DEVELOPING: 16-year-old boy fatally stabbed at Montgomery High School

UPDATE – Thursday, March 2: School district offers mental health services

Santa Rosa City Schools is offering mental health services to students and the broader Montgomery High School community following the death of a 16-year-old boy Wednesday.

Santa Rosa School Board President Stephanie Manieri announced that the Santa Rosa City Schools Integrated Wellness Center, located at 2230 Lomitas Ave., will be open on Thursday and Friday.

“Santa Rosa City Schools staff and administration are doing everything they can to ensure our students and staff have the time and space to grieve this loss. We are working with our partners to keep our focus on getting the Montgomery High School community what they need at this time. This is an evolving situation and more updates will be forthcoming,” Manieri wrote on social media.

Bay City News – Wednesday, March 1: Authorities identify student fatally stabbed in classroom fight

A 16-year-old boy who was stabbed to death during a fight Wednesday morning at a Santa Rosa high school has been identified as Jayden Jess Pienta, authorities said.

A junior at Montgomery High School, Pienta was stabbed at least three times during the fight inside an art classroom. 

Staff at the school called police at 11:11 am on Monday to report the fight, Santa Rosa police Sgt. Christopher Mahurin said. When officers arrived at 11:15 am, they found two boys with stab wounds and began life-saving efforts. 

The victims were taken to a hospital, where Pienta died. The other student, also a 16-year-old junior, suffered at least one stab wound but is expected to recover.

The suspect in the stabbing, a 15-year-old freshman at the school, fled and was eventually found by authorities hiding near a creek at Highway 12 and Farmers Lane. He was taken into custody and booked into the Sonoma County Juvenile Justice Center on suspicion of crimes that include homicide, attempted homicide, and having a weapon on a school campus.

Investigators said that an argument preceded the stabbing. About 11 am, Pienta and the other 16-year-old junior had walked into an art class that they were not attending and a fight broke out with a 15-year-old freshman, police said. 

“The class teacher and three aides were able to briefly break up the fight, but the three students quickly began fighting again,” Mahurin said.

The 15-year-old brandished a knife and allegedly stabbed both 16-year-olds, according to police. 

The suspect then fled the classroom and ran from the school campus, while the two injured students walked to the school’s medical office.

During the fight, there were 27 other students in the class, authorities said.

“This is truly a sad day,” said Santa Rosa City Schools Superintendent Anna Trunnell at a news conference on Wednesday afternoon. “The tragedy that happened here today is heartbreaking.” 

Santa Rosa police detectives are investigating what led to the fight and the relationship between the students. 

Anyone who witnessed the fight is asked to talk to police detectives. In addition, police are seeking any video footage that might have been taken before and during the incident. Witnesses can reach out to SRPD detectives at (707) 543-3590.

Venues, Week of March 1

Green Music Center

1801 East Cotati Ave., Rohnert Park. gmc.sonoma.edu.

Inspired by resilient forests, Treelogy is performing at Sonoma State University.

7:30pm, Thursday, March 2. $25-75.

North Bay Live Music

16280 Main St., Guerneville. mainststation.com

Watch out, Road Runner! The creator of Wiley’s Coyotes, Eric Wiley, is coming to town.

6pm, Friday, March 3. Free.

Mystic Theater

23 Petaluma Blvd. N, Petaluma. mystictheatre.com.

Relive the ’80s in a way one has never done before with a show by the band Tainted Love.

9pm, Friday, March 3. $33.50.

Elephant in the Room

177 Healdsburg Ave., Healdsburg. elephantintheroompub.com.

Get ready for the southern feel of rockabilly from the ’90s, brought by Derek Irving & His Combo. 9pm, Friday, March 3. $10.

The Phoenix Theater

201 Washington St., Petaluma. thepheonixtheater.com.

Four artists named after the Golden Gate city, San Francisco Sound Experiment, are blazing onto the stage at the Phoenix. 8pm, Saturday, March 4. $10.

Starling Bar Sonoma

19380 Highway 12, Sonoma. starlingsonoma.com.

The three time winner of the North Bay Bohemian Norbay award for best Americana artist, Sean Carscadden is performing this weekend.

3pm, Sunday, March 5. Free.

Hopmonk Tavern Sebastopol

230 Petaluma Ave., Sebastopol. hopmonk.com.

Taking Bob Dylan songs to a whole new level, Ghosts of Electricity are bringing rock and roll to the HopMonk this weekend. 6pm, Sunday, March 5. $32.50.

Spancky’s Bar

8201 Old Redwood Hwy., Cotati. facebook.com/SpanckysBar.

Get ready to play at the longest-running jam in Sonoma County, with players of all levels welcome for Trees Blues Jam every Tuesday night.

7pm, Tuesday, March 7. Free.

The Flamingo Resort

2777 4th St., Santa Rosa. vintagespacesr.com.

DJ DYOPS will be hosting LUSH, a LGBTQ+ friendly dance party, at the Flamingo Resort.

9pm, Friday, March 10. $10-15.

—Kainoa St. Germain

Share your events at

bohemian.com/events-calendar and pacificsun.com/events-calendar.

Your Letters, Week of March 1

Green Wash

In the Feb. 15 issue, I read about the proposed Highway 37 project, a page after the Open Mic piece: “We Got Played—Fossil fueling climate change.” If the Highway 37 project as proposed comes to fruition, we’ll be played again.

This project is a freeway widening that has been greenwashed as “climate resilient.” Lane additions to Highway 37 will increase the roadway’s capacity and induce demand, resulting in more driving as congestion is (temporarily) alleviated. This induced demand will drive pollution, promote further unsustainable land use and worsen climate change.

The proposed bike, pedestrian and transit improvements (HOV lane?) only provide a hue of green but don’t mitigate the overall environmental harm this road widening project will cause. Highway 37 lacks public transit.

Proposed passenger train service along this corridor is likely the only way to lessen the environmental impact and climate footprint of transportation in this area. More cars and increased automobile trips are not the solution.

The 1950s are calling, and they want their highway building project back.

Sprague Terplan

San Francisco

Crescent Moonshine: Duo delivers more than nostalgia

On a recent blustery night, there was no better sanctuary in Healdsburg than the warm glow and sonorous sounds emanating from Furthermore Wines Tasting Lounge.

There, hospitality and events manager Marty Paradise not only evinces a fine palate for wine but a well-developed ear for talent. The perfect pairing on the night in question was Furthermore’s supple 2018 Gap’s Crown pinot noir and the virtuosic Bay Area music duo Megan Schoenbohm and Jason Brentwood, a.k.a. Crescent Moonshine.

The talented twosome bring to life a playlist of ’90s deep cuts and classics—yes, there is such a thing now—via the former’s striking vocals and guitar playing and the latter’s nuanced and affecting percussion.

Between sets, singer-songwriter Schoenbohm (who many may already know as an award-winning children’s artist) indulged a few questions for the following Q&A (edited for length and clarity).

DH: Your interpretations of the material are really strong and interesting—the combination of novelty and the familiar is amazing, such that I’m compelled to ask, why the ’90s?

MS: I really lucked out—I have this memory of being 12 years old, watching the Lilith Fair on pay-per-view in 1997. Sarah McLachlan and Jewel were up on stage, and they were singing ‘Water is Wide,’ and I’m sitting there, 12 years old. I’m watching the screen, and my arms just totally like break out in goosebumps, and I’m like, ‘I don’t care what it takes, but that is what I want to do.’ And that just became it.

DH: When did you start playing guitar?

MS: I went to school as a drummer. I was a music therapy major [Schoenbohm is a graduate of Boston’s Berklee College of Music with a degree in music therapy], and they were like, ‘Well, you know, good luck—you’re going to have to be a guitarist.’ Basically, I learned to play with all the ’90s songs—I would sit and just play all the songs that I liked, and that became my repertoire. And then I started writing my own music.

DH: There’s an interesting sort of split in your music career—you have a separate and successful venture in children’s music (musictimewithmegan.com). Do you feel the same emotional investment as an artist when you’re interpreting a ’90s tune or writing a children’s tune?

MS: I would say the first word that comes to mind is ‘love’… There’s a lot of heart and feeling that goes into what I do. What I say is, ‘I write this music for the kids in our lives and the kids inside all of us.’ I take these things that we’re facing now in this world and [create] these heartwarming messages of self-empowerment and self-love. I take these things that we wish we would have learned when we were kids and I bring them down so that these kids are learning these messages at three and five years old, rather than learning them in their 30s and 40s. It’s also music that I feel like the parents can listen to as well—there’s no ‘Baby Shark.’ I was joking with Jason that it’s like the Ani DeFranco of kids’ music.

It’s all about creating and facilitating an environment where people are just enjoying themselves.

MEGAN SCHOENBOHM

DH: What’s it like performing with your partner?

MS: Jason is incredibly patient. He lets me run the show and trusts my vision. He wants to support me unconditionally. But I’ve got to tell you—I’ve always been a solo artist, so when we were dating and he’s like, ‘I’d really love to gig together,’ I was thinking, ‘I’m a solo artist and have always been.’ But, I said, ‘If you want, come along; you can learn the songs.’ He started listening to my albums more than I have. He would sit there and just study all the music and practice. I knew he was talented—he was totally dedicated, and I said, ‘All right, well let’s give it a go.’

DH: It’s a great sound with a lot of dimensionality. I also appreciate how you’re able to take the entirety of a decade’s music which you curate and interpret in a way that’s fresh, vital and relevant. When you choose a song, what is it that you’re looking for, and how do you know this is your song?

MS: Well, first and foremost, I have to feel a connection to it—not just an aesthetic thing, but an emotional connection or just, like, ‘I can fucking kill this song’… How do we make it fresh? How do we make it unique in a way that people are like, ‘Wait, I know that!’ and that differentiates us from just being a cover band… It’s all about creating and facilitating an environment where people are just enjoying themselves. If the music takes them back and brings them into these memories and facilitates some conversation—that they may not have had with the people that they were with—I’m able to take part in that, contributing in that way.

DH: For those of us of a certain generation, ’90s songs are the sound of our youth—in some way, now it’s children’s music for grown children.

MS: Love it.

DH: What do you do if you’re performing in a venue and there are people talking during your performance?

MS: I think to some extent, there needs to be some surrender. You can’t make someone listen or enjoy the song. And, I think when it comes down to it, you just have to continue on with what feels true to me to play. We read the vibe of the room, we play a little bit of this, maybe we switch it up a little bit to that, and you just kind of go with the flow. But for my own sanity, you have to surrender and just know that not everyone’s going to like everything we play. Some people may be like, ‘This sucks,’ and some people like, ‘Oh, my God, this is amazing!’ And you just have to let it go.

Furthermore Wines and Tasting Lounge is located at 328 Healdsburg Ave., Suite A, Healdsburg. For upcoming events, visit furthermorewines.com.

Follow Megan Schoenbohm on Instagram @meganschoenbohm and musictimewithmegan.com.

Resort-O-Rama: Flamingo Hosts Retro Fun

It is perhaps indicative of the rapid change that overtook America during the tie-dye era that the popular image of the 1950s focused exclusively on teeny-bopper culture.

This was captured in two movies a couple of decades later—American Graffiti and Grease—and persisted in popular television shows like Happy Days. In the post-Watergate era of gas rationing and burgeoning sexual free-for-all, a certain segment of American society was left dreaming of this lost paradise of perpetual adolescence, where everything was doo-wop, school dances, malt shops and drive-in make-out sessions.

But while the 1950s saw the explosion of youth culture, fed by the sheer number of Baby Boomers, it was also a decade of very adult sophistication and subversion set against the anxious backdrop of the Cold War.

There was Grace Kelly and Cary Grant, Nabokov’s “Lolita” and Kerouac’s “Dharma Bums,” Beat poets in North Beach and Alan Watts giving Buddhist lectures in Marin, French New Wave films and Parisian couture, and the battle between the Cool Jazz of the West Coast and the Hard Bop of the East.

Amid all of this were two seemingly opposed currents: an optimistic space-age vision of the future seen in everything from The Jetsons to architecture ranging from Googie (or space-age coffee shops), to IBM’s famous 1962 headquarters, where engineers could only wear white shirts in order to properly blend in with their high-concept surroundings.

At odds with this retro-futurism was the opposite impulse, that of escaping the machine age by going native. The 1949 musical, South Pacific, based on James Michener’s short stories concerning soldiers and nurses stationed on an island during World War II, set the bamboo stage for the tiki craze.

Here, with the help of a Les Baxter record, fruity rum drink and a pink flamingo, any suburban Californian could turn their backyard barbeque into a primitive luau situated in some primordial paradise free from modern neuroses.

At odds with this retro-futurism was an opposite impulse to ‘go native.’

And so it’s perfectly apropos that Santa Rosa’s Flamingo Resort, erected in 1957, will host Resort-O-Rama, Northern California ’s first-ever tiki and Mid-Century Modern festival. Produced by Baby Doe and Otto von Stroheim, who bring 27 years of experience hosting retro events, Resort-O-Rama lands in town March 2-5 and will offer a celebration of all things retro through seminars, entertainment and a Sunday vintage marketplace open to the public. Tickets can be full package or single event, and the full schedule of festivities can be found at resortorama.com.

“The tiki thing encompasses an island lifestyle, and escapism from Modernism back to Primitivism, while Mid-Century Modern was bringing design into your daily life,” says Otto von Stroheim. “So they’re very different in retrospect, though now they overlap pretty heavily. People can enjoy elements of the past and look at them through rose-colored glasses, taking the best of what was there and trying to recreate it in their own lives.”

Thanks for Not Procreating: Making Census of the Moment

A response to Barry Barnett’s Open Mic on population control and U.S. birth rate regulation laws

First off, thank you for not procreating.

Some people are happy being solo, some fervently choose and some just aren’t meant to procreate, and that is how it goes.

Secondly, the UN wrote a report back in 2010 showing that sustainable farming has the potential to support growing populations in a way that is healthy. It is obvious more and more everyday that since the invention of plastics and petroleum in the 1900s, multinational corporations are polluting and causing damage and harm to ecosystems.

Did you know plastic all started with rich men wanting to own billiard tables?

Let’s not blame the children; they are our only hope to turn things around. Mother Earth is well equipped to feed all of her children.

Third, patriarchal societies are what has exploded populations, along with the greed of man.

It is true, one man could father dozens of children, if not hundreds, like the ancient Egyptian king Ramses. A woman can only have one pregnancy a year for a limited number of years. Men populate more than women.

Why don’t men take more responsibility?

Fourth, education, education, education. It is a fact that countries with lower education access have the highest births per capita.

Educating women allows the whole of communities to become wiser, and is proven to help with life goals and child planning. It has been said that educating a man only gives him more knowledge to accomplish things for himself and for capitalism.

Many countries house unproductive, wounded men who pillage and rape women because of primal urge, which then leaves women forced to raise children, having no access to birth control and little in resources of support.

Fifth and lastly: Why not sterilize men? A drop of a man’s sperm has millions of potential offspring, and it is produced regularly, while a woman is born with all the eggs she will ever have. Why not have social programs that offer vasectomies to high school and college men? It’s literally a half-hour procedure and is reversible. Stop blaming, harming, controlling women, and protect them and their right to choose and raise the next generation of Earth healers.

Free Will Astrology, Week of March 1

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ARIES (March 21-April 19): In 1993, I began work on my memoirish novel, The Televisionary Oracle. It took me seven years to finish. The early part of the process was tough. I generated a lot of material I didn’t like. Then one day, I discovered an approach that liberated me: I wrote about aspects of my character and behavior that needed improvement. Suddenly everything clicked, and my fruitless adventure transformed into a fluidic joy. Soon I was writing about other themes and experiences. But dealing with self-correction was a key catalyst. Are there any such qualities in yourself you might benefit from tackling, Aries? If so, I recommend you try my approach.

TAURUS (April 20-May 20): Two Taurus readers complained that my horoscopes contain too much poetry and flair to be useful. In response, I’m offering you a prosaic message. It’s all true, though in a way that’s more like a typical horoscope. (I wonder if this approach will spur your emotional intelligence and your soul’s lust for life, which are crucial areas of growth for you these days.) Anyway, here’s the oracle: Take a risk and extend feelers to interesting people outside your usual sphere. But don’t let your social adventures distract you from your ambitions, which also need your wise attention. Your complex task: Mix work and play; synergize business and pleasure.

GEMINI (May 21-June 20): Astrologer Jessica Shepherd advises us to sidle up to the Infinite Source of Life and say, “Show me what you’ve got.” When we do, we often get lucky. That’s because the Infinite Source of Life delights in bringing us captivating paradoxes. Yes and no may both be true in enchanting ways. Independence and interdependence can interweave to provide us with brisk teachings. If we dare to experiment with organized wildness and aggressive receptivity, our awareness will expand, and our heart will open. What about it, Gemini? Are you interested in the charming power that comes from engaging with cosmic contradictions? Now’s a favorable time to do so. Go ahead and say, “Show me what you’ve got” to the Infinite Source of Life.

CANCER (June 21-July 22): “Only a lunatic would dance when sober,” declared the ancient Roman philosopher Cicero. As a musician who loves to dance, I reject that limiting idea—especially for you. In the upcoming weeks, I hope you will do a lot of dancing-while-sober. Singing-while-sober, too. Maybe some crying-for-joy-while-sober, as well as freewheeling-your-way-through-unpredictable-conversations-while-sober and cavorting-and-reveling-while-sober. My point is that there is no need for you to be intoxicated as you engage in revelry. Even further: It will be better for your soul’s long-term health if you are lucid and clear headed as you celebrate this liberating phase of extra joy and pleasure.

LEO (July 23-Aug. 22): Poet Mary Oliver wondered whether the soul is solid and unbreakable, like an iron bar. Or is it tender and fragile, like a moth in an owl’s beak? She fantasized that maybe it’s shaped like an iceberg or a hummingbird’s eye. I am poetically inclined to imagine the soul as a silver diadem bedecked with emeralds, roses and live butterflies. What about you, Leo? How do you experience your soul? The coming weeks will be a ripe time to home in on this treasured part of you. Feel it, consult with it, feed it. Ask it to surprise you!

VIRGO (Aug. 23-Sept. 22): According to the color consultant company Pantone, Viva Magenta is 2023’s color of the year. According to me, Viva Magenta is the lucky hue and power pigment for you Virgos during the next 10 months. Designer Amber Guyton says that Viva Magenta “is a rich shade of red that is both daring and warm.” She adds that its “purple undertone gives it a warmth that sets it apart from mere red and makes it more versatile.” For your purposes, Virgo, Viva Magenta is earthy and exciting, nurturing and inspiring, soothing yet arousing. The coming weeks will be a good time to get the hang of incorporating its spirit into your life.

LIBRA (Sept. 23-Oct. 22): If you are not working to forge a gritty solution, you may be reinforcing a cozy predicament. If you’re not expanding your imagination to conjure up fresh perspectives, you could be contributing to some ignorance or repression. If you’re not pushing to expose dodgy secrets and secret agendas, you might be supporting the whitewash. Know what I’m saying, Libra? Here’s a further twist. If you’re not peeved about the times you have wielded your anger unproductively, you may not use it brilliantly in the near future. And I really hope you will use it brilliantly.

SCORPIO (Oct. 23-Nov. 21): Storyteller Martin Shaw believes that logic and factual information are not enough to sustain us. To nourish our depths, we need the mysterious stories provided by myths and fairy tales. He also says that conventional hero sagas starring big, strong, violent men are outmoded. Going forward, we require wily, lyrical tales imbued with the spirit of the Greek word metis, meaning “divine cunning in service to wisdom.” That’s what I wish for you now, Scorpio. I hope you will tap into it abundantly. As you do, your creative struggles will lead to personal liberations. For inspiration, read myths and fairy tales.

SAGITTARIUS (Nov. 22-Dec. 21): Many astrologers don’t give enough encouragement to you Sagittarians on the subject of home. I will compensate for that. I believe it’s a perfect time to prioritize your feelings of belonging and your sense of security. I urge you to focus energy on creating serenity and stability for yourself. Honor the buildings and lands you rely on. Give extra appreciation to the people you regard as your family and tribe. Offer blessings to the community that supports you.

CAPRICORN (Dec. 22-Jan. 19): If you are like 95% of the population, you weren’t given all the love and care you needed as a child. You may have made adaptations to partly compensate for this lack, but you are still running a deficit. That’s the bad news, Capricorn. The good news is that the coming weeks will be a favorable time to overcome at least some of the hurt and sadness caused by your original deprivation. Life will offer you experiences that make you feel more at home in the world and at peace with your destiny and in love with your body. Please help life help you! Make yourself receptive to kindness and charity and generosity.

AQUARIUS (Jan. 20-Feb. 18): The philosopher Aldous Huxley was ambitious and driven. Author of almost 50 books, he was a passionate pacifist and explorer of consciousness. He was a visionary who expressed both dystopian and utopian perspectives. Later in his life, though, his views softened. “Do not burn yourselves out,” he advised readers. “Be as I am: a part-time crusader, a half-hearted fanatic. Save the other half of yourselves for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it.” Now I’m offering you Huxley’s counsel, Aquarius. As much as I love your zealous idealism and majestic quests, I hope that in the coming weeks, you will recharge yourself with creature comforts.

PISCES (Feb. 19-March 20): Piscean author and activist W. E. B. Dubois advised us to always be willing to give up what we are. Why? Because that’s how we transform into a deeper and stronger version of ourselves. I think you would benefit from using his strategy. My reading of the astrological omens tells me that you are primed to add through subtraction, to gain power by shedding what has become outworn and irrelevant. Suggested step one: Identify dispiriting self-images you can jettison. Step two: Visualize a familiar burden you could live without. Step three: Drop an activity that bores you. Step four: Stop doing something that wastes your time.

Jury’s out on ‘Justice: A New Musical’

It was quite an eventful evening at the Marin Theater Company opening of Justice: A New Musical. The show, with book by Lauren Gunderson, music by Bree Loudermilk and lyrics by Kait Kerrigan, premiered last year at the Arizona Theatre Company, but has undergone significant revisions since then. On top of some typical opening night “bumps in the road,” they also had to contend with two weather-induced power outages.

During an impromptu Q&A held as the crew worked to restore power, Gunderson shared that she had initially been contacted to write a one-woman show about Supreme Court Justice Sandra Day O’Connor. She found more inspiration, however, in the differences and similarities between O’Connor and Ruth Bader Ginsberg. This brought about a play that follows the careers of the first three women appointed to the United States Supreme Court: O’Connor (Karen Murphy), Ginsberg (Lynda DiVito) and Sonia Sotomayor (Stephanie Prentice).

Despite the setbacks and delays, Murphy, DiVito and Prentice all delivered strong performances. Prentice’s Sotomayor is charismatic, with a strong sense of determination that makes it easy to root for her. Murphy’s O’Connor is a convincing and nuanced portrait of a woman who has worked hard for power but is questioning her decisions. DiVito’s Ginsberg comes off as less of a real person than “The Notorious RBG.” She even sings a mischievous torch song about her alter ego.

The set design by Carlos Aceves makes clever use of a single set piece as multiple locations. Unfortunately, it was too far downstage for the size of the space. Had it been further upstage, it would not have overwhelmed the actors as it did. Similarly, the costumes by Maggie Morgan worked well but for the odd fit of judicial robes on all three women.

The script, like the set and costumes, almost gets it right. It takes too much time educating and not enough time exploring the ramifications their decisions had on these women’s lives. Also, for a play ostensibly about equality, partisanship and how women function in politics, Gunderson does not even name-check controversial Justice Amy Coney Barrett.

Like most of Gunderson’s plays, the show is written to simply entertain. The music is fun, the story is interesting, and the acting is strong. Just don’t go in expecting a realistic look at American politics. As the composer and lyricist shared, this is basically just Wicked in Washington.

‘Justice: A New Musical’ runs Tues–Sun through March 12 at Marin Theatre Company, 397 Miller Ave., Mill Valley. Tues–Sat, 7:30pm; Sat & Sun, 2pm. $25.50-$60.50. Masking required. 415.388.5208. marintheatre.org.

Culture Crush, March 1

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Look Book

Local fashion maven Lily Samii shares her latest creation, a memoir, Lily Samii: A Journey through Life and Fashion, at 1pm, Sunday, March 5 at Book Passage, 51 Tamal Vista Blvd., Corte Madera. The event invites readers to step inside the mesmerizing world of San Francisco-based Iranian fashion designer Samii— from her upbringing in Iran to the runways of Paris to her retail boutique, L.Y.Z. Ltd. in Larkspur, and elegant showrooms on Union Square in San Francisco and in New York. Samii’s book takes readers through the designer’s 50 years in the fashion industry and reminds why she’s known as the “Grand Dame of Bay Area Fashion.”

The event is free.

Napa

Tea With Audrey Vardanega

Celebrating Women’s History Month, The Meritage Resort and Spa hosts a special “High Tea” from 11am to 1pm, Saturday, March 11, as part of the resort’s ongoing Women in the Arts speaker series in partnership with Festival Napa Valley. Honoring the accomplishments of nationally recognized female artists, Women in the Arts features a female artist as well as women leaders in the wine, spirits and beverage industries. In this case, it’s pianist, arts innovator and Festival Napa Valley favorite Audrey Vardanega who will share her story and the work of Arium, a multimedia platform she co-founded in 2020. A portion of the proceeds from each event supports scholarship programs in Napa County and beyond. Tickets for the event are $90, including a keepsake fine china teacup and saucer from UppercaseTea. Guests are invited to dress up for the occasion by wearing a fascinator or hat (imagine something Kate Middleton might wear on her head) to add some whimsy. More details at bit.ly/high-tea-meritage.

Santa Rosa

Art by and for Locals

The City of Santa Rosa Public Art Program, in conjunction with the National Arts Program, announces the opening of the 20th Annual National Arts Program Exhibition and Competition, from 3 to 5pm, Sunday March 12, at the Finley Community Center, 2060 W. College Ave., Santa Rosa. This program provides Santa Rosa artists of all ages with an opportunity to showcase their artistic accomplishments and encourages artistic growth. The exhibition features 160 works by artists of all ages and levels of experience, and participants are eligible for $4,000 in awards. It remains on display and open to the public through April 21. The National Arts Program was established in 1985 by the National Art Program Foundation to inspire, acknowledge and reward creative accomplishments throughout the nation. Learn more about the City of Santa Rosa arts programs at SRCity.org/arts.

Santa Rosa

Breaking Traditions

The Santa Rosa Junior College Multicultural Museum is preparing a unique and rare collection of Pomo basketry, never before exhibited in its entirety since its arrival at Santa Rosa Junior College 20 years ago. Titled “Breaking Traditions, Saving Traditions: Elsie Allen and the Legacy of Pomo Basketry,” the exhibition opens on Friday, March 3 with a reception from 4 to 7pm, and will be displayed through the rest of the year. An opening reception will feature speakers from the local Pomo community, as well as a traditional blessing and song preceding the event. The Santa Rosa Junior College Multicultural Museum is located on-campus at Bussman Hall, 1501 Mendocino Ave. For detailed information, including information on other events in support of the exhibition, visit bit.ly/srjc-baskets.

— Daedalus Howell, editor

dh*****@*****ys.com

County and state COVID-19 emergency orders come to an end

After nearly three years, Sonoma County and California are allowing their COVID-19 health emergency declarations to end on Feb. 28.

The county’s order, beginning on March 2, 2020, marked the formal start of local efforts to reckon with the unfolding pandemic. Next, authorities issued temporary shelter-in-place and masking orders, set up testing centers and, much later, coordinated vaccine distribution. But, for the past year or more, officials have been winding down testing and masking requirements, as well as allowing temporary tenant protections to lapse, often arguing that case counts and new variants are less severe than they once were.

“The end of the emergency does not suggest that we have eliminated COVID-19 but rather that we are nearing the endemic phase of the virus that has altered so much of our lives for the past three years,” Dr. Sundari Mase said in a statement announcing the decision. “The variants of COVID-19 in circulation today are not as severe as those of the early days of the pandemic. Armed with widely available vaccines and much more knowledge about the virus, we no longer have to treat COVID-19 as an emergency.”

Across the country, COVID-19 is thought to have killed 1.13 million people, including over 100,000 in California, according to the state’s Department of Health. Despite the end of the formal emergency, there are lingering impacts, including people struggling with long COVID and lasting financial problems.

The end of the emergency declaration comes as the county closes the two remaining vaccination clinics. The Roseland Community Clinic closed on Saturday, Feb. 25, and the Rohnert Park Community Center clinic closed on Tuesday, Feb. 28.

Other impacts of the end of state and local emergency declarations include:

  • Beginning on March 31, patients insured through Medi-Cal will need to re-enroll manually. That’s because a pandemic-era law allowing Californians to automatically renew coverage was tied to the emergency declarations. Remembering to renew coverage is particularly important because COVID-19 tests and vaccines, which until now have been subsidized by the federal government, will soon come with an out-of-pocket cost.
  • In 2020, democracy went digital. Most public agencies began holding public meetings on Zoom and other online meeting platforms. However, with the end of the state emergency declarations, public boards large and small will be effectively required to hold Brown Act meetings in-person again. Under Assembly Bill 2449, a state law passed last year, public bodies will still have the option to host hybrid meetings—in-person and online at the same time—however board members will be required to attend meetings in-person under most circumstances.

President Joe Biden is expected to end the federal public health emergency on May 11.

DEVELOPING: 16-year-old boy fatally stabbed at Montgomery High School

Police car lights California
UPDATE - Thursday, March 2: School district offers mental health services Santa Rosa City Schools is offering mental health services to students and the broader Montgomery High School community following the death of a 16-year-old boy Wednesday. Santa Rosa School Board President Stephanie Manieri announced that the Santa Rosa City Schools Integrated Wellness Center, located at 2230 Lomitas Ave., will...

Venues, Week of March 1

Green Music Center 1801 East Cotati Ave., Rohnert Park. gmc.sonoma.edu. Inspired by resilient forests, Treelogy is performing at Sonoma State University. 7:30pm, Thursday, March 2. $25-75. North Bay Live Music 16280 Main St., Guerneville. mainststation.com Watch out, Road Runner! The creator of Wiley’s Coyotes, Eric Wiley, is coming to town. 6pm, Friday, March 3. Free. Mystic Theater 23 Petaluma Blvd. N, Petaluma. mystictheatre.com. Relive the ’80s in a way...

Your Letters, Week of March 1

Green Wash In the Feb. 15 issue, I read about the proposed Highway 37 project, a page after the Open Mic piece: “We Got Played—Fossil fueling climate change.” If the Highway 37 project as proposed comes to fruition, we’ll be played again. This project is a freeway widening that has been greenwashed as “climate resilient.” Lane additions to Highway 37 will...

Crescent Moonshine: Duo delivers more than nostalgia

On a recent blustery night, there was no better sanctuary in Healdsburg than the warm glow and sonorous sounds emanating from Furthermore Wines Tasting Lounge. There, hospitality and events manager Marty Paradise not only evinces a fine palate for wine but a well-developed ear for talent. The perfect pairing on the night in question was Furthermore’s supple 2018 Gap’s Crown...

Resort-O-Rama: Flamingo Hosts Retro Fun

It is perhaps indicative of the rapid change that overtook America during the tie-dye era that the popular image of the 1950s focused exclusively on teeny-bopper culture. This was captured in two movies a couple of decades later—American Graffiti and Grease—and persisted in popular television shows like Happy Days. In the post-Watergate era of gas rationing and burgeoning sexual free-for-all,...

Thanks for Not Procreating: Making Census of the Moment

A response to Barry Barnett’s Open Mic on population control and U.S. birth rate regulation laws First off, thank you for not procreating. Some people are happy being solo, some fervently choose and some just aren’t meant to procreate, and that is how it goes. Secondly, the UN wrote a report back in 2010 showing that sustainable farming has the potential to...

Free Will Astrology, Week of March 1

rob brezsny free will astrology
ARIES (March 21-April 19): In 1993, I began work on my memoirish novel, The Televisionary Oracle. It took me seven years to finish. The early part of the process was tough. I generated a lot of material I didn't like. Then one day, I discovered an approach that liberated me: I wrote about aspects of my character and behavior...

Jury’s out on ‘Justice: A New Musical’

It was quite an eventful evening at the Marin Theater Company opening of Justice: A New Musical. The show, with book by Lauren Gunderson, music by Bree Loudermilk and lyrics by Kait Kerrigan, premiered last year at the Arizona Theatre Company, but has undergone significant revisions since then. On top of some typical opening night “bumps in the road,”...

Culture Crush, March 1

Look Book Local fashion maven Lily Samii shares her latest creation, a memoir, Lily Samii: A Journey through Life and Fashion, at 1pm, Sunday, March 5 at Book Passage, 51 Tamal Vista Blvd., Corte Madera. The event invites readers to step inside the mesmerizing world of San Francisco-based Iranian fashion designer Samii— from her upbringing in Iran to the runways of...

County and state COVID-19 emergency orders come to an end

March 2020 press conference - Will Carruthers
After nearly three years, Sonoma County and California are allowing their COVID-19 health emergency declarations to end on Feb. 28. The county’s order, beginning on March 2, 2020, marked the formal start of local efforts to reckon with the unfolding pandemic. Next, authorities issued temporary shelter-in-place and masking orders, set up testing centers and, much later, coordinated vaccine distribution. But,...
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