Apr. 1-10: Art Hunters in Sebastopol

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If you find yourself walking the streets anywhere in Sonoma County this week, keep your eyes open, or you might miss the art. For the first 10 days in April, Pie Eyed Studio is hosting the second annual Big Art Treasure Hunt, boasting 50 pieces of original art hidden throughout the area. The rule is: if you find it, you keep it, meaning that this hunt is the perfect time to bolster your collection. Pie Eyed will be releasing cryptic clues on its Facebook page between April 1 and April 9, and the studio wraps up the hunt with a party on Sunday, April 10, at 2371 Gravenstein Hwy. S., Sebastopol. Noon. Free. 707.477.9442. facebook.com/pieeyedstudio.

Apr. 2: Local Lit in Rohnert Park

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North Bay bookworms will be in literary heaven this weekend, as the Sonoma County Local Authors Showcase and Symposium welcomes writers and readers for an informative and fun gathering. Fans of poetry, fiction, children’s literature and history will have the chance to put faces to their favorite writers. Founded by novelist Sabrina Rawson, the event includes talks from nearly 20 wordsmiths, including transformative self-help writer Tina Azaria, detective novelist Waights Taylor Jr. and Bohemian contributor David Templeton. Exhibitors like cookbook guru Michele Anna Jordan and a panel discussion on the business of writing will also inspire on Saturday, April 2, at the Rohnert Park Cotati Regional Library, 6250 Lynne Conde Way, Rohnert Park. 10am. Free. sonomalibrary.org.

Apr. 2: Seasonal Sensation in Santa Rosa

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The dark days of winter are finally in the past, and the North Bay is basking in the sun with its Spring into Art event. Featured artists include live painter and poet Kaija Sabbah, stencil artist and cartoonist Last Ruby, tattoo artist Quinn Brown and Urban Pilgrim Photography’s Gina Lopez. For the music lover, San Francisco’s soulful shoegaze girl group Future Twin headline a slate of acts that also features Santa Rosa rockers Faulty Lockets and young punks Kitten Drunk. Live comedy and DJ sets round out the night, which happens on Saturday, April 2, at the Arlene Francis Center, 99 Sixth St., Santa Rosa. 7pm. $10. 707.528.3009.

Beef of Burden

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Litigants in the battle over the future of cattle grazing on the Point Reyes National Seashore will head to federal court later this spring.

A lawsuit filed by a trio of environmental organizations in February is aimed at the National Park Service and Cicely Muldoon, superintendent of the park. Its stated purpose is to force the NPS to better manage the 18,000 acres of dairy and beef cattle that graze the park’s pastoral zone, along with the not-so-occasional tule elk that wander into those lands, located in the southern end of the park.

But the stakes are potentially higher. A successful outcome for the plaintiffs, says Huey D. Johnson of the Mill Valley–based Resource Renewal Institute, could impact other cattle operations, including ranches located within the Golden Gate National Recreation Area and beyond.

“Sure. It will transfer over to the nation,” says Johnson, a local titan of environmentalism and a former state resource secretary under Gov. Jerry Brown in the 1970s. His organization is joined in the suit by the Center for Biological Diversity and the Western Watersheds Project. “There are a number of national parks with cows,” says Johnson, “and powerful special interests that promote grazing in federal landscapes.”

The suit calls on the National Park Service (NPS) to update its Point Reyes documents, especially the 1980 General Management Plan to include, for example, an environmental impact review of the ranches. The lawsuit claims, among other negative impacts, that the cattle cause erosion and manure impacts salmon downstream.

Following hard on the hooves of a bad-blood lawsuit with the now-closed Drakes Bay Oyster Company, the latest Point Reyes lawsuit comes as the NPS is working on its Ranch Comprehensive Management Plan as part of its responsibilities under the National Environmental Policy Act.

On that front, the lawsuit appears to demand the NPS do what it is already doing—come up with a plan for managing the ranchlands—with the kicker that there are still too many cows (about 4,000). The park’s point-person on ranching issues, Melanie Gunn, couldn’t comment on the pending litigation, but NPS officials have stated that the agency is determined to keep the ranchers in the park.

While the battle to save Drakes Bay is over, those iconic “Save Drakes Bay” signs are still up all over the North Bay—as are signs along ranch fences around West Marin that call for more fencing in the park to keep the elk and cow herds separated.

The oyster and cattle suits appear similar—commercial activity undertaken with ad hoc leases on public land—but the potential elimination of cattle ranching in Point Reyes is on a higher order of magnitude when it comes to the potential economic impacts.

Ranching advocates highlight that the milk that flows from the Holsteins and Jerseys is some of the finest and that the ranches support numerous other jobs in the area—from truckers to veterinarians to graphic artists to the Marin Sun Farms restaurant and retail outpost on Highway 1 in Point Reyes Station. Marin Sun’s ranch is located in the park.

Johnson says he loves his beef and his ice cream, too, but that’s not the point. The point, he says, is to enforce accountability on an agency that’s mucked through its management of the cows (and the elks) for decades.

Johnson says that opposition to the suit is coming from a “funny little cabal of dairy lovers out there. They’ve gotten well-rooted, the local press often favors them, they are nice people and it seems like a good idea. . . . I would say that there’s been something of a public relations war, not really a war but an ongoing struggle, and a handful of well-meaning elderly environmentalists have long ago fallen in love with dairy cattle.”

But it’s not just the green elders of Inverness who are supporting new leases for the ranchers; the West Marin Environmental Action Committee was a driving force behind the Drakes Bay lawsuit, but is not onboard with the current litigation. The former executive director, Amy Trainer, moved on in October, and the current director, Morgan Patton, says the organization is supporting a pledge made to ranchers to grant longer leases made by then–secretary of the interior Ken Salazar as the Drakes Bay battle waged.

To ease the concerns of ranchers that they were next on the get-out list—including Kevin Lunny, who ran Drakes Bay and operates one of the cattle ranches in Point Reyes National Seashore—Salazar said he would work on securing 20-year leases for the ranchers.

“We support the decision,” says Patton of the Salazar pledge, in an interview at the Environmental Action Committee office in Point Reyes Station (which was vandalized during the Drakes Bay fight). The ranchers are now on ad hoc, year-to-year leases which can both foster financial insecurity and don’t provide a whole lot of incentive to properly manage one’s ranch.

The organization, says Patton, is working with the park and ranchers on the management plan. Patton notes that a key difference between the respective suits was that Drakes Bay Oyster Company was operating in an area with a wilderness zoning designation; the cattle are all on land zoned as pastoral in the enabling legislation that gave rise to the Point Reyes National Seashore in 1962. In other words, the cattle occupy land that was originally zoned so that they could occupy it.

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“We have to make our decisions based on the law and policy,” Patton says.

Johnson sees things a little differently when it comes to Salazar’s deal with the ranchers: “I want that land to be managed properly, I want there to be grass growing, and I don’t have time to fool around with their demands for longer leases and whatever.”

The Marin Agricultural Land Trust, also based in Point Reyes Station, fosters voluntary agricultural conservation easements aimed at preserving agricultural and keeping development at bay. Executive director Jamison Watts says the parkland ranches are a vital resource for the area and the world at large, providing not just superior organic, GMO-free products, but a model for how to do it on environmentally sensitive land. He readily acknowledges that park service management of cattle isn’t perfect, but says that’s exactly why they are working on a ranch-management plan. A sustainability framework in the park would be economically viable (if not profitable to the ranchers), Watts says, not to mention “environmentally sustainable, and contributing to a high quality of life for the community.”

“We have a great opportunity to continue demonstrating sustainable ag in Point Reyes,” Watts adds, noting that the cattle in the seashore and in Golden Gate National Recreation Area comprises 20 percent of Marin County’s annual agricultural yield of about $100 million.

“We’re not saying anything about getting any cattle out of there,” Johnson says of the lawsuit. “We want the park service to do what they haven’t done,” he says, “because they are in the pocket of the dairy interests.”

In Johnson’s vision of a properly managed national park, Point Reyes National Seashore would resemble an English park in the plains, which often have, he says “a few cows grazing out there with the grass up to their belly. Here, you see pictures of pastures that are just mud and manure with no grass on them.”

He sees a future Point Reyes National Seashore with ranching continuing on a “much more reduced scale—they’ve got several times the number of cattle that should be on that land. The parks service should tell them to take care of the land, but they don’t.”

The lawsuit comes as the NPS’ management of the elk herd has itself been under a cloud of criticism. Johnson says his impetus was the plight of the reintroduced tule elk who also live and graze in the park; many dozens died during the drought.

“I was so upset that the parks service [said], ‘Yeah, we lost 250 elk, they died of thirst and hunger.’ What the hell kind of organization are they running when animals are dying of thirst?”

Anti-rancher activists have also raised concerns around the killing of elk that were culled by the NPS because they’d been exposed to Johne’s disease, an illness that leaves the animals emaciated. The NPS says that while a few animals tested positive for the bacteria that causes the illness, none of the elk in PRNS have exhibited symptoms of the disease.

Marin rancher and attorney Nicolette Hahn Niman has been speaking up on behalf of the Point Reyes ranchers and says that concerns for the elk and the culling of diseased animals have been conflated into accusations that the ranchers are themselves calling for the eradication of the elk, serving a cow-vs.-elk dynamic that’s convenient for the plaintiffs but isn’t backed up by the facts.

She cites a recent Wall Street Journal video that features one of the plaintiffs and “an almost exclusive focus on the elk. Is this what is actually motivating these individuals? Because I was really surprised at how central it is to their argument. Ranchers as a group are not advocating for the elimination of the elk and have repeatedly called for nonlethal methods to get rid of them when they have to.”

In a 2014 letter to Muldoon, the Point Reyes Seashore Ranchers Association said that the elk and cows ought to be kept apart from each other. There’s no mention in the letter of killing the elk to achieve that end. That letter also goes to lengths to talk about best management practices, including, for example, “managing the rangelands in a fashion proven to sequester carbon.”

Properly managed, grazing animals can help trap climate-changing carbon in the soil. Hahn Niman says that while there is real concern about what the suit might mean for ranchers, she doesn’t anticipate that it will go anywhere—though as an attorney, she says you never know. “There is a distinct possibility that it will be dismissed fairly early on,” she says. “I know what the park’s been doing to update the management plan, and it’s a lot.”

Hahn Niman questioned the wisdom of filing a lawsuit about a particular set of concerns in Point Reyes National Seashore, while the plaintiffs concede that the suit, if successful, would create a precedent that could be applied elsewhere.

“If you read the lawsuit, it’s not that ambitious—manage it better, the park’s not keeping its management plan up to date—but when you understand that the plaintiff wants to get all the cattle out of all [public lands], the ranchers are right to be alarmed.”

Hahn Niman says she is only speaking for herself and her husband, sustainable livestock pioneer Bill Niman, as she notes that ranchers are “extremely concerned about this lawsuit and rightly alarmed because not only is [Johnson] making this statement, but the two other groups—that’s all they do is try to get grazing out of public lands, and there’s no question that’s what is motivating the lawsuit.”

Johnson is standing his ground. He has an expert opinion on grazing, he says, which found Point Reyes National Seashore to be “the worst example of overgrazing that he has seen.”

He is looking forward to his day in court. “We obviously had such difficulty communicating with the parks service, given the interests and their special deal with the ranchers,” Johnson says. There was no way to do this except to say, ‘Go talk to a federal judge.’ It’ll do them a world of good. I look forward to the process.”

Correction: An earlier version said there were 6,000 cattle in PRNS. Also, the story has been updated to include additional information and clarification from the National Park Service about Johne’s Disease in the park, and the Drake’s Bay Oyster Company lawsuit, which was filed by the oyster company and not the NPS. We regret the errors.

Triple Shot

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If Ramen Gaijin left things the way they were, it would still be a great place. The ramen is superb, as is the menu of salads and starters. Friendly folks and cool vibes add to the appeal.

But owners Matthew Williams and Moishe Hahn-Schuman didn’t leave well enough alone. They closed for three months late last year and gutted the place. They demolished the woodburning oven (it didn’t really fit in a Japanese restaurant). They ripped out the redwood-slab bar top and moved it to an adjacent counter space and built a new concrete bar. The addition of beautiful reclaimed barn-wood paneling, and new tables and chairs in the lounge area make the place look downright sexy.

But the restaurant got more than a makeover. Gaijin added an exciting

izakaya (Japanese tapas) menu and a cocktail program created by spirit wizard Scott Beattie, one of the prime movers behind the craft-cocktail movement. The menu he created runs with the Japanese theme, and the bar is now a destination in its own right.

The Japanese tea highballs, made with tea-infused Japanese whiskies, are great with a bowl of ramen; the bubbles in the seltzer cut through the rich broth of the soup. Gillian Tyrnauer, late of the Healdsburg Shed, now manages the bar at Ramen Gaijin and brought her shrub-making skills. The sweet and sour fermented creations appear in the changing list of seasonal “tonics” like the Winter Ball ($11)—Spirit Works gin, grapefruit-juniper shrub, lime and pickled juniper. Shrubs also appear in the ginger beer–based bucks and mules served in copper mugs like the eminently refreshing Mujina Mule (vodka, ginger-turmeric shrub, lime and nutmeg).

The list of Spirited Away drinks is a treat—lighter, stirred cocktails made with Japanese plum wines, Japanese spirits and aromatic bitters and essential oils. The drinks’ names are taken from Japanese pop culture and mythology, and refer to various phantoms and avenging ghosts.

The Teke Teke (El Dorado eight-year-old rum, St. Elizabeth Allspice Dram, Alessio Vermouth Chinato and honey umeshu; $11) is named after the ghost of a girl severed at the waist by a train who spends her days dragging her upper torso around looking to slice others in half.

I loved the refreshing Ashimagari ($11), a pale purple cocktail made with Torikai shochu, shiso/plum liqueur and an ethereal, floating sheet of purple nori seaweed. Ashimagari is a ghostly phenomenon said to feel like a kitten wrapping around your feet at night, impeding your ability to walk—a sensation akin to drinking too many of these.

In addition to the Japanese-inspired drinks there’s a list of a dozen classic cocktails.

Like Forchetta Bastoni, the restaurant that came before it, Ramen Gaijin is two restaurants in one, but this one is much more cohesive. There’s the ramen side of the restaurant, and the izakaya and bar side. The full izakaya menu is not available on the ramen side. And you can’t order ramen at the bar or in the lounge. The idea was to create two distinct dining experiences. That it is, with great drinks to boot.

Ramen Gaijin, 6948 Sebastopol Ave., Sebastopol. 707.827.3609.

Off the Charts

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From intimate dinners to gala events, the second annual Yountville Live once again pairs platinum-selling musicians with Napa’s finest restaurants and wineries for a weekend of tasteful must-see events.

March 31, day one, kicks off the festivities with a reception at Napa’s contemporary French-inspired Brix Restaurant and Gardens. Chicago-based pop rock outfit Plain White T’s, best known for their massive 2005 ballad “Hey There Delilah,” complement dishes from executive chef Cary Delbridge in an acoustic afternoon.

Day two, April 1, is a chic way to spend April Fools’ Day with Yountville Live’s Red Carpet Gala. Bottega’s chef Michael Chiarello, Stella Artois chef ambassador Grant MacPherson and James Beard Award–winning pastry chef Gale Gand rub elbows and show off their stuff while the Goo Goo Dolls play their biggest hits in a stripped-down fashion. A duo since 2013, songwriters Robby Takac and John Rzeznik (pictured) are still writing new material in addition to celebrating the 20th anniversary of their double-platinum album, A Boy Named Goo.

April 2 is a full day of foodie-centric events featuring chef demonstrations and tastings before a VIP after-party that sees Grammy-nominated soul singer Mayer Hawthorne offering up a DJ set. April 3 finishes off the weekend with a bubbly brunch boasting mimosas and American Idol winner Kris Allen.

Yountville Live goes live on March 31 at various locations. $75 and up. yountvillelive.com.

Take Two

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The foundation of any theatrical production is the script. True, it is possible to conjure a first-rate show from a second-rate play, but it’s never easy.

Currently, two shows I’ve never liked are running in the North Bay. One production ultimately fails to overcome the inherent problems of the script, despite some excellent acting and directing, while the other show comes closer, mainly by ably tricking us into believing there is more going on than there actually is.

First, there is Left Edge Theatre’s rambunctious new staging of Yasmina Reza’s perplexingly popular comedy God of Carnage, playing one more weekend at the Luther Burbank Center for the Arts. The play follows two married couples who meet to discuss a playground scuffle between their sons. Faster than you can say “People are basically animals,” the convivial confab devolves into pouting, shrieking, name-calling, some vigorous vomiting and general suburban mayhem.

Featuring a stellar cast of North Bay veterans (Heather Gordon, Melissa Claire, Ron Severdia and Nick Sholley) and directed by Argo Thompson with minimal fussiness and a smart emphasis on physical humor, the play still suffers from its aimless storytelling, the assaulting unpleasantness of the story and an overall absence of anything fresh or truly engaging to say. And, no, graphic onstage vomiting does not qualify as a social statement.

Rating (out of 5): ★★★

The essential failure of Amy Herzog’s 4000 Miles—the story of an angry cyclist and his passive-aggressive relationship with his testy, suspicious grandmother—is its lack of direction and absence of coherent plotting, along with characters who, with one exception, start off being largely unlikable and reveal themselves so slowly that by the time we see something admirable, it’s too late.

So credit must be given to director Norman Hall for casting an intrinsically appealing cast for the play’s run at the Novato Theater Company: Shirley Nilsen Hall and Jesse Lumb as the grandmother and grandson, and Emily Radosevich and Courtney Yuen in supporting roles. Hall allows them to show their vulnerable sides even in the midst of some off-putting, occasionally repellant behavior, and they prove expert at mining laughs from the long, uncomfortable silences that often hang between their halting words.

I still don’t think much of the play itself, but this amiable and occasionally moving production definitely makes me dislike it less.

★★★½

Shine On

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Songwriter and bandleader Giovanni Di Morente can do it all. The founder and frontman of the eclectic alternative pop ensemble El Radio Fantastique describes himself as a free-range artist, meaning that his approach to music is categorically indefinable yet surprisingly accessible.

This weekend, El Radio Fantastique unveil their new EP, Shine, with a raucous release show on April 2 at McNear’s Mystic Theatre in Petaluma that also features San Francisco’s animated Extra Action Marching Band.

Di Morente, a Point Reyes Station native, grew up on a steady stream of Sinatra before discovering the Sex Pistols and playing punk rock. “We were out in the woods, and I was just left to my own devices,” says Di Morente. “I had no boundaries musically, and punk got me delving into Old World music—Gypsy, Brazilian songwriters—all these paths that I took with open ears.”

In the mid-’80s, Di Morente moved to Los Angeles and, under the pseudonym Johnny Dollar, was part of the one-hit wonder pop group Times Two, whose single, “Strange but True” peaked at number 21 on the pop charts in 1988. Yet he compares the experience to selling his soul. He spent the next decade depressed and being bounced around from label to label.

Finally, Di Morente left L.A. for New Orleans, working as a gravedigger by day and playing jazz and blues clubs by night. Newly inspired, Di Morente formed his first incarnation of
El Radio Fantastique in 2002. “I felt redeemed,” he says.

Originally a darkly classical take on New Orleans jazz, the band expanded its sound to encompass all of Di Morente’s musical influences, from the Beatles to Bowie to the Sex Pistols and beyond. “With El Radio Fantastique, I felt like I was able to put everything I love together,” he says.

After the devastation of Hurricane Katrina in 2006,
Di Morente moved back to Point Reyes Station and started up the band anew. Currently, El Radio Fantastique is a seven-piece outfit, with Di Morente sharing songwriting duties alongside bassist Colin Schlitt and pianist Robin Livingston.

Shine, the first EP in a planned series of five releases expected over the next two years, is a perfect example. The five tracks encompass Space Oddity–era Bowie, baroque pop, sizzling zydeco jazz, growling punk rock and even Persian-inspired orchestration.

“I really want to write pop songs,” Di Morente says. “But in my own fashion.”

Ag Is Open Space

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While sometimes convenient, abbreviations of otherwise unwieldy titles can backfire. Take the SCAPOSD, or the Sonoma County Agricultural Preservation and Open Space District, these days referred to by most as simply the Open Space District. Yet those few missing words are today jeopardizing the original intent of a public entity voters created in 1990, an omission that last week threatened to derail an innovative proposal to help prepare a new generation of local food producers and land stewards.

“Open space just means untouched land,” declared Rohnert Park mayor Gina Belforte before voting to oppose plans for an incubator farm on the 45-acre Young-Armos property just north of the city.

Nearly 20 years ago, SCAPOSD acquired the property and, with the UC Cooperative Extension, recently drafted a proposal to restore its native wetlands, while simultaneously establishing a program that would provide small, temporary parcels to beginning farmers, allowing them to develop skills to run a successful small-scale farm.

The proposal comes at a time when the average age of farmers in this county surpasses 60, a trend that threatens the viability of our local food system. Despite Rohnert Park councilman Joseph Callinan’s inability to equate agriculture with a business enterprise—a misperception thankfully corrected by the project’s lone supporter on the city council, Jake Mackenzie—it is precisely the refinement of business skills that agricultural aspirants need and the very aim of the incubator project.

While the city council is responding sympathetically to neighbors’ concerns over the project—ranging from obstruction of view to impact on wildlife—for the council to echo residents’ assumptions that the land would remain “untouched” attempts to redefine the original mission of the SCAPOSD: “to permanently protect the diverse agricultural, natural resource, and scenic open space lands of Sonoma County for future generations.”

Not only are diversified farms scenic, while providing us life’s essentials, the support of beginning farmers is in fact an exponential investment in the preservation of even more open space. The greatest tool we have to prevent sprawl is the protection of healthy, working, bountiful lands. This will require a new crop of stewards. Let’s start growing them.

Evan Wiig is director of the Farmers Guild.

To have your topical essay of 350 words considered for publication,
write op*****@******an.com.

West End Wonder

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When Allen Thomas moved to Santa Rosa from San Francisco in 1990, he settled in the West End neighborhood, the block of houses and businesses that stretches from the west side of Highway 101 to Dutton Avenue, and from West Third Street up to West College.

The urban setting in a small community appealed to him, though at the time, West End was considered the wrong side of the tracks for many living in Santa Rosa. Much has changed there in the last 26 years, thanks in part to the many community events that Thomas and others have initiated, most visibly the West End Farmers Market, which Thomas co-founded in 2012.

Previously located on Donahue Street near the historic DeTurk Round Barn, the West End Farmers Market is moving to Railroad Square at Wilson and West Fourth streets, offering more space and more vendors for the weekly event that takes place every Sunday morning starting April 3.

“When I moved in, many homes were considered undesirable, but through the years, things have changed for the better,” says Thomas of the West End.

Thomas says local businesses like Franco American Bakery and Western Farm Center and the city itself have all been involved in the neighborhood’s transformation. “It’s not just one person,” he says, “it’s a whole group that have moved the neighborhood in the right direction.”

The West End Farmers Market is a culmination of many of those efforts, says Thomas. “We’ve always tried to make this a positive place for families and kids, with picnics, bike parades, things like that,” he says. “So a farmers market just seemed like the right thing for the neighborhood and the whole community.

“The whole market has been a labor of love for a lot of people,” Thomas continues. “There was a whole group of people that came out to help and volunteer, and I think they all cherish having this market in an area that’s within walking distance of their homes.”

The market also offers low-income patrons a chance to enjoy the offerings with a special EBT program that matches funds for those with food stamps. By collecting donations from various businesses, the market allows food-stamp users to swipe their cards at the market in exchange for tokens, and the market will match up to $20 of what the user spends, meaning that $20 spent yields $40 worth of purchases. This way, those with less can still take advantage of the fresh, locally grown produce and foods at the market, and the farmers can still make a profit on their goods.

Now, with the farmers market moving to Railroad Square, Thomas hopes the larger community will join in on the fun, and he anticipates a day when the SMART train will drop folks off right at the market’s doorstep.

“It’s been a dream of mine,” he says, “and of many in the community to have something by the new station that celebrates the agricultural ties of Sonoma County to the whole Bay Area and makes Santa Rosa a focal point.”

The West End Farmers Market starts Sunday, April 3, at Railroad Square, 9:30am to 2pm. www.wefm.co.

Apr. 1-10: Art Hunters in Sebastopol

If you find yourself walking the streets anywhere in Sonoma County this week, keep your eyes open, or you might miss the art. For the first 10 days in April, Pie Eyed Studio is hosting the second annual Big Art Treasure Hunt, boasting 50 pieces of original art hidden throughout the area. The rule is: if you find it,...

Apr. 2: Local Lit in Rohnert Park

North Bay bookworms will be in literary heaven this weekend, as the Sonoma County Local Authors Showcase and Symposium welcomes writers and readers for an informative and fun gathering. Fans of poetry, fiction, children’s literature and history will have the chance to put faces to their favorite writers. Founded by novelist Sabrina Rawson, the event includes talks from nearly...

Apr. 2: Seasonal Sensation in Santa Rosa

The dark days of winter are finally in the past, and the North Bay is basking in the sun with its Spring into Art event. Featured artists include live painter and poet Kaija Sabbah, stencil artist and cartoonist Last Ruby, tattoo artist Quinn Brown and Urban Pilgrim Photography’s Gina Lopez. For the music lover, San Francisco’s soulful shoegaze girl...

Beef of Burden

Litigants in the battle over the future of cattle grazing on the Point Reyes National Seashore will head to federal court later this spring. A lawsuit filed by a trio of environmental organizations in February is aimed at the National Park Service and Cicely Muldoon, superintendent of the park. Its stated purpose is to force the NPS to better manage...

Triple Shot

If Ramen Gaijin left things the way they were, it would still be a great place. The ramen is superb, as is the menu of salads and starters. Friendly folks and cool vibes add to the appeal. But owners Matthew Williams and Moishe Hahn-Schuman didn't leave well enough alone. They closed for three months late last year and gutted the...

Off the Charts

From intimate dinners to gala events, the second annual Yountville Live once again pairs platinum-selling musicians with Napa's finest restaurants and wineries for a weekend of tasteful must-see events. March 31, day one, kicks off the festivities with a reception at Napa's contemporary French-inspired Brix Restaurant and Gardens. Chicago-based pop rock outfit Plain White T's, best known for their massive...

Take Two

The foundation of any theatrical production is the script. True, it is possible to conjure a first-rate show from a second-rate play, but it's never easy. Currently, two shows I've never liked are running in the North Bay. One production ultimately fails to overcome the inherent problems of the script, despite some excellent acting and directing, while the other show...

Shine On

Songwriter and bandleader Giovanni Di Morente can do it all. The founder and frontman of the eclectic alternative pop ensemble El Radio Fantastique describes himself as a free-range artist, meaning that his approach to music is categorically indefinable yet surprisingly accessible. This weekend, El Radio Fantastique unveil their new EP, Shine, with a raucous release show on April 2 at...

Ag Is Open Space

While sometimes convenient, abbreviations of otherwise unwieldy titles can backfire. Take the SCAPOSD, or the Sonoma County Agricultural Preservation and Open Space District, these days referred to by most as simply the Open Space District. Yet those few missing words are today jeopardizing the original intent of a public entity voters created in 1990, an omission that last week...

West End Wonder

When Allen Thomas moved to Santa Rosa from San Francisco in 1990, he settled in the West End neighborhood, the block of houses and businesses that stretches from the west side of Highway 101 to Dutton Avenue, and from West Third Street up to West College. The urban setting in a small community appealed to him, though at the time,...
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