Squawk: ‘Featherbaby’ Takes Flight at Spreckels

What kind of a connection could an anthropomorphic parrot with the mouth of a sailor, a forensic photographer with intimacy issues and an earnest competitive puzzle player possibly make?

Featherbaby, the latest play from local playwright David Templeton, aims to tell us. 

Described by director Skylar Evans as a “mostly family friendly” comedy (mostly, because of the feisty titular character’s foul language), the show is in its world premiere run in the Condiotti Theatre at the Spreckels Performing Arts Center in Rohnert Park through Sept. 14.

New works can be tricky, as there is no built-in audience, but Templeton’s plays have been championed by Spreckels’ artistic director Sheri Lee Miller for years, and audiences can expect something original. Unlike Templeton’s sweeping sci-fi saga Galateá, or his eerie Mary Shelly’s Body, Featherbaby is a comedic morality tale. 

Featherbaby (a dual-cast Gina Alvarado, who was sensational on opening night, alternating with Matt Cadigan) is a parrot happily living with the erratic, careless Angie (Mercedes Murphy, as sincere as possible at trying to give an unlikeable character humanity). The arrival of eager puzzle player Mason (Nate Musser, who really takes flight in the second act) leads to a new, complex relationship for the very territorial Featherbaby. Metaphors and relationship lessons abound in this cute, ultimately life-affirming tale.

Evans, one of our community’s most thoughtful directors, reflected on his experience in bringing something brand new to life: “I’m proud of myself and my actors for rooting decisions and character in truth. I think it’s a necessary way to find and create comedy.” 

Alvarado is truly a marvel in the title role. She was wholly committed to a very challenging character and was both physically and vocally compelling in every way. The bird is the entire point of this story, and Alvarado’s performance lifts up any awkwardness in the script. She and Musser form a very beautiful onstage bond that reveals the trust that actors have in one another. 

Set work by Eddy Hansen is both interesting and engaging, as is his lighting design. 

Hopefully, Featherbaby will encourage other theaters in our area to take new works and writers under their wings, no pun intended.  

‘Featherbaby’ runs through Sept. 14 in the Condiotti Experimental Theater at the Spreckels Performing Arts Center, 5409 Snyder Ln., Rohnert Park. Fri-Sat, 7:30pm; Sat & Sun, 2pm. $14–$34. 707.588.3400. spreckelsonline.com. 

Sebastopol Porchfest: Popular Music Event Moves to Ives Park

The city of Napa has a Porchfest, and our neighbors to the southeast in Benicia have one too. The city of St. Helena was trying to have a Porchfest, but the city declined to let that happen, which is kind of similar to the Sebastopol Porchfest situation. But, before we get into all of that, what the name of my long-dead Okie grannie’s name is a Porchfest?

No, it’s not a gathering of fogies in rocking chairs sitting on their porch talking about current events. Rather, a Porchfest is a community gathering wherein musicians take over the front porches—by invitation and with permission, of course—of a local street and perform their music for people of all ages to gather and have fun with their community. 

Unfortunately, at last year’s Sebastopol Porchfest, the city’s first, attendees had a little too much fun. That, in turn, has resulted in this year’s festivities making a move to Ives Park in Sebastopol and also pivoting to a new, temporary name, Hardly Porchfest Sebastopol, which takes place Saturday, Sept. 13, from noon to 6pm. There’s also an added bonus this year, as the party will move on over to the Sebastopol Center for the Arts from 7 to 8pm, with local artists Ellie James and Flowstone capping off the event.

The Sebastopol event was brought to life last year by Greg “Ceni” Ceniceroz, who saw what other communities were doing with this fun event and wanted to bring it home. Using his very own street and community as the launching pad, Ceniceroz says the event was kind of a natural addition to the already vibrant High Street in Sebastopol. 

Speaking by email, he said, “High Street has a long history of community-building events involving music and food. Like many other neighborhoods in this town, we used to have annual block parties and close the street off to vehicle traffic for neighbors to congregate and commiserate safely.” 

This all started way back in 2004 with Sonoma County mainstays Sol Horizon taking to the street to perform. These block parties continued for many years, and smaller versions of them still happen today. “For example, there’s a monthly ‘Unhappy’ hour where anyone can kvetch about whatever irks them for three minutes, some topical speaker-gilded salons and other general meetings related to the community,” Ceniceroz said. 

As alluded to, last year was the first official Sebastopol Porchfest, and overall, the event and the vibe were a rousing success. However, a few neighbors were, shall we say “displeased,” with some attendees smoking the marijuana as well as relieving themselves in neighborhood yards. 

While Ceniceroz empathizes with this issue, the Porchfest board took the complaints to heart. Finding themselves unable to honestly tell the city of Sebastopol that these issues would be addressed in time for this year’s event, they decided to move away from the specific neighborhood porch concept for 2025.

Ceniceroz, who is listed as founder and director of the event, is clearly saddened by the move, saying, “It is devastating to me, personally.” He added he’s dismayed “the benefits of Porchfest are not seen as a boon to the local fabric of our town. One can research other Porchfests across the country to read about the positive aspects that other towns have experienced from these events.”

While fans of the Porchfest event and concept are notably bummed, it’s refreshing to hear Ceniceroz and his board take ownership of the issues that negatively affected the event and their community. 

Said Ceniceroz, “Look, there are people in every neighborhood who will always say ‘no’ to any new proposal. Be it new signage, traffic calming devices or a contract for a new trash company, for example. We all know that; it’s human nature.” He continued, “But it’s true we dropped the ball on giving ample opportunity for everyone to actually come to the table with their grievances. [That way] issues can be addressed, risks can be reduced and fears can be mitigated. This is part of our learning process as a community organization.” 

With the old adage, “Live and Learn,” firmly in place, Ceniceroz said, “We are adapting and iterating to make this event happen in a way that sustains our community. Because of the positive feedback and gratitude of so many people in this town, I wanted the ‘show to go on’ in any way possible.  Taking a year off due to a few dissonant voices was simply not an option.”

And indeed, the show is going on with nearly 40 bands on tap, including Marshall House Project, Lola Guthrie, Ulyssescím, Julia Hunt, Mazon Mendoza, Barbed Wire Valentine, Peyton Roze, Lady Bloom, Matty Tucker, Sonomaçana, Under A New Sun, 945 The Band, Brittany Aquamarine, Gradina, Clementine Darling, Mazie Lewis, Doron Amiran, House Catz, Dantana, Roots Fusion, SPACE, Sloan Irving, Petrified Sun and Bohemian Highway, just to name but a few. 

As Ceniceroz noted, “The day will mainly be music-forward, but there will be some sponsor booths and community group tents scattered around the park. There will also be some roving performances by the Hubbub Club and Circle Sing Sebastopol.”

While there is a deep group of volunteers for the event and a board with members Elizabeth Beaty, Joe Halpin, Eric Lofchie and Ann Hamilton, the acts are all hand-selected by Ceniceroz. He said, “I’ve been running the Open Mic at HopMonk Sebastopol for nine years, so I’ve been exposed to a lot of local music. Every month or so, I get to host a show for my ‘Casa Ceni Presents’ series in the Abbey for acts who may not get the opportunity to play in traditional for-profit venues that are based on ticket sales.” 

This is why some of the bigger name acts of our fair county aren’t participating, at least not this year. 

While at the time of this writing, some kinks were being worked out, the event will take place at several “Porchlet” stages throughout Ives Park, including two acoustic stages, five amplified stages, as well as a stage dedicated to performers from Santa Rosa’s School of Rock program, which teaches young people the art of rocking and rolling. 

The event is free and all ages, with food trucks located nearby, as well as a wine and beer garden. The aforementioned evening event has a $10 cover charge. Organizers want to remind readers that the capacity at the Sebastopol Center for the Arts venue is only 250 people, so advance tickets are encouraged.

For more information or to volunteer for the event or make a tax deductible donation, check out sebastopolporchfest.org.

From Exclusive Clients to a Global Fanbase: Escorts and OnlyFans

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Published in cooperation between Critch GmbH and the Bohemian

OnlyFans has revolutionized adult content. But is this a period of boom or bust for the escort industry?

Once upon a time, there were few ways to earn money from adult work. Escorting was the main revenue stream, and then options became extremely limited. In the digital age, subscription sites like OnlyFans have opened the door to a whole new world of entertainment. Blending social media with adult content, they have overhauled income streams for escorts. However, this can come at a price. From discreet meetings to digital fame, why are escorts turning to OnlyFans?

What is OnlyFans?

Even those who don’t use the service will have heard about OnlyFans. It has been splashed all over the news and the media over the last few years. Most of this has been about big tales of seemingly ordinary workers, from cleaners to hospitality staff, creating accounts and making millions of dollars. Based in London, it operates globally and allows people to pay for a subscription to see the content created by others.

This content can be anything, from yoga videos to classic car restorations. But more often than not, it is obscene adult content. People can go online, create videos and sell them to the public. In many ways, it has democratized the sector. There are now few gatekeepers to the industry, such as producers or executives. Instead, the only middleman is the platform on which the content is placed.

How Has OnlyFans Improved the Escort Industry?

Several advantages have come to the escort industry now that OnlyFans has appeared. There are websites online like Slixa, which provide some of the best quality and some of the most beautiful escorts on the planet. People can book them for short periods or lengthy dates and can see costs for services and information on the escort. However, once this meeting is over, the escort is paid, and that becomes the end of the transaction.

With OnlyFans, this can be vastly extended. People who hire escorts can sign up for subscriptions to see their content and stay in touch. They can also appeal to people who may never have even used their escort services in the first place. They may find these people online through social platforms and other means. All of this provides a sustainable revenue stream alongside escorting.

Escorts can also begin to collaborate with others. By making content together, they may see themselves increase their fanbase, picking up people who followed other creators.

There is also a world of data that can be provided about people who sign up to OnlyFans. These metrics can help better understand what their clients want: Both online and in the real world. They may see videos with certain niches increase and know that this is a lucrative area to follow. In many ways, this can even increase their physical escort bookings.

What Are the Downsides of Escorts Using OnlyFans?

OnlyFans is extremely competitive. While the escorting and adult sector may once have been a secretive, closed-door affair, it no longer is. This world of choice means escorts may have trouble finding an audience and even more trouble maintaining loyalty. With people being able to cater to clients’ content needs directly, escorts may find business drying up instead of blooming. In fact, statistics show that most creators earn only an average of $150-$180 per month on the platform, according to several blogs and websites.

For those who run escort services, they may also find the middleman being cut out. Escorts may now go directly to the client through email bookings. Or they may be making enough money that they don’t need to meet people in person at all.

Finally, there are regulatory hurdles to consider. In August 2021, OnlyFans itself almost banned adult content and saw many of its creators quickly jump ship to rival platforms. Governments may crack down on adult content, which can limit traffic and income streams. For example, the United Kingdom recently imposed new age verification processes. According to data by Similarweb, this saw a 10 percent reduction in traffic to OnlyFans.

Safety Concerns With Escorting and OnlyFans

Making a transition from escorting to OnlyFans, or managing the two, should take some consideration. This is because OnlyFans is a form of social media, but one that goes beyond typical posts and offers the golden ticket: Intimacy. Before, this could be managed by the escort. They could choose to accept or decline bookings and decide how much personal information to give away when having physical meetings. This is harder to do with OnlyFans, and not everyone understands the boundaries between fantasy and reality.

It is also worth noting that OnlyFans quite strictly distances itself from escorting. It does not want to be found breaching rules on solicitation. Thus, you must keep all OnlyFans and other work separate. If not, accounts can be closed down, and you may be banned from the site.

Thus, there are benefits and disadvantages. Many escorts are making the leap because it offers a way to earn money without having to meet people. Some are trying to manage both, though this can be tough. For others, though, it is just the next evolution of sex work, which will no doubt change once again as the next generation of technology arrives. 

Your Letters, Sept. 3

Furry Fire Safety 

The Pickett Fire and Sky Fire are active in or near Napa County, making it important to prepare an emergency plan. Please include animals in your plans.  

Start by packing a “go bag” containing at least one week’s supply of food, water and medications, along with medical records, bowls, comfort items and litter box supplies for cats.

It is equally important to create an evacuation plan. Research places that accept animals ahead of time—identify animal-friendly hotels, shelters, campgrounds or friends willing to help. Keep a printed list of addresses and contacts in your bag.

In case of accidental separation, all animals should be microchipped and wear ID tags with current contact information. Take animals with you in an evacuation. Transport dogs on a harness and leash and cats and other small animals in secure carriers, as frightened animals may bolt. If authorities force you to evacuate without your animals, never leave them tied up or confined.

We can’t control when and where wildfires and other natural disasters happen, but we can control how prepared we are.

Melissa Rae Sanger
The PETA Foundation  

Prop 50 is Nifty

Our governmental system, our vital checks and balances, our human rights, our economic freedom, and most important to me, our beloved, hard-earned democracy, are eroding in front of our eyes. We have to do more than observe, hope, pray and just believe it will get better. I write to appeal to you:

This Nov. 4, we Californians will be asked to vote on what may be the most important election of our time. California’s Prop 50 is a vote for democracy.

Vote yes for temporary redistricting; it is our only hope of retaining our democracy. The Texas legislature and governor started this; we the people of California will stop it. This is not about Gov. Gavin Newsom’s political record or red or blue; this is about us. Vote yes on Prop 50.

Brigette Mansell
Healdsburg

Free Will Astrology: Sept. 3-9

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ARIES (March 21-April 19): Austin Curtis was a prominent Black scientist whose work had spectacularly practical applications. Among his successes: He developed many new uses for peanut byproducts, including rubbing oils for pain relief. His work exploited the untapped potential of materials that others neglected or discarded. I urge you to adopt a similar strategy in the coming weeks, Aries: Be imaginative as you repurpose scraps and leftovers. Convert afterthoughts into useful assets. Breakthroughs could come from compost heaps, forgotten files or half-forgotten ideas. You have the power to find value where others see junk.

TAURUS (April 20-May 20): In Polynesian navigation, sailors read the subtle rise and fall of ocean swells to find islands and chart their course. They also observe birds, winds, stars and cloud formations. The technique is called wayfinding. I invite you to adopt your own version of that strategy, Taurus. Trust waves and weather rather than maps. Authorize your body to sense the future in ways that your brain can’t. Rely more fully on what you see and sense rather than what you think. Are you willing to dwell in the not-knowingness? Maybe go even further: Be excited about dwelling in the not-knowingness. Don’t get fixated on plotting the whole journey. Instead, assume that each day’s signs will bring you the information you need. 

GEMINI (May 21-June 20): The umbrella thorn acacia is an African tree whose roots grow up to 115 feet deep to tap hidden water beneath the desert floor. Above ground, it may look like a scraggly cluster of green, but underground it is a masterpiece of reach and survival. I see you as having resemblances to this tree these days, Gemini. Others may only see your surface gestures and your visible productivity. But you know how deep your roots run and how far you are reaching to nourish yourself. Don’t underestimate the power of your attunement to your core. Draw all you need from that primal reservoir.

CANCER (June 21-July 22): To make a tabla drum sing, the artisan adds a black patch of iron filings and starch at the center of the drumhead. Called a syahi, it creates complex overtones and allows the musician to summon both pitch and rhythm from the same surface. Let’s imagine, Cancerian, that you will be like that drum in the coming weeks. A spot that superficially looks out of place may actually be what gives your life its music. Your unique resonance will come not in spite of your idiosyncratic pressure points, but because of them. So don’t aim for sterile perfection. Embrace the irregularity that sings.

LEO (July 23-Aug. 22): There’s a Zen motto: “Before enlightenment, chop wood, carry water. After enlightenment, chop wood, carry water.” I hope you apply that wisdom in the coming weeks, Leo. Your breakthrough moments of insight have come or will come soon. But your next move should not consist of being self-satisfied or inert. Instead, I hope you seek integration. Translate your innovations into your daily rhythm. Turn the happy accidents into enduring improvements. The progress that comes next won’t be as flashy or visible, but it’ll be just as crucial.

VIRGO (Aug. 23-Sept. 22): The Gross National Product (GNP) is a standard of economic success by which countries gauge their health. It reflects the world’s obsession with material wealth. But the Buddhist nation of Bhutan has a different accounting system: Gross National Happiness (GNH). It includes factors like the preservation of the environment, enrichment of the culture and quality of governance. Here’s an example of how Bhutan has raised its GNH. Its scenic beauty could generate a huge tourist industry. But strict limits have been placed on the number of foreign visitors, ensuring the land won’t be trampled and despoiled. I would love to see you take a similar GNH inventory, Virgo. Tally how well you have loved and been loved. Acknowledge your victories and awakenings. Celebrate the beauty of your life.

LIBRA (Sept. 23-Oct. 22): In Japanese haiku, poets may reference the lingering scent of flowers as a metaphor for a trace of something vivid that continues to be evocative after the event has passed. I suspect you understand this quite well right now. You are living in such an after-scent. A situation, encounter or vision seems to have ended, but its echo is inviting you to remain attentive. Here’s my advice: Keep basking in the reverberations. Let your understandings and feelings continue to evolve. Your assignment is to allow the original experience to complete its transmission. The full blossoming needs more time to unfold.

SCORPIO (Oct. 23-Nov. 21): In the Australian desert, there’s a phenomenon called desert varnish. It’s a thin, dark coating of clay, iron and manganese oxides. It forms over rocks due to microbial activity and prolonged exposure to wind and sun. Over time, these surfaces become canvases for Indigenous artists to create images. I like to think of their work as storytelling etched into endurance. In the coming weeks, Scorpio, consider using this marvel as a metaphor. Be alert for the markings of your own epic myth as they appear on the surfaces of your life. Summon an intention to express the motifs of your heroic story in creative ways. Show the world the wisdom you have gathered during your long, strange wanderings.

SAGITTARIUS (Nov. 22-Dec. 21): In Indigenous Australian lore, the Dreamtime is a parallel dimension overlapping the material world, always present and accessible through ritual and listening. Virtually all Indigenous cultures throughout history have conceived of and interacted with comparable realms. If you are open to the possibility, you now have an enhanced capacity to draw sustenance from this otherworld. I encourage you to go in quest of help and healing that may only be available there. Pay close attention to your dreams. Ask your meditations to give you long glimpses of the hidden magic.

CAPRICORN (Dec. 22-Jan. 19): Saturn is your ruling planet and archetype. In the old myth of the god Saturn, he rules time, which is not an enemy but a harvester. He gathers what has ripened. I believe the coming weeks will feature his metaphorical presence, Capricorn. You are primed to benefit from ripening. You are due to collect the fruits of your labors. This process may not happen in loud or dramatic ways. A relationship may deepen. A skill may get fully integrated. A long-running effort may coalesce. I say it’s time to celebrate. Congratulate yourself for having built with patience and worked through the shadows. Fully register the fact that your labor is love in slow motion.

AQUARIUS (Jan. 20-Feb. 18): In Greek mythology, the constellation Aquarius was linked to a heroic character named Ganymede. The great god Zeus made this beautiful man the cupbearer to the gods. And what drink did Ganymede serve? Ambrosia, the divine drink of immortality. In accordance with astrological omens, I’m inviting you to enjoy a Ganymede-like phase in the coming weeks. Please feel emboldened to dole out your gorgeous uniqueness and weirdness to all who would benefit from it. Let your singular authenticity pour out freely. Be an overflowing source of joie de vivre and the lust for life. 

PISCES (Feb. 19-March 20): In 1932, trailblazing aviator Amelia Earhart made a nonstop solo flight across the Atlantic, steering through icy winds and mechanical trouble. When she landed, she said she had been “too busy” to be scared. This is an excellent motto for you now, Pisces: “too busy to be scared.” Not because you should ignore your feelings, but because immersion in your good work, mission and devotion will carry you through any momentary turbulence. You now have the power to throw yourself so completely into your purpose that fear becomes a background hum.

Art Works: How Dialogue Changed My Mind

I used to think it was preaching to the choir. But the truth is the choir needs to be preached to—and, as importantly, grown. 

That’s what recent letters to (and from the editor) of this publication have reminded me. In the back-and-forth of voices, I saw that art is not a luxury, not a distraction from the so-called “real” world, but one of the few tools we have to resist the slow creep of tyranny.

Thanks to those exchanges, I was reminded that art is one way we commune and, by extension, build community. It’s not just pretty pictures but a way to start conversations (like this one) and, ultimately, understanding. A painting, a song, a play—all can become catalysts for dialogue that continues long after the curtain falls.

The beauty of this process is its unpredictability. No two people are alike, and yet art creates connective tissue between us. One can start with someone on the far left, and through the links of human connection, eventually reach the hearts and minds of people on the right. It’s a chain reaction, set off by creativity, that transcends ideological lines.

To that end, as much as fascism is a slow, creeping bacteria, art and the progressive values that buoy it inoculate us from its ill effects. I know, in a post-pandemic age, these aren’t the most tasteful metaphors—but authoritarianism is a contagion. Left unchecked, it spreads.

Art, then, is not just entertainment; it’s an immunity builder. It protects one’s ability to think freely, to imagine otherwise, to hold contradictory emotions without fear. It makes people experience a range of feelings and, just as often, compels them to share those feelings. That sharing is the soil where empathy grows. And empathy, inconvenient as it may be for regimes that thrive on cruelty and division, is the beating heart of democracy.

So yes, I concede the point. Art is not fiddling while Rome burns. It’s the fire brigade, the bucket line, the living proof that even as the flames rise, human beings can and will carry each other to safety.

Micah D. Mercer lives and loves in the North Bay.

Potion Notion: Seaguth Elixirs’ Geoff Broll

Sonoma-based Seaguth Elixirs was launched just three months ago by founder and CEO Geoff Broll, who experienced a revelation when learning about adaptogens. 

As an Ironman athlete, Broll used his own intense training routine to test the benefits of this newfound adaptogenic lifestyle and discovered that his performance improved, further motivating him to push forward his new business idea. 

Today, the Seaguth portfolio consists of two ready to drink adaptogenic oat milk lattes that are gaining recognition for their delicious, health-boosting benefits. So much so, Broll received an exclusive invitation to participate in the upcoming Edible Garden event on Sept. 14, hosted by the Marin Art and Garden Center, featuring some of the most well respected local Marin and Sonoma food and drink vendors and restaurants.

Amber Turpin: How did you get into this work?

Geoff Broll: I was introduced to adaptogens while studying at the California School of Herbal Studies in Forestville. While working with medicinal plant specimens in Emerald Valley with master teacher Leslie Gardner, I had an epiphany. The plants communicated with me in the most profound manner. 

I finally realized how I was meant to contribute to the greater common good. I wanted to formulate and commercialize a delicious canned beverage featuring adaptogens … I knew how well adaptogens had served and supported my health, stamina and focus that I wanted to share them with the masses. 

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

My ‘aha’ moment came when I was performing a sampling demo at Mill Valley Market in late June of 2025… A group of ladies approached the sampling table with some curiosity. One lady in the group introduced herself as Audrey Shapiro, director of events and programs at Marin Art and Garden Center (MAGC)… Since moving to Ross Valley in 2004, I had always regarded MAGC to be the centerpiece, a peaceful sanctuary, a secret garden for all to seek solace and respite in the backdrop of nature. 

What is your favorite thing to drink at home?

In the morning, after a long challenging trail run in the hills, I thoroughly enjoy an ice cold caramel oat milk latte with reishi and maca as the ultimate recovery and restorative beverage… It is the perfect velvety creamy sensory journey to draw the curtains on an invigorating run.

Where do you like to go out for a drink?

I like to check out new independent coffee bars. And specifically, I like trying newly created beverages featuring innovative ingredients and flavor profiles.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

A very strong homemade cold brew coffee with extra ice and a thimble of oat milk to color the coffee… It would rejuvenate the body, mind and spirit for another day alone on an island at sea.

For more info on Seaguth Elixirs, go to seaguth.com.

Culture Crush, Sept. 3

Mill Valley

Sound Summit Turns 10

CAKE returns to the Mountain Theater to headline the 10th anniversary of Sound Summit on Saturday, Sept. 13. The daylong benefit festival also features Canadian alt-pop favorites Alvvays in their only California show this year, Real Estate and “Cosmic Mountain Music” makers Wolf Jett. A special highlight: Stand!—a Bay Area all-star tribute to Sly & The Family Stone with Taj Mahal, Narada Michael Walden, Martin Luther McCoy, Vicki Randle, Rustee Allen and more. Staged in the 4,000-seat natural stone amphitheater atop Mount Tamalpais, the annual gathering raises funds for the state park, generating more than $300,000 for restoration and conservation projects in its first decade. 11am–7pm, Saturday, Sept. 13, Mountain Theater, Mt. Tamalpais State Park. Tickets $120 adults/$60 youth at soundsummit.net.

Sausalito

Cornershop Opens

The Sausalito Center for the Arts Cornershop opens its fall season Sept. 3 with two solo shows exploring the humor, grief and tenderness embedded in clay. East Bay artist Paige Valentine leads off with Odds & Ends (Sept. 3–Oct. 5), showcasing intricately built, small-scale ceramics that merge painting and sculpture into whimsical, poignant forms. Annie Duncan follows with Jewelry Box (Oct. 16–Nov. 16), presenting larger-than-life ceramic works and paintings that riff on still-life traditions, cartoons and consumer culture. An opening reception celebrating both artists takes place from 2 to 5pm, Saturday, Sept. 7; on view Sept. 3–Nov. 16 at Cornershop Sausalito, Sausalito Center for the Arts, 750 Bridgeway. sausalitocenterforthearts.org/corner-shop.

Sebastopol

LowDown in Seb

Chicago’s LowDown Brass Band brings its genre-bending brass explosion to HopMonk Sebastopol on Thursday, Sept. 11. Known for fusing horns with hip-hop, funk, reggae and Latin grooves, the nine-piece ensemble has lit up stages from Montreal Jazz Fest to Aspen Jazz Fest and is fresh off their album, $itizens of the World, and new singles like “In the Kitchen.” With a reputation for high-energy live shows and millions of streams across platforms, LowDown is poised to turn the beer garden into a brass-fueled dance party. 8pm, Thursday, Sept. 11, HopMonk Tavern Sebastopol, 230 Petaluma Ave. Tickets at hopmonk.com/sebastopol.

Sonoma County

Daiquiri Crush

Hawai‘i’s Kō Hana Rum is bringing a splash of aloha to harvest season with its Daiquiri Crush 2025 campaign, running now through Oct. 31 across Sonoma County. The effort celebrates the shared labor of farmers in Hawai‘i and Sonoma by spotlighting Kō Hana daiquiris at local bars, restaurants and retailers. The campaign kicks off with a Tiki launch party on Wednesday, Sept. 3 at Lo & Behold in Healdsburg, where proceeds will benefit Corazón Healdsburg’s work supporting local ag workers and their families. Throughout the season, residents can “Buy a Daiquiri for a Farmer” at venues including Lo & Behold, Geyserville Gun Club, Fern Bar and Catelli’s. Wednesday, Sept. 3, Lo & Behold, 214 Healdsburg Ave., Healdsburg. More at kohanarum.com.

Petaluma’s Art Haven, Ani and Bonnie Bonani of Slough City

Klaxons whirled and fizzed in my brain as I read a twice forwarded message (off the grapevine): “Slough City might not make rent this month.” 

“Ugggh,” I sputtered, “not another one…” If this cool summer season has been bad for venues generally, it has been terrible for queer-led art spaces, from the closure of local Strange Constellation to the pending closure of immortal Oasis in San Francisco. Blame the Trump chill; this is terrible news for those who love the weird and the wonderful.

It’s time to activate. Message received, I hopped on my steed (Prius) and tooted over to Petaluma to inquire why this art space might be worthy of fresh drafts of support. What I found there, next to Pinky’s Pizza, were wide open doors (symbolism alert). Barn doors, flanked by a progress pride flag on the right and a smirking image of “Sloughcy,” tentacled guardian of the slough and the right, on the left. 

Passing through open doors, one enters the gallery space, which is divided in two down the center line. One half is chock a block with the art and craft retail of 50 local artists. The other half is spare, hung and mounted with the current art show (at time of our interview, Dyllan Hersey). Through a second set of open doors is a common work table and the Slough City studios—a set of eight small art studios (one is open).

As I entered, Bonnie and Ani Bonani waved from the common table, and their elderly small dog barked. The two were piecing together rainbow shards of mirror glass (symbolism alert) for an infinity room for another artist’s Burning Man installation. The whole looked like a rocket ship or a virus (symbolism alert?). Random drop-ins like myself were welcome to help or not or to buy a  fundraising T-shirt Bonnie Bonani had made to pitch in. Fun cheesy dance music played as we chatted.

Cincinnatus Hibbard: How would you describe the Slough City art space?

Bonnie Bonani: DIY at its finest.

What are some of the media practiced in the Slough City studio spaces?

Bonnie Bonani: By the slough crew?

Ani Bonani: I do drawing and printmaking and painting and collage…

Bonnie Bonani: Ani just won first place at the Sonoma County Fair.

Ani Bonani: Blue ribbon, baby. Lucas is a photographer and mixed media painter. Bird is a fashion designer and organizer—she organized our ‘Rats in Hell’ fashion show. Gabe is a painter. Paris makes festival wear, works leather, makes prints and paints. She makes all sorts of stuff for the Wasteland Festival in Death Valley.

Ah, the ‘Mad Max’ festival; fun. What a rich community you have. You could do anything together…

Ani Bonani: And collaboration happens naturally through sharing the space. We want local artists to know that we have free supplies to make art with. People donate lots of supplies.

Tell me about your curation of the gallery and retail space ?

Bonnie Bonani: We don’t say no—to anyone. It’s art. And all art is important.

Did you combine your first names to create your last name?

Bonnie Bonani: Yes.

Learn more. Peep their Instagram gallery and showcase at @sloughcitystudios. Help them with rent at sloughcity.com. Check out their Queer Collage drop-in Fridays or their Community Craft Circle, Saturdays. One is encouraged to bring old, half-finished projects. Bonnie Bonani recommends toddling over for some slow time after a heavy brunch at Sax’s Joint Restaurant, saying: ‘There’s new art every month. You don’t have to give us your money; just get art in your eyeballs.’

Subud Marin Member and ‘Helper,’ Meldan Heaslip

Strikingly, Subud is an international spiritual movement without leaders. It has no rules and just one spiritual practice. Absent any authority, Subud’s “members” have no single, authoritative conception of god among them. Some members choose to “submit themselves to the will of almighty god” (who one just knows is a man), while others choose to surrender to the goddess, or the trinity, mixed pantheons, the earth, the universe, a value, an idea or the void. 

But strikingly, Subud’s members choose to do so together, in mixed communitarian worship. Which sounds strangely utopian. Absent any official doctrine, it is a challenge to describe their worship—which happens behind closed doors. It has a promisingly esoteric name, the “Latihan Kejiwaan,” but that is only a common Indonesian phrase meaning, “spiritual exercise.”

When asked, each Subud member had a profoundly different description of their worship, freely improvising purely personal descriptions from the pure phenomenology of the spiritual  experience. 

One member described Latihan to me like this: “Imagine shopping at Safeway among random strangers, when suddenly, the archangel Michael of burning brand rips the whole roof off the building. How would people react to the sudden proof and immediate presence of god? They would lose their sh**, right? Some would sing, while others danced; some would cry, others knelt, while still others rolled around on the ground speaking in tongues.” Kind of sounds like an old school art jam to me.

A second practitioner, describing the exact same practice, put it to me like this: “The Latihan is like coming in from the garden, where you were doing dirty work, and washing your boots—it’s a spiritual cleanse.”

I’m guessing here, but perhaps those two wildly different descriptions of the same exercise fit together as form and function where a refreshing and spiritual cleanse is the effect of spontaneous ecstatic worship.

A third attempt at clarifying what Subud is was provided by Meldan Heaslip—a long-standing member and “helper” at the Marin chapter of Subud (there are chapters all over the world). As we spoke, Heaslip was at pains to emphasize that he is not an official representative and has no special authority within the movement. He also spoke in a gentle Irish brogue.

Cincinnatus Hibbard: How do you do the Latihan? What is the instruction?

Meldan Heaslip: The only instruction that goes with the exercise is that we “let go.”

I understand what “results” is a spontaneous worshipful expression. So apart from the form, perhaps go through the stages?

Well, before beginning the exercise, we start with 10-15 minutes of quiet, sitting meditation. Then, everyone stands up, and for the next half hour, people are following whatever comes to them, which usually manifests in the form of movement, maybe singing—chanting, or being very quiet and still. The goal is that this is totally authentic and completely unique—no one copying anyone else. 

Across that half hour, there is a period in which one is energetically throwing off what’s happening in their life right now—which is cleansing. Then I find there is a period of prayer or being filled with grace. And then, sometimes, if I am lucky, there is also an element of receiving guidance.

Interesting. It seems like the Latihan is zazen sitting meditation, primal scream therapy, ecstatic dance and prayer rolled into one.

Subud is not for everyone. But for those that like meditation and movement and yoga, want to be a part of something without leaders or dogma and are searching for something that is both deeply spiritual and incredibly practical, then just maybe there is something here for you.

Learn more.: subudcalifornia.org/subud-california-at-marin/

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