Jeny’s Deli

Buried Treasure


Janet Orsi

Just Dessert: The honey-drenched pleasure of baklava is a specialty item offered by Victor Dada at Jeny’s Deli.

Jeny’s Deli will make your belly dance

By Michael Hirschberg

ONE WEAK POINT of dining in Sonoma County is the scarcity of truly ethnic restaurants. Pizzas, burritos, and egg rolls may abound but they hardly qualify as international cuisine. Thankfully, a few good Thai and Indian restaurants have opened up over the past few years, but there are still gaps. Where do you go when you’re seeking a Moroccan feast or a platter of Middle Eastern appetizers? The answer usually is: San Francisco.

Happily, I have recently discovered Jeny’s Middle Eastern & International Foods Deli-Market, or Jeny’s Deli for short (2300-B Mendocino Ave., Santa Rosa; 523-3501), a little “mom and pop” eatery that prepares and sells a splendid assortment of Middle Eastern delicacies.

The mom and pop here are Jeny and Victor Dada, immigrants from Romania and Palestine respectively, who have brought with them a wonderful collection of family recipes. They are both “hands-on” chefs–Jeny in the prep kitchen creating the house specialties, Victor working behind the counter preparing customer orders.

The thing about uncovering buried treasure is that you often have to look past the shell to find the gem hiding inside. At first glance, Jeny’s is just another everyday deli. The menu board offers the usual selection of turkey, ham, and roast beef sandwiches, as well as burgers and omelets. The candy rack and soda refrigerators are stocked with all-American standards; there’s even chewing tobacco.

But look closer. Grape leaves and cabbage rolls stuffed with rice and onions share space in the deli case with a heaping platter of tabouli brimming with cracked wheat, parsley, and tomatoes. Behind the counter pressed lamb spins on its grill, waiting to be sliced for gyro sandwiches, and the lilt of Arabic music plays in the background.

Mediterranean and Middle Eastern foodstuffs like pita bread, rose water, halvah, tahini, curry powders, sumac, and other exotic spices line the grocery shelves. This is the place to shop the next time your recipe calls for mango gelatin dessert from Lebanon.

Because of the exotic variety, dining at Jeny’s Deli for the first time can be a bit intimidating. My recommendation for first-time visitors is to order the Combination Platter, a hefty sample of house specialties. Circling the rim of an oversized plate are tasting portions of warm dolmas (stuffed grape leaves), baba ghanouj (a smoky roast eggplant purée), falafel (deep-fried garbanzo patties that are made from scratch), hummus (a garbanzo dip flavored with lemon and garlic), refreshing tabouli salad, and pita bread that you can either use to scoop up the dips or employ as a pocket for the falafel and condiments.

Topping my list are the kebabs, especially the Doner (lamb) Kebab. A large pita pocket is filled with slices of spiced lamb, tahini salad, and a flavorful mix of chopped cucumber, tomato, and onion that makes the sandwich especially fresh-tasting. Beef kebabs are also recommended; the chicken kebabs, while tasty, would be greatly improved by slicing the chicken into smaller bites.

Clearly, Victor and Jeny are restaurateurs at heart. Recently introducing sit-down dinner service at their six small tables on Friday and Saturday nights, they have a group of eight belly dancers to perform twice on these evenings.

Why did Victor open the market-deli? “I first asked myself, ‘What does Santa Rosa want?'” he replies (and as a Santa Rosa restaurateur for the past 24 years, it is a question I often ask myself!). “I could see that people were going to San Francisco for Middle Eastern foods,” he says simply, “so we started Jeny’s.”

It’s a market; it’s a deli; it’s a welcome purveyor of true ethnic food. Now if someone would only open a Moroccan restaurant…


Michael Hirschberg is owner and operator of Mistral Restaurant in Santa Rosa.


From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the team.
© 1997 Metrosa, Inc.

Ted Castle

2

Eye to Eye


Janet Orsi

Shutter to Think: Photojournalist Ted Castle captured the panoply of human experience in his photos.

Photographer Ted Castle records the human condition

By Gretchen Giles

THE ONLY PHOTOGRAPH on the walls of Ted Castle’s Santa Rosa living room is a colorfully pretty shot of a golf course. Of course, this isn’t remarkable by itself–particularly in a room otherwise crowded with African masks and sculpture, oil paintings signed by friends, and one unmistakably perfect piece by the late assemblage artist Raymond Barnhart.

But the photo, hung high and not visible from the couch for a lampshade, seems inexplicably lonely because Castle is, after all, a highly acclaimed professional photographer. A former Time-Life and freelance photographer mentored by the great photographic artist Edward Steichen, Castle has literally traveled the world with his lens, documenting postwar Europe in 1952, shooting the faces of Africans for Pepsi-Cola in 1956, following the antics of the crew members and actors on the movie sets of Oklahoma and Man on a Tightrope, spending 10 days with grimy Ohio coal miners above and below ground, and capturing the visage of First Lady Eleanor Roosevelt in an unaware moment.

In a profession that demands that he put his subjects so at ease that they remain unconcerned while he attempts to capture their souls in silver gelatin, Castle’s simple charm once led then-neophyte actress Julie Andrews to allow the man and his camera to follow her and a friend off the street and into a pet store. There, the young Broadway star purchased a puppy and returned to her New York apartment’s couch–with Castle, whom she had never before met, in tow–where her beautiful face is seen in profile as she lies down, wrinkling in a decidedly inelegant smile, gently wrestling the dog.

Though he’s now in his mid-70s, it’s still easy to see why a gamine starlet would willingly assent to let that strange fellow follow her home. Castle’s is an easy manner, and when he looks at one, there is an odd feeling of being seen.

A small slice of Castle’s work is featured in the Foyer Gallery of the California Museum of Art. Titled “Nomadic Eye” and running through April 27, this slight outcropping of photos shows Castle’s uncanny ability to snap at just the right moment.

Getting Castle to snap in person is easy. Just ask him about his status as an artist.

“What are you talking about, ‘fine art photography?'” he snorts. “It’s the recording of people and their bodies and their hearts and their souls. What do you call fine art in photography? Ansel Adams? That’s just like going out and seeing a person over there–and bingo. That’s just what Ansel did. He used to drive around in his car, with all of his equipment in the back of the car, jump out, and set up his tripod.”

OK. So one backs away from accusing Castle–with the creamy quality of his greys, the unconcerned and meditative air of his subjects, his eye for placement and on-the-spot cropping–of being an artist. Rather, he’s a photojournalist, with a mandate to record humanity.

Trained as an engineer, Castle fought in World War II and returned home to his desk job. One day he looked up from his drafting table and realized that he couldn’t see a single face. Everyone had their back to him. As evinced by the hundreds of human eyes one sees on looking through Castle’s work, backs are unacceptable. “I thought, ‘What the heck am I doing here?'” Castle remembers. “So I walked up to the boss, and I quit.”

Castle studied photography for two years at Santa Barbara’s Brooks Institute and then packed up three portfolios of work, pocketed a thousand dollars, and hitchhiked to New York to make his fortune. Upon arriving, he went to the Museum of Modern Art, determined to have an interview with the museum’s director of photography, Edward Steichen.

“I showed him my stuff,” Castle chuckles, “and he said, ‘Well, I think you ought to go back to engineering.’

“I walked out of there and said to myself, ‘I’m not ever going to give up until I get some of my pictures into the Museum of Modern Art. That was in the end of 1948,” Castle says with satisfaction. “In 1951, he took one.” And in 1955, Steichen included two of Castle’s shots in his famous traveling exhibit, “The Family of Man,” which later became a popular coffee-table book.

“I don’t plan it,” Castle says of his work. “Before I went off to Europe, I went to thank [Steichen] and he said, ‘Now don’t forget, you get close in on your subject and don’t do any cropping when you get back to develop them.’

“The point is, you’ve got to reach out to get them,” he says, leaning forward. “I have to reach out to kiss you, to make love to you. You’ve got to reach out to someone, and that’s what a photojournalist does with his camera to get that feeling that’s out there–whether it’s anger or whether it’s remorse.”

Castle gradually stopped traversing the world as a photojournalist. He gained a reputation for his ad photos and ran a lucrative business documenting for attorneys the travails of daily life for accident victims. These days he takes photographs for pleasure, is maniacal about golf, and refrains from doing any portraiture. Reaching out has become too difficult; remaining a humanist has not.

He is particularly proud of his inclusion in the “Family of Man” exhibit. “That book shows what we all have,” Castle says earnestly. “We all have hope, we all have desire, we all have agony, we all have despair. When I went to Africa in 1956, I brought the book with me to remind myself to get close.

“That to me is what human beings should be, and what we all should be doing, rather than going out and shooting everybody. I don’t care whether you’re green, black, blue, or white–when you get scratched, you bleed red.”

“Nomadic Eye” is displayed through April 27 in the Foyer Gallery. Collector Barry S. Ramer’s “Faces in Focus” photographic collection hangs in the main gallery. California Museum of Art, Luther Burbank Center, 50 Mark West Springs Road, Santa Rosa. Admission is $1-$2. 527-0297.

From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Organic Coffee

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Hill of Beans


Made in the Shade: Sustainable Harvest’s Stu Jenkins believes a strong ethical stance is good business.

Photo by Chris Gardner



Environmental and ethical concerns brew over organic coffee

By David Templeton

THERE IS A REVOLUTION brewing out on the fringes of America’s highly lucrative coffee-peddling industry. It is a revolution of ethics and philosophy–spearheaded mainly by the roasters and promoters of organic coffees–and it could end up reshaping the entire industry’s economic and agricultural ideologies.

It could even change the future of the planet.

As is usually the case in such grassroots industrial revolutions, the decision is solely in the hands–and coffee cups–of the consumers. And at the moment, the vast majority of this country’s faithful caffeine addicts are unaware of this potentially turning tide. Most consumers are not acquainted with the ethical issues represented in every cup of java that is sipped or gulped in the kitchens, cars, and coffeehouses of this, the largest coffee-consuming nation on the planet.

While the avoidance of chemical and pesticide use is the primary factor that most people associate with organic agriculture, it represents only the tip of the ethical coffee bean. The sustainability revolution that has energized efforts to save the tropical rain forests and educated consumers worldwide is sweeping the coffee industry. It now includes those who are striving to give economic stability to the indigenous farmers and laborers in impoverished, coffee-producing countries. Encompassed in organic ethos are efforts to save these regions’ rivers and streams, routinely poisoned by high-yield coffee-processing methods. There are forces working to establish small village banks to assist women in coffee-growing communities to launch their own micro-businesses.

In an eye-opening issue that many insiders believe will finally capture the conscience of the mainstream consumer, there is a growing effort to expose a trend in coffee production that is having a devastating effect on the world’s migratory songbirds, a species that is now rapidly disappearing from our own North American backyards.

On tiny Noyo Harbor, near Fort Bragg on Mendocino’s windy coastline, Paul Katzeff strides into the bright, aromatic warehouse of the Thanksgiving Coffee Co., the iconoclastic coffee-roasting operation he founded with his wife, Joan, in 1972. Specializing in organic coffees, Thanksgiving annually roasts a million and a half pounds of beans, all from product purchased from native co-ops and small-scale farmers for 40 to 70 percent above market value, with additional profits (15 cents for each package sold) returned to the growers through non-profit village banking programs.

An outspoken political activist (he once sued President Reagan for implementing the trade embargo on Nicaragua, and marketed a coffee from which a percentage of profit was sent to the Sandinistas), Katzeff has firmly established himself as one of the more dedicated, innovative, and aggressive leaders in the coffee industry’s ethical revolution.

“Look at this,” he exclaims, bending down to scoop up a handful of green coffee beans, spilled from one of the hundreds of exotically labeled burlap sacks piled up all around us, stuffed with coffee from Mexico, Panama, Ecuador, Colombia, Peru, Hawaii, and Africa. “I hate to see beans spilled like this. All of this will be swept up, thoroughly cleaned, and reused in one of our blends.

“If something travels 10,000 miles to get to you, you have to respect it.”

Respect is a word Katzeff uses often, and is clearly a vital force behind his business ethic: respect for customers who demand a quality cup of coffee and expect it to be free of toxins and chemicals; respect for the coffee itself, much of which is packaged in bags with a valve that allows the beans to breath; respect for the workers who put the beans in these bags, and for the communities in which they live; and respect for the fragile ecosystems in which the coffee plants are nurtured.

In recent months, Thanksgiving has introduced a program called Beyond Organic, a system of choosing and promoting coffees that are produced under a strict set of social, environmental, and fair-trade criteria. Potential coffee growers are rated according to a numerical value chart that gives high marks to coffees that are certified organic, with additional points given when land ownership promotes “strong cultural survival of indigenous peoples,” when workers are guaranteed a fair labor wage, and when coffees are shade-grown beneath a natural rain forest canopy. Coffees produced under these conditions are sold in markets with a “Love the Earth” seal.

Katzeff’s philosophies and practices are further reflected in his company’s slogan, “Not just a cup, but a just cup.”

This concept of coffee justice is being championed by a growing number of organic coffee companies around the nation. For them, such ethical and humanitarian ideals are a very short stretch from the health-conscious motives that led to them to organics in the first place. Because of their significant collective buying power, these companies have already begun to demonstrate that they can indeed make an impact on the environment–and the way business is conducted.

All they need now is an infusion of consumer support.


Chris Gardner

Hands On: From ground to grind, organic coffee exporters are active in every aspect of their business.

WHEN JOAN and I started this company, I knew that organics was a way to politicize the product,” Katzeff says. “We made a stand for what was right. Now, after a lot of work, we’ve broadened our base. We’ve found acceptance in the marketplace, and organics is no longer thought of as just a bunch of health nuts afraid of pesticides.

“But organics is limited, narrow,” he goes on. “There are bigger issues. Humanitarian issues. Right now, ‘shade grown’ is the big one. You ask how a coffee company can change the world? I’ll tell you: it can support, buy, and get the word out about shade-grown coffee.”

This traditional form of coffee growing requires that coffee be planted beneath a canopy of native trees. The coffee develops more slowly, creating a higher sugar content that, when the beans are roasted, gives the coffee a richer, fuller flavor. The trees fix nitrogen into the ground, resulting in fertile soil that requires little or no fertilizer or additional help. Pesticides are unnecessary because of the birds that thrive in the shade giving overstory. Organic coffee, by definition, is almost guaranteed to have been shade-grown.

Over the last two decades, however, this canopy has been torn down as coffee growers convert to a process known as technification. Able to grow coffee three times faster than the traditional method, technification employs a hybrid plant that grows in full sunlight. Valuable to farmers for its profit-producing yield, sun-grown coffee lacks the nitrogen supplied by trees and depends on a steady diet of fertilizers and chemicals. In the absence of a leafy overstory there is consequently an absence of insect-eating birds, thus creating a need for insecticides to protect the ripening crop.

According to a recent report from the Smithsonian Migratory Bird Center, this trend toward technification–17 percent of Mexico’s coffee crop is now sun-grown, 40 percent in Costa Rica, 69 percent in Colombia–amounts to a devastating loss of habitat for the birds, which have taken to the coffee plantations in past decades owing to the deforestation of their original rain forest homes. Of the 150 different species of birds that live on shade-grown coffee farms, many are migratory; they winter in southern climates before returning home to North America.

Some of these migrant species are beginning to dwindle in number. According to the U.S. Breeding Bird Survey, over the past 25 years the numbers of golden-winged warblers have dropped 46 percent, wood thrushes 40 percent, and orchard orioles 29 percent. An essay published in Science magazine (“The Case of the Missing Migrants,” November 1996) cites similar declines among the Baltimore oriole, the American redstart, and the Tennessee warbler, and concludes that the evidence “seems to implicate the shift to sun farms.”

Many coffee roasters, in response to these numbers, have begun marketing “bird-friendly coffees,”organic blends purchased from shade-grown coffee co-ops. Counter Culture, in Durham, N.C., has introduced a brand called Sanctuary. Thanksgiving recently unveiled Song Bird Shadegrown Coffees, sales from which (15 cents per package) are donated to the American Birding Association.

Thanksgiving’s Peter Matlin, when introducing the Song Bird coffee at a recent convention of vendors serving the nation’s vast birdwatching community, found that vendors were convinced that the coffees would sell, once the buyers understood the bird/coffee connection. “I think people want meaningful consuming,” Matlin says. “Who wants something that they know will pollute the watersheds and trash the birds? There is an ethical and moral beauty to shade-grown coffees that people will embrace–once they understand the issues.”

“Shade-grown is the hot button,” agrees Mark Inman, co-founder, with Chris Martin, of Taylor Maid Coffees, a small organic roaster based in Occidental that buys nothing but shade-grown coffee. “You’ll hear a lot about it in the future. Not only is shade-grown good for the birds, it’s better for the people. A grower can plant bananas and other fruit crops, and earn extra money while providing a canopy for the coffee.”

Inman, a roaster for 10 years with a mainstream coffee company in Oregon, became disgusted by the profit-hungry business practices he observed. With Taylor Maid, he’s been able to put his interest in human rights into effect in his dealings with growers, such as the tribal-owned farm in New Guinea with which he trades for an especially rich, shade-grown coffee. He also contributes–as do a growing number of coffee roasters and sellers–to such organizations as Coffee Kids and the Foundation for International Community Assistance, groups dedicated to economic development in impoverished nations.

“What would be a milestone now,” Inman says, “is for companies like MJB and Folgers to go shade-grown.”

This is unlikely, though not impossible: Procter & Gamble, major detergent manufacturer and owner of Folgers, recently purchased Millstone Coffee, which produces a certified organic coffee. Is this proof that the tide is turning, or merely that a limited market for organic coffees has developed and that some manufacturers are aiming to exploit it?

The answer is probably a little of both.

THE REASON that so many larger companies are coming around to organics is that they see that there is obviously a market for it. People are concerned about the chemicals they are ingesting,” says David Griswold, president of the Sustainable Harvest Coffee Co. based in Emeryville. Begun in 1995 as a brokerage operation that provides green beans to organic roasters around the country, Sustainable is the first, and so far the only, coffee brokerage with an exclusive shade-grown-only focus.

“The cup of coffee represents every sort of issue or element in the world,” Griswold says. “You’d be hard pressed to find another job where you can do this kind of meaningful work, work that is good for people, for the environment, where you can meet people like the farmers and pickers we work with, where you can feel excited about getting up every day.

“You can probably take any product and use it to live out your own ethics, but with coffee, the issues are limitless.” In order to gain the purest, cleanest coffees, Griswold goes the further step of pre-financing many of the Mexican growers, providing in advance the money they need to buy provisions–rice and beans–so that pickers can travel into the hills for the two weeks it takes to pick the coffee. So far, no one has defaulted, and such practices are attracting more and more growers to him.

“Buying organic has always been important to me,” says Jeff Sacher, who owns three of the cafes located in Copperfield’s bookstores. A burgeoning number of local cafes like Sacher’s serve only shade-grown coffees; the Starbucks franchise does not. In addition to the south-of-the-border organizations he supports through his coffee purchasing practices, Sacher–who majored in environmental ethics, writing his thesis on “How to Make a Café Green”–also donates a percentage of his restaurants’ profits to community services in Sonoma County.

“With three restaurants, I have a lot of buying power,” he says. “I can make a statement. The consumers can make their own statement by demanding an organic coffee–because in that one cup of coffee a lot of good things are done for the world. The customer feels good. This is right environmentally, and it’s right emotionally. And it tastes good, too, so what can be better than that?

“It’s like in that movie, Field of Dreams,” he adds. “‘If you build it they will come.’ Well, we have the product. Now we’re trying to get the word out to the community. When they realize what’s at stake, I know that the customers will come.”

From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Talking Pictures

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American Pie

Selena and the Mexican-American dream

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate post-film conversation. This time out, he sends noted author and lecturer Himilce Novas to see the reverential new bio-pic Selena.

Though its initial box-office blaze has dwindled somewhat since its bright debut a few weeks back (15.6 million the first weekend; 6.1 the next), the charming biographical film Selena continues to be greeted by its audience with a sense of reverence and enthusiasm usually reserved for major cultural events.

Which–of course–it is.

Selena Quintanilla Perez was the dynamic, Grammy-winning Tejano singer from Texas who electrified the nation’s Mexican-American community and was on the verge of crossover success when she was murdered at the age of 23. As a representative of a significant portion of the country’s population–a group woefully underrepresented on the big screen–Selena has become a symbol of the dreams and promises of all Americans, Latino and otherwise.

The audience with which I saw Selena was full of families–huge families, 10 or 15 people strong, from babies to grandparents–many dressed up as if for church. For many, it is clear, Selena is more than just a movie.

“I met Selena,” says author Himilce Novas, speaking on the phone from her Santa Barbara home, where she saw the film the night before. “She was a natural stage person. And she was inordinately strong.”

Novas is the author of numerous books on multicultural issues, with an emphasis on Latino culture (Bananas, Mangoes, and Coconuts: a Cuban Love Story; Everything You Need to Know About Latino History; Everything You Need to Know About Asian-American History; and The Hispanic 100). She has also written two biographies: Secada! (Penguin Books, 1997), and Remembering Selena: A Tribute in Pictures and Words (St. Martin’s Press, 1995). She is a popular lecturer, hosts her own radio program (The Novas Report, KQSB 990-AM, and in RealAudio on the web).

According to Novas, Selena–the movie–though successful on the basis of its subject’s undeniable charm, is perhaps a bit too reverential, suffering from the possessive involvement of Selena’s father, Abraham Quintanilla.

“Honestly, is she a saint yet or what?” she laughs. “Is it fair to make her seem so spotless? Do we really believe she kept that figure on a diet of pizza? That she didn’t go to Mexico twice a year for liposuction treatment? Every performer does that. What’s to be ashamed of?”

Though the movie is less than frank as a biography, Novas agrees that Selena’s event-status is justified.

“I was sitting there, watching this movie,” she tells me, “thinking, ‘how many times do some people sitting in this theater get to see people who look like them, playing parts in movies other than maids, killers, or cocaine-sniffing drug addicts in East L.A.? That, I think is tremendous. To see your own face on the screen, to see your culture represented, is a very powerful thing.”

In the film, Selena (well played by Jennifer Lopez) is lectured by her father (Edward James Olmos) on the difficulties of being Mexican and American. “We have to speak perfect English or the whites think we just came over the border,” he says. “And we have to speak perfect Spanish or the Mexicans look down on us. We have to be twice as perfect as anyone else.”

“I think it’s a very interesting piece of information for those who’ve never thought of that, people who just think of Mexican-Americans as Mexicans,” Novas observes. “I think the point that they tried to make–that these people are Americans, that they’ve been here for many generations, sometimes for more generations than European-Americans who are considered truly American–that’s true, and it’s important that it be said.

“Selena was very important to the Mexican-Americans, because she struggled and rose above all that. She’s a wonderful role model. She was beautiful, she was talented, and, as an American, she insisted that she was entitled to the American pie.”

The singer was also important to the Tejano form of music that catapulted her to fame.

“It really took off because of her,” Novas says. “She was able to take Tejano music and force it three notches up by not being afraid to introduce other influences, Latin and Caribbean sounds.

“The real Tejano music is a cross between ballads–which are called corridos–and it’s that German influence, the Texas polka feel. Corridos are folk songs that have been traditional in Mexico for centuries, songs that tell a story. They were used instead of the radio to communicate news and information. For instance, when JFK died there were hundreds of corridos written. It’s a beautiful musical form, and it continues today. The Tejano music has a lot of the corrido feeling to it.

“Selena’s importance goes beyond that, though,” she continues. “She was important in bringing different groups of Latinos together. She did not belong only to the Mexican-Americans anymore. Now she’s every Latino’s.”

Selena’s growing popularity illuminates another point: that American tastes are changing to reflect the influences of an expanding minority base.

“The numbers speak for themselves,” Novas confirms. “By the year 2000, Latinos will be the largest single minority in this country. And by the year 2025, if the present demographic trends continue–which they will–one out of every three Americans will be Latino.

“There’s you, me, and someone else, and one of us is a Latino. Imagine that. In fact, the entire Social Security system will be supported by these people. Because they will be the workforce. You can’t help but see it. Go to the supermarkets. Look up and down the aisles. Our taste in food is changing. Everybody is eating hot these days.

“We talk about the great American novel,” Novas laughs. “I always say that the great American novel of the 21st century will probably be an ethnic novel. Just you watch and see if it isn’t.”

From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Willie Dixon

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Solid Gold


Ken Shung

Blues Master: New Bluesville releases feature rare Willie Dixon tracks.

Prestige plumbs folk and blues vaults

By Greg Cahill

WHAT GOES around, comes around–at least in a perfect world. When Saul Zaentz (The English Patient, Amadeus) picked up the coveted Irving G. Thalberg Lifetime Achievement Award last month at the Oscars, the Academy of Motion Picture Arts and Sciences gave an approving nod to the Berkeley-based film producer’s well-established commitment to quality filmmaking.

Now it’s time that the National Academy of Recording Arts and Sciences–the folks behind the Grammy Awards–recognize Zaentz’s longtime business partner Ralph Kaffel. As the co-owner and president of Fantasy Records, Kaffel has acquired a treasure trove of important catalog material over the years and ushered through a staggering list of ambitious reissues, notably lush jazz box sets featuring the complete Prestige Records sessions of Miles Davis, John Coltrane, and Thelonious Monk; numerous volumes of Specialty Records gospel and R&B artists; and a pair of hefty multidisc Stax label compilations that dig deeply into that breakthrough label’s vast soul catalog.

“We’ve been mining deep catalog for years,” says Fantasy Records spokesperson Terri Hinte. “Ralph, who’s been in the industry for four decades, knows the value of this material, especially at a time when there aren’t a lot of hits to draw people into the record stores.”

As the steward of one of the music industry’s richest vaults of vintage jazz, folk, and blues recordings, Fantasy Records recently released two new series that underscore Kappel’s continued commitment to the rich repository of historic recorded music in his care.

The Prestige/Folklore Years series, four individual volumes of classic folk songs–Vol. 1: All Kinds of Folks; Vol. 2: The New City Blues; Vol. 3: Roots and Branches; and Vol. 4: Singing out Loud/The Philadelphia Folk Festival, 1962–captures many of that movement’s key figures, all recorded at the tail end of the ’60s folk revival.

The label’s roster reads like a Who’s Who of the era’s folk club circuit: the Rev. Gary Davis, Tracy Nelson, Dave Van Ronk, Geoff Muldaur, Tom Rush, Eric Von Schmidt, the Folk Stringers with guitarist Danny Kalb (who later helped popularize electric folk-rock as a member of the Blues Project before disappearing as an acid casualty), and the quirky Holy Modal Rounders, among others.

Until 1963, Prestige had been known for its stellar jazz roster. The label had barely jumped on the folk bandwagon when the winds of change roared in from England. In the extensive liner notes to the series, author Samuel Charters–then the folk music producer at Prestige–recalls driving down the street in 1964 when the Beatles started blaring on his car radio: “I pulled the car over to the curb a few blocks from the office and sat listening to the sound that I realized would, in a very short time, make my job obsolete.”

Still, as these vital volumes attest, Prestige founder Bob Weinstock had compiled in a short time an impressive catalog of urban folk balladeers, jaunty jug bands, and drop-dead bluegrass pickers. Many of them were recorded by wunderkind Paul Rothchild, who later turned the rock world on its ear as producer of the Doors, Love, and the Paul Butterfield Blues Band.

The Bluesville Years, a glorious eight-volume series, is even more impressive. Weinstock created the subsidiary to cater to the growing interest in blues among white, middle-class college kids weaned on the folksy Delta blues of John Lee Hooker, the Rev. Gary Davis, and other African-American artists who had crossed the color line. The series is a vivid snapshot of the mid-’60s American blues scene–from the rustic country stylings of Sonny Terry and Brownie McGhee, to the gin-soaked Chicago sound of Billy Boy Arnold and Homesick James, to the derivative blues of such white artists as Geoff Muldaur and Dave Van Ronk.

No hits–just great music.

Arranged in regional variations and stylistic themes, the series includes Vol. 1: Big Blues, Honks and Wails; Vol. 2: Feelin’ down on the South Side; Vol. 3: Beale Street Get-Down; Vol. 4: In the Key of Blues; Vol. 5: Mr. Brownie & Mr. Terry; Vol. 6: Blues Sweet Carolina Blues; Vol. 7: Blues Blue, Blues White; and Vol. 8: Roll over, Ms. Beethoven.

Rare tracks by songwriter and bassist Willie Dixon, vocalist Jimmy Witherspoon, Sunnyland Slim’s barrelhouse blues piano, harp master James Cotton, pianist Otis Spann, guitarist Pink Anderson all are here, reborn in pristine digital clarity and steeped in the blues. The supporting cast, including many Prestige jazz artists, is world class: pianoman Lafayette Leakes; harmonica man Charlie Musselwhite; tenor saxophonists King Curtis and Eddie “Lockjaw” Davis; and guitarists T-Bone Walker and Kenny Burrell, to name a few.

All of these volumes belong in the library of any serious collector. For the casual blues fan, Roll over, Ms. Beethoven–spotlighting blues divas Alberta Hunter, Victoria Spivey, Lonnie Johnson, and Lucille Hegamin–will make you forget about such pop pretenders as Joan Osbourne. Feelin’ down on the South Side is a righteous rumble through the Chicago blues scene–the subject of many compilations, though few as engaging as this.

And then there are all those bad-ass 88s tinkling In the Key of the Blues …

From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Sexual Harassment

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Foul Play


Janet Orsi

Making a Stand: Public Works employee Scott Santiago says he became the subject of derision at work.

Local lawsuit tests the boundaries of sexual harassment

By Janet Wells

IT’S A GOOD THING that Douglas Gow, Sonoma County claims assessment manager, is proud of the county’s record on sexual harassment. Gow–along with the county Public Works Department, county Risk Management, and several county employees–once again is in the glare of public scrutiny over yet another high-profile sexual harassment case. This time, however, it involves a complaint about gutter language brought by a heterosexual man and is working its way toward a legal showdown.

It’s a strange road to the courthouse.

The way Public Works Department employee and plaintiff Scott Santiago, 45, tells it, one of his co-workers stepped over–way over–the line with “boys will be boys” behavior. And county management did little to remedy the situation.

Hamo Sega, a truck driver for the county, was transferred in 1993 to the Cotati road maintenance yard, where he met Santiago, also a truck driver in the yard. According to Santiago’s wife, Susan, “Almost instantly [Sega] started picking on Scott,” first making comments about Santiago’s “manhood” in reference to fertility problems he and his wife were having.

The situation progressed to daily name calling, according to court documents. Sega allegedly called Santiago “fag,” “faggot,” and “butt-doctor.” Sega, who is married and declared himself a heterosexual in court documents, allegedly threatened to “butt-fuck” Santiago, and reportedly slammed a shovel against the driver’s side window of a county truck Santiago was driving, yelling, “I will kill you, you son of a bitch. I will fuck you up.”

The list of allegations goes on throughout 1993 and 1994: Sega announcing in front of numerous co-workers that he had “butt-fucked” Santiago during the previous weekend night shift; Sega slapping Santiago in the face; Sega grabbing Santiago in a headlock in front of yard supervisors.

Santiago continually asked Sega to knock it off, and talked several times to his crew boss, Gary Caselli, as well as to his area manger, Ron Rowton, he says. His supervisors tackled the problem by meeting with him weekly and pressuring him to sign a statement that everything was A-OK at work, he adds.

“My immediate supervisors were ineffective,” Santiago says. “They didn’t have any plan on how to deal with this. They wanted to keep it within the yard, be good ol’ boys, rather than go to their supervisors and get help with the problem.”

Santiago, a county employee for more than 10 years, wanted Sega transferred, but the two continued on the same seven-person crew for almost two years. Sega eventually was penalized for his behavior toward Santiago–seven days off without pay–and moved to the Refuse Disposal department in 1995.

Santiago, who has remained on the job full time, suffered severe nightmares during his interactions with Sega, and was prescribed antidepressant medication. Yard supervisor Rowton advised Santiago that “all hell would break loose” if he took his complaints outside the road yard, but Santiago and his wife hired an attorney, who filed a claim against the county in 1995, Susan says. The claim was denied by the county, and the couple filed suit in Superior Court in March 1996.

“We went into this to get Scott some therapy. My husband is a normal guy, kind of on the sensitive side. … He’s been trying to do what’s right, rather than act like that bunch of animals,” says Susan. “The county is not dealing with the problem they have, the caveman attitude: that these guys can be totally gross; as long as it’s all guys, then there’s nothing wrong.”

AT A SETTLEMENT hearing on April 2, the two sides were no closer. The Santiagos want better mandatory training against sexual harassment and workplace violence for all county employees, as well as an unspecified amount for damages.

“For the county to recognize its failures and force change in the manner of operation–the only way to make them concur is to make them pay,” says Hugh Helm, the Santiagos’ attorney. “The posture of the county is quite inflexible. The most they would suggest is what would give [Scott] Santiago a pat on the back for bringing this to the county’s attention. That might have been appropriate two years ago. But this has been horrendous.

“They have made it as difficult as possible to bring this to resolution.”

The county continued to play hardball this week, trying to get Santiago’s claim of sexual harassment dismissed on the basis that the plaintiff and defendant are of the same gender and proclivity.

“There is no evidence that Scott Santiago was harassed because he was a male,” court documents by the county’s attorneys at the Santa Rosa firm of Senneff, Kelly, Kimelman & Miller argued. “Both Scott Santiago and Sega are heterosexual males. This was an all-male work atmosphere. Scott Santiago was annoyed and embarrassed because he was called a ‘fag.’ ‘butt-doctor,’ and ‘homo.’ He was not sexually harassed.”

In a tentative ruling on Friday, April 4, Sonoma County Superior Court Judge Lloyd Von Der Mehden nixed that argument. “The cause … of sexual harassment may be stated by a member of the same sex as the alleged harasser on the hostile environment theory,” the judge ruled.

On Monday, April 7, however, Von Der Mehden seemed to have second thoughts, saying he would take the matter under advisement and issue a written ruling.

The county’s argument is a recycled legal tactic in same-gender sexual harassment cases, says Barbara Kelley, who conducts trainings in dealing with sexual harassment and investigates complaints at Sonoma State University. The tactic to dismiss has been successful in some cases and not in others. Same-gender harassment cases have far more uncharted legal territory than the well-recognized male-female version, and several conflicting court rulings. But workplace environment, not gender, is the key issue in sexual harassment cases, Kelley explains.

Is it acceptable for shipyard workers to call each other four-letter words or use sexual innuendo? Do members of a high school football team think it’s fun, or intimidating, to slap each other on the butt? It’s up to management to set standards for employee interactions, Kelley says.

“When you have people in a work environment where it is hostile based on race or sex, or it interferes with employees’ ability to perform work, then the courts do not look favorably on that work environment,” she says. “If the county knows [of alleged sexual harassment], they are required to take action, and it must be timely and appropriate.

“If [the plaintiffs] can show that the county did not respond in a timely fashion, that’s what matters.”

In a recent letter to the Independent responding to a story about a sexual harassment claim against the Sheriff’s Department, county claims manager Gow stated that he would be “proud to compare Sonoma County’s record with that of any other county in this state.” But Gow’s contention that there have been 20 to 25 sexual harassment and gender discrimination claims against the county in the last decade was contradicted in a deposition filed in the Santiago case by the county’s own affirmative action coordinator, Yvonne Henderson, who pegged the number at around 30 claims between 1994 and 1996.

In the letter, Gow further stated his belief that “county management is fully aware of employees’ rights to be free of any type of discriminatory conduct, takes immediate and appropriate steps to investigate any allegations of misconduct, and disciplines the wrongdoers when necessary.”

Scott Santiago counters that training for Public Works Department employees was inadequate to start with and hasn’t been conducted since 1992. According to Susan Santiago, Ed Walker, director of the department, said at a meeting with the Santiagos and attorneys from both sides that his managers are “in the 1940s and ’50s, and you can send them to all the sexual harassment trainings you want and it won’t do any good.”

Getting the county’s side of the story directly is nigh impossible since attorney Clay Christianson, the outside counsel hired for the case, won’t comment, and everyone related to the case has been instructed to zip their lips.

Hamo Sega? Didn’t return calls. Douglas Gow? Ditto.

What’s the work environment like in the Cotati yard? “I can’t talk about it,” says Ron Rowton. “I have instructions from county counsel that I’m not to discuss it.”

Does Gary Caselli have the same instructions? “Yes, absolutely,” Rowton adds.

Looks like they’ll be doing their talking in court. Santiago vs. County of Sonoma is scheduled to go to trial on Sept. 5.

From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

The Scoop

#*@$%!!!

By Bob Harris

THE NATIONAL Archives is about to (a) remove Richard Nixon’s White House papers from the annex where they’re kept, (b) reduce our access to newly released Watergate tapes, and (c) pay Nixon’s estate $26 million for the privilege. Dead or alive, he’s still Tricky Dick.

The Presidential Records Act of 1978 made White House documents public property. However, a federal appeals court recently ruled that Nixon had “a compensable property interest” in his documents, and last week a federal judge ordered the Archives to return “all personal and private conversations” in the materials to Nixon’s estate. Which means a bunch of unreleased Watergate tapes will be deep-sixed unless the Archives buys them back.

Under the agreement, everything will go to a new Archives facility at the Nixon Library in Yorba Linda, which, like all such libraries, exists less to maintain the historical record than to distort it favorably. The only thing holding up the deal is that Nixon’s spawn don’t want to pay taxes on their multimillion dollar windfall. The conservatives opposed to government spending are holding their tongues on this one.

Nixon was disgraced before today’s college grads were even born, so this might seem like old news. It isn’t. Less than 2 percent of the Watergate tapes were public when Nixon resigned. Historians are still finding important new stuff on the tapes all the time:

April 1971: Nixon and White House Chief of Staff H. R. Haldeman discussed Sen. Edmund Muskie’s campaign–having placed a spy in the Muskie camp. Nixon directed Haldeman to make “more use of wiretapping” against Democrats. A few weeks later, Nixon ordered “permanent tails” on Sens. Muskie, Ted Kennedy, and Hubert Humphrey. Haldeman assured him the operations were under way.

So the wiretaps placed in the Watergate were nothing unusual for these guys.

June 30, 1971: The very day the U.S. Supreme Court rejected his request to block continued publication of the Pentagon Papers, which exposed America’s shady involvement in Vietnam–and a year [before] the Watergate break-in–Nixon ordered Haldeman to break into the Brookings Institution, a liberal think tank, to steal their files on Vietnam. The Brookings heist didn’t occur, so the next morning Nixon boomed to Haldeman and Secretary of State Henry Kissinger: “We are going to use any means, is that clear? Did they get the Brookings Institute raided last night? Get it done! I want it done! I want the Brookings safe cleared out.”

Nixon never got the papers he wanted, and so in September 1971 he ordered a burglary of the National Archives itself. Finally, here’s direct proof Nixon personally authorized political burglaries. (A quarter-century too late, but what the hell.)

July 1972: Only weeks after the break-in at the Democratic National Committee headquarters at the Watergate Hotel, Nixon was plotting with his staff to cover up their link to the crime. Bottom line: Nixon knew.

Incidentally, while Republicans deny political motivations to their Clinton investigations, a 1970 Pat Buchanan memo describes an interesting talk with Nixon and Bob Dole on the subject of spin control: “Dole recommended that Republicans initiate politically inspired investigations of past mis-doings by the Democratic administration. The idea was a good one. RN [Nixon] backed it.”

I’ll say it again: Those who forget the past are condemned to listen to Rush Limbaugh.

Is Whitewater as serious as Watergate? Sure, and Booty Call has a chance at Best Picture. Beyond Nixon, Watergate and related scandals produced 41 other officials indicted or jailed, including Nixon’s vice president, attorney general, and chief of staff. Clinton’s fundraising is indefensibly, even laughably corrupt, but his wrongdoing pales next to Nixon’s laundry list: illegal use of the CIA, FBI, and IRS; solicitation of illegal contributions, extortion, and bribery; and lying to federal courts and the Congress.

And that doesn’t include Nixon’s larger crimes against humanity, such as authorizing coups d’états, prolonging the Vietnam War for political gain, and carpet-bombing Cambodia.

That Clinton and Dole could eulogize this criminal sociopath as a great American leader says only how far we have fallen. And diminishing access to Nixon’s actual record only ensures our fall isn’t over.

Once the Watergate tapes and the secrets within are sent off to be buried like a pumpkin in Nixon’s backyard, how are we supposed to see and hear the rest of our history? I guess we’ll just have to break in.

From the April 10-16, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Critical Mass

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Spokes Persons


Janet Orsi

Inventing the Wheel: The Critical Mass rides attract even the newly married to these monthly activist rides.

Bicyclists see transportation as critical

By Dylan Bennett and Gretchen Giles

ON THE LAST FRIDAY of March, the parking lot of Santa Rosa’s Howarth Park is charged with the balmy sunshine of spring and the anticipation of direct political action. Roughly 200 bicyclists converge on the asphalt: riders straddling unicycles, kids–some as young as 11–skateboarders, self-styled eco-punks, and committed bike commuters. Most of the riders are male, most are young. But included in the rabble of teenage boys in T-shirts are a few women: a mother and her 13-month-old baby; a woman elegantly attired in black pantsuit with a frilly white shirt. Almost no one is older than 40.

For over an hour in Santa Rosa’s rush-to-the-weekend traffic these self-powered, wheel-borne travelers will be kings of the road. The event is officially known as Critical Mass, the growing leaderless pro-bicycle protest movement. By converging on city streets at peak hours on the last Friday of each month, these activists put their mettle to the pedal to push the point that “bicycles don’t block traffic, bicycles are traffic.”

The goal is twofold: to legally inconvenience motorized vehicular traffic in a demonstration for improved bicycle traffic laws, more bike paths, and greater environmental awareness about cars; and to have a wonderful time. Spawned through equal amounts of activism and athleticism, Critical Mass rides began in San Francisco around 1992 (participants are unsure whether that monthly event is now celebrating its third or fourth birthday; that’s part of ride’s renegade charm) with participants gathering in the wharfside cool of Justin Herman Plaza.

“In the beginning,” remembers Sonoma resident Michael Teller of the monthly San Francisco run, which sometimes involves upwards of 2,000 people, “someone would just get up on a pole and yell, ‘Who wants to go to Stern Grove?’ Now they have a megaphone and route maps.” Bicyclists also take it to the streets in cities nationwide and internationally, including cities in Spain, England, Poland, Brazil, and Switzerland.

Critical Mass got critical in Sonoma County last April, inspired in part by the “Folks on Spokes” bicycle exhibit mounted by the Sonoma County Museum. Participants, including stalwart members of vintage-bike clubs, organized the first run to correspond with the museum’s opening reception. According to Rotator Bikes owner Steve Delaire, “There were an awful lot of people in town who were going to San Francisco already,” making Critical Mass ripe for the county. While Delaire still pedals up to the Howarth Park event occasionally, he acknowledges that a younger crowd has claimed the run for their own. “The kids from the college have done a great job.”

Critical Mass Online:

The San Francisco Bicycle Coalition home page

The Critical Mass brochure and info.

About Critical Mass in San Francisco.

Riders pride themselves on their lack of formal organization and leadership. Nonetheless, back in the parking lot, Santa Rosa resident Paul Ulanowski–decked out like a humanoid insect in helmet, glasses, goatee, gloves, tattoos, and tights–takes charge long enough to announce the route to everyone.

Urging the crowd to take the pro-bike movement to the federal level in order to win equal rights for bicyclists, Ulanowski speaks with exuberant conviction, claiming he has not driven a car for three years. “I’ve been hit by three cars,” he says. “Since I gave up my car, I’ve biked 3,800 miles in six months. I ride because of the rising costs of cars and the crappy state of public transportation. By riding, I take care of myself and the environment.”

Santa Rosa Police traffic sergeant Brad Marsh stands next to his squad car in the late-afternoon sun, not far from the shimmering surface of Lake Ralphine. “We are here to monitor, not to escort, the bicyclists,” he says. While police regularly ride with the San Francisco contingent, this is the first time that the Santa Rosa traffic department has been in attendance, a direct result of minor motorist/bicyclist shouting matches that broke out in February.

“Do you believe there’s a place on the road for bicyclists?” a young woman with assorted body piercings asks the officer. “Absolutely,” he answers from behind his dark reflecting sunglasses, “as long as they don’t create any dangerous situations and adhere to the rules of the road.”

“We’re trying to keep them restricted to one lane,” says Sgt. Tom Swearingen, “and that’s difficult to do because there’s no leadership.”

The ride, scheduled for 5 p.m., starts a little late with a fusillade of cheers as the swarm of bicycles pour slowly onto Summerfield Road. “It’s a chance to ride en masse and not be harassed by cars,” says Michael Teller, who admits that he has no compunction about stopping his bike directly in front of a vehicle to clear the road for his fellow Massers. “And that’s about the only time [that bikers are unmolested by auto traffic]. Plus, there’s the idea of taking over the streets.”

Whether the police presence is an “escort” or a “monitor” is irrelevant semantics. Kickstands are upended and the crowd begins to move. Sgt. Marsh’s squad of three motorcycle patrolmen on shiny Harley Davidsons, supported by a few police cars, accompanies the Critical Mass ride for 90 minutes, lending the pomp of a parade as the cyclists ride down Summerfield Road, loop through Santa Rosa, and end at Courthouse Square.

Along the route activists distribute a 14-page pamphlet titled “Critical Mass Info Booklet (Why Cars Stink).” Designed to indoctrinate those motorists who are stuck in traffic, the pamphlet presents perspectives on the social, ecological, and economic impact of cars. “I do it for the environmental bent,” says Delaire. “I don’t think that people realize the cost of cars. The biggest issue is pollution.”

Santa Rosa Junior College student Dave Gordon, 20, says he gave up driving because he couldn’t afford it, and didn’t want to anyway. “[Cars] are expensive,” he says. “And I [bike] more for those people who have gotten hit by cars and for all of the animals that get run over by cars every day and are just passed off as being in the way of progress. Most of the reason people come to these rides is because they’re frustrated with not being treated equally. It’s a threatening situation to be riding alongside a really busy road and there are cars whizzing by constantly.”

Santa Rosa city traffic engineer Gene Benton agrees. “It’s not always fun to go against somebody in a large vehicle. My staff is heavily into bicycles,” he says. “Probably over half my staff commutes on bicycles.” What Benton terms a “very controversial” traffic project to replace travel lanes for cars with bicycle lanes on Yulupa and Bethards avenues comes before the City Council at the end of April.

Benton also says the city adopted a Master Bicycle Plan two years ago and that all road construction projects such as the Fountaingrove Parkway, Marlow Road, and Guerneville Road include bike paths. According to Benton, the city has 43 miles of bike paths; about 100 miles would be ideal.

At the end of ride, standing in front of Wolf Coffee next to his experimental car seat­style two-wheeler, rider Orrin MacQuarrie likes the turnaround of vehicular fair play. “Usually one cyclist is surrounded by cars,” he says. “It’s cool to see cars surrounded by bicyclists.”

From the date-date, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Kabuki

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It’s a Wrap


Janet Orsi

See Food: The sushi served at Kabuki elevates raw fish wrapped in seaweed to visual and gastronomical art.

Get a raw deal at Petaluma’s Kabuki, and be glad of it

By Steve Bjerklie

SUSHI SUCCEEDS when it is offered in variety, prepared with quality, and presented with the elegance and delicacy of a Japanese enamel. Sushi’s very definition lives in these characteristics. Without one, two, or all of them, it is all just so much raw fish.

Kabuki, the Japanese sushi bar and restaurant in downtown Petaluma, excels at the presentation, hits middle ground with quality, and falls a bit short in variety when compared to the sushi palaces of San Francisco, but by any standard offers a well-priced taste of authentic Japanese cuisine.

We tried a variety of Kabuki’s sushi with pleasing results: the hamachi featured tender, almost soft (but not mushy) slices of yellowfin tuna atop rice; a colorful serving of ikura showcased delicate–though slightly runny–orange salmon eggs atop a pillow of white rice wrapped in a dark green seaweed leaf; and Kabuki’s California roll, a sushi-bar staple, was deliciously heavy on the crab, light on the avocado.

A garnish of pickled ginger was tart without being sassy. The presentation was picture-perfect in every instance: indeed, plucking at the hamachi and the roll with chopsticks felt a bit like hacking at a Japanese garden with a pickax. On the other hand, sips from a glass of blood-orange Japanese plum wine were a wonderful follow-up to each bite of the sushi. My only complaint is that the wait between ordering and eating seems a bit long, since Kabuki’s bright, almost harsh, lighting and hard surfaces don’t encourage the kind of intimate conversation that makes time disappear.

Our appetizers included a plate of excellent gyoza, which are best described as Japanese potstickers, and two skewers of the grilled and sauced chicken yakitori. After a mixed-green salad drizzled with a tasty, peanuty dressing, followed by a cup of mild miso soup, we enjoyed entrées of chicken teriyaki, tempura, and sukiyaki.

The chicken in the teriyaki wasn’t quite as tender or moist as the yakitori chicken, and the crusty tempura batter, which should be light as a Hokusai wave, tasted a bit oily, but the sukiyaki, served in a metal container fit for a lumber jack, was nothing short of wonderful. Deeply onioned, thick with clear Japanese noodles, and covered with a flotilla of thinly sliced cooked beef, the dish was absolutely exquisite–and absolutely filling. Forget breakfast the next morning.

The bill for four, including sushi, appetizers, entrées, sodas for the kids, and glasses of plum wine and sake (don’t miss the excellent and informative sake list!) for the adults, totaled a couple of bucks under $90, with tip. A good deal.

Johnny Huang and Bruce Chiang, who lead the partnership that opened Kabuki eight months ago, learned the sushi trade over a couple of years at restaurants in San Francisco and San Rafael. In their apprenticeship they connected with a critical associate, a good fish supplier. Trucks from the Japan Fish Co. in San Francisco roll in early every morning to deliver fresh tuna, salmon, crab, and abundant other aquatic creatures. The freshness is significant and detectable.

You won’t regret paying for it.

Kabuki Sushi Bar and Restaurant

17 Petaluma Blvd. N., Petaluma; 773-3232
Hours: Lunch, 11:30-2:30; dinner, 4:30-9:30 Sunday through Thursday, until 10 Friday and Saturday; open daily
Food: Traditional Japanese sushi and entrées
Service: Attentive but a bit slow
Ambience: Bright and clean, with snazzy, architectural Japanese-style chairs
Price: Moderate
Wine list: All California, with local emphasis, plus­not to be missed­ Japanese plum wine and 12 kinds of sake
Overall: ***

From the April 3-9, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

End of the World

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The End Is Nigh­Sort Of

Last month’s mass suicide by a San Diego UFO cult revealed the shadowy world of millennial doomsayers. But when will the end come for the rest of us?

By Matthew Richter

This really happened. I’m at home. It’s late. I sit on the couch and turn on the television. On the screen is the Seal of the President of the United States, looking regal against a Columbia blue background. A voice is saying, “pulling together in a multinational effort to deal with this crisis. The people of the United States and of the earth have risen to challenges in the past, and we will, with the grace of God, meet this trial successfully.” The voice doesn’t really sound like Bill Clinton’s, but it does have that ring of White House authority. “We have just launched all three space shuttles, in an attempt to get a better idea of what is happening.”

A news anchor talks from behind a network anchor desk: “More reports of disappearances are pouring in from around the world. We take you now live to a press conference at NASA headquarters. If for any reason we should go off the air, please remain calm and, if you can, get yourself to higher ground.” And sure enough, just as they cut to a panel of NASA scientists, sitting at a long table, obviously baffled by the surreal changes in their world, the screen bounces once or twice, rolls, and fades to a minute of white noise.

Finally, a Pat Boone look-alike walks in front of the static, wearing a yellow golf sweater and smiling reassuringly. Nodding slowly, he says, “When the Rapture comes, many will be perplexed by the sudden and radical changes around them. Don’t be left behind.”

I look at the cable box and realize it is tuned to the Trinity Broadcast Network. What I have seen was basically a test of Jesus’ Emergency Broadcast System. The End, for the time being at least, had not come. But it will.

This is the End

“When you look at myths from around the world,” says Graham Hancock, author of Fingerprints of the Gods, a brilliant overview of cultural mythologies, ancient architecture, and the end of the world, “you’ll find they say very strongly and persuasively that from time to time the earth is afflicted by a grievous cataclysm, and when it is, mankind is forced to begin again like children, with no memory of what went before.”

Cultural mythologies the world over, from Judaism to Seventh-Day Adventism, from Tibetan Buddhism to Hopi spiritualism, have prophesied a cataclysmic end to the world as we know it. Last week, 39 members of Heaven’s Gate–a cult that believes a UFO allegedly riding the tail of the Hale-Bopp comet is coming to take them to a spiritual plane–overdosed themselves on phenobarbital and alcohol in a San Diego mansion, the largest mass suicide in U.S. history. In 1975, the founders of that cult toured Sonoma County, holding a mystical retreat atop Sugarloaf Mountain and recruiting local converts.

The grisly conclusion to their earthbound journey reveals the apocalyptic mindset that permeates millennial cults. And there are many.

The Maya are counting down to the end of the Fifth Age; evangelical Christians eagerly await the Rapture; the Hopi say we are living on borrowed time at the end of the Fourth World; and the Kaogi people of Mexico’s Sierra Madre jungles have stopped spinning wool and weaving cloth in light of the impending catastrophe. Prophets from Nostradamus to Edgar Cayce, channelers from Madame Blavatsky to J. Z. Knight, have foreseen everything from polar shifts to cataclysmic earthquakes, from the resurfacing of Atlantis to the sinking of the Americas, all in the very near future.

But only a brave few have gone out on a limb and picked an actual date for The End. It is these brave few in which I’m most interested here.

In 1990, Elizabeth Clare Prophet drew her flock close to her holy self and dug deep into the forest floor of southwestern Montana. At midnight on April 23, 1990, she and the members of her Church Universal and Triumphant sat praying and waiting in their bomb shelters, listening intently for Gabriel’s first trumpet blast, for the nuclear warheads to start flying; listening for any sign of the chaos that must have been raging overhead as the world came crashing to its end. Underground they had months’ stores of dehydrated food, barrels of fresh water, first-aid kits, lots of weapons, and plenty of ammo. And they had their faith.

Four thousand people had collected at the Grand Teton Ranch to be among the saved. They quit jobs, sold homes, and bid farewell to family and friends. They were here to follow Ms. Prophet into the new age, through a nuclear holocaust and into a new, albeit radioactive, Garden of Eden.

As night fell on April 24, Gabriel’s trumpet had still not sounded and the world had not yet ended. Prophet and her followers emerged from their shelters the next morning, confused but not defeated. Their prayers had saved the world, Prophet told her flock. Undaunted, she carried on, and today she sits atop a religious empire claiming thousands of members and churches in 40 countries.

It seems the failure of a prophecy is about the best thing that can happen to a prophet. Case in point: the Millerites. In 1818, William Miller was a poor New England farmer. When he announced that according to his Biblical interpretation the world would end in 1843, he unintentionally started a religion.By 1842 there were tens of thousands of Millerites, and by 1843 he was touring the country, preaching to thousands of devout followers.

But 1843 came and went, as did March 21 and Oct. 22 of 1844, two dates Miller picked after the initial Great Disappointment. Miller died in 1849, ridiculed in the press but not forgotten by his followers. In 1860 they formed the Advent Christian Church, and today there are millions of Millerites worldwide.

The Millerites weren’t wrong, they simply miscalculated–the prophecy was a test of faith. Theoretically, by the time the year 2000 comes and goes, enough prophecies should have been disproven to make most of the people you know members of one prophetic group or another.

But lying on my couch that night watching the Jesus Channel, I realized that I simply wasn’t ready. Had the world come crashing to its end that Thursday, I’d have been caught, well, lying on my couch. When the world ends, I want to be prepared. I just need to know when. I mean, I need to know exactly when. I won’t be caught off guard again.

So on May 5, 2000, I’ll be in a spaceship, orbiting around the planet with Richard Noone, “high above the whole mess.” Richard Noone (word has it he wanted to change his name to “No One” but forgot the space) tells me that the entire crust of the earth is going to slip around its liquid magma core, putting Antarctica at the equator and Florida at the pole.

On May 5, 2000, the world is going to end.

Sun, Moon, Stars

It’s called the “earth crust displacement theory,” and it’s an intriguing idea. The crust of the earth, or lithosphere, is about 30 miles thick, and rests on top of the liquid magma part of the planet, or the asthenosphere. The asthenosphere is gooey enough to keep the lithosphere in place. If it wasn’t, the crust would be spinning around the planet’s core all the time.

But Charles Hapgood put forward a theory, and Albert Einstein agreed, that the crust has slipped in the past, and will slip again in the future. What will trigger this slip? The largest mass on the planet–the Antarctic ice cap.

The icecap at the South Pole is almost three miles high and covers an area equal to the size of the United States and Canada put together. And it’s off center. Einstein said it best: “The earth’s rotation acts on this unsymmetrically deposited mass, and produces centrifugal momentum that is transmitted to the rigid crust of the earth. The constantly increasing momentum produced in this way will, when it has reached a certain point, produce a movement of the earth’s crust over the rest of the earth’s body.”

The experience would not be unfamiliar to anyone who went through it before. The Hopi did, at the end of the Second World. As Hopi elder Oswald White Bear Fredericks tells it: “The twins [who held on to the world at its poles] had hardly abandoned their stations when the earth, with no one to control it, teetered off balance, spun around crazily, then rolled over twice. Mountains plunged into seas with a great splash, seas and lakes sloshed over the land, and as the earth spun through cold and lifeless space it froze into solid ice.”

Noone loves pointing out where Einstein agrees with him. Noone explains his version of the icecap earth-crust-displacement theory in slightly less scientific terms than Einstein used: “It’s like any woman can tell you about doing laundry,” he says in his huffy Southern drawl. “If the clothes are off-center, it throws the machine out of kilter.

“I was looking at some of the Egyptian pyramid prophecies and found the date May 5, 2000,” he tells me, not elaborating on where or how he arrived at his date. Working from the fact that ancient Egyptian culture had a highly advanced astronomy, Noone went to an astronomer and asked if anything special was up for the prophesied date. The astronomer pointed out that a conjunction, or syzygy, of seven planets and the moon would take place at noon on the given date.

That is to say, on May 5, 2000, at noon, if you look straight up, you will see the moon, the sun, Mercury, Venus, and (if you could see through the sun) Mars, Jupiter, and Saturn all clumped in a relatively small portion of the sky. The earth will be alone on one side of the solar system, with almost every other major object in the sky lined up overhead. This, according to Noone (and this is where he loses the Einstein support), will create enough gravitational force in the solar system to give the lithosphere the extra nudge it needs to start its “crust displacement,” or shift. Gravity, pulling on the icecap, combined with the centrifugal momentum of the earth’s rotation, is going to pull the ice around toward the sun, moon, and other planets.

Of course, all this could be averted. Noone maintains, “If we’re awake to the problem, there may be a way to stop it. It’s kind of late now, but you could alter ocean currents with giant black plastic mop-heads anchored in the sea.” Short of that, he’s going into space: “Orbit would be about the only safe place.” Short of that, he’s going back to his home in the mountains of north Georgia, near a freshwater lake. “Of course,” Noone tells me as we hang up, “you’ll find that if you talk to scientists about this, they’ll say, ‘Nothing like this could ever happen.'”

You can practically hear the bile dripping off that word “scientist”–Noone has dealt with his fair share of critics.

Enter Mark Hammergren, Scientist. Hammergren’s at the University of Washington, in the astronomy department, and has problems with the May 5 date. In fact, he thinks it has “absolutely no basis in scientific fact.”

Noone and I accuse Hammergren of being the enemy of reason, a non-cataclysmic “scientist” stuck in the dogma of old theory; a traditionalist. Hammergren explains to me that, to the contrary, he is “very much a cataclysmic scientist, concerned very directly with the end of the world.” Oh.

Hammergren believes that giant asteroids or comets have in the past, and will in the future, come crashing to earth, changing the face of the planet forever. But he can’t tell me exactly when. Which means he is of no further use to me.

I hang up with Hammergren and turn my attention to another favorite date of millennialists the world-round: Sept. 17, 2001, the day the world is going to end.

Peer Amid

On Sept. 17, 2001, I’m going to be with Moira Timms, “performing the most ancient and spiritually potent of all Egyptian rituals, Raising Ejed, at the Second Pyramid in the Gizeh Plateau, one of the main nodal acupuncture points on the global energy grid.”

The Great Pyramid at Gizeh is, indisputably, the most massive human-engineered thing on the planet.

Moira Timms, a New Age lecturer and author in Eugene, Ore., is interested in another feature of the Great Pyramid (or “peer amid,” as she points out): a 6,000- pyramid-inch-long “prophetic timeline” that starts in 3999 B.C. and ends on Sept. 17, 2001. She points to the research of Dave Davidson, who first published the idea of a timeline in 1925. She also argues that the pyramid prophesied the beginning of the First World War, the Great Depression, the beginning of the nuclear age, and the Harmonic Convergence of 1987.

She looks forward to what Sept. 17, 2001, has to offer–the “end of the world as we know it,” which according to her isn’t necessarily an evil thing (“Interestingly,” Timms points out, “evil is live spelled backwards.”) She intends to live through the end of the pyramid timeline and enter, spiritually cleansed, into a new age of enlightenment.

On Sept. 17, 2001, she and I will be in Egypt, raising the old Ejed, our chakras running smoothly and our karma primed for rebirth. But Moira is smart. Or just wary. She makes no promises about her prophetic date of choice.

There are other interpretations of the pyramid timeline, as she points out, interpretations that yield end dates of Aug. 20, 2011, March of 2029, and, as we have seen, May 5, 2000. So the Great Pyramid of Gizeh, the first wonder of the world, still can’t tell me when to fill up the van and head for the hills.

Because I’m depressed by this, Moira suggests another date, one that’s “written in stone,” so to speak: Dec. 23, 2012, the day the world is going to end.

Tonatiuh

On that day, I’ll be with Michael Coe, the man largely responsible for breaking the Maya code. We’ll be in the Yucatán, the cradle of one of the weirdest cultures the planet has produced–the Maya. Michael and I will be reading his favorite passage from the Book of Chilam Balam of Tizimín as we wait for the end: “The sky is divided and the land is raised. Then occurs the great flooding of the earth.

“The ending of the word, the folding of the Katun.”

Dec. 23, 2012, is actually 4 Ahua 3 Kankin, and it is the final day of a countdown that started on 4 Ahau 8 Cumku, or Aug. 13, 3114 B.C. The 5,125-year interval is the Mayan Tonatiuh, or Fifth Sun. The Mayan calendar has been steadily counting down, for more than five millennia, to a global cataclysm that will, according to the Popul Vuh, end life on the planet as we know it.

We might want to pay attention to it–the Mayan calendar was, until we put satellites into space in 1958, the most precise way we had of charting our path through the solar system. Our calendar, the Gregorian calendar, assumes a solar year to be 365.2425 days long. The Mayan calendar assumes a solar year to be 365.2420 days long. The exact length of a solar year is, in fact, 365.2422 days, making the Maya slightly more accurate than the Europeans a few thousand years later.

The Maya also had figured out some fairly esoteric math, such as metrical calculation, place numeration, and the abstract concept of zero. And this from a culture that hadn’t invented, or at least didn’t use, the wheel. Eric Thompson, an archaeologist who worked extensively in Central America, asks, “What mental quirks led the Maya to chart the heavens, yet fail to grasp the principle of the wheel; to visualize eternity, as no other semi-civilized people has ever done, yet ignore the short step from corbelled to true arch; to count in millions, yet never learn to weigh a sack of corn?”

The Maya shared a belief with hundreds of other world cultures that theirs was not the only age of humanity; that successive ages come and go, each brought to its end by some sort of monstrous global cataclysm. The thing that held the Maya together as a culture was their preoccupation with their calendar. With time. With a finite amount of time–a little over 5,000 years. If you had asked a Quiché Maya 3,000 years ago when the world would end, he would have said Dec. 23, 2012.

Unless, of course, said Quiché Maya happened to be standing next to Herbert Spinden, who would have said the date is actually Dec. 24, 2011. There are, truth be told, two differing interpretations of the Mayan calendar. Michael Coe believes one, and Herbert Spinden believes the other. It turns out that for a calendar that can accurately span eons, we can read it only to an accuracy of plus or minus six months.

Once again, my search for The Date has been thwarted, and I start to grasp at straws.

The Straws

I could go inland to southern Canada to avoid the “catastrophic land changes and flooding of all coastlines” that Edgar Cayce foresaw for late 1998. If I’m lucky, I’ll also be around in 2100 when he is to reincarnate and survey the damage.

I could hide in a cave on Aug. 18, 1999, the date Criswell predicted for The End, the day a “black rainbow will encircle the planet earth.” But Criswell (best known as the narrator of director Ed Wood’s B-flick Plan 9 from Outer Space) also predicted that by 1977 the English Channel would be so shallow you could walk from France to England, that humans would be living on Venus and Neptune by March of 1990, and (my favorite): “I predict paste-on bikinis for women and clamp-on bikinis for men.”

I could go to Arkansas, to an area that’s going to be thrust 2,000 feet into the air by a massive earthquake and survive the flood Dolores Cannon predicts for 2029. Or 2011. Or 2002. She’s not sure. Her interpretations of Nostradamus’ prophecies aren’t very precise. I could fall in love with Baby Jesus and wait for the Rapture, but who knows when that’s going to happen.

At the very least, I might want to get the hell away from Mt. Rainier, which, according to psychic Michael Scallion, is going to blow this summer. After the eruption, there will be massive earthquakes, sinking everything west of Bellingham, Wash., into the sea. Scallion predicts quakes up and down the West Coast next fall, finally establishing Phoenix, Ariz., as the major Pacific port of the United States.

You’re Gonna Die

“Hell, when you’re talking about the end of the world, who gives a damn exactly when it’s supposed to happen. I mean, really, a year here or there doesn’t seem to make that much difference.” This voice of reason belongs to author Graham Hancock.

History is littered with discarded millennial prophecies. In every generation since the dawn of civilization there have been those who believed that they were going to see The End in their lifetimes, that they would watch the earth plunge into darkness or emerge into light. Just because we humans count in a base-10 system and we’re coming up on a big old base-10 millennium doesn’t mean that end-of-the-world millennialists are more likely to be correct now than a thousand years ago.

But there is another, perhaps more compelling, possibility: Maybe they are right. I find myself drawn to this possibility in the same way I’m perversely drawn to the sight of roadkill. It gives me a morbid thrill to think that maybe we will be the generation that sees the end of an age; that we stand the chance of being the next Chosen People; that the paramilitary survivalists living in compounds in Idaho, the suburbanites with bomb shelters in Issaquah, the drag queens living in basement apartments on Capitol Hill in Seattle, and the stoners sitting on mountainsides on the Peninsula will be the survivors of the world cataclysm everyone’s been counting on since the beginning of our collective memory.

If only we knew the date, the exact time and date, of the end, then we might be among them, among the saved. Or we’d be dead. Maybe whatever’s coming really will kill us all.

Death is a major component of almost all millennialism; you can only get something clean by getting something else dirty. Date-setting is another way of measuring our mortality in order to make the time we have left somehow meaningful.

Does a date even matter?

“The world is going to end for all of us,” says Hancock. “This is one thing about which there is absolutely no doubt, that you or I or anybody else is going to face the end of the world within a certain very short number of years. You’re going to die, I’m going to die. And you can count down as well as someone counting down to May 5, 2000 or Dec. 23, 2012. You know that in 100 years you’re not going to be around. So you know that the world is going to end for you in 100 years.”

But 100 years is different from, say, three years, four months, and 13 days, or 16 years, 11 months, and seven days. Knowing that smoking will kill me isn’t making me quit; seeing a spot on an X-ray of my lung probably would.

What we do with that time is up to us.

“What is life about?” asks Hancock. “Is it simply a matter of fulfilling one individual lifetime and then dying and going to heaven or going to hell or whatever you happen to believe in? Or is there some kind of ongoing mission for humanity on the planet?

“If you feel that there is a long-term purpose to life,” Hancock continues, “then the idea of the destruction of the earth, and the destruction of human life and the loss of human knowledge and culture with it, is really horrific. But we do that now. We go around as a society wiping out and obliterating human experience. This destruction of past knowledge is something we do anyway, even without global catastrophe.”

This is a man who has spent decades of his life immersed in ancient cultures and their cataclysmic memories and prophecies. His work finds an elusive and powerful eloquence in the balance between rigorous science and mythology. He has watched as ancient cultures were all but erased from the planet, as the Great Pyramid became a tourist trap and the Maya calendar was printed on ash trays.

“We are a species that has a very large legacy of advice, intuition, warnings, and ideas, that has been passed down to us, that for some reason we choose entirely to ignore, and I think it’s irrational of us to do that. The end is nigh. Very nigh.”

From the April 3-9, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

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