Strange Beats

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There’s a new sound coming from the hills of West Sonoma County, courtesy of jazz-fusion quartet Sakoyana, who’ve set their sights on creating largely instrumental and always unexpected compositions that forgo guitars for horns and often wander with joyful improvisation at their live shows.

Currently comprised of bassist Stanton White, drummer Daniel Bowman, clarinet-player Sequoia Nacmanie and tenor-saxophone and keyboard-player Josh Glum, the group shares musical loves that range from classical to hip-hop, as well as everyday inspirations like gardening and meditation.

The band is now finalizing the mixing on their debut full-length album, Indefinite Island, and touring the North Bay with a schedule of over two dozen shows for the next few months, when they’ll travel from Healdsburg to Point Reyes Station, hitting popular clubs and venues everywhere in between.

“Since the group formed, it’s been just drums, bass and horns,” White says. “We all are total music nerds. Sequoia is a classical musician and an incredible music teacher, Josh is a jazz musician by schooling, I am also a jazz musician by education and Danny is totally self-taught, and at this point probably practices more than any of us and plays in something like five bands.”

White and Bowman have musical collaborations going back several years, and after meeting and jamming with Nacmanie and Glum, the four discovered they shared kindred musical interests and quickly bonded in 2018.

“That’s when the four of us really settled as a quartet and the original music started coming,” White says. “We were able to write and arrange for this group of people as opposed to just jamming or playing covers.”

Those original compositions will be heard when Indefinite Island drops in the next few months. Classifying themselves as “avant-funk,” Sakoyana is anything but traditional in their approach to blending their musical styles, crafting tunes that even White admits can get weird during their live performance improvisational tangents.

“We’re all influenced by such a diverse group of artists, musicians and different disciplines,” he says. “Because of that we wanted to write what we felt like playing. Yes, sometimes we’ll certainly surprise people, but I think the most fun is when we surprise ourselves.”

Sakoyana plays on Friday, Jan. 31, at Coyote Sonoma (44F Mill St., Healdsburg. 8pm. 707.385.9133) and Saturday, Feb. 1, at the Big Easy (128 American Alley, Petaluma. 8pm. 707.776.7163). sakoyana.com.

Cinematic ‘Stache

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During production on the artsploitation flick Pill Head, I ran to the local deli to pick up sandwiches because, this being a nano-budget indie, it was sandwiches for dinner personally delivered by yours truly, the director.

Fresh from the set, I must have entered the deli aisle with an added flourish—after all, I was in the midst of directing a feature film. The young man behind the counter eyed me as if he recognized me or at least recognized something about me. After a beat he innocently asked, “You’re someone important, right?”

Despite being the sandwich-boy auteur, I relished the moment. How could I not be someone important? I had a bag of sandwiches, a waxed mustache and a scarf billowing off the shoulder of my black blazer.

Then he asked, “Are you a magician?”

From a certain angle—like, from behind a deli case hovering with hands outstretched over the bologna and pimento loaves—yes, I look like a fricking magician. It’s the mustache. And the invisible horn section that toots “Ta-da!” whenever I gesture.

I didn’t resent this. In fact, I found it affirming. Like many kids in my generation, I had a magic kit as a kid—a wand, rings that linked, a cheap top hat, etc., and as Francis Ford Coppola once said, “I think cinema, movies and magic have always been closely associated. The very earliest people who made films were magicians.” Presto. As the caterpillar is to the butterfly, so then is the magician to the moviemaker.

So, yes, I’m a magical, mustachioed butterfly. Judge me at your peril.

To Coppola’s point, Georges Méliès is the obvious early 20th-century example of a magician-turned-filmmaker. Every one of his innovations, from substitution splices and multiple exposures to time-lapse photography and hand-tinting frames is a forerunner of a subsequent special effect.

This commingled magician-filmmaker DNA persists through the 1900s and reappears, like an atavism, in other magicians-turned-filmmakers. Among them is Woody Allen, who was also a magician in his youth and frequently depicts magicians in his work (Stardust Memories, Oedipus Wrecks, etc.). Though at present writing, Allen is a culturally-fraught premise, a film like Shadows and Fog offers a poignant depiction of the magician’s relationship to illusion, and by proxy, cinema.

At the film’s end, when Allen’s nebbish character belatedly accepts an invitation to join the circus as a magician’s assistant, someone off-screen says, “Everybody loves his illusions.” And the magician, magisterially played by Kenneth Mars, replies “Love them? They need them—like they need the air.”

And we do. Even when we’re making them. And especially when getting sandwiches.

Editor Daedalus Howell is the writer-director of “Pill Head” playing now on Amazon Prime.

Pandemic

Fifty million Chinese locked down! Fifteen countries affected! Three confirmed cases in the U.S.! These dramatic headlines announce one more pandemic caused by our abuse of animals.

Indeed, 61 percent of the 1,415 pathogens known to infect humans originate with animals. These so-called zoonetic diseases, claiming millions of human lives, include Asian flu, Hong Kong flu, West Nile flu, bird flu, swine flu, dengue fever, Ebola, HIV, SARS and yellow fever. The pandemic “Spanish” flu of 1918 may have killed as many as 50 million people worldwide.

Western factory farms and Asian street markets are virtual breeding grounds for infectious diseases. Sick, crowded, highly stressed animals in close contact with raw flesh, feces and urine provide ideal incubation media for viruses. As these microbes reach humans, they mutate to defeat the new host’s immune system, then propagate on contact.

Each of us can help end these deadly pandemics by replacing animal products in our diet with vegetables, fruits and whole grains. These foods don’t carry flu viruses, or government warning labels, are touted by every major health advocacy organization and were the recommended fare in the Garden of Eden. The internet offers ample recipes and transition hints.

Santa Rosa

Preserve Live Theater

Some time ago, a roster of prominent performers (DeNiro, Streep, Dench, Hopkins, etc.) commented on the critical importance of live theatrical performances.

Collectively, they agreed that live performances, warts and all, are better than movies. In movies, “action” is tailored, redone, adjusted to be made “perfect” to an audience of persons (lighting, grips, best boys, etc.) who get paid to be there and support movie-making.

In live theatre, line flubs are part of the show, as are lighting errors, missed queues and audience members answering cell phones. Billy Dee Williams contributed a recollection when he portrayed Dr. Martin Luther King. An audience member was slouching, with his feet up on the chair in front of him. By the end of the performance, he was sitting upright watching intently.

Anything other than live theatre is a rehearsed piece played to a small, anonymous audience.

Santa Rosa

Thankful for
Stories

Terrific review (“Stories To Tell,” Arts & Ideas, Jan. 22) of a book that’s both fun to read, as Susan is always fun to read, and instructive for older women about how we make lighter the inevitable darkness. Thanks so much.

San Francisco

Write to us at [email protected].

New Views

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There is much to see in Napa Valley this week, as two very different-looking art shows open to the public.

In Yountville, internationally known celebrity Lucy Liu exhibits a wide display of art at the Napa Valley Museum. Opening on Saturday, Feb. 1, “Lucy Liu: One Of These Things Is Not Like The Others” presents the actress and social-justice advocate in a new light, and marks the first art exhibit in the U.S. for Liu, who will appear at the Napa Valley Museum for the upcoming fundraising luncheon, Phenomenal Women, on Feb. 25.

“We wanted to showcase women who were doing something extraordinary,” says Napa Valley Museum Executive Director Laura Rafaty. “I found out she had just done her first art exhibit at the National Museum of Singapore. We invited her to be the keynote speaker at the luncheon, but as those discussions evolved we asked if she would be willing to have us post the first museum exhibit of her work in the United States.”

Liu’s art includes erotic Japanese “shunga” woodblocks and paintings, embroidered works, found-object sculptures and silkscreens featuring bold designs and even bolder subject matter.

“Some of it is kind of provocative, honestly,” Rafaty says. “Lucy’s work is very intimate, in some ways shockingly so. It’s emotional, it wants you to challenge cultural and gender stereotypes and I think people are going to find it thrilling to see.”

Up the road in Calistoga, Napa Valley–native Kate Solari Baker opens a new exhibit, “Keeping Accounts,” at Sofie Contemporary Arts on Friday, Jan. 31. Generations of inspiration lie behind Baker’s latest works, which mark a new artistic direction into mixed-media collage in which she incorporates her mother’s handwriting into colorful overhead landscapes.

“My family bought a property in Napa Valley in 1948,” Baker says.

That property was the historic Larkmead Cellars winery and vineyard, and while Baker’s father worked in San Francisco, her mother ran the co-op property, and in doing so kept meticulous handwritten ledgers and accounts that Baker discovered after her mother’s death in 1992.

“It was a part of Napa Valley history in my mind; the people who worked there, their hours and their time,” Baker says. “It represented to me a different time in Napa Valley, when it was mostly farmers.”

Baker uses those ledger papers as a source for her art, creating large maps of the Larkmead property and other Napa Valley locales superimposed over the ledgers.

Working from her art studio in Sausalito’s Industrial Center Building (ICB), where she’s been since the late ’70s, Baker was best known in Marin and throughout the North Bay for her nature-inspired pastels and figurative paintings before taking a turn toward collage.

“It’s very personal and it’s fun,” Baker says, of her collage. “This is a part of my mother’s history and I’m following in her footsteps and thinking about her part in Napa Valley.”

Mill Valley private-equity exec named in college-admissions criminal scam

William E. McGlashan, a Mill Valley resident and executive at the private-equity giant TPG, has been named in a sweeping set of indictments issued this that allege that he and dozens of other parents paid off college admissions off…..  

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War Memo From Bernie’s Alamo

I have to level with you. The news is bad from Bernie, cutting 300 staffers and bringing it all home to California for a last, joyously desperate push at the nomination, against all odds and super-delegates—and the kids and everyone else want to know what’s next? Bite the bullet and pull the ticket for Clinton? Sit it out and prepare the survival kit? It is hard end-times realization as Sanders faces the brutal truth of the matter, even as there can be a rejoicing for the advent of a youthful Berniecrat push in the face of the Bearded Gen X Gophers of the House.

Can Sander people at least cultivate a pity for Clinton that can dip into a Hollywood script, with all its sentimental push-polling—Her Story. Indeed there is a pretty rich tale to be told with plenty of opportunity for unforced empathy, if not tinged with less harmonious vibes for her Clintoness. As such I have swerved and swayed and been pulled and pushed and taunted and harried and annoyed and angered and saddened as I’ve tried to ride the topsy-turvy curve of this particular election season so far, take in all the perspectives, grow my own and observe, tantalize the fringes—as a citizen, and even as one who has not always voted, shame on me.

I did not vote for Bill Clinton and I probably won’t vote for Hillary, eith I voted for Dukakis, and felt like I had just eaten the shit off the bottom of my shoe. I hate voting for these people, because you have to in the end or we’ll have a Fascist country.

At the gut, constitutional level: one person, one vote, and if you leave it on the table—your dissent is noted by Jesus. Take that, Ted Cruz. Here it is: My vote doesn’t matter because it’s only one vote, and I’m not trying to convince you or any other Californian out there about who they should vote for. I can’t stand the thought of that war vote, and I don’t care what came after it. She frightens me in the same way Cruz does. It will be weird, double-Clintonian hunker-down horror of this.

The stakes are obvious, bleak, and occasionally terrifying. It’s not too much to say that a steamrolling Donald Trump might actual steal this rotten motherfletcher of a Democracy that we’ve descended into, this cheap and ugly and vicious petty Tweet-driven madness we Americans are so very caught up in, take so very seriously—as meanwhile the rest of the world and the saner among all persons gra

Strange Beats

There's a new sound coming from the hills of West Sonoma County, courtesy of jazz-fusion quartet Sakoyana, who've set their sights on creating largely instrumental and always unexpected compositions that forgo guitars for horns and often wander with joyful improvisation at their live shows. Currently comprised of bassist Stanton White, drummer Daniel Bowman, clarinet-player Sequoia Nacmanie and tenor-saxophone and keyboard-player...

Cinematic ‘Stache

During production on the artsploitation flick Pill Head, I ran to the local deli to pick up sandwiches because, this being a nano-budget indie, it was sandwiches for dinner personally delivered by yours truly, the director. Fresh from the set, I must have entered the deli aisle with an added flourish—after all, I was in...

Pandemic

Fifty million Chinese locked down! Fifteen countries affected! Three confirmed cases in the U.S.! These dramatic headlines announce one more pandemic caused by our abuse of animals. Indeed, 61 percent of the 1,415 pathogens known to infect humans originate with animals. These so-called zoonetic diseases, claiming millions of human lives, include Asian flu, Hong Kong flu, West Nile flu, bird...

New Views

There is much to see in Napa Valley this week, as two very different-looking art shows open to the public. In Yountville, internationally known celebrity Lucy Liu exhibits a wide display of art at the Napa Valley Museum. Opening on Saturday, Feb. 1, "Lucy Liu: One Of These Things Is Not Like The Others" presents the actress and social-justice advocate...

Mill Valley private-equity exec named in college-admissions criminal scam

William E. McGlashan, a Mill Valley resident and executive at the private-equity giant TPG, has been named in a sweeping set of indictments issued this that allege that he and dozens of other parents paid off college admissions off.....  

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New Headline

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Test headline Long words or just short ones to make it long

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec tincidunt sem eget lacus pharetra, eu ornare tortor convallis. Donec a mollis elit. Integer imperdiet felis ut odio auctor, in lobortis mi scelerisque. Vestibulum ullamcorper scelerisque velit eget gravida. Proin et risus id lorem vestibulum pellentesque. Donec in lorem a lorem laoreet dapibus quis vitae urna. Phasellus vel fermentum lectus,...

War Memo From Bernie’s Alamo

I have to level with you. The news is bad from Bernie, cutting 300 staffers and bringing it all home to California for a last, joyously desperate push at the nomination, against all odds and super-delegates—and the kids and everyone else want to know what's next? Bite the bullet and pull the ticket for Clinton? Sit it out and...
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