Extended Play: Local Postal Service Union Reacts to Saturday Cuts

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If the proposed plan to cut Saturday service by the United States Postal Service goes through, letter carriers will lose jobs, delivery will be delayed and the budget problem might not even be solved. The problems locally will mirror those being faced on the national level. “We’re going to lose a lot of jobs,” says Jerry Anderson, president of the North Coast Branch of the National Association of Letter Carriers, which covers Sonoma and Lake counties. The union’s official stance is against the proposed cut and instead to look at avenues of growth to fund the 75-year pension and health care requirement. “I think there are other ways to go about growing the business,” he says, suggesting shipping wine as an untapped potential resource.

Santa Rosa letter carrier Jeff Parr says there hasn’t been enough study, in his opinion, on the potential loss of revenue from the Saturday stoppage plan. He says it sounds as if the Post Master General “has given up on the business.” Saturday service is the competitive advantage of the USPS, since others charge a premium or just don’t offer it at all. “I see degrading of service.”

The plan refers only to stopping letter delivery and pick up; the post office will still deliver parcels on Saturdays. This is no surprise, as the parcel business went up 14 percent last year compared to the year before for the USPS. Rural service will suffer adversely, as will those who require medication delivery. The average letter carrier handles about 15 to 20 medications daily, and those don’t count as parcels, says Anderson. In fact, anything under two pounds, or is smaller, roughly, than a shoebox, does not count as a parcel under current guidelines.

Senate Bill 316 and House Resolution 630 have been introduced to stop the 75-year prefunding requirement, which was introduced in 2006 and expires in 2016. But it might be too little, too late. “Congress put us in this mess and they can fix it,” says Anderson. “But [so far] we haven’t been successful with that.”

Feb. 24: Forbidden Hollywood at the Wells Fargo Center

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Big belly laughs and watery eyes come easy at ‘Forbidden Hollywood.’ The show is a spoof of well-known movies like Titanic, Star Wars, Harry Potter, Lord of the Rings and Shrek, created by Gerard Alessandrini, who also wrote Forbidden Broadway, a parody of Broadway classics that has been running for over 20 years. Alessandrini has been waiting a long time to include film to his repertoire. “I love movies as much as I do theater,” he says. “I don’t really separate them in my mind.” See Forbidden Hollywood, where even Disney princesses aren’t safe, on Sunday, Feb. 24, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. 3pm. $30—$45. 707.546.3600.

Feb. 24: Uli John Roth at the Last Day Saloon

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Guitar god Uli Jon Roth not only played with the Scorpions for five albums, but also gave birth to Sky guitars, a signature custom line made with additional frets in order to emulate the sounds of a violin. Infamously sporting Hendrix-like headbands, scarves and bandanas, the German guitarist is a true music innovator and professor, often called the “father of Neo-Classical guitar.” He performs a 40th anniversary Scorpions set on Sunday, Feb. 24, at the Last Day Saloon. 120 Fifth St., Santa Rosa. 8pm. $20-25. 707.545.5876.

Feb. 22-24: Tattoos & Blues Convention at the Flamingo Resort Hotel

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From the nurses who take your temperature at the local doctors’ office to the history teacher who has a full sleeve of tattoos under his button-up shirt, almost everyone has tattoos these days. This week, tattoo artists from 40 shops all over the country team up with body piercing specialists, circus acts and blues bands at the 22nd annual Tattoos & Blues convention. The three-day festival includes fire dancing ladies, tattoo seminars and contests for best ink. Tattoo newbies can get a glance at the tattooing process, and enthusiasts can get inked on the spot. Tattoos & Blues runs Friday—Sunday, Feb. 22—24, at the Flamingo Resort Hotel. 2777 Fourth St., Santa Rosa. Noon—10pm. $20—$35. 707.545.8530.

Feb. 23: Mr. Healdsburg Pageant at the Raven Performing Arts Center

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Far from the traditional male beauty pageant with bodybuilders and Speedos, the 10th annual Mr. Healdsburg Pageant features everyday members of the community. Each contestant creates a nickname and competes in the talent, eveningwear, beachwear and interview categories. This year’s seven finalists include 74-year-old Mr. Basso Profundo, who plans to blow the crowd away with his singing voice; Mr. Hot Stuff, who hopes to wow everyone with his winning looks; and Mr. Hotlicks, who started a Facebook campaign in attempts to seal the deal. Who will take home the plastic crown? Find out Saturday, Feb. 23, in a benefit for the Raven Performing Arts Theater. 115 North St., Healdsburg. 7:30pm. $40—$60. 707.433.6335.

Feb. 23: Paco Peña at the Marin Center

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If you’ve never heard Paco Peña, your ears have been sorely deprived. Peña is the legendary flamenco guitarist from Spain that has been dazzling and mesmerizing audiences with his skill for close to five decades. Now 70, he can still deftly slay the frets with his fingers and elicit torrents of emotion and passion from the strings. See him on Saturday, Feb. 23, at the Marin Center. 10 Avenue of the Flags, San Rafael. $20-$50. 8pm. 415.499.6400.

Feb. 21: Victor Wooten at the Napa Valley Opera House

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When it comes to playing the bass, Victor Wooten is a giant among men, slapping the strings since he could sit up straight and pushing he boundaries of funk and jazz ever since. Called “the Michael Jordan of the bass,” Wooten was ranked one of the top 10 bassists of all time by Rolling Stone. His technical skill and unique style have been his bread and butter, winning him five Grammys and worldwide renown as one of the founding members of the super-group Bela Fleck and the Flecktones. Bear witness to Wooten’s virtuosic talents on Thursday, Feb. 21, at the Napa Valley Opera House. 1030 Main St., Napa. 8pm. $30—$35. 707.226.7372.

Cut and Dried

Directed by Richmond, Calif.–bred Carl Franklin, the adaptation of the cherished young-adult book Bless Me, Ultima is as good-looking as any movie made in New Mexico: the piñons are polished by the fine air, drying chile peppers glow with the hearty crimson of a neon sign at dusk, and the silver streams and moonscapes gleam with the purest light.

Bless Me, Ultima is a book banned with regularity—if you’ve ever seen the kind of terrified evangelicals who haunt PTA meetings, you’ll know why—and yet has become one of the bestselling works of Chicano literature in history. It centers on the post-war childhood of Antonio, or “Tony” (Luke Ganalon), the youngest son of a small-time Chicano farmer. The black-clad curandera who delivered Antonio when he was a baby, Ultima (the veteran actress Míriam Colón), comes to spend her last days with him. The name “Ultima” is significant: she is at the end of a tradition as healer and curse lifter.

Her gentle influence teaches Tony to seek out the Virgin Mary’s side of Catholicism, instead of the hell-fire-stoking religion pushed at the adobe church. (Of sinners, Tony asks the question, “Do you think if God was a woman, he would forgive them?”)

The subject matter is unique, but the approach is often clumsy. The narration couldn’t possibly sound more straight-off-the-page. Regarding his parents, “They took their truth from the earth,” narrates the elder Antonio. In the smaller parts, we get a portion of the contraction-free overemphasis actors frequently use when playing their simpler, nobler rural forebears. (I’ve seen little-theater actors who could put five syllables and 11 l‘s in the word “tortilla.”)

That’s not the problem of the player with the role of Narciso, Nayarit-born ex–James Bond villain Joaquín Cosio, who steals scenes with the ardor of Thomas Mitchell in a John Ford movie.

‘Bless Me, Ultima’ opens Friday, Feb. 22 at the Roxy Stadium 14 (85 Santa Rosa Ave., Santa Rosa).

Illusory Light

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Anton Orlov owns a darkroom on wheels, in the form of his Photo Palace Bus, a unique gallery that will be parked in Occidental on Feb. 22. Since emigrating from Russia, Orlov has pursued his love of analog photography to several historic discoveries—glass slides depicting scenes from WWI and the Russian Revolution.

The Slavic stills from 1917 were colored and converted into Magic Lantern slides by their original creator, an American missionary named John Wells Rahill. They show soldiers in gas masks and great coats, as well as what appears to be peaceful rural life, undisturbed by war.

The Magic Lantern is an instrument with a checkered and bizarre history. Though perfect for displaying brightly colored miniatures now, it was once used by clergymen and magicians alike to conjure floating images of saints, demons and ghosts. The strange instrument began to fall out of use in the ’60s, Orlov writes, and “currently there are only a few Magic Lantern shows in the world.”

Why not go to one, then, in a bus parked in Occidental?

Orlov’s Magic Lantern Experience comes to town on Friday, Feb. 22, at 7pm, hosted by Rahill’s granddaughter, Barbara Hoffman, at a private residence in Occidental. To reserve a spot, call 707.874.2787.

Mr. Reich

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In post-Occupy 2013, the term “one percent” has crept dangerously close to jargon—a phrase used by everyone from Fox News to Mitt Romney in order to land some demographic points with the rest of us.

Read anything written by Robert Reich, Secretary of Labor in the Clinton administration and current UC Berkeley professor, and you’ll remember why those two words set the country on fire. In his numerous articles and book Beyond Outrage, Reich drops sentence after fact-laced sentence that will have you laughing—or crying—in disbelief. Take this little nugget: “The 400 richest Americans now have more wealth than the entire bottom half of earners—150 million Americans—put together.”

Or this, from his blog: “A half century ago, American’s largest private-sector employer was General Motors, whose full-time workers earned an average hourly wage of around $50, in today’s dollars, including health and pension benefits. Today, America’s largest employer is Walmart, whose average employee earns $8.81 an hour.” (A third of those employees don’t qualify for benefits.)

A strong advocate for union-less workers—those without political capital or Super PACs or, really, much of a voice—Reich offers comprehensive and clear outlines of what we already know but might be tempted to forget. As Rohnert Park contemplates opening a Walmart supercenter and zoning exemptions are made for other big-box retailers, his work is a reminder why the language of Occupy is worth reclaiming by the 99 percent.

Robert Reich speaks on Walmart, the new economy and America’s future on Monday, Feb. 25, at the Glaser Center. 547 Mendocino Ave., Santa Rosa. 7pm. Free. 707.568.5381.

Extended Play: Local Postal Service Union Reacts to Saturday Cuts

How will this affect the North Bay?

Feb. 24: Forbidden Hollywood at the Wells Fargo Center

Big belly laughs and watery eyes come easy at ‘Forbidden Hollywood.’ The show is a spoof of well-known movies like Titanic, Star Wars, Harry Potter, Lord of the Rings and Shrek, created by Gerard Alessandrini, who also wrote Forbidden Broadway, a parody of Broadway classics that has been running for over 20 years. Alessandrini has been waiting a long...

Feb. 24: Uli John Roth at the Last Day Saloon

Guitar god Uli Jon Roth not only played with the Scorpions for five albums, but also gave birth to Sky guitars, a signature custom line made with additional frets in order to emulate the sounds of a violin. Infamously sporting Hendrix-like headbands, scarves and bandanas, the German guitarist is a true music innovator and professor, often called the “father...

Feb. 22-24: Tattoos & Blues Convention at the Flamingo Resort Hotel

From the nurses who take your temperature at the local doctors’ office to the history teacher who has a full sleeve of tattoos under his button-up shirt, almost everyone has tattoos these days. This week, tattoo artists from 40 shops all over the country team up with body piercing specialists, circus acts and blues bands at the 22nd annual...

Feb. 23: Mr. Healdsburg Pageant at the Raven Performing Arts Center

Far from the traditional male beauty pageant with bodybuilders and Speedos, the 10th annual Mr. Healdsburg Pageant features everyday members of the community. Each contestant creates a nickname and competes in the talent, eveningwear, beachwear and interview categories. This year’s seven finalists include 74-year-old Mr. Basso Profundo, who plans to blow the crowd away with his singing voice; Mr....

Feb. 23: Paco Peña at the Marin Center

If you’ve never heard Paco Peña, your ears have been sorely deprived. Peña is the legendary flamenco guitarist from Spain that has been dazzling and mesmerizing audiences with his skill for close to five decades. Now 70, he can still deftly slay the frets with his fingers and elicit torrents of emotion and passion from the strings. See him...

Feb. 21: Victor Wooten at the Napa Valley Opera House

When it comes to playing the bass, Victor Wooten is a giant among men, slapping the strings since he could sit up straight and pushing he boundaries of funk and jazz ever since. Called “the Michael Jordan of the bass,” Wooten was ranked one of the top 10 bassists of all time by Rolling Stone. His technical skill and...

Cut and Dried

'Bless Me, Ultima' an arid desert adaptation of celebrated novel

Illusory Light

Anton Orlov owns a darkroom on wheels, in the form of his Photo Palace Bus, a unique gallery that will be parked in Occidental on Feb. 22. Since emigrating from Russia, Orlov has pursued his love of analog photography to several historic discoveries—glass slides depicting scenes from WWI and the Russian Revolution. The Slavic stills from 1917 were colored and...

Mr. Reich

In post-Occupy 2013, the term "one percent" has crept dangerously close to jargon—a phrase used by everyone from Fox News to Mitt Romney in order to land some demographic points with the rest of us. Read anything written by Robert Reich, Secretary of Labor in the Clinton administration and current UC Berkeley professor, and you'll remember why those two words...
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