New Volume

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Multi-instrumentalist and songwriter Jon Fee has been playing in a band one way or another since he was in junior high.

The Sonoma County native first hit the indie music scene as the bassist in the melodically experimental band the Rum Diary and then in the dreamy post-punk outfit Shuteye Unison. Now for the first time in his musical career, Fee breaks out on his own with a new solo project and album, the Things of Youth’s Volume One.

Speaking from his home in San Anselmo, Fee shares his inspiration for going solo and how he did it with help from his friends.

“The Rum Diary and Shuteye Unison were both bands where no one brought in a complete song start to finish; a song would come about collectively,” says Fee. “I got so comfortable co-writing, I lost the ability to finish a song, which is kind of scary, so I said to myself, ‘You’ve got to get back to being a holistic songwriter.'”

Two years of honing his songwriting skills culminated in Fee forming the Things of Youth last year. On Jan. 27, the Things of Youth unveils its debut album. It’s a record that features major contributions from Fee’s musical friends, including Daniel McKenzie (the Rum Diary, Shuteye Unison) on guitar, Cory Gray (Carcrashlander) on piano and Jake Krohn (Shuteye Unison) on drums. With Fee singing and playing bass, the Things of Youth brings a lyrical introspection to its hypnotically driving lo-fi indie pop; think Jeff Tweedy and Elliott Smith fronting the American Analog Set.

“I’m in my 30s, I’ve got three kids, and I think when you start doing your own project, you do a lot of self-reflecting. I naturally started writing about either being young or growing old or the different experiences of my life,” says Fee. “There are a couple fun ones as well. I wrote the song ‘Eleventeen’ specifically for my oldest son. When he was three or four, I was trying to teach him to count one to 10, but he kept going beyond 10 and would say ‘eleventeen,’ and it’s always stuck with me,” says Fee.

For “Eleventeen,” Fee also collaborated with illustrator Lindsay Watson on a children’s book, meant to be read while listening to the song. The book will be available with the limited pressing LP, available on Fee’s own record label, Parks and Records. Volume One is the 10th release for the label, and as with every release, Fee, who is also an avid outdoorsman, gives a percent of all sales back to organizations that take care of the parks he like to spend time in.

The Things of Youth’s Volume One is available for download and on vinyl on Jan. 27 at Parksandrecords.com.

Musical Cuba!

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It began as a series of home concerts embracing chamber music in the North Bay, and now the Redwood Arts Council marks 35 years and hundreds of shows featuring the world’s finest players. This week, the organization throws a spectacular anniversary event titled “Mysterious, Musical, Delicious Cuba!”

It’s no secret that Cuba has long been a forbidden fruit for Americans, though Obama recently lifted travel restrictions to the communist nation. And it’s not just the cigars. We love the music, the food and the allure of Cuban culture, and this concert goes deep into the country’s arts.

A cultural and historical presentation opens the event, as SSU history and global studies professor Tony White offers context to the musical and culinary experience to come. Then the acclaimed Walden Chamber Players join forces with classical guitarist Oren Fader (pictured) for a showcase of celebrated Cuban chamber music. This invigorating show includes pieces by influential Cuban composer Ignacio Cervantes and conductor and guitarist Leo Brouwer. A dinner of authentic Cuban cuisine and delicacies cap off the night. All proceeds benefit the Redwood Arts Council and its ongoing mission to bring the world’s best chamber music to the North Bay.

“Mysterious, Musical, Delicious Cuba!” takes place on Sunday, Jan. 25, at the Occidental Center for the Arts, 3850 Doris Murphy Court, Occidental. 2:30pm. $100. 707.542.7143.

Letters to the Editor: January 21, 2015

Inherent Risks

As a lifelong athlete, fitness enthusiast and former NCAA Division 1 strength and conditioning coach, I enjoyed Cliff Weathers’ even-handed coverage of the controversy now raging over CrossFit training (“Crossing Swords,” Jan. 15). A blend of several disciplines, CrossFit borrows from Olympic-style weightlifting, military basic training, martial arts, gymnastics and a bit from track-and-field. It’s an excellent approach for young athletes in speed-and-power events, but less applicable for those in endurance sports, and so rigorous that newbies should probably undertake a three-month conditioning program before even attempting CrossFit. It’s also a form of training better suited for younger athletes than older ones, who do not recover as quickly from high-intensity exercise.

Every activity—even a pleasant stroll around the neighborhood—has some degree of inherent danger, but we live in a risk-averse society with a surfeit of lawyers who believe that any acknowledgement of risk is an admission of responsibility for injury. This is why CrossFit execs and cultists are so adamant in denying that there’s any risk involved with CrossFit training—they know there is, but have to do everything to keep the lawyers away. It’s all about avoiding lawsuits.

CrossFit is a great program, but it’s dishonest to assert that it’s some sort of injury-free fountain of eternal youth. That will never exist.

Novato

Community First

I migrated to Sonoma County 20 years ago after 15 years of living in the Bay Area. I still worked in the city but the commute was worth the trip home to the beauty this region offers. In establishing a first residence in Geyserville in 1995, I noted how proud the residents of the greater Healdsburg area were of its local feel. There was a farmers market on the green across the main drag from the beautiful town square and though there were signs of sophistication and affluence around. I loved the area for the balanced juxtaposition of the two.

As I was relocating to West County four years later, I heard a lot of concern about the way Healdsburg seemed to be changing. A hotel was being built on the green where the farmers market used to assemble, and a huge euromall was planned to be built up the street. It has become a weekend getaway for the likes who have ruined S.F. bohemia through insensitive gentrification.

I enjoy the Barlow. It seems like a worthy addition to the town for the revenue and character it adds to Sebastopol. I am not against progress or hard-working enterprises enhancing their bottom line because of development. Yet after the assassination I witnessed of the once charming character of Healdsburg, I can only see flashing red lights of caution in response to this news (“Hotel Sebastopol,” Jan. 7).

For this place to mutate into another remote, part-time (virtual rural) destination for well-heeled techies would surely be a tragedy.

Occidental

Write to us at le*****@******an.com.

High Drama

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Late last fall, Santa Rosa’s 6th Street Playhouse announced that it would be cutting back its performance schedule for the rest of the 2014–15 season.

It canceled all of the remaining shows in the 100-seat Studio Theater, while proceeding with the shows already planned for the larger, 185-seat G.K. Hardt Theater. The decision instantly sparked a flurry of rumors that the Railroad Square anchor is on the verge of collapse, a suggestion artistic director Craig Miller strongly denies.

“We’ve been having some trouble, yes, and I believe it’s time to be completely transparent about that,” he says, making it clear that, while things have been a bit touch-and-go, the leadership at 6th Street has no intention of shutting its doors.

“The short version is, the fundraising at 6th Street has been inadequate, in terms of meeting our development goals,” Miller says. “But the board is exploring new, sustainable ways to keep the doors open, and we’re already discussing the slate of plays and musicals for the 2015–16 season.”

Miller points to a recently formed group of supporters calling themselves the Champions of 6th Street Playhouse, who last week presented their plans to create long-range funding projects to support the theater. Those plans include a Kickstarter campaign targeted at raising $100,000.

“We are in good hands,” Miller says, adding that, despite the jitters caused by the Studio cancellations, “we are now on the firmest footing we’ve had in months.”

So what exactly happened at 6th Street, and is the situation in Railroad Square indicative of a larger problem in the entire North Bay theater community? As Miller describes it, 6th Street’s financial problems are primarily a matter of steadily declining donations. At a time when the recession is finally over, and theater patrons are now better equipped to heed their local nonprofits’ calls for help, 6th Street has seen a surprising evaporation of community grants, public donations and other forms of contributed income.

“Our goal has always been to build lasting relationships with the community,” Miller says, citing the kinds of relationships people have with their churches or with the public radio stations they support on a monthly basis. “We’ve put so much energy into producing an ambitious number of shows, but we’ve not been so good at building and sustaining those long-term donations. We admit it. And now, we need to get better at that. And we will.”

The theatrical landscape of the North Bay has definitely looked a bit rocky of late. Last year, both the Napa Valley Playhouse and Pegasus Theater lost their longtime homes. Such closures add to fears that the sky over the North Bay’s theater world is falling.

“We all need help,” says
John Degaetano of Wells Fargo Center’s North Bay Stage Co., a troupe made up of theater artists long associated with the Raven Players in Healdsburg (a company that bucked the trend by actually adding a second theater space in Windsor last year). “But we can’t do it by ticket sales alone,” he affirms. “You have to have financial support from the community. That takes years to build up, and getting there requires stamina, persistence and sheer bloody-minded optimism.”

While the woes experienced by 6th Street are not necessarily representative of the entire North Bay theater scene, the approaches that companies must take to keep open have been evolving.

“The old models are no longer working,” says Beth Craven, artistic director of Main Stage West in Sebastopol. With 70 seats in its storefront location downtown, Main Stage West is the smallest theater in the North Bay, a space it’s retained, in part, by renting the lobby as a downtown winetasting room. “Partnerships like the one we first established with Hook and Ladder, and now with Russian River Vineyards, have really helped increase traffic, cut down on overhead and given us another foothold in our community.”

It all comes back to relationships.

“In the waning days of the recession,” says Michael Barker, managing director of Marin Theatre Co., “our board wisely set up a cash reserve, partly as artistic ‘risk capital,’ but primarily to mitigate the ebbs and flows of a mid-sized nonprofits’ normal cash-flows. Ticket sales alone are not an indication of a relationship with your audience, and relationships are what sustains a theater organization.”

“Theater is the dirigible of the arts,” adds Craven. “It doesn’t look like it could possibly fly, but somehow it always manages to stay aloft anyway.”

SRJC Wine Classic

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Santa Rosa Junior College is hosting its first Wine Classic
Feb. 8 from 2pm to 5pm at Lawrence A. Bertolini Hall. The SRJC Wine Classic is a walk-around tasting reception with 30 Sonoma County wineries pouring over 50 wines, live music, appetizer buffet and a souvenir glass for attendees 21 and over

The Wine Classic will honor this year’s honorary co-chairs Rich Thomas and Joe Martin. Both have a rich history in the Sonoma County wine industry and are longtime supporters of SRJC.

Thomas is a veteran viticulture instructor at the college whose more than 40-year agricultural career and contributions to the Sonoma County wine industry are widely known. Thomas developed the state’s first full-time viticulture program at the community-college level, recognized as a model for community colleges in California. Martin is the founder of St. Francis Winery and one of the first to plant Merlot grapes in Sonoma Valley back in 1971. He has welcomed generations of SRJC students to St. Francis Winery and continues to actively support local educational and charitable causes.

Participating wineries include Balletto Vineyards, Dutton Goldfield, Kosta Browne Winery, Dry Creek Vineyard, La Follette and Merry Edwards Winery.

Tickets are $55 per person and can be purchased at www.srjcwineclassic.com. All proceeds will fund SRJC wine, culinary arts and hospitality students and student scholarships. Bank of Marin and American AgCredit are the event’s major sponsors.

Barn Raising

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In the North Bay, where two venerable theater groups have recently lost their homes, and where other theater failures seem imminent or possible, one little company in Napa is doing something unthinkable. They are building a new theater from scratch.

“We’re really not crazy!” laughs Taylor Bartolucci, cofounder of Lucky Penny Theater Co., which this weekend officially opens the Lucky Penny Community Arts Center with a two-weekend run of Lionel Bart’s moody musical Oliver!

The center—complete with an 85-seat theater, rehearsal and dressing rooms, costume and scenery shops, and more—is a former kitchen tile store, now receiving its final, transformative touches before the Thursday-night opening.

“This building is happening because it has to happen,” explains Bartolucci, who’s directing Oliver! along with Lucky Penny co-founder Barry Martin. Citing the closure of the Napa Valley Playhouse last year on the heels of the Opera House’s transformation into the mostly musical City Winery venue, Bartolucci and Martin—who created Lucky Penny in 2009 and have performed at the above venues and a few others—realized that no affordable options were left for theater artists seeking a place to stage a show in Napa.

“This was always in the back of our mind, to eventually have our own venue,” says Bartolucci. “But now we feel we have to build our own theater, because we simply won’t have a theater company anymore if we don’t.”

“Before we committed to this place,” says Martin, gesturing across the sawdust-covered room to where dressing room walls are being framed and sheetrocked, “we talked to every conceivable other venue in the area. We talked to owners of vacant buildings. We talked to schools. We talked to everyone. And nothing else made sense.”

The cost of the renovation is estimated at $200,000, over half of which has already been raised through private donations and fundraising events. And the closer the new facility comes to opening, the more Bartolucci says she can feel the community’s excitement rising.

“People see this space and they see the progress we’ve made, and they are floored!” she says. “They say, ‘Oh, wow! You’re really doing this!’ Yes we are! Look at the history of Lucky Penny. When we say we’re going to do something, we pretty much always do it.”

“And this time,” says Martin, “we’re not just doing it to put on one show. We’re building something that will be a resource for the whole community for years to come.”

Seize Mentality

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Last August, a fire in a Sebastopol building exposed a cannabis growing operation on site. Sonoma County detectives, invoking a federal asset-forfeiture program called “equitable sharing,” seized property and goods on the property that included 1,421 gold and silver coins and $1.4 million in cash.

But late last week, U.S. Attorney General Eric Holder all but ended the equitable sharing program, whereby the feds, state and local law enforcement agencies split the proceeds from the sale of confiscated goods.

The Sebastopol story, first reported in the Press Democrat, raised eyebrows since the local police didn’t charge the property owner with anything—and six months later still haven’t charged him with anything.

When asked about the whereabouts of the gold and silver last October, Sonoma County assistant district attorney Bud McMahon confirmed that it been turned over to the feds.

The reason, he said, was because “we don’t have any local state charges here. We don’t have any identified suspects. All the cash and the precious metals were sent to the federal government for asset forfeiture purposes.”

This week, McMahon told the Bohemian that Holder’s move would have “little or no impact” on the Sonoma County District Attorney’s office, and said he “doesn’t know any more about the case. I never read any police reports. I don’t know anything about it.”

McMahon added that the rationale for seizing the goods in Sebastopol was that law enforcement didn’t want to leave it there “for someone else to steal.”

And he downplayed the county’s use of the program. “We don’t use the federal government for asset forfeiture, hardly at all,” McMahon said.

The Washington Post was first out of the box with this story last week and noted in its report that Holder’s move came with some exceptions—guns, child pornography and explosives.

But, the Post noted, those items represented a fraction of the assets seized since 2008. Since then, the Post reported, the feds have made more than 55,000 seizures worth over $3 billion, much of it cash money.

The program has been widely criticized for being a convenient lever for local law enforcement to pad their budgets from the sale of the confiscated goods. Under the program, the feds keep 20 percent of the proceeds, and the localities get 80 percent.

Now, under the Holder ruling, absent a warrant or criminal charges being filed at the state or local level—exactly the scenario in the Sebastopol bust—local law enforcement agencies will no longer be able to seize assets using the federal program.

The program was of special value in California, where state asset forfeiture laws are not only more difficult to invoke, but are less harsh than the federal program, according to materials offered by a San Francisco law firm that’s been in the asset-forfeiture trenches.

The Shouse California Law Group, based in San Francisco, has represented clients caught up in asset-forfeiture cases all around the state. The firm’s website details how, in California, this program was leaned on by law enforcement.

“The laws passed by the California Legislature actually provide pretty good protections for individuals caught up in asset-forfeiture proceedings,” the firm notes.

“But equitable sharing allows California cops to get around those laws by handing property they have seized over to federal law enforcement agencies. That property then gets handled under federal asset-forfeiture laws, which are much harsher than California’s.”

McMahon said that assertion is “absolutely untrue,” and that whether it was the federal or state asset-forfeiture law, “it’s the same burden of proof.”

He added that the district attorney’s office relied almost entirely on state asset-forfeiture laws: “We do asset-forfeiture cases all the time, and we gladly accept them and we rarely turn them down.”

McMahon said he was unfamiliar with the equitable sharing 80–20 split and went on to admit, “I don’t know the rules of federal asset law, it may be broader, but we do not do that in Sonoma County.

“To suggest to me that it’s harder to do it from a state standpoint than from a federal standpoint—we’re as fair as we can be. We give property and money back all the time that’s been seized.”

The Holder move, he said, “is not going to change our workload or the number of asset forfeitures that we do.”

Shouse reports that in California, between 2000 and 2008, “more than $300 million worth of assets was seized in California through equitable sharing.”

The firm notes, “What this means is that California cops can do an end-run around the restrictions on asset forfeiture that were put in place by California’s own elected officials, and still make plenty of money for their departments.”

Rohnert Park: The Walmart Friendly City

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It did not go well for protestors and others intent on stopping a proposed Walmart expansion in Rohnert Park. A Tuesday night meeting at Rohnert Park City Hall found the town’s cowed councilmembers voting 4-1 in favor of letting the supercenter plan go forward, according to an exhaustive report in the mid-week Press Democrat.

The vote ended, presumably, a five-year battle fought by opponents against the megalithic market, which has been trying to expand an already extant Walmart in town.

In the meantime, it went ahead and built another Walmart in Rohnert Park, a so-called “neighborhood market.”

Anti-Walmart agitator Rick Luttman sent an email overnight Wednesday, after the vote, that prompted one of those chuckling, “Tell us what you really think, Rick” moments.

Luttman described the development as “outrageous and disgraceful. No other city in Sonoma County would have done something like this. They’re all a bunch of wimps.”

“The worst part,” he adds, “is they clearly don’t believe in democracy. The opinions expressed by citizens last night was overwhelmingly opposed to Walmart.”

I reached out to my old friend and colleague Liza Featherstone, a journalist, professor and the author of Selling Women Short: The Landmark Battle for Workers’ Rights at Walmart, for some scope-out thoughts on how Walmart might have managed to convince Rohnert Park officials to green-light the proposed expansion—despite a broad base of opposition to the proposal, which extended to numerous justice and workers’ rights groups around the area.

The corporation has gotten savvy over the years, Featherstone notes, given the relentless torrent of criticism directed at them for low wages, poor job security, and ongoing patterns of naked gender discrimination.

“The company has gotten really good at telling a different story,” she says. “They’ve had so much practice over the years.”

And indeed, the Tuesday vote was met with protestors banging drums, and with, as the P-D reported, Walmart supporters wearing Walmart buttons and carrying signs that said how wonderful the company was. Yes, shopping at Walmart is definitely cheaper than blowing a hole in your paycheck at Whole Foods.

But despite the self-generated hype to the contrary, long-documented workers’ rights problems with Walmart haven’t been addressed by the company in any substantive way, says Featherstone. It has plowed forth with public relations campaigns, many featuring smiling brown workers cheerfully sporting the signature blue Walmart apron, gushing about the friendly corporate culture and blah blah blah.

And why should Walmart give a hoot about its wage-slavery: people still apply to work there, in droves, despite well-documented policies that aren’t exactly in the best interests of workers. The company, as has been noted elsewhere, provides new employees with applications for food stamps, since it knows workers will be left short at the end of the week.

Ain’t it ironic.

“It’s not just about the low hourly wages,” says Featherstone, “but the difficulty in just getting enough hours, and reliably just being on the schedule, which is another huge challenge for someone trying to make ends meet. And, on top of that, the health insurance is terrible, and it’s hard to get it because it’s so hard to get the necessary hours to qualify for it.”

The Press Democrat report was larded with gibberish from the Rohnert Park officials, who essentially argued that it’s not their business, necessarily, to decide which businesses are good for the city and which aren’t. Let them all come, and the market will decide.

As Featherstone notes, one of the tricks to a successful Walmart bulldoze-the-opponents campaign is to promise jobs in an area that’s otherwise short on them. But I checked, and the jobless rate in Sonoma County has plummeted over the past two years, from almost 7 percent in 2013 to below 5 percent as of late 2014.

But the issue isn’t necessarily the quantity of available jobs, but the quality.

Featherstone notes that “any conservative, or just an observant person, would argue that people apply for these jobs. If there were better jobs in the community, obviously people wouldn’t be applying at Walmart, and that’s one thing that communities have to consider. Why would they want these low-paying jobs? The community probably needs to be providing other ways that people can make a living. If there is support, it’s probably because there are significant numbers of people who are not finding jobs. If you find that there are people in the community who don’t really care or actually want it to be there, it might be because the community needs to figure out better ways for economic opportunity.”

Featherstone goes on to note that longstanding gender discrimination concerns at Walmart haven’t gone anywhere. “There are these additional insults to employees’ dignity, in the form of sex discrimination. The majority of workers are women, and they are paid less and promoted less often. That issue has never been resolved despite a class action suit, from the first decade of this century.”

In other words, the terrorists have won. Oh no you didn’t!

The P-D report was filled with handwringing jeremiads from town leaders extolling the virtue of the Blessed and Irreproachable Free Market. It wasn’t their job to decide whether another Walmart in the town would drive out other businesses, such as Food Maxx, that provide the same service but without the odious corporate profile and well-documented history of screwing its workers at any and every turn. Vive Le Costco!

At least the proponents of expansion kept it civil. Give them that. One thoughtful Walmart supporter waxed downright philosophical in the Press Democrat when he considered the substance of opponents’ arguments against the expansion. He called them a bunch of “sniveling, crying, mental midgets.”

That person was not Ted Nugent, but it might as well have been. 

Panda Bear to Play Gun Bun in April

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Panda_Bear_PSVSGR_Announce
Noah Benjamin Lennox is best known as a member of experimental indie rock group Animal Collective, and under the pseudonym Panda Bear, Lennox has evolved considerably as an electronic artist with a pitch perfect penchant for expansive melodies in his sampled beats.  This week, Panda Bear released his fifth solo album, Panda Bear Meets the Grim Reaper, to universal acclaim; and today at noon tickets go on sale for Panda Bear’s upcoming concert at Gundlach Bundschu Winery in Sonoma on April 16. This is a great chance to see the indie star in the intimate setting of Gun Bun’s newly restored Old Redwood Barn. Click here to grab tickets to the show, and watch the official video for “Mr Noah,” the first single off the new album.
[youtube]https://www.youtube.com/watch?v=CmXIIL2tmR8[/youtube]

Jan. 15: Fangs in Sebastopol

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Last month, things were not looking good for Hooded Fang. The Toronto-based indie band was all set to open a string of West Coast shows for famed guitarist Johnny Marr, when a family emergency meant Marr canceled the tour right after Hooded Fang arrived in California with all their gear. Turning life into lemonade, the resourceful four-piece instead carved out their own tour, traversing the coast in their van. Their infectious energy has made them an underground favorite, and their last album, 2013’s Gravez, is an underrated garage-punk party starter. Hooded Fang get the party started with support from Secret Cat and Basement Stares on Thursday, Jan. 15, at 775 After Dark,
775 Petaluma Ave., Sebastopol. 8pm. $8. 707.829.2722.

New Volume

Multi-instrumentalist and songwriter Jon Fee has been playing in a band one way or another since he was in junior high. The Sonoma County native first hit the indie music scene as the bassist in the melodically experimental band the Rum Diary and then in the dreamy post-punk outfit Shuteye Unison. Now for the first time in his musical career,...

Musical Cuba!

It began as a series of home concerts embracing chamber music in the North Bay, and now the Redwood Arts Council marks 35 years and hundreds of shows featuring the world's finest players. This week, the organization throws a spectacular anniversary event titled "Mysterious, Musical, Delicious Cuba!" It's no secret that Cuba has long been a forbidden fruit for Americans,...

Letters to the Editor: January 21, 2015

Inherent Risks As a lifelong athlete, fitness enthusiast and former NCAA Division 1 strength and conditioning coach, I enjoyed Cliff Weathers' even-handed coverage of the controversy now raging over CrossFit training ("Crossing Swords," Jan. 15). A blend of several disciplines, CrossFit borrows from Olympic-style weightlifting, military basic training, martial arts, gymnastics and a bit from track-and-field. It's an excellent approach...

High Drama

Late last fall, Santa Rosa's 6th Street Playhouse announced that it would be cutting back its performance schedule for the rest of the 2014–15 season. It canceled all of the remaining shows in the 100-seat Studio Theater, while proceeding with the shows already planned for the larger, 185-seat G.K. Hardt Theater. The decision instantly sparked a flurry of rumors that...

SRJC Wine Classic

Santa Rosa Junior College is hosting its first Wine Classic Feb. 8 from 2pm to 5pm at Lawrence A. Bertolini Hall. The SRJC Wine Classic is a walk-around tasting reception with 30 Sonoma County wineries pouring over 50 wines, live music, appetizer buffet and a souvenir glass for attendees 21 and over The Wine Classic will honor this year's honorary...

Barn Raising

In the North Bay, where two venerable theater groups have recently lost their homes, and where other theater failures seem imminent or possible, one little company in Napa is doing something unthinkable. They are building a new theater from scratch. "We're really not crazy!" laughs Taylor Bartolucci, cofounder of Lucky Penny Theater Co., which this weekend officially opens the Lucky...

Seize Mentality

Last August, a fire in a Sebastopol building exposed a cannabis growing operation on site. Sonoma County detectives, invoking a federal asset-forfeiture program called "equitable sharing," seized property and goods on the property that included 1,421 gold and silver coins and $1.4 million in cash. But late last week, U.S. Attorney General Eric Holder all but ended the equitable sharing...

Rohnert Park: The Walmart Friendly City

City officials get rolled by the corporate giant

Panda Bear to Play Gun Bun in April

Noah Benjamin Lennox is best known as a member of experimental indie rock group Animal Collective, and under the pseudonym Panda Bear, Lennox has evolved considerably as an electronic artist with a pitch perfect penchant for expansive melodies in his sampled beats.  This week, Panda Bear released his fifth solo album, Panda Bear Meets the Grim Reaper, to universal...

Jan. 15: Fangs in Sebastopol

Last month, things were not looking good for Hooded Fang. The Toronto-based indie band was all set to open a string of West Coast shows for famed guitarist Johnny Marr, when a family emergency meant Marr canceled the tour right after Hooded Fang arrived in California with all their gear. Turning life into lemonade, the resourceful four-piece instead carved...
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