Branded

0

How do you stay fun and playful when you’re ready to get serious? That’s the whole trick in wine marketing, as the creators of the Taken Wine Company have learned. But they think they’ve found the right balance, and they’re ready to seduce their millennial peers into a world of affordable and only slightly sassy wines.

All three tiers of Taken Wine fit into a coherent, racy theme. But the brand’s origins weren’t nearly so suggestive, according to co-founder Josh Phelps. The son of a Napa Valley winemaker (no relation to Joseph Phelps Vineyards), Phelps grew up with Carlo Trinchero (of the same Trincheros with the runaway White Zinfandel success) in St. Helena. After college, they reconnected to brainstorm a new wine brand: “We wanted to make a wine that was appropriate to our generation,” Phelps says. “At the time, we were 22, 23 years old. We priced it at $30—in terms of Napa Cab, it’s at the lower end of the spectrum.”

Impressively purple-hued in the glass, Taken’s 2013 Napa Valley Red ($30) is a blend of 60 percent Cabernet Sauvignon with 40 percent Merlot. A just-overripe fruit bowl of aromas is detailed with peat smoke and purple marker notes, but it’s Merlot softness that carries the mild palate.

The packaging for Taken is more suggestive of Zen than anything else, but originally the name referred to the feeling that all the good brand names were already taken, and, as well, the two friends’ circular path that has taken them back to their roots in Napa.

Having recently turned 30, Phelps is on the leading edge of the millennial generation, which he hopes to target with the Taken brand. “Our age group is growing up from college, and they have careers,” says Phelps, “and they’re starting to have disposable income for wine.” Taken’s ideal customers are in their late 20s or early 30s, but not ready to get into the fancy stuff. “Even a $15 price point is not considered cheap,” says Phelps. “I think our wines are perfect for that. You don’t have to speak Italian to say ‘available.'”

Available is the duo’s latest project, planned as a “world tour” of varietal wines. They chose Puglia, in the “heel of the boot of Italy,” for their first region because of their Italian heritage. The 2014 Available Pinot Grigio ($13) offers a striking, spicy perfume, like a spritz of lemon verbena.

The middle-tier Complicated 2014 Sonoma County Chardonnay ($18) straddles a line between Muscat and caramel, with partial malolactic fermentation adding a creamy tone to the finish. As for the theme: “I will say,” Phelps admits, “people tend to steer away from the Complicated wines at weddings.”

Senior Moments

A charming memoir of a smelly, prickly old lady, The Lady in the Van, directed by Nicholas Hytner (The History Boys), is based on material performed first as a stage play, then a radio play. Surprisingly, it hasn’t lost any of its keenness as a movie.

The story’s writer and subject is Alan Bennett (played by Alex Jennings), a playwright who had his first breakthrough as part of the Beyond the Fringe quartet that paved the way for Monty Python. When Bennett moved in 1973 to Gloucester Crescent in London’s Camden Town, it was a changing district, awaiting the gentry who inhabit it today. Priding themselves on their liberality, the neighbors put up with one Miss Mary Shepherd (Dame Maggie Smith), a transient old lady living in her van. When the parking police tried to run her off, Bennett allowed her to park in his driveway. She would be encamped there for 15 years.

The role is so right for Smith that it might be easy to underrate her very tough and touching work here. Mary Shepherd is a strong soul; we never really think of this 80-year-old performer’s fragility until the end of the film, when her character’s `health fails.

Bennett, not an enormous fan of the physical world, admires the way the ambulance people and social workers handle this exasperating woman without minding her moods or her smell. He downplays his own ability to stand her bad tendencies, such as Miss Shepherd’s habit of soiling his driveway.

It’s bemusing to imagine the army of people in their vans, trucks and campers today, displaced by the obscene rents of the Bay Area, being looked after with the care and dignity demonstrated by the characters in this story. The Lady in the Van wells up with compassion; it never drills for it.

‘The Lady in the Van’ is playing at the Century Regency, 280 Smith Ranch Road, San Rafael. 415.479.6496

Short and Sweet

Short plays are tricky to pull off, but when done well, they can deliver a lot in a small package. With Valentine’s Day looming, two local companies are offering separate showcases of short, comedic plays, all written in the language of love.

In the intimate Studio Theater at 6th Street Playhouse, From Russia with Love is a high-spirited assemblage of shorts by Anton Chekhov. Anchored by two classics of the short-form comic romance—The Bear and A Marriage Proposal—the show elegantly intertwines, in segments directed by Beulah Vega, the text of real love letters from Chekhov (Adam Palafox) to his wife, Olga (Yelena Segal), adding an unexpected dose of tender, heart-warming emotion.

The Bear, directed by Eyan Dean, gives us a grief-stricken widow (Taylor Diffenderfer) whose self-indulgent mourning period—she promises her alarmed servant, Luka (Kathy Ping Rogers), that she’ll never leave her house again—is rudely interrupted by the intrusion of a gruff, blustery businessman (Ryan Severt), who arrives to collect a debt and ends up falling in love—with disastrous and rather funny results, that include a duel by pistols.

In A Marriage Proposal, directed by Palafox, a wildly hypochondriac landowner (Matthew Cadigan) attempts to propose to Natalia (Segal), the daughter of his affable neighbor Stepan (Clark Miller). But before he can manage to propose, he keeps being drawn into petty, escalating arguments with his intended. Feisty, physical and farcical in the extreme, these two laugh-inducing one-acts are delivered in a 90-minute package that might make you rethink everything you believed about Chekhov. Evidently, he was a very funny guy, and he sure had a way with a love letter.

Rating (out of 5): ★★★½

Then there’s In Love with the
8 x 10
, presented by Lucky Penny Productions in Napa. Eight 10-minute shorts culled from over a hundred submissions from around the country, these unevenly acted but generally outstanding shorts include the twisty tale of two nerds on a very rocky date (which features actual rocks), a pair of Labradors discussing the complex etiquette of dog mating, and a lawyer who brings his fiancée to a shrink to learn small talk and gets a lesson in true love.

Think of it as the stage equivalent of those candy heart sayings—though with a bit more bite beneath all the sugariness.

★★★½

Debriefer: February 3, 2016

0

The Santa Rosa City Council approved a plan Jan. 26 to reunify downtown’s Courthouse Square, ending a months-long battle between downtown businesses and tree lovers over the fate of about three dozen redwood trees on the site. The upshot: some trees will go, but they will not go to waste.

The city identified 20 trees, including eight redwoods, that will be removed during the project, which is scheduled to be completed by mid-November this year. The reunification plan creates a public space where Mendocino now runs between Third and Fourth streets.

So what will become of the trees once they are removed? Any trunks or roots of redwoods and cedar removed from the site will be shipped off to an ongoing project at Santa Rosa’s Colgan Creek. According to the city, “the logs and root wads will be incorporated into Phase 2 of the Colgan Creek restoration, where the wood will help habitat for fish and birds, and also protect the creek banks.”

Last April, the Sonoma County Agricultural and Open Space District awarded a $2.6 million grant to Santa Rosa to restore a 1.3 mile-section of the creek in the southwest part of town, a process that began in 2007. As part of the deal with city, the open space district will retain a conservation easement over that stretch of creek.

Redwood agitators at Courthouse Square might take some measure of comfort in the pay-it-forward plans for Colgan Creek, the restoration of which “will result in a more natural meander and will provide a healthier seasonal creek ecosystem that includes riffles, pools, and native streamside vegetation for a contiguous riparian corridor.”

Old-Fashioned Love

0

Sandy De Long contacted the Pacific Sun offices a few months ago in search of something that she had misplaced. She had come from Mill Valley to describe the personal ad that a man named Russ had placed in the Classifieds section of the newspaper in 1975. There was the story of how she had seen the ad, the story of how she had replied to it and the story of how, the following year, she had married Russ.

We were intrigued by her words and her memories, and we wondered what it must have been like to meet someone that way, at a time when carefully chosen words to strangers could hold so much power and meaning. How romantic. And in today’s fast-paced world, how foreign. “Call me old-fashioned,” she would later say.

The way that she talked about her relationship with her husband reminded me of the way that my grandfather, after more than 60 years of marriage, still looked at my grandmother, as though he were seeing her for the very first time. “Isn’t she something?” he’d ask.

After all of those years, Sandy De Long was looking for a tangible memento from that time—something to remind her of their correspondence.

“I think his ad started out, ‘Does the woman exist who . . . ,'” Sandy recalls recently by phone. “I liked what he was looking for; I liked all of the detail.” She notes that she was just looking at the personals for fun and wasn’t intending to respond. But his ad, full of adjectives—intelligent, independent, sensitive—that described the kind of woman that he hoped to meet, caught her eye.

De Long wrote Russ a letter on a Thursday, the day the ad appeared in the paper. He received her letter on Saturday, called her on Sunday and they set a date for Monday. Russ received 37 replies to that ad. She says that she replied in a “résumé style,” outlining her likes and dislikes, and providing her IQ score. She added at the end that she had “freckles, glasses and unkempt hair.”

Russ, sharing the land line with his wife, chimes in: “She added it like it was a bad thing, but I happened to love freckles, glasses and unkempt hair.”

De Long called her mom in San Francisco and told her that she had replied to a man’s personal ad in the paper. “You did what?!” her mother shouted. “It could be an axe murderer!”

“And then this guy in his three-piece suit drives up in his Mercedes to take me out to dinner,” Sandy says with a laugh.

It was very clever, she admits, of Russ to put an ad in the paper, asking for replies by mail. “To have someone write to you rather than a phone call . . . because you can tell a lot about a person by their letter.”

Following the marriage of Sandy and Russ in October of 1976, the Sun ran an article titled, “Want Ad Romance,” about how the couple had met through the personals. “We’re working on our 40th year,” Sandy says proudly.

A treasure trove of microfilm—going back to the early ’60s—at the Mill Valley Library, revealed the article. It was a glimpse into the dating world of a bygone era—a time when a “sincere, healthy guy” desired the companionship of “an honest, attractive gal.” When a 17-year-old woman, who enjoyed “bike riding, guitar, swimming and real communication,” expressed her need for “some moving, learning, open friends.” A time when a “rare woman” was being sought out—a woman who was strongly in need of “a special man who is intense about life, people, nature, justice, loving, sexuality—in short, a man who has a ‘lust for life.'”

If you are a ‘lady at tea,’ a ‘cook in the kitchen’ and a tiger overall—and turn on to the above—run don’t walk to the mail box with your letter . . .’

At that time, the Sun, along with other Bay Area newspapers, ran a handful of personal ads (for which people would be charged by the word) per week in the Classifieds section. But in the late ’70s, and through the ’80s and ’90s, Sandy says, “It kind of exploded.” Before long, there were “pages and pages” of people “looking.”

“Women looking for men, men looking for women, men looking for men,” Sandy says. “Men looking for ducks . . . Whatever it was, it was in there.”

[page]

Rosemary Olson, publisher of both the Bohemian and the Pacific Sun, recalls that heyday at the Bohemian. “I hosted ‘Romance Parties,'” she says, “helping most attendees write their ads, many wanting sunset, romantic walks on the beach.”

Olson’s favorite party was at a grand home overlooking Hamilton Field in Novato. “We had so many people attend,” she says, noting that most alternative weeklies had a designated “Personals Specialist” who would handle walk-ins, read letters and hand-input the text for print. “The house was packed with happy Sonoma, Napa and Marin singles.”

The Pacific Sun also hosted mixers, where people who placed personal ads in the paper could get in for free. “People had a chance to meet each other, even if they didn’t meet anyone,” says Mal Karman, a Pacific Sun contributor who is quick to relay humorous stories of corresponding with “a beauty of Romanian descent” and a “Goldie Hawn lookalike.”

“You’d hear people on the street talking about the Sun‘s wacky, often perverse personal ads,” says Sun movie page editor Matt Stafford, who has been contributing to the paper for years. “In the ’70s, the ads reflected that fun, free, groovy, pre-AIDS, pre-Reagan, pre-tech era when people would hook up with less fear and loathing than they do now. Then it became a happy habit that endured till the turn of the century.”

On April 21, 1995, Match.com, claiming to be “#1 in dates, relationships and marriages,” launched, throwing a wrench in the personal-ad business, and opening up a gamut of new possibilities in the world of romance.

According to a Pew Research Center study from last year, in the mid-1990s, only 14 percent of American adults were internet users. Today, nearly nine in 10 Americans are online, and online dating sites like OkCupid (free) and eHarmony (costly), along with apps like Tinder (where one can find users nearby) continue to grow in popularity. A 2013 Pew study found that attitudes toward online dating have also changed, with 59 percent of Americans agreeing with the statement, “Online dating is a good way to meet people,” compared to 44 percent in 2005.

“I think the personals dwindled in popularity around the same time the internet came along and more or less doomed the newspaper business,” Stafford says. “This also, of course, coincided with a new proclivity for faceless social media.”

Judy Orsini, a 63-year-old retired campus planner who lives in Mill Valley, remembers using the Pacific Sun personals in 1998, around the time that online dating was gaining steam. She responded to an ad—”the longest and most informative”—by a man named Roy who described himself as “easy on the eyes.” He was looking for someone to bike, ski and travel with—all interests that she shared. After five years of living together, Judy and Roy married.

“I know that when he put the ad up, he had at least half a dozen dates before he met me,” Orsini says. “He told himself he was going to be a gentleman, not a jerk. He wanted to take the time to meet everyone, which I thought was kind of a sweet thing.”

Orsini says that the personal ad was the most efficient way to meet someone. “You know when you’re working and busy all the time, and you want to meet people? I wasn’t into the bar scene. I’m not extremely outgoing, so it’s not that easy for me to meet someone on the street or in a store and strike up a conversation.”

She didn’t have many single friends at the time. “Not true today!” Most, she says, are looking for love on Match.com. And most of them have had very little luck.

“Everybody thought it was going to be the big solution to finding your mate for life,” Orsini says of online dating. “Of course, what I hear all the time is that people lie.”

“Times have changed,” she says, wistfully. “I just don’t think that people are as honest as they used to be.”

Orsini suspects that when it comes to her friends and family dating online, the low success rate also has something to do with the higher number of people looking online today, versus the number of people who were looking through personal ads at the height of their popularity.

With the kind of technology available at our fingertips, singles have more options than ever before for finding love. Does having a gigantic online pool of hopeful romantics mean that everyone eventually finds exactly what, and who, they’re looking for?

Not necessarily, says 35-year-old Molly Corbett, a finance and operations manager at Stanford who lives in San Francisco.

“[Online dating] is like this endless stream of people,” says Corbett, who first gave it a go in 2007. She’s used it off and on for the past six years. “You just don’t even think of them as people,” she says of the faces that pop up on her device at any given time. “They’re pictures on a screen that you can scroll right through. I think it gives people a license to be flaky.”

[page]

Corbett has tried Match.com, OkCupid and apps like Tinder, Hinge and Coffee Meets Bagel. What she’s looking for is fairly straightforward: A committed relationship that leads to marriage and children. “Not necessarily a white picket fence in the ‘burbs,” she says, “but just something more traditional.”

But what she’s found instead are guys who are not interested in real relationships, and many who “just want to have fun and not grow up.”

“I think it’s reached like this fever pitch,” Corbett says of online dating. “When it first came out, it had a stigma to it. People were a little weirded out. Now there’s so much out there, it’s almost like we have to start back at zero, and figure out how to meet people in person. Because it’s just not working.”

With the personals, Orsini says, someone had to put the ad in the paper and someone else had to make the phone call. “So right away, there was voice contact.” The first time she spoke to her future husband, she says, they talked for two hours. “I really got a good, strong sense of who he was. Whereas online, people go back and forth with emails and text messages before they ever even talk to each other.”

That’s one of the most frustrating parts of meeting people online, Corbett says. What if you spend days, weeks or even months sending messages back and forth to someone, only to find out that the person who you finally meet is not who you thought they were at all?

She shares a story about a guy she met online recently who appealed to her because it sounded as though he, too, had become fed up with the online dating environment. “He wrote a whole paragraph about how the online thing was ruining us,” she says, “that it was making people not treat people like actual people. I wrote to him to say, ‘I agree with that. I appreciate you writing that.’ We were trying to set up a time to meet. We picked a day. And then he backed out. He said, ‘I’m sorry, I’m just too skeptical about this whole thing. You really do sound great.’ That’s how he ended it.”

Do you think we could ever return to the age of personal ads, I ask her, to a simpler time, when people weren’t overwhelmed by endless options? She pauses to think about it.

“I just don’t even understand how people meet people in real life,” she says, noting that for many singles, checking devices and meeting people online has become ingrained. “Everyone is just buried in their own little world.”

Stafford says that he thinks people in general—especially people under 40—are more fearful of strangers now than they were 20 years ago. “There seems to be a fear of people who aren’t safely contained in a digital device,” he says.

Corbett reconsiders my question about a potential resurgence of personal ads, even in our device-addicted dating culture.

“Maybe,” she says, with a little more hope this time.

Personal ads, she says, seemed to “get to the core” of who people were. You didn’t dismiss someone because you saw a bad picture of them—which is what many people dating online do today. A small flaw, rather than being a reason to swipe or scroll, could be something beautiful.

“Everyone’s being so specific about their criteria,” Orsini says of online dating, “that I guess you’re led to believe that the perfect person is out there if you just keep going through all those people.”

Does Corbett believe that her perfect match is out there? “Ummm . . . yes,” she replies. “Just because they have to be. Otherwise . . . you know, I don’t want to give up.”

Perhaps all that remains of the era of newspaper personal ads is what’s left on microfilm and what’s tucked into photo albums. And the stories, relayed by those who reminisce.

“So much of it is about chemistry,” Orsini says. “Until you meet and look into each other’s eyes . . . ” She laughs: “The old-fashioned way.”

Tea for Two

0

A teahouse in the middle of wine country? Why not.

The Taste of Tea in downtown Healdsburg offers more than just a cup of tea. Owners Donna and Nez Tokugawa initially planned to focus on a business that was 80 percent production and 20 percent retail. But after finding a space on North Street and gauging local interest, they decided to offer a full-blown teahouse with food offerings. Taste of Teas also features a spa with tea-based treatments.

“Healdsburg is really foodie-centric with both locals and visitors, who truly understand the relationship between how and where things grow and how they taste,” says Donna, who believes tea fits perfectly in Sonoma County. “There are a lot of similarities. People love using their winetasting and pairing skills with tea.”

The couple, with help from marketing director and daughter Tai, import teas from Japan, Taiwan and China, and also create their own blends at a facility in Germany. Tea is available by the pot ($6) or cup ($4), or by siphon pot ($7), in which custom blends of tea and spices are extracted in a process involving an alcohol-fueled burner.

Tea options are many: sencha, jasmine, oolong, puerh, black blends and more. The milky oolong is creamy and buttery without a drop of dairy. The Kyoto bancha is dry and slightly bitter, with a lasting finish. The emerald “Marteani” ($7), a fun twist on the alcoholic classic, is a delicate mix of matcha, coconut milk and mint syrup. The mixture is shaken like a cocktail and served in small glasses with a mint sugar rim and fresh mint garnish.

The food menu, not intended to take center stage, serves, rather, as a light accompaniment to the tea. “As we were building out the space,” says Donna, “we had several people walking by asking for ramen, noodles and Asian-inspired healthy choices.”

One customer, Doug Provisor of Provisor Vineyard, organized a tasting of Nez Tokugawa’s cooking, and the feedback convinced the couple to add food to the menu: ramen and udon, Japanese curry rice, a variety of rice balls and a couple of noodle and farro salads.

I tried the moderately spicy and refreshing green tea, soba noodle salad ($11), with Napa cabbage, mushrooms and a bright miso vinaigrette. It’s a delicate but filling appetizer. The ramen ($12) is served with a fish cake instead of the customary egg, and isn’t as deeply flavored as some I’ve tried, but it pairs well with the tea. The Japanese green-tea roll cake ($3.50), made with matcha powder and filled with whipped cream, is an airy and memorable dessert.

The decor is minimal and unassuming, so it might come as a surprise that Taste of Tea also has a “relaxation room” in the back of the shop, where customers can get tea-infused face masks and foot soaks. The Tokugawas have introduced their teas to spas and wellness centers, so they decided to try a tea-based spa of their own. A tea tasting in the softly lit space, followed by a tea foot soak, facial mask and neck wrap goes for $75.

“Most people,” says Donna, “don’t want to leave.”

Over a cup of tea on a rainy day in Healdsburg, that’s how I felt.

Taste of Tea, 109 North St., Healdsburg. 707.431.1995. thetasteoftea.com.

Barbecue at the Crossroads

0

Heading toward Sonoma from Napa recently I found myself on a rural stretch of road with a powerful hunger and no clear idea where to stop for lunch. Then, like a desert oasis, a colorful sign beckoned me: the Schellville Grill was just ahead. I was saved.

The Schellville Grill is exactly the kind of place you want to find at a lonely crossroads, in this case highways 12 and 121. I’ve passed the restaurant a number of times over the years, but never stopped. I was glad to finally satisfy my curiosity—and my appetite. A hulking smoker out front and the whiff of wood smoke told me this roadhouse meant business.

Inside, the cash only-restaurant is bright and colorful with loads of photos and Americana bric-a-brac on the walls. The lunch menu offers burgers ($11.95), smoked pork ribs ($16.95), tri-tip ($14.95) and brisket ($18.95) sandwiches and a pulled-pork and grilled-cheese sando ($15.95) they call one of the best in America. It gets my vote.

The pork shoulder is smoked for a leisurely 10 hours before it’s shredded into a juicy mound and piled between two slices of toasted sourdough. A gooey layer of cheddar cheese and caramelized, bourbon-napped onions ties it all together. But hoist this sandwich at your own risk. The abundant pork spilled out on the plate and made picking it up without spilling the contents onto my lap difficult. A fork and knife are the best way to approach this stellar sandwich.

Schellville Grill, 22900 Broadway Sonoma. 707.996.5151.

Under Cover

0

As Valentine’s Day clichés go, sexy lingerie ranks right up there with chocolate and roses. But what does lingerie mean to you and your body? That’s a question the romance-obsessed holiday avoids altogether. But not local lingerie designer Rachel Blodgett.

Born and raised in Santa Rosa, Blodgett, 27, says she’s “an artist, providing imagery you can wear.” She studied printmaking and textiles at the California College of Arts in Oakland, and moved to Providence, R.I., after graduation to focus on her drawing and artistic vision. After a turbulent breakup with someone she’d known for a decade, Blodgett, who dabbled in lingerie-making in college, started her own brand, Serpent and Bow.

“I took a year of celibacy,” Blodgett recalls, “and made myself a different garment every month.”

For Blodgett, lingerie has nothing to do with cheap romance and seduction. “We’re trained culturally to think of our body in a way that relates to the male gaze and objectifying ourselves, rather than seeing ourselves as a living, spiritual creature,” she says. “Lingerie is a secret clothing layer, like a ritual for yourself, and for me, it’s about manifesting how you want to feel about your body as an individual versus how you want to be looked at. It’s a rare type of lingerie.”

Serpent and Bow couldn’t be further away from the lacy, see-through bras and underpants of department stores. The cotton-spandex briefs are high-waisted and roomy, and the rather loose bralettes are tied on the neck like swimsuit tops.

“They’re not meant to be shapewear,” she says. “It’s more about letting your body do what it naturally does while being held.”

It’s also largely about the imagery. All garments are hand-painted in batik wax then naturally dip-dyed in indigo or seasonal natural dyes like marigold flowers. Moon Cycle, a staple collection sold on Boldgett’s website, features eclipses, women’s figures and mythical images, but a large portion of Serpent and Bow business relies on customized art.

“One woman ordered images from her childhood to cover a bralette she wants to wear during childbirth,” says Blodgett, emphasizing the deeply personal aspect of her work. “People are drawn to mythology, plants and other symbols—ancient arts, tarot cards—but also things that seem not that important but we use on a daily basis, like teacups.”

In the same way her garments are well considered, Blodgett thinks deeply about relationships, dating and other urgent Valentine’s Day matters. She recently started an adult sex-ed class in Santa Rosa, hosting guest speakers and taking on topics like consent, fertility awareness and transsexuality.

“It’s about feeling safe in your body, and knowing we’re all different and need to communicate,” Blodgett says.

Will Gov. Brown Declare a Dungeness Disaster, Or What?

Earlier today I called and emailed California Gov. Jerry Brown’s office to ask about local lawmakers’ recent request, in the form of a letter, that Brown declare the still-closed California Dungeness fishery a disaster. Coastal lawmakers, including Sen. Mike McGuire, implored the governor in late January to issue a disaster edict, given that there’s no sign of the Dungeness season opening because of persistently high levels of gastro-horrific domoic acid in the crabs. In the meantime, fishermen are getting squeezed quite badly, the holidays were a total bust for them, and a state disaster declaration would open the door to federal assistance to the fishermen. While the fleet awaits word from Brown, Bodega Bay has meanwhile started a food bank for hungry, out-of-work crabbers. 

After posting Brown’s press office, I heard back pretty quickly from Jordan Traverso, Deputy Director of Communications, Education and Outreach with the state Department of Fish and Wildlife. The upshot: For now at least, Brown is not declaring the Dungeness domoic-acid dilemma a state disaster, despite the calls from state and federal elected officials that he do so.  

Traverso assures that “the Governor’s administration is closely monitoring the situation and is deeply aware of the effects the closure has had on communities and businesses across California. We are continuing to look for ways to support those impacted, including seeking federal funds. As our director (of CDFW, Charlton H. Bonham) noted in the Joint Committee on Fisheries and Aquaculture Hearing on December 3, we have begun the work to build a case for federal assistance.”

The Dungeness season opener was delayed in November, and Traverso says that as of Feb. 2, “as far as the season potentially opening, there is no update at this time.” She reiterated the statutory scheme of things when it comes to who can open or close a fishery when health concerns are at play. “[I]n a circumstance like this involving public health, we can only open and close the seasons based on recommendations provided to us from the Office of Environmental Health Hazard Assessment. They make their recommendations based on health advisories from the California Department of Public Health. CDPH will only lift their advisory after two clean tests at least seven days apart.”

That hasn’t happened, and Traverso says that “It’s impossible to tell when/if the testing will begin to come back clean.”

In other words, the months-long shutdown is a complete and total disaster for the state’s $60 million annual Dungeness industry—but it’s not an official complete and total disaster, at least not yet.

Jessica Lea Mayfield Sparkles in Sebastopol Tonight

0

photo by Carey Haider.

Ohio-born singer and songwriter Jessica Lea Mayfield first came to my attention last year when she collaborated with Seth Avett (the Avett Brothers) on an album of Elliott Smith cover songs that showcased Mayfield’s graceful voice and delicate guitar playing.
Her mastery of the emotionally-tinged music comes as no surprise to her fans. Mayfield’s been active as a solo artist from the time she was 15, playing guitar in bedroom recordings. Since 2008, her career has blossomed with albums that have transitioned from acoustic folk origins to electric and stylized garage pop wonder.
Tonight, Mayfield continues on her current solo West Coast tour with a show at HopMonk Tavern in Sebastopol. Sonoma County native Alison Harris opens the show. For more details, check out the HopMonk website. And click on the videos below to get a glimpse of Mayfield’s singing/songwriting power.
[youtube]https://www.youtube.com/watch?v=meHGilIpCbE[/youtube]
[youtube]https://www.youtube.com/watch?v=gimnxa4AltE[/youtube]

Branded

How do you stay fun and playful when you're ready to get serious? That's the whole trick in wine marketing, as the creators of the Taken Wine Company have learned. But they think they've found the right balance, and they're ready to seduce their millennial peers into a world of affordable and only slightly sassy wines. All three tiers of...

Senior Moments

A charming memoir of a smelly, prickly old lady, The Lady in the Van, directed by Nicholas Hytner (The History Boys), is based on material performed first as a stage play, then a radio play. Surprisingly, it hasn't lost any of its keenness as a movie. The story's writer and subject is Alan Bennett (played by Alex Jennings), a playwright...

Short and Sweet

Short plays are tricky to pull off, but when done well, they can deliver a lot in a small package. With Valentine's Day looming, two local companies are offering separate showcases of short, comedic plays, all written in the language of love. In the intimate Studio Theater at 6th Street Playhouse, From Russia with Love is a high-spirited assemblage of...

Debriefer: February 3, 2016

The Santa Rosa City Council approved a plan Jan. 26 to reunify downtown's Courthouse Square, ending a months-long battle between downtown businesses and tree lovers over the fate of about three dozen redwood trees on the site. The upshot: some trees will go, but they will not go to waste. The city identified 20 trees, including eight redwoods, that will...

Old-Fashioned Love

Sandy De Long contacted the Pacific Sun offices a few months ago in search of something that she had misplaced. She had come from Mill Valley to describe the personal ad that a man named Russ had placed in the Classifieds section of the newspaper in 1975. There was the story of how she had seen the ad, the...

Tea for Two

A teahouse in the middle of wine country? Why not. The Taste of Tea in downtown Healdsburg offers more than just a cup of tea. Owners Donna and Nez Tokugawa initially planned to focus on a business that was 80 percent production and 20 percent retail. But after finding a space on North Street and gauging local interest, they decided...

Barbecue at the Crossroads

Heading toward Sonoma from Napa recently I found myself on a rural stretch of road with a powerful hunger and no clear idea where to stop for lunch. Then, like a desert oasis, a colorful sign beckoned me: the Schellville Grill was just ahead. I was saved. The Schellville Grill is exactly the kind of place you want to find...

Under Cover

As Valentine's Day clichés go, sexy lingerie ranks right up there with chocolate and roses. But what does lingerie mean to you and your body? That's a question the romance-obsessed holiday avoids altogether. But not local lingerie designer Rachel Blodgett. Born and raised in Santa Rosa, Blodgett, 27, says she's "an artist, providing imagery you can wear." She studied printmaking...

Will Gov. Brown Declare a Dungeness Disaster, Or What?

Earlier today I called and emailed California Gov. Jerry Brown's office to ask about local lawmakers' recent request, in the form of a letter, that Brown declare the still-closed California Dungeness fishery a disaster. Coastal lawmakers, including Sen. Mike McGuire, implored the governor in late January to issue a disaster edict, given that there's no sign of the Dungeness...

Jessica Lea Mayfield Sparkles in Sebastopol Tonight

Ohio-born singer and songwriter Jessica Lea Mayfield first came to my attention last year when she collaborated with Seth Avett (the Avett Brothers) on an album of Elliott Smith cover songs that showcased Mayfield's graceful voice and delicate guitar playing. Her mastery of the emotionally-tinged music comes as no surprise to her fans. Mayfield's been active as a solo artist from the...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow