‘Petty Theft’ headlines Bodega Bay fest

For over half a century, the annual Fisherman’s Festival in Bodega Bay has been a destination for live music, crafts, food, entertainment and more.

And for those who love their libations, expect more than 25 Sonoma County wines and a plethora of top-shelf beer choices.

There are also many activities for the kids, such as face painting, spin paintings, games and a touch tank tide pool. Foodies can relish in the myriad eats, which include barbecued oysters, fish & chips, clam chowder and a handful of food trucks serving different fare.

At the heart of the outdoor festival are this year’s musical guests, on Saturday and Sunday, May 4 and 5, which include The Unauthorized Rolling Stones (a Rolling Stones tribute), Rotten Tomatoes (’70s and ’80s rock), The Pinball Wizards (a Who tribute), 7 Summers (a Morgan Wallen tribute), The 7th Sons (’60s to ’80s classic rock) and the longest-running and most successful Tom Petty tribute, Marin County’s Petty Theft.

We caught up with Petty Theft guitarist Monroe Grisman as the band was finishing a slew of April gigs and preparing for yet another handful of May shows, including headlining Saturday’s Bodega Bay festivities.

Bohemian: Petty Theft has been together for 21 years now. That’s quite an achievement for an original or tribute band. How many of the members were there from the beginning?

Monroe Grisman: Our founding members are Django Bayless (bassist/vocals) and Dan Durkin (lead singer/acoustic guitar). In the early years, there was some turnover in the line-up before we settled into our core group, which has now been performing together for 16 years. Our newest member, Steven Seydler (keyboards), has been in the band for six years.

B: How does the band juggle its members’ schedules with you and the drummer playing in AZ/DZ (an AC/DC tribute), your wife and you playing in the April & Monroe Grisman project, Dan doing solo shows and more?

MG: All of us play in other bands and still write and record our own original music too. Singer Dan Durkin also plays with The Illeagles (Eagles tribute) and Revolver (’60s tribute) and works a lot doing solo acoustic shows. Michael Papenburg (guitar) and Steven Seydler both do a lot of session work and also write music. Michael also teaches at the School Of Rock.

Adam Berkowitz (drums) and I are both in two other bands together, AZ/DZ (AC/DC tribute) and The 85’s (’80s dance). I also play in a reggae classics group called Soul Jah Family Band. My wife, April, and I have recently written a bunch of songs and have started recording and performing out locally under our names. As far as how do we juggle all this, I got two words for you: Google Calendar.

B: Any advice for budding musicians wishing to start a tribute?

MG: A lot of people think that starting a tribute band is an easy way to start packing clubs. While the process may be easier at first, as the songs are already written and the road map, musically speaking, is there, you still have to be good. It can be a double-edged sword, as fans already know the songs (and well).

It generally takes at least three years to really start hitting your stride playing the music together as a band. Petty Theft didn’t start drawing our own crowds until about five or six years into it, in part because our line-up was still in flux, but also because we were still developing our chemistry as a band. Some people think that tribute bands have it easy, but we have worked our butts off. My advice? Do it because you love doing it and always have fun doing so.

Petty Theft (a Tom Petty tribute) plays the Bodega Bay Fisherman’s Festival inside Westside Regional Park located at 2400 Westshore Rd. in Bodega Bay. For more info and tickets, visit bbfishfest.org. All ages are welcome for this family-friendly event.

Glamour Puss: Phillip Ruise

I first met Phillip Ruise on a volunteer build for Sebastopol’s Siren Fest. He was supervising the construction of two opposing dance stages he designed. One stage was decorated purple and teal with scrab and veiled siren eye motif, the other in a black and saffron, lotus blossom and cat head pattern.

The annual belly dance festival, organized by Siren Studios, is a perfect showcase for Ruise, a clothing designer, dancer, drummer, set decorator and interior decorator—or, as he terms it, “inferior degrader.” And kindred to the fest’s organizers, his aesthetic is inspired by the arabesque and 24-color Indian palettes, both of which he bounces and bends through a series of Western, psychedelic and gay lenses.

Ruise is best known for his dance costumes and magnificent headdresses, which are of a culture all his own.

CH: Phillip, do you identify as a drag performer?

PR: Yes, but I’m not a wig and titty drag queen—there are a billion-and-one of them. And when they see me on the street, they are like, gasp! They’re floored! It’s a funny scene.

CH: What would you call your drag?

PR: I call it “glamour pussing.” I go out and I glamour puss.

CH: I understand that between gigs you practice on the street in front of the Castro Theater in SF. You lived and made art in the city for 30 plus years before moving to Petaluma. Tell me, have you ever toured the Middle East?

PR: Yes, I have performed in Istanbul, Anatolia, Egypt, Rajasthan and at the Taj Mahal. They loved me there!

CH: I want to ask you about your latest costume design (pictured). What inspired it?

PR: I wanted to make a crown that was both a crown for a king and a queen.

CH: It fairly puts the crown courts of Europe to shame. How long did it take to make, and what was it made of?

PR: It took me two weeks. It’s made of cardboard, hot glue, white glue, metallic bags from The Dollar Store and buttons from SCRAP in SF.

CH: That’s funny, SCRAP calls itself an “Aladdin’s cave” for clothing makers. Phillip, your resource is ingenious. How many costumes do you currently have?

PR: Oh, right now about 60!

Ruise performs May 18 at The North Bay Fashion Ball at Lagunitas Petaluma. His dance and dress portfolio is on instagram @phillipruise. Meanwhile: linktr.ee/cincinnatushibbard.

Swing Thing: Look Back and Forward

It was a night to remember, because I certainly do. Mystic Theater, 1997.

The 14 members of Marin-based Lee Press-On & The Nails, led by a short singer-bandleader akin to the character Beetlejuice, take the stage before a curious audience with no idea what’s about to happen to them.

Loud, fast and slightly out-of-tune music in a minor key commences, but it’s not heavy metal. A handful of groupies from the Bay Area who follow the band everywhere—even to Petaluma—begin dancing, and not just hokey moves they learned from their grandmother, but wild Charleston kicks straight outta Harlem, and every manner of jump, flip, splits and slides across the floor.

Sonoma County watched in disbelief, and I said to myself, “I need to learn this.”

I did, and became an expert in swing music and dance practically overnight, which happens when you’re prone to obsessive enthusiasm, and with something as downright positive as swing. I began teaching in a Santa Rosa studio, hosted a weekly swing night in Railroad Square and wrote a cover story for this very newspaper on what has now gone down in the annals of history as the “late-’90s swing revival,” which, thanks to its national epicenter being neither New York nor Los Angeles but San Francisco, swung its way up to the sticks of Sonoma County.

Back then, The Mystic Theatre and a slew of other venues regularly hosted such pioneering Bay Area acts as Indigo Swing, Stompy Jones, Steve Lucky & The Rhumba-Bums, Lavay Smith & Her Red-Hot Skillet Lickers, Mitch Woods & His Rocket-88s and others. They certainly had a flair for catchy names.

Our hometown band in Santa Rosa was the more simply named Savoy Swingers, and our little suburban scene—that’s right, back in the days of music and fashion tribes and “scenes”—snatched a wide spectrum of enthusiasts. It was a time when former band geeks who played the trombone in high school and disillusioned punk rockers formed an unlikely alliance, trading in Doc Martens for vintage wingtips and banding together to rescue the one truly great American art form, jazz music and dance.

And now the pendulum has swung back, and Santa Rosa is once again hosting live music and dancing at The California, where on the third Tuesday of each month the newly formed, Marin-based Death And Taxes Swing Band, led by vocalist—and violinist—Rebecca Roudman takes the stage with a free dance lesson beforehand. The next show swings into town May 21.

What will they play, of the thousands of possible tunes from the Great American Songbook that can be swung? “What we play are 100% personal selections, songs we grew up hearing around the house, which we give fresh new arrangements,” said Roudman.

Those arrangements come in a variety of tempos for the band formed only a year ago. And one of Roudman’s greatest joys is performing before a swirling, swinging dance floor. “We know what dancers want to dance to, and that’s not just one tempo the whole night. My favorite part about this band is watching the people dance, and it’s hard not to get distracted,” she explained.

Infectious is a good term to describe the vibe produced by swing, the literal musical meaning of which is a particular rhythm best described as dotted eighth-notes. Though terms and styles varied—swing, jump blues, lindy hop, jitterbug—they all sprung from the same tree, and represented the great cultural exchange of black and white America. The swing era from 1935-1945 lasted longer than other music-dance-fashion fads before or since, from the Charleston to the British Invasion to disco, which typically lasted about three years—about the same as the late ’90s swing revival.

Although the first young archeologists began digging up jitter-bones in the late ’80s, and the music and dance are at the heart of the 1993 film, Swing Kids, set in Nazi Germany, most pop culture historians would say the trend began with the 1995 indie film, Swingers, which features a climactic dance scene with Jon Favreau and Heather Graham.

Soon came the “khakis swing” TV commercial for The Gap, the Top 40 hits “Zoot Suit Riot” by Cherry Poppin’ Daddies and “Jump, Jive & Wail” by the Brian Setzer Orchestra, and a wild number by Royal Crown Review in the Jim Carrey film, The Mask. The Squirrel Nut Zippers were another pioneering band on the national scene, swinging through the Luther Burbank Center in the late ’90s.

At the time, it seemed like every lifestyle publication, daily newspaper and morning talk show jumped on the bandwagon to report on the trend, where a constant refrain was “Looks fun, but do I have to dress old-timey?” The trend peaked with Big Bad Voodoo Daddy playing the Super Bowl halftime show on Jan. 31, 1999, whereupon it disappeared almost instantly from the public eye. This since once something’s reached the visibility of a Super Bowl halftime show, there’s nowhere to go but down.

But the main thing that was achieved in the past 25 years since is that swing was rescued from obscurity and instilled across America as our national dance form, which the Death And Taxes Band and a new generation of young musicians proves.

Recently, the band toured Florida and had a booking in a small town. When they pulled in and told the locals to come to the gig, saying they’d be playing classic big band swing music, they received blank stares and ignorant inquiries. “So we just said, ‘It’s fun, energetic and community building, and it’s not that hard to learn,’” said Roudman. And they got to learn the dance moves from the very band itself, making them all-around preservers of the tradition, as the pre-show dance lesson is taught by bass player Colin Williams.

That’s one major change from the late ’90s. Back in my day, musicians didn’t dance.

No Nukes: The Nuclear Age is Already Over

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Either nuclear weapons kill us or we move beyond them, soon. Via mass death or the building of a new security system, the nuclear age is finished.

The nuclear deterrence system that the world presently relies upon for its security is rotten, evil, completely unworkable and obsolete. It is a nuclear war waiting to happen, a war no one can or would win. But we remain ostriches with heads deep in sand, waiting passively for an inevitable holocaust apparently too big to prevent.

The United States, based on core principles like the value of life, liberty and the pursuit of happiness, should make a precious gift to the world and sign the United Nations Treaty on the Prohibition of Nuclear Weapons. It would be the first of the nine nuclear powers to sign, and the initiative would be welcomed with relief and jubilation by the vast majority of the world’s citizens.

It is an important fact that Putin, a leader as ruthless in his own way as Hitler, has more nuclear weapons at his disposal than any other nation, but so far, and may it continue, he has not used them. Why? Is it because he fears our nuclear weapons? Or is it because in spite of his gross deficit of compassion for Ukraine, he knows that turning swaths of that nation into radioactive desert does not fit any sane conception of military conquest?

Of course “conventional” war itself is equally insane. The October 7 Hamas attack and what has followed is a tragic case in point. The immense loss of life in the Israeli military’s “conventional” response can only concentrate our minds upon what the massive loss of life in a nuclear war would look like.

A world beyond war itself is possible. Viable alternative security systems have been elaborated in great detail. But we can take a sensible step in that ultimate direction quite safely, which is to unilaterally start backing off the nutty, silly, irrational hair-trigger nuclear system presently holding the whole world hostage.

Winslow Myers is the author of ‘Living Beyond War: A Citizen’s Guide.’

Your Letters, May 1

Four-twenty

Thanks for the 420 history (April 17 Pacific Sun). There was another early pot fellowship at San Diego State College back in 1965. We were “The Eagles” because one of us called a meeting by announcing that there would be “a gathering of eagles” that evening, signaling that we would get high and “fly.”

I was “The Condor,” as I was tall, skinny and had come into the circle a little later than the others, who had met at Point Loma High School. We hung out at a large table in the West Commons, where we discussed literature and philosophized about women. It was summer school. We later called it “The Long Pot Summer of ’65.”

Our Mexican pot came in 1-ounce baggies for $10 and was full of sticks and seeds that we could germinate. “Colas” and “buds” were unheard of. We wore Dr. Pepper bottle caps stuck to our shirts, using the old cork liners inside. The corporate name meant a prescription of Dr. Pepper to be swallowed at “10, 2, 4,” but our joke was a double entendre for taking a puff at those times.

We did not become widely known. But just think, if the rock group, The Eagles, had existed and known one of us back then.

Daniel Keller

San Rafael

Driven Mad

The CEO of Tesla says the firm is not a car company. Rather, Tesla is a tech firm. If Tesla builds tech (robotics, self-driving applications, etc.) the way it has built cars, then we should be worried, given the tech “glitches” Tesla has had to overcome.

Gary Sciford

Santa Rosa

Corrections Dept.

In the article titled “Everybody Welcome” (April 24, 2024, Bohemian), we mischaracterized Emily Hope Parker as an “advocate for the disabled” instead of an “advocate for inclusion.” We apologize for the use of “disabled persons” instead of the preferred term “people with disabilities” as advocated by Ms. Parker. It’s important to note Ms. Parker did not say the quoted statements attributed to her in the article. Alchemia was inaccurately portrayed as a non-profit partner to the Inclusion Festival; when in fact Inclusive Compass holds that role. We apologize to Ms. Parker, Inclusive Compass, Alchemia, and our readers.

Viano Quartet, Open Studios, and Sean Carscadden

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Mill Valley

Viano Quartet

Chamber Music Marin spotlights the Viano Quartet in their 2023-24 concert series, offering audiences a transformative experience with some of the globe’s finest classical talent at pocket-friendly prices. This season, the quartet is set to bridge the gap between ensemble and solo performance, crafting a harmonious blend that highlights individuality within a unified sound. The upcoming performance features a compelling lineup of classical masterpieces, including Beethoven’s beloved and profound “String Quartet in E minor, Op. 59, No. 2, ‘Razumovsky.’” Each piece promises to showcase the quartet’s fiery, narrative-driven style, creating a musical journey that promises to resonate with new audiences and seasoned aficionados alike. 5pm, Sunday, May 5, Mt. Tamalpais United Methodist Church, 410 Sycamore Ave., Mill Valley. Tickets are $48 (youths 18 and under are always free). To purchase tickets, visit chambermusicmarin.org.

Marin County

Open Studios

The Marin Open Studios is back for its 31st edition, inviting art aficionados to explore over 250 local artists’ workspaces across Marin County. Scheduled from 11am to 6pm, May 4 and 5 and May 11 and 12, this self-guided tour offers a unique opportunity to interact with artists directly and purchase original creations. The diverse array of participants includes sculptors, painters, photographers and jewelers, with 22 new artists joining this year. Preceding the main event, the Marin Open Studios Preview Gallery is open through May 12 at the Sausalito Center for the Arts (750 Bridgeway, Sausalito), featuring a preview of the artists’ work. More details and studio directions can be found at marinopenstudios.org.

Sonoma

Carscadden Comes Home

Sonoma’s own Sean Carscadden, a three-time winner of the Norbays for “Best Americana,” returns to his old stomping grounds for a second annual birthday bash show at the venerable Sebastiani Theatre. The lauded performer turned 40 last year and put on a sold-out show at the venue. Spurred by this success, Carscadden intends to reprise the vibe with a new show beginning at 8pm, Saturday, May 11, at the Sebastiani, 476 1st St. East, Sonoma. Over the last 12 years, Carscadden has produced five sold-out shows at the Sebastiani. The upcoming date will feature a range of musical stylings from New Orleans funk, soul, blues and Americana. Tickets are $25 and are available online at seancmusic.com/shows. Special ‘surprise’ guest performers are promised…

Petaluma

Petalumans of Yesteryear

Beginning Saturday, May 4, and continuing every week through October, the Petaluma Historical Library & Museum offers “living history docents”—the “Petalumans of Yesteryear”—dressed in period attire and leading guided tours of historic downtown Petaluma. The docents will detail the history of the bustling river town from the Gold Rush to its days as the “Chicken and Egg Capital of the World.” Petaluma’s architecture (including eight sites listed on the National Register of Historic Places) will be explored, among other historic attractions. The tours are free, though a $10 donation is appreciated. To register for a tour and for more information, visit bit.ly/petaluma-living-history.

Free Will Astrology: Week of May 1

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ARIES (March 21-April 19): The world record for jumping rope in six inches of mud is held by an Aries. Are you surprised? I’m not. So is the world record for consecutive wallops administered to a plastic inflatable punching doll. Other top accomplishments performed by Aries people: longest distance walking on one’s hands; number of curse words uttered in two minutes; and most push-ups with three bulldogs sitting on one’s back. As impressive as these feats are, I hope you will channel your drive for excellence in more constructive directions during the coming weeks. Astrologically speaking, you are primed to be a star wherever you focus your ambition on high-minded goals. Be as intense as you want to be while having maximum fun giving your best gifts.

TAURUS (April 20-May 20): I don’t casually invoke the terms “marvels,” “splendors,” and “miracles.” Though I am a mystic, I also place a high value on rational thinking and skeptical proof. If someone tells me a marvel, splendor or miracle has occurred, I will thoroughly analyze the evidence. Having said that, though, I want you to know that during the coming weeks, marvels, splendors and miracles are far more likely than usual to occur in your vicinity—even more so if you have faith that they will. I will make a similar prediction about magnificence, sublimity and resplendence. They are headed your way. Are you ready for blessed excess? For best results, welcome them all generously and share them lavishly.

GEMINI (May 21-June 20): In accordance with astrological omens, I recommend you enjoy a celebratory purge sometime soon. You could call it a Cleansing Jubilee, or a Gleeful Festival of Purification, or a Jamboree of Cathartic Healing. This would be a fun holiday that lasted for at least a day and maybe as long as two weeks. During this liberating revel, you would discard anything associated with histories you want to stop repeating. You’d get rid of garbage and excess. You may even thrive by jettisoning perfectly good stuff that you no longer have any use for.

CANCER (June 21-July 22): Graduation day will soon arrive. Congrats, Cancerian! You have mostly excelled in navigating through a labyrinthine system that once upon a time discombobulated you. With panache and skill, you have wrangled chaos into submission and gathered a useful set of resources. So are you ready to welcome your big rewards? Prepared to collect your graduation presents? I hope so. Don’t allow lingering fears of success to cheat you out of your well-deserved harvest. Don’t let shyness prevent you from beaming like a champion in the winner’s circle. PS: I encourage you to meditate on the likelihood that your new bounty will transform your life almost as much as did your struggle to earn it.

LEO (July 23-Aug. 22): Ritualist and author Sobonfu Somé was born in Burkina Faso but spent many years teaching around the world. According to her philosophy, we should periodically ask ourselves two questions: 1. “What masks have been imposed on us by our culture and loved ones?” 2. “What masks have we chosen for ourselves to wear?” According to my astrological projections, the coming months will be an excellent time for you to ruminate on these inquiries—and take action in response. Are you willing to remove your disguises to reveal the hidden or unappreciated beauty that lies beneath? Can you visualize how your life may change if you will intensify your devotion to expressing your deepest, most authentic self?

VIRGO (Aug. 23-Sept. 22): If human culture were organized according to my principles, there would be over eight billion religions—one for every person alive. Eight billion altars. Eight billion saviors. If anyone wanted to enlist priestesses, gurus and other spiritual intermediaries to help them out in their worship, they would be encouraged. And we would all borrow beliefs and rituals from each other. There would be an extensive trade of clues and tricks about the art of achieving ecstatic union with the Great Mystery. I bring this up, Virgo, because the coming weeks will be an ideal time for you to craft your own personalized and idiosyncratic religious path.

LIBRA (Sept. 23-Oct. 22): Hidden agendas and simmering secrets will soon leak into view. Intimate mysteries will become even more intimate and more mysterious. Questions that have been half-suppressed will become pressing and productive. Can you handle this much intrigue, Libra? Are you willing to wander through the amazing maze of emotional teases to gather clues about the provocative riddles? I think you will have the poise and grace to do these things. If I’m right, you can expect deep revelations to appear and long-lost connections to re-emerge. Intriguing new connections are also possible. Be on high alert for subtle revelations and nuanced intuitions.

SCORPIO (Oct. 23-Nov. 21): It’s fun and easy to love people for their magnificent qualities and the pleasure you feel when they’re nice to you. What’s more challenging is to love the way they disappoint you. Now pause a moment and make sure you register what I just said. I didn’t assert that you should love them *even if* they disappoint you. Rather, I invited you to love them BECAUSE they disappoint you. In other words, use your disappointment to expand your understanding of who they really are, and thereby develop a more inclusive and realistic love for them. Regard your disappointment as an opportunity to deepen your compassion—and as a motivation to become wiser and more patient. (PS: In general, now is a time when so-called “negative” feelings can lead to creative breakthroughs and a deepening of love.)

SAGITTARIUS (Nov. 22-Dec. 21): I assure you that you don’t need “allies” who encourage you to indulge in delusions or excesses. Nor do I recommend that you seek counsel from people who think you’re perfect. But you could benefit from colleagues who offer you judicious feedback. Do you know any respectful and perceptive observers who can provide advice about possible course corrections you could make? If not, I will fill the role as best as I can. Here’s one suggestion: Consider phasing out a mild pleasure and a small goal so you can better pursue an extra-fine pleasure and a major goal.

CAPRICORN (Dec. 22-Jan. 19): I invite you to take an inventory of what gives you pleasure, bliss and rapture. It’s an excellent time to identify the thrills that you love most. When you have made a master list of the fun and games that enhance your intelligence and drive you half-wild with joy, devise a master plan to ensure you will experience them as much as you need to—not just in the coming weeks, but forever. As you do, experiment with this theory: By stimulating delight and glee, you boost your physical, emotional and spiritual health. 

AQUARIUS (Jan. 20-Feb. 18): Aquarian author Lewis Carroll said, “You know what the issue is with this world? Everyone wants some magical solution to their problem, and everyone refuses to believe in magic.” In my astrological opinion, this won’t be an operative theme for you in the coming weeks, Aquarius. I suspect you will be inclined to believe fervently in magic, which will ensure that you attract and create a magical solution to at least one of your problems—and probably more.

PISCES (Feb. 19-March 20): Which would you prefer in the coming weeks: lots of itches, prickles, twitches and stings? Or, instead, lots of tingles, quivers, shimmers and soothings? To ensure the latter types of experiences predominate, all you need to do is cultivate moods of surrender, relaxation, welcome and forgiveness. You will be plagued with the aggravating sensations only if you resist, hinder, impede and engage in combat. Your assignment is to explore new frontiers of elegant and graceful receptivity.

Homework: Tell yourself the truth about something you have not been fully honest about. Newsletter.FreeWillAstrology.com

Lake Berryessa ‘Glory Hole’ Sets New Record

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I can’t bear to leave you hanging when it comes to “Glory Hole Watch 2024” at the Lake Berryessa water reservoir east of the valley. This reservoir serves as the main water supply for Solano County to the south. And its “glory hole,” as locals and fans call it, is essentially a giant pipe installed inside the reservoir, to drain it when it gets too full — meanwhile creating the super trippy visual effect of a cosmic black hole in the lake’s surface. The TLDR is that the water line this year didn’t end up rising quite high enough for the hole to fully spill in on itself and create this famous effect. There were some serious trickles running down into the mouth of the hole at one point, but it wasn’t considered a full spill, according to reservoir managers. However! Managers do say our lady of the lake ended up setting a new kind of record this year, for how unbelievably close she was to spilling, and for so long — an “edging record,” as I called it yesterday on the morning show for Napa radio station The Vine. (Tune into 99.3 FM at 9:10 a.m. every Thursday to catch me and host Barry Martin catching up on all the local news that’s fit to blab about!) Anyway, here’s more info from SF Gate: “Lake Berryessa’s spillway, famously known as the Glory Hole, has been on the brink of activation for more than two weeks, hanging a few inches away from a full spill for what’s likely the longest time on record. It’s a scenario that has baffled many, including the engineer who monitors water levels in the California reservoir.” The Solano County water official tells the news outlet: “Since April 1, it’s been within an inch of spilling. The lake may come up and get to be an inch away and then it will slowly back off because the rain stopped. It’s just a crazy year.” This guy has been working at Lake Berryessa for nearly 20 years, SF Gate reports, and “to his knowledge, this year marks the longest period of time the lake has ever been so close to the edge without officially spilling.” He says: “I can guarantee that it will never be duplicated. This is really a once-in-a-lifetime year.” So at least we’ve got that to celebrate. (Source: SF Gate & Lake Berryessa via Facebook)

Napa Valley FBI Probe Update: Stolen Briefcase, Landfill Mess

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Over in the Napa Valley, we’ve got some updates on the endlessly intriguing and mysterious federal investigation that’s been unfolding over the past few months. The first scandal of the week involves the beleaguered Clover Flat landfill in Calistoga, which was the target of one of three main subpoenas issued by the feds this past winter to local government entities and other power players across the valley. New documents being aired out by the Press Democrat, the result of a public records request, show that safety and environmental hazards reported at the landfill — including “incinerated infrastructure and severe damage to streambeds and waterways” — may have been much more extensive than we even knew. For example, the PD got its hands on “an email from a management consultant for the landfill sent Oct. 14, 2020 to county staff and state regulators,” describing a “complete incineration of the entire erosion, sedimentation and storm water control measures” at the facility after the Glass Fire that summer — a situation that landfill managers had publicly downplayed. The reason all this is relevant is that the U.S. Department of Justice has been requesting a whole bunch more documents from the Upper Valley Waste Management Agency, which oversees the dump, as part of the feds’ ongoing mystery investigation. And there has been speculation, based on the specific docs requested, that the investigation has to do with why the county renewed the landfill operator’s contract, given all this apparent negligence. The second intrigue of the week involves Ryan Klobas, the former head of the Napa County Farm Bureau, an industry org representing local ag interests. Klobas killed himself on the side of the road in mid-January, according to police, after his bureau was subpoenaed as part of the larger probe. So there’s already reason to think he was freaked out about something. Now, the Napa Valley Register reports that Klobas’ briefcase may have gone missing during the Farm Bureau’s annual Christmas party last year, days before the subpoena was issued. To make the situation even more mystifying, he didn’t report it stolen until weeks later, according to the Register. “The revelation is the latest plot twist in an apparently still-active probe into wine industry leaders, the Napa County Airport, Upper Valley Waste Management Agency, and at least one elected official, county Supervisor Alfredo Pedroza,” the Register reports. The whole thing is truly straight out of a noir thriller. Which brings us to our final intrigue of the week: An NBC news station in Sacramento is reporting that California State Treasurer Fiona Ma — who was known to be very chummy with Klobas over at the Farm Bureau — was also just subpoenaed as part of a larger “federal grand jury subpoena on a case that is yet to be made public.” I’m not saying there’s a connection there, but for what it’s worth, the same Napa Valley activists who have been harping on potential local government and industry corruption in Napa County for years, long before the feds got involved, have always suspected the state treasurer was involved. Guess we’ll see… (Source: Press Democrat & Napa Valley Register & KCRA)

Petaluma Bar Faces Shutdown After Bouncers Allegedly Beat Customer

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As it happens, the five newest inmates at the same county jail in Santa Rosa that hosted the classical music program are bouncers from one of Petaluma’s rowdiest bars, the decade-old Jamison’s Roaring Donkey bar on Kentucky Street, according to the Petaluma Police Department. City officials in Petaluma are considering shutting down the Roaring Donkey entirely after its security team was arrested last weekend for allegedly beating up a sober guy at the bar who argued with them. Police say they assaulted this guy, a 38-year-old Santa Rosa resident, both inside the bar and outside on the sidewalk, after he defended a woman who had entered the men’s restroom against security’s wishes. “An independent witness reported that while one member of security had the victim in a chokehold on the ground other members were punching and kicking the victim in and about his head,” police say. “The victim sustained significant injuries including swelling and bruising on the left side of his head and other lacerations and abrasions.” The five bouncers, residents of Santa Rosa and Rohnert Park in their 20s and early 30s, have since been arrested and jailed for battery. And two of them are facing extra charges, according to Petaluma police: one for allegedly carrying around brass knuckles in his pocket that night, and one for violating his DUI probation. Meanwhile, the assistant city attorney in Petaluma tells the local paper, the Argus-Courier, that he’s going to try and revoke the bar’s conditional use permit, which would prevent the Donkey from serving alcohol — effectively a death notice. This permit “requires them to have a security plan that has been approved by the city’s chief of police,” the city official says — and “despite several meetings and email correspondence between [Jamison’s Roaring Donkey] and city staff, they still have not submitted an approved comprehensive security plan, which would provide their staff the tools they need to effectively manage their business.” Ouch. For context, the Argus-Courier also reports that nearly a quarter of all crime reports filed from Petaluma drinking establishments come from the Donkey. A lawyer for the bar’s owners — who likewise took over the 8 Ball Tavern in Cotati circa 2018 — is calling some of the reports on what happened that night “erroneous.” He tells the Argus-Courier: “The management of Jamison’s Roaring Donkey is actively reviewing video, interviewing witnesses and bar staff. They do not feel they have gathered enough information to make a determinative statement regarding the incident as a whole.” Petaluma detectives, too, are looking for more witnesses and surveillance video; they’re encouraging anyone with leads to contact Officer Nathan Good at (707) 781-1262 or ng***@************ma.org. (Source: Petaluma Police Department via Facebook & Petaluma Argus-Courier & Sonoma County Sheriff)

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Petaluma Bar Faces Shutdown After Bouncers Allegedly Beat Customer

As it happens, the five newest inmates at the same county jail in Santa Rosa that hosted the classical music program are bouncers from one of Petaluma's rowdiest bars, the decade-old Jamison's Roaring Donkey bar on Kentucky Street, according to the Petaluma Police Department. City officials in Petaluma are considering shutting down the Roaring Donkey entirely after its security...
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