Beer Dinner

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Baeltane Brewing has teamed up with HopMonk Tavern Novato for a night of artisanal suds and plates of paired offerings from the HopMonk kitchen.

Let’s skip right to the “Finale”: the dish artfully brings breakfast and dinner staples to a whole other level; it’s not a savory, but it is a quasi-dessert, if seen in a certain, pie-eyed light.

That’s already too much information, for now—so let these be a gentle and delicious distraction. The Baeltane beer dinner opens with a schnozzle of the Novato brewer’s signature Biere de Gardinere. A proper appetizer pairing follows, grilled cantaloupe with prosciutto and blue cheese with the Novato brewer’s “Venus in Blue Jeans,” a strong Belgian ale. A seafood manicotti swims with another Belgian-style concoction, the Fleuret ale, and the Black Spot porter is a stoutly pal of the charred flank steak entrée that’s served with some freakin’ carrots and a petite spinach, feta and beet salad. Yum. Burp.

The dinner is Aug. 24 at the HopMonk Tavern, 224 Vintage Way, Novato; $65 covers everything. including tax and gratuity.

But does that really cover everything?

Ah, the “Finale”! Brew-diners will imbibe the brewer’s Beleriand Barleywine beer. Say it three times fast before you plow into those crispy-fried chicken wings over buckwheat waffles.

Tell Your Birth Control Story

It’s time for flower geezers and feminist grannies to speak out about life before the birth control pill and Roe v. Wade. Young people today either take their reproductive rights for granted or are too busy trying to find a job and pay their college loans to consider the issue. Before the supremes march us back to the Dark Ages, we should educate the young about what sex was like before access to birth control and safe abortion.

Young gay men and women can go online today and hear countless people of all backgrounds tell them how “it gets better.” If you’re older than a certain age, you might remember when people didn’t openly discuss cancer. In a world of pink ribbons and three-day marches, we no longer need the euphemism of “dying after a long illness.” We are bombarded with commercials for erectile dysfunction, yet we still haven’t normalized the open discussion of birth control and abortion.

We aging boomers have spent too much time sharing tales of sex, drugs and rock ‘n’ roll, and not enough talking about life before reliable birth control and legal abortion. How many young people of today know the story of Sherri Finkbine? She was unwittingly exposed to Thalidomide while pregnant in 1962 and was unable to obtain an abortion in the United States. She traveled to Sweden for one but lost her job as the TV host of Romper Room as a result.

Those of us in our 60s, 70s and 80s have stories of searching for a back-alley abortion, of friends who died of septicemia afterwards, or who were forced into marriage or homes for unwed mothers, or who were unable to pursue careers or education because of the inability to control pregnancy while still having a sexual life.

Don’t let this shameful history repeat itself. Help reduce the stigma around this conversation. Sit down with your grandchildren and watch the excellent documentary When Abortion Was Illegal: Untold Stories. If you’re a young person, ask your grandparents about birth control in their day.

Grandparents, give the gift of your own history. Go to Storycorps.org and record your story. Don’t focus on politics; your personal testimony is more powerful. If you can’t say it out loud, at least write it down. Don’t let your story be forgotten; bear witness instead.

Cynthia Tuttelman is a retired physician living in Petaluma.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

War Revisited

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It was “the war to end all wars,” and it began 100 years ago this month. In honor of the anniversary of the First World War, the Rialto Cinemas in Sebastopol offers a chance to learn from the Great War through two films that explore its origins.

On Aug. 11, Rialto screens the BBC-produced 2014 documentary Royal Cousins at War. The film delves into the relationships between Europe’s greatest powers—Tsar Nicholas II of Russia, Kaiser Wilhelm II of Germany and King George V of Britain—and the divisions and rivalries that led to the emergence of the alliance system and Germany’s growing isolation. This dramatic retelling concludes with the assassination of Archduke Ferdinand, largely considered the catalyst for the global conflict.

Next, the Rialto screens the political thriller 37 Days on Aug. 13. Also produced by the BBC, this film picks up where Royal Cousins leaves off with a behind-closed-doors account of the days between the Ferdinand’s assassination on June 28 and the declaration of war between Britain and Germany on Aug. 4, 1914. This ticking-clock thriller features an international cast, led by Ian McDiarmid (Star Wars) and Nicholas Farrell (Chariots of Fire), and is loaded with intense drama and intrigue.

Royal Cousins at War screens Monday, Aug. 11, and 37 Days screens Wednesday, Aug. 13, at Rialto Cinemas, 6868 McKinley St., Sebastopol. Both films show at 1pm. Free. 707.525.4840.

A Wretch Abroad

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‘It’s a pig f**k!” That’s how comedian Will Durst described the Edinburgh Fringe Festival back in July when he appeared at Wretch Aid, a fundraiser to help send my one-man show, Wretch Like Me, to the world’s largest theater festival. Durst has appeared here a couple of times.

I say “here” because I’m writing this column from an outdoor bar at Surgeon’s Hall, in Edinburgh, Scotland, where a band of Sonoma County folks has teamed up to present my show—we’ll present it a total of 14 times. We’ve done the show three times and will certainly need a break now and then because, as Will pointed out, it’s a pig f**k over here in Edinburgh.

Which isn’t necessarily a bad thing.

The city population doubles in size during August, when tens of thousands of theatergoers arrive to catch over a thousand different shows. The competition for audience members is fierce and frenzied—you cannot walk a block without having at least a dozen postcards pressed into your hand.

Reviewers work overtime to see as many shows as possible, and their reviews are instantly copied by the hundreds at Fringe Central—the massive space where performers at the festival can rest, use WiFi, grab a snack and use the printers. Pertinent quotes are then cut out and stapled to postcards, which are rushed back out to the sidewalk to be handed out to passersby.

Here in Edinburgh, reviews and word-of-mouth are the currency that builds attendance. Still, while some shows draw hundreds of people, others are thrilled to get 10.

Acclaimed English storyteller Tim Ralphs dropped in to watch a morning performance of Wretch Like Me. He’s in Edinburgh with a one-man storytelling show, all about the devil, Beelzebub Rebranded.

Ralphs stopped me later in the day at Fringe Central.

“Oh man, I wanted to get up onstage and dance right along with you at the end!” he told me. “I’m still abuzz from how good your show is!”

Team Wretch, which includes Wretch’s Santa Rosa–based director Sheri Lee Miller and stage manager Robin DeLuca, plans to see Ralphs’ devil but we first have to push through the crowds to catch Sonoma resident Reed Martin in his Fringe show, The Complete History of Comedy (Abridged). It’s funny to travel 5,000 miles, and still bump into people from back home.

For the record, though, I have yet to see any pigs.

Follow David Templeton’s
Edinburgh adventure on his blog, www.wretchlikemeblog.com, and on, twitter@_wretchlikeme.

Laugh Till It Hurts

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There is a scene in the 1999 wrestling documentary Beyond the Mat, where Mick Foley (aka Mankind), one of the film’s main subjects, takes a pretty gruesome beating during one of his matches.

The beating wasn’t unusual, but what’s eye-opening is finding out—from the behind-the-scenes glimpse of the match—just how real the carnage actually was. Even more unsettling, the filmmaker taped Foley’s wife and kids’ reaction to the match. They were horrified.

The film didn’t just show Foley’s high threshold for pain. It contrasted his crazy stage antics by showing that, off the mat, he is a kindhearted and loving family man who is bright, funny and well-spoken.

Now that Foley is retired from wrestling, he’s done a lot more to show his wit and sense of humor. He’s a bestselling author, comedian and spoken-word artist.

“There are laughs to be had even during my most serious matches—even driving in an ambulance after losing an ear in Munich, Germany,” Foley says. “When I’m onstage, I feel very much like I did when I was in the ring, but without the late-night emergency-room visit.”

Foley’s career as a wrestler didn’t last much past the release of Beyond the Mat. During routine doctor visits, he was strongly advised that he should quit, or face potentially life-threatening injuries.

In 1999, Foley published the bestselling memoir Have a Nice Day: A Tale of Blood and Sweatsocks. He took the opportunity to address politics and current affairs. Foley then tried standup comedy.

“I was pretty good. It’s just that when I got to the Just for Laughs festival in Montreal, I realized that it might take 20 years to get as good as some of these guys, but even Louis CK couldn’t tell a story about finishing a match with his tooth stuck in his nose,” Foley says. “As the great Australian comic Brendon Burns put it, ‘Mick’s got the advantage because all of us talk about our day jobs and he had the coolest day job of anyone.'”

Two years ago, Foley moved away from a traditional standup style and made it more of a “storytelling” approach.

What he’s doing now isn’t much different than what Beyond the Mat did. Foley enjoyed being part of the documentary, though not everyone did—in particular World Wrestling Entertainment CEO Vince McMahon.

“He thought it took away people’s ability to enjoy the magic of what we did onscreen,” Foley says. “I always felt like the world behind the scenes was every bit as fascinating, if not more so than what people saw on TV.

“I always thought of the WWE the way Dorothy thought of Oz. Some of it was horrible. But most of it was wonderful. It’s a very surreal place.”

Wooden Woody

Sentimental attachment to Woody Allen’s movies and disgust with trial-by-Twitter make me want to consider Allen’s new film, Magic in the Moonlight, outside all the controversy over sexual misconduct now surrounding the director. But unfortunately Moonlight is all about a middle-aged man trying to expose a young girl as a liar.

The main character in this stuffy, creaky comedy is a misanthropic British stage magician named Stanley Crawford (Colin Firth). One day an old friend (Simon McBurney) informs Stanley about a female spiritualist preying on a rich family in the Riviera. When the magician arrives to expose the fraud, the spiritualist, Sophie (Emma Stone), turns out to be a large-eyed slip of a girl from Kalamazoo. Moreover, she seems to be legitimate.

The soundtrack flogs a few moldy familiar tunes. Some of them come from Sophie’s boorishly persistent beau, Brice (Hamish Linklater)—very rich, but addicted to bad ukulele playing. It’s surprising how Allen refuses to construct a love triangle sturdy enough not to blow over in the first strong breeze.

Stone has the frame for those Jazz Age sheaths, and she makes you wonder if she couldn’t have done a better job as Daisy Buchanan than Carey Mulligan recently did in The Great Gatsby. Firth and Stone keep this minor comedy from unwatchability. Still, Allen has rarely seemed so distracted. Sophie’s ability to talk to the next world immediately challenges Stanley’s disbelief in God.

No matter the ultimate outcome of Stanley’s crisis, Magic in the Moonlight is the first Allen movie that gives us a big, old-fashioned prayer scene. It’s hard not to be dismayed by Stanley’s agnostic angst with lines like “I believe that the dignity of man is not enough!” In the context of a bum romance, with no quotable jokes, the open religiousness in this movie makes it seem all the more certain that this film won’t have a prayer.

‘Magic in the Moonlight’ is playing in wide release across the North Bay.

Letters to the Editor: August 5, 2014

Rhyming and Stealing

Dylanologists (“Dylan Covers London,”
July 30), amateur and professional, might do well to check out a line plagiarized from Dylan by the Old Crow Medicine Show. (They might first check out John Prine’s “Muhlenberg County”: “Daddy won’t you take me back to Muhlenberg County . . . / Mr. Peabody’s coal train done hauled it away.”) Supposedly, Dylan’s manager gave it to Old Crow, who now have their second hit with a Dylan rewrite. The questions are: What did Dylan send them? What year did John Prine write his great song?

Old Crow definitely have released a song with a different chorus, but the write-overs from Prine’s to Dylan’s lyrics are mighty thin. The protagonist in “Sweet Amarillo” comes down from the “Mesabi Iron ore range” in place of “the Green River where Paradise lay,” where John Prine’s singer wishes to return. Give them both a listen and hear how the timing and placement of phrases and tune in each song overlaps and dovetails.

Via online

They’re only words, the dictionary is full of them, pick some. “Cave dweller,” really? I bet if you ran all of John Grisham or Stephen King’s books through the right computer, it would turn out they stole it all from Bob Dylan. Some people have too much time on their hands. “Steal a little, and they put you in jail. Steal a lot, and they make you king”—Bob Dylan.

Via online

First off, nobody is a bigger Bob Dylan fan than I am, but as the article suggest, swiping tidbits or parts of sentences from someone else’s book is nothing new. Years ago, Paul McCartney, although he was referring to music, claimed that everybody pinched from everybody else. Years ago, Dylan himself made the point that (I’m paraphrasing) “all the great books have been written and all the great songs have been sung.” There are only 12 notes and 26 letters in the alphabet that I know of, so it’s pretty damn hard for anyone to be completely original.

I write short stories, and I’ve been known to swipe a line or two from old noir B-films, mostly because I don’t want great lines like “It was over fast, like a bad meal” to be forgotten or lost.

The thing of it is, I’m sure that Bobby wouldn’t dig it if anybody lifted any of his stuff word for word, so why not just give the credit when and where it’s due? But I do believe plagiarism is different; it’s the taking of another’s idea and calling it your own. Now that’s stealing.

Sonoma

Diverse or Not?

“Rohnert Park, a city not known for its diversity” (“Chewy Tea,” July 23)—where have you been hanging out, Nicolas Grizzle? I’ve been reading and enjoying your point of view for quite a while now, but have to argue with you about this seemingly gratuitous and erroneous remark. As a former resident, and still a property owner in Rohnert Park, I find it to be one of the most diverse parts of Sonoma County, which is not known for its diversity. And I’m not talking about our frequent count of Latino families. I’m talking about a variety of ethnicities, visibly different from the white majority, black folks, Asian folks and brown folks too. It was one of the features of Rohnert Park that gave me some real satisfaction, preferring to live in a multicultural neighborhood.

Guerneville

Antibiotics and Animals

Right now animals all over the U.S. are being fed antibiotics on a regular basis to prevent illness. The World Health Organization recently warned that, due to this overuse of antibiotics, strains of bacteria are being created with the ability to resist the effects of our most powerful antibiotics.

The first thing that needs to be done is to limit their use on factory farms. By treating farm animal illnesses when they occur instead of administering preemptive methods like antibiotic abuse, we can slow the speed at which these bacteria develop immunities. At this moment, up to 80 percent of all antibiotics in the U.S. are sold for livestock, not for people.

The government needs to introduce legislation that prohibits this drug abuse on farms. If we don’t act now, we will lose our ability to treat common illnesses like pneumonia, meningitis and infections from minor cuts.

Berkeley

Dept. of Corrections

In last week’s news story, “The New Deal,” we incorrectly reported that Station Casinos closed casinos in the wake of the 2007 recession. The article also stated that Station Casinos was sued by UNITE HERE organizers in 2010. The union filed charges against Station Casinos with the National Labor Relations Board that year. Finally, the piece should have noted that Station Casinos came out of bankruptcy in 2011.

Also, in last week’s cover story, “Dylan Covers London,” we incorrectly reported the name of the journal that ran Scott Warmuth’s essay, and the title of the essay. The essay ran in the New Haven Review, not the New Haven Register, and it was called “Bob Charlatan.” Also, Warmuth lives in New Mexico, not Arizona, as we mistakenly reported.

We regret the errors.

Tangled Up in News

Write to us at le*****@******an.com.

Rain Dance

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San Francisco guitarist and songwriter Jeffrey Halford is a blazing blues and roots musician who, with his band the Healers, has crisscrossed the country with national acts and received rave reviews for his scorching, driving R&B.

Halford’s latest album, Rainmaker, is a sharp and engaging record of down-home Americana and raucous rock and roll. From the buzzing slide guitars of the rambling “Lost Highway” to the searing organs of “Vinyl” and the surprisingly poignant acoustic ballad “Thunderbird Motel,” the whole record is a compelling, pulsing collection of rugged tunes. Halford channels the dustbowls of the American southwest, the humid plains of the Midwest and the colorful hills of his hometown San Francisco, especially on his foot-stomping ode to the City, “North Beach.”

This week, Jeffrey Halford & the Healers make their way to Sonoma County, when KRSH hosts Halford and company on
Aug. 7 as part of its Backyard Concert series. Eclectic Marin blues outfit the Tazmanian Devils open the free show. Halford also plays the Sonoma County Fair, Sunday, Aug. 10.

Jeffrey Halford & the Healers play on Thursday, Aug. 7, at KRSH, 3565 Standish Ave., Santa Rosa. 6pm. Free. 707.588.9999.&#10

Soul Power

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I meet singer and songwriter Jesse DeNatale at Wildwood Cafe in Graton for coffee. By the time our cups arrive, we’re already steeped in a discussion about the philosophical nature of music.

“It’s magic in a modern world,” says DeNatale. The local musician, now living in Sebastopol, is pondering what he calls a compulsion to document and connect. For DeNatale, music is as essential as food and shelter, a malleable but intangible force he can’t live without.

Born in San Francisco, DeNatale is a soulful folk artist who’s been widely praised for his natural crafting of deeply felt, personal stories in the tradition of troubadour artists like Bob Dylan and Ramblin’ Jack Elliott. DeNatale’s two albums, 2003’s Shangri-La West and 2006’s Soul Parade, are adored by critics and fans alike.

DeNatale doesn’t currently have plans for a follow-up record, though he continuously writes new material and prefers to engage with live audiences, even performing unannounced to allow unsuspecting crowds to discover his music without preconceived notions. “Sometimes, when you discover a new song, it feels like it discovered you,” says DeNatale. “And maybe sometimes it does.”

A longtime North Bay local, DeNatale first lived in Point Reyes Station when he moved from San Francisco, a community he is still closely connected with. “You can fall in love with a place, but it’s the people that keep you there, it’s their joys and struggles you celebrate.”

Case in point: This past January, the Porrata-Powell family learned that their youngest child, four-year-old Ezequiel, was diagnosed with a rare cancer, rhabdomyosarcoma, and would require chemotherapy. A month later, husband and father Roneil Powell passed away in his sleep. He was only 43.

When news of this tragedy reached DeNatale, his immediate impulse was to help. Now, with the generous support of the community, DeNatale is performing a special benefit concert on Sunday, Aug. 10, at Toby’s Feed Barn in the heart of Point Reyes Station. For the show, DeNatale is playing with a full band and has recruited one of his favorite songwriters, Jonathan Richman, to open with drummer Tommy Larkins. Richman is best known for founding the proto-punk band Modern Lovers, and his influence is widespread.

Beyond the fundraising aspect of the show, DeNatale hopes the show will act as a display of support and solidarity for the Porrata-Powell family, and he guarantees that at the concert there will be at least one song that I will love. “And what’s better than finding that one song?”

Just South of Heaven

Tucked neatly behind one of the lush curves on Burnside Road in Sebastopol lies the unexpected: a big, badass custom shop called South of Heaven. Owned and operated by Craig Ahart, the 3,000-square-foot shop is housed in a massive two-story barn that he hand-built about 11 years ago, with a specific eye toward making it appear as vintage as the classic cars he specializes in modifying.

For 38-year-old Ahart, the devil is in the details, and custom means custom everything. No detail is too small to go unnoticed, and he’s been known to spend hours on something as minor as a mirror bracket, just to get the right lines. And it shows. While Sonoma County has no shortage of classic cars, Ahart’s designs are recognizably unique, a perfect blend of appreciation for traditional lines, the unmistakable influence of low-rider culture and his signature style.

The works of art rolling out of South of Heaven may not bear the candy-coated, flashy look of mainstream hot rods, but they’re no less eye-catching. Ahart describes the shop’s style as “low-budget hot rods” and aims to build “a car you own, not that owns you.”

“There are a lot of older cars out there you don’t ever see,” he notes. To Ahart, if you can’t enjoy driving your car because you’re too busy preserving it, that takes the fun out of it.

Now 20 years into the game, this self-taught artisan has made a name for himself. His cars have won awards and graced the pages of hot-rod magazines.

Ahart’s passion for the build developed early in life, and he largely credits his grandfather, electrical engineer Jack Ghilardi. “My mentor is this guy right here,” Ahart gestures toward a framed picture, each finger of his right hand bearing a tattooed spark plug. He adds, “He was basically my dad. He was the nicest guy ever.” Ghilardi bought Ahart power tools when he was 10 and taught him how to use them.

“Instead of toys and stuff, he’d show up with a stack of lumber,” Ahart reminisces, “and he just knew what I wanted.”

Though his grandfather’s main hobby was fishing, he did have an affinity for cars, having built a Model T from scratch as a young man. Ahart recalls Ghilardi tasking him with painting a ’68 Plymouth Barracuda, only to gift it to him. Much to Ghilardi’s dismay, his grandson turned down the gift; Ahart knew early on that muscle cars were not the type of classic vehicle that fueled his fire.

LEARNING BY DOING

Raised by his mother in Marysville, Calif., Ahart never had much money growing up. “It was just me and her,” he says, “but she was a badass mom.” He recalls a pivotal moment in his teens when a Mervyn’s ad featuring a little red pickup caught his eye. The truck seemed accessible to him, and he remembers thinking, “I could have something like that.”

Ahart started learning by doing, developing unconventional building techniques along the way. “I was really intimidated by cars at first,” he recalls. “I didn’t know the slang of how you talk about things.” Though his friends didn’t work on cars, Ahart became an influence, and they too got involved. Tough times call for tough measures, and though he’s not proud of it, Ahart and his friends “used to rip off junkyards, because we had no money to buy parts.”

[page]

He started seriously working on cars at the age of 17 and completed his first full build, a 1950 Chevy pickup, at 19. “It was all about how low I could get that tire sucked into that fender—that was my main goal.”

When he was 21, Ahart’s mom moved to Bodega Bay, and he rented and lived in her garage. Around the same time, he started working at Coast Auto Body in Bodega with owner Rick Karcher (the shop later moved to Valley Ford), where he met Greg Passalaqua. The two fueled one another, and Passalaqua encouraged Ahart to open his own shop. Ahart decided to give it a try. If it worked, he figured, great, and if not, he’d end up with a solid workshop.

In 2002, Ahart and his mother bought a property on Burnside Road that originally came with a house built in 1936 and a garage, which Ahart turned into a granny unit for his grandmother. He built the workshop space in 2003, and in 2005, South of Heaven was born, outfitted with tools that once belonged to Ahart’s and Passalaqua’s grandfathers. Though Passalaqua is no longer involved in the shop, they remain friends.

Lifelong builder Jorge Vega, 33, works closely with Ahart at the shop.

“I couldn’t do it without him,” says Ahart.

Vega shares Ahart’s passion and is driven by seeing their clients get amped by the results they produce. “I’m happy to be part of the journey of making their dreams come true,” says Vega.

Their third team member is apprentice Devin Grieb, 26, who is learning from the pros the best way how: by doing everything they don’t want to do. Ahart hopes to one day pass his knowledge on to his two sons, Dallas and Travis, eight and six.

THE COST OF CUSTOM

The biggest challenge in the business, according to Ahart, is that people often underestimate the cost of a custom build. “New people are floored,” he says. “They can’t believe how much it costs to do stuff. People familiar with cars at least have an idea.”

There’s a difference between getting an estimate for a repair and getting one for custom work. It would be like going to a sculptor, wanting to commission a piece of art, and expecting an estimate. It just doesn’t work that way.

“It’s not easy putting a price on some of the things I do,” Ahart says, “because I don’t know how long it’s going to take.”

To build a car from scratch takes anywhere from $30,000 to $50,000; the engine alone can run $12,000. South of Heaven has gotten more into the practice of buying cars than modifying and selling them, but they still do custom work with clients who understand the cost of craftsmanship.

[page]

In 2011, Ahart founded South of Heaven’s private car club, the Filthies. The club’s 17 members meet once a month in the “clubhouse,” a beautifully handcrafted hangout area Ahart built, complete with a full bar, on the second story of the shop barn.

They show off their vehicles together at car shows and host events, like the upcoming Rods and Kustoms Drive-In on Aug. 23 in Valley Ford, which is open to the public and will feature live bands, a drive-in movie, food, vendors and a pedal-car raffle, in addition to having custom hot rods and motorcycles on display.

But make no mistake: the club is not in search of new recruits. Filthies member Bennie Wagers says, “We’re firing, not hiring.” Ahart adds, “We don’t really care to have any more members. You have to know someone and put in time at the shop. You can’t just join.”

NEXT UP

For the future, Ahart wants nothing more than to build more cars. “All I want to do is flood everywhere with hot rods.”

But a point of contention for him is the lack of camaraderie between local builders. “I’m not intimidated by any other builders,” he says. “Builders should have no problem with other builders. We all have the same goal of trying to get
cooler cars on the road.” Yet he says that on several occasions he was not well received in other shops. “You can feel that they’re uncomfortable, or something’s wrong,” he says. “I wish it wasn’t like that.”

Today, the South of Heaven property has no shortage of nostalgic eye candy. Numerous classic rides in various stages of modification can be seen on the lot, from a stunning 1927 Roadster (that arrived “in a pile for $400”) to the ’34 Plymouth coupe that’s next on Ahart’s list. Of this collection, only two are Ahart’s: a ’54 Cadillac sedan (modded into a two-door convertible) and his “daily driver,” a ’36 Dodge pickup.

And if you’re wondering what his tools of choice are for this level of craftsmanship, the answer is surprisingly simple: big hammers. “A heel dolly and a hammer are the two main things that I use—and a pair of pliers. I use big hammers.” His reputation for being able to precisely shape metal with just hammers precedes him.

When asked what his favorite build has been so far, Arhat thinks for a moment and answers, “I don’t feel like I’ve done it yet.”

Beer Dinner

Baeltane Brewing has teamed up with HopMonk Tavern Novato for a night of artisanal suds and plates of paired offerings from the HopMonk kitchen. Let's skip right to the "Finale": the dish artfully brings breakfast and dinner staples to a whole other level; it's not a savory, but it is a quasi-dessert, if seen in a certain, pie-eyed light. That's already...

Tell Your Birth Control Story

It's time for flower geezers and feminist grannies to speak out about life before the birth control pill and Roe v. Wade. Young people today either take their reproductive rights for granted or are too busy trying to find a job and pay their college loans to consider the issue. Before the supremes march us back to the Dark...

War Revisited

It was "the war to end all wars," and it began 100 years ago this month. In honor of the anniversary of the First World War, the Rialto Cinemas in Sebastopol offers a chance to learn from the Great War through two films that explore its origins. On Aug. 11, Rialto screens the BBC-produced 2014 documentary Royal Cousins at War....

A Wretch Abroad

'It's a pig f**k!" That's how comedian Will Durst described the Edinburgh Fringe Festival back in July when he appeared at Wretch Aid, a fundraiser to help send my one-man show, Wretch Like Me, to the world's largest theater festival. Durst has appeared here a couple of times. I say "here" because I'm writing this column from an outdoor bar...

Laugh Till It Hurts

There is a scene in the 1999 wrestling documentary Beyond the Mat, where Mick Foley (aka Mankind), one of the film's main subjects, takes a pretty gruesome beating during one of his matches. The beating wasn't unusual, but what's eye-opening is finding out—from the behind-the-scenes glimpse of the match—just how real the carnage actually was. Even more unsettling, the filmmaker...

Wooden Woody

Sentimental attachment to Woody Allen's movies and disgust with trial-by-Twitter make me want to consider Allen's new film, Magic in the Moonlight, outside all the controversy over sexual misconduct now surrounding the director. But unfortunately Moonlight is all about a middle-aged man trying to expose a young girl as a liar. The main character in this stuffy, creaky comedy is...

Letters to the Editor: August 5, 2014

Rhyming and Stealing Dylanologists ("Dylan Covers London," July 30), amateur and professional, might do well to check out a line plagiarized from Dylan by the Old Crow Medicine Show. (They might first check out John Prine's "Muhlenberg County": "Daddy won't you take me back to Muhlenberg County . . . / Mr. Peabody's coal train done hauled it away.") Supposedly,...

Rain Dance

San Francisco guitarist and songwriter Jeffrey Halford is a blazing blues and roots musician who, with his band the Healers, has crisscrossed the country with national acts and received rave reviews for his scorching, driving R&B. Halford's latest album, Rainmaker, is a sharp and engaging record of down-home Americana and raucous rock and roll. From the buzzing slide guitars of...

Soul Power

I meet singer and songwriter Jesse DeNatale at Wildwood Cafe in Graton for coffee. By the time our cups arrive, we're already steeped in a discussion about the philosophical nature of music. "It's magic in a modern world," says DeNatale. The local musician, now living in Sebastopol, is pondering what he calls a compulsion to document and connect. For DeNatale,...

Just South of Heaven

Tucked neatly behind one of the lush curves on Burnside Road in Sebastopol lies the unexpected: a big, badass custom shop called South of Heaven. Owned and operated by Craig Ahart, the 3,000-square-foot shop is housed in a massive two-story barn that he hand-built about 11 years ago, with a specific eye toward making it appear as vintage as...
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