Floral Moral: Reflecting on Counterculture Hollowed by Capitalism

Still-life paintings of flowers are rarely what come to mind when regarding recent contributions to conceptual art. 

Yet, in speaking with Daniel J. Glendening, an artist better known for his “improvised” concrete and lumber installations, it’s clear that the straightforward act of picking flowers and painting them can yield work that will rattle one’s consciousness and challenge their ambivalence towards societal constructs. 

I caught a selection of his recent works at Escolar, an art and design research collective housed in a shipping container on a one-acre regenerative farm in Santa Rosa.

Since 2018, curator Nathan Azhderian has been rolling out a steady stream of contemporary openings that work to dismantle the artifice and posturing that has become synonymous with modern art events. Glendening’s exhibition, In Bloom, presents a sampling from the large body of paintings he has been generating since 2020. 

Admitting that flowers are “hard to paint” was a challenge that both kept Glendening’s interest and seemed to liberate his joy in times of death and uncertainty. The images, rendered in oil, are decadently beautiful and appear to radiate off the canvases with psychedelic glee.

Parallel to the floral pieces emerged a more concerted effort to symbolize the commodification, and subsequent death, of social movements in music. Layers of carefully painted and often illegible text coexist with the iconic branding of bands such as the Grateful Dead, Circle Jerks and Nirvana. These compositions are hypnotic, and their slow-to-reveal sublayers evoke the sensation of one’s subconscious mind trying to place a familiar feeling.

Crowning “In Bloom,” the artist’s title piece, is an attempt to reconcile these diverging themes. The introduction of the florals on the canvas adds a body that bridges the plummeting graphics. Though the artist considers the work only “somewhat successful,” I perceive Glendening’s new direction as a hopeful effort to reintroduce natural and life-giving energy to a counterculture hollowed by capitalism.

For more information, visit escolar.center.

Stoned Zone. Can a Cannabis Lounge Quell Anxiety?

If one can remember anything about cannabis, it’s often the first time—and the last time—one imbibed it. 

Everything else is a blur of puff-puff-pass, gurgling bong water or the electric rush of realizing those were pot brownies about half an hour after eating them.

My first time was with my lifelong pal, O., in the early ’80s, during Christmas break our freshman year in high school. Boomer parents in that transitional period between hippie and yuppie-dom were pretty laissez faire about how they stowed their stashes. We found it, we smoked it, then proceeded to eat all the candy in the house while watching a random VHS training tape of a domestically-challenged person learning to use a spatula. 

The last time I smoked pot was during the pandemic when a bumper crop of new cannabis businesses were showering the media with free samples delivered to our home offices. I appreciated the descriptions of the products’ potential effects and how much of any particular compound they contained. This legislated development was a far cry from the chemical Russian roulette that casual and infrequent users like myself had long endured (despite the salesmanship of the mulletted 30-somethings dealing weed from their dirt bikes, who circled Petaluma High like mustachioed vultures).

Like most people of a certain age, I prefer my weed Fentanyl-free and also, just generally free. So, when a media care package arrived, I seized the opportunity to momentarily put down my perennial wine glass and shift into some professional pot smoking. Included in the review kit was a pre-rolled joint, which I immediately thought should take the mantle from sliced bread as one of innovation’s greatest conveniences.

I lit it and took a drag. Bueno. I took another. Buennno. Another. Buennnnno. And then … it hit me all at once. I went from bueno to “bueNope” as I suddenly felt like I was inside a falling elevator—a simultaneous sensation of vertigo and claustrophobia, with a liberal smattering of my favorite, dementophobia—the fear of going insane—adding a certain extra elan to the moment. And by moment, I mean the hours it took to finally come down.

My experience may be unusual since my neurochemistry is a high wire act of psychoactive stratagems designed to minimize manic panic. Add any exotic ingredient, and this Mulligan stew boils right over.

And yet, I’m also curious. Not least because I’m susceptible to the word “lounge,” which I recently spied on a billboard looming over Petaluma’s Midtown. My favorite reptile is lounge lizard, and “louche,” my default sensibility, is just a typo away from it. The billboard read: “The Lounge at Mercy—Come Smoke & Chill.”

Thanks to new regulations, local dispensaries like Mercy Wellness can now invite customers to enjoy their purchases on-site, opening a new business lane to our local bud industry. More to the point, as a man with perceptibly “no chill,” I’m in the market to get some. 

Do I smoke weed and chance, once again, angering the wine gods upon whose purple seas I’ve long floated this operation? Will I finally be smited into total madness? Or am I less likely to lose my shit in a public setting surrounded by professionals? After all, it’s called The Lounge, not The Panic Room—what could possibly go wrong? But if anyone sees me wielding a spatula, stand back—I’ve seen the video, and I know how to use it.

Mercy Wellness Dispensary lounge is open from 3 to 10pm, Thursday to Saturday and located in the Gravenstein Business Center, 7950 Redwood Dr., Cotati. mercywellness.com/thelounge.

Place to Be: Auteur Opens New Russian River Estate 

Founded more than 20 years ago by Kenneth and Laura Juhasz, Auteur Wines has become known for creating small-lot pinot noir and chardonnay sourced from distinct sustainable vineyards along the Northern California Coast. 

Those of us lucky enough to have visited their Sonoma Bungalow for a taste can attest to the intentionality of their wines. As of mid-April, Auteur is celebrating a second special location at their brand new Russian River Estate in rural Healdsburg. 

Amber Turpin: What’s your job?

Laura Juhasz: Co-founder, Auteur Wines.

How did you get into that work?

I grew up in rural Wisconsin and always had my hands in the dirt. I moved to Portland after college, and met Kenneth, who was working as a cellar rat at the time. My corporate job definitely wasn’t my passion, and I loved wine, so together we explored and kicked around the idea of creating something of our own. 

We began Auteur in 2003. We remain a small business to this day. Kenneth is the winemaker and works with our grower partners, and I manage the many details that it takes to build and sustain our winery with a very nimble team. I love the commotion of it all and the seasonality.

Did you ever have an “aha” moment with a certain beverage? If so, tell us about it.

Subterranean Burgundy in 2000 … We were trotting behind a French winemaker, beret and all. He poured a sizable glass at his rustic wine table in the cellar. It was pure nectar in a glass of Jacque Prieres Montrachet Grand Cru—and he laughed when I asked if we could buy a bottle. 

What is your favorite thing to drink at home?

We are in the midst of putting the finishing touches on our new Auteur Russian River Estate, so an evening cocktail has been important. Negroni has been nice with the weather, but admittedly wine is what we feel calms our minds and brings us to the table during the evening.

Where do you like to go out for a drink?

We’ve recently been exploring more in Forestville and Sebastopol and are drawn to Sonoma Pizza, Farmstand at Farmhouse Inn and Handline. I also enjoy getting lost in the wine wall at The Matheson in Healdsburg, and Little Saint is like no other place. Here in Sonoma, Valley offers a curious bottle list, and for a great glass of wine El Dorado Kitchen always comes through.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I’m spoiled; Auteur Hyde Chardonnay. It was made for a desert island. Sea salt, oyster shell and citrus—on repeat.

Auteur Russian River Estate, 10520 Wohler Rd., Healdsburg, 707.938.9211. auteurwines.com.

Culture Crush, April 16

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Healdsburg

Trio M at The 222

On Saturday, April 19, the jazz trio Trio M, featuring pianist Myra Melford, bassist Mark Dresser and drummer Matt Wilson, takes the stage at The 222 in Healdsburg. Known for their genre-defying compositions and dynamic interplay, Trio M brings a fresh, adventurous energy to the jazz tradition. Melford, a Guggenheim fellow and one of contemporary jazz’s most inventive voices, blends blues, classical and global folk influences into a sound the San Francisco Chronicle calls “explosive … a virtuoso who shocks and soothes.” The show begins at 7pm in The 222’s intimate, club-style space, where every seat has a clear view of the stage. Seating ranges from $35 to $85. Dinner packages with Spoonbar, including special menu options and discounted wines, are available for ticket holders. 7pm, Saturday, April 19, at The 222, 222 Healdsburg Ave., Healdsburg. Tickets $35-$85. More info and reservations at the222.org.

Petaluma

Bike Clinic in P-Town

May is National Bike Month, and Sonoma County is gearing up with events that celebrate cycling’s benefits—from clean transportation to community connection. First up: a free Bike Commuting Clinic in Petaluma, hosted by the Sonoma County Bicycle Coalition at Keller Street CoWork on Wednesday, April 23, from 5:30-7pm. The clinic is designed for anyone curious about commuting by bike—whether it’s figuring out the safest route, choosing the right gear or navigating office life without a shower. Local cycling veterans will be on hand to share tips, answer questions and help newcomers get rolling with confidence. This event is a lead-in to Bike to Work Day on Thursday, May 15, and part of a larger regional push to encourage sustainable travel during Bike Month. One may pledge to ride, and get ready to join thousands of others across the Bay Area logging miles and competing for prizes. 5:30-7pm, Wednesday, April 23, at Keller Street CoWork, 140 Keller St., Petaluma. Free admission. More info and full Bike Month details at bikesonoma.org/btwd.

Marin County

‘Water For Life’ on PBS

Mill Valley filmmaker Will Parrinello brings a timely documentary to national audiences with the PBS premiere of Water For Life—airing Monday, April 21, as an Earth Day special. The award-winning film follows three Indigenous Latin American leaders as they fight for their communities’ right to clean water, confronting the devastating effects of mining, privatization and state violence with grassroots resolve. Narrated by actor Diego Luna and featuring the original song “Ko (Water)” by Grammy-winner Lila Downs and Mapuche singer-songwriter Daniela Millaleo, the film is both a call to action and a source of inspiration. While headlines continue to swirl around Capitol Hill, Water For Life reminds viewers that real change often begins at the local level—and that hope can ripple outward. Premieres Monday, April 21, 7pm, on PBS (check local listings). Watch the trailer and learn more at waterforlife.film or pbs.org/show/water-for-life.

San Rafael

Pacific Mambo Orchestra

The Grammy Award-winning Pacific Mambo Orchestra brings its sizzling Afro-Caribbean sound to the Marin Center Showcase Theater for a Cinco de Mayo celebration on May 4. Known for performances that blend mambo, salsa and Latin jazz, the 20-piece ensemble has graced major stages from Montreux to Monterey—and now makes its Marin Jazz debut. This high-energy afternoon promises world-class musicianship, polyrhythmic flair and enough groove to shake the rafters. Presented by Marin Jazz, the concert supports local arts education and includes full bar service, with doors opening one hour prior to showtime. 2pm, Sunday, May 4, at Marin Center Showcase Theater, 20 Avenue of the Flags, San Rafael. Tickets and info at marinjazz.com.

Your Letters, April 16

It’s the Economy

One of the most uncool aspects of the national mood disorder that gave us Donald Trump is that, without even appearing to attempt to solve any actual problems, the president rose to “prominence” highlighting economic losses and job disappearance in the red states. 

Just as in colonial days, economic independence begets political independence. All these decades, Democrats could have helped us avoid Trump by helping local economies thrive, instead of worrying about what percentage of minority group X were given Y percentage of open positions in the EIR study group.

People who have work and are raising families are too busy to listen to degenerate idiots tell them how shitty their lives are, because their lives actually aren’t shitty. 

And since economic growth often improves education levels, these smarter people become less likely to vote for stupid old useless white men and useless white women such as Nancy Pelosi. 

It is now, always has been and always will be the economy, stupid.

Craig J. Corsini
San Rafael

Free Will Astrology, April 16-22

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ARIES (March 21-April 19): I am always surprised when there appears yet another authoritative article or book that implies there is one specific right approach to meditation. The truth is, however, that there are many ways. Here’s teacher Christopher Bamford: “Meditation is naturally individual, uniquely our own. There are no rules. Just as every potter will elaborate their own way of making pots, so everyone who meditates will shape their own meditation.” This is excellent counsel for you right now, Aries. The planetary alignments tell me you have extra power to define and develop your unique style of meditation. Key point: Have fun as you go deeper and deeper.

TAURUS (April 20-May 20): From 1501 to 1504, the artist Michelangelo worked to create a 17-feet-tall marble sculpture of the biblical king known as David. Today it stands in Florence’s Galleria dell’Accademia and is one of the most famous statues in the world. But the block of marble from which it was carved had a troubled beginning. Two other artists worked on it but ultimately abandoned their efforts, regarding the raw material as flawed. Michelangelo saw potential where they didn’t. He coaxed a masterpiece from what they rejected. Be like him in the coming weeks, dear Taurus. Look for treasure in situations that others deem unremarkable. Find the beauty hidden from the rest of the world.

GEMINI (May 21-June 20): The Judean date palm was considered extinct for more than 800 years. Then scientists germinated a 2,000-year-old seed discovered in the ancient fortress of Masada. That was 20 years ago. Today, the tree, named Methuselah, is still thriving. Let’s regard this as your metaphor of power, Gemini. You, too, are now capable of reviving a long-dormant possibility. An old dream or relationship might show unexpected signs of life. Like that old seed, something you thought was lost could flourish if you give it your love and attention.

CANCER (June 21-July 22): In more than a few ancient cultures, dolphins were regarded as playful allies that would guide lost ships and assist sailors in stress. In ancient Greek myth, dolphins were sacred companions and agents of the sea god. In Maori culture, dolphins were thought to deliver important messages that were unavailable any other way. Many modern Westerners downplay stories like these. But according to my philosophy, spirit allies like dolphins are still very much available for those who are open to them. Are you, Cancerian? I’m pleased to tell you that magical helpers and divine intermediaries will offer you mysterious and useful counsel in the coming weeks—if you are receptive to the possibility.

LEO (July 23-Aug. 22): Do you know about the Leo liberator, Simón Bolívar (1783-1830)? This Venezuelan statesperson and military officer accomplished a cornucopia of good works. Through his leadership, Venezuela, Colombia, Peru, Panama, Bolivia and Ecuador gained independence from the Spanish Empire. He was one of history’s greatest crusaders for liberal democracy. I propose we make him one of your inspiring symbols for the next 12 months. May he inspire you, too, to be a courageous emancipator who helps create a better world.

VIRGO (Aug. 23-Sept. 22): Virgo conductor Leonard Bernstein was a global superstar because of his stellar musicianship, activism, philanthropy and teaching. He transformed classical music by dissolving barriers between “high” and “low” culture, bringing elegant symphonies to popular audiences while promoting respect for jazz and pop. He wanted all kinds of music to be accessible to all kinds of listeners. I think you are currently capable of Bernstein-like synergies, Virgo. You can bridge different worlds not only for your own benefit, but also others. You have extra power to accomplish unlikely combinations and enriching mergers. Be a unifier.

LIBRA (Sept. 23-Oct. 22): A rainbow is gorgeous, with its spectacular multi-hued arc sweeping across the sky. Here’s another element of its poetic appeal: It happens when sunlight and rain collaborate. In a sense, it’s a symbol of the sublimity that may emerge from a synergy of brightness and darkness. Let’s make the rainbow your symbol of power in the coming weeks, Libra. May it inspire you to find harmony by dealing with contrasts and paradoxes. May it encourage you to balance logic and emotion, work and rest, light and shadow, independence and partnership. I hope you will trust your ability to mediate and inspire cooperation.

SCORPIO (Oct. 23-Nov. 21): You now have more power than usual to transform ordinary things into extraordinary things. Your imagination will work at peak levels as you meditate on how to repurpose existing resources in creative ways. What other people might regard as irrelevant or inconsequential could be useful tools in your hands. I invite you to give special attention to overlooked assets. They may have hidden potentials waiting for you to unlock them.

SAGITTARIUS (Nov. 22-Dec. 21): If you google the term, “the religion of work,” many critical references come up. They condemn the ways humans place an inordinate importance on the jobs they do, thereby sacrificing their health and soulfulness. The derogatory English term “workaholic” is a descriptor for those who are manically devoted to “the religion of work.” But now let’s shift gears. The artist Maruja Mallo (1902-1995) conjured a different version of “the religion of work.” Her paintings celebrated, even expressed reverence for, the agricultural laborers of rural Spain. She felt their positive attitudes toward their tasks enhanced their health and soulfulness. In the coming weeks, Sagittarius, I invite you to explore Mallo’s version of the religion of work.

CAPRICORN (Dec. 22-Jan. 19): Astrologer Aliza Kelly likes Capricorns for their “fearless ambition, limitless resilience and ability to keep pushing forward, even in the face of challenging adversity.” But she also praises their “secret wild side.” She writes, “Inside every earnest Capricorn is a mischievous troublemaker” that “loves to party.” I agree with her assessments and am happy to announce that the rowdier sides of your nature are due for full expression in the coming weeks. I don’t know if that will involve you “dancing on tables,” an activity Kelly ascribes to you. But I bet it will at least include interludes we can describe as “untamed.”

AQUARIUS (Jan. 20-Feb. 18): In 1922, Aquarian author James Joyce published Ulysses, a novel recognized as one of the masterworks of 20th-century world literature. Seventeen years later, he produced Finnegans Wake, an uproarious experimental novel that was universally reviled when it first emerged because of its wild wordplay, unusual plot and frantic energy. In the ensuing years, though, it has also come to be regarded as a monument of brilliant creativity. It’s one of my favorite books, and I’m glad Joyce never wavered in his commitment to producing such an epic work of genius. Anyway, Aquarius, I’m guessing you have been toiling away at your own equivalent of Finnegans Wake. I beg you to maintain your faith. Keep going.

PISCES (Feb. 19-March 20): Years ago, in the early days of my infatuation with a new lover, she put a blindfold on me and ushered me around the city of Columbia, South Carolina. The goal was to enhance my non-visual senses. The experiment worked. I heard, smelled and felt things I would never have noticed unless my dominating eyesight had been muffled. Ever since, my non-visual senses have operated with more alacrity. This fun project also improved the way I use my eyes. The coming days would be an excellent time for you to try a similar adventure, Pisces. If my idea isn’t exactly engaging to you, come up with your own. You will benefit profoundly from enhancing your perceptual apparatus.

Art Dept., Creative Sonoma’s Tara Thomson

Notice a pattern. Most every town and county in the North Bay has an “arts council”—a nonprofit art agency-advocate. These plucky nonprofits are typically represented by

a downtown office and arts-space displaying local art. 

Also typically, they are woefully underfunded for their mission—in the pattern of nonprofits. When, 10-plus years ago, Sonoma’s struggling all-county arts council finally heaved up and broke apart, local arts activists took the problem before their board of supervisors. This put in train a creative solution: Make their county’s “art council” part of government. 

Thus begat “Creative Sonoma.” The new all-county “arts-council” would have closer relations with the granters of government largesse and a guaranteed budget of $1 million annually. The downside—bureaucracy.

We are now 10 years into this experiment. To learn more about Creative Sonoma, I solicited an interview with artist Tara Thomson, who is settling into her second year as the director of its staff of three government employees. In our conversation I found her highly competent, transparent and circumspect.

Cincinnatus Hibbard: Tara, on your Creative Sonoma website, your general strategy is laid out as [more] public art, [more] early arts education, [more] professional development for artists, and [more] money for public artists and arts organizations in the form of grants. Key to all this is your definition of “good” public art—as that would be the art that wins your grants.

Tara Thomson: I would not say that public art is “good” or “bad,” but more or less meaningful to a community. The key word in public art is public. It is meant for the community to experience and enjoy. In my opinion, the community should be involved in the generation of the idea, its type, its location and the section of the artist. 

I think what a lot of people think of when they think of government public art is that the government is deciding what art goes where and just puts it there. Community involvement creates ownership of public art. It creates identification, mutual understanding and social cohesion. And I think that’s what’s needed here. And not necessarily a sculpture or a mural. What the community might need is a pop-up event or a series of musical performances in their public spaces.

For examples of this definition, I see in your pipeline that the supervisors have tasked you with a Tubbs Fire Memorial. Also that supervisor (Lynda) Hopkins has allocated for your direction public art grants for public art in unincorporated West Sonoma County this summer. Tara, I don’t know that Creative Sonoma is a household name yet—even in the arts community. But probably you are best known for your money grants to local artists.

Yes. We have just announced the recipients of our 2025 arts impact grants. This is 4K for art or general operating expenses for each of 45 artists and art—or cultural organizations. 

CH: Tara, you told me that in your short tenure you have worked to better realize the potential of being a part of government and its resources. What are you currently working on in this vein?

TT: I am working on a new public art plan to put art in all local government buildings.

Another effort to approach other county agencies—such as parks or HR—to involve

local artists in their efforts to fulfill their own missions. Artists have a way of synthesizing information and communicating with people that typical government outreach lacks.

Learn more. linktr.ee/creativesonomaLINKS.

Open Mic: Outta Gas

On April 10, the Santa Rosa Planning Commission will hold a public hearing to decide whether or not to grant a conditional use permit for a new gas station at 874 North Wright Rd. at the western edge of Santa Rosa (intersection of Highway 12 and Fulton/Wright). 

Between 2021 and 2023, all but three cities in the county, and the county itself, adopted permanent bans on the construction of new gas stations. Sonoma County is a national leader in this movement to stop building new gas stations, as Petaluma was the first-in-nation to do so in 2021. 

Santa Rosa’s ban was adopted in 2022, but this proposal was exempted, not because it was special in some way, but because it was already “in the pipeline” with a completed permit application. 

Longstanding city rules and all the reasons that Santa Rosa adopted a ban in 2022 still apply, and the project should be rejected. A new gas station is not needed at this site. There are already more than 10 within a five-mile radius. 

The site is a seasonal wetland adjacent to the Joe Rodota Trail and to a large propane supplier. Adding a gas station so close to large above-ground propane tanks is not a good idea. The location is at a busy intersection already plagued with congestion and slated for a major redesign. 

The Coalition Opposing New Gas Stations (con-gas.org) invites all concerned Sonoma County residents to attend the hearing and share their sentiments about this proposal. The Planning Commission is relying on an outdated environmental review in its decision-making. 

More is known now about the serious health effects of exposure to gasoline and diesel. Recent studies have linked gasoline exposure to childhood leukemia. We know more about the consequences of climate change. The city adopted a Climate Emergency Resolution in 2020 and should act as though it meant it.

Woody Hastings and Jenny Blaker are co-coordinators of the Coalition Opposing New Gas Stations.

Perchance to Stream: Napa Valley Streamfest Launches

April 24-27 are the dates of the very first Napa Valley StreamFest. If one is wondering just what a StreamFest is, they are not alone. 

We reached out to festival co-founder and executive director Fearon DeWeese and her fellow fest co-founder, Juliana Folk (who is also the fest’s artistic director), to get the scoop on the star-studded event.

Both DeWeese and Folk worked for years at film festivals including Sundance, Mill Valley and Napa Valley. So, is StreamFest a film, TV, podcast or comedy festival? DeWeese clarified by saying it’s a combination of those things and more. 

“After being at Sundance and feeling like I spent more time standing in line and riding buses than I actually did seeing films, it left me feeling like there has to be a better way to do this,” she astutely noted. 

Folk added, “We’re calling it the festival of the future. No rushing, built-in time to explore Napa and connect with other guests, and a programming lineup that reflects modern storytelling.”

The inaugural fest is leaning heavily on buzzy stars including Jason Segel, star of Apple TV’s incredibly popular Shrinking, as well as Meredith Hagner, who one may have seen in Apple TV’s Vince Vaughn detective show, Bad Monkey

Segel and Hagner will be receiving honors at the fest, as will Raven Goodwin (Hulu’s Ryan Murphy show, Grotesquerie), Saagar Shaikh (Deli Boys and Ms. Marvel), Katie Cassidy (WB TV’s Green Arrow, as well as the fan obsessive show, Supernatural) and honestly, too many more guests to roll out in this article.

When asked how the duo secured such a star-studded list of invitees, DeWeese said, “We’ve been incredibly lucky, but also intentional. This industry is built on relationships, and Juliana and I have spent years cultivating real connections.” 

Said Folk, “A lot of the artists attending responded to the idea of a curated, thoughtful weekend that wasn’t about press junkets or red carpet chaos. It’s a chance to connect with audiences in a meaningful way—and enjoy Napa while they’re at it.”

This all ties into the StreamFest’s notion of a more chill vibe without all the racing around to venues to catch a film or panel. As a veteran of countless film festivals myself, this is a welcome change. “We’re calling it the festival of the future,” noted Folk.

DeWeese dug in a bit deeper, adding, “We asked, what would it look like if you could capture the soul of a film festival—the storytelling, the conversations, the moments of surprise—but design it as a curated experience, one location a day, where you get to just immerse and take it all in?” 

As if this mission isn’t enough to get one in the many doors, the lineup of films, comedy and live podcast tapings should definitely do the trick. 

Anyone who’s paid any attention to independent film and television over the last 20 years has heard of Jay and Mark Duplass, a.k.a. The Duplass Brothers. The two work constantly as actors, producers and directors. StreamFest’s Saturday night feature film is Jay Duplass’ film, Baltimorons, which sounds truly great. 

Pitched simply and brilliantly, the film is about a newly sober man’s Christmas Eve dental emergency, which leads to an unexpected romance with his older dentist as they explore Baltimore together. Duplass Bros unofficial sister, Mel Eslyn, who executive produced the film, will also be on hand, as will lead actor Michael Strassner in conversation with fellow festival guest Sam Jones. 

If that name sounds familiar, he directed, for my money, two of the best music docs one can see, 2002’s Wilco doc, I Am Trying to Break Your Heart, and 2023’s Jason Isbell doc, Running With Our Eyes Closed. But Jones won’t just be there to run a Q&A; he’s also world premiering his new docu-music series, Talent Show, at the fest.

Talent Show is an in-depth interview show with a twist being that, at the end of each episode, each guest will then do a set of music with Jones and his band, The Spoilers. While it’s a mystery which episode will screen at StreamFest, guests on the first season include Mandy Moore, Ed Helms, Aimee Mann and Michael Shannon, who just got off the road touring his band that covers R.E.M. Jason Segel is also a guest on the show, so my money is on a tie-in.

When asked if this lineup was personally curated by DeWeese and Folk or if there was a wider net cast, DeWeese said it was both. 

“As much as it is a curated lineup, we did take submissions on FilmFreeway,” DeWeese noted. “We’ve also been tracking storytellers, reaching out to artists we admire and building relationships with platforms, podcasts and creators that align with our vision. We wanted everything on the lineup to feel intentional, not filler.” 

Folk drove the notion of intentionality home, adding, “Just like a traditional film festival, there’s discovery baked into every moment. You might not recognize every name on the lineup, but you’ll leave with a favorite new filmmaker, podcast host or comedian. It’s about uncovering talent. That’s always been the magic.”

Many festivals—be they music, film or otherwise—are a slog of trying to make it to the next event, with attendees typically surviving on energy bars and bottled water. But Folk pointed out that there’s downtime each day, in which she and DeWeese hope people take the time to chill, talk, and above all, eat an actual meal. 

With that in mind, each day typically starts with a breakfast followed by an array of entertainment in the form of short films, comedians, panels or live podcast tapings such as the award-winning Was I In a Cult? with hosts Liz Iacuzzi and Tyler Measom. The podcast is pretty self-explanatory and is also less about death cults than it is about smaller, more nefarious ones like those involving people who were really into selling Mary Kay Cosmetics. 

And after the morning programming, each day features a break in the action from 1-3pm for unwinding, connecting and conversing.

In talking with DeWeese and Folk, one thing kept shining through. That was the notion of supporting creators of all stripes and levels. “This isn’t just a festival—it’s a mission,” Folk passionately said. She went on to speak about the idea of giving back to the community. 

“Through our nonprofit, we’re supporting creatives 35+ who are pivoting mid-career into entertainment,” said Folk. “We’re building a mentorship program to give them access, tools and encouragement to chase dreams they thought might’ve passed them by. This is personal for us—and it’s the kind of ripple effect that makes a real difference.”

Schedule and tickets at napavalleystreamfest.com.

Wastin’ Away with Jimmy Buffett’s ‘…Margaritaville’ at 6th Street

Jerome Kern. Richard Rogers. Oscar Hammerstein II. Stephen Sondheim. Jimmy Buffett. 

Something seems off there.

Show Boat, Oklahoma!, Gypsy, Escape to Margaritaville.

Something really seems off there.

“Ol’ Man River,” “Oh, What a Beautiful Mornin’,” “Everything’s Coming Up Roses,” “Cheeseburger in Paradise.”

OK, I think you see where this is going. 

In the pantheon of great American musical theater, one would be hard pressed to include Jimmy Buffett’s Escape to Margaritaville

But if you’re looking to hang out in a festive atmosphere, enjoy a frozen concoction or two and sing along to some catchy tunes, then by all means head for Santa Rosa’s 6th Street Playhouse. Their production of the Jimmy Buffett musical runs through April 19.  

As in most jukebox musicals, the paper-thin plot serves only to somewhat-connect a playlist of popular songs. In this case, it’s a story of four disparate people coupling off by the closing number.

Besties Rachel (Andrea “Andee” Thorpe) and Tammy (Reilly Milton) are off on an island vacation before Tammy’s upcoming nuptials to her less-than-sensitive fiancée, Chadd  (Anderson Templeton). They end up at a substandard Caribbean resort, where they meet up with part-time singer/full time lothario Tully (Nelson Brown) and amiable resort bartender Brick (Sergio Diaz). 

Sparks fly between Tammy and Brick, but the soon-to-be-betrothed Tammy resists. Conveniently, sparks also fly between Rachel and Tully, but the dedicated-to-her-work-above-all-else Rachel resists. 

The island’s volcano (and what theatrical island doesn’t have a volcano?) soon erupts, forcing everyone to evacuate. Everyone, that is, but Tully, Brick, resort owner Marley (Jeffrie Givens) and one-eyed, perpetually drunk beach bum seaplane pilot J.D. (co-director Larry Williams). He will, of course, fly everyone to the mainland, where true love will (eventually) win out.   

You don’t come to a jukebox musical for the book (by Greg Garcia and Mike O’Malley); you come for the songs, like “License to Chill,” “Why Don’t We Get Drunk,” “Cheeseburger in Paradise” and the title tune.  

They’re all performed on a colorful stage (scenic design by Peter Crompton and Aissa Simbulan) by a festively-draped (by Mae Heagerty-Matos) though suntan-challenged cast, with good support from a four-piece band, under the direction of Nate Riebli. 

The leads are charming, with particularly strong vocal work from Thorpe and Reilly.

Co-directors Williams and Emily Cornelius recognize they’re really throwing a party for Parrotheads and adults literally looking for an … escape.

Might as well be to Margaritaville.

‘Escape to Margaritaville’ runs through April 19 in the GK Hardt Theatre at 6th Street Playhouse, 52 W. 6th Street, Santa Rosa. Thurs-Sat, 7:30pm; Sat & Sun, 2pm. $29-$56. 707.523.4185. 6thstreeetplayhouse.com.

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