Party at the Mall: How Slick Bridge Connects Past, Present and Future

On the second level of the Santa Rosa Plaza, just across from the food court and next to Spencer’s Gifts, is Slick Bridge. 

At first glance, Slick Bridge is a store that specializes in Hyphy-era memorabilia, a small slice of early-oughts Bay culture brought to life through throwback T-shirts, posters for Thizz Nation compilations and murals of Mac Dre. 

For anyone who grew up in the region during the peak of Hyphy’s cultural cachet, there is surely a relic among the store’s collection that will provoke nostalgia for thumping bass and simpler times. 

This, however, is not the full story of Slick Bridge. Moving through the front room, past the flat-brimmed hats and tall-tees, and into the back section of the space, there is a custom-built stage and DJ booth across from an iron press for T-shirt designs. Along the walls are signs for local clothing brands that have been invited to rent inventory space. 

Everywhere one looks, there are paintings, drawings and etchings by local artists for sale wedged in between posters for live events happening in the store. All this, and I haven’t even mentioned the fully functioning recording studio they’ve built in their break room.

Historically, malls are more known for bland consumerism than they are for community-oriented organizing, but that doesn’t bother Mobsta Myk too much. 

Owner and creative force behind Slick Bridge, Mobsta Myk moved to Sonoma County when he was in fifth grade in the late ’90s. He started rapping around the same time, inspired by his older brother, recorded his first tracks using a Karaoke machine and sold his mixtapes around town in order to finance better equipment. 

He went to Santa Rosa High School in the early ’00s just as the Hyphy movement was starting to peak in the region, and performed shows at the Phoenix and Jasper O’Farells featuring acts like Andre Nickatina, Mistah FAB and Mac Dre himself. After more than 20 years of participating in the county’s hip-hop scene, he decided it was time to start giving back to the community, and thus Slick Bridge was born. 

Slick Bridge currently operates as a retail space, a clothing company and design manufacturing hub for local creatives; a gallery for artists; a recording studio and distribution label with 9-10 local musicians being released through the name; and, recently, an event venue. 

After almost four years at the mall location, Myk had the idea in January of this year to start hosting live events. To kick it off, Slick Bridge threw seven shows in seven days at the store with a roster of more than 50 performers and attracting crowds of up to 60 people. Recently, the store opened up as a market space for local artists to display and sell their work. A DJ spun records in the back while a live portrait artist took commissions up front for anyone who wanted to be drawn. 

“For a while, we would go out and try to book a show, and they would ask what kind of show. We would say it was a hip-hop show, and immediately get shut down,” says Boogfromthe7. 

Boog is a frequent collaborator and creative partner of Mobsta Myk’s who has been involved with Slick Bridge and the hip-hop scene at large in Sonoma County for just as long as Myk. 

While Sonoma has always had a bustling music scene, hip-hop has often gone underrepresented on bills. Having hustled his music for more than two decades, Myk has adopted a Field of Dreams mentality: If he builds it, they will come.

“I want to keep building on what we already have and give artists a chance to get their names out there,” says Myk. In our conversation, I ask him if he thinks Santa Rosa, or Sonoma County at large, has its own identity as far as hip-hop is concerned. “We can,” he says. “There are so many people out here who want to make music who just need the skills to do it.” Why not Slick Bridge, then? Why wait for someone else to start organizing when one can just start to create a new cultural paradigm for their city out of a store in the mall?

Myk has even higher aspirations, though. He is currently in the process of registering a non-profit called Slick Bridge Arts, with which he hopes to open his studio for free education programming for area youth. 

“The idea is to teach kids how to make music, but also the technical and business sides of the industry as well,” he says. Through Slick Bridge Arts, teens in Santa Rosa could have the opportunity to learn the fundamentals of producing, recording and engineering music, which Myk hopes will set them up for career prospects in the industry down the line. “People don’t really understand that music is a business. You have to be able to make good songs, but you need to know the business side as well.” 

Myk currently mentors artists on distribution, event booking and marketing along with all the other hats he wears. Synthesizing all of these different avenues is the Make The Cut contest, a summer-long competition hosted by Slick Bridge for local rappers who are looking to level up. 

Every Thursday for the months of July and August, aspiring lyricists will gather at Slick Bridge and face challenges such as the hottest song, crowd control and versatility of sound for a chance to move onto the finals. Competitors are judged by Myk, other members of the Slick Bridge family and a special guest each night. 

The competition will culminate on Aug. 28 at Barrelproof Lounge in Santa Rosa, where the top two to four finalists will go head to head in front of a live crowd and panel of judges to determine the winner. The champion will receive a fully produced 10-song project, free distribution, a radio interview and the opportunity to tour the project in multiple cities in the region.

As a longtime resident of Santa Rosa, I have rarely had anything nice to say about the Plaza. But maybe I should be more like Mobsta Myk. Instead of wistfully imagining what should be, Myk has made due with the resources available to him and begun to foster a community within the strange realm of mid-century consumerism. 

Maybe things would work a lot better if more people thought like him. 

Maybe we should all get together and have a party at the mall.

Slick Bridge is at 2035 Santa Rosa Plaza, Santa Rosa. More at instagram.com/slick_bridge.

Lesson Plans: The Weaponization of Media Literacy

During President Donald Trump’s second term, education has remained a central battleground in American politics. Republicans claim that classrooms have become hotbeds of “woke” indoctrination, accusing educators of promoting progressive agendas and tolerating antisemitism.

In contrast, Democrats argue that conservatives are systematically defunding and dismantling public and higher education precisely because it teaches values like diversity, equity and inclusion. While these partisan skirmishes dominate headlines, they obscure a much deeper and more enduring issue that encompasses all of these issues and more: the influence of corporate and military power on public education.

For decades, scholars have warned that corporations have steadily infiltrated the classroom—not to promote critical thinking or democratic values, but to cultivate ideologies that reinforce capitalism, nationalism and militarism. Critical media literacy educators, in particular, have called attention to the convergence of tech firms and military entities in education, offering so-called “free” digital tools that double as Trojan horses for data collection and ideological control.

One striking example is the rise of programs like NewsGuard, which uses public fears over fake news to justify increased surveillance of students’ online activity. Relatedly, in 2018, the Atlantic Council partnered with Meta to perform “fact-checking” on platforms such as Facebook.  

In 2022, the U.S. Marine Corps discussed developing media literacy trainings. It remains to be seen what training, if any, they will develop. However, what is known is that a large global player has entered the media literacy arena: the North Atlantic Treaty Organization (NATO). While NATO presents its initiatives as supportive of media literacy and democratic education, these efforts appear to be oriented more toward reinforcing alignment with its strategic and political priorities than to fostering critical civic engagement.

NATO was created in 1949, during the Cold War, as a military alliance to contain communism. Although the war officially ended in 1991, NATO has expanded both its mission and membership. Today, it encompasses more than 30 member nations and continues to frame itself as a global force for peace, democracy and security. But this self-image masks real conflicts of interest.

NATO is deeply intertwined with powerful nation-states and corporate actors. It routinely partners with defense contractors, tech firms, think tanks and Western governments—all of which have a vested interest in maintaining specific political and economic systems. These relationships raise concerns when NATO extends its reach into education. Can a military alliance—closely linked to the defense industry and state propaganda—credibly serve as a neutral force in media education?

In 2022, NATO associates collaborated with the U.S.-based Center for Media Literacy (CML) to launch a media literacy initiative framed as a strategic defense against misinformation. The initiative included a report titled Building Resiliency: Media Literacy as a Strategic Defense Strategy for the Transatlantic, authored by CML’s Tessa Jolls. It was accompanied by a series of webinars featuring military personnel, policy experts and academics.

On the surface, the initiative appeared to promote digital literacy and civic engagement. But a closer look reveals a clear ideological agenda. Funded and organized by NATO, the initiative positioned media literacy not as a means of empowering students to think critically about how power shapes media, but as a defense strategy to protect NATO member states from so-called “hostile actors.” The curriculum emphasized surveillance, resilience and behavior modification over reflection, analysis and democratic dialogue.

Throughout their webinars, NATO representatives described the media environment as a battlefield, frequently using other war metaphors such as “hostile information activities” and “cognitive warfare.” Panelists argued that citizens in NATO countries were targets of foreign disinformation campaigns—and that media literacy could serve as a tool to inoculate them against ideological threats.

Troubling Themes

A critical review of NATO’s media literacy initiative reveals several troubling themes. First, it frames media literacy as a protectionist project rather than an educational one. Students are portrayed less as thinkers to be empowered and more as civilians to be monitored, molded and managed. In this model, education becomes a form of top-down, preemptive defense, relying on expert guidance and military oversight rather than democratic participation.

Second, the initiative advances a distinctly neoliberal worldview. It emphasizes individual responsibility over structural analysis. In other words, misinformation is treated as a user error, rather than the result of flawed systems, corporate algorithms or media consolidation. This framing conveniently absolves powerful actors, including NATO and Big Tech, of their role in producing or amplifying disinformation.

Third, the initiative promotes a contradictory definition of empowerment. While the report and webinars often use the language of “citizen empowerment,” they ultimately advocate for surveillance, censorship and ideological conformity. Panelists call for NATO to “dominate” the information space, and some even propose systems to monitor students’ attitudes and online behaviors. Rather than encouraging students to question power—including NATO itself—this approach rewards obedience and penalizes dissent.

Finally, the initiative erases the influence of corporate power. Although it criticizes authoritarian regimes and “hostile actors,” it fails to examine the role that Western corporations, particularly tech companies, play in shaping media environments. This oversight is especially problematic given that many of these corporations are NATO’s partners. By ignoring the political economy of media, the initiative offers an incomplete and ideologically skewed version of media literacy.

NATO’s foray into media literacy education represents a new frontier in militarized pedagogy. While claiming to promote democracy and resilience, its initiative advances a narrow, protectionist and neoliberal approach that prioritizes NATO’s geopolitical goals over student empowerment.

This should raise red flags for educators, policymakers and advocates. Media literacy is not a neutral practice. The organizations that design and fund media literacy programs inevitably shape those programs’ goals and methods. When a military alliance like NATO promotes media education, it brings with it a strategic interest in ideological control.

Educators must ask: What kind of media literacy are we teaching—and whose interests does it serve? If the goal is to produce informed, critically thinking citizens capable of questioning power in all its forms, then NATO’s approach falls short. Instead of inviting students to explore complex media systems, it simplifies them into a binary struggle between “us” and “them,” encouraging loyalty over literacy.

True media literacy must begin with transparency about whom and what is behind the curriculum. It must empower students to question all forms of influence—governmental, corporate and military alike. And it must resist the creeping presence of militarism in our classrooms. As educators, we must defend the right to question, not just the messages we see, but the institutions that shape them.

Nolan Higdon is a political analyst, author and host of The Disinfo Detox Podcast. Sydney Sullivan is an educator, author and researcher specializing in critical media literacy and a co-host of Disinfo Detox. Her Substack series, @sydneysullivanphd, explores how digital habits shape student mental health, media literacy and classroom culture.

The Con Is On, ‘Dirty Rotten Scoundrels’ in Sonoma

Fans of the movie Dirty Rotten Scoundrels will be pleased to hear that the Broadway musical adaptation sticks pretty close to the Steve Martin/Michael Caine comedy. 

Sonoma Arts Live has a production directed by Carl Jordan running on the Rotary Stage at the Sonoma Community Center through July 27.

Suave and debonair con man Lawrence Jameson (Larry Williams) has been working a small French Riviera community where he relieves wealthy women of their money, jewels and anything else they offer to a poor prince trying to reclaim his country.

Low-rent American con man Freddy Benson (Drew Bolander) arrives in town and is soon on to Lawrence’s schemes. Freddy doesn’t want in; he wants to learn how to pull off such cons himself. Lawrence takes him under his wing a bit and uses him to extricate himself from an unwanted Oklahoman (Emma Sutherland) with a mind for marriage. After that task is complete, Lawrence wants to be rid of Freddy, but Freddy isn’t going anywhere. 

They decide to make a bet. The first person to extract $50k from a mark wins, and the loser leaves town. They decide the mark will be the new arrival, Miss Christine Colgate (Joanna Lynn Bert), better known as the American Soap Queen. The game’s afoot, but just who is conning who?    

Bolander shows why he’s become the North Bay’s go-to guy for musical comedy. His charm blunts the occasional crassness of the character, and he possesses one of the finest singing voices around.  He’s also a terrific physical performer who communicates as much through movement as he does with voice.

Williams, a good character actor, lacks the stateliness, style, and, quite frankly, the voice to really pull off Jameson, but he does come alive when his Dr. Schaffhausen arrives on the scene.

The women really shine in this production. Bert is great as Christine, as are Sutherland and Julianne Bradbury as two of Lawrence’s victims. All display excellent comedic and vocal chops.

Tim Setzer provides reliable comic support as Lawrence’s “bodyguard,” and there’s a very hardworking ensemble handling most of Tara Roberts’ choreography.

Director Jordan makes good use of the space, but makes some curious blocking choices that mute some of the show’s most comedic scenes. The show also suffers a bit from some references that might have played better in another era (Trump? P Diddy?).

Minor revisions aside, folks headed for Dirty Rotten Scoundrels will get exactly what they expect. 

And songs.

Sonoma Arts Live presents ‘Dirty Rotten Scoundrels’ through July 27 on the Rotary Stage at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs-Sat, 7:30pm; Sun, 2pm. $25-$42. 707.484.4874. sonomaartslive.org.

SoCo Strong, Justin Seidenfeld of Rodney Strong Vineyards

Justin Seidenfeld is the senior vice president of winemaking & winegrowing at Rodney Strong Vineyards, the iconic Sonoma County winery founded in 1959. 

His journey started as an intern at Iron Horse winery in 2005, then quickly moved up the ranks at Robert Mondavi Winery in Napa Valley, where he developed his expertise working with premium vineyards.

Now overseeing nearly 1,200 acres across 12 estate vineyards, Seidenfeld is known for his innovative spirit—he created square stainless steel fermenters now used at wineries everywhere and developed apps to monitor vineyard irrigation vine by vine. The UC Davis graduate lives in Santa Rosa with his wife, Dena, and three daughters.

Amber Turpin: How did you get into this work?

Justin Seidenfeld: I fell in love with the idea of making wine while working at a fine dining restaurant in Denver. I always loved how the wine we served made the guest feel and how people would come back to the same bottle or producer because it unlocked a special memory for them.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

The most impactful moment for me has to do with wine. (I know, what a surprise.) I was at a tasting with some of the greatest winemakers in the world, tasting through an unforgettable line of some of the best merlots in the world. Wines like Petrus, Le Pin, Cheval Blanc, Ausone, Masseto and more. 

I recall the conversations happening as we tasted through the wines. But once we got to the Masseto, I was taken to a place I had never been before. I have spent every day since aspiring to craft a wine that can do for someone else what that bottle of 2001 Masseto did for me.

What is your favorite thing to drink at home?

While I am at home, I drink a lot of iced tea. I like to find ones with different flavors and unique twists.

Where do you like to go out for a drink?

I am not really picky, as long as I am with good company. I also like to find cocktail bars that use fresh ingredients for mixers. I think it makes a big difference.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I would like a fully stocked bar with a good selection of wine, beer and spirits. That way, I could have some variety based on my mood. I realize that might be cheating, but why not shoot for the moon?

Rodney Strong Vineyards, 11455 Old Redwood Hwy., Healdsburg, 707.431.1533. rodneystrong.com.

The Hall of Flowers, Show Designer Greg Duncan

For those who haven’t been to the Sonoma County Fair, The Hall is in fact a hanger, measuring a massive 180 feet by 350 feet by 35 feet. 

The Hall was built during the war to house the mighty Boeing B-17 “flying fortress”—that heavily armored long-range bomber, whose distant thunder meant lightning to the cities and military bases of the Axis powers. 

This hanger was bought in San Diego war surplus by building magnate Hugh Codding and transshipped to Santa Rosa in ’49. There is, therefore, a certain monumental poetry in that the hanger is now and forever “The Hall of Flowers.” That poetry is captured in the fragment, “swords beaten into plowshares.” 

Having won “the war to end all wars,” we would plant flowers and practice the arts of peace … a  beautiful sentiment … Such were my musings as I sat in tender weather on a marble bench dedicated to the memory of Will Forni, who established the annual flower show at the Sonoma County Fair in ’52. In the space of 73 memorable shows, it has grown and spread into the largest flower show on the West Coast. 

My appointment this week was with Greg Duncan, the fourth director of the show. And as I entered the massive hangar, I marked among the many raised bare plots, the major features of this year’s theme, “hot dogs and cool cats.” There were a mock animal shelter promoting rescues, a 15 foot tall hydrant gushing water, an “altar” for pets departed, cat and dog statues made of scrap, and mock cats and dogs falling from the ceiling on umbrellas in front of a 150 foot wide mural of a hard rain of cats and dogs. And still the 15,000 square feet of gardens had yet to be planted. 

Cincinnatus Hibbard: I understand you studied movie and theater set design. 

Greg Duncan: Yes, I’m more of a set designer than a landscaper. I graduated from Sonoma  State in ’73 in theater arts in set design. And if you don’t want to move to New York and you don’t want to move to LA, you have to broaden the definition of set design. 

I understand you have had this position for 35 years. Congratulations, Greg. Not referring to your retirement; I can see here that your work is nearly done. Now (from mid-July) the 31 professional and amateur exhibitors will have two hectic weeks to build and plant  their plots. About how many plants will be planted? 

I’m not sure … (calculating) … maybe a thousand on each professional plot… 

Wow, that’s above 10,000 plants planted in this show. And they will be building up their flat plots with miniature hills and valleys and streams and ponds and pet-themed props. 

This show lets them do something more imaginative than they’re used to.

Develop that. Besides the prizes and publicity, what drives them—and you? 

Well, this is the land of Luther Burbank. Home gardening is a big deal in Sonoma County. And this is a place to showcase our best gardeners, entertain and inspire our gardeners. 

It’s where I begin and end my fair visit. Thank you, Greg. 

Learn more: Visit the Hall of Flowers Preview Party, from 5:30 to 7:30pm, July 31, at the Sonoma County Fairgrounds, 1450 Bennett Valley Rd., Santa Rosa. The event is a fundraiser for student scholarships in agriculture. sonomacountyfair.com/pages/preview-party.

Culture Crush, July 23

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Petaluma

‘Found Poets’ Returns

San Francisco’s 8th poet laureate, Tongo Eisen-Martin, headlines the next edition of Found Poets at The Big Easy on Saturday, Aug. 2. Known for his politically charged and soulfully lyrical work, Eisen-Martin brings his celebrated voice—along with special guests Original Giotis and Audio Angel—for an afternoon of spoken word designed to provoke and inspire. 3:30pm, Saturday, Aug. 2, at The Big Easy, 128 American Alley, Petaluma. $15 at the door. All ages welcome.

Graton

Getting Framed

What immortal hand or eye could frame thy fearful symmetry? We may never know, but we can get a deal on an interesting frame next week. More than 100 pieces of vintage artwork, frames and mirrors—from antique hardwood to eclectic estate finds—will be up for grabs at the Graton Community Club two-day sale, Friday, Aug. 1 and Saturday, Aug. 2. This fundraiser may appeal to artists, collectors and DIY framers, and promises unique treasures at bargain prices, all supporting local scholarships. 9am-1pm, Friday & Saturday, Aug. 1-2, at Graton Community Club, 8996 Graton Rd. Free entry. Details at gratoncommunityclub.org.

San Rafael

Rod & Gun Picnic

A Bay Area tradition dating back nearly a century, the Marin Rod and Gun Club Annual Picnic is back in action—and the public is invited. Founded in 1926 to support conservation and outdoor recreation, the club now boasts more than 1,200 members and 55 acres of waterfront property on San Pablo Bay. At this family-friendly bash, expect a feast of BBQ chicken, hot dogs, oysters and corn on the cob, plus carnival booths, games and live music by local favorites The Fargo Brothers. It’s a rare chance to experience one of California’s premier outdoor sporting clubs—no membership required. Starts at 11am, Saturday, July 26, at Marin Rod and Gun Club, 2675 E. Francisco Blvd., San Rafael. Free admission; food plate $20. Call 415.456.3123 for more info.

Mill Valley

New Moon Sound Bath

One may sink into deep rest under the Leo New Moon with a healing sound bath guided by Sean David and Journey Beyond Sound. Held at The Studio Mill Valley, this 90-minute meditative journey offers a chance to recharge, reflect and realign with one’s heart’s intentions. As the moon begins its waxing phase, the evening’s vibrations—crystal singing bowls, gongs, chimes and other sacred instruments—will support intention-setting, energetic renewal and emotional clarity. Attendees may bring a yoga mat (rentals available), plus optional eye mask, pillow or sacred object. Blankets and bolsters provided. 7-8:30pm, Saturday, July 26, at The Studio Mill Valley Yoga & Wellness, 650 E. Blithedale Ave. $45. No membership required. Info and registration at thestudiomillvalley.com.

Open Mic: Those Three Little Words—Fraud, Waste and Abuse

Between Elon Musk’s brief, disastrous tenure with the misnamed “Department of Government Efficiency” (DOGE) and the Republicans’ mad rush to gut healthcare and food assistance for millions of lower-income Americans, one would think they’d just discovered a massive cabal of diehard leftist criminals committing “fraud, waste and abuse” in the federal budget. 

A quick look back, though, shows that there’s nothing new in the Republican charge that our government is awash in fraud, waste and abuse. That verbal triumvirate has been standard fodder with so-called conservatives since at least the 1980s and the Reagan administration. 

In fact, the biggest fraud in this whole charade is the unproven accusation that fraud, waste and abuse are rampant within the government. How else can anyone justify throwing millions of people off Medicaid when its money goes not to patients but to healthcare providers? 

As for waste, isn’t it curious that DOGE and the Republicans have done nothing to rein in spending at the Pentagon? As Republican Sen. Everett Dirksen reportedly said back in the day, “A billion here, a billion there—pretty soon you’re talking real money.” Republicans never seem to see a weapons system that they don’t like, and they like to throw money at it. Where’s the oversight?

Then there’s abuse. I’m not sure what the deficit hawks mean by this, but they sure seem to like paying for it. How else to explain the huge increase in funding for Immigration and Customs Enforcement (ICE) as they continue their raids, detentions and deportations unchecked by any semblance of due process or common decency?

I’m all for going after fraud, waste and abuse in our government. But if we’re going to do that, let’s look at where those are actually happening and who is responsible. We probably won’t reduce waste as much as some would like, but then again we don’t need to give huge tax cuts to those who don’t need or deserve them.

Michael J. Dover is author of ‘To Feed the Earth: Agro-Ecology for Sustainable Development.’

Free Will Astrology: July 23-29

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ARIES (March 21-April 19): In Hindu cosmology, the Sanskrit term “lila” refers to divine play. It’s the idea that all of creation is a sacred and artful amusement that’s performed by the gods with joy, sorrow, artfulness and flair. I hereby proclaim lila to be your theme of power, Aries. You have been so deep lately, so honest, so drenched in feeling. Now, life is giving you a big wink and saying, “It’s playtime.” You can start this fresh phase by making a list of all the experiences that bring you fun, recreation and entertainment. I hope you emphasize these pursuits in the coming weeks.

TAURUS (April 20-May 20): In the high desert of Chile, astronomers work at observatories on mountaintops where the air is dry, and the sky is clear. There, away from light pollution, the universe reveals itself with astonishing intimacy. But even the most powerful telescopes can’t function during the day. I suspect you will be like those observatories in the coming weeks, Taurus: capable of seeing vast truths, but only if you pause, quiet the ambient noise and look during the dark. This approach should embolden you to use your intelligence in new ways. Stillness and silence will be conducive to your deep explorations. Night will be your ally.

GEMINI (May 21-June 20): Are you courageous enough to let go of sparkly clean but unfruitful fantasies so as to clear space for reality’s disorderly richness? Are you wild enough to relinquish naïve fears and hopes so you can see the raw truths blooming right in front of you? Are you cagey enough to discard the part of your innocence that’s rooted in delusion, even as you bolster the part of your innocence that’s fueled by your love of life? Here’s my response to those questions, Gemini: Maybe you weren’t mature or bold or crafty enough to accomplish these heroic feats before, but you are now.

CANCER (June 21-July 22): Coral polyps are tiny, soft-bodied creatures. Over centuries, they assemble massive reef systems, turning their fragile exoskeletons into monumental architecture. These creatures can be a symbolic reminder that your sensitivity is not a weakness; it’s your building material. Keep that in mind during the coming weeks, when tender care and your nurturing ability can be primal sources of power. I invite you to start creating an enduring sanctuary. Generate a quiet miracle. Construct an elegant masterpiece. For best results, allow your emotional intelligence to guide you. You have the precise blend of aptitudes necessary to coax beauty to grow from vulnerability.

LEO (July 23-Aug. 22): I predict that your imminent future will be a ticklish and tricky but ultimately uplifting masterpiece. It will feature guest appearances by members of your private hall of fame, including one future luminary you have not yet fully appreciated. This epic series of adventures may begin when you are nudged to transform your bond with a key resource. Soon, you will be encouraged to explore frontier territory that offers unexpected help. Next, you will demonstrate your understanding that freedom is never permanent but must constantly be reinvented.

VIRGO (Aug. 23-Sept. 22): Sci-fi author Octavia Butler wrote, “All that you touch, you change. All that you change changes you.” The coming weeks will be prime time for you to honor and celebrate that prayer, Virgo. You won’t be a passive dreamer, gentle traveler or contemplative wanderer. Rather, I predict you will be a tidal force of metamorphosis. Parts of your world are pliable and ready for reshaping, and you will undertake that reshaping. But it’s important to know that the shift will go both ways. As you sculpt, you will be sculpted. As you bless, you will be blessed. Don’t be shy about riding along on this feedback loop. Do it with reverence and glee. Let the art you make remake you. Let the magic you give become the magic you are.

LIBRA (Sept. 23-Oct. 22): In certain Hindu traditions, the deity Ardhanarishvara is depicted as half-male, half-female—a divine fusion of opposites. They are not torn, but whole in their duality. I invite you to be inspired by their symbolism in the coming weeks, Libra. For you, balance will not be about making compromises or pushing to find middle ground. It will be about embracing the full range of possibilities. Energies that some people may imagine are contradictory may in fact be complementary and mutual. Benevolence will coordinate well with fierceness and vice versa. Your craving for beauty will not just coexist with but synergize an affinity for messy fertility. This is a time for sacred synthesis. Don’t dilute. Integrate. 

SCORPIO (Oct. 23-Nov. 21): The medieval mystic Meister Eckhart wrote, “God is not found in the soul by adding anything, but by a process of subtraction.” Subtracting what? He wasn’t referring to losing something valuable, but rather to letting go of obstacles that obscure our direct experience of the divine. I invite you to make abundant use of this principle, Scorpio. Slough off layers of illusion, outmoded fantasies and self-images soaked in others’ longings. As you let go, do so not in bitterness but in a joyous quest for freedom.

SAGITTARIUS (Nov. 22-Dec. 21): I’m hoping that the Season of a Thousand Feelings hasn’t confused you. I’m praying that you have maintained a measure of composure and aplomb while navigating through the richest emotional flow you’ve experienced in many moons. It’s true that in some ways this barrage has been draining. But I’m certain you will ultimately regard it as being highly educational and entertaining. You will look back at this bustling interlude as a gift that will take a while to harvest completely.

CAPRICORN (Dec. 22-Jan. 19): Greek myth tells us that Persephone didn’t just return from the underworld each spring; she ruled there half the year. Yes, she was taken there against her will, but she adapted, transformed and ultimately wielded great power in the depths. In the coming weeks, Capricorn, you will have the chance to navigate realms that other souls may not be brave enough to enter: taboos, unusual yearnings, ancestral memories. My advice is to go gently but with intense resolve. Don’t act like a tourist. Be a sovereign explorer, even a maestro of mystery. Claim your throne in the underworld. Use it to create healing maps for others. When your work is done and the right moment comes, you will rise again into the light.

AQUARIUS (Jan. 20-Feb. 18): In my astrological opinion, you are ready to graduate from the University of Senseless Suffering. It’s time to get your diploma and treat yourself to a vacation. I’m not saying you will never again experience pain, of course. Rather, I’m telling you the good news that your dilemmas in the coming months will be more fully useful and redemptive. They will feel more like satisfying work than unpleasant ordeals. Congrats on the upgrade, Aquarius. You are forever finished with at least one of your arduous lessons.

PISCES (Feb. 19-March 20): Ancient Greek philosopher Heraclitus said you can’t step in the same river twice. Like everything else in nature, the river is in constant flux. It may appear to be the same, but the water is always flowing. What Heraclitus didn’t say is that you are never the same, either. Eternal change is your destiny. I invite you to ruminate eagerly on this truth, Pisces. Hopefully, it will help you let go of any hyper-perfectionist urges you might have. It will inspire you to see that the plan you made a while ago may need revision—not because you were wrong, but because you have grown. So yes: It’s time to reassess and recalculate. The goal isn’t to stick to the blueprint, but to build something that breathes with your becoming. Let the ever-new version of you draw a fresh map. It will be wiser than the last.

Your Letters, July 23

No Scroll & Roll

I write today not just with concern, but with heartbreak. In recent weeks, two pedestrians in Petaluma were struck by vehicles. One of them has since died. Let that sink in. A walk—something so basic, so human—has become a life-or-death gamble on our streets.

We in Sonoma County pride ourselves on our quality of life. We stroll our towns, we walk our dogs, we cross the street to say hello to neighbors. But increasingly, we do so at great personal risk, because too many drivers are looking down when they should be looking ahead.

Distracted driving isn’t just a buzzword—it’s an epidemic. We see it daily: a car creeping past a crosswalk as the driver scrolls; a text sent at a stop sign that bleeds into the intersection; a phone call that becomes more important than a life.

I am calling on all of us—yes, you behind the wheel—to put the phone down. Your notifications can wait. The life of a pedestrian can’t.

Let’s not wait for another headline. Let’s not let another neighbor become a statistic. We owe it to each other to pay attention, to be present and to treat our shared roads with the care they—and we—deserve.

Micah D. Mercer
North Bay

Truth Will Survive

Donald Trump may be winning battles, but, take heart; he cannot and he will not win the war. Immigrants and their allies will win this war. LGBTQIA+ and their allies will win this war. People of color and their allies will win this war. As the South African antiapartheid activist and poet Dennis Brutus wrote, “We will not bow down. We will not submit to defeat. Our courage will endure. Our truth will survive.”

David Madgalene
Windsor

Jordan Vineyard & Winery Winemaker Maggie Kruse 

When one grows up in a family where fermentation science and wine is a primary topic of conversation, things could go one of two ways: embrace it in one’s adult life or completely reject it. 

For Maggie Kruse, who was raised in Milwaukee and is the daughter of a brewer at Miller Brewery Company (and a wine enthusiast), a fascination with fermentation persisted, eventually bringing her across the country to Napa Valley College while awaiting acceptance into UC Davis. In between semesters, she interned at a local winery, a first harvest experience which solidified her desire to work in the wine industry.  

Amber Turpin: What is your job?

Maggie Kruse: Head winemaker at Jordan Vineyard & Winery.

How did you get into this work?

My passion for fermentation and winemaking began early, sparked by childhood visits to my father’s workplace at Miller Brewing Company. That initial curiosity quickly grew into a lifelong calling. I moved to Napa Valley after high school to begin studying viticulture and enology, eventually earning my degree from UC Davis. From working in a sensory lab to hands-on cellar roles and being mentored for over a decade by Jordan’s founding winemaker, each step along the way solidified my commitment to crafting wines that are both timeless and evolving.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

During a brief stint in college, I considered switching my major from winemaking to brewing. But the moment I smelled the first beer I brewed in the lab—and the room filled with an overwhelming burst of banana aroma—I had an aha moment. I realized my skills (and nose) were far better suited to winemaking.

What is your favorite thing to drink at home?

When I’m enjoying a drink at home, it’s usually a bottle of Anderson Valley Pinot Noir shared with my husband.

Where do you like to go out for a drink?

Locally, I love going out in Healdsburg. It has so many incredible spots to grab a drink with friends. Lo & Behold is a favorite for its exceptional cocktails and the friendliest staff. Roof 106 also offers a stunning setting and top-notch libations. And of course, you can never go wrong with cocktails on the patio at Bravas.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I’d bring large stacks of German riesling. I never get tired of its vibrant fruit profile, layered complexity and ultra-fresh acidity. It’s the perfect wine to keep things interesting, even on a desert island.

Jordan Vineyard & Winery, 1474 Alexander Valley Rd., Healdsburg, 707.431.5250. jordanwinery.com.

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Your Letters, July 23

No Scroll & Roll I write today not just with concern, but with heartbreak. In recent weeks, two pedestrians in Petaluma were struck by vehicles. One of them has since died. Let that sink in. A walk—something so basic, so human—has become a life-or-death gamble on our streets. We in Sonoma County pride ourselves on our quality of life. We stroll...

Jordan Vineyard & Winery Winemaker Maggie Kruse 

When one grows up in a family where fermentation science and wine is a primary topic of conversation, things could go one of two ways: embrace it in one’s adult life or completely reject it.  For Maggie Kruse, who was raised in Milwaukee and is the daughter of a brewer at Miller Brewery Company (and a wine enthusiast), a fascination...
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