Seattle or Bust — Finding Winter in the Heart of Spring

The trouble with living in California is that the winter rain lasts for two or three weeks and then we are gifted with an early, dry spring, which leads directly into fire season. Every single year. This would not be a problem … except that it is. Hugely. Sometimes a person needs to experience a real winter, with rain, just so they remember water exists. I am that person. And when I feel the need for actual moisture, I drive to Oakland, climb into a flying cigar, close my eyes and materialize in Seattle two hours later.

Ahhhh, Seattle. Where the sun rarely shines for 6 months of the year. They say Alaska makes for a rough winter, but I’ve been to Alaska and I’ve been to Seattle, and Seattle is also rough. I tried braving the Winter of ’17 in Seattle. That was a frozen, snowy winter, and however fun snow is to a Coastal Californian, it grows tiresome after about two days without skis, on pavement. Truth.

But snow is not the real problem. The cold is. I never knew how much I disliked the cold until I lived in it, day after day. Cold air has a smell; a sharp tang, like metal. I do not like that smell.

But the cold was not the real problem, either. The lack of sun was. Summer ended and the sun just … went away. When it did occasionally appear through the clouds—and they were storm clouds, not puffy white California clouds—I literally changed into a short-sleeved shirt and ran outside to embrace its precious rays until it disappeared 10 minutes later. I cannot describe how much the sight of the sun, and the feel of its light and warmth on my skin, meant to me. And that is how I learned, with certainty, that I am—and always will be—a California baby.

And yet, negatives aside, Seattle rocks. It has an incredible array of interesting neighborhoods, my favorites of which are artsy Fremont, with its Lenin statue, rocket and Dumpling Tzar, and post-industrial Georgetown, with its vintage stores and parking lot Trailer Park Mall. And Seattle is an economic powerhouse, something that never ceases to blow my mind. It’s like the Bay Area 2.1. It’s a majestic hub, is what it is; the jewel of the Northwest.

Oh, and it rains and rains and rains and rains up there.

All of which is to say, to anyone wanting a damp winter: Go to Seattle. I go for a week every December or January, and it cures me of my seasonal California regret. I enjoy the entire wet experience.

And the best thing about it? The California spring that greets me when I come home.

Mark Fernquest lives and works in West County. He imagines he is a writer.

Cricket Rock — Santa Rosa Artist forms All-Star Trio

During the course of a lifetime of making music, Santa Rosa multi-instrumentalist, songwriter, producer and artist-manager Darwin Meiners made some famous friends.

Last year, Meiners began collaborating with two of those luminaries, bassist David J, of Bauhaus and Love & Rockets, and drummer Victor DeLorenzo, of Violent Femmes, and now the trio is an official band, Night Crickets.

Last month, Night Crickets released a full-length debut album, A Free Society, that is garnering rave reviews, and the group is already discussing possible tours in 2023 and beyond.

“I still pinch myself,” Meiners says of the project. So, how did it all happen?

Night Crickets’ roots stretch back almost 10 years, when Meiners met and befriended David J while playing a Love & Rockets tribute show in Los Angeles and soon after met DeLorenzo at Coachella when the Violent Femmes reunited at the festival.

Both DeLorenzo and David J ended up contributing to a couple of Meiners’ musical projects, in addition to Meiners managing David J and touring with him. All three artists kept in touch and eventually reconnected, via email, during the pandemic.

“I was bored with not playing,” says Meiners, who reached out to DeLorenzo about doing some drumming on a new batch of ideas. DeLorenzo agreed and suggested they recruit David J to join them.

“We just started making music,” Meiners says. “We didn’t have any plan at all. Nobody knew what was going on with the pandemic. We thought it was just going to be for us.”

Collaborating over Zoom, and sharing ideas and musical elements online, the three artists found that they clicked on everything and had fun doing it. After completing six or so songs, the trio decided to make it official, arranged a record deal with Omnivore Recordings and set about completing a full album under the name Night Crickets.

The group’s debut album, A Free Society, contains traces of sounds from Bauhaus and Violent Femmes, yet it’s a completely original collection of 13 darkly melodic and rhythmic pieces full of gothic pop and punk folk.

“One of the things I like about the record is that even though we never were in the room together, it feels like you are in the room with us,” Meiners says.

Meiners laughs when asked about Night Crickets’ burgeoning status as a supergroup, saying, “They’re like Batman and Robin, and I’m Alfred, I guess.”

“I’m just happy to play with those guys,” he says. “We all get along really well. I’m honored to be in this band, and everything that comes with it is just extra to me.”

“A Free Society” is available now at Omnivorerecordings.com/night-crickets.

The Truth Hurts — Taskmaster Callas Brought to Life in Sonoma

The name Maria Callas means little these days to people unversed in the world of opera, but to those in the know the American-born Greek soprano will always be “La Divina.”

Callas passed away in 1977 at the age of 53. Memories of her might have faded completely from the stage but for playwright Terrence McNally’s Master Class, currently running on the Rotary Stage at the Sonoma Community Center. The Carl Jordan-directed production runs through Feb. 27.

A master class is a class given to students of a particular discipline—such as music—by an expert of that discipline. Callas taught a few of these at the Juilliard School in the early 1970s, where playwright McNally was apparently in attendance. Twenty-five years later, McNally’s fictional take on that experience opened on Broadway and won the Tony for Best Play.

Andrews Hall is turned into a rehearsal hall/classroom, and the audience into students, as Callas (Libby Oberlin) prepares to take on three singers. The grand dame enters and assures the audience that the evening is about the students and not about her.

Riiiiiiiight.

The first student, Sophie (Emily Evans), is cut off after a single note. A young, doltish Southern California-educated Tenor (Robert Dornaus) puts Callas off with his desire to be rich and famous. Sharon (Morgan Harrington) exits after Callas insults her dress, but returns and ends up giving Maria as good as she gets.

Callas is blunt, caustic, withering and unequivocal in her critiques of the students. They all have the ability and the talent, but what they all lack is the essence of truth required of great art. That truth is born of pain and sacrifice, and Callas delivers several interior monologues that speak to the pain she’s suffered and the sacrifices she’s made for her art.

Oberlin is first class in Master Class. Oberlin’s background in teaching was a definite asset in interpreting the role, particularly in a moment of incredulity when she discovers a student has failed to bring a pencil to class, though I’m not sure Callas’ method of tearing-down-to-build-stronger would fly in today’s world.

The students’ musical performances, when they were allowed to deliver them, were also first rate, as was the accompaniment of John Partridge.

Audiences with an interest in any art form will appreciate the passion Callas had for her work and the overall excellence put into this simply-staged production.

“Master Class” runs through Feb. 27 at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs–Sat, 7:30pm; Sun, 2pm. $25–$37. Proof of vaccination with ID and masks required. 866.710.8942. sonomaartslive.org

Skunks and Headlands — Two Poems

By Jan Forslow

The King of the Boardwalk

A Poem About a Neighborhood Skunk

He walks down the boardwalk like he owns this place.

There is nothing in this neighborhood he cannot face.

Fashionably dressed in a black-and-white striped suit,

There is no one that can stop this fashionista’s pursuit.

A slight problem, though, is his unmistakable smell.

Even he himself would agree that it stinks like hell.

This odor has made him a lonely poor soul.

And a regular at the boardwalk watering hole.

Every night at dusk, to the beach he proudly goes.

Despite this, his real name nobody knows.

I call him Prickly Peters in lack of his real name.

Our landlord he could, namely, easily defame. 

But Prickly Peters does not care about fame nor titles.

He goes to the beach eating fish, improving his vitals.

And once in a while he takes a detour to build on his den.

We are so honored to have him as our boardwalk friend.

In the Morning

A Poem About Marin Headlands

In the morning, when sun rise

Hillside adorning, in clear skies

Grass of green, fills the scene

A shade of blue, morning dew

Hawks are flying, high in sky

Squirrels eyeing, nature’s spy

Deers are roaming, in slow stride

Proudly combing, in grass wide

Poppies blooming, leaves unfold

Eyes consuming, yellow and gold

Lupines rise, two feet high

Nature’s paradise, makes me sigh

Time stands still, calm the headlands instill

Love is in the air, beauty everywhere

In the morning.

Jan Forslow lives in Sausalito and writes poems, short stories and music in his spare time when off duty from Arable Labs. 

Culture Crush — Culture Crush — Napa Beer Mile, Margaret Atwood and More

Napa

Drink a Mile

In addition to its renowned Wine Country reputation, Napa Valley is becoming a home for world-class beers and brewers. Several of those breweries are participating this weekend in the third annual Napa Beer Mile. The walkable event invites beer aficionados to spend the day leisurely exploring six downtown Napa craft breweries, all of which will offer special half-off pricing on glasses of beer. Those who can make it to the end—responsibly—will also receive a commemorative cap. The Napa Beer Mile begins on Saturday, Feb. 26, at St. Clair Brown, 816 Vallejo St., Napa. Noon. $25. Napabeermile.com.

Sonoma

Making Magic

Award-winning, New York-based performer, lecturer and creator, Mario “The Maker Magician,” who has been seen on Sesame Street and live on tour with David Blaine, returns to the North Bay with a new show featuring illusions mixed with the Maker movement. Mario “The Maker Magician” Marchese is well known for his robotic creations, upcycled props and new-school slapstick character; all of which he brings with him for an interactive and inspiring experience on Saturday, Feb. 26, at Sebastiani Theatre, 476 First St. E., Sonoma. 2pm. $15–$20. Proof of vaccination required. Sebastianitheatre.com.

Occidental

Music History

Occidental Center for the Arts celebrates Black History Month this weekend with an exciting homage to Motown’s greatest songs and stars. The award-winning tribute band Sha’Motown will take the stage, featuring angelic songstress Ariel Marin, who grew up around Bay Area recording artists ranging from the Grateful Dead to Tony Saunders. Joining her will be musical arranger and platinum producer James “Jae-E” Earley and a full band that’s sure to get the crowd dancing on Saturday, Feb. 26, at 3850 Doris Murphy Court, Occidental. 7:30pm. $25–$30. Proof of vaccination required. Occidentalcenterforthearts.org.

Online

New Tales

Margaret Atwood is the author of more than 50 books, including the 1985 classic, The Handmaid’s Tale, and her writing encompasses fiction, poetry and critical essays. This March, Atwood unveils her latest collection, Burning Questions: Essays and Occasional Pieces, 2004 to 2021, in which she offers funny, curious and prescient takes on everything from debt to the climate crisis to granola. To mark the book’s release, Atwood appears online in a conversation with author Judy Blume (Are You There God? It’s Me, Margaret) hosted by Book Passage on Tuesday, March 1, at 5pm. $40, including a book. Bookpassage.com.

—Charlie Swanson

Marc Levine Pushes for Transparency at Department of Insurance

On Tuesday, Feb. 22, Assemblymember Marc Levine announced legislation which would require the state’s Department of Insurance to regularly disclose staffers’ communications with insurance companies. A separate bill would mandate that all state agencies retain emails and other documents subject to public records requests for at least two years.

Levine, whose district includes Marin County and part of Sonoma County, has served in the Assembly since 2012. He was reelected in 2020 and will be termed out at the end of this year.

Instead of leaving public life, Levine hopes to win a statewide office as state Insurance Commissioner, leading the California Department of Insurance, which is tasked with regulating insurance companies’ behaviors in the state.

Levine argues that the current Insurance Commissioner, Ricardo Lara is too cozy with the insurance companies he is meant to regulate. Among the controversies dogging him, Lara received $54,000 from insurance executives and their spouses to fund his re-election campaign. He also reportedly attended a pricey New Years Eve party in London with a Farmers Insurance lobbyist.

The bills Levine introduced on Tuesday come in response to Lara’s recent scandals.

The first bill, Assembly Bill 2323, would require the Department of Insurance to publish ex parte communications involving the Insurance Commissioner and their staff on the department’s website once every three months.

“This disclosure is critical to ensure that the public has access to often sensitive information shared between the commissioner, Department staff and regulated entities. AB 2323’s disclosure requirements would protect consumers and hold insurance companies accountable for attempts to secretly influence decisions at the Department of Insurance,” a Feb. 22 press release from Levine’s office states.

Levine’s second bill, Assembly Bill 2730, targets another recent scandal.

In January, Lara once again came under fire when news broke that the department had implemented a new policy requiring most staff emails to be automatically deleted after 180 days unless they were specifically marked for retention. The agency later reversed course.

AB 2370 would require all state agencies to keep emails and other public records for a minimum of two years, a requirement local agencies, such as cities and counties, already comply with.

In his press release, Levine calls the two bills “important tools necessary to restore ethics and transparency in the Department of Insurance and continue the Department’s mission to fight for consumers across the state.”

If Levine’s transparency bills pass and his campaign for statewide office succeeds, reporters may use the bills against him in years to come. All in all, that seems like a decent insurance policy for voters.

Sonoma County Seeks Community Input on Hiring Next IOLERO Director

Sonoma County is asking for community feedback to guide a nationwide search to select the next director of the County’s Independent Office of Law Enforcement Outreach and Review agency.

Founded in 2015, IOLERO is tasked with reviewing internal investigations completed by the Sonoma County Sheriff’s Office, making policy recommendations and listening to community members’ thoughts about the Sheriff’s Office.

The selection of IOLERO’s third director is expected to guide how active the agency is in its review of Sheriff’s Office policies and use-of-force incidents.

Karlene Navarro, IOLERO’s second director, resigned last November after being appointed as a judge to the Sonoma County Superior Court. Attorney Garrick Byers currently serves as the agency’s interim director.

The County will begin a nationwide search for Navarro’s replacement in March. An online survey seeking public input will be open until 11:59pm on Sunday, Feb. 27.

The IOLERO Survey can be accessed in English at www.surveymonkey.com/r/ZWDQWZN or in Spanish at www.surveymonkey.com/r/JTBST3G.

Since the start, IOLERO has been the subject of a political struggle with law enforcement oversight advocates pushing for more oversight and law enforcement unions resisting. The first two directors have not been immune to politicization, either. 

The agency’s first director, Jerry Threet, was more popular with community activists, but came into conflict with then-Sheriff Robert Giordano in 2018 about how much access IOLERO should have to Sheriff’s documents during IOLERO’s investigations.

In turn, advocates have argued that Threet’s successor, Karlene Navarro, was too friendly with the Sheriff’s Office during her tenure.

In November 2020, the struggle went to the ballot box with 65% of Sonoma County voters approving Measure P, which increased IOLERO’s funding and powers. Law enforcement unions quickly challenged the legality of the way the Sonoma County Board of Supervisors added Measure P to the ballot. As a result, many of Measure P’s provisions are still in legal limbo.

At a Feb. 7 meeting, IOLERO’s Community Advisory Council, a group of volunteers, discussed the process of hiring the agency’s next director. Community members pushed for a community-driven, transparent recruitment process.

“The information collected from the survey will be used by the county and the recruitment firm to communicate key information about the position in the recruitment brochure and advertising, as well as the assessment of candidates in areas that are of high importance in the selection process,” stated a recent County press release.

Trash Look — It’s the New Fashion

Hi, “Look” family!

How was everyone’s week? Looking lovely, enjoying the surreal and problematic-but-beautiful weather? Strange, sunny times. But let’s not get too caught in the Dali-esque dreamscape we call reality. I have a fun fashion event to promote.

The Sonoma Community Center is hosting their 12th Annual Trashion Fashion Show, to be held on April 2, coincidentally my birthday. The Trashion Fashion show is an opportunity to showcase any creative skills we might have, active or dormant, and to create wearable artwork.

I spoke with the Community Center’s Creative Programs Manager Eric Jackson, who adopted the show in 2018, and is described by his colleagues as the mastermind behind Trashion Fashion’s epic energy. Jackson came from Broadway—swoon—and is thrilled to bring his skills and experience in art and theater to the show.

“It’s about creative sustainability,” Jackson said. “The whole angle of the Center is arts and culture, and this is our way of giving back, especially during April—Earth month—in a creative way. Taking what we normally think of as trash and giving it a new life and new purpose helps us reconsider our quick decisions to throw something away. And in addition to the wild and playful trash fashion, we also have a Ready-to-Wear category, honoring outfits built from items from a thrift store or the back of a closet. It’s our way of combating fast fashion and fiber waste. It’s fun, and it makes a difference.”

Better news still, this year the Community Center is hosting open studios for those interested in entering the Trashion Fashion Show but unsure of where to start, short on materials or in need of an uninterrupted creative space. Feb. 19 and 26, and March 5 and 12—all Saturdays—from 1pm to 3pm, register to spend time in Studio 201 and access their great tools, a focused space and some fellow Trashion designers. These sessions could be the thing that takes your designs to the next level!

The Trashion Fashion Show is a competition and in-person runway show and is accepting entries through March 1. Friday, April 1 will be a rehearsal with a runway coach for all submissions accepted—come prepared to strut! All ages are welcome and encouraged to submit.

For more information on the event as well as rules and entry forms, visit trashionfashionsonoma.org or www.sonomacommunitycenter.org.

Looking good, everyone!

Love,

Jane

Jane Vick is a painter, writer and journalist who has spent time in Europe, New York and New Mexico. She is currently based in Sonoma County. View her work at janevick.com.

Audley Enough — ‘Strawberry Mansion’

By Kelly Vance

It’s February, and some strange items are floating into theaters, including a steady flow of horror quickies like Strawberry Mansion.

As conceived by veteran actor-writer-producer-director Kentucker Audley (Funny Bunny, Her Smell, Holy Land, Saul at Night) and Albert Birney, maker of such low-budget head-scratchers as Sylvio, the 2021 production Strawberry Mansion is a fantasy/sci-fi character study being advertised as a Sundance audience favorite. It tells the story of James Preble—played by filmmaker Audley—a government bureaucrat in the year 2035, whose doubts about his job take him over the edge. In this particular setting, every citizen has an electronic console mounted next to their bed, monitoring their dreams and, after the citizen awakes, billing them for the experience. The dreams themselves are absurd commercials for fried chicken and soft drinks, electronically implanted in the citizens’ minds while they sleep. 

One day Preble drives to a flamboyant Victorian house in the country to investigate the case of its owner, a senior citizen named Bella who is played by longtime TV and stage character-actor Penny Fuller. Bella owes back-taxes on her dreams. Worse, she disdains the internet and relies on her collection of outmoded VHS tapes for entertainment. Worse still, her dreams are defiantly her own. Bella offers the awestruck Preble a place to stay for the night, after asking him to lick a magic ice cream cone. Down the rabbit hole he goes, in a whirlwind of hallucinations involving fanciful imaginary creatures, most intriguing of which is Young Bella (Grace Glowicki), a gregarious, charming manifestation of Bella in her youth.

We can’t help looking at the naive Strawberry Mansion on its own terms. Movies and TV shows are full of dystopian visions. But Audley, Birney and company are intent on overcoming the negativity with a sweet hippie grandma and all the talking flies, frog waiters, rat sailors and giant blue demons the screen can hold. The effect is comfy, romantic and gratifyingly illogical.

In their way, Birney and Audley counter the message of O’Brien, the grand inquisitor of George Orwell’s 1984: “If you want a picture of the future, imagine a boot stamping on a human face—forever.” Strawberry Mansion instead offers a future in which a government agent who drives a 1961 Corvair falls in love with a woman he sees at two different stages of her life, and chucks the world of force-fed consumer dreams for his own private wonderland. What an alternative.

At the Roxie, in San Francisco, beginning Feb. 18; streaming and VOD Feb. 25.

Letters to the Editor — In Response to Absurd Harte Ad

Dear Readers

A certain paid advertisement has appeared in our pages that has raised both the eyebrows and the ire of some readers—not to mention those of us staffers who, it should be noted, only manage the editorial content of the Bohemian and Pacific Sun. We are not involved in determining what advertising, advertorials or other promotional materials appear in our publications. That said, we appreciate and acknowledge your justifiable concern and encourage you to keep the letters coming.

— Daedalus Howell, Editor

Ironic Ad

Page 3 of your Feb. 9–15 edition contains some uncanny unintentional (maybe?) irony. First there is Tom Tomorrow’s satirical “This Modern World” cartoon about the absurdities of internet-generated “misinformation” and lies. Right next to that is a paid advertisement from a chiropractor containing multiple examples of that very problem, primarily about COVID and vaccines.

As a longtime former Pacific Sun contributor and even longer-term public health specialist and ethicist, I urge you to be more judicious and responsible in what you choose to publish.  Refusing ads—even though they help pay the bills—that contain demonstrably false and dangerous inaccuracies is not “censorship,” but is responsible publishing, especially during a pandemic. I trust you wouldn’t publish denialism of, say, climate science, the Holocaust or anything containing undeniably vile hate speech. With the number of Americans alone dead from COVID now approaching one million and so many still at risk, fact-based information on health is crucial as well.

Please don’t let your readers down in this important regard.

Steve Heilig

West Marin

Slippery Slope

It is surprising and a bit disappointing that the Bohemian decided to print a paid advertisement which makes no common sense, as alluded to by the author.

It is not that free speech and free scientific inquiry have become controversial now, as the good doctor states—it has always been controversial! Yet “good doctor, Harte,” under the auspices of freedom of speech, is accusing the government—among other entities—of engaging in misinformation to mislead the general public. By cherry-picking statistics to uphold his argument, he leaves out many important facts regarding the overall efficacy of the vaccine and other attempts to mitigate the risks to the population, and casts blame. Surely, the good doctor must know that science almost always lags behind when it comes upon new and unfamiliar medical issues—and must rely on research data compiled over time to postulate what policies might promote an effective response regarding the populace.

I am not a proponent of censorship, and do believe in free speech, but with the caveat laid forth by Senator Daniel Moynihan, who years ago stated, “You are entitled to your own opinions, (‘good doctor,’) not your own facts.”

E.G. Singer

Santa Rosa

Misguided

The Feb. 9–15 edition’s page 3 Harte paid ad is an abomination for Pacific Sun to have published without caveat. While newspapers certainly are desperate for needed income and have the right to publish viewpoints, placement of this true mis-information is misguided and dangerous in the current pandemic.

It could be said that, given the high vaccination rate in Marin and Sonoma, [and the high rate of] education and media-savvy, it may be safe to promulgate such blather. If the piece tips one person on the fence or causes them to repeat the opinions as fact, leading to spread of Covid and potential illness, etc., then the Pacific Sun becomes an anti-vax vehicle. The “This Modern World” “gravity is a hoax” comic strip on the left side of the page provides good context, but the damage is done. Please open your eyes.

Peter Whittlesey 

Mill Valley

Seattle or Bust — Finding Winter in the Heart of Spring

Click to read
The trouble with living in California is that the winter rain lasts for two or three weeks and then we are gifted with an early, dry spring, which leads directly into fire season. Every single year. This would not be a problem … except that it is. Hugely. Sometimes a person needs to experience a real winter, with rain,...

Cricket Rock — Santa Rosa Artist forms All-Star Trio

Click to read
During the course of a lifetime of making music, Santa Rosa multi-instrumentalist, songwriter, producer and artist-manager Darwin Meiners made some famous friends. Last year, Meiners began collaborating with two of those luminaries, bassist David J, of Bauhaus and Love & Rockets, and drummer Victor DeLorenzo, of Violent Femmes, and now the trio is an official band, Night Crickets. Last month, Night...

The Truth Hurts — Taskmaster Callas Brought to Life in Sonoma

Click to read
The name Maria Callas means little these days to people unversed in the world of opera, but to those in the know the American-born Greek soprano will always be “La Divina.” Callas passed away in 1977 at the age of 53. Memories of her might have faded completely from the stage but for playwright Terrence McNally’s Master Class, currently running...

Skunks and Headlands — Two Poems

Click to read
By Jan Forslow The King of the Boardwalk A Poem About a Neighborhood Skunk He walks down the boardwalk like he owns this place. There is nothing in this neighborhood he cannot face. Fashionably dressed in a black-and-white striped suit, There is no one that can stop this fashionista’s pursuit. A slight problem, though, is his unmistakable smell. Even he himself would agree that it stinks like...

Culture Crush — Culture Crush — Napa Beer Mile, Margaret Atwood and More

Click to read
Napa Drink a Mile In addition to its renowned Wine Country reputation, Napa Valley is becoming a home for world-class beers and brewers. Several of those breweries are participating this weekend in the third annual Napa Beer Mile. The walkable event invites beer aficionados to spend the day leisurely exploring six downtown Napa craft breweries, all of which will offer special...

Marc Levine Pushes for Transparency at Department of Insurance

On Tuesday, Feb. 22, Assemblymember Marc Levine announced legislation which would require the state’s Department of Insurance to regularly disclose staffers’ communications with insurance companies. A separate bill would mandate that all state agencies retain emails and other documents subject to public records requests for at least two years. Levine, whose district includes Marin County and part of Sonoma County,...

Sonoma County Seeks Community Input on Hiring Next IOLERO Director

Garrick Byers - Sonoma County
Sonoma County is asking for community feedback to guide a nationwide search to select the next director of the County’s Independent Office of Law Enforcement Outreach and Review agency. Founded in 2015, IOLERO is tasked with reviewing internal investigations completed by the Sonoma County Sheriff’s Office, making policy recommendations and listening to community members’ thoughts about the Sheriff’s Office. The selection...

Trash Look — It’s the New Fashion

Click to read
Hi, “Look” family! How was everyone’s week? Looking lovely, enjoying the surreal and problematic-but-beautiful weather? Strange, sunny times. But let’s not get too caught in the Dali-esque dreamscape we call reality. I have a fun fashion event to promote. The Sonoma Community Center is hosting their 12th Annual Trashion Fashion Show, to be held on April 2, coincidentally my birthday. The...

Audley Enough — ‘Strawberry Mansion’

Click to read
By Kelly Vance It’s February, and some strange items are floating into theaters, including a steady flow of horror quickies like Strawberry Mansion. As conceived by veteran actor-writer-producer-director Kentucker Audley (Funny Bunny, Her Smell, Holy Land, Saul at Night) and Albert Birney, maker of such low-budget head-scratchers as Sylvio, the 2021 production Strawberry Mansion is a fantasy/sci-fi character study being advertised...

Letters to the Editor — In Response to Absurd Harte Ad

Click to read
Dear Readers A certain paid advertisement has appeared in our pages that has raised both the eyebrows and the ire of some readers—not to mention those of us staffers who, it should be noted, only manage the editorial content of the Bohemian and Pacific Sun. We are not involved in determining what advertising, advertorials or other promotional materials appear in...
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