co-founded the Do It for the Love Foundation, a wish-granting nonprofit organization that brings people with life-threatening illnesses, wounded veterans and children with severe challenges to see live concerts with the artists of their choice.

Franti and his partner, ER nurse and relief worker Sara Agah, were inspired to start the foundation after meeting Steve and Hope Dezember in April 2013. Steve was living with the advanced stages of Lou Gehrig’s disease and it was his wish to see Franti in concert. Franti invited the couple to a show and brought them onstage, where Hope lifted Steve out of his wheelchair and held him as they danced together in front of thousands of fans.

Franti was so moved by the couple and the experience of the concert that he and Agah decided to give that opportunity to as many people as they could. They started Do It for the Love in August 2013, and to date it has fulfilled more than 200 wishes, nearly all of which have included artist meet-and-greet experiences and VIP access.

In times of crisis for families, these experiences offer a chance to connect and bond while making some truly positive lifelong memories and reveling in the healing power of music, which Franti feels is a real phenomenon. Apparently, he’s not alone on that theory, and participating artists like Jay-Z and Beyoncé, Bruno Mars, Tom Petty, Paul McCartney and others have donated their time, inspired by Franti’s efforts.

The nonprofit’s name is based on a song from Franti’s 2013 album, All People. His eighth album with Spearhead, Franti’s latest is a slick pop record with equal parts jam band melodies and hip hop beats, with elements of techno and reggae thrown in to an album that saw Franti opening up his songwriting with a more collaborative approach.

Franti is currently working on a new album, and this fall he is taking to the stage in a special acoustic solo tour. He has already sold-out two North Bay shows at the Mystic Theatre in Petaluma. If you know someone who could benefit from Do It for the Love, you can nominate them on the foundation’s website, www.doitforthelove.org.

Ladies Who Launch

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According to the National Center for Charitable Statistics, there are more than 1.5 million nonprofit and charitable organizations registered in the United States. Though these numbers reflect that we are not an ideal society, they also indicate that we are trying. Because of growing income disparity and social needs in this country, nonprofits are essential.

“The problems are simply too big and getting bigger every minute,” says Neil Edgington, president of Social Velocity, a management consulting firm specializing in nonprofit organizations. “Government resources are shrinking, so the greater burden for solutions is increasingly placed on the shoulders of the nonprofit sector. As problems get worse and money gets tighter, the social change sector will take center stage.”

Yet as the need for nonprofits grows, the private donations on which those organizations depend have not kept pace. In spite of an improving economy, funding for charities is stagnant.

But don’t tell that to Impact100 Sonoma. Each year, the group pools donations of $1,000 from 100 women and donates grants up to $100,000 to competing local nonprofits after a group vote.

“Our motto is $1,000, one woman, one vote,” says Celia Canfield, co-president of Impact100 Sonoma.

Since 2009, Impact100 Sonoma has awarded $929,000 to nonprofits serving Sonoma County, including the Boys & Girls Clubs of Sonoma Valley, La Luz Center, Sonoma Valley Teen Services, Sonoma Valley Education Foundation and the Redwood Empire Food Bank and the Sonoma Land Trust.

“It’s a labor of love for each of us, and we make commitments of three-plus years to serving the community through this organization,” says Canfield. “It’s the bigger picture of serving the community that drives us.”

Impact100 Sonoma is one of several Impact100 chapters around the country. The group originated in the Cincinnati/northern Kentucky area in 2001 with the purpose of promoting philanthropy among women. Impact100 Sonoma is the only group of its kind in California, but there are now 18 Impact100s in the United States and three in Australia.

“We have heard from other communities in California about how we organized, and we expect that there will probably be a sister group in Northern California joining us at some point in the future,” says Canfield.

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The group serves a smaller community than most of the other U.S. groups. As such, nonprofit organizations may apply for either the $100,000 grant or smaller community grants of $2,500 to $15,000.

“All of the $1,000 commitments that we collect from membership are aggregated to form the pool for the various grants,” says Canfield. “By aggregating funds, we are able to make a greater impact on an organization than doling out smaller amounts through fundraisers and silent auctions, which can be labor-intensive and ultimately aren’t able to raise [a large] amount of money in a small community like ours.”

Some members contribute more to help with overhead costs, and local sponsoring organizations such as Union Bank and Rabobank assist with contributions as well.

A $100,000 grant can elicit an onslaught of applications which are processed through a rigorous system.

“It begins with a proposal that must include a detailed budget and milestones for what you hope to achieve,” explains Canfield. “We have a series of committees made up of members of Impact100, and they vet the proposals over a period of several months. The vetting also includes a site visit so that members of the Impact100 committee can meet the administrators of the nonprofit and understand their processes and intentions for the grant that they’ve submitted. Finally, there is a vote among the entire membership from the finalists that the committees put forward.”

All applicants must make a pitch to the group for the award. The recipient for the 2014 $100,000 award, the Redwood Empire Food Bank, moved many board members to tears.

“In this case, we listened to what was described by the presenter as ‘voices of hunger,'” says Impact100 communications director Judy Scotchmoor. “The voices were of ordinary people having a tough time for a variety of reasons. They live here. They are part of us. They need our help. And in many cases, we did not know that they were there.” Scotchmoor goes on to say that “those tears are those of joy in knowing that we can help make a difference.”

The value of Impact100 is its ripple effect in the community. Although there are several charity and nonprofit watchdog groups and document-disclosure requirements, donations are made in faith. But the local, grass-roots approach to charity taken by Impact100 directly affects the community in which it serves. The Boys & Girls Clubs of Sonoma Valley was the first nonprofit to receive the award, in 2010.

“The affect is still being felt today,” says Boys & Girls Club committee member Rachel Cusick. “Since the 2009 launch of the case-management teen program, College Bound, the club has seen 110 kids graduate from Sonoma Valley High School with a solid post-secondary education plan. Ninety percent of these students who participated in the College Bound program are still on a path to success in their post-secondary education goals.

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“Another astonishing outcome of the program is the success rate of students who chose the community college path. Thirty-three of the 110 graduates chose to attend a community college, and 73 percent of these either graduated with a degree or are on track to complete their studies.”

Compare this with the statewide community college dropout rate of 70 percent, she says, and you begin to see the impact that solid planning for a post-high school education can have on Sonoma Valley teens.

Cusick attributes the success of the College Bound Program to Impact100 Sonoma and the support the group provides with its positive stories about the Boys & Girls Club in the community.

Juan Hernandez, executive director of La Luz Center, a nonprofit that assists those in need with medical costs, food and housing, says their Impact100 grant laid the foundation for a new building and support for mental-health programs.

“Impact100 has given us the stepping stones to take the leap to where we are today,” he says.

Cristin Lawrence, executive director for Sonoma Valley Teen Services, tells a similar story.

“The impact that Impact100 has had on Sonoma Valley Teen Services goes well beyond the grant funds,” she says. The grant increased exposure and “added legitimacy” to the organization and encourages future investors to be confident in any donation given, she says.

“They provide us occasions to showcase our programs and offer us ongoing networking and educational opportunities,” says Lawrence. “We are fortunate to have this organization in our community.”

The Impact100 model of philanthropy is similar to crowdfunding, in which a project is funded by raising many small contributions from a large number of people, usually via online platforms like Kickstarter. But Scotchmoor refers to the Impact100 model as a “giving circle.”

“Giving circles, as they currently manifest themselves, are a relatively new trend, but they are built on old traditions dating back hundreds of years to mutual-aid societies and other forms of giving for the community,” she says.

Giving circles were initially composed of women, but they are now more diverse in gender, as well as race and age, although women continue to make up the majority of members.

“The trend that I see is that we have found an amazingly effective and simple way to be impactful,” Scotchmoor says. “With all the bad news that we are inundated with on a daily basis, it feels pretty darn good to know that together we are making such a positive difference in our community. The diversity of projects we have supported shows that we are increasingly more aware of unmet needs and we are able to do something about that.”

Behind the Wine

There are more than a hundred wineries in Sonoma Valley, with 13,00 acres of grapes spanning 17 miles, and several generations worth of experience crafting diverse, delicious wine. It can be almost too much to keep track of. This weekend, our region's winegrowers offer an array of excursions that take you behind the scenes of many of these celebrated wineries...

Acting Lessons

'What would you rather see?" a colleague once asked. "A strong performance in a weak play? Or a weak performance in a great play?" Easy. The most brilliant script cannot survive performances that aren't up to snuff. But nothing beats a great performance. Which brings us to Alfred Uhry's Pulitzer-winning Driving Miss Daisy, a groundbreaking play staged so often it hardly...

Caught Looking

For young Brazilian Leonardo, burgeoning adolescence is more difficult than it is for others. Leo has never been kissed; Leo is also blind. Daniel Ribeiro's film The Way He Looks follows Leonardo's interactions with jeering classmates and overbearing parents—and his dawning realization that he's gay. Leonardo strives to pull away from the constant supervision of his helicopter parents but doesn't...

The Middleman

You'd have sworn it was an Onion story: Why is there a pink-hued fracking drill bit jutting out from my Facebook newsfeed? It was crazy, but it was no satire. The Susan G. Komen Foundation made headlines last month when it linked up with the fracking industry to promote its annual Race for the Cure against breast cancer. The image...

Yes on Measure H

Santa Rosa Junior College is a vital community resource and must stay current. Half of our local high school graduates rely on SRJC for affordable higher education right here in Sonoma County. Measure H will upgrade the college, address overcrowding and prepare students to attend four-year universities and to succeed in 21st-century careers. As the cost of attending a university...

Fresh Starts

There are places in San Rafael and Marin County where you can go for high-minded ethnic cuisine, but the Jackson Café is not one of them. You're here for lunch, and lunch is a square deal, available five affordable days a week. The cafe is located within the Whistlestop nonprofit service center in San Rafael, a sprawling building across from...

Shock and Roll

This year, with Halloween falling on a Friday, there's no scarcity of lively shows going on around the North Bay. Our clubs and venues listing is packed with fun holiday offerings, but here's a few that caught our eye and screamed good times. In Marin County, most every venue is throwing down with music and costumed fun, and two in...

Hey Whitey

It's a very good thing Dear White People was made—it gets in there where the dirt is. At the lily-white Whitman College, Samantha White's show on the college radio station is chafing a lot of nerves. In the proud tradition of fraternity-row movies, the administration is up in arms about her broadcasts. The worried dean of students is played by...

Healing Music

For fans around the globe, San Francisco–based songwriter Michael Franti is beloved for his generous spirit and great music. The frontman of Spearhead for 20 years, Franti effortlessly moves musically between hip-hop, funk and soul, and his live shows are moving communal experiences. The last year has also shown the philanthropic side of Franti, who co-founded the Do It for...

Ladies Who Launch

According to the National Center for Charitable Statistics, there are more than 1.5 million nonprofit and charitable organizations registered in the United States. Though these numbers reflect that we are not an ideal society, they also indicate that we are trying. Because of growing income disparity and social needs in this country, nonprofits are essential. "The problems are simply too...
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