Salmon Fishing About to Be Banned Again Off Sonoma Coast

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One of Sonoma County’s most beloved traditions, dating back half a century, is underway in the rain out at the coast this weekend. The Bodega Bay Fisherman’s Festival has it all: a bounty of seafood and beer, bouncy houses, pony rides, the North Bay’s most popular and rockin’ cover bands, a water parade, a boat-building contest — the works. But there’s an undercurrent of doom these days in the North Bay fisher community that might dampen the celebration. That’s because federal officials are reportedly about to declare that no one will be allowed to catch any salmon off the California coast this year, for the second year in a row. This news comes after California’s crabbing season was cut short a few months early again, to protect whales and turtles that might get caught in traps and lines. This second annual ocean-salmon ban, on top of the repeated crab cutoffs, is a “crushing blow” — in the words of state politician Jared Huffman from San Rafael — to a state salmon industry valued at around $1 billion. And while many livelihoods are at stake, everyone does seem to understand why this is happening. Local salmon populations are in the pits right now, due to years of drought and low flows in local waterways — made worse, of course, by human diversions and dams. Dick Ogg, a Bodega Bay commercial fisherman and president of the Bodega Bay Fishermen’s Marketing Association, tells the North Bay Business Journal: “For nine months now, we’ll probably be without income. When you look at overall impact, it’s significant. Do we want the closure? Obviously, no. Is it necessary? Yes.” (Kenneth Brown, the owner of Bodega Tackle in Petaluma, tells the Los Angeles Times he has lost almost $450,000 in the last year alone.) So anyway, within the next week or two, state and federal officials are expected to make the official announcement about salmon fishing in the ocean — as well as another announcement about whether they’ll allow inland salmon fishing this year, in rivers and streams. Meanwhile, state politicians are urging President Biden to declare a “federal fishery disaster” so they can get relief funds into the pockets of locals who rely on fishing income to feed their families and pay their bills. Some $20 million in relief funds for LAST year’s salmon-fishing shutdown did finally just get distributed earlier this year, but officials like Huffman argue it’s not enough. On the upside: Many hundreds of millions more state dollars are being invested right now into restoring salmon habitats across California. There are also huge American-Indian efforts underway to introduce more salmon back into rotation, especially up north in the Klamath River area. More from a KRCB news radio report in mid-April: “In far Northern California, state fish and wildlife officials and members of four Tribal nations gathered on the banks of the Klamath, just below the Iron Gate Dam. They were there for the release of 90,000 juvenile coho salmon, following a tribal blessing. If you listen closely, you can hear a valve open, then thousands of baby fish plop into the chilly Klamath. For Kenneth Brink, vice chairman of the Karuk Tribe, the meaning could not be overstated. ‘This river is our church… and, that salmon is the cross on that church…’ Brink said. Fisheries officials released more than 400,000 fall run chinook salmon fry into the Klamath the following day. Philip Williams, a Yurok tribal council member, said he hopes this marks a watershed moment. ‘Tribal nations have been hopeless for a long, long time. With the dams coming down, all this collaboration with fish and wildlife, California, Oregon all coming together to revive this river, it restores that hope, hope in our government and hope in our people,’ Williams said.” (Source: CalMatters & CalMatters & Associated Press & KRCB & Bay City News via Patch & Bodega Bay Fisherman’s Festival & North Bay Business Journal & Los Angeles Times via Yahoo)

Santa Rosa’s Rose Parade Is Back — With Snoopy at the Helm

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Have you heard that the Luther Burbank Rose Parade & Festival will return to the streets of downtown Santa Rosa this year, for the first time since before COVID hit? (Our Rose Parade is not to be confused with California’s other iconic Rose Parade — the one held each New Year’s down in Pasadena.) The revival of this century-old Santa Rosa tradition is scheduled for 10am on Saturday, May 18 — not next weekend, but the weekend after. And the parade’s grand marshal for its big comeback after a five-year hiatus will be none other than Sonoma County’s most famous comic-book character, Snoopy the dog. Or, I should say, an energetic person wearing a Snoopy costume! If you’ve never been to the parade: Picture 100-plus floats, marching bands and other lively configurations of human and vessel rolling down the half-mile stretch of Fourth Street between Brookwood and B, positively smothered in roses. We’re talking cars covered in roses; org names written in roses; roses woven into dresses, hats and flower crowns; actual rose bushes overflowing from flatbeds; etc, etc. The theme this year will be “Trek Thru Time” — so everyone will be repping different eras of Sonoma County culture, whether from the past, present or future. “We cannot believe how many community groups, businesses and individuals signed up to participate in this year’s parade!” organizers posted on Facebook back in March. “Our lineup includes a business who participated in the very first parade in 1894, a group made up of (young) people who weren’t even alive the last time a Rose Parade happened, an incredible amount of cool vehicles and lots of entries going all in on this year’s theme.” Here’s some more parade history from organizers: “Though the famed horticulturist Luther Burbank took part in the event as early as 1914, the annual tradition began in 1894 with the first Rose Carnival. It continued until 1926 when it was canceled due to Burbank’s death, shortly before the festival. A longer hiatus was observed during the World Wars. The Junior Chamber of Commerce ‘Jaycees’ revived the event in 1950, renaming it in honor of Burbank. It has been held every year since and always with a parade. Many elements have changed over the years. The original affairs offered the grandeur of coronation balls and the pageantry of royal courts; later versions offered regattas, bicycle and running races, fireworks and tennis. The parade, though, has always been the central activity.” The Historical Society of Santa Rosa recently posted some interesting old pics and newspaper clippings from the 1950s on Facebook, detailing a series of wild-looking sports-car drag races held as part of the Rose Festival back in those days. We won’t get any drag races this year, but there is a big free “community festival” after the parade at Old Courthouse Square, offering “family fun for ALL ages, local food and drink, live performances, and more” through 3pm that afternoon, according to the event website. “Think photo opps, old fashioned games, crafts, education, activities, all with a Sonoma County vibe.” (Source: Luther Burbank Rose Parade & Luther Burbank Rose Parade via Facebook & Historical Society of Santa Rosa via Facebook & Press Democrat)

Gaza Protest Camp at Sonoma State Settles in

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Braving the rain today are the 20 or so anti-war activists who’ve been camped out on Sonoma State University’s “Person Lawn” for more than a week now — part of a global movement where students are “occupying” their college campuses as a way to protest Israel’s war in Gaza, as well as the involvement of their own nation and/or university. A protest-camp organizer at Sonoma State tells me they put tarps over all their tents and valuables last night, so they’ve been faring OK in the weather so far. If you want to support them, they created a Google doc with all the donations they could use, like “nutrient-rich foods” and umbrellas for both sun and rain. “As the encampment grows bigger and stronger, we continue to be inspired and fueled by all the community support,” they write in the doc. Protesters have they won’t budge until school officials “recognize Palestinian identity in academics, as with other ethnic and racial groups; agree to an academic boycott that would shut down study-abroad programs linked to Israel; and call for a permanent and immediate cease-fire,” according to the Press Democrat. While encampments at other California campuses like UCLA and UC Berkeley have been dismantled by police or attacked by violent counter-protesters, the scene at Sonoma State has been pretty peaceful. The main tension so far has been that the head of the university, President Mike Lee, wrote a public letter accusing protesters of anti-Semitism early on. “Some of the messages written in chalk on the sidewalk in front of the encampment are disturbing,” he said last Monday. In a response statement, one of the camp organizers denied this claim — then admonished the school president for “putting the students in harm’s way” by “opening them up to harassment and even violence.” The organizer encouraged anyone with differing views “to go speak with the students in the encampment and you will find they pose no threat, even if you remain on opposing sides.” By Thursday, President Lee did just that, according to the PD. “I went to go in and make sure that they are safe and healthy,” he told the paper. “I also let them know that their message is very, very loud and clear. I heard it. We have heard it.” However: He said some of their demands, like divestment, may be tough to meet, as SSU is one of 23 California State University campuses — so certain matters “would need to be dealt with at a higher level.” Meanwhile, the war in Gaza is about to hit the six-month mark on May 7; Israel has reportedly killed nearly 35,000 Palestinians in that time, as a response to an Oct. 7 attack from Gaza militants, during which they killed around 1,200 Israelis and took hundreds more as hostages. The anti-war movement here in the U.S. argues that Israel’s response has been outsized and inhumane, making Gaza essentially unlivable and starting a famine. Up until last month, the main tactic of our local anti-war movement had been to persuade small government entities to adopt ceasefire resolutions, in hopes of setting off a chain reaction up to the highest levels of government (aka, the White House). But that’s been an uphill battle; here in the wine country, only the City of Cotati has made the move. So in recent weeks, street protests have been ramping up in the North Bay and Bay Area — along with the rest of the nation and world — and now we’ve got these tent encampments, like the one at SSU. There was also some action in the form of a daytime protest 10 miles north at the Santa Rosa Junior College campus on Thursday, which drew a crowd of at least 200, according to the PD. President Biden did finally address the campus movement yesterday, urging protesters to resist causing “chaos” and ultimately saying their actions won’t affect his foreign policy. (Source: Sonoma State University & KRCB & Press Democrat & Press Democrat & Press Democrat & Sonoma County for Palestine via Facebook & SSU Students for Justice in Palestine via Instagram & SF Chronicle & LA Times & Desert Sun & Counterpunch & NPR)

Crime Path: Juveniles stabbed, assault reported

Two juvenile males sustained injuries in possibly related stabbing incidents on Sunday night, April 21, near the Carson Warner Skate Park in Healdsburg.

The first victim, a 16-year-old boy, called for help at 10:22pm and was located on Foss Creek Pathway, according to the preliminary police report. The victim suffered multiple stab wounds to his back, and after receiving on-scene first aid, was taken to Healdsburg District Hospital.

A second victim, 17 years of age, was later discovered to have been admitted to a local hospital for treatment of stab injuries, according to an updated social media post from the Healdsburg Police. Both victims are refusing to cooperate with police in their investigation.

“Both victims sustained serious injuries, but are expected to recover,” said the department’s social media post. “Police continue to investigate what might have led to the stabbing and who else may have been involved in the altercation. The victims’ lack of cooperation has hindered the investigation.”

That lack of cooperation, and the age of the victims, suggests the possibility of gang involvement. The police department did not comment on the possibility.

Sexual Assault

Police logs published on April 23 indicated a sexual assault that was first reported on April 17 took place in the same area. According to the victim, the assailant had a firearm at the time of the assault.

The victim was able to identify her assailant, which led to the arrest of a 43-year-old male on April 18 at a homeless encampment on the west side of Highway 101. An April 23 check of the county jail inmates indicates the suspect has since been released.

Lights, Camera

The incidents took place on the pathway that bisects Healdsburg, from the Russian River to the Community Center, south to north.

The lighting system on the foot and cycle path has been inoperable recently due to the theft of copper wiring, including the area close to the scene of this incident.

“This area of the bike path had previously suffered copper wire thefts from the street lights,” confirmed Lt. Luis Rodriguez of Healdsburg Police. Approximately $10,000 in damages were reported resulting from two incidents of copper wire theft in the past year, according to Police Chief Matt Jenkins.

At a recent public meeting about the use of military equipment and public safety cameras, held at the police station on April 19, installing cameras on Foss Creek Pathway in addition to several locations near accident-prone intersections was discussed.

Jenkins and Rodriguez speculated that installing such a public safety camera on Foss Creek Pathway might help the investigation of the copper thefts, especially if they were installed at the site of the thefts.

“If someone stole copper, we’d have their picture,” Rodriguez said.

The camera system is scheduled to be part of city budget discussion at the May 13 City Council meeting. — Weeklys Staff

Classic ‘Glass Menagerie’ Staged in Napa

One of the most-produced American plays ever is The Glass Menagerie. Since its debut in 1944, it has had seven Broadway revivals, two major Hollywood films, two major TV adaptations and countless regional and community theater productions. Napa’s Lucky Penny Productions is presenting the Tennessee Williams classic at their Community Arts Center through May 5.

If one somehow doesn’t know the story of restless Tom Wingfield (Benjamin Stowe), his histrionic mother Amanda (Titian Lish), his fragile sister Laura (Pilar Gonzalez) and charming gentleman caller Jim O’Connor (Max Geide), this production is a good introduction.

With such a storied history and a high level of audience familiarity, it is difficult to make this show feel fresh. Yet Lish’s portrayal of Amanda accomplishes just that. She plays the shattered debutante, now matron, with complete conviction in Amanda’s fantasy world. Her “jonquil’s” speech with its implications of Amanda’s true nature is all the more heartbreaking as she skillfully finds and then buries those implications without missing a beat.

Lish’s Amanda leaves no doubt as to where the mental illness and despair that impair Laura and strangle Tom are inherited from. For once, Tom’s annoyance at his mother for flirting with Jim is completely deserved. Lish’s Amanda is a real threat to her daughter.

Stowe’s Tom has some good moments but tends to shout his anger instead of portraying the simmering rage to which he keeps referring (with an unnecessary mic exasperating the issue). Geide plays The Gentleman Caller well. He is appropriately boisterous and uplifting but never quite finds a way to make the role his own. Gonzalez, like most ingenues cast to play the complicated role of Laura, struggles to bring complexity to the character.

Lish, however, somehow finds a way to make Amanda the central sympathetic character.

The set design by Barry Martin also has some striking and unique (in a good way) aspects, most notably the clever way they brought the fire escape into Lucky Penny’s small theater space. The forced perspective on the fire escape is functional and useful, immediately challenging the audience to question reality. Similarly, the costumes by Barbara McFadden ride that thin line between the fuzziness of memory and the truthfulness of the era, which is a difficult feat to pull off.

One might go so far as to say that in giving us some fresh perspectives on this classic play, Lucky Penny has “some tricks in their pockets and things up their sleeves.”

‘The Glass Menagerie’ runs through May 5 at the Lucky Penny Community Arts Center, 1758 Industrial Way, Napa. Thurs–Sat, 7:30pm; Sun, 2pm. $28–$38. 707.266.6305. luckypennynapa.com.

‘Petty Theft’ headlines Bodega Bay fest

For over half a century, the annual Fisherman’s Festival in Bodega Bay has been a destination for live music, crafts, food, entertainment and more.

And for those who love their libations, expect more than 25 Sonoma County wines and a plethora of top-shelf beer choices.

There are also many activities for the kids, such as face painting, spin paintings, games and a touch tank tide pool. Foodies can relish in the myriad eats, which include barbecued oysters, fish & chips, clam chowder and a handful of food trucks serving different fare.

At the heart of the outdoor festival are this year’s musical guests, on Saturday and Sunday, May 4 and 5, which include The Unauthorized Rolling Stones (a Rolling Stones tribute), Rotten Tomatoes (’70s and ’80s rock), The Pinball Wizards (a Who tribute), 7 Summers (a Morgan Wallen tribute), The 7th Sons (’60s to ’80s classic rock) and the longest-running and most successful Tom Petty tribute, Marin County’s Petty Theft.

We caught up with Petty Theft guitarist Monroe Grisman as the band was finishing a slew of April gigs and preparing for yet another handful of May shows, including headlining Saturday’s Bodega Bay festivities.

Bohemian: Petty Theft has been together for 21 years now. That’s quite an achievement for an original or tribute band. How many of the members were there from the beginning?

Monroe Grisman: Our founding members are Django Bayless (bassist/vocals) and Dan Durkin (lead singer/acoustic guitar). In the early years, there was some turnover in the line-up before we settled into our core group, which has now been performing together for 16 years. Our newest member, Steven Seydler (keyboards), has been in the band for six years.

B: How does the band juggle its members’ schedules with you and the drummer playing in AZ/DZ (an AC/DC tribute), your wife and you playing in the April & Monroe Grisman project, Dan doing solo shows and more?

MG: All of us play in other bands and still write and record our own original music too. Singer Dan Durkin also plays with The Illeagles (Eagles tribute) and Revolver (’60s tribute) and works a lot doing solo acoustic shows. Michael Papenburg (guitar) and Steven Seydler both do a lot of session work and also write music. Michael also teaches at the School Of Rock.

Adam Berkowitz (drums) and I are both in two other bands together, AZ/DZ (AC/DC tribute) and The 85’s (’80s dance). I also play in a reggae classics group called Soul Jah Family Band. My wife, April, and I have recently written a bunch of songs and have started recording and performing out locally under our names. As far as how do we juggle all this, I got two words for you: Google Calendar.

B: Any advice for budding musicians wishing to start a tribute?

MG: A lot of people think that starting a tribute band is an easy way to start packing clubs. While the process may be easier at first, as the songs are already written and the road map, musically speaking, is there, you still have to be good. It can be a double-edged sword, as fans already know the songs (and well).

It generally takes at least three years to really start hitting your stride playing the music together as a band. Petty Theft didn’t start drawing our own crowds until about five or six years into it, in part because our line-up was still in flux, but also because we were still developing our chemistry as a band. Some people think that tribute bands have it easy, but we have worked our butts off. My advice? Do it because you love doing it and always have fun doing so.

Petty Theft (a Tom Petty tribute) plays the Bodega Bay Fisherman’s Festival inside Westside Regional Park located at 2400 Westshore Rd. in Bodega Bay. For more info and tickets, visit bbfishfest.org. All ages are welcome for this family-friendly event.

Glamour Puss: Phillip Ruise

I first met Phillip Ruise on a volunteer build for Sebastopol’s Siren Fest. He was supervising the construction of two opposing dance stages he designed. One stage was decorated purple and teal with scrab and veiled siren eye motif, the other in a black and saffron, lotus blossom and cat head pattern.

The annual belly dance festival, organized by Siren Studios, is a perfect showcase for Ruise, a clothing designer, dancer, drummer, set decorator and interior decorator—or, as he terms it, “inferior degrader.” And kindred to the fest’s organizers, his aesthetic is inspired by the arabesque and 24-color Indian palettes, both of which he bounces and bends through a series of Western, psychedelic and gay lenses.

Ruise is best known for his dance costumes and magnificent headdresses, which are of a culture all his own.

CH: Phillip, do you identify as a drag performer?

PR: Yes, but I’m not a wig and titty drag queen—there are a billion-and-one of them. And when they see me on the street, they are like, gasp! They’re floored! It’s a funny scene.

CH: What would you call your drag?

PR: I call it “glamour pussing.” I go out and I glamour puss.

CH: I understand that between gigs you practice on the street in front of the Castro Theater in SF. You lived and made art in the city for 30 plus years before moving to Petaluma. Tell me, have you ever toured the Middle East?

PR: Yes, I have performed in Istanbul, Anatolia, Egypt, Rajasthan and at the Taj Mahal. They loved me there!

CH: I want to ask you about your latest costume design (pictured). What inspired it?

PR: I wanted to make a crown that was both a crown for a king and a queen.

CH: It fairly puts the crown courts of Europe to shame. How long did it take to make, and what was it made of?

PR: It took me two weeks. It’s made of cardboard, hot glue, white glue, metallic bags from The Dollar Store and buttons from SCRAP in SF.

CH: That’s funny, SCRAP calls itself an “Aladdin’s cave” for clothing makers. Phillip, your resource is ingenious. How many costumes do you currently have?

PR: Oh, right now about 60!

Ruise performs May 18 at The North Bay Fashion Ball at Lagunitas Petaluma. His dance and dress portfolio is on instagram @phillipruise. Meanwhile: linktr.ee/cincinnatushibbard.

Swing Thing: Look Back and Forward

It was a night to remember, because I certainly do. Mystic Theater, 1997.

The 14 members of Marin-based Lee Press-On & The Nails, led by a short singer-bandleader akin to the character Beetlejuice, take the stage before a curious audience with no idea what’s about to happen to them.

Loud, fast and slightly out-of-tune music in a minor key commences, but it’s not heavy metal. A handful of groupies from the Bay Area who follow the band everywhere—even to Petaluma—begin dancing, and not just hokey moves they learned from their grandmother, but wild Charleston kicks straight outta Harlem, and every manner of jump, flip, splits and slides across the floor.

Sonoma County watched in disbelief, and I said to myself, “I need to learn this.”

I did, and became an expert in swing music and dance practically overnight, which happens when you’re prone to obsessive enthusiasm, and with something as downright positive as swing. I began teaching in a Santa Rosa studio, hosted a weekly swing night in Railroad Square and wrote a cover story for this very newspaper on what has now gone down in the annals of history as the “late-’90s swing revival,” which, thanks to its national epicenter being neither New York nor Los Angeles but San Francisco, swung its way up to the sticks of Sonoma County.

Back then, The Mystic Theatre and a slew of other venues regularly hosted such pioneering Bay Area acts as Indigo Swing, Stompy Jones, Steve Lucky & The Rhumba-Bums, Lavay Smith & Her Red-Hot Skillet Lickers, Mitch Woods & His Rocket-88s and others. They certainly had a flair for catchy names.

Our hometown band in Santa Rosa was the more simply named Savoy Swingers, and our little suburban scene—that’s right, back in the days of music and fashion tribes and “scenes”—snatched a wide spectrum of enthusiasts. It was a time when former band geeks who played the trombone in high school and disillusioned punk rockers formed an unlikely alliance, trading in Doc Martens for vintage wingtips and banding together to rescue the one truly great American art form, jazz music and dance.

And now the pendulum has swung back, and Santa Rosa is once again hosting live music and dancing at The California, where on the third Tuesday of each month the newly formed, Marin-based Death And Taxes Swing Band, led by vocalist—and violinist—Rebecca Roudman takes the stage with a free dance lesson beforehand. The next show swings into town May 21.

What will they play, of the thousands of possible tunes from the Great American Songbook that can be swung? “What we play are 100% personal selections, songs we grew up hearing around the house, which we give fresh new arrangements,” said Roudman.

Those arrangements come in a variety of tempos for the band formed only a year ago. And one of Roudman’s greatest joys is performing before a swirling, swinging dance floor. “We know what dancers want to dance to, and that’s not just one tempo the whole night. My favorite part about this band is watching the people dance, and it’s hard not to get distracted,” she explained.

Infectious is a good term to describe the vibe produced by swing, the literal musical meaning of which is a particular rhythm best described as dotted eighth-notes. Though terms and styles varied—swing, jump blues, lindy hop, jitterbug—they all sprung from the same tree, and represented the great cultural exchange of black and white America. The swing era from 1935-1945 lasted longer than other music-dance-fashion fads before or since, from the Charleston to the British Invasion to disco, which typically lasted about three years—about the same as the late ’90s swing revival.

Although the first young archeologists began digging up jitter-bones in the late ’80s, and the music and dance are at the heart of the 1993 film, Swing Kids, set in Nazi Germany, most pop culture historians would say the trend began with the 1995 indie film, Swingers, which features a climactic dance scene with Jon Favreau and Heather Graham.

Soon came the “khakis swing” TV commercial for The Gap, the Top 40 hits “Zoot Suit Riot” by Cherry Poppin’ Daddies and “Jump, Jive & Wail” by the Brian Setzer Orchestra, and a wild number by Royal Crown Review in the Jim Carrey film, The Mask. The Squirrel Nut Zippers were another pioneering band on the national scene, swinging through the Luther Burbank Center in the late ’90s.

At the time, it seemed like every lifestyle publication, daily newspaper and morning talk show jumped on the bandwagon to report on the trend, where a constant refrain was “Looks fun, but do I have to dress old-timey?” The trend peaked with Big Bad Voodoo Daddy playing the Super Bowl halftime show on Jan. 31, 1999, whereupon it disappeared almost instantly from the public eye. This since once something’s reached the visibility of a Super Bowl halftime show, there’s nowhere to go but down.

But the main thing that was achieved in the past 25 years since is that swing was rescued from obscurity and instilled across America as our national dance form, which the Death And Taxes Band and a new generation of young musicians proves.

Recently, the band toured Florida and had a booking in a small town. When they pulled in and told the locals to come to the gig, saying they’d be playing classic big band swing music, they received blank stares and ignorant inquiries. “So we just said, ‘It’s fun, energetic and community building, and it’s not that hard to learn,’” said Roudman. And they got to learn the dance moves from the very band itself, making them all-around preservers of the tradition, as the pre-show dance lesson is taught by bass player Colin Williams.

That’s one major change from the late ’90s. Back in my day, musicians didn’t dance.

No Nukes: The Nuclear Age is Already Over

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Either nuclear weapons kill us or we move beyond them, soon. Via mass death or the building of a new security system, the nuclear age is finished.

The nuclear deterrence system that the world presently relies upon for its security is rotten, evil, completely unworkable and obsolete. It is a nuclear war waiting to happen, a war no one can or would win. But we remain ostriches with heads deep in sand, waiting passively for an inevitable holocaust apparently too big to prevent.

The United States, based on core principles like the value of life, liberty and the pursuit of happiness, should make a precious gift to the world and sign the United Nations Treaty on the Prohibition of Nuclear Weapons. It would be the first of the nine nuclear powers to sign, and the initiative would be welcomed with relief and jubilation by the vast majority of the world’s citizens.

It is an important fact that Putin, a leader as ruthless in his own way as Hitler, has more nuclear weapons at his disposal than any other nation, but so far, and may it continue, he has not used them. Why? Is it because he fears our nuclear weapons? Or is it because in spite of his gross deficit of compassion for Ukraine, he knows that turning swaths of that nation into radioactive desert does not fit any sane conception of military conquest?

Of course “conventional” war itself is equally insane. The October 7 Hamas attack and what has followed is a tragic case in point. The immense loss of life in the Israeli military’s “conventional” response can only concentrate our minds upon what the massive loss of life in a nuclear war would look like.

A world beyond war itself is possible. Viable alternative security systems have been elaborated in great detail. But we can take a sensible step in that ultimate direction quite safely, which is to unilaterally start backing off the nutty, silly, irrational hair-trigger nuclear system presently holding the whole world hostage.

Winslow Myers is the author of ‘Living Beyond War: A Citizen’s Guide.’

Your Letters, May 1

Four-twenty

Thanks for the 420 history (April 17 Pacific Sun). There was another early pot fellowship at San Diego State College back in 1965. We were “The Eagles” because one of us called a meeting by announcing that there would be “a gathering of eagles” that evening, signaling that we would get high and “fly.”

I was “The Condor,” as I was tall, skinny and had come into the circle a little later than the others, who had met at Point Loma High School. We hung out at a large table in the West Commons, where we discussed literature and philosophized about women. It was summer school. We later called it “The Long Pot Summer of ’65.”

Our Mexican pot came in 1-ounce baggies for $10 and was full of sticks and seeds that we could germinate. “Colas” and “buds” were unheard of. We wore Dr. Pepper bottle caps stuck to our shirts, using the old cork liners inside. The corporate name meant a prescription of Dr. Pepper to be swallowed at “10, 2, 4,” but our joke was a double entendre for taking a puff at those times.

We did not become widely known. But just think, if the rock group, The Eagles, had existed and known one of us back then.

Daniel Keller

San Rafael

Driven Mad

The CEO of Tesla says the firm is not a car company. Rather, Tesla is a tech firm. If Tesla builds tech (robotics, self-driving applications, etc.) the way it has built cars, then we should be worried, given the tech “glitches” Tesla has had to overcome.

Gary Sciford

Santa Rosa

Corrections Dept.

In the article titled “Everybody Welcome” (April 24, 2024, Bohemian), we mischaracterized Emily Hope Parker as an “advocate for the disabled” instead of an “advocate for inclusion.” We apologize for the use of “disabled persons” instead of the preferred term “people with disabilities” as advocated by Ms. Parker. It’s important to note Ms. Parker did not say the quoted statements attributed to her in the article. Alchemia was inaccurately portrayed as a non-profit partner to the Inclusion Festival; when in fact Inclusive Compass holds that role. We apologize to Ms. Parker, Inclusive Compass, Alchemia, and our readers.

Salmon Fishing About to Be Banned Again Off Sonoma Coast

One of Sonoma County's most beloved traditions, dating back half a century, is underway in the rain out at the coast this weekend. The Bodega Bay Fisherman's Festival has it all: a bounty of seafood and beer, bouncy houses, pony rides, the North Bay's most popular and rockin' cover bands, a water parade, a boat-building contest — the works. But...

Santa Rosa’s Rose Parade Is Back — With Snoopy at the Helm

Have you heard that the Luther Burbank Rose Parade & Festival will return to the streets of downtown Santa Rosa this year, for the first time since before COVID hit? (Our Rose Parade is not to be confused with California's other iconic Rose Parade — the one held each New Year's down in Pasadena.) The revival of this century-old Santa...

Gaza Protest Camp at Sonoma State Settles in

Braving the rain today are the 20 or so anti-war activists who've been camped out on Sonoma State University's "Person Lawn" for more than a week now — part of a global movement where students are "occupying" their college campuses as a way to protest Israel's war in Gaza, as well as the involvement of their own nation and/or...

Crime Path: Juveniles stabbed, assault reported

Two juvenile males sustained injuries in possibly related stabbing incidents on Sunday night, April 21, near the Carson Warner Skate Park in Healdsburg. The first victim, a 16-year-old boy, called for help at 10:22pm and was located on Foss Creek Pathway, according to the preliminary police report. The victim suffered multiple stab wounds to his back, and after receiving on-scene...

Classic ‘Glass Menagerie’ Staged in Napa

One of the most-produced American plays ever is The Glass Menagerie. Since its debut in 1944, it has had seven Broadway revivals, two major Hollywood films, two major TV adaptations and countless regional and community theater productions. Napa’s Lucky Penny Productions is presenting the Tennessee Williams classic at their Community Arts Center through May 5. If one somehow doesn’t know...

‘Petty Theft’ headlines Bodega Bay fest

For over half a century, the annual Fisherman’s Festival in Bodega Bay has been a destination for live music, crafts, food, entertainment and more. And for those who love their libations, expect more than 25 Sonoma County wines and a plethora of top-shelf beer choices. There are also many activities for the kids, such as face painting, spin paintings, games and...

Glamour Puss: Phillip Ruise

I first met Phillip Ruise on a volunteer build for Sebastopol’s Siren Fest. He was supervising the construction of two opposing dance stages he designed. One stage was decorated purple and teal with scrab and veiled siren eye motif, the other in a black and saffron, lotus blossom and cat head pattern. The annual belly dance festival, organized by Siren...

Swing Thing: Look Back and Forward

It was a night to remember, because I certainly do. Mystic Theater, 1997. The 14 members of Marin-based Lee Press-On & The Nails, led by a short singer-bandleader akin to the character Beetlejuice, take the stage before a curious audience with no idea what’s about to happen to them. Loud, fast and slightly out-of-tune music in a minor key commences, but...

No Nukes: The Nuclear Age is Already Over

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Either nuclear weapons kill us or we move beyond them, soon. Via mass death or the building of a new security system, the nuclear age is finished. The nuclear deterrence system that the world presently relies upon for its security is rotten, evil, completely unworkable and obsolete. It is a nuclear war waiting to happen, a war no one can...

Your Letters, May 1

Four-twenty Thanks for the 420 history (April 17 Pacific Sun). There was another early pot fellowship at San Diego State College back in 1965. We were “The Eagles” because one of us called a meeting by announcing that there would be “a gathering of eagles” that evening, signaling that we would get high and “fly.” I was “The Condor,” as I...
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