Project Censored: The Movie

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The 16th Annual Sonoma International Film Festival was host to a bevy of films, and one, Project Censored: The Movie, may be the most important film I’ve seen in terms of inspiring media consumers to seek outlets that speak the truth.

If you know about Project Censored, you’re probably not surprised that I am a fan. For those unfamiliar, it is a nonprofit located at Sonoma State University whose mission is to “teach students and the public about the role of a free press in a free society — and to tell the news that didn’t make the news and why.” Each year, Project Censored publishes a book of the 25 “top censored stories and media analysis.” The stories are collected by students and faculty and are vetted by media professionals.

Project Censored was founded in 1976 by Carl Jensen and was housed in the Sociology Department at Sonoma State University until it spun off and became its own nonprofit, the Media Freedom Foundation. This allowed Project Censored to be more autonomous and to reach out to other schools across the country in order to have a wider net with which to catch untold stories.

Project Censored: The Movie is directed by Doug Hecker, a former participant in Project Censored, and Christopher Oscar. In it, the two attempt to answer the question: “What will it take to end the reign of corporate media’s junk food news?” The night the film premiered at the Sonoma festival, 200 people were turned away. There was an additional showing later in the weekend, and a third showing was added at 9 p.m. Sunday night to accommodate the crowds.

Hecker and Oscar’s inspiration to make the film stemmed from their role as fathers, and wanting to leave behind a news legacy worth something. They talk about “junk-food news” and why corporate media fails to report the truth. Interviews with Howard Zinn, Oliver Stone, Noam Chomsky, Michael Parenti, Daniel Ellsberg and Dan Rather, among others, are eye-opening, particularly to the uninformed media consumer.

Khalil Bendib, a political cartoonist, talks about the top-down structure of the news and how corporate ownership hides the truth.

“General Electric owns NBC. General Electric is a bomb maker. NBC is not going to be against war,” he said.

My personal hope is that this film is widely distributed. It seems to me that often, films like this are only seen by people who already know the problems, and simply preach to the choir. If this film is seen by many, it could shed some light in otherwise dark corners of reality and inspire people to take a more active role in their news consumption.

When asked to reflect on the role of the alternative media, Bendib says, “I would compare it to oxygen, really.”

Outside Lands 2013: Paul McCartney, Nine Inch Nails, D’Angelo, Willie Nelson, Hall & Oates, More

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The lineup for Outside Lands 2013 has been announced, and it includes Paul McCartney, Nine Inch Nails, D’Angelo, Willie Nelson, Phoenix, Vampire Weekend, the Yeah Yeah Yeahs, the National, Kaskade, Grizzly Bear, Jessie Ware and many, many more. (Like the Red Hot Chili Peppers.)
Did I mention, also: Daryl Hall and John Oates?
Full lineup is below.

Three-day passes are currently $235, and will go on sale this Thursday, April 18, at noon. Grab them here before they go up to $250.

The Skatalites to Perform at the Last Day Saloon


Legendary Jamaican rockers the Skatalites perform tonight at the Last Day Saloon, and it will be one of the last shows at the venue as we know it—it’s slated to close May 5.
It has been a year since the Skatalites came through Northern California, nearly selling out their last show in Santa Rosa. Although only one founding member remains, the band sounds as true to its roots as it did thirty years ago.
Last year, we wrote about The Skatalites celebrating Jamaica’s 50th anniversary as an independent nation. The band was collecting instruments to take back to the Alpha Boys School in Kingston, which over the years has transformed orphaned boys into some of reggae’s biggest stars. Their new album Walk With Me contains some of the last recordings done with founding drummer Lloyd Knibb; it’s a tribute to all the members who played with the band from the beginning in 1964 until each passed away.
Widely considered the founding fathers of ska music, tonight could very well be one of the last opportunities to see an original member of one of the best ska bands in the history of reggae music play on stage.
The Skatalites headline with local favorites Our Vinyl Vows and DJ Konnex tonight at the Last Day Saloon, 120 Fifth St., Santa Rosa. $20-$25. 707.545.5876.

What Happened to the Covered Wagon at Montgomery Village?

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A covered wagon’s sudden disappearance might not be news in other cities. But in Santa Rosa, it nearly stops traffic.

That’s what Santa Rosa residents discovered today, upon seeing that the iconic covered wagon, which for over 50 years has stood watch at Montgomery Village on the corner of Farmers Lane and Montgomery Drive, has been taken down.

I drove by Montgomery Village this morning, wondering why cars were moving so slowly. But as I got closer and noticed the wagon gone, I wasn’t the only one craning my head out the window to stare at the empty space. The wagon had been there my whole life. What happened to it?

Says David Codding, owner of Montgomery Village, “I think it’s run its course.”

The wagon was taken down yesterday, and it’ll be given to Cattlemen’s to use at one of their restaurants. But that’s not why the wagon was taken down. To hear Codding tell it, during the remodeling process of the northwest quadrant of the shopping center, Santa Rosa’s Design Review Board had told him to get rid of the wagon.

“They said, ‘We like the building and what not, we’ll approve the building,’” Codding told me today, “’but we want that wagon gone. It just looks ridiculous.’”

I knew Codding had some disputes with the city over his initial remodeling plan (disputes with city planners run in his blood, after all) so I wondered if this was all just residual sour grapes. But I called the architect on the job, Warren Hedgpeth, and another planner at city hall. Both confirmed that the city encouraged the wagon’s removal.

To longtime locals, hearing that the City of Santa Rosa wanted a landmark like the Montgomery Village wagon taken down is downright crazy. But here’s something to consider: the wagon that was taken down yesterday isn’t the original, historic wagon. It’s a replica. The original one was moved to the corner of Patio Court and Farmers Lane years ago—where it still stands, and where Codding says it’ll stay.

It took moving the wagon to show Codding just how much people cared about it. After he took over Montgomery Village and moved the wagon three blocks south, he got so many complaints from residents that he hired some Amish workers—“back in Utah or someplace”—to build another one for the corner at Montgomery Drive and Farmers Lane.

As for the future of that now-empty corner, a landscaped plaza is planned. Several bronze statues will depict children holding an American flag and, also, children feeding deer, Codding says. A sign telling the story of Montgomery Village will be set in a rock wall, with bas relief plaques of both Hugh Codding and village namesake Billy Montgomery, who was the first person from Santa Rosa to be killed in WWII.

The original, larger wagon has a special significance: it was a gift to Hugh Codding in the mid-1950s from Hollywood actor Fred MacMurray. As Codding says, “He called up dad and said, ‘You know, what you need at Montgomery Village is a covered wagon. I have a covered wagon at my ranch that would just be perfect.’ And Dad said, ‘That’s a great idea.’”

Here’s how the wagon looked in 1962, courtesy of the Sonoma County Library History Annex. Note the payphone and corner mailbox, things you don’t see much anymore, as well as the lack of sidewalks. (Zoom in and you’ll see signs for Hal’s Toyville, Eisenhood’s Deli and the Maple Shop… anyone remember these places?)

The original wagon has been through a lot over the years. Once, when maintenance workers were repainting it, they found arrows with charred tips inside. “I think kids, at night, they’d go and they’d pour gasoline on an arrow and shoot it at the wagon, trying to burn it down,” says Codding. “I heard another report that another kid, or group of kids, tried to put a detonation device in it, with wires—and it malfunctioned, obviously.”

Of course, what everyone really wants to know is: has anyone ever managed to climb up inside the wagon? “Yeah, I think some kids have climbed up into that wagon,” Codding laughs, “and God knows what they were doing up there.”

Jimmy Carter is Literally Saving the World

Can you believe Jimmy Carter was President? Of the United States of Deadlocked Congress, nonetheless? In this interview from the Tuesday’s airing of the Daily Show with Jon Stewart Carter describes how in just 27 years the 3.5 million cases of extremely painful guinea worm have been eradicated (It was in Asia and Africa). He’s pretty modest about his involvement, but President Carter was the leader of the organization that did this.

Let’s find a medical problem in this country that can be easily eradicated with knowledge and simple behavior changes and eradicate that problem in less than 30 years. I’d like to see a president who could do that.

Photos: Steve Kimock & Bernie Worrell at Hopmonk Novato

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Unbeatable guitarist Steve Kimock has been raising a pretty fiery noise with keyboardist Bernie Worrell lately—and the band took to the brand-new Session Room at the Hopmonk Tavern in Novato last week. Our photographer Jamie Soja was there. See a full photo slideshow below.

Click for photo slideshow

How’d They Do It: The New Trust’s ‘Marigolds’ Video

Santa Rosa trio the New Trust has released a stunning video for “Marigolds,” a song from their forthcoming fifth album, Keep Dreaming. The entire thing is one long, time-lapse shot of flowers sprouting, growing, blooming and then dying. Below, guitarist and photographer Sara Sanger describes the process of making the video, the challenges of photographing plants and why her sister probably now hates both flowers and photography.

The New Trust – Marigolds from The New Trust on Vimeo.
How long did this take to shoot, start to finish?
I started the photography in early November, and finished in March. Almost four months.
What was your setup and process?
I searched seed catalogs for dwarf variety marigolds, as most grow almost 12-18 inches tall and that wasn’t going to work out. I ended up planting a few varieties that I found that grew under 8 inches tall.
I started with a shallow Tupperware storage box, added some drip/soaker tubing underneath the soil, with a tube to get water under the dirt, as opposed to on top. I used a good tripod, a constant source of power for my camera (plugged in direct, battery wouldn’t last more than a half day), and an intervalumeter that was set to take a photo every 10 minutes.
Once the files were done, I found out that Photoshop CS6 has some pretty good basic movie editing capabilities. I was pleasantly surprised by the way that the growth and movement of the flowers moves along with the song pretty well. I had visualized that it might work out, but I don’t have any experience with time-lapse so I really didn’t know. I did not know that plants moved as much as they do, and was really happy to find a lot more motion than I had ever expected.
I shot about twice the amount of frames than I needed. Our song is 3:40, or 220 seconds, so for a standard 30 frames per second I needed 6,600 frames total. I was lucky I had shot more than I needed, since I have found the antique electricity in my house fluctuates pretty wildly—I had to sit and edit out frames that appeared to have less light or more light. Those few days staring at these flowers was hallucination-inducing.

This Time Google Did it Right

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Holy mackerel, media junkies! I came across this gem on Salon.com and what a doozy it is.

My impetus in writing on media issues for the Bohemian is to make the media landscape a better place. That may be bold and ambitious, possibly megalomaniacal—and oddly enough, if it worked, I would ostensibly be making myself irrelevant. But that’s my goal.

I was a reporter with the North Bay Business Journal for about three and a half years. I have written for myriad other publications, but nowhere else did I receive regular press releases about and from businesses and institutions I wrote about. The job of marketers is to market, and they did it, and did it well. My job as a reporter was to sift through and find the “news,” and this was my judgment call. For some reason I was allowed to be the “gatekeeper.” (A term thrown around in J school which I find sort of funny.) But the point is that I looked at these releases and determined whether there was real news value or whether they were things marketers were trying to slip past me as news so they wouldn’t have to pay for advertising.

It’s a tough job, but someone has to do it.

Anyway, this well-written column from Salon, by Andrew Leonard, is about exactly the sort of thing that has troubled me.

That trusted news sources (in this case, the author is calling out a Forbes magazine article for saying Google shouldn’t discriminate between news and sponsored content, i.e. ADVERTISING) aren’t making sure their readers know the difference between actual stories and advertising is maddening.

The Forbes writer, Jeff Bercovici, argues that Google’s recent stance against this kind of media manipulation is OK.

He says:

But even if Google’s stance isn’t a threat to the native business model, its approach here leaves something to be desired. When Google wanted to address the infestation of content farm crud in its search result, it didn’t have to threaten to block the perpetrators from showing up in search unless they played by its rules. It simply watched how its users responded to content farmed articles and used those signals to adjust its algorithm accordingly.

That’s the sort of elegant engineering solution we’ve come to expect from Google, and there’s no reason it shouldn’t apply here. If Google News users think some sponsored content is news, who is Google to say otherwise?

I’m sorry, but I am a Google News user, and I absolutely mind if there are paid-for or even not-paid-for advertisements posing as news stories!

How can we have a press that actually makes a difference in our lives if it is half advertising masquerading as editorial? We can’t. I think they call that propaganda. Kudos Google, at least this time, for drawing a line in the sand.

Misappropriation of Funds at SRJC

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An inquiry into the alleged misuse of two student funds at Santa Rosa Junior College has spurred questions that could turn into a statewide investigation at the community college level.

On Easter, the Associated Students, in concert with Director of Student Affairs and New Student Programs Robert Ethington, sent questions to the district counsel, the School and Colleges Legal Services of California, about the legality of the current use of some of these student funds to pay salaries.

Each semester, every SRJC student is asked to pay an optional $1 Student Representation Fee, amounting to between $42,000 and $45,000 annually in recent years, according to Robert Edmonds, executive vice president of the Associated Students. The fund was created by special election, and its stated purpose is to be used by students to lobby government to change policies as they see fit.

The other fund is the Student Activity Fee or Student Program Fee, a $15 fee paid by students to join the Associated Students and reap the benefits thereof. Discounted parking, free admission to events and games and discounts at the CyBear lounge are among such benefits.

But instead of going solely to programs and lobbying, these funds are paying for the salaries of two positions, Administrative Assistant III and Account Specialist, and have for a number of years, says Edmonds. A total of roughly $111,000 per year goes to the salaries, benefits and expenses associated with the two positions; $75,000 comes from the Student Activities Fund, and $36,000 from the Student Representation Fee.

“The Associated Students develop a budget every year at this time and they recommend that budget to the trustees,” Ethington said. “This year, that process is being put on standby because of this inquiry.”

Ethington has been working with the students to determine if funds are being used in an appropriate way.

“First and foremost, we want to follow the law,” he said.

Every year, the Associated Students develops a budget and takes it to the Board of Trustees for approval. “It is part of the student experience,” said Ethington. “Just like they would in a nonprofit, they recommend that budget to the board. In the 13 years I have been with the college, the board has always approved what the students bring.”

That the students’ budget is approved annually without trustee intervention means every year, the students have passed this line item, approving the funds to be used for salaries.

That is, until now.

Edmonds is the first person in charge of the budget who has taken the inquiry this far. He said as long as it’s clearly and transparently communicated to the students what they are getting for their money, there is no issue. But, he added, if it is considered legal, “I think the district should be responsible for at least half of what the students are paying now.”

“I have been advised that if, as I believe, the use of these funds is illegal, and that I am being compelled to continue including salaries in the budget that I believe is illegal, that I should resign from my position,” he added.

This advice, among other things, created a desire in Edmonds to dig deeper into the issue that had been raised semester after semester by the associated students, but never fully addressed and solved.

Jessica Jones, the president of the Associated Students, created the budget last year, and says she wasn’t made aware at the time that the funds that were allocated to pay the salaries were even accessible.

“I had no idea I could access these funds,” she said. Her chief concern with the current inquiry is that it takes months for the Associated Students to access the funds. She envisions a future where on-campus clubs can easily access funds for appropriate usage such as travel to conferences and putting on events.

According to Edmonds, Ethington is taking steps for this to happen now, but Ethington said that it is difficult once the budget has been passed to get to the reserve funds.

In 2005 there was a memorandum of understanding stating the associate students would pay 75 percent of a .6 full-time equivalent position, according to Ethington.

That later morphed over the years, and the students agreed to pay 45 percent of one full-time equivalent position. At the time of the MOU, there was no specification as to which funds the monies came out of. Over the years, the item in the budget has just passed on and been approved. The number changes every year with contract negotiations and healthcare rate changes.

“The specifics aren’t something I can even look at,” Edmonds said, citing confidential personnel issues. “I can just see the big number.”

The questions that Ethington and the Associated Students sent to district counsel are:

1) Use of Student Activities Fee revenue (pursuant to EDUCATION CODE SECTION 76060-76067):

a) Is it legally permissible for the Associated Students of Santa Rosa Junior College (ASSRJC) to authorize the use of revenue collected from the optional Student Activities Fee to fund salaries and benefits for Sonoma County Junior College District (SCJCD) classified employee position(s) whose duties include work performed on behalf of the ASSRJC?

b) If it is legally permissible to fund such a position, and such a position is fully funded (1.0 FTE) by Student Activities Fee revenue, can the position perform work for the department that supervises the position and provides administrative oversight of the ASSRJC? Background note: some of the work performed may not directly benefit ASSRJC, but it does support the overall financial operations of a college department that has historically maintained a reciprocal support and consultative relationship with the ASSRJC.

2) Use of Student Representation Fee revenue (pursuant to EDUCATION CODE SECTION 76060-76067):

a) Is it legally permissible for the ASSRJC to authorize use of revenue collected from the optional Student Representation Fee to fund salaries and benefits for SCJCD classified employee position(s) whose duties include performing work to support “students or representatives who may be stating their opinions and viewpoints…”(California Title 5, Section 54805) before legislative bodies?

b) If it is legally permissible to fund such a position and such a position is partially funded (.45 FTE) by Student Representation Fee revenue, must at least .45 FTE of work performed by the position be in direct support of activities related to “students or representatives who may be stating their opinions and viewpoints…” before legislative bodies?

c) Must language of intent to authorize salary and benefit funding for SCJCD classified employee position(s) be included in the ballot text of a student election that would include authorization of payment for salary and benefit funding of said position through collection of a Student Representation Fee?

Typically, answers to questions like this come within two weeks, but Edmonds said Monday that district counsel has sent clarification about some of the questions.

Regardless of what the opinion is by counsel and what the district chooses to do at Santa Rosa Junior College, Edmonds said he will likely be taking this issue to the chancellor’s office, and that he hopes the Student Senate of California Community Colleges is on board with him to look deeper into this issue at each college.

There is a General Assembly of the SSCCC at the end of April. Hopefully, said Edmonds, counsel will give their opinion before then so they can bring it up at the annual meeting.

As to the positions and whether the college would be able to fund them if the AS monies dried up, Ethington couldn’t comment at this time.

“But,” he said, “I think the college would work to find a place for the employees. I am hoping by the end of next week we will have a legal opinion,” he said.

“It is a big institution, there is a lot of bureaucracy,” Ethington said. “But I think there will be a good outcome. Jessica and Robert [Edmonds] have been great and I commend them on the amount of work and good things they have done for this college. Their job is to advocate and they feel like this is an issue that needs their attention.”

Live Review: Nick Cave at the Bill Graham Civic Auditorium

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How I’ve gone this long without seeing Nick Cave live is beyond me, especially since I’ve always… well, “always been a fan” wouldn’t be accurate. (I own three of his albums.) More truthful would be to say that Nick Cave’s music has never, ever irritated me. Considering Cave’s extensive output, that’s saying something. Combine it with the full-blown “holy shit” moments his songs have given to me—like hearing “Nobody’s Baby Now” while nursing a $1 PBR at EJ’s in Portland, in 1997—well, Nick Cave finally demanded to be seen live.
If you’ve seen him, you know. If you haven’t, imagine a rail-thin circus ringmaster whipping a band of lions not out of but into aggressiveness. A flamboyant offspring of Valentino and Satan, Cave channels 55 years of romantic bandwidth into sharp, stinging things called “songs,” which are more like forays across continents than things you might sing in the shower. These forays are not for the faint of heart, or, evidently, for the young: tonight, he had a children’s choir backing him up, and when they exited the stage, they covered their ears and looked terrified.

Project Censored: The Movie

New documentary on Project Censored an eye-opener

Outside Lands 2013: Paul McCartney, Nine Inch Nails, D’Angelo, Willie Nelson, Hall & Oates, More

The lineup for Outside Lands 2013 has been announced, and it includes Paul McCartney, Nine Inch Nails, D'Angelo, Willie Nelson, Phoenix, Vampire Weekend, the Yeah Yeah Yeahs, the National, Kaskade, Grizzly Bear, Jessie Ware and many, many more. (Like the Red Hot Chili Peppers.) Did I mention, also: Daryl Hall and John Oates? Full lineup is below. Three-day passes are currently $235,...

The Skatalites to Perform at the Last Day Saloon

Legendary Jamaican rockers the Skatalites perform tonight at the Last Day Saloon, and it will be one of the last shows at the venue as we know it—it's slated to close May 5. It has been a year since the Skatalites came through Northern California, nearly selling out their last show in Santa Rosa. Although only one founding member remains,...

What Happened to the Covered Wagon at Montgomery Village?

A covered wagon’s sudden disappearance might not be news in other cities. But in Santa Rosa, it nearly stops traffic. That’s what Santa Rosa residents discovered today, upon seeing that the iconic covered wagon, which for over 50 years has stood watch at Montgomery Village on the corner of Farmers Lane and Montgomery Drive, has been taken down. I drove by...

Jimmy Carter is Literally Saving the World

The former president is eradicating painful parasites in Africa.

Photos: Steve Kimock & Bernie Worrell at Hopmonk Novato

Unbeatable guitarist Steve Kimock has been raising a pretty fiery noise with keyboardist Bernie Worrell lately—and the band took to the brand-new Session Room at the Hopmonk Tavern in Novato last week. Our photographer Jamie Soja was there. See a full photo slideshow below.

How’d They Do It: The New Trust’s ‘Marigolds’ Video

Santa Rosa trio the New Trust has released a stunning video for "Marigolds," a song from their forthcoming fifth album, Keep Dreaming. The entire thing is one long, time-lapse shot of flowers sprouting, growing, blooming and then dying. Below, guitarist and photographer Sara Sanger describes the process of making the video, the challenges of photographing plants and why her...

This Time Google Did it Right

Advertorials and editorials: not the same thing

Misappropriation of Funds at SRJC

Two students funds found to be paying staff salaries

Live Review: Nick Cave at the Bill Graham Civic Auditorium

How I've gone this long without seeing Nick Cave live is beyond me, especially since I've always... well, "always been a fan" wouldn't be accurate. (I own three of his albums.) More truthful would be to say that Nick Cave's music has never, ever irritated me. Considering Cave's extensive output, that's saying something. Combine it with the full-blown "holy...
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