Living Color: Early Webber classic in Healdsburg

If Joseph and the Amazing Technicolor Dreamcoat has the feeling of a school show done large, it should come as no surprise that it was originally commissioned by a London Prep School as a piece for their boys’ choir.

This early collaboration of then-teenage composer Andrew Lloyd Webber and 20-something lyricist Tim Rice started out as a 15-minute pop cantata. But after the success of their subsequent collaboration (Jesus Christ Superstar), it was eventually developed into a full-fledged musical. Healdsburg’s Raven Players has a production running at the Raven Performing Arts Theater through July 16.

It’s the sung-through story of Joseph from the Bible’s Book of Genesis. For those who haven’t read that tome in a while, fear not. The Narrator (Stacy Rutz) introduces us to Joseph (Elliot Davis), son of Jacob (Hans Grini). Joseph is Jacob’s favorite, much to the consternation of his 12 (or is it eight?) brothers. It’s bad enough that Jacob favors Joseph and gifts him with a magnificently colorful coat. But when Joseph starts dreaming about ruling over them, the brothers plot to kill him.

Deciding it’s better to make a buck off the deal, they sell Joseph into slavery. One thing leads to another, and before one knows it Joseph is second-in-command to Pharaoh (Joe Caruselle). Famine and drought force the brothers to travel to Egypt, where they beg for food from the vice-pharaoh. Joseph recognizes them, but they don’t recognize Joseph. Is it time for Joseph’s revenge?

Webber and Rice jazz up the biblical tale with a mixture of musical styles and clever lyrics, including a country hoedown as the brothers musically celebrate their deed (“One More Angel in Heaven”). Pharaoh bears a striking resemblance to another king, while ludicrous French accents accompany “Those Canaan Days.”

It can be very challenging to mount a large-scale musical these days, but director Joe Gellura was up to it. He gets strong vocal and character performances from Rutz and Davis in the leads and good support from the large ensemble. The nine-piece orchestra led by Les Pfützenreuter is absolutely solid. Large dance numbers by choreographer Bridget Codoni may lack some precision, but the ensemble is clearly giving their all.

Clocking in at blissfully brief 95 minutes including intermission, Joseph and the Amazing Technicolor Dreamcoat tells its 3,000-year-old tale of forgiveness and redemption with vim and vigor.

‘Joseph and the Amazing Technicolor Dreamcoat’ runs through July 16 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Thursday–Saturday, 7:30pm; Sunday, 2pm. $10–$40. 707.433.6335. raventheater.org.

Wine and Song: Songwriters in Paradise

Songwriters in Paradise, a so-far barely-known, exclusive music and wine festival that is coming to Healdsburg for its second year, is a curated experience akin to having a backstage pass where one gets to know the inside stories and jokes.

It’s one of those “you had to be there to understand” kinds of experiences.

Colloquially-known as SIP, the event is the brainchild of Patrick Davis, a singer-songwriter whose songwriting chops include nearly 80 songs recorded by the likes of Guy Clark, Jimmy Buffet and Jewel.

SIP, which limits ticket sales to 150, first started in the Bahamas when Davis invited a bunch of his songwriting friends to join him at a gig. A few would take the stage in a “songwriters in the round” style and take turns telling the stories behind the lyrics of the song they were about to play. “It’s like the Bluebird Café of the West,” Davis said, referring to the music joint in Nashville where stars such as Taylor Swift, Faith Hill and Garth Brooks got noticed.

SIP got the attention of some Napa Valley folks who persuaded Davis to bring it to wine country. Nobody had to twist Davis’ arm. SIP Napa—the most recent in April—and SIP Healdsburg—coming July 19-22—are held at premium wineries where attendees enjoy that winery’s wine paired with food prepared by top-notch local caterers.

The quality of the wine and food is on par with the caliber of artists Davis lines up. He’s got friends in high places. But some of the names of the singer-songwriters may not be household names even to a music aficionado.

Repeat SIPers include Tim Nichols, who is in the Nashville Songwriters Hall of Fame and recipient of multiple BMI songwriting awards, including a Grammy for the song “Live Like You Were Dying” that he co-wrote with Tim McGraw, as well as other accolades galore.

Matraca Berg, another Nashville Songwriters Hall of Fame inductee, performed at her first SIP in April. One of her more famous songs, “Strawberry Wine,” was named Country Music Award Song of the Year for 1997 and nominated for a Grammy, as was her 2007 song, “I Don’t Feel Like Loving You Today.”

SIP Healdsburg’s lineup is equally as impressive as what Nichols and Berg brought to SIP Napa.

Among those on the list is Kristian Bush of Sugarland fame. Another repeat SIPer, Bush has a list of tributes including snagging the Academy of Country Music Awards Top New Duo or Vocal Group in 2006, followed up by winning Top Vocal Duo again in 2009 and 2010, as well as nods for the same title in 2007, 2008 and 2013. Add a couple Grammy wins to that list, too.

Bush calls himself a “Japanese experiment,” thanks to being taught the Suzuki method of music that includes private and group lessons, repetition and listening to a lot of music. He can’t remember not being able to play an instrument.

His individual accomplishments are many and include writing songs for TV, film and musicals. A prolific songwriter, Bush said writing for musicals is “exhausting” and something he never aspired to do. However, he’s on his fifth musical, an adaptation of a Christmas poem.

“Music can do magic that other things can’t do,” Bush said. “I dare you to say your ABCs without singing them.”

Music can set the tone and help guide a storyline for movies and television. Without music, the shows are bland, he said.

Bush gets much of his songwriting inspiration from conversations. It can be from something he hears on television, in a private conversation, while eavesdropping or in a public situation.

One of those times happened while he was having a drink at a lobby bar in a resort. Watching a group arrive and gather at the registration desk, he saw that one couple looked as if they weren’t experienced travelers. Bush surmised this after he saw the man leave his female companion at the registration desk, and what the man did shortly after he departed.

As is common at resorts on large bodies of water, huge windows welcome the view of the ocean and other amenities. The man Bush was watching ran to the window with that particular view, placed his hands on the railing, looked down and exclaimed, “There’s a bar with a pool in it!”

“I wrote that song right there,” Bush said.

Bush has played in large arenas for thousands of fans, just as David Ryan Harris, who has performed with John Mayer, Dave Matthews, Santana and Tedeschi Trucks, for example. Harris is making his second SIP Healdsburg appearance and agrees with Bush about the vibe of intimate SIP venues.

Both said they like the ability to make eye contact with audience members. They also enjoy the relaxed atmosphere. And they like playing with artists they either already know and admire, or someone they have admired and wanted to get to know. The pairing of the artists is something Davis takes to heart. SIP artists are either already his friends, or they are friends of friends. “I have a no assholes in my life rule,” he says.

No artist gets to perform at SIP if they don’t fit the profile, which includes talent and kindness.

Harris is a writer moved by relationships—a recurring topic in his songs—and he has a plethora of genres in which he writes and performs songs. That ranges from R&B to folk, rock, indie and whatever is resonating with him at the moment. “North star” artists for him include Stevie Wonder and Prince, the influence of both present in Harris’ music. But Harris is ever-present in his own pieces, something he said both Wonder and Prince carry through all their work, too.

Joining Harris, Bush and Davis on the stage at SIP Healdsburg are Davis’ bride, Lauren Jenkins, Eric Paslay, John Driskell Hopkins—a founding member of the Zac Brown Band, Marc Bryan—a founding member of Hootie and the Blowfish, James Otto, Chris Gelbuda, Django Walker, and Johnny and Heidi Raye Bulford.

While SIP is a for-profit venture, there is always a charitable element. SIP Napa has donated more than $100,000 to organizations such as the Boys & Girls Club of St. Helena and Calistoga, and the Rutherford Fire Department. Last year’s SIP Healdsburg donated about $50,000 between the Boys & Girls Club there, the Humane Society and the Healdsburg Education Foundation.

SIP Healdsburg will honor Hopkins (“Hop”), who was diagnosed with ALS in 2021, by making a donation to his organization, Hop on a Cure, which is dedicated to research and raising awareness.

Participating wineries include A. Rafanelli and Aperture for VIP nights, as well as Robert Young, Bella Vineyards and Wine Caves, Bricoleur and La Crema each hosting a night for performances up to 150 people.

Visit SongwritersInParadise.com for passes and more information.

Ellsberg’s Legacy: War is not an abstraction

There’s a crucial, overlooked aspect of Daniel Ellsberg’s legacy that’s very much worth saluting—his transformation from a believer in the Vietnam War to a horrified opponent of it.

Ellsberg, who died on June 16 at age 92, had been part of the military-industrial establishment in the 1960s—a smart young man working as a Pentagon consultant at the Rand Corporation think tank. In the mid-’60s, he wound up spending two years in Vietnam, on a mission for the State Department to study counterinsurgency. He traveled through most of the country, witnessing not simply the war up close but Vietnam itself, and the people who lived there.

A few things became obvious. Despite then-President Richard Nixon’s commitment to “winning” the war— and continuing America’s tradition of greatness—“there was no prospect of progress of any kind,” Ellsberg told The Guardian, “so the war should not be continued.”

The war was no longer an abstraction to Ellsberg. It was hell visited upon humanity. Now what? As of 1969, he had 7,000 pages of documents in his safe which indicated that president after president after president knew the war was absurd and unwinnable.

Ellsberg decided to act. He spent eight months secretly copying his document trove, eventually releasing the papers to The New York Times, which defied Nixon’s orders that the contents were a national security risk and must not be published.

It wasn’t simply the Pentagon Papers themselves but also Ellsberg’s transformation—his awareness that the harm the war was doing, the innocent people it was killing, the unending hell it was creating, mattered. “Vietnam became very real to me,” he said. In other words, war is not an abstraction. This truth sits in the collective human soul.

As one vet described what his training taught him: “The enemy is not a human being. He has no mother or father, no sister or brother.”

No, he’s just in the way. The whole planet’s in the way.

Robert Koehler is a Chicago award-winning journalist and editor. He is the author of ‘Courage Grows Strong at the Wound.’

Your Letters, July 5

Dear Mr. President

I do not believe that any of the post-world wars have been in the interest of the American people or the world. It greatly concerns me that we have methodically pushed Russia into a corner in ways that we did not tolerate in Cuba.

Why are we risking global recession, which results in millions of indirect deaths by the poorest people in the world, who now include many paycheck-to-paycheck Americans, as well as nuclear war, to play hero? We have millions of American homeless who could use those billions, and have over-spent our budget.

Please stop wasting our tax dollars, pay down the deficit and help Americans at home, rather than risking all our lives with nuclear war.

Dane Rose

Marin County

Mindful Matters

I want to applaud the placement of “Mindfulness Moments” (Open Mic, 6/28/23), since the political letters that preceded it were so polarizing.

I was suffering indigestion after tasting some sarcasm of the first letter and swallowing the complaints of the second. Marcia Singer’s thoughts on how to look at some of our unpleasant reactions served as well as any antacid tablet.

Leland Dennick

Sebastopol

‘On Land’ On Exhibit

Novato

On Land

Marin Museum of Contemporary Art’s latest exhibition, “On Land,” guest curated by Chris Kerr, runs through August and explores the dynamism and fragility of our relationship with the planet. The exhibit features the work of 11 Northern Californian emerging and established artists, including Cynthia Brannvall, Victor Cartagena, Ocean Escalanti, Don Hankins, Claudia Huenchuleo Paquien, Hughen/Starkweather, Colter Jacobsen, Vanessa Norton, Rachelle Reichert and Angelica Trimble-Yanu. The museum is located at 500 Palm Dr., Novato. For more information, visit marinmoca.org.

Petaluma

Life by Design

Petaluma’s own experiential content curation practice, Place Matters, continues its monthly “Life by Design” series with Tali Bouskila, owner of Petaluma’s Flower Casita, speaking about “Flowers and Form: Nature by Design,” and Paul Siri exploring “Design, Danger and Delight at Depth: Custom Aquaria for All People and Species.” The event starts at 7pm, Tuesday, July 11, at Griffo Distillery, 1320 Scott St., Suite A, Petaluma. Tickets $20 at the door or can be purchased in advance at placematters-sonoma.com.

Petaluma

Art Books

Petaluma Arts Center (PAC) hosts an Art Book Fundraiser from noon to 4pm, Friday, July 14 and Saturday, July 15. This event is a fundraiser for the center, which welcomes donations of books about antiques, architecture, art, cooking, crafts, dance, fashion, music and photography, as well as graphic novels. Donations of books can be made from 10am to 1pm, Monday, July 10, and from from 2 to 5 pm, Tuesday, July 11. Book prices for the fundraiser will range from $5 to $100. Bring reusable bags for carrying selections. The arts center is located at 230 Lakeville St.

Mill Valley

Awesome ’80s

San Francisco native DJ Troubleman returns to Marin with his records and positive vibes in tow, for another “Best Of The 80’s” night at Sweetwater Music Hall this weekend. The free, all-ages show is family-friendly and will spin you right round back to the future of Gen X musical must-haves. Doors open at 8pm, with dancing commencing at 9pm, Saturday, July 8 at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. No tickets required, dude. More info at sweetwatermusichall.com.

Real Astrology, Week of July 5

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ARIES (March 21-April 19): Genius physicist Albert Einstein said, “The formulation of a problem is often more essential than its solution, which may be merely a matter of mathematical or experimental skill. To raise new questions, new possibilities, to regard old questions from new angles, requires creative imagination and makes real advances.” What he said here applies to our personal dilemmas, too. When we figure out the right questions to ask, we are more than halfway toward a clear resolution. This is always true, of course, but it will be an especially crucial principle for you in the coming weeks.

TAURUS (April 20-May 20): “Every great advance in natural knowledge has involved the absolute rejection of authority.” So said Taurus biologist and anthropologist Thomas Huxley (1825-1895). I don’t think you will have to be quite so forceful as that in the coming weeks. But I hope you’re willing to further your education by rebelling against what you already know. And I hope you will be boisterously skeptical about conventional wisdom and trendy ideas. Have fun cultivating a feisty approach to learning! The more time you spend exploring beyond the borders of your familiar world, the better.

GEMINI (May 21-June 20): Hooray and hallelujah! You’ve been experimenting with the perks of being pragmatic and well-grounded. You have been extra intent on translating your ideals into effective actions. I’m not sure I’ve ever seen you so dedicated to enjoying the simple pleasures. I love that you’re investigating the wonders of being as down-to-earth as you dare. Congratulations! Keep doing this honorable work.

CANCER (June 21-July 22): I wrote my horoscope column for over 10 years before it began to get widely syndicated. What changed? I became a better writer and oracle, for one thing. My tenacity was inexhaustible. I was always striving to improve my craft, even when the rewards were meager. Another important factor in my eventual success was my persistence in marketing. I did a lot of hard work to ensure the right publications knew about me. I suspect, fellow Cancerian, that 2024 is likely to bring you a comparable breakthrough in a labor of love you have been cultivating for a long time. And the coming months of 2023 will be key in setting the stage for that breakthrough.

LEO (July 23-Aug. 22): Maybe you wished you cared more deeply about a certain situation. Your lack of empathy and passion may feel like a hole in your soul. If so, I have good news. The coming weeks will be a favorable time to find the missing power, to tap into the warm, wet feelings that could motivate your quest for greater connection. Here’s a good way to begin the process: Forget everything you think you know about the situation with which you want more engagement. Arrive at an empty, still point that enables you to observe the situation as if you were seeing it for the first time.

VIRGO (Aug. 23-Sept. 22): You are in an astrological phase when you’ll be wise to wrangle with puzzles and enigmas. Whether or not you come up with crisp solutions isn’t as crucial as your earnest efforts to limber up your mind. For best results, don’t worry and sweat about it; have fun! Now I’ll provide a sample riddle to get you in the mood. It’s adapted from a text by David Wallechinsky and Irving Wallace. You are standing before two identical closed doors, one leading to grime and confusion, the other to revelation and joy. Before the doors stand two figures: an angel who always tells the truth and a demon who always lies. But they look alike, and you may ask only one question to help you choose what door to take. What do you do? (Possible answer: Ask either character what the other would say if you asked which door to take, then open the opposite door.)

LIBRA (Sept. 23-Oct. 22): I found a study that concluded just 6.1% of online horoscopes provide legitimate predictions about the future. Furthermore, the research indicated, 62.3% of them consist of bland, generic pabulum of no value to the recipient. I disagree with these assessments. Chani Nicholas, Michael Lutin, Susan Miller and Jessica Shepherd are a few of many regular horoscope writers whose work I find interesting. My own astrological oracles are useful, too. And by the way, how can anyone have the hubris to decide which horoscopes are helpful and which are not? This thing we do is a highly subjective art, not an objective science. In the spirit of my comments here, Libra, and in accordance with astrological omens, I urge you to declare your independence from so-called experts and authorities who tell you they know what’s valid and worthwhile for you. Here’s your motto: “I’m the authoritative boss of my own truth.”

SCORPIO (Oct. 23-Nov. 21): Is it a fact that our bodies are made of stardust? Absolutely true, says planetary scientist Dr. Ashley King. Nearly all the elements comprising our flesh, nerves, bones and blood were originally forged in at least one star, maybe more. Some of the stuff we are made of lived a very long time in a star that eventually exploded: a supernova. Here’s another amazing revelation about you: You are composed of atoms that have existed for almost 14 billion years. I bring these startling realities to your attention, Scorpio, in honor of the most expansive phase of your astrological cycle. You have a mandate to deepen and broaden and enlarge your understanding of who you are and where you came from.

SAGITTARIUS (Nov. 22-Dec. 21): I foresee that August will be a time of experiments and explorations. Life will be in a generous mood toward you, tempting and teasing you with opportunities from beyond your circle of expectations. But let’s not get carried away until it makes cosmic sense to do so. I don’t want to urge you to embrace wild hope prematurely. Between now and the end of July, I advise you to enjoy sensible gambles and measured adventures. It’s OK to go deep and be rigorous, but save the full intensity for later.

CAPRICORN (Dec. 22-Jan. 19): Is there a crucial half-conscious question lurking in the underside of your mind? A smoldering doubt or muffled perplexity that’s important for you to address? I suspect there is. Now it’s time to coax it up to the surface of your awareness so you may deal with it forthrightly. You must not let it smolder there in its hiding place. Here’s the good news, Capricorn: If you bring the dilemma or confusion or worry into the full light of your consciousness, it will ultimately lead you to unexpected treasure. Be brave!

AQUARIUS (Jan. 20-Feb. 18): In Larry McMurtry’s novel, Duane’s Depressed, the life of the main character has come to a standstill. He no longer enjoys his job. The fates of his kids are too complicated for him to know how to respond. He has a lot of feelings, but has little skill in expressing them. At a loss about how to change his circumstances, he takes a small and basic step: He stops driving his pickup truck and instead walks everywhere he needs to go. Your current stasis is nowhere near as dire as Duane’s, Aquarius. But I do recommend you consider his approach to initiating transformation: Start small and basic.

PISCES (Feb. 19-March 20): Author K. V. Patel writes, “As children, we laugh fully with the whole body. We laugh with everything we have.” In the coming weeks, Pisces, I would love for you to regularly indulge in just that: total delight and release. Furthermore, I predict you will be more able than usual to summon uproarious life-affirming amusement from the depths of your enchanted soul. Further furthermore, I believe you will have more reasons than ever before to throw your head back and unleash your entire self in rippling bursts of healing hysterical hilarity. To get started, practice chuckling, giggling and chortling for one minute right now.

Norman Solomon reveals America’s ‘invisible’ war machine

When he announced the end of America’s war in Afghanistan in August 2021, President Joe Biden promised that America would continue its “fight against terrorism” worldwide.

“We just don’t need to fight a ground war to do it,” Biden added. “We have what’s called the over-the-horizon capabilities which means we can strike terrorists or targets without American boots on the ground—or very few, if needed.”

The speech offered a concise pitch for a new era of America’s overseas wars, according to Norman Solomon, a longtime media critic and Marin County resident. In his latest book, War Made Invisible: How America Hides the Human Toll of Its Military Machine, Solomon argues that skewed news coverage of the country’s distant wars, along with pliant politicians, make ever-increasing military budgets seem almost inevitable.

The United States has 750 military bases around the world and is conducting counterterror operations in 85 countries around the globe. In 2022, the country’s military bill accounted for 51% of its federal discretionary budget while many Americans’ standards of living continued to fall.

“What happens at the other end of American weaponry has remained almost entirely a mystery, with only occasional brief glimpses before the curtain falls back into its usual place. Meanwhile, the results at home fester in the shadows. Overall, America has been conditioned to accept ongoing wars without ever really knowing what they’re doing to people we’ll never see,” Solomon writes in the book’s introduction.

The author of 12 books since 1982, Solomon has taken on America’s war industry before. However, his last book, Made Love, Got War: Close Encounters with America’s Warfare State, was published just over 15 years ago.

Asked why he revisited the topic now, Solomon said, “Our society has become numbed, desensitized and, in many ways, dehumanized to what’s being done in our names with our tax dollars. So, War Made Invisible is a book that flushes out into the open what’s hidden in plain sight.”

As referenced in Biden’s 2021 speech, technology is one factor at play. Over the past 15 years, drones and other tools of remote warfare have become more common, reducing one of the domestic political repercussions of past wars: dead American soldiers.

Another theme of War Made Invisible is the comparison between the media treatment of different victims of wars.

“[After 9/11] America’s dead and bereaved were vastly and appropriately important. In contrast, the deaths and bereavements of equally innocent people, due to U.S. military actions overseas, were devalued to such an extent that domestic politics perpetuated two tiers of grief: momentous and close to meaningless; ours and theirs,” Solomon writes.

During the first two decades of America’s “war on terror,” 7,050 U.S. soldiers and over 387,000 civilians were killed in direct violence by all parties involved in various conflicts, according to Brown University’s Costs of War project. Over the same period, an estimated 38 million people have been displaced by the post-9/11 wars in Afghanistan, Pakistan, Iraq, Syria, Libya, Yemen, Somalia and the Philippines.

Those civilian deaths are the unintended, but predictable, result of American policies, argues Solomon. He compares the problem to what would happen if an American city allowed its police force to shoot their guns into storefronts and homes while pursuing a suspect. Innocent bystanders would be killed even if they weren’t intentionally targeted.

Solomon also compares the coverage of the United States’ recent military actions and Russia’s 2022 invasion of Ukraine.

“When American armed forces are inflicting the carnage, the chances of deeply sympathetic coverage of the killed, wounded and bereaved are greatly diminished—but when the killers are adversaries of the U.S. government, the media floodgates of compassion and human connection open wide. Such selective empathy was on display as Ukraine withstood the barbaric Russian assault,” Solomon writes.

“Setting aside the double standards of political coverage of the Ukraine invasion and refusal to really go into the history of NATO expansion militarily up to the Russian border, the U.S. media coverage of the Ukraine war on the ground, I think, has been very good,” Solomon said in an interview. “It has poignantly, often powerfully, brought forward the human suffering as a result of an invasion by one country against another. The flipside, though, is that that quality coverage was inconceivable from major U.S. media outlets during the invasions and occupations of Afghanistan and Iraq by the U.S.”

Since the publication of his last book in 2007, Solomon has spent much of his time attempting to push the Democratic party left. In 2008, Solomon was a delegate for Barack Obama (a subject of critique in War Made Invisible), and later served as a delegate for Bernie Sanders during his two presidential runs.

In 2012, Solomon ran for a seat in Congress representing California’s second district, which stretches from Marin County all the way to the Oregon border. After 18 months of campaigning, Solomon won 14.9% of the vote in a primary election, narrowly losing second place to a Republican candidate.

Jared Huffman, then a state Assemblymember, won the Democratic party’s endorsement and, later, the election by a wide margin. He has held the seat ever since.

Last year, RootsAction.org, a progressive organization Solomon co-founded in 2011, launched the “Don’t Run Joe” campaign, an effort to discourage President Joe Biden from running for re-election due to his policies and low poll numbers, particularly among younger voters.

The “Don’t Run Joe” effort did not work—Biden announced his 2024 campaign this April—and the campaign was renamed “Step Aside Joe” in late June.

“As the 2024 election has neared, Biden has tacked increasingly to the right and toward corporate donors in pursuit of mythologized swing voters, while alienating the younger voters, people of color and working-class voters who defeated Donald Trump in 2020. Biden said he would be a steward of the environment, but he has repeatedly given the green light to fossil fuel drilling and pipeline construction, among several new projects in recent months. Biden said he would be a champion for working Americans, but has sided with corporations over workers in labor disputes,” the campaign said in a statement last week.

Now, with Trump also a declared candidate, the country is facing a bitter rehash of the 2020 presidential election.

Solomon is one of the many Americans left without a candidate they are passionate about. Despite participating in many of the contentious struggles between progressive and moderate elements of the Democratic party over the past decade plus, Solomon is opposed to third party runs and says he is not a fan of either of the Democratic candidates opposing Biden—Robert F. Kennedy, Jr. and Marianne Williamson.

Solomon has two upcoming virtual book events. The first will be hosted by Pt. Reyes Books on Tuesday, July 11 at 5pm. More information is available at ptreyesbooks.com/event/norman-solomon-virtual.

San Francisco’s City Lights Books is hosting another virtual event on Monday, Aug. 14 at 6pm. More information is available at citylights.com/events/norman-solomon.

Jurassic Jubilee Lets Visitors Embark on a Dinosaur Adventure at the 2023 Sonoma County Fair

Sponsored content by Sonoma County Fair

Sonoma County, CA— 6.30.23 The Sonoma County Fair is gearing up to transport visitors back in time with its highly anticipated “Jurassic Jubilee.” From Aug. 3-13, fairgoers of all ages will have the opportunity to immerse themselves in a prehistoric world filled with lifelike animatronic dinosaurs and an array of thrilling activities. This year’s fair promises to be an unforgettable experience for the whole family.

One of the highlights of the “Jurassic Jubilee” is the mesmerizing Flower Show, where attendees will find themselves surrounded by 10 awe-inspiring, life-size animatronic dinosaurs. Taking inspiration from the Cretaceous period, each professionally landscaped garden will feature dinosaurs measuring up to a remarkable 45 feet in length. Witness cascading waterfalls, erupting volcanoes and even visit a unique fossil fuel bar. The best part? Admission to the Flower Show is free with fair admission, ensuring everyone can marvel at these incredible creatures.

sonoma county fair, jurassic jubilee, spinosaurus, animatronic dinosaurs, free activities for kids in sonoma county
Ten life-size animatronic dinosaurs will be present at the Sonoma County Fair.

Dinosaur enthusiasts and curious minds will find themselves drawn to the Jurassic Adventure Zone, where a multitude of exciting and educational activities await. Younger fairgoers can hop on the Jurassic racetrack and experience the thrill of driving toy dinosaur vehicles, available in both battery-powered and foot-powered options. Budding paleontologists can join in the excitement by participating in a fossil excavation, uncovering a remarkable 20-foot dinosaur fossil. Additionally, visitors can unleash their artistic talents by contributing to a captivating dinosaur-themed mural.

Throughout the fairgrounds, dinosaurs will be omnipresent, popping up in exhibits, parade floats and presenting various photo opportunities. The Sonoma County Fair encourages attendees to capture these enchanting moments and share them on social media using the hashtag #JurassicJubilee@sonocofair, adding to the collective excitement and buzz surrounding the event.

Discount Days to Maximize the Fun:

Kids’ Day: Thursdays, Aug. 3 and 10—Children 12 and younger receive free General Admission to the Fair.

Seniors’ Day: Friday, Aug. 4th and 11—Seniors 60-plus only pay $1 General Admission to the Fair every Friday.

Elvis Look-alike Day: Friday, Aug. 4—Show up to the fair dressed in your finest Elvis Presley suit to get in for $5.

Food Bank Day: Monday, Aug. 7 until 6 p.m.—Bring at least three nonperishable (unexpired) food items to donate to the Redwood Empire Food Bank to receive $1 General Admission. (No glass please!)

For more information, including ticket prices, special events and a detailed schedule of the Jurassic Jubilee, visit the official Sonoma County Fair website at www.sonomacountyfair.com and explore the dedicated page for the “Dinosaurs at the Fair.” Get ready to embark on a prehistoric adventure filled with wonder, excitement and the joy of discovery.

For a complete calendar of events at the Sonoma County Fair, including concerts, rodeo, horse racing, monster trucks and other exciting entertainment, visit Sonoma County Fair Calendar. Explore the diverse lineup of events that will keep fairgoers entertained throughout the entire duration of the fair.

sonoma county fair, facepainting for kids, family activities in sonoma county

The Sonoma County Fair invites families, dinosaur enthusiasts and adventure seekers alike to save the dates and join the “Jurassic Jubilee.” Complete with an array of captivating exhibits, interactive activities and memorable experiences, this event promises to transport attendees to a time when dinosaurs ruled.

Pixar Pivot: Bay Area studio prime for change

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Once a bouncing, bright lamp, Luxo Jr., the mascot for Pixar Animation Studio, has dimmed. The studio’s latest film, Elemental, released this month, had the lowest box-office opening weekend of any Pixar film: a $29 million return on a $200 million budget. It’s the latest blow to the company’s status as one of Hollywood’s premier studios, making the path forward no longer as luminous.

Perhaps it was an anomalously brilliant run the studio had, starting with Toy Story in 1995 and ending with Up in 2009. And now expectations for its films need to be adjusted. Perhaps there is currently not a healthy appetite for adult films in American cinemas, and Pixar’s children’s movies are too heady. Still, the studio’s first layoffs in a decade are a window into what has been its primary challenge: a deteriorating brand and ethos.

The Disney Corporation purchased Pixar in 2006. Success for both Disney and Pixar has been astronomical since. But right now Hollywood is struggling and the company is in upheaval. CEO Bob Iger’s stated goals for the company in 2023 are to eliminate thousands of jobs and cut billions of dollars in costs. Pixar’s recent layoffs included the departures of: Angus MacLane, a 26-year animator and member of the senior creative teams for Toy Story 4 and Coco, and 28-year veteran Galyn Susman, who was responsible for saving Toy Story 2 when she had an extra copy of the film after its data accidentally was deleted in studio.

Both were involved in last year’s box office dud, Lightyear, with Maclane directing and Susman producing. But that film was a product of the Disney imperative, which demands Pixar deliver films that earn a billion dollars and throw off theme parks, televisions shows, merchandise and more sequels. Their firings verged from Pixar’s founding principles, which made it the jewel of the industry: telling original, creative stories with innovative technologies and fostering community among its employees in an environment where they could trial and err with confidence.

The artistic vision of a progressive production company like Pixar, and the commercial goals of a media giant like Disney, were always going to grind at one another. While both want to reach audiences, one hopes that people leave in conversation, while the other wants to sell out concessions. Their partnership has been successful according to every metric that matters. However, consider that since 2010, Pixar has released seven sequels to eight originals. Of those originals, only Inside Out (2015) and Coco (2017) have been major box-office successes comparable in ROI to those sequels and in quality to earlier originals.

Pixar’s creative work has clearly suffered these last 13 years. It’s fair to wonder if the company can ever recapture its storied past.

Unless Disney and Iger prioritize film over finance, the original Pixar brand and process will continue to erode. By paring down operations to save on expenses, while simultaneously continuing to pursue scalable, lucrative features and TV, Disney has set a nearly impossible standard for all of its creative studios to accomplish.

For this fan, the best path forward would be for Disney to recalibrate its relationship with Pixar to what it was immediately post-acquisition, when Disney supported Pixar with its resources and reach, but Pixar retained its creative autonomy.

The three year stretch of Ratatouille (2007), Walle-E (2008) and Up (2009) was remarkable and represents the high watermark point in the company’s relationship: delivering huge box-office returns, award recognition and cultural resonance. All the while, the films also broke new ground in animated storytelling and felt incredibly fresh. There have been exceptions and successes since, but the can’t-miss quality and reputation of Pixar has consistently slipped.

If Disney continues to push Pixar this same direction to remain competitive, fans won’t ever say goodbye to Woody but will to what made the studio special.

‘War of the Wills,’ locally-made a dark comedy now streaming

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It’s become abundantly clear that the differences in people are under a microscope more than ever, and more and more, they lead to rather angry public displays against one another.

Sonoma County-based filmmaker George Dondero has sort of concentrated this notion into War of the Wills, a dark comedy about a fraught relationship between a young man and his distant, absentee father. The film chronicles who can earn each a multimillion-dollar inheritance if they can spend a month together in a house without leaving the space or committing bodily harm to one another. Co-written alongside Donedero’s partner, Bethany Browning, and directed by Dondero, the film was made in Sonoma County for a mere $20,000 and is now available to stream on Amazon Prime.

When asked how the seeds for the story germinated, Healdsburg High grad Dondero says, “A lot of this movie was autobiographical, the idea that we all take on things from our parents. Circular things. And then the question of how to break these cycles.” He also notes inspiration sprang from “an idea about what would it be like if I had to spend a month in a house with just my dad.”

As is often the case with trying to manage a very personal story, the outline and script became a bit lengthy, which was where Browning came in. “Bethany is a professional copywriter, and I’m a much more visual person, so I needed someone to come in and help me round it out, structure-wise,” Dondero says.

War of the Wills is a solid indie film that’s clever in that there’s a built-in clock in terms of the time the men, who genuinely dislike one another, must spend together to gain their inheritance. But as the film goes on, layers are introduced where viewers learn more about father and son, many of which are unexpected.

Dondero says he and his team were initially going to make a much larger movie, both in the story and in the cast, but then the COVID lockdown happened. Still wanting to shoot something, the filmmaker decided a more scaled-down approach with very few actors in fewer locations was the way to go. Luckily, they found a beautiful Victorian home in Petaluma, which serves as the major setting throughout the film and becomes a character in its own right.

In the film, Kot Takahashi plays William Hadeon III, who is a young man riddled with a variety of issues, including anxiety and anger that he blames on never getting to know his father, played by Steven David Martin. Martin also serves as Healdsburg’s Raven Players’ artistic director.

Dondero found his cast locally, having worked with Martin previously. “Steven and I met about 15 years ago on a commercial project and just kind of hit it off. We’ve been talking about making something together since then,” he recalls.

Interestingly, Dondero met Takahashi while shooting a project for Creative Sonoma, where victims of the 2017 Coffey Park Fire spoke about their experiences. “Kot had pulled his family out [of the fires], and when I was interviewing him on camera, I just saw his charisma and strength and the way he held himself,” notes Dondero.

As War of the Wills progresses, the film reveals more about father and son, who have more in common than either would like to believe. The two men are an almost literal yin and yang, with young, toned and dark-skinned Takahashi squaring off mentally and sometimes physically with his older, thinner white father.

When asked about shooting films in Sonoma County, Dondero says he can’t think of a better place. “Aside from a strong urban setting with big buildings and alleyways, Sonoma County has everything you could want,” he says. After leaving the area to earn a film degree with an emphasis in animation from San Francisco State, Dondero recalls, “I left and came back because I recognized what I was missing.”

As ‘War of the Wills’ eases its way onto TV screens locally and abroad, upcoming projects, both cinematic and written, can be followed at Dondero and Browning’s website, SonomaFilmWorks.com.

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