The Garagiste Festival Brings New Wine Discoveries to Sonoma

Sponsored content by The Garagiste Festival

garagiste festival sonoma logo

The Annual Garagiste Wine Festival: Northern Exposure brings new wine discoveries from 42 micro-production wineries to Sonoma on April 27 (and every year in the Spring) at the Sonoma Veterans Memorial Hall, located just a block north of Sonoma’s historic downtown plaza. 

The Garagiste Festival, which Sonoma Magazine said is “Beloved by wine geeks from near and far…offering tiny gems that are difficult to come by” is the only wine festival that exclusively features high-quality wines from small-lot, commercial garagiste winemakers. 

Unlike other festivals, the wines are poured by the winemakers and owners themselves, so attendees can interact with the creative forces behind the wines and be among the first to discover some of the best of the area’s hand-crafted wines from wineries that produce fewer than 1,500 cases per year. 

garagiste festival sonoma, wine tasting in sonoma california, Cabernet Sauvignon, Chardonnay, Pinot Noir, Syrah
The Grand Tasting includes favorites such as Cabernet Sauvignon, Chardonnay, Pinot Noir and Syrah.

The Festival, which premiered in Paso Robles in 2011, held its first festival in Sonoma in 2018 to focus on the wines of Sonoma and surrounding Northern California wine regions and returns each April. Next month’s event is the organizations sixth-annual foray to the region and offers first-look access to some of the area’s best hard-to-find wines.

Tickets are now on sale: https://www.caltix.com/e/northern-exposure-garagiste-wine-festival/tickets.

“We love these micro-wineries because each winery has its own fascinating story,” said Garagiste Festival Co-founder Doug Minnick, “and they are doing an incredibly wide range of varieties and styles—you’ll never find an array of wines this diverse anywhere else. And because the great majority of these wineries do not have a tasting room, this truly is a unique opportunity for the public to discover and taste all of these remarkable wines in one day.”

Some of the 2024 festival highlights will include:

Taste with small-production winemakers—Micro-wineries like those found at Garagiste are not focused on selling in supermarkets. Their small size and direct-to-consumer business model allows them to pursue their passions outside of the demands of the marketplace at large. Over 70 percent of the wineries participating in the sixth-annual event are making fewer than 500 cases per vintage. Each year the festival showcases new, up-and-coming wineries at the event, some even pouring their first vintage, so there’s always something new to taste! These rare, artisan wines are truly hand-made with love and passion. 

The Grand Tasting: Features the widest range of varieties you will EVER find under one roof. Over the last 12 years, the festival has highlighted a vast array of unheralded grapes, which makes for one of the most unique and exciting wine experience anywhere. Well-known faves such as Cabernet Sauvignon, Chardonnay, Pinot Noir and Syrah are always on the tasting list, but also some pretty rare varietals, such Fiano, Picpoul Blanc, Symphony, Tannat and Xiomavra are all being poured in Sonoma. Whether you are a wine expert or a novice, you will come away from the Garagiste Festival knowing more than when you arrived. 

No appointments needed:  For the cost of about two winery “experiences,” the Garagiste Festival delivers over 100 wines all in one place, on one day. No driving around—and no appointments—needed. Plus there is free parking, air-conditioning and easy access from downtown Sonoma in case you’d like to walk.

Rare and Reserve Wines: The Early Access ticket grants exclusive access to library, club only, or reserve wines, only being poured during the first hour of the Festival (from 1-2pm). Tickets for this session are limited to only 150 guests to encourage an even more personal experience with the winemakers. 

Food at the Festival: Complimentary cheese and charcuterie will be provided by local favorite Sonoma Cheese Factory, along with samples from artisan vendors Fleur Sauvage Chocolates and BoccaBella Olive Oils. Complimentary bottled water and a souvenir crystal wine glass are included as well.

Silent Auction:  Great deals can be found in the “wine only” silent auction, which not only allows guests to take wine home at the end of the day, but also benefits the Garagiste Festival Scholarship Fund at Cal Poly San Luis Obispo for deserving Enology and Viticulture students, who are on their way to becoming future winemakers and industry leaders. No need to go home empty-handed, which you can bid on your favorites and support a good cause.

garagiste festival sonoma, wine-only silent auction
The “wine only” silent auction benefits the Garagiste Festival Scholarship Fund at Cal Poly San Luis Obispo.

About the Garagiste Festivals

The Garagiste Festival, which premiered in Paso Robles in 2011, held its first festival in Sonoma in 2018 to focus on the wines of Sonoma and surrounding Northern California viticultural areas. Some of the accolades include:

• The Best Wine Festival in the United States by USA Today,

• One of the “Top Ten Incredible Epicurean Vacations” in the world by ABC News,

“One of the premier wine events of the year,” by the LA Times

“Best Festival” by Sunset Magazine,

• And many, many more. 

The festivals are produced by Garagiste Events, a non-profit dedicated to furthering the education of future winemakers and those training for employment within the wine industry. Proceeds from the festivals support the Garagiste Festival Scholarship Fund of the California Polytechnic State University at San Luis Obispo Wine and Viticulture Department.

Uncanceled: Kathy Griffin is back—and in Napa

In an age where the court of public opinion can decree the rise or fall of a career overnight, Kathy Griffin stands as a defiant testament to resilience, humor and the unyielding power of speaking one’s truth. Let it be known that Kathy Griffin is officially uncanceled.

Griffin’s career, marked by historic achievements and groundbreaking milestones, has seen her writing and starring in an unprecedented 20 televised stand-up specials, more than any comedian in history. Her hit Bravo series, Kathy Griffin: My Life on the D-List, aired for six years, winning two Emmys and earning a GLAAD Media Award for Best Reality Program. Her memoir, Official Book Club Selection: A Memoir According to Kathy Griffin, debuted at #1 on The New York Times Bestsellers list, followed by her second book, Kathy Griffin’s Celebrity Run-Ins: My A-Z Index, also a New York Times bestseller.

This is not to mention her advocacy work, particularly for women and the LGBT community, Honored with awards from The Human Rights Campaign, GLAAD and The Trevor Project, among others, Griffin’s activism is as integral to her identity as her comedy, which she brings to Napa on April 5.

Yet, it’s Griffin’s resilience in the face of controversy that truly defines her legacy.

“That actually scares me because I don’t want to be this fucking resilient,” Griffin countered. “Let me tell you something. My mother, may she rest in peace with a box of wine, or she might still be in purgatory. Frankly, the jury’s out. My mother lived to 99. If I fucking live till 99, I want you to come to my house in Malibu and shoot me. No, I mean that. I mean that. I don’t want to fucking live to 99. That’s a nightmare. Look, I’m 63 now.” Griffin comically added that 65 might be her limit, saying, “Fuck it. I’ve had a good run.”

“That’s why I named the show ‘My Life on the PTSD-List,’” Griffin shared, her diagnosis with complex PTSD becoming a poignant chapter in her storied career. Despite facing a whirlwind of public backlash, a suicide attempt and a battle with lung cancer (which cost the non-smoker half a lung), Griffin’s capacity to find humor in the face of adversity remains undiminished. “I’m not a combat veteran, although I’m a combat veteran of comedy, which means something,” she quipped, encapsulating her journey with the sharp wit that has endeared her to millions.

The Trump photo controversy became a defining moment in Griffin’s career, igniting a national debate on free speech and artistic expression. (Griffin was photographed holding a prop severed head that resembled Trump.) “Trump picture alone, it’s still circulated once a week online,” Griffin remarked, underscoring the enduring impact of the incident.

“The madness that surrounds even the notion that you’d get so mad at a 57-year-old female comedian who didn’t even have a job at the time because she took a picture that angered you or scared you or pissed you off or whatever,” said Griffin. “And they would go to these lengths and put you on the no-fly list. It was definitely a crazy time.”

Of course, Griffin is not alone in her comic criticisms of the former president. Jimmy Kimmel, her good friend and host of Jimmy Kimmel Live! as well as the recent Academy Awards show, lobbed a punchy gag Trump’s way, which Griffin lauded in an email to him.

“I’m like, ‘I didn’t like the suit.’ I’m just teasing him. And then I go, ‘A chef’s kiss to the joke about Trump’s post on Truth Social and then saying, ‘Isn’t it past your jail time?’” She then added, “Maybe we could be cellmates at Guantanamo… If Trump gets reelected, it might come true. You might be seeing me on a secret flight to Cuba.”

Despite the backlash at the time of the Trump photo controversy, she remained unapologetic, using her experience to fuel her return to the stage, where she finds solace and connection with her audience. “Laughter is the best medicine,” she affirmed. Moreover, performing is cathartic for her. “A hundred percent. It is the best. And it’s cathartic because I ask the audience when I’m talking about these topics, and trust me, I sprinkle in a lot of juicy celebrity stories, too. So I haven’t changed.”

Inside Outsider

Griffin’s insights into celebrity culture, peppered with anecdotes from her encounters with stars like Paris Hilton and Miley Cyrus, reveal her unique position as both an insider and an outsider in the world of fame. “Celebrity itself is ridiculous,” she stated, never one to mince words.

“Look, I admit I am one—I’m a ridiculous celebrity,” she continued. “But I do know the Kardashians, and we are friends, but I’m not going to go easy on them. I told Kim, I said, ‘I’m going to call you a dirty whore the rest of your life.’ And she said, ‘Okay.’”

Miley Cyrus gets the same deal from Griffin: “‘I’m not actually saying you’re a slut. I’m teasing you about your outfits and the crazy shit you say.’ But I’m also saying, ‘You’re an amazing singer and you’re a living fucking legend that’s going to be on forever.’”

Griffin added, “By the way, I’m the least of their problems… This is what I try to impress upon them. If a certain celebrity gets upset about a joke I made or a name I call them, I just go, ‘Look at your life. Look at your life. You’re going to worry about a Kathy Griffin joke? Give me a break.’”

As she looks to the future, Griffin’s legacy as a comedian who faced adversity with laughter is secure. “I’m so fucking canceled. I’m like the premier example of celebrities getting canceled,” she said, yet her voice carried a note of triumph. In the face of controversy, health scares and personal turmoil, Kathy Griffin remains indelibly Kathy Griffin.

“Jim Carrey told me most comedians would give their right arm for this to have happened to them,” she reflected. “And he said, ‘You’re going to put it through your Kathy Griffin prism, and you’re going to make it funny.’ I practically burst into tears when he said that.”

And then she laughed.

Kathy Griffin performs ‘My Life on the PTSD-List’ on Friday, April 5, at the Uptown Theatre, 1350 3rd St., Napa. Tickets start at $50 and are available at bit.ly/kathygriffin-napa.

There’s No Place Like Healdsburg for the ‘Wizard of Oz’

Healdsburg’s Raven Players is one of the few local companies to wear the phrase “community theater” as a badge of honor.

Absent a delusion of grandeur and pretenses of “Broadway quality,” the Players simply commit to being a place where all are welcome, both on and off the stage. Their casts are frequently composed of a mixture of stage veterans and newcomers, and what their shows may lack in production values or experience is often made up for by the energy and heart displayed by the participants. Their seasons lean to the familiar, occasionally presenting original or lesser-known works.

You can’t get any more familiar than The Wizard of Oz. Who hasn’t seen the classic 1939 film a couple of hundred times? John Kane and the Royal Shakespeare Company adapted the film for the stage in 1987, retaining all of the original dialogue and songs and adding just a wee bit more of both. Raven Players artistic director Steven David Martin has a double-cast production of this version running at the Raven Performing Arts Theater through April 7.

Dorothy Gale (Joanna Burrill, alternating with Eily Carniglia) runs away from her Kansas home to save her little dog Toto (a stuffed animal that transmogrifies into the precocious William Young) from the heinous Miss Gulch (Kate Edery). Transported via tornado to the Land of Oz, Dorothy seeks a way home with the assistance of a scarecrow (Bohn Connor/Elliot Davis), a tin man (Joe Caruselle/Dan Murray) and a cowardly lion (Nicholas Augusta/Evan Espinoza). Glinda the Good Witch (Katie Watts-Whitaker) sends them off to see the Wizard (Craig Peoples/Matt Farrell) while avoiding the Wicked Witch of the West (Edery).

The munchkins, talking trees, flying monkeys and jitterbugs that are met along the way are all energetically played by youth, many of whom are members of the Young at Heart Theatre program.

Veteran performers in the cast kept the show grounded, while the youthful ensemble’s energy and enthusiasm kept the show’s tempo and pace up and moving through its two-and-one-half hour running time. This went a long way in keeping the numerous younger members of the audience engaged.

Director Martin and his team have upped the Raven’s usual production values and added substantial projections, smoke, bubbles and other special effects to the mix. There’s an eight-piece live orchestra under the direction of Kelly Considine delivering the live music, and Jeanine Gray brings a touch of modernity to the traditional costumes.

Knowing the dialogue and lyrics helps as sound continues to be an issue at the Raven. The orchestra frequently overpowered the singing.

It takes brains, courage and a whole lot of heart to mount a production like The Wizard of Oz.

There’s no place like… Healdsburg.

‘The Wizard of Oz’ runs through April 7 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Thurs-Sat, 7:30pm; Sat & Sun, 2pm. $10–$40. 707.433.6335. raventheater.org.

Herb Folk Medicine: Erin Masako Wilkins

Erin Masako Wilkins is an herbalist and acupuncturist based in Petaluma. Her new book, Asian American Herbalism, has received notices from the likes of eater.com, Vogue magazine and our own Rosemary Gladstar.

As interpreted through an Asian lens of traditional Chinese medicine, the book instructs the reader in the preparation of European and Asian herbs as teas, tinctures, syrups, salves, baths and meals. Together, these preparations address 100 common ailments, including joint pain, the common cold, allergies, skin breakouts, low energy, stress and dysregulated menstruation.

CH: Most of the medicines employed by corporatized and industrial Western medicine are based in the deep European tradition of herbalism. Pills come from plants. You explain in the book that one of the reasons for returning to these roots is “health justice.” Could you elaborate on that principle?

EMW: It’s the issue of accessibility. When I was studying to get my degree and licensure, I was very quickly aware of the gatekeeping of medical knowledge. I felt compelled to ask, how can I share this knowledge freely with people that don’t have the means, time, bandwidth for a private session? One of this book’s highest goals is to empower folks with tools and knowledge to heal themselves.

CH: You learned the foundation of your knowledge from the Japanese herbalism of your mother and grandmother. What did they teach you?

EMW: They taught me consistency, presence, showing up for yourself and your family every day … and how to brew an amazing cup of genmaicha green tea. What they taught was less about the intellectual nuances of herbalism and more about how to inhabit the experience of being an Asian American woman here in California.

CH: Was the writing of this book an opportunity to work through what it means to be Asian and American?

EMW: Yes. The question I continued to ask myself was, what does it mean to practice traditional Asian medicine in the context of modern day America? What came up was the stripping away of “the exotic.” The book isn’t an ancient secret or a mystical translation of a classical text. It’s about our connection to the earth and the people that came before us.

‘Asian American Herbalism’ is available at Copperfield’s Books.

This interview is taken from a longer audio interview available at ‘Sonoma County : A Community Portrait’ on Apple, Google and Spotify podcasts. linktr.ee/cincinnatushibbard.

‘A Step Back in Time’ Fundraiser at Sebastiani Theatre

For nearly a century, Sonoma’s Sebastiani Theatre has proven more than a venue for movies and live performances—it’s an institution that many Sonomans have either grown up loving or have grown to love.

The theater first opened its doors in April 1934 and for 90 years has been a consistent part of the Sonoma cultural landscape. It provides a venue for movies, live music, stage works and a bevy of events—among them the upcoming “Step Back in Time” event, which is a fundraiser for the theater itself.

This fundraiser features a diverse lineup of musicians and performers, including Sean Carscadden, a musician whose contributions to the western swing genre have earned him recognition in several halls of fame. Carscadden, whose family history is deeply rooted in the local music scene, will be performing alongside Mickey Cannon, the skilled drummer from Gator Nation, and Cliff Hugo, known for his work with Supertramp and Ray Charles, as part of the Sean Carscadden Trio.

The event also highlights the versatile Lexy Fridell, a performer with a rich history on Broadway, including roles in The Pee-wee Herman Show and Finding Nemo: The Musical. Fridell’s one-woman show, Brace Yourself! Tales of Broadway, Braces, Dating, & Drool, has likewise garnered accolades. Diego Garcia, a Sonoma native with an international performance record, adds to the event lineup. His education at the San Francisco Conservatory of Music and achievements in conducting, producing and songwriting showcase the depth of talent rallying for the fundraiser.

In addition to music, the event will feature performances by Grupo Folklorico Quetzalen and the Sonoma Conservatory of Dance, groups dedicated to preserving and promoting dance traditions and fostering the community’s creative spirit.

Emerging talent Zee Hubbard, who has graced the Sebastiani Theatre stage since her youth, will perform, as will the Sebastiani’s beloved in-house magician Roger Rhoten.

Culminating the evening’s performances, the Sebastiani Theatre House Band, The Neil Fontano Quintet, promises to deliver a set that encapsulates the fundraiser’s spirit. With Neil Fontano on piano, Robby Elfman on reeds, Tom Martin on bass, Todd Morgan on drums and Emily Day as vocalist, the ensemble will contribute their sounds to the night’s goal.

All proceeds go toward the continued operation and maintenance of the theater.

‘A Step Back in Time’ commences at 5:30pm on Saturday, April 6, with a reception featuring drinks and hors d’oeuvres. The show itself begins at 7pm. The Sebastiani Theatre is located on the Plaza in Sonoma at 476 First St. East. Tickets available at sebastianitheatre.com. VIP seats are $250; general admission is $150. Attendees are encouraged to wear ’30s-era costumes.

Luxury B&B seeks docs, correspondence in Superior Court

Ruse Sues

Healdsburg is involved in more than one lawsuit at the moment.

Mercy Wellness’ suit against the city of Healdsburg over the dispensary selection process was the most recent, but it was preceded by a filing in Superior Court more than four months earlier, on Oct. 27, 2023, by the owners of 891 Grove Street LLC—better known as The Ruse.

In the fall of 2022, The Ruse applied to expand its business to include not only the legacy right to operate a 13-room bed-and-breakfast, known to that point as the Honor Mansion, but to include club-like recreation and social facilities.

But the permit was denied by planning director Scott Duiven, who said the proposal most accurately met the Healdsburg Land Use Code as a “private club, fraternal lodge and meeting hall.” That more intensive use is not permitted in the residential zone R-1-6,000, so Duiven ruled that the LLC had applied for operations that were not permitted by zoning.

Most of the recreation facilities that The Ruse built during the three years of renovation fall in the residential zone, including pickleball courts, a badminton and yoga lawn, an extensive putting green, a redesigned swimming pool and other features of a luxury resort.

In a way, the decision hung on a technicality: The property at issue spans two city zones, the Grove Mixed Use zone that does allow such recreational uses, and the more limiting Residential zone, toward the west end of the three-acre lot.

The LLC appealed to the Planning Commission, but in October 2022, the commission backed Duiven and again denied the permit. Ten days after that denial, the LLC appealed to the city council, which was scheduled to hear its appeal on Feb. 21, 2023.

But a week before that hearing, the LLC mysteriously withdrew its appeal, for reasons that weren’t clear at the time. And for the next six months, the issue quieted down—until on Oct. 4, 2023, a citation or Notice of Violation (NOV) was issued by the Healdsburg Police.

It asserted that The Ruse was in violation of Healdsburg Municipal Code section 1.12.030 (Public Nuisance) and Healdsburg Land Use Code (HLUC) section 20.28.190 (Existing Conditional Uses).

The citation was signed by the city’s police chief, Matt Jenkins. When asked why the code enforcement NOV was filed, Jenkins told Weeklys, “The Notice of Violation was prompted by multiple factors, including anonymous complaints and social media posts by The Ruse promoting selling memberships for a club component for non-registered guests.”

Among the offenses: hosting lunch and dinner events at the Pavilion, an area only permitted for breakfast and afternoon snacks to registered guests only. Other violations enumerated in the NOV included hosting pickleball tournaments with non-registered guests; hosting loud parties that lasted past 11pm, again with non-registered guests; and serving alcoholic beverages without the required ABC permit.

In addition, the NOV says that “The Ruse is actively marketing memberships for a club component to be added to The Ruse for non-registered guests,” harkening back to the reason Duiven, and the Planning Commission, had rejected the use permit.

A Ruse by Another Name

The ownership of The Ruse is held by 891 Grove Street LLC, whose registered address is 1240 Mayacama Club Dr., the headquarters of the privately owned luxury golf resort near Mark West Springs. Owners include Jonathan Wilhem, Patrick Wilhelm and Craig Ramsey, who is also affiliated with the restaurant on the Plaza, The Matheson.

Following the NOV, The Ruse LLC went to court. It filed a Verified Petition for Writ of Mandate, which holds that the city failed to fully comply with several requests for documents under the Public Records Act (PRA), and should be ordered to conduct a thorough search and turn over all records to the LLC.

The suit holds that the LLC first requested the PRA documents in December 2022—a date that follows the Planning Commission’s denial of the use permit, but precedes the scheduled date of the city council review, Feb. 21.

The city began fulfilling that request with the first delivery of records on Feb. 3, 2023, after which (on Feb. 14) The Ruse dropped its appeal to the city council. Subsequent records were turned over in February, March and April.

The fact that the lawsuit requests a prompt search and delivery of all non-exempt documents—and that the city pays for the court fees and costs associated with the lawsuit—does not necessarily suggest the LLC is attempting to overturn the Planning Department’s denial of the permit.

Instead, the suit appears to be looking for something—something not found in the initial delivery of documents between February and April of 2023, and which will shed light on why the use permits were denied.

After outlining the steps the property owners took to work with the city, and their investment of “many millions of dollars to convert a historical building located on the Property into a boutique hotel and establish a separate swim and recreational club,” the process evidently took a sudden turn.

“But then something changed,” it reads. “For more than a year Respondent—or certain local officials—have taken steps to frustrate operations at the Property.”

It’s unclear who these “certain local officials” are, which may be the needle in the haystack of documents that The Ruse is looking for. “Respondent cannot hide records from the public,” the suit avers. It is unclear what records are suspected of being “hidden.”

The suit could be resolved only when the court decides that there are no more documents that can or should be turned over—or when the documents are produced, and The Ruse either discovers that smoking gun, whatever it is, or fails to do so.

The court filing continues through the civil judicial system with a Case Management Conference scheduled for early April, at which time the trial judge will likely set a discovery schedule and a tentative trial date.

Lawyers for the 891 Grove St. LLC have not yet responded to questions from Weeklys staff.

‘Starchitect’ Killed by AI

Making buildings smarter, more sustainable

In the next 30 years, sea levels will rise as much as they have in the last century, threatening urban areas all over the world.

Unfortunately, most of our existing cities aren’t built to withstand encroaching salt water or other climate-change impacts like floods and extreme storms. And while we need new infrastructure in order to adapt, construction is a major polluter. Today’s built environment is responsible for close to 40% of energy-related carbon emissions.

Architects can help us get out of this double bind—but only if they embrace generative artificial intelligence, which many have so far resisted. To fight climate change, architects need to reimagine their role and abandon their long-held obsession with individual authorship.

For example, generative AI can help architects pinpoint the best building locations and develop the most sustainable materials. It can use satellite images to create detailed land-use maps, making it possible to test future climate scenarios, such as extreme heat or flooding, for specific places.

In all likelihood, the collective creativity of generative AI heralds the end of sole authorship and the celebrity architect. It’s time for architects to abandon individual perspectives and work together to overcome the very real existential threat of climate change.

The end of the celebrity architect is actually a return to older understandings of authorship. Sole credit for a single designer has never been as central to great architecture as some would like to think. Long before Frank Lloyd Wright designed the Marin Civic Center, unknown designers created what is now the world’s longest-standing temple, 11,000-year-old Göbeklitepe in modern-day Turkey.

Architects, and those of us who teach future architects, have a major role to play in saving our environment. With the help of AI, we can design, construct and maintain structures that emit little or no carbon and also protect us from what’s ahead. Sacrificing claims to authorship to fulfill our duties to the planet is a small price to pay.

Alessandro Melis is the inaugural IDC Foundation endowed chair and a professor in the School of Architecture and Design at New York Institute of Technology.

Your Letters, 3/27

Countdown

With the election a few months away, those citizens who would not be comfortable with a fascist takeover of our country might want to take time out to make a things-to-do list.

The very first thing to do is to recognize the threats of all the anti-democratic people and ideas that are flying around like NFL linebackers. They are real.

The list might include supporting Republican Party officials who stand for democratic ideals, if there are any left.

We can also rally around non-partisan, independent public servants who still believe in the rule of law and are willing to defend our democratic institutions.

Pro-democracy and anti-violence coalitions may have to spring up around the country to protect first targets.

The American authoritarian phenomenon is now eight years old, at least, and it needs to be taken seriously and literally.

I don’t know about you, but I am not ready to “terminate” the Constitution, allow “retribution” against political opponents and to encourage anybody to be “dictator for a day.”

The dynamics of an authoritarian takeover are going to have to be altered in this country in order to preserve and protect this country.

There are still a lot of people who are a little too comfortable supporting a degenerate buffoon who has 91 felony counts on his head.

Let us make them very uncomfortable.

Craig J. Corsini

San Rafael

Payback

The Social Security Amendments of 1983 (Public Law 98-21, April 20, 1983) reinstated the previously expired interfund borrowing authority and extended it through 1987. Ronald Reagan started borrowing against Social Security in the ’80s. All following presidents have done this as well.

If you want to save Social Security, have Congress pay back what it has taken.

Gary Sciford

Santa Rosa

‘Private Space,’ Loretta Lynn and Recycled Art

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Petaluma

‘Private Space’ Goes Public

Dive into the enigmatic world of “Private Space,” an innovative, collaborative exhibition qua installation by Petaluma artists Luc Addleman and Taylor Mancini. The unveiling reception is scheduled for 5 to 8pm, Saturday, April 6 at Usher Gallery in downtown Petaluma. “Private Space” is engineered to be an immersive foray into the realms of painted vinyl and abstract artistry, delving into deep-seated themes of anxiety, perseverance and desire. This exhibition is designed to captivate attendees with its gravity-defying brushstrokes and soulful compositions, showcasing a blend of individual pieces alongside unique collaborations developed specifically for the Usher Gallery space. Meanwhile, attendees can groove to the tunes of local sensation Swing State, offering a fusion of funk, ska and jazz-inspired melodies. Savor the moment with fine wine and refreshments while mingling with the creative minds behind the mesmerizing display. Usher Gallery is located at 1 Petaluma Blvd. North. For more info, visit ushergallerypetaluma.com.

Santa Rosa

Clone Miner’s Daughter

“The Loretta Lynn Tribute Show,” a celebration of the iconic Coal Miner’s Daughter, is set to take place at The California, located at 528 7th St. in Santa Rosa. Scheduled for 7pm, Friday, April 19, this event brings together a lineup of Bay Area country music artists for an evening dedicated to the legendary Loretta Lynn. Featured artists include Crying Time, Laura Benitez, Jill Rogers, Becklyn, Loralee Christensen, Margaret Belton, Nashville Honeymoon, Mauri Tan, Aireene Espirtu, Cindy Each, Allegra Bandy, Laugh Crow, Rucy Vixenn and Lias Maris Johnston. The show will cover a range of Lynn’s hits and deep album tracks, highlighted by unique duets and interpretations, all accompanied by the Oakland-based band Crying Time. This event, priced at $25 per ticket, follows successful shows at notable venues like Freight & Salvage in Berkeley and The Chapel in San Francisco. It promises a special evening for fans of country music and Loretta Lynn, marking a one-time performance at this venue. Tickets are available online through the caltheatre.com website.

Santa Rosa

Reuse Muse

Santa Rosa Arts Center hosts “Transformations: Recycled Art” from April 5 through June 1. This unique exhibition focuses on the innovative reuse of materials through sculptures, assemblages and collages by artists from the Bay Area and Northern California. The artists’ reception is planned for 5 to 8pm, Friday, April 5, at the center, located at 312 South A St. in Santa Rosa. This annual exhibit not only showcases the creativity and ingenuity of local artists but also serves an educational purpose by promoting conservation and highlighting the potential for new uses of materials typically considered disposable. By incorporating these objects into their artwork, the artists contribute to reducing waste and the amount of trash ending up in landfills. “Transformations: Recycled Art” is an initiative that aligns with broader environmental conservation efforts, reflecting a commitment to sustainability. The exhibition is partially sponsored by Recology Sonoma Marin, emphasizing the importance of recycling and resource conservation. For more information about the exhibition, visit the Santa Rosa Arts Center’s website at santarosaartscenter.org.

Corte Madera

Memoir Moment

An author event with Satsuki Ina, focusing on her work, The Poet and the Silk Girl, is scheduled for 4pm, Saturday, March 30 at Book Passage in Corte Madera. This free event offers attendees the opportunity to dive into a narrative that spans generations, highlighting the resilience and struggles of Japanese Americans against racial oppression and their fight for civil liberties. Ina, a licensed psychotherapist with a specialization in community trauma, brings her expertise and personal activism into her writing. She explores the themes of resistance, empowerment and transformation against systemic oppression. Ina’s activism is further demonstrated through her co-founding of Tsuru for Solidarity, a project aimed at advocating for social justice and the end of detention sites through nonviolent direct action. In addition to her literary contributions, Ina has produced two significant documentaries, Children of the Camps and From a Silk Cocoon, focusing on Japanese Americans’ World War II incarceration. Book Passage is located at 51 Tamal Vista, Corte Madera. For more information, visit bit.ly/satsuki-ina.

Free Will Astrology: Week of March 27

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ARIES (March 21-April 19): In the coming days, your hunger will be so inexhaustible that you may feel driven to devour extravagant amounts of food and drink. It’s possible you will gain 10 pounds in a very short time. Who knows? You might even enter an extreme eating contest and devour 46 dozen oysters in 10 minutes! APRIL FOOL! Although what I just said is remotely plausible, I foresee that you will sublimate your exorbitant hunger. You will realize it is spiritual in nature and can’t be gratified by eating food. As you explore your voracious longings, you will hopefully discover a half-hidden psychological need you have been suppressing. And then you will liberate that need and feed it what it craves!

TAURUS (April 20-May 20): Taurus novelist Lionel Shriver writes, “There’s a freedom in apathy, a wild, dizzying liberation on which you can almost get drunk.” In accordance with astrological omens, I recommend you experiment with Shriver’s strategy in the coming weeks. APRIL FOOL! I lied. In fact, Lionel Shriver’s comment is one of the dumbest thoughts I have ever heard. Why would anyone want the cheap, damaged liberation that comes from feeling indifferent, numb and passionless? Please do all you can to disrupt and dissolve any attraction you may have to that state, Taurus. In my opinion, you now have a sacred duty to cultivate extra helpings of enthusiasm, zeal, liveliness and ambition.

GEMINI (May 21-June 20): At enormous cost and after years of study, I have finally figured out the meaning of life, at least as it applies to you Geminis. Unfortunately, I won’t be able to reveal it to you unless you send me $1,000 and a case of Veuve Clicquot champagne. I’ve got to recoup my investment, right?! APRIL FOOL! Most of what I just said was a dirty lie. It’s true that I have worked hard to uncover the meaning of life for you Geminis. But I haven’t found it yet. And even if I did, I would of course provide it to you for free. Luckily, you are now in a prime position to make dramatic progress in deciphering the meaning of life for yourself.

CANCER (June 21-July 22): For a limited time only, you have permission from the cosmos to be a wildly charismatic egomaniac who brags incessantly and insists on getting your selfish needs met at all times and in all places. Please feel free to have maximum amounts of narcissistic fun, Cancerian! APRIL FOOL! I was exaggerating a bit, hoping to offer you medicinal encouragement so you will stop being so damn humble and self-effacing all the time. But the truth is, now is indeed an excellent time to assert your authority, expand your clout, and flaunt your potency and sovereignty.

LEO (July 23-Aug. 22): Michael Scott was a character in the TV sitcom The Office. He was the boss of a paper company. Played by Leo actor Steve Carell, he was notoriously self-centered and obnoxious. However, there was one famous scene I will urge you to emulate. He was asked if he would rather be feared or loved. He replied, “Um, easy, both. I want people to be afraid of how much they love me.” Be like Michael Scott, Leo! APRIL FOOL! I was half-kidding. It’s true I’m quite excited by the likelihood that you will receive floods of love in the coming weeks. It’s also true that I think you should do everything possible to boost this likelihood. But I would rather that people be amazed and pleased at how much they love you, not afraid.

VIRGO (Aug. 23-Sept. 22): Now would be an excellent time for you to snag a Sugar Daddy or Sugar Momma or Sugar NonBinary Nurturer. The astrological omens are telling me that life is expanding its willingness and capacity to provide you with help, support and maybe even extra cash. I dare you to dangle yourself as bait and sell your soul to the highest bidder. APRIL FOOL! I was half-kidding. While I do believe it’s prime time to ask for and receive more help, support and extra cash, I don’t believe you will have to sell your soul to get any of it. Just be yourself!

LIBRA (Sept. 23-Oct. 22): Happy Unbirthday, Libra! It’s that time, halfway between your last birthday and your next. Here are the presents I plan to give you: a boost in your receptivity to be loved and needed; a constructive relationship with obsession; more power to accomplish the half-right thing when it’s hard to do the totally right thing; the disposal of 85% of the psychic trash left over from the time between 2018 and 2023; and a provocative new invitation to transcend an outworn old taboo. APRIL FOOL! The truth is, I can’t possibly supply every one of you with these fine offerings, so please bestow them on yourself. Luckily, the cosmic currents will conspire with you to make these things happen.

SCORPIO (Oct. 23-Nov. 21): Now would be an excellent time to seek liposuction, a facelift, Botox, buttocks augmentation or hair transplants. Cosmic rhythms will be on your side if you change how you look. APRIL FOOL! Everything I just said was a lie. I’ve got nothing against cosmetic surgery, but now is not the right time to alter your appearance. Here’s the correct oracle: Shed your disguises, stop hiding anything about who you really are and show how proud you are of your idiosyncrasies.

SAGITTARIUS (Nov. 22-Dec. 21): I command you to love Jesus and Buddha! If you don’t, you will burn in Hell! APRIL FOOL! I was just kidding. I was being sensationalistic to grab your attention. Here’s my real, true oracle for you: Love everybody, including Jesus and Buddha. And I mean love them all twice as strong and wild and tender. The cosmic powers ask it of you! The health of your immortal soul depends on it! Yes, Sagittarius, for your own selfish sake, you need to pour out more adoration and care and compassion than you ever have before. I’m not exaggerating! Be a lavish Fountain of Love!

CAPRICORN (Dec. 22-Jan. 19): If you gave me permission, I would cast a spell to arouse in you a case of ergophobia, i.e., an aversion to work. I think you need to take a sweet sabbatical from doing business as usual. APRIL FOOL! I was just joking about casting a spell on you. But I do wish you would indulge in a lazy, do-nothing retreat. If you want your ambitions to thrive later, you will be wise to enjoy a brief period of delightful emptiness and relaxing dormancy. As Buddhist teacher Sylvia Boorstein recommends, “Don’t just do something! Sit there!”

AQUARIUS (Jan. 20-Feb. 18): In accordance with current astrological omens, I suggest you get the book Brain Surgery for Beginners by Steven Parker and David West. You now have the power to learn and even master complex new skills, and this would be an excellent place to start. APRIL FOOL! I was half-kidding. I don’t really think you should take a scalpel to the gray matter of your friends and family members—or yourself, for that matter. But I am quite certain that you currently have an enhanced power to learn and even master new skills. It’s time to raise your educational ambitions to a higher octave. Find out what lessons and training you need most, then make plans to get them.

PISCES (Feb. 19-March 20): In the religious beliefs of Louisiana Voodoo, one God presides over the universe but never meddles in the details of life. There are also many spirits who are always intervening and tinkering, intimately involved in the daily rhythm. They might do nice things for people or play tricks on them—and everything in between. In alignment with current astrological omens, I urge you to convert to the Louisiana Voodoo religion and try ingenious strategies to get the spirits to do your bidding. APRIL FOOL! I don’t really think you should convert. However, I believe it would be fun and righteous for you to proceed as if spirits are everywhere—and assume that you have the power to harness them to work on your behalf.

Homework: Speak aloud as you tell yourself the many ways you are wonderful. Newsletter.FreeWillAstrology.com

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Free Will Astrology: Week of March 27

Free Will Astrology: Week of March 27
ARIES (March 21-April 19): In the coming days, your hunger will be so inexhaustible that you may feel driven to devour extravagant amounts of food and drink. It’s possible you will gain 10 pounds in a very short time. Who knows? You might even enter an extreme eating contest and devour 46 dozen oysters in 10 minutes! APRIL FOOL!...
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