Dregs of the Year

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In between the big themes of 2017—fire and rain, not necessarily in that order—a few pleasantly drinkable or otherwise amusing beverages got overlooked, axed in the final edit or otherwise failed to gain mention in our Swirl and Brew columns.

If you thought you’d see Lagunitas Brewing’s High West-ified Imperial Coffee Stout again, never mind that: just in time for the winter warmer season, the brewery’s annual “One-Hitter” monster stout release, and my candidate for the stoutest stout of 2017, is here. Called Willettized Coffee Stout because it’s aged in rye whiskey barrels from Willett Distillery of Kentucky, this roasted cocoa and root beer–scented brew is as creamy as the crema on a well-pulled espresso, shows chocolate liqueur and coffee notes without that “old coffee” taint that some stouts do, and is boozy but not hot, or “winey,” although this year’s version is stronger yet at 12.6 percent alcohol by volume. I may have seen a stronger stout, or maybe that was in some crazy dream. And why am I having these crazy dreams anyway—besides those whiskey-barrel coffee stouts?

It was nice to open a wine over the holidays to match the inevitable L.L. Bean merchandise—in Stewart tartan plaid, of course. Stewart Cellars, in Yountville, labels its most affordable red blend, Stewart 2014 Tartan Napa Valley Red Blend ($40), with a simple, green-dominated plaid label—that’d be a hunting Stewart tartan. Sweet and soft, this red has a creamy, raspberry liqueur charm as it sings past the lips, but puts on a bit of pencil shaving notes for show, too—it’s 60 percent Cabernet Sauvignon and 40 percent Merlot. Yes, in Yountville, $40 is the affordable red blend. While in Napa, and still in the holiday spirit, check out Hendry Winery’s 2014 Mike & Molly Zinfandel ($38) for its lively spiced note of cocoa, dregs of mulled wine or apple cider and deep flavor of berry liqueur.

This September, we enthused over Alley 6 Craft Distillery’s rye and single malt spirits but neglected to mention that tipplers who don’t prefer whiskey may enjoy the distillation of Dry Creek Valley peaches, while mixologists in the making may be inspired by the intoxicating aroma of the 86’d Candy Cap Bitters, made from wild-harvested mushrooms.

We also tasted unusual sparkling wine, but there’s nothing unusual about Woodenhead’s 2011 Russian River Valley Brut Rosé ($46), with its soft, strawberries and cream flavors, but the blend: mostly French Colombard, with only a splash of Pinot Noir. Dare we toast to a new year?

Dec. 21: Family Affair in Mill Valley

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Best known as the founder of San Francisco’s Hardly Strictly Bluegrass Festival, the late Warren Hellman’s musical legacy lives on today with an extended family of North Bay musicians and performers, who gather together for the Hellman Holiday Stomp. Children, grandchildren, siblings, cousins and friends of Hellman take the stage in several bands, including country-rock revelers Well Known Strangers, Lucinda Williams tribute act Lake Charlatans, Americana group Marco & the Polos and swinging outfit Nancy & the Lambchops. The evening caps off with the genial Go to Hell Man Band celebrating family bonds on Thursday, Dec. 21, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $20–$22. 415.388.3850.

Dec. 22: Musical Wonderland in Petaluma

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With 60 albums to his name, as well as film, TV and video game scores, David Arkenstone is one of the most prolific and imaginative New Age musicians working today. And he loves the holidays. Like Yanni and Mannheim Steamroller, Arkenstone has long been synonymous with the holidays for albums like Christmas Spirit, Celtic Christmas, Christmas Lounge and the new Southwest-inspired Native Christmas. The musician makes his Petaluma debut with his latest holiday-themed concert, titled David Arkenstone’s Winter Fantasy and featuring festive original and traditional holiday tunes for the whole family on Friday, Dec. 22, at Mystic Theatre & Music Hall, 23 Petaluma Blvd. N., Petaluma. 8pm. $25–$50. 707.775.6048.

Dec. 22: Sweater Weather in Napa

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We’ve all got one, usually stashed away in a closet for 11 months of the year. An ugly Christmas sweater is a requirement for any self-respecting partygoer, and this weekend, you can don that tacky turtleneck or crass cardigan for a good cause at the Ugly Sweater Party Fundraiser for Fire Relief. The night’s musical offerings will have you sweating on the dance floor with performances by Akil of hip-hop group Jurassic 5, DJ RAAMM, Sanho the Indian and Tommy Odetto. Ticket proceeds go to fire victims, so dress up ugly and party down on Friday, Dec. 22, at JaM Cellars Ballroom, 1030 Main St., Napa. 8pm. $20–$50. 707.880.2300.

Dec. 23: Seasonal Speakeasy in Sebastopol

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Sebastopol’s Sirens Studio engages North Bay audiences with multicultural art, dance and musical experiences and supports the creative community with scholarships, apprenticeships, sponsorships and other services. Now, the community at large can get a look at the dance studio and performance art space in the upcoming Sirens Winter Gala. Set in the Prohibition-era, the studio transforms into the Cat’s Pajamas speakeasy, with extravagant performances, live music, cocktails and other surprises. Prohibition attire and a secret password are required to get in to the party on Saturday,
Dec. 23, at Subud Hall, 234 Hutchins Ave., Sebastopol. 7pm. $40; $60 per couple. sirenswintergala.brownpapertickets.com.

The Year in Review

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Twenty seventeen may go down as the Year of Venting Spleen (and not just because “spleen” rhymes with “seventeen”), but because of media events such as the Dec. 12 USA Today editorial which led with the observation that a president who would all but call New York Sen. Kirsten Gillibrand a whore is unfit to clean toilets in the Obama presidential library. You had to think: Whoa, is this USA Today or John Oliver?

USA Today, the American favorite in the hotel lobby newspaper box, was characteristically balanced in saying President Trump was equally unfit to shine George W. Bush’s shoes. The editorial wins the Bohemian and Pacific Sun‘s year-end award for most pungently spleen-clearing moment.

At the end of 2017, there are local blessings wherever you look and especially in the spirit of community that emerged in the aftermath of the catastrophic fire-borne losses in October. In life as in the partially burned Luther Burbank Center in Santa Rosa, the show must go on, and it has, as we all grapple with a nation divided, regions across the state burned to a crisp, a tax “reform” bill that just might kill the California economy dead and a beat-down media on the ropes with fake-news charges on the one hand and a never-ending shameful parade of groping media moguls on the other.

For the North Bay, the historically rainy winter was equal parts blessing and blight, and gave us plenty to write about, but the horrible local fires came with no actual silver lining. The flood-and-fire events framed a natural year for the books, as the bestial politics of our time unfold in the outer-outer sphere of Cocoon California, at a place known as Mar-a-Lago.

Outside
the Cocoon

But that USA Today editorial got me to thinking outside the cocoon and about how much of a pain in the neck it is having this maniac in the White House. The editorial’s arrival into the growing file on Trump-as-disaster had a historic irony in that nobody took the USA Today seriously when it was launched 35 years ago—the colorful, general-interest pretense signaled the death of serious journalism, said serious journalists.

Meanwhile, in 2017, a trove of serious journalists—Glenn Thrush at the New York Times, Ryan Lizza of The New Yorker, Charlie Rose, not to mention seriously funny Sen. Al Franken—found themselves out of work thanks to the #MeToo moment, which garnered Time‘s Person of the Year. The Bohemian‘s person (or people) of the year is, of course, the Santa Rosa Fire Department and any and all first responders who helped out in the fires.

The inferno brought some clarity to the role of local media in 2017. Since the 2008 economic crash, community newspapers have folded or been enfolded into larger media conglomerates. To be locally drawn and based, if not biased under this administration, is a more difficult enterprise given our at once media-hating and media-loving president. At the same time, the man has inspired some of the fiercest investigative reporting in the big national dailies since the days of Woodward, Bernstein and Hersh.

Locally, we can blame Trump for a lot of things, including our generally foul mood, but he’s not responsible for the quality of the roads in Petaluma or the fact that Marin County emerged in 2017 as one of the least pro-pot counties in the region, despite having birthed the 4/20 movement. We can, however, blame Trumpian politics for Walmart and the wealthiest family in the country selling T-shirts over the summer that called for the lynching of American journalists. The shirts have since been removed, but not the stain of violence directed at reporters in 2017, the same year that saw a senator from Montana take his seat despite beating up a reporter on the road to victory in 2016.

Election Day 2017 was a far more joyful occasion than 2016, with victories for progressives, LGBT candidates around the country and on turf previously targeted by the likes of the Christian Coalition—school boards, local councils and the election of transgendered Democrat Danica Roem to a North Carolina seat in the statehouse formerly occupied by the homophobe who freaked out over gender non-specific bathrooms.

The Bar Is Low, Head to the Bar

Notable deaths in 2017 included the death of satire, the death of consumer-financial protections, the death of net neutrality, the death of renewable-energy tax credits and the death of David Bowie.

Oh wait, Bowie died in 2016. I’m still not over it. It’s a soul-crushing time to reflect on a hard-bent year that has been kind of relentless with the stressors. So here’s to CBD oil and to legalization generally under Proposition 64, whose benefits kick in on Jan 1. And here’s to radio station KRSA, the
San Francisco–based K-Love,
aka 103.3 Relax FM on the FM dial—if only to hear that guy with the deep, rich voice jump on between songs and say: Relax.

The music on KRSA is indeed relaxing and I need all the help I can get, but I mostly tune in to hear that guy say it: Relax. Alas, the station switched to a Contemporary Christian format in October. Speaking of contemporary Christianity, at least it can be said that this country didn’t send a child molester to the U.S. Senate in 2017. This year, victories over the right-turned America came in small doses, and a Doug Jones victory in Alabama underscored just how low the bar is these days.

Did somebody just say, let’s head to the bar?

Dialing us back to the local scene, many would head to the bar in 2017 in the North Bay. In the aftermath of the fires, social media reported that drinking heavily and doing yoga were key North Bay healing strategies, along with screaming randomly at PG&E utility poles and scouring Coffey Park for burned-out cats and dogs.

After the fires, the good people of Marin County took in thousands of refugees, who decamped in far-flung locales including Lawson’s Landing at Dillon Beach to hidden glamping spots on the coyote-strewn mesas of West Marin. Less heart-warming to behold was how a robust if controversial anti-homelessness campaign in Santa Rosa started to look more anti-homeless than anything else after numerous and ongoing raids of sites around the city.

As 2017 draws to a close, the indicators call for a recession within two years and the pressure is growing in the North Bay to deal with its chronic absence of affordable housing. An already tight real estate market felt the hurt badly with the destruction of 6,000 homes around the region—and average home prices spiked by $100,000 on average a month after the fires. At the end of 2017, the median price for a home in Marin is closing in on $1.3 million; in Sonoma County, it’s half that at $680,000. Check in on those numbers this time next year.

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Summer of Dud

On the cultural front, the Bay Area ran the meta-event table in 2017, which was billed and marketed as the Summer of Love Redux. In 2017, there were some moments of love, love was in the air and love rose from the ashes. Love continued to do its thing in 2017, despite the challenges and temptations of, well, hate.

The 50th anniversary of the Summer of Love was celebrated locally, but it all felt flat and defeated, counter-nostalgic and out of place in the currently harsh times. Activists appeared to be more focused on the #MeToo moment, the Trump onslaughts on civil rights for immigrants and on national monuments such as the Bears Ears in Utah, and in taking back the House and Senate in 2018. Still, the Summer of Love Redux was filled with endless stories told by unreconstructed hippies sitting around doing nothing in particular. Relax.

In 2017, the summer was too hot, again, and for seekers of relief along the coast, it’s getting to be more of a pain to get there and stay there if you do not possess unlimited patience or a helicopter, and most of us will come up short.

In Marin County, Highway 1 south of Stinson Beach was closed all year because of the spring rains which washed out the road and made it impassable in both directions. As a result, the traffic in West Marin was epic all summer and the snarls were unbearable, as was the parking in Bolinas—which only got worse when a poor blue whale washed ashore in the summer after getting hit by a ship and drew thousands of gawking tourists.

At the same time along Highway 101, the congestion-beating emergence of the SMART train provided commuters with an alternative to road-raging along the Narrows, even if the train’s impact on traffic was barely a blip, but that could change. The endless delays in getting SMART off the ground were immediately met with immense popularity for the new ride, and plans afoot in 2018 will perhaps add a car to the train to accommodate the demand.

There were cultural offerings everywhere to escape the onslaught of a world gone bad and Kim Jong-un’s ridiculous haircut. Long may Netflix run with documentaries such as 2017’s The Center Will Not Hold, about Joan Didion, which reminded us that hippie culture had a dark side that slouched toward disgrace and murder at times—children fed acid in the Haight, the Manson murders. Blech. And then Charles Manson died, almost on cue, on Nov. 19, just in time for the holidays.

Across the Border

A rolling storyline along the Marin-Sonoma border could not have been more poignant for what it might signal for the new year: the emergence of people shutting up about how they just had to vote for Trump because Hillary was such a nightmare.

There’s been a running battle along the retaining walls astride the Avenue D extension out of Petaluma which has gone on since Trump started to run away with the GOP nomination last year. Anti-Trump graffiti has popped up across from a Trump campaign sign hung way up a tree that declared the silent majority was back in town.

Over the past several months, the war of competing images and sentiments escalated, and the anti-Trump stuff was met with an American flag with the cross sticking out of it. The image is pretty alt-right folksy and featured olive drab electrical tape shaped to a crucifix.

It was there for quite a while, and the image was straight out of the Roy Moore campaign via his ever-present crucifix-meets-flag lapel pendant. All the graffiti and imaging was taken down and painted over around Thanksgiving. The “Silent Majority Stands for Trump” sign is gone, too. Perhaps among us there are those whose conscience has been shocked into the realization that This Was a Very Bad Idea.

The generally held existential pain of 2017 was eclipsed by a life-altering local catastrophe. In 2017, we witnessed the startling right-wing violence against Charlottesville protesters on our devices and on CNN, and we witnessed—or lived through—the soul-crushing Coffey Park inferno. And yet there was also an amazing solar eclipse to reflect upon, not to mention that infectiously catchy radio-ready hit from Portugal: The Man where we can all be a rebel just for kicks and think back on our own year.

The bar was low, but at least I did not wreck my car this year or go to jail or bury a relative. I fell in love, and I fell out of love. I saw lightning in a place where they say lightning never strikes, let alone twice, so that was something.

Good News,
Bad News

Burying relatives reminds me that the year 2017 was not without its moments of “the bad news is . . . , but the good news is . . .” For example, democracy is on the ropes, that’s the bad news. The good news is nobody will ever think someone is too weird to get elected president. In lowering the bar, Trump has also raised the possibility that, indeed, anyone can be president some day.

We’re media folks over here, so the the bad news for us is that The Village Voice, the venerable New York City weekly, went out of business in 2017, one of a handful of media properties to go belly-up in one way or another this year. Those other papers include the Houston Press, which folded soon after economy-killing Hurricane Harvey hit, and the LA Weekly which has apparently been bought by a cabal of Republicans who want to run a newspaper where nobody gets paid for writing. The good news is that Henry Rollins’ column in the LA Weekly was even worse than Alice Cooper’s unbearable syndicated radio station, but I’m biased. Relax.

But the really good news is that with the death of The Village Voice, the Pacific Sun is now the oldest continuously published alternative newspaper in the United States. It hasn’t been bought out by Republicans, king tides have not, and will not, flood us out, and our team at the Bohemian and Pacific Sun have just published our first edition of Explore North Bay, a lifestyle magazine about food, drink, outdoor adventure and the arts—all the great things we have to be thankful for in our neck of the woods.

Long live print and in particular USA Today—especially now that my internet service has inexplicably slowed to a crawl and I can’t stand listening to the FCC’s Ajit Pai being interviewed on KSRO for another second. Relax . . .

Moon Stuck

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In most modern musical revues, much of the drama and emotion springs from the nostalgic hit an audience gets at hearing beloved and familiar old songs.

That’s certainly the case with My Way: A Musical Tribute to Frank Sinatra, now playing in a cozy, cabaret setting at Cinnabar Theater. Anyone who feels their pulse quicken at the opening strains of “Fly Me to the Moon,” or for whom the Rat Pack songbook exists as a poignant soundtrack to their lives, will likely be ecstatic from beginning to end. For such folks, there will be plenty of drama in the sweet or sad memories surfacing through the pleasant (but rarely very exciting) performances of Desiree Goyette-Bogas, Rocky Blumhagen, Carolyn Bacon and Mark Robinson singing dozens of Sinatra’s most famous songs. Everyone else will probably walk away thinking, “Meh.”

My Way, directed by Jennifer King, who certainly creates some pretty stage pictures, is certainly a classy affair, what with its quartet of singers dressed in tuxedos and evening gowns. The band—musical director Cesar Cancino (piano), Jan Martinelli (bass) and Randy Hood (drums)—is easily the best part of the show. They are so much fun to watch and listen to, at times I wished they’d been given a medley of songs to play themselves, sans lyrics.

The “script,” if that’s even the right word, is by Todd Olson, who randomly has the cast drop trivia tidbits, about Sinatra’s birth weight, his love of the moon, his various romances and wives. The songs are primarily presented in clusters, delineated by subjects—love, alcohol, aging, various cities, which almost gives the show a glimmer of plot now and then.

King gives the cast things to do from time to time—pouring drinks, tipping the pianist, flirting and kissing, even dancing a little—but rarely do they get a chance to break out and have fun, which seems to be missing the point of a show inspired by party animal Frank Sinatra.

Still, even at the evening’s frequently soporific pace, there are moments of true pleasure—when a four-part harmony soars, or two singers actually make eye contact and pleasantly remind us what it’s like to fall in love. At such moments, especially for those in the audience who fell in love to a Sinatra tune, My Way reminds us just how exciting a singer Sinatra was. If only this show were as interesting or thrilling as he was.

Rating (out of 5): ★★★

‘My Way: A Musical Tribute to Frank Sinatra’ runs through Dec. 14 at Cinnabar Theater, 3333 Petaluma Blvd. N., Petaluma. Friday–Saturday, 8pm; Sunday, 2pm. $25–$45. 707.763.8920.

Far & Away

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Bay Area alt-folk string band Brothers Comatose have never been bound by tradition.

After eight years, countless tours and three acclaimed albums, Petaluma natives and brothers Ben and Alex Morrison, and fellow band members Gio Benedetti, Philip Brezina and Ryan Avellone, are changing the formula and putting their efforts into a series of strategically released singles, including the wistful acoustic gem “Joshua Tree,” released this month.

“The last record [2016’s City Painted Gold] inspired that a lot,” says Ben Morrison. “Putting out an album is a long process. You’re sitting on music over a year after you’ve recorded it before it’s released, and that just seems so crazy to me.”

Instead of holing up for months to record, mix, master, print, promote and tour behind one set of songs, Brothers Comatose are popping in to studios like Tiny Telephone in San Francisco and recording a single track. Once those songs are mixed, they’re released as soon as possible, one at a time.

“It’s mostly to keep us interested and excited,” says Morrison, “because you’re releasing the music while it’s still fresh.”

Already, Brothers Comatose have seen the fruits of their labor this year, as their first three singles—”Don’t Make Me Get Up and Go,” “Cedarwood Pines” and “Get Me Home”—became fan favorites in the middle of the band’s Campfire Caravan tour this past summer. “We went places we don’t normally go and would play the new songs,” says Morrison. “And it was cool to see people singing the words along to these songs that had just come out.”

The new “Joshua Tree” is a bit of a departure for the normally raucous and rowdy band; it’s a slow-building and intimate song that opens with a finger-picked guitar and Morrison’s resonant baritone voice invoking the national park’s famous sense of serenity. “It’s a magical place, it’s got this beautiful prehistoric vibe to it,” says Morrison. “It’s been a getaway for me.”

Speaking of getaways, after Brothers Comatose plays their annual run of pre–New Years Eve shows in Petaluma on Dec. 29–30, the band will travel to China in late January for three weeks as part of a cultural music exchange with the American Music Abroad program, directed by the U.S. State Department.

“It’s going to be a mix of shows and educational performances,” says Morrison. “Bringing American music to other parts of the world.”

Snatch

The 1973 J. Paul Getty III kidnapping is a chilling story that left its imprint on late-20th century cinema: the single grisliest detail was borrowed for everything from Blue Velvet to Reservoir Dogs. In Reservoir Dogs, Tarantino swerved the camera away from the ear-trimming scene; here, director Ridley Scott spares us nothing.

Charlie Plummer plays the grandson of the world’s richest man, tripping through what’s left of the La Dolce Vita scene in shapeless hippie clothes. He’s stuffed into a VW van by bumbling Calabrian kidnappers, who demand a $17 million ransom. The elder Getty (Christopher Plummer, a last-minute replacement for the disgraced Kevin Spacey) refuses to pay up.

According to this version, the billionaire Getty had both defensible and indefensible motives for his miserliness. Getty the elder had 17 grandchildren, all of whom might turn up kidnapped later if the criminals prospered. Less defensible: only the first million dollars of paid ransom is tax deductible.

It’s surprising how toast-dry this story of decadence and crime is. One problem is the difference between the plausible fictionalizations and the implausible ones, including an entire ending chase sequence that’s obviously concocted, as well as comeuppance for the plutocrat cheapskate.

As Paul’s grieving mother, Gail, Michelle Williams is feisty but seems to come from nowhere, a character there to demonstrate Williams’ ability to go full lamenting Pietà in five seconds. Despite an exciting near-escape from captivity using fire, Charlie Plummer isn’t much more interesting playing the imprisoned victim.

Pauline Kael believed there was never a really great movie about kidnapping—Kurosawa’s High and Low being the exception. All the Money in the World is a poor movie, and all it needed was a bad main performance to sink it. And as Getty’s ex-CIA security chief Fletcher Chase, Mark Wahlberg does the trick.

‘All the Money in the World’ is playing in wide release in the North Bay.

Local Odyssey

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‘Mid-May. Somewhere in a small, picturesque hamlet nestled snugly in the Northern California Wine Country, Rachel Fischer-Alvarez, forty-five, stands barefooted on the front stoop, soaking up rays of sunlight that filter through a half-dead mulberry.

“Having dropped the kids off, washed a sink full of dishes, made the beds, showered (barely), fed and walked the dog, wiped down the toilet seats, fed the much anticipated cat (missing three weeks now), disposed of the science projects in the refrigerator, and answered emails all by nine a.m., the rest of Rachel’s day is an Odyssey.”

So begins The Green Tara, the new mystery from Sonoma-based author and poet Lisa Summers. She unveils the book on Thursday, Dec. 21, at Bump Wine Cellars in Sonoma with a release party that will include a short treading from Summers and a performance of acoustic music from her daughter, Sarah.

The Green Tara signifies a new direction in Summers’ writing career, which began with pieces for the Pacific Sun and science articles. Summers went back to college and earned a masters in English from Sonoma State University, and soon after co-founded the Sonoma Writers’ Workshop, which hosts curated literary events, with friend Daedalus Howell.

“You have to remember, I’m raising four kids this whole time too,” says Summers.

While she wrote a novel for her thesis at SSU, Summers primarily considers herself a poet, and she’s released two collections; 2013’s Star Thistle: And Other Poems and 2014’s Ogygia.

The Green Tara “was an attempt to write something that could be commercially viable,” Summers laughs. More than that, The Green Tara is also her attempt to expand on her poetic perspectives and fully realize a female character, whom she believes is often missing from modern literature.

“I think women don’t recognize themselves in a lot of books,” says Summers.

Wanting to communicate the everyday struggles of domestic life, Summers’ characterization of Rachel in The Green Tara aims to de-stigmatize the role of the housewife and offer a portrayal of a woman living underpaid and under-recognized. And then Summers adds a bit of mystery.

“You have this smart, stay-at-home mom who’s buried under this domestic life, and because she’s so invisible, no one would ever assume she would be able to solve this mystery by herself,” says Summers. “But it’s the training of being a mom in a small town that clues her into all these little happenings.”

Dregs of the Year

In between the big themes of 2017—fire and rain, not necessarily in that order—a few pleasantly drinkable or otherwise amusing beverages got overlooked, axed in the final edit or otherwise failed to gain mention in our Swirl and Brew columns. If you thought you'd see Lagunitas Brewing's High West-ified Imperial Coffee Stout again, never mind that: just in time for...

Dec. 21: Family Affair in Mill Valley

Best known as the founder of San Francisco’s Hardly Strictly Bluegrass Festival, the late Warren Hellman’s musical legacy lives on today with an extended family of North Bay musicians and performers, who gather together for the Hellman Holiday Stomp. Children, grandchildren, siblings, cousins and friends of Hellman take the stage in several bands, including country-rock revelers Well Known Strangers,...

Dec. 22: Musical Wonderland in Petaluma

With 60 albums to his name, as well as film, TV and video game scores, David Arkenstone is one of the most prolific and imaginative New Age musicians working today. And he loves the holidays. Like Yanni and Mannheim Steamroller, Arkenstone has long been synonymous with the holidays for albums like Christmas Spirit, Celtic Christmas, Christmas Lounge and the...

Dec. 22: Sweater Weather in Napa

We’ve all got one, usually stashed away in a closet for 11 months of the year. An ugly Christmas sweater is a requirement for any self-respecting partygoer, and this weekend, you can don that tacky turtleneck or crass cardigan for a good cause at the Ugly Sweater Party Fundraiser for Fire Relief. The night’s musical offerings will have you...

Dec. 23: Seasonal Speakeasy in Sebastopol

Sebastopol’s Sirens Studio engages North Bay audiences with multicultural art, dance and musical experiences and supports the creative community with scholarships, apprenticeships, sponsorships and other services. Now, the community at large can get a look at the dance studio and performance art space in the upcoming Sirens Winter Gala. Set in the Prohibition-era, the studio transforms into the Cat’s...

The Year in Review

Twenty seventeen may go down as the Year of Venting Spleen (and not just because "spleen" rhymes with "seventeen"), but because of media events such as the Dec. 12 USA Today editorial which led with the observation that a president who would all but call New York Sen. Kirsten Gillibrand a whore is unfit to clean toilets in the...

Moon Stuck

In most modern musical revues, much of the drama and emotion springs from the nostalgic hit an audience gets at hearing beloved and familiar old songs. That's certainly the case with My Way: A Musical Tribute to Frank Sinatra, now playing in a cozy, cabaret setting at Cinnabar Theater. Anyone who feels their pulse quicken at the opening strains of...

Far & Away

Bay Area alt-folk string band Brothers Comatose have never been bound by tradition. After eight years, countless tours and three acclaimed albums, Petaluma natives and brothers Ben and Alex Morrison, and fellow band members Gio Benedetti, Philip Brezina and Ryan Avellone, are changing the formula and putting their efforts into a series of strategically released singles, including the wistful acoustic...

Snatch

The 1973 J. Paul Getty III kidnapping is a chilling story that left its imprint on late-20th century cinema: the single grisliest detail was borrowed for everything from Blue Velvet to Reservoir Dogs. In Reservoir Dogs, Tarantino swerved the camera away from the ear-trimming scene; here, director Ridley Scott spares us nothing. Charlie Plummer plays the grandson of the world's...

Local Odyssey

'Mid-May. Somewhere in a small, picturesque hamlet nestled snugly in the Northern California Wine Country, Rachel Fischer-Alvarez, forty-five, stands barefooted on the front stoop, soaking up rays of sunlight that filter through a half-dead mulberry. "Having dropped the kids off, washed a sink full of dishes, made the beds, showered (barely), fed and walked the dog, wiped down the toilet...
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